UPC · Release
The Best Choral Album In The World ... Ever!
Various Artists
724356722347
19 tracksReleased 1999-01-01EMI Music Canada
Last verified:
724356722347 is the Universal Product Code (UPC barcode) for the release “The Best Choral Album In The World ... Ever!” by Various Artists, released 1999-01-01 on EMI Music Canada. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include GBAYC9001136, GBAYC7000104, GBAYD8900646.
Format
7Number system
24356Manufacturer
72234Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Best Choral Album In The World ... Ever!
ISRC7 recordings
ISWC16 works
IPI10 songwriters
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9054521798 | |
| 2 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 | |
| 3 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 4 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T0111627203 | |
| 5 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 | |
| 6 | Listen To De Lambs | — | ||
| 7 | Miserere Mei, Deus | — | ||
| 8 | Sing To The Lord Of Harvest | — | ||
| 9 | I'se The B'y | — | ||
| 10 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 11 | Dies Irae | — | ||
| 12 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 13 | Chorus Of Slave Girls | — | ||
| 14 | Agnus Dei | — | ||
| 15 | Totus Tuus | — | ||
| 16 | Song For Athene | — | ||
| 17 | Rise Up, My Love, My Fair One | — | ||
| 18 | Rede, Madchen, Allzu Liebes | — | ||
| 19 | Jerusalem | — |
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Listen To De Lambs
—
Miserere Mei, Deus
—
Sing To The Lord Of Harvest
—
I'se The B'y
—
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Dies Irae
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Chorus Of Slave Girls
—
Agnus Dei
—
Totus Tuus
—
Song For Athene
—
Rise Up, My Love, My Fair One
—
Rede, Madchen, Allzu Liebes
—
Jerusalem
—
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800639771-4 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T9286354889 |
| Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011552099-4 |
| Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T9028636955 |
| The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 |
| Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9176031848 |
| Messiah: Part II. Chorus "Hallelujah!" | Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis | T0710716190 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T8006397714 |
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
—
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Vasari Singers, Jeremy Backhouse
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000006309059300000000783861270000000078393474000000007839414300000000817730050000000106581449000000010661744800000001066637510000000106681896
+40 more
000000010678984800000001072137010000000108517707000000010930050X000000010937376800000001094265240000000109624141000000011009349900000001101197670000000110129842000000011014262500000001101647520000000110340170000000011042609700000001108299610000000110880417000000011297410X00000001131294420000000114553130000000011472548100000001147332110000000114767120000000011480264300000001149045940000000114921204000000011567678100000001170410930000000118744110000000011938871X00000001193953970000000119450528000000011945340300000001194564790000000120254268000000012032126400000001203427350000000121020877000000012106800200000001211403690000000121174593
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What is UPC 724356722347?
724356722347 is a Universal Product Code (UPC) assigned to The Best Choral Album In The World ... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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