UPC · Release
The Singles Collection
Peggy Lee
724353975623
110 tracksReleased 2002-01-01Capitol Records
Last verified:
724353975623 is the Universal Product Code (UPC barcode) for the release “The Singles Collection” by Peggy Lee, released 2002-01-01 on Capitol Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include USCA29700359, USCA24500002, USCA24500003.
Format
7Number system
24353Manufacturer
97562Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Singles Collection
ISRC23 recordings
ISWC69 works
IPI3 songwriters
Track List (110)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let’s Do It (Let’s Fall in Love) | — | ||
| 2 | Somebody Nobody Loves | — | ||
| 3 | Why Don’t You Do Right | Peggy Lee | T-071.192.612-3 | |
| 4 | On the Atchsion, Topeka and the Santa Fe | — | ||
| 5 | It’s Anybody’s Spring | — | ||
| 6 | What More Can a Woman Do | — | ||
| 7 | You Was Right, Baby | — | ||
| 8 | Waiting for the Train to Come In | Peggy Lee | — | |
| 9 | I Don’t Know Enough About You | Peggy Lee | T-070.240.543-3 | |
| 10 | I Can See It Your Way | — | ||
| 11 | Baby, You Can Count on Me | — | ||
| 12 | It’s a Good Day | Peggy Lee | T-070.907.175-9 | |
| 13 | A Nightingale Can Sing the Blues | — | ||
| 14 | He’s Just My Kind | — | ||
| 15 | She Didn’t Say Yes | — | ||
| 16 | Birmingham Jail | — | ||
| 17 | Don’t Be So Mean to Baby | — | ||
| 18 | Bluest Kind of Blues (Nuages) | — | ||
| 19 | Everything’s Movin’ Too Fast | — | ||
| 20 | Speaking of Angels | — | ||
| 21 | Chi‐baba Chi‐baba (My Bambino Go to Sleep) | Peggy Lee, Dave Barbour and His Orchestra | T-070.024.619-0 | |
| 22 | Just an Old Love of Mine | — | ||
| 23 | Sugar (That Sugar Baby of Mine) | — | ||
| 24 | Golden Earrings | Peggy Lee | T-901.166.332-4 | |
| 25 | Why Don’t You Do Right (Get Me Some Money Too) | Peggy Lee | T-071.192.612-3 | |
| 26 | Hold Me | — | ||
| 27 | Them There Eyes | — | ||
| 2-1 | Everybody Loves Somebody | — | ||
| 2-2 | Caramba! It’s the Samba | — | ||
| 2-3 | Mañana (Is Soon Enough for Me) | Peggy Lee | T-070.108.195-9 | |
| 2-4 | So Dear to My Heart | — | ||
| 2-5 | While We’re Young | — | ||
| 2-6 | Don’t Smoke in Bed | Peggy Lee | T-070.261.063-6 | |
| 2-7 | Just a Shade on the Blue Side | — | ||
| 2-8 | You Was | — | ||
| 2-9 | Someone Like You | — | ||
| 2-10 | Please, Love Me Tonight | — | ||
| 2-11 | If You Could See Me Now | — | ||
| 2-12 | Similau (See‐Me‐Lo) | — | ||
| 2-13 | You Can Have Him | — | ||
| 2-14 | At the Cafe Rendezvous | — | ||
| 2-15 | Goodbye John | — | ||
| 2-16 | Through a Long and Sleepless Night | — | ||
| 2-17 | Save Your Sorrow for Tomorrow | — | ||
| 2-18 | The Old Master Painter | Peggy Lee | T-070.158.609-5 | |
| 2-19 | Bless You (For the Good That’s in You) | — | ||
| 2-20 | When You Speak With Your Eyes | — | ||
| 2-21 | My Small Señor (With the Sonriente Eyes) | — | ||
| 2-22 | Cry, Cry, Cry | — | ||
| 2-23 | Once Around the Moon | — | ||
| 2-24 | Helpless | — | ||
| 2-25 | They Can’t Take That Away From Me | — | ||
| 2-26 | Happy Music | — | ||
| 2-27 | Life Is So Peculiar | — | ||
| 3-1 | Where Are You? | — | ||
| 3-2 | Once in a Lifetime | — | ||
| 3-3 | The Mill on the Floss | — | ||
| 3-4 | Yeah! Yeah! Yeah! | — | ||
| 3-5 | Rock Me to Sleep | — | ||
| 3-6 | He’s Only Wonderful | — | ||
| 3-7 | Wandering Swallow | — | ||
| 3-8 | I Love You but I Don’t Like You | — | ||
| 3-9 | Tonight You Belong to Me | — | ||
| 3-10 | Don’t Fan the Flame | — | ||
| 3-11 | Would You Dance With a Stranger? | — | ||
| 3-12 | Everytime | — | ||
| 3-13 | Whee, Baby | — | ||
| 3-14 | Louisville Lou | Peggy Lee | T-070.097.159-0 | |
| 3-15 | Let’s Call It a Day | Peggy Lee | T-070.095.681-5 | |
| 3-16 | Lover | — | ||
| 3-17 | Sugar (That Sugar Baby of Mine) | — | ||
| 3-18 | You’ve Got to See Mamma Ev’ry Night (Or You Can’t See Mamma at All) | Peggy Lee | T-070.211.472-4 | |
| 3-19 | Mister Wonderful | — | ||
| 3-20 | The Folks Who Live on the Hill | — | ||
| 3-21 | Listen to the Rockin’ Bird | Peggy Lee | — | |
| 3-22 | Uninvited Dream | — | ||
| 3-23 | Fever | Peggy Lee | T-010.012.375-8 | |
| 3-24 | Alright, Okay, You Win | Peggy Lee | T-070.247.781-3 | |
| 3-25 | Hallelujah, I Love Him So | — | ||
| 3-26 | I’m Lookin’ Out the Window | — | ||
| 3-27 | You Deserve | Peggy Lee | — | |
| 4-1 | Heart | — | ||
| 4-2 | I’m Gonna Go Fishin’ | Peggy Lee | T-070.266.358-8 | |
| 4-3 | My Gentle Young Johnny | — | ||
| 4-4 | Moments Like This [#] | — | ||
| 4-5 | I Love Being Here With You | — | ||
| 4-6 | I’m a Woman | Peggy Lee | T-010.436.247-1 | |
| 4-7 | Sneakin’ Up on You | — | ||
| 4-8 | Pass Me By | Peggy Lee | T-070.273.363-8 | |
| 4-9 | Stop Living in the Past | — | ||
| 4-10 | Big Spender | Peggy Lee | T-070.013.643-1 | |
| 4-11 | Come Back to Me | Peggy Lee | T-070.027.175-5 | |
| 4-12 | Walking Happy | — | ||
| 4-13 | Didn’t Want to Have to Do It | — | ||
| 4-14 | Misty Roses | — | ||
| 4-15 | It’ll Never Happen Again | — | ||
| 4-16 | Spinning Wheel | — | ||
| 4-17 | Is That All There Is? | Peggy Lee | T-010.437.171-2 | |
| 4-18 | Something | — | ||
| 4-19 | You’ll Remember Me | — | ||
| 4-20 | Pieces of Dreams | — | ||
| 4-21 | Where Did They Go? | — | ||
| 4-22 | Love Song | — | ||
| 4-23 | Some Cats Know | — | ||
| 4-24 | Senza Fine | — | ||
| 4-25 | Studio Talk: False Start on ‘Caramba, It’s the Samba’ | — | ||
| 4-26 | Studio Talk: False Start on ‘Mañana’ | — | ||
| 4-27 | Studio Talk: ‘It Jumps’ About ‘Helpless’ | — | ||
| 4-28 | Studio Talk: ‘Sonriente’ Practice | — | ||
| 4-29 | Studio Talk: ‘Thank You Very Much’ Break ‘Lookin / Window’ | — |
Let’s Do It (Let’s Fall in Love)
—
Somebody Nobody Loves
—
On the Atchsion, Topeka and the Santa Fe
—
It’s Anybody’s Spring
—
What More Can a Woman Do
—
You Was Right, Baby
—
Waiting for the Train to Come In
Peggy Lee
—
I Can See It Your Way
—
Baby, You Can Count on Me
—
A Nightingale Can Sing the Blues
—
He’s Just My Kind
—
She Didn’t Say Yes
—
Birmingham Jail
—
Don’t Be So Mean to Baby
—
Bluest Kind of Blues (Nuages)
—
Everything’s Movin’ Too Fast
—
Speaking of Angels
—
Just an Old Love of Mine
—
Sugar (That Sugar Baby of Mine)
—
Hold Me
—
Them There Eyes
—
Everybody Loves Somebody
—
Caramba! It’s the Samba
—
So Dear to My Heart
—
While We’re Young
—
Just a Shade on the Blue Side
—
You Was
—
Someone Like You
—
Please, Love Me Tonight
—
If You Could See Me Now
—
Similau (See‐Me‐Lo)
—
You Can Have Him
—
At the Cafe Rendezvous
—
Goodbye John
—
Through a Long and Sleepless Night
—
Save Your Sorrow for Tomorrow
—
Bless You (For the Good That’s in You)
—
When You Speak With Your Eyes
—
My Small Señor (With the Sonriente Eyes)
—
Cry, Cry, Cry
—
Once Around the Moon
—
Helpless
—
They Can’t Take That Away From Me
—
Happy Music
—
Life Is So Peculiar
—
Where Are You?
—
Once in a Lifetime
—
The Mill on the Floss
—
Yeah! Yeah! Yeah!
—
Rock Me to Sleep
—
He’s Only Wonderful
—
Wandering Swallow
—
I Love You but I Don’t Like You
—
Tonight You Belong to Me
—
Don’t Fan the Flame
—
Would You Dance With a Stranger?
—
Everytime
—
Whee, Baby
—
Lover
—
Sugar (That Sugar Baby of Mine)
—
Mister Wonderful
—
The Folks Who Live on the Hill
—
Listen to the Rockin’ Bird
Peggy Lee
—
Uninvited Dream
—
Hallelujah, I Love Him So
—
I’m Lookin’ Out the Window
—
You Deserve
Peggy Lee
—
Heart
—
My Gentle Young Johnny
—
Moments Like This [#]
—
I Love Being Here With You
—
Sneakin’ Up on You
—
Stop Living in the Past
—
Walking Happy
—
Didn’t Want to Have to Do It
—
Misty Roses
—
It’ll Never Happen Again
—
Spinning Wheel
—
Something
—
You’ll Remember Me
—
Pieces of Dreams
—
Where Did They Go?
—
Love Song
—
Some Cats Know
—
Senza Fine
—
Studio Talk: False Start on ‘Caramba, It’s the Samba’
—
Studio Talk: False Start on ‘Mañana’
—
Studio Talk: ‘It Jumps’ About ‘Helpless’
—
Studio Talk: ‘Sonriente’ Practice
—
Studio Talk: ‘Thank You Very Much’ Break ‘Lookin / Window’
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Waiting for the Train to Come In | Peggy Lee | — |
| Mañana | Peggy Lee | T-070.108.195-9 |
Waiting for the Train to Come In
Peggy Lee
—
Peggy Lee
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.012.375-8T-010.436.247-1T-010.437.171-2T-010.012.375-8T-010.098.696-6T-010.130.664-2T-010.164.307-5T-010.433.575-2T-010.436.247-1T-010.437.171-2
+59 more
T-070.013.643-1T-070.024.619-0T-070.027.175-5T-070.095.681-5T-070.097.159-0T-070.108.195-9T-070.158.609-5T-070.211.472-4T-070.240.543-3T-070.247.781-3T-070.261.063-6T-070.266.358-8T-070.273.363-8T-070.907.175-9T-070.013.643-1T-070.013.660-2T-070.024.619-0T-070.027.175-5T-070.027.227-0T-070.039.496-2T-070.049.769-3T-070.055.005-5T-070.072.855-7T-070.072.969-6T-070.073.873-3T-070.079.488-2T-070.079.840-8T-070.088.907-1T-070.095.681-5T-070.095.689-3T-070.095.841-3T-070.097.159-0T-070.097.657-3T-070.108.195-9T-070.109.757-5T-070.118.508-1T-070.126.942-2T-070.135.021-1T-070.136.585-6T-070.136.664-4T-070.138.193-2T-070.140.922-4T-070.152.582-7T-070.158.609-5T-070.180.100-4T-070.180.757-9T-070.182.562-8T-070.182.599-1T-070.198.600-6T-070.201.114-0T-070.201.568-6T-070.210.396-5T-070.211.085-7T-070.211.086-8T-070.211.472-4T-070.211.680-0T-070.211.692-4T-071.192.612-3T-901.166.332-4
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 724353975623?
724353975623 is a Universal Product Code (UPC) assigned to The Singles Collection by Peggy Lee. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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