UPC · Release
Gloria: Himmelsk velklang
Various Artists
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6418770331479 is the Universal Product Code (UPC barcode) for the release “Gloria: Himmelsk velklang” by Various Artists, released 2003-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include HKI199294602, HKI199935602, HKI190033108.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (49)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Source | — | ||
| 2 | Messe, H. 1 - Agnus Dei | — | ||
| 3 | Almighty God, the Fountain of All Wisdom | — | ||
| 4 | Ooppera Thaïs: Meditaatio | János Bálint, Nóra Mercz | — | |
| 5 | Grande Messe des morts: Introitus: Requiem aeternam. Grave | Gruppo Vocale Cantemus, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 6 | Two Hymns To The Mother Of God: I. Hymn to the Mother of God | Choir of St John’s College, Cambridge, Christopher Robinson | T-011.355.796-2 | |
| 7 | Sonate nr. 2 - Siciliana | — | ||
| 8 | Hear My Prayer | — | ||
| 9 | Messa da Requiem: Dies irae: Recordare | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | T-000.941.410-1 | |
| 10 | Menuetter i ess dur | — | ||
| 11 | Cantiones Sacrae, book II: Laudibus in sanctis | Oxford Camerata, Jeremy Summerly | T-011.804.124-9 | |
| 12 | Sonate - Andantino | — | ||
| 13 | Vadam et circumbio | — | ||
| 14 | Symphonia armonie celestium revelationem: O pastor animarum | Oxford Camerata, Jeremy Summerly | — | |
| 15 | Chaconne i ass moll | — | ||
| 16 | Missa Aeterna Christi Munera: IV. Sanctus | Oxford Camerata, Jeremy Summerly | — | |
| 2-1 | Oboe Concerto in C major: III. Siciliana | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 2-2 | Rinaldo: Lascia ch'io pianga | — | ||
| 2-3 | Ave Maria | Ingrid Kertesi, Camerata Budapest, László Kovács | T-905.501.908-4 | |
| 2-4 | Caro mio ben | József Mukk, Camerata Budapest, László Kovács | — | |
| 2-5 | Oboe Concerto in G minor, BWV 1056: II. Largo | Christian Hommel, Cologne Chamber Orchestra, Helmut Müller-Brühl | — | |
| 2-6 | Concerto in C major, RV 443: II. Largo | Jiří Stivín, Capella Istropolitana, Oliver von Dohnányi | — | |
| 2-7 | Stabat mater: Quae moerebat et dolebat | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.712-6 | |
| 2-8 | Vesperae solennes de Confessore, K. 339: V. Laudate Dominum | Capella Brugensis, Greta de Reyghere, Het Kamerokest, Patrick Peire | — | |
| 2-9 | Sonate nr. 2 i Ess dur, BWV 1031 - Siciliano | — | ||
| 2-10 | Gloria in D, RV 589: Et in terra pax | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 2-11 | Cantata "Ich habe genug", BWV 82: Aria: Ich habe genug | Nicholas Gedge, Northern Chamber Orchestra, Nicholas Ward | — | |
| 2-12 | Adagio "Giazotto" i g moll | — | ||
| 2-13 | Messa da Requiem: V. Agnus Dei | Anikó Katona, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Orchestra of the Budapest State Opera, Pier Giorgio Morandi | T-915.599.150-7 | |
| 2-14 | Gitarkonsert i D dur, RV 93 - Largo | — | ||
| 2-15 | Mattheus-pasjonen BWV 244 - Wir setzen uns mit tränen nieder | — | ||
| 2-16 | Mass in C major, K. 317: VI. Agnus Dei | Priti Coles, John Dickie, Košice Teachers’ Choir, Andrea Martin, Anna di Mauro, Camerata Cassovia, Johannes Wildner | — | |
| 3-1 | Messa di Gloria - Gloria in excelsis | — | ||
| 3-2 | Kroningsmesse - Gloria | — | ||
| 3-3 | Motett: Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 3-4 | Trumpet tune | — | ||
| 3-5 | Solomon, HWV 67, Act III: Sinfonia, “Arrival of the Queen of Sheba” | Budapest Strings, London Festival Orchestra, Robert Ashey, Béla Bánfalvi | T-905.292.018-0 | |
| 3-6 | Requiem Mass in D minor, K. 626: III. Dies irae | Stefan Klimo, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | T-924.404.440-4 | |
| 3-7 | Christmas Oratorio, BWV 248: Jauchzet, frohlocket | Magyar Rádió énekkara, Failoni Kamarazenekar, Géza Oberfrank | — | |
| 3-8 | Trumpet Voluntary | — | ||
| 3-9 | Konsert i c moll, BWV 1060 - Allegro | — | ||
| 3-10 | Messa di Gloria - Et resurrexit | — | ||
| 3-11 | Messa da Requiem - Dies irae & Tuba mirum | — | ||
| 3-12 | Concerto in C major, RV 452: Allegro | Stefan Schilli, Failoni Kamarazenekar, Pier Giorgio Morandi | — | |
| 3-13 | Kantate: "Orfeo" - O, Euridice, n'andró festoso | — | ||
| 3-14 | Dixit Dominus HWV 232 - Dixit dominus, domino meo | — | ||
| 3-15 | Juleoratorium - Ach, mein herzliebes Jesulein! | — | ||
| 3-16 | Stabat Mater - In sempiterna saecula | — | ||
| 3-17 | Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus) | Scholars Baroque Ensemble | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem Mass in D minor, K. 626: III. Dies irae | Stefan Klimo, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | — |
| Oboe Concerto in C major: III. Siciliana | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Cantata "Ich habe genug", BWV 82: Aria: Ich habe genug | Nicholas Gedge, Northern Chamber Orchestra, Nicholas Ward | — |
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What is UPC 6418770331479?
6418770331479 is a Universal Product Code (UPC) assigned to Gloria: Himmelsk velklang by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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