UPC · Album

Oeuvres sacrées

Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt

706301687697
84 tracksReleased 1996-01-01

Last verified:

706301687697 is the Universal Product Code (UPC barcode) for the release Oeuvres sacrées by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include DEA800115143, DEA800115144, DEA800115145.

Format

7Number system
06301Manufacturer
68769Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCOeuvres sacrées
ISRC66 recordings
ISWC2 works
IPI1 songwriter

Track List (66)

Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison
Emiko Iiyama, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
Emiko Iiyama, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: III. Sanctus. Sanctus
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus
Kurt Equiluz, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Chorus (1, 2): Kommt, ihr Töchter, helft mir klagen
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass), Knabenstimmen des Regensburger Domchors, Concentus Musicus Wien, Nikolaus Harnoncourt, Sir David Willcocks
Matthäus-Passion, BWV 244: Teil I: Aria (Altus 1): Buß' und Reu'
Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 2): Blute nur, du liebes Herz
Solist der Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 1): Ich will dir mein Herz schenken
Solist der Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Aria (Tenore 1, Chorus 2): Ich will bei meinem Jesu wachen (Chorus: So schlafen …)
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass), Kurt Equiluz, Knabenstimmen des Regensburger Domchors, Nigel Rogers, Concentus Musicus Wien, Nikolaus Harnoncourt, Sir David Willcocks
Matthäus-Passion, BWV 244: Teil I: Aria (Basso 2): Gerne will ich mich bequemen
Max van Egmond, Michael Schopper, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Chorus (1, 2): Sind Blitze, sind Donner in Wolken verschwunden
Choir of King’s College, Cambridge, Knabenstimmen des Regensburger Domchors, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil I: Choral: O Mensch, bewein dein Sünde groß
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass), Regensburger Domspatzen, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus 2): Ach, nun ist mein Jesus hin! (Chorus: Wo ist denn)
Choir of King’s College, Cambridge, Paul Esswood, Knabenstimmen des Regensburger Domchors, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Tenore 2): Geduld!
Nigel Rogers, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Choral: Wer hat dich so geschlagen
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass), Regensburger Domspatzen, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1): Erbarme dich, mein Gott
Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Basso 2): Gebt mir meinen Jesum wieder
Max van Egmond, Michael Schopper, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Soprano 1): Aus Liebe will mein Heiland sterben
Solist der Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Choral: O Haupt voll Blut und Wunden
Choir of King’s College, Cambridge, Regensburger Domspatzen, Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Aria (Basso 1): Komm, süßes Kreuz
Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Wir setzen uns mit Tränen nieder
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!"
Vienna Boys' Choir, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König"
Siegmund Nimsgern, Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. Aria (Soprano, Echo) "Flösst mein Heiland"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral "Dein Glanz all Finsternis verzehrt"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
Concentus Musicus Wien, Nikolaus Harnoncourt
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
Helrun Gardow, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
Hildegard Heichele, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
Kurt Equiluz, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
Paul Esswood, Helrun Gardow, Hildegard Heichele, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est"
Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
Johannes-Passion, BWV 245, Pt. 1: No. 1, Chor. "Herr, unser Herrscher"
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt

People also ask

What is UPC 706301687697?
UPC 706301687697 is the Universal Product Code (barcode) for "Oeuvres sacrées" by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 706301687697?
UPC 706301687697 contains 84 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 706301687697?

706301687697 is a Universal Product Code (UPC) assigned to Oeuvres sacrées by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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