UPC · Release
Il trovatore
Giuseppe Verdi, Leontyne Price, Plácido Domingo and 4 more
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717794528626 is the Universal Product Code (UPC barcode) for the release “Il trovatore” by Giuseppe Verdi, Leontyne Price, Plácido Domingo, Sherrill Milnes, Fiorenza Cossotto, New Philharmonia Orchestra, Zubin Mehta, released 1998-01-01 on Musical Heritage Society. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include USBC10000832.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers) | — | ||
| 2 | Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers) | — | ||
| 3 | Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) | — | ||
| 4 | Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) | — | ||
| 5 | Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez) | — | ||
| 6 | Il trovatore: Atto I, Scena II. "Tace la notte!" (Count) | — | ||
| 7 | Il trovatore: Atto I, Scena II. "Deserto sulla terra" (Manrico, Count) | — | ||
| 8 | Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico) | — | ||
| 9 | Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico) | — | ||
| 10 | Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies) | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Zubin Mehta | — | |
| 11 | Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy) | — | ||
| 12 | Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena) | — | ||
| 13 | Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico) | — | ||
| 14 | Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena) | — | ||
| 15 | Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena) | — | ||
| 16 | Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena) | — | ||
| 17 | Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico) | — | ||
| 18 | Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando) | — | ||
| 19 | Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count) | — | ||
| 20 | Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers) | — | ||
| 21 | Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers) | — | ||
| 22 | Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers) | — | ||
| 23 | Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns) | — | ||
| 24 | Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz) | — |
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What is UPC 717794528626?
717794528626 is a Universal Product Code (UPC) assigned to Il trovatore by Giuseppe Verdi, Leontyne Price, Plácido Domingo, Sherrill Milnes, Fiorenza Cossotto, New Philharmonia Orchestra, Zubin Mehta. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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