UPC · Release
Apple Records Box Set
Various Artists
Last verified:
5099991837226 is the Universal Product Code (UPC barcode) for the release “Apple Records Box Set” by Various Artists, released 2010-10-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include GBDCE1000001, GBDCE1000055, GBDCE1000056.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | Those Were the Days | Mary Hopkin | T-011.219.053-0 | |
| 5-2 | Lord of the Reedy River | Mary Hopkin | T-010.416.264-2 | |
| 5-3 | Happiness Runs (Pebble and the Man) | Mary Hopkin | T-900.064.610-6 | |
| 5-4 | Love Is the Sweetest Thing | Mary Hopkin | T-924604997-8 | |
| 5-5 | Y Blodyn Gwyn | Mary Hopkin | — | |
| 5-6 | The Honeymoon Song | Mary Hopkin | T-900.901.533-2 | |
| 5-7 | The Puppy Song | Mary Hopkin | T-070.121.272-7 | |
| 5-8 | Inch Worm | Mary Hopkin | T-070.906.530-4 | |
| 5-9 | Voyage of the Moon | Mary Hopkin | T-010.446.332-2 | |
| 5-10 | Lullaby of the Leaves | Mary Hopkin | T-070.097.832-0 | |
| 5-11 | Young Love | Mary Hopkin | T-071.017.505-5 | |
| 5-12 | Someone to Watch Over Me | Mary Hopkin | T-010.436.010-2 | |
| 5-13 | Prince en Avignon | Mary Hopkin | T-003.014.671-4 | |
| 5-14 | The Game | Mary Hopkin | T8000241806 | |
| 5-15 | There’s No Business Like Show Business | Mary Hopkin | T-070.179.409-3 | |
| 5-16 | Turn! Turn! Turn! (To Everything There Is a Season) | Mary Hopkin | T-070.940.593-5 | |
| 5-17 | Goodbye | Mary Hopkin | T-010.433.465-7 | |
| 5-18 | Sparrow | Mary Hopkin | — | |
| 5-19 | Fields of St. Étienne | Mary Hopkin | — |
Additional database matches (250)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sri Guruvastak | Radha Krsna Temple | T0108652205 |
| Bhare Bhakata Arotrika | Radha Krsna Temple | T3091311063 |
| Hare Krsna Mantra | Radha Krsna Temple | T0104359263 |
| Sri Isopanisad | Radha Krsna Temple | T0108652238 |
| Bhaja Hure Mana | Radha Krsna Temple | T0104467119 |
| Govinda Jai Jai | Radha Krsna Temple | T-010.865.224-9 |
| Prayer To The Spiritual Masters | Radha Krsna Temple | T9173222521 |
| Namaste Saraswati Devi | The Radha Kṛṣṇa Temple | T9245515166 |
| My Sweet Lord | Billy Preston | T-010.025.445-2 |
| Give Peace a Chance | Hot Chocolate Band | T-010.433.701-0 |
| Baby Blue | Badfinger | T-071057399-1 |
| Carolina in My Mind | James Taylor | T-070.259.499-7 |
| Maybe Tomorrow | The Iveys, Badfinger | T-070.112.644-4 |
| Thingumybob | Black Dyke Mills Band | T-924.626.165-4 |
| Sour Milk Sea | Jackie Lomax | T-010.098.633-1 |
| New Day | Jackie Lomax | T9175041415 |
| Golden Slumbers / Carry That Weight | Trash | T-010.435.651-5 |
| Come and Get It | Badfinger | T-010436694-0 |
| Ain’t That Cute | Doris Troy | T-071.072.910-4 |
| Try Some Buy Some | Ronnie Spector | T-010.098.656-8 |
| We’re on Our Way | Chris Hodge | T7000780714 |
| Saturday Nite Special | The Sundown Playboys | — |
| God Save Us | Bill Elliot, Elastic Oz Band | T0711329075 |
| Sweet Music | Lon and Derrek van Eaton | — |
| Nomine Jesu | Margaret Lensky, London Sinfonietta Chorus, London Sinfonietta, John Tavener | — |
| Coplas | London Sinfonietta Chorus, London Sinfonietta, David Atherton | — |
| Take It All | Badfinger | T0711900843 |
| Money | Badfinger | T0710666888 |
| Flying | Badfinger | T-071.393.461-2 |
| I’d Die Babe | Badfinger | T-071.064.122-7 |
| Name of the Game | Badfinger | T-071.067.498-8 |
| Suitcase | Badfinger | T-071.070.649-2 |
| Sweet Tuesday Morning | Badfinger | — |
| Day After Day | Badfinger | T-071059863-2 |
| Sometimes | Badfinger | — |
| Perfection | Badfinger | T-071.068.585-0 |
| It’s Over | Badfinger | T-071.064.121-6 |
| I’ll Be the One | Badfinger | T-905.362.548-2 |
| Name of the Game (earlier version) | Badfinger | T-071.067.498-8 |
| Baby Please | Badfinger | — |
| No Good at All | Badfinger | — |
| Sing for the Song | Badfinger | — |
| Suitcase (censored lyric version) | Badfinger | T-071.070.649-2 |
| Sweet Tuesday Morning | Badfinger | — |
| Mean Mean Jemima | Badfinger | — |
| Loving You | Badfinger | T0700977178 |
| Quelli erano giorni (2010 remix) | Mary Hopkin | T-929.935.449-7 |
| Que tiempo tan feliz (2010 remix) | Mary Hopkin | T-042.626.122-4 |
| An genam tag (2010 remix) | Mary Hopkin | T-801.775.956-8 |
| Le temps des fleurs (2010 remix) | Mary Hopkin | — |
| I Can’t Take It | Badfinger | T-071.064.108-9 |
| I Don’t Mind | Badfinger | T0710641078 |
| Love Me Do | Badfinger | — |
| Midnight Caller | Badfinger | T-071.066.679-7 |
| No Matter What | Badfinger | T-071067495-5 |
| Without You (remastered 2010) | Badfinger | T-071.192.745-5 |
| Blodwyn | Badfinger | — |
| Better Days | Badfinger | T-071.057.392-4 |
| It Had to Be | Badfinger | — |
| Watford John | Badfinger | — |
| Believe Me | Badfinger | — |
| We’re for the Dark | Badfinger | T-071.192.742-2 |
| I Can’t Take It (extended version) | Badfinger | T-071.064.108-9 |
| Without You (studio demo version) | Badfinger | T-071.192.745-5 |
| Photograph (a.k.a. “Friends Are Hard to Find”) | Badfinger | — |
| Believe Me (alternative version) | Badfinger | — |
| No Matter What (studio demo version) | Badfinger | T-071067495-5 |
| Love Me Do (instrumental version) | Badfinger | — |
| Get Down (alternative version) | Badfinger | T9060910158 |
| The Blue Necklace | The Modern Jazz Quartet | — |
| Three Little Feelings, Parts 1, 11, 111 | The Modern Jazz Quartet | — |
| Exposure | The Modern Jazz Quartet | — |
| The Jasmin Tree | The Modern Jazz Quartet | — |
| Visitor From Venus | The Modern Jazz Quartet | — |
| Visitor From Mars | The Modern Jazz Quartet | — |
| Here’s That Rainy Day (Carnival of Flanders) | The Modern Jazz Quartet | T9060202655 |
| Dilemma | The Modern Jazz Quartet | T0710601038 |
| Adagio From Concierto de Aranjuez | The Modern Jazz Quartet | T3099435260 |
| Yesterday | The Modern Jazz Quartet | T0101629860 |
| Crimson Ship | Badfinger | T-070.027.925-9 |
| Dear Angie | Badfinger | — |
| Fisherman | Badfinger | T-902.830.296-7 |
| Midnight Sun | Badfinger | — |
| Beautiful and Blue | Badfinger | T-070.014.190-7 |
| Rock of All Ages | Badfinger | T-070.128.052-5 |
| Carry On Till Tomorrow | Badfinger | T-071.058.563-9 |
| I’m in Love | Badfinger | — |
| Walk Out in the Rain | Badfinger | — |
| Angelique | Badfinger | T-902.924.226-0 |
| Knocking Down Our Home | Badfinger | — |
| Give It a Try | Badfinger | T-906.089.839-7 |
| And Her Daddy’s a Millionaire (alternative version) | Badfinger | T0710564218 |
| Mrs. Jones (remix) | Badfinger | — |
| Sali Bloo (mono mix) | Badfinger | — |
| See‐Saw Granpa (mono mix) | Badfinger | — |
| I’ve Been Waiting (Unedited remix) | Badfinger | — |
| Dear Angie [mono mix] | Badfinger | — |
| Think About the Good Times (mono mix) | The Iveys | — |
| No Escaping Your Love [mono mix] | Badfinger | — |
| Arthur (2010 stereo remix) | The Iveys | — |
| Storm in a Tea Cup [mono] | Badfinger | — |
| Yesterday Ain’t Coming Back (mono mix) | The Iveys | — |
| International | Mary Hopkin | T0104429346 |
| There’s Got to Be More | Mary Hopkin | — |
| Silver Birch and Weeping Willow | Mary Hopkin | — |
| How Come the Sun | Mary Hopkin | — |
| Earth Song | Mary Hopkin | — |
| Martha | Mary Hopkin | — |
| Streets of London | Mary Hopkin | T-902256059-4 |
| The Wind | Mary Hopkin | T0103165930 |
| Water Paper & Clay | Mary Hopkin | — |
| Ocean Song | Mary Hopkin | — |
| Kew Gardens | Mary Hopkin | — |
| When I Am Old One Day | Mary Hopkin | — |
| Let My Name Be Sorrow | Mary Hopkin | — |
| Quand je te regarde vivre | Mary Hopkin | T0040226616 |
| Watashi wo Kanashimi to Yonde | Mary Hopkin | — |
| Jefferson | Mary Hopkin | T0104425139 |
| Special Care | Doris Troy | T-918.291.044-7 |
| Give Me Back My Dynamite | Doris Troy | T0104852574 |
| You Tore Me Up Inside | Doris Troy | — |
| Games People Play | Doris Troy | T-070.234.176-1 |
| Gonna Get My Baby Back | Doris Troy | T0717396912 |
| I’ve Got to Be Strong | Doris Troy | — |
| Hurry | Doris Troy | — |
| So Far | Doris Troy | T-801.214.012-5 |
| Exactly Like You | Doris Troy | T-070.891.452-6 |
| You Give Me Joy Joy | Doris Troy | T0712398021 |
| Don’t Call Me No More | Doris Troy | — |
| Jacob’s Ladder | Doris Troy | T0711656164 |
| All That I’ve Got (I’m Gonna Give It to You) | Doris Troy | T-071.073.017-8 |
| Get Back | Doris Troy | T-010.433.497-5 |
| Dearest Darling | Doris Troy | — |
| What You Will Blues | Doris Troy | — |
| Vaya con Dios | Doris Troy | T0701952875 |
| All That I’ve Got (I’m Gonna Give It to You) (alternate version) | Doris Troy | T-071.073.017-8 |
| Apple of My Eye | Badfinger | T-071.056.432-1 |
| Get Away | Badfinger | T-071.062.098-6 |
| Icicles | Badfinger | T-906.093.426-1 |
| The Winner | Badfinger | — |
| Blind Owl | Badfinger | — |
| Constitution | Badfinger | — |
| When I Say | Badfinger | T0711927820 |
| Cowboy | Badfinger | — |
| I Can Love You | Badfinger | — |
| Timeless | Badfinger | T0711901142 |
| Do You Mind | Badfinger | — |
| Apple of My Eye (early mix) | Badfinger | T-071.056.432-1 |
| Blind Owl (alternative version) | Badfinger | — |
| Regular | Badfinger | — |
| Timeless (alternative version) | Badfinger | T0711901142 |
| The Winner | Badfinger | — |
| I Can Love You | Badfinger | — |
| Piano Red | Badfinger | T0726738379 |
| Speak to Me | Jackie Lomax | — |
| Is This What You Want? | Jackie Lomax | — |
| How Can You Say Goodbye | Jackie Lomax | — |
| Sunset | Jackie Lomax | — |
| Fall Inside Your Eyes | Jackie Lomax | — |
| Little Yellow Pills | Jackie Lomax | — |
| Take My Word | Jackie Lomax | — |
| The Eagle Laughs at You | Jackie Lomax | — |
| Baby You’re a Lover | Jackie Lomax | — |
| You’ve Got Me Thinking | Jackie Lomax | — |
| I Just Don’t Know | Jackie Lomax | — |
| Thumbin’ a Ride | Jackie Lomax | T-070.180.132-2 |
| How the Web Was Woven | Jackie Lomax | T0104849333 |
| You’ve Got to Be Strong | Jackie Lomax | — |
| You Make It With Me | Jackie Lomax | — |
| Can You Hear Me? | Jackie Lomax | — |
| Going Back to Liverpool | Jackie Lomax | — |
| Sour Milk Sea (mono mix) | Jackie Lomax | T-010.098.633-1 |
| The Eagle Laughs at You (mono mix) | Jackie Lomax | — |
| Little Yellow Pills (mono mix) | Jackie Lomax | — |
| That’s the Way God Planned It | Billy Preston | — |
| Right Now | Billy Preston | T-900.001.764-1 |
| Little Girl | Billy Preston | T-900.001.454-0 |
| Use What You Got | Billy Preston | T-900.001.995-4 |
| Let the Music Play | Billy Preston | T-071.171.141-9 |
| The Same Thing Again | Billy Preston | T-900.001.800-8 |
| I’ve Got a Feeling | Billy Preston | T-900.010.939-7 |
| Sing One for the Lord | Billy Preston | T-900.011.382-6 |
| When You Are Mine | Billy Preston | T-900.002.086-0 |
| I Don’t Want You to Pretend | Billy Preston | T-904.004.428-8 |
| Encouraging Words | Billy Preston | T-900.001.075-3 |
| All Things Must Pass | Billy Preston | T-010.098.639-7 |
| You’ve Been Acting Strange | Billy Preston | T-918.303.615-9 |
| As Long as I Got My Baby | Billy Preston | T-031.890.790-2 |
| All That I Got (I’m Gonna Give It to You) | Billy Preston | T-071.073.017-8 |
| Something’s Got to Change | Billy Preston | — |
| How Long Has the Train Been Gone | Billy Preston | T-070.076.325-2 |
| Do What You Want | Billy Preston | — |
| I Want to Thank You | Billy Preston | — |
| Everything’s All Right | Billy Preston | — |
| She Belongs to Me | Billy Preston | T-070.250.116-3 |
| It Doesn’t Matter | Billy Preston | — |
| Morning Star | Billy Preston | T9021843425 |
| Hey Brother | Billy Preston | — |
| What About You | Billy Preston | — |
| Let Us All Get Together Right Now | Billy Preston | — |
| This Is It | Billy Preston | — |
| Keep It to Yourself | Billy Preston | — |
| That’s the Way God Planned It, Parts 1 & 2 | Billy Preston | — |
| Through All Times | Billy Preston | — |
| As I Get Older | Billy Preston | T-071.073.407-8 |
| That’s the Way God Planned It (alternate version) | Billy Preston | — |
| Don’t Talk Now | James Taylor | T-070.261.165-1 |
| Something’s Wrong | James Taylor | T-070.275.911-2 |
| Knocking ’Round the Zoo | James Taylor | T-070.268.214-1 |
| Sunshine Sunshine | James Taylor | T-070.275.941-8 |
| Taking It In | James Taylor | T-070.278.727-6 |
| Something in the Way She Moves | James Taylor | T-070.275.918-9 |
| Brighten Your Night With My Day | James Taylor | T-070.257.702-3 |
| Night Owl | James Taylor | T-070.271.812-4 |
| Rainy Day Man | James Taylor | T-070.274.516-1 |
| Circle Round the Sun | James Taylor | T9028895558 |
| The Blues Is Just a Bad Dream | James Taylor | T-915.049.151-3 |
| Sunny Skies (studio demo) | James Taylor | T-070.275.921-4 |
| Let Me Ride (studio demo) | James Taylor | T-070.269.152-8 |
| Sunshine Sunshine (solo acoustic demo) | James Taylor | T-070.275.941-8 |
| Carolina in My Mind (solo acoustic demo) | James Taylor | T-070.259.499-7 |
| Govinda | Radha Krsna Temple | T-010.441.479-0 |
| Documentary | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| Melodrama and Pantomime | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| Invocation | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| The Storm | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| The Swallowing | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| The Prayer | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| In the Belly | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| Celtic Requiem: a) Requiem aeternam | June Barton, Children from Little Missenden Village School, London Sinfonietta Chorus, John Tavener, London Sinfonietta, David Atherton | — |
| Celtic Requiem: b) Dies irae | June Barton, Children from Little Missenden Village School, London Sinfonietta Chorus, John Tavener, London Sinfonietta, David Atherton | — |
| Celtic Requiem: c) Requiescat in pace | June Barton, Children from Little Missenden Village School, London Sinfonietta Chorus, John Tavener, London Sinfonietta, David Atherton | — |
| The Vomiting | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | — |
| New Day (stereo single mix) | Jackie Lomax | T9175041415 |
| My Sweet Lord | Billy Preston | T-010.025.445-2 |
| Give Peace a Chance | Hot Chocolate Band | T-010.433.701-0 |
| Baby Blue | Badfinger | T-071057399-1 |
| Baby Blue | Badfinger | T-071057399-1 |
| Carolina in My Mind | James Taylor | T-070.259.499-7 |
| Maybe Tomorrow | Badfinger | T-070.112.644-4 |
| Money | Badfinger | T0710666888 |
| Flying | Badfinger | T-071.393.461-2 |
| Perfection | Badfinger | T-071.068.585-0 |
| Get Away | Badfinger | T-071.062.098-6 |
| When I Say | Badfinger | T0711927820 |
| Right Now | Billy Preston | T-900.001.764-1 |
| Let the Music Play | Billy Preston | T-071.171.141-9 |
| Let the Music Play | Billy Preston | T-071.171.141-9 |
| When You Are Mine | Billy Preston | T-900.002.086-0 |
| Rainy Day Man | James Taylor | T-070.274.516-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5099991837226?
5099991837226 is a Universal Product Code (UPC) assigned to Apple Records Box Set by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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