UPC · Release
Maria Callas
Last verified:
The UPC for “Maria Callas” by Maria Callas is 724356751729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: EMI Classics. This release contains 34 tracks, each with its own ISRC. Tracks include GBAYC0202607, GBAYC8500356, GBAYC8500360.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 2 | Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | T-911.507.740-2 | |
| 3 | Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — | |
| 4 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 5 | La Wally: “Ebben? Ne andro lontana” | — | ||
| 6 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 7 | Tosca: “Vissi d'arte” | — | ||
| 8 | Madama Butterfly: “Un bel dì vedremo” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 9 | Il trovatore: “D'amor sull'ali rosee“ | — | ||
| 10 | Manon Lescaut: “In quelle trine morbide“ | — | ||
| 11 | La bohème: “Sì. Mi chiamano Mimì” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 12 | La Bohème: “Donde lieta usci” | — | ||
| 13 | Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 14 | La traviata: Atto I. “Ah, fors’è lui” | Maria Callas, Orquestra Sinfónica do Teatro Nacional de São Carlos, Franco Ghione | T-310.373.660-9 | |
| 15 | La traviata: “Addio, del passato” | — | ||
| 16 | Turandot: “Signore, ascolta” | — | ||
| 17 | Turandot: “Tu che di gel sei cinta“ | — | ||
| 18 | Anna Bolena: “Al dolce guidami castel natio” | — | ||
| 19 | Lucia di Lammermoor: “Spargi d'amaro pianto” | — | ||
| 2-1 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 2-2 | Rigoletto: “Gualtier Maldè! … Caro nome” | Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-913.242.186-4 | |
| 2-3 | Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Alceo Galliera | — | |
| 2-4 | Dinorah: “Ombra leggiera” | — | ||
| 2-5 | Romeo et Juliette : « Ah! Je veux vivre » | — | ||
| 2-6 | Samson et Dalila : « Printemps qui commence » | — | ||
| 2-7 | Samson et Dalila : « Mon cœur s'ouvre à ta voix » | — | ||
| 2-8 | Orphée et Eurydice : « J'ai perdu mon Eurydice » | — | ||
| 2-9 | Le Cid : « Pleurez, mes yeux ! » | — | ||
| 2-10 | Manon : « Adieu, notre petite table » | — | ||
| 2-11 | Louise : « Depuis le jour » | — | ||
| 2-12 | La vestale: “O Nume tutelar” | — | ||
| 2-13 | La sonnambula: “Ah! non credea mirarti” | — | ||
| 2-14 | Le nozze di Figaro: “Porgi, amor” | — | ||
| 2-15 | Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
724356751729 is a Universal Product Code (UPC) assigned to Maria Callas by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
The UPC for “Maria Callas” by Maria Callas is 724356751729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: EMI Classics. This release contains 34 tracks, each with its own ISRC. Tracks include GBAYC0202607, GBAYC8500356, GBAYC8500360.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 2 | Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | T-911.507.740-2 | |
| 3 | Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — | |
| 4 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 5 | La Wally: “Ebben? Ne andro lontana” | — | ||
| 6 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 7 | Tosca: “Vissi d'arte” | — | ||
| 8 | Madama Butterfly: “Un bel dì vedremo” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 9 | Il trovatore: “D'amor sull'ali rosee“ | — | ||
| 10 | Manon Lescaut: “In quelle trine morbide“ | — | ||
| 11 | La bohème: “Sì. Mi chiamano Mimì” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 12 | La Bohème: “Donde lieta usci” | — | ||
| 13 | Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 14 | La traviata: Atto I. “Ah, fors’è lui” | Maria Callas, Orquestra Sinfónica do Teatro Nacional de São Carlos, Franco Ghione | T-310.373.660-9 | |
| 15 | La traviata: “Addio, del passato” | — | ||
| 16 | Turandot: “Signore, ascolta” | — | ||
| 17 | Turandot: “Tu che di gel sei cinta“ | — | ||
| 18 | Anna Bolena: “Al dolce guidami castel natio” | — | ||
| 19 | Lucia di Lammermoor: “Spargi d'amaro pianto” | — | ||
| 2-1 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 2-2 | Rigoletto: “Gualtier Maldè! … Caro nome” | Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-913.242.186-4 | |
| 2-3 | Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Alceo Galliera | — | |
| 2-4 | Dinorah: “Ombra leggiera” | — | ||
| 2-5 | Romeo et Juliette : « Ah! Je veux vivre » | — | ||
| 2-6 | Samson et Dalila : « Printemps qui commence » | — | ||
| 2-7 | Samson et Dalila : « Mon cœur s'ouvre à ta voix » | — | ||
| 2-8 | Orphée et Eurydice : « J'ai perdu mon Eurydice » | — | ||
| 2-9 | Le Cid : « Pleurez, mes yeux ! » | — | ||
| 2-10 | Manon : « Adieu, notre petite table » | — | ||
| 2-11 | Louise : « Depuis le jour » | — | ||
| 2-12 | La vestale: “O Nume tutelar” | — | ||
| 2-13 | La sonnambula: “Ah! non credea mirarti” | — | ||
| 2-14 | Le nozze di Figaro: “Porgi, amor” | — | ||
| 2-15 | Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | — |
