UPC · Release
Tchaikovsky, Mussorgsky, Shostakovich, Debussy, Holst, Stravinsky, Orff, R. Strauss, Vaughan Williams, Stokowski
Last verified:
5099969855528 is the Universal Product Code (UPC barcode) for the release “The Maverick Conductor” by Tchaikovsky, Mussorgsky, Shostakovich, Debussy, Holst, Stravinsky, Orff, R. Strauss, Vaughan Williams, Stokowski, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC. Tracks include USAR29701168.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Passacaglia and Fugue in C minor, BWV 582 (BC J79): Passacaglia | — | ||
| 2 | Passacaglia and Fugue in C minor, BWV 582 (BC J79): Fugue | — | ||
| 3 | Komm, süsser Tod, BWV 478 (BC F227, Schemelli Gesangbuch no. 868) | — | ||
| 4 | English Suite no. 2 in A minor, BWV 807 (BC L14): Bourrée | — | ||
| 5 | English Suite no. 2 in A minor, BWV 807 (BC L14): Sarabande | — | ||
| 6 | Ein' feste Burg ist unser Gott, BWV 720 (BC K103) | — | ||
| 7 | Weihnachtsoratorium (Christmas Oratorio), BWV 248 (BC D7): Sinfonia | — | ||
| 8 | "Little" Fugue in G minor, BWV 578 | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | T-329.412.466-2 | |
| 9 | Orchestral Suite no. 3 in D, BWV 1068: Air "on the G string" | — | ||
| 10 | Mein Jesu, was vor Seelenweh, BWV 487 | — | ||
| 11 | Partita no. 3 in E, BWV 1006 – Prelude | — | ||
| 12 | Toccata and Fugue in D minor, BWV 565 (BC J37): Toccata | — | ||
| 13 | Toccata and Fugue in D minor, BWV 565 (BC J37): Fugue | — | ||
| 2-1 | Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 2-2 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | — | ||
| 2-3 | Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio | — | ||
| 2-4 | Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto | — | ||
| 2-5 | Escales: Rome – Palermo | — | ||
| 2-6 | Escales: Tunis – Nefta | — | ||
| 2-7 | Escales: Valencia | — | ||
| 2-8 | Petite symphonie concertante: I. Adagio – Allegro con moto | — | ||
| 2-9 | Petite symphonie concertante: II. Adagio | — | ||
| 2-10 | Petite symphonie concertante: III. Allegretto alla marcia | — | ||
| 2-11 | Evolution: Part 1 | — | ||
| 2-12 | Divertimento for Band: March | — | ||
| 3-1 | Prélude à l’après‐midi d’un faune | — | ||
| 3-2 | Nocturnes : I. Nuages | — | ||
| 3-3 | Nocturnes : II. Fêtes | — | ||
| 3-4 | Nocturnes : III. Sirènes | — | ||
| 3-5 | Suite bergamasque : Clare de lune | — | ||
| 3-6 | Ibéria (Images pour orchestre no. 2) : I. Par les rues et par les chemins | — | ||
| 3-7 | Ibéria (Images pour orchestre no. 2) : II. Les Parfums de la nuit | — | ||
| 3-8 | Ibéria (Images pour orchestre no. 2) : III. Le Matin d’un jour de fête | — | ||
| 4-1 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square: Adagio – | — | ||
| 4-2 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. January 9th: Allegro – | — | ||
| 4-3 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. Eternal Memory: Adagio – | — | ||
| 4-4 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Alarm: Allegro non troppo | — | ||
| 4-5 | Adagio for Strings, op. 11 | — | ||
| 5-1 | The Planets, op. 32: I. Mars, the Bringer of War | — | ||
| 5-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | — | ||
| 5-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | — | ||
| 5-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | — | ||
| 5-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | — | ||
| 5-6 | The Planets, op. 32: VI. Uranus, the Magician | — | ||
| 5-7 | The Planets, op. 32: VII. Neptune, the Mystic | — | ||
| 5-8 | Verklärte Nacht, op. 4: Sehr langsam – | — | ||
| 5-9 | Verklärte Nacht, op. 4: Etwas bewegter – | — | ||
| 5-10 | Verklärte Nacht, op. 4: Schwer betont – | — | ||
| 5-11 | Verklärte Nacht, op. 4: Sehr breit und langsam – | — | ||
| 5-12 | Verklärte Nacht, op. 4: Sehr ruhig | — | ||
| 6-1 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: I. Ilya Murometz and Syvatogor, the Mighty Hero | — | ||
| 6-2 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: II. Ilya Murometz and Solovel, the Brigand | — | ||
| 6-3 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: III. Ilya Murometz and Prince Vladimir | — | ||
| 6-4 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: IV. The Heroic Deeds and Petrifaction of Ilya Murometz | — | ||
| 6-5 | Petrushka – Suite: I. Russian Dance | — | ||
| 6-6 | Petrushka – Suite: II. The Shrovetide Fair (Near Evening) | — | ||
| 6-7 | Petrushka – Suite: III. Dance of the Wet Nurses | — | ||
| 6-8 | Petrushka – Suite: IV. Dance of the Peasant and the Bear | — | ||
| 6-9 | Petrushka – Suite: V. Dance of the Gypsy Girls | — | ||
| 6-10 | Petrushka – Suite: VI. Dance of the Dance of the Coachmen and Grooms | — | ||
| 6-11 | Petrushka – Suite: VII. The Masqueraders | — | ||
| 6-12 | The Firebird – Suite: I. Introduction | — | ||
| 6-13 | The Firebird – Suite: II. Dance of the Firebird | — | ||
| 6-14 | The Firebird – Suite: III. Variation of the Firebird | — | ||
| 6-15 | The Firebird – Suite: IV. The Princesses’ Khovorod | — | ||
| 6-16 | The Firebird – Suite: V. Infernal Dance of King Kaschchei | — | ||
| 6-17 | The Firebird – Suite: VI. Lullaby | — | ||
| 6-18 | The Firebird – Suite: VII. Finale | — | ||
| 7-1 | La Péri : Fanfare | — | ||
| 7-2 | La oración del torero, op. 34 | — | ||
| 7-3 | A Pagan Poem, op. 14 | — | ||
| 7-4 | Alborada del gracioso | — | ||
| 7-5 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 7-6 | Rapsodie espagnole: II. Malagueña | — | ||
| 7-7 | Rapsodie espagnole: III. Habanera | — | ||
| 7-8 | Rapsodie espagnole: IV. Feria | — | ||
| 7-9 | The Swan of Tuonela (Four Legends, op. 22 no. 2) | — | ||
| 7-10 | Finlandia, op. 26 | — | ||
| 8-1 | Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | — | ||
| 8-2 | Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | — | ||
| 8-3 | Carmina Burana: Primo vere: III. Veris leta facies | — | ||
| 8-4 | Carmina Burana: Primo vere: IV. Omnia Sol temperat | — | ||
| 8-5 | Carmina Burana: Primo vere: V. Ecce gratum | — | ||
| 8-6 | Carmina Burana: Uf dem Anger: VI. Tanz | — | ||
| 8-7 | Carmina Burana: Uf dem Anger: VII. Floret silva | — | ||
| 8-8 | Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | — | ||
| 8-9 | Carmina Burana: Uf dem Anger: IX. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe | — | ||
| 8-10 | Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | — | ||
| 8-11 | Carmina Burana: In Taberna: XI. Estuans interius | — | ||
| 8-12 | Carmina Burana: In Taberna: XII. Olim lacus colueram | — | ||
| 8-13 | Carmina Burana: In Taberna: XIII. Ego sum abbas | — | ||
| 8-14 | Carmina Burana: In Taberna: XIV. In taberna quando sumus | — | ||
| 8-15 | Carmina Burana: Cour d’amours: XV. Amor volat undique | — | ||
| 8-16 | Carmina Burana: Cour d’amours: XVI. Dies, nox et omnia | — | ||
| 8-17 | Carmina Burana: Cour d’amours: XVII. Stetit puella | — | ||
| 8-18 | Carmina Burana: Cour d’amours: XVIII. Circa mea pectora | — | ||
| 8-19 | Carmina Burana: Cour d’amours: XIX. Si puer cum puellula | — | ||
| 8-20 | Carmina Burana: Cour d’amours: XX. Veni, veni, venias | — | ||
| 8-21 | Carmina Burana: Cour d’amours: XXI. In trutina | — | ||
| 8-22 | Carmina Burana: Cour d’amours: XXII. Tempus est iocundum | — | ||
| 8-23 | Carmina Burana: Cour d’amours: XXIII. Dulcissime | — | ||
| 8-24 | Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | — | ||
| 8-25 | Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | — | ||
| 8-26 | Suite in B‐flat for Wind Instruments, op. 4: Gavotte | — | ||
| 8-27 | Symphony no. 8 in D minor: II. Scherzo | — | ||
| 8-28 | Symphony no. 4 in F minor, op. 36: III. Scherzo | — | ||
| 8-29 | Pictures at an Exhibition: Conclusion: The Hut on Fowl’s Legs | — | ||
| 8-30 | Pictures at an Exhibition: Conclusion: The Great Gate of Kiev | — | ||
| 9-1 | Pini di Roma: I. I pini di Villa Borghese | — | ||
| 9-2 | Pini di Roma: II. Pini presso una catacomba | — | ||
| 9-3 | Pini di Roma: III. I pini del Gianicolo | — | ||
| 9-4 | Pini di Roma: IV. I pini della Via Appia | — | ||
| 9-5 | Symphony no. 2 “The Bell”: I. Andante maestoso | — | ||
| 9-6 | Symphony no. 2 “The Bell”: II. Andante risoluto | — | ||
| 9-7 | Symphony no. 2 “The Bell”: III. Andante sostenuto | — | ||
| 9-8 | Symphony no. 2 “The Bell”: IV. Andante mosso | — | ||
| 9-9 | Gagliarda | — | ||
| 9-10 | Adoramus te, Christe | — | ||
| 10-1 | Symphony no. 1, op. 10: I. Allegretto | — | ||
| 10-2 | Symphony no. 1, op. 10: II. Allegro ma non troppo | — | ||
| 10-3 | Symphony no. 1, op. 10: III. Lento | — | ||
| 10-4 | Symphony no. 1, op. 10: IV. Allegro molto | — | ||
| 10-5 | Prelude and Fugue for Piano no. 14 in E‐flat minor, op. 87 | — | ||
| 10-6 | Lady Macbeth of the Mtsensk District, op. 29: Entrance | — | ||
| 10-7 | Schelomo | — | ||
| 10-8 | Tu mancavi a tormentarmi | — | ||
| 10-9 | Sonata pian e forte (Sacrae Symphony no. 6) | — |
Musical Works (ISWC)
Credits Graph
5099969855528 is a Universal Product Code (UPC) assigned to The Maverick Conductor by Tchaikovsky, Mussorgsky, Shostakovich, Debussy, Holst, Stravinsky, Orff, R. Strauss, Vaughan Williams, Stokowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 127 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099969855528 is the Universal Product Code (UPC barcode) for the release “The Maverick Conductor” by Tchaikovsky, Mussorgsky, Shostakovich, Debussy, Holst, Stravinsky, Orff, R. Strauss, Vaughan Williams, Stokowski, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC. Tracks include USAR29701168.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Passacaglia and Fugue in C minor, BWV 582 (BC J79): Passacaglia | — | ||
| 2 | Passacaglia and Fugue in C minor, BWV 582 (BC J79): Fugue | — | ||
| 3 | Komm, süsser Tod, BWV 478 (BC F227, Schemelli Gesangbuch no. 868) | — | ||
| 4 | English Suite no. 2 in A minor, BWV 807 (BC L14): Bourrée | — | ||
| 5 | English Suite no. 2 in A minor, BWV 807 (BC L14): Sarabande | — | ||
| 6 | Ein' feste Burg ist unser Gott, BWV 720 (BC K103) | — | ||
| 7 | Weihnachtsoratorium (Christmas Oratorio), BWV 248 (BC D7): Sinfonia | — | ||
| 8 | "Little" Fugue in G minor, BWV 578 | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | T-329.412.466-2 | |
| 9 | Orchestral Suite no. 3 in D, BWV 1068: Air "on the G string" | — | ||
| 10 | Mein Jesu, was vor Seelenweh, BWV 487 | — | ||
| 11 | Partita no. 3 in E, BWV 1006 – Prelude | — | ||
| 12 | Toccata and Fugue in D minor, BWV 565 (BC J37): Toccata | — | ||
| 13 | Toccata and Fugue in D minor, BWV 565 (BC J37): Fugue | — | ||
| 2-1 | Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 2-2 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | — | ||
| 2-3 | Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio | — | ||
| 2-4 | Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto | — | ||
| 2-5 | Escales: Rome – Palermo | — | ||
| 2-6 | Escales: Tunis – Nefta | — | ||
| 2-7 | Escales: Valencia | — | ||
| 2-8 | Petite symphonie concertante: I. Adagio – Allegro con moto | — | ||
| 2-9 | Petite symphonie concertante: II. Adagio | — | ||
| 2-10 | Petite symphonie concertante: III. Allegretto alla marcia | — | ||
| 2-11 | Evolution: Part 1 | — | ||
| 2-12 | Divertimento for Band: March | — | ||
| 3-1 | Prélude à l’après‐midi d’un faune | — | ||
| 3-2 | Nocturnes : I. Nuages | — | ||
| 3-3 | Nocturnes : II. Fêtes | — | ||
| 3-4 | Nocturnes : III. Sirènes | — | ||
| 3-5 | Suite bergamasque : Clare de lune | — | ||
| 3-6 | Ibéria (Images pour orchestre no. 2) : I. Par les rues et par les chemins | — | ||
| 3-7 | Ibéria (Images pour orchestre no. 2) : II. Les Parfums de la nuit | — | ||
| 3-8 | Ibéria (Images pour orchestre no. 2) : III. Le Matin d’un jour de fête | — | ||
| 4-1 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square: Adagio – | — | ||
| 4-2 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. January 9th: Allegro – | — | ||
| 4-3 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. Eternal Memory: Adagio – | — | ||
| 4-4 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Alarm: Allegro non troppo | — | ||
| 4-5 | Adagio for Strings, op. 11 | — | ||
| 5-1 | The Planets, op. 32: I. Mars, the Bringer of War | — | ||
| 5-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | — | ||
| 5-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | — | ||
| 5-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | — | ||
| 5-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | — | ||
| 5-6 | The Planets, op. 32: VI. Uranus, the Magician | — | ||
| 5-7 | The Planets, op. 32: VII. Neptune, the Mystic | — | ||
| 5-8 | Verklärte Nacht, op. 4: Sehr langsam – | — | ||
| 5-9 | Verklärte Nacht, op. 4: Etwas bewegter – | — | ||
| 5-10 | Verklärte Nacht, op. 4: Schwer betont – | — | ||
| 5-11 | Verklärte Nacht, op. 4: Sehr breit und langsam – | — | ||
| 5-12 | Verklärte Nacht, op. 4: Sehr ruhig | — | ||
| 6-1 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: I. Ilya Murometz and Syvatogor, the Mighty Hero | — | ||
| 6-2 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: II. Ilya Murometz and Solovel, the Brigand | — | ||
| 6-3 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: III. Ilya Murometz and Prince Vladimir | — | ||
| 6-4 | Symphony no. 3 in B minor, op. 42 ‘Il’ya Murometz’: IV. The Heroic Deeds and Petrifaction of Ilya Murometz | — | ||
| 6-5 | Petrushka – Suite: I. Russian Dance | — | ||
| 6-6 | Petrushka – Suite: II. The Shrovetide Fair (Near Evening) | — | ||
| 6-7 | Petrushka – Suite: III. Dance of the Wet Nurses | — | ||
| 6-8 | Petrushka – Suite: IV. Dance of the Peasant and the Bear | — | ||
| 6-9 | Petrushka – Suite: V. Dance of the Gypsy Girls | — | ||
| 6-10 | Petrushka – Suite: VI. Dance of the Dance of the Coachmen and Grooms | — | ||
| 6-11 | Petrushka – Suite: VII. The Masqueraders | — | ||
| 6-12 | The Firebird – Suite: I. Introduction | — | ||
| 6-13 | The Firebird – Suite: II. Dance of the Firebird | — | ||
| 6-14 | The Firebird – Suite: III. Variation of the Firebird | — | ||
| 6-15 | The Firebird – Suite: IV. The Princesses’ Khovorod | — | ||
| 6-16 | The Firebird – Suite: V. Infernal Dance of King Kaschchei | — | ||
| 6-17 | The Firebird – Suite: VI. Lullaby | — | ||
| 6-18 | The Firebird – Suite: VII. Finale | — | ||
| 7-1 | La Péri : Fanfare | — | ||
| 7-2 | La oración del torero, op. 34 | — | ||
| 7-3 | A Pagan Poem, op. 14 | — | ||
| 7-4 | Alborada del gracioso | — | ||
| 7-5 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 7-6 | Rapsodie espagnole: II. Malagueña | — | ||
| 7-7 | Rapsodie espagnole: III. Habanera | — | ||
| 7-8 | Rapsodie espagnole: IV. Feria | — | ||
| 7-9 | The Swan of Tuonela (Four Legends, op. 22 no. 2) | — | ||
| 7-10 | Finlandia, op. 26 | — | ||
| 8-1 | Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | — | ||
| 8-2 | Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | — | ||
| 8-3 | Carmina Burana: Primo vere: III. Veris leta facies | — | ||
| 8-4 | Carmina Burana: Primo vere: IV. Omnia Sol temperat | — | ||
| 8-5 | Carmina Burana: Primo vere: V. Ecce gratum | — | ||
| 8-6 | Carmina Burana: Uf dem Anger: VI. Tanz | — | ||
| 8-7 | Carmina Burana: Uf dem Anger: VII. Floret silva | — | ||
| 8-8 | Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | — | ||
| 8-9 | Carmina Burana: Uf dem Anger: IX. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe | — | ||
| 8-10 | Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | — | ||
| 8-11 | Carmina Burana: In Taberna: XI. Estuans interius | — | ||
| 8-12 | Carmina Burana: In Taberna: XII. Olim lacus colueram | — | ||
| 8-13 | Carmina Burana: In Taberna: XIII. Ego sum abbas | — | ||
| 8-14 | Carmina Burana: In Taberna: XIV. In taberna quando sumus | — | ||
| 8-15 | Carmina Burana: Cour d’amours: XV. Amor volat undique | — | ||
| 8-16 | Carmina Burana: Cour d’amours: XVI. Dies, nox et omnia | — | ||
| 8-17 | Carmina Burana: Cour d’amours: XVII. Stetit puella | — | ||
| 8-18 | Carmina Burana: Cour d’amours: XVIII. Circa mea pectora | — | ||
| 8-19 | Carmina Burana: Cour d’amours: XIX. Si puer cum puellula | — | ||
| 8-20 | Carmina Burana: Cour d’amours: XX. Veni, veni, venias | — | ||
| 8-21 | Carmina Burana: Cour d’amours: XXI. In trutina | — | ||
| 8-22 | Carmina Burana: Cour d’amours: XXII. Tempus est iocundum | — | ||
| 8-23 | Carmina Burana: Cour d’amours: XXIII. Dulcissime | — | ||
| 8-24 | Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | — | ||
| 8-25 | Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | — | ||
| 8-26 | Suite in B‐flat for Wind Instruments, op. 4: Gavotte | — | ||
| 8-27 | Symphony no. 8 in D minor: II. Scherzo | — | ||
| 8-28 | Symphony no. 4 in F minor, op. 36: III. Scherzo | — | ||
| 8-29 | Pictures at an Exhibition: Conclusion: The Hut on Fowl’s Legs | — | ||
| 8-30 | Pictures at an Exhibition: Conclusion: The Great Gate of Kiev | — | ||
| 9-1 | Pini di Roma: I. I pini di Villa Borghese | — | ||
| 9-2 | Pini di Roma: II. Pini presso una catacomba | — | ||
| 9-3 | Pini di Roma: III. I pini del Gianicolo | — | ||
| 9-4 | Pini di Roma: IV. I pini della Via Appia | — | ||
| 9-5 | Symphony no. 2 “The Bell”: I. Andante maestoso | — | ||
| 9-6 | Symphony no. 2 “The Bell”: II. Andante risoluto | — | ||
| 9-7 | Symphony no. 2 “The Bell”: III. Andante sostenuto | — | ||
| 9-8 | Symphony no. 2 “The Bell”: IV. Andante mosso | — | ||
| 9-9 | Gagliarda | — | ||
| 9-10 | Adoramus te, Christe | — | ||
| 10-1 | Symphony no. 1, op. 10: I. Allegretto | — | ||
| 10-2 | Symphony no. 1, op. 10: II. Allegro ma non troppo | — | ||
| 10-3 | Symphony no. 1, op. 10: III. Lento | — | ||
| 10-4 | Symphony no. 1, op. 10: IV. Allegro molto | — | ||
| 10-5 | Prelude and Fugue for Piano no. 14 in E‐flat minor, op. 87 | — | ||
| 10-6 | Lady Macbeth of the Mtsensk District, op. 29: Entrance | — | ||
| 10-7 | Schelomo | — | ||
| 10-8 | Tu mancavi a tormentarmi | — | ||
| 10-9 | Sonata pian e forte (Sacrae Symphony no. 6) | — |
