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Slavonic Opera Arias

UPC · Release

Slavonic Opera Arias

Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz

724356985421
10 tracksReleased 1997-01-01EMI Classics

Last verified: September 12, 2026

724356985421 is the Universal Product Code (UPC barcode) for the release “Slavonic Opera Arias” by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz, released 1997-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBAYC8700951, GBAYC8703825, GBAYC8702032.

Format

7Number system
24356Manufacturer
98542Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCSlavonic Opera Arias
ISRC4 recordings
ISWC1 work
IPI2 songwriters

Track List (10)

#Track TitleArtist(s)ISWC
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle1Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle—
Rusalka: Song to the Moon2Rusalka: Song to the MoonLesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan SoltészT-922.610.201-8
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit3Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit—
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room4Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room—
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn5The bartered bride, Act I: “Kdybych se co takového” / Should I ever learnLucia Popp, Münchner Rundfunkorchester, Stefan Soltesz—
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!6The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!—
Dalibor, Act II: “Jak je mi?” / How confused I feel!7Dalibor, Act II: “Jak je mi?” / How confused I feel!Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz—
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they8War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they—
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing9The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing—
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)10Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)Пётр Ильич Чайковский—
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle
—
Rusalka: Song to the Moon
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
T-922.610.201-8
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit
—
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room
—
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
—
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!
—
Dalibor, Act II: “Jak je mi?” / How confused I feel!
Dalibor, Act II: “Jak je mi?” / How confused I feel!
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
—
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they
—
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing
—
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)
Пётр Ильич Чайковский
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-922.610.201-8

Songwriters/Publishers (IPI)

0008407058400222236411

Creative Contributors (ISNI)

00000000551744630000000084118145000000011884208700000001194221130000000119546175000000012027286100000001216150370000000405542001
SourcesDiscogsMusicBrainzMLCNotes✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCSlavonic Opera …ISRCRusalka: Song t…ISRCThe bartered br…ISRCDalibor, Act II…ISRCEugene Onegin, …

People also ask

What is UPC 724356985421?+
UPC 724356985421 is the Universal Product Code (barcode) for "Slavonic Opera Arias" by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz, released on EMI Classics.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724356985421?+
UPC 724356985421 contains 10 tracks, each with its own ISRC.

What is UPC 724356985421?

724356985421 is a Universal Product Code (UPC) assigned to Slavonic Opera Arias by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz

724356985421 is the Universal Product Code (UPC barcode) for the release “Slavonic Opera Arias” by Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz, released 1997-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBAYC8700951, GBAYC8703825, GBAYC8702032.

Track List (10)

#Track TitleArtist(s)ISWC
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle1Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle—
Rusalka: Song to the Moon2Rusalka: Song to the MoonLesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan SoltészT-922.610.201-8
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit3Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit—
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room4Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room—
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn5The bartered bride, Act I: “Kdybych se co takového” / Should I ever learnLucia Popp, Münchner Rundfunkorchester, Stefan Soltesz—
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!6The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!—
Dalibor, Act II: “Jak je mi?” / How confused I feel!7Dalibor, Act II: “Jak je mi?” / How confused I feel!Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz—
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they8War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they—
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing9The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing—
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)10Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)Пётр Ильич Чайковский—
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle
Armida, Act I: “Za štíhlou gazelou” / As I merrily pursued a gazelle
—
Rusalka: Song to the Moon
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
T-922.610.201-8
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit
Rusalka, Act III: “Mladosti své pozbvena” / Deprived of my youthful spirit
—
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room
Jenůfa, Act II: “To je maminčina jizba” / This is my mother's room
—
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn
The bartered bride, Act I: “Kdybych se co takového” / Should I ever learn
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
—
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!
The bartered bride, Act III: “Ó jaký, žal! Jaký to žal” / Oh, what grief!
—
Dalibor, Act II: “Jak je mi?” / How confused I feel!
Dalibor, Act II: “Jak je mi?” / How confused I feel!
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
—
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they
War and peace, Scene III: “Kakoye provo oni imyeyut” / What right have they
—
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing
The queen of spades, Act III: “Uzh polnoch blizitsya” / Midnight is already nearing
—
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)
Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana)
Пётр Ильич Чайковский
—