UPC · Release
Greatest Classics
Various Artists
724359357928
30 tracksReleased 2003-01-01
Last verified:
724359357928 is the Universal Product Code (UPC barcode) for the release “Greatest Classics” by Various Artists, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include GBAYC8704496, GBAYC1400553, GBAYC0202607.
Format
7Number system
24359Manufacturer
35792Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCGreatest Classics
ISRC12 recordings
ISWC1 work
IPI1 songwriter
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | La donna è mobile (Rigoletto) | — | ||
| 2-2 | Un bel dì vedremo (Madam Butterfly) | — | ||
| 2-3 | Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-4 | Brindisi: Libiamo ne' lieti calici (La Traviata) | — | ||
| 2-5 | Dunque io son (The Barber of Seville) | — | ||
| 2-6 | Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 2-7 | Che gelida manina (La Bohème) | — | ||
| 2-8 | Mon cœur s'ouvre à ta voix (Samson et Dalila) | — | ||
| 2-9 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 | |
| 2-10 | La mamma morta (Andrea Chenier) | — | ||
| 2-11 | Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-12 | Che interminable andirivieni (Servants Chorus) (Don Pasquale) | — | ||
| 2-13 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-14 | Recondita Armonia (Tosca) | — | ||
| 2-15 | Don Carlo: Act II: Nei giardin del bello (Veil Song) | John McCarthy, Ambrosian Opera Chorus, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — | |
| 3-1 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 3-2 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 3-3 | Venus, The Bringer of Peace from The Planets | — | ||
| 3-4 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-6 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 3-7 | On Hearing the First Cuckoo in Spring | — | ||
| 3-8 | Granada | — | ||
| 3-9 | Estudio sin luz | — | ||
| 3-10 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-11 | Schindler's List Theme | — | ||
| 3-12 | Romance from Piano Concerto No. 1 | — | ||
| 3-13 | Panis angelicus | — | ||
| 3-14 | Salut d'amour | — | ||
| 3-15 | Andante cantabile | — |
La donna è mobile (Rigoletto)
—
Un bel dì vedremo (Madam Butterfly)
—
Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro)
Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink
—
Brindisi: Libiamo ne' lieti calici (La Traviata)
—
Dunque io son (The Barber of Seville)
—
Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre
—
Che gelida manina (La Bohème)
—
Mon cœur s'ouvre à ta voix (Samson et Dalila)
—
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
La mamma morta (Andrea Chenier)
—
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Che interminable andirivieni (Servants Chorus) (Don Pasquale)
—
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
Recondita Armonia (Tosca)
—
Don Carlo: Act II: Nei giardin del bello (Veil Song)
John McCarthy, Ambrosian Opera Chorus, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
—
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Venus, The Bringer of Peace from The Planets
—
Concerto for Flute and Harp in C major, K. 299: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
On Hearing the First Cuckoo in Spring
—
Granada
—
Estudio sin luz
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Schindler's List Theme
—
Romance from Piano Concerto No. 1
—
Panis angelicus
—
Salut d'amour
—
Andante cantabile
—
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | T0614093650 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Walküre: Ride of the Valkyries | Berliner Philharmoniker, Klaus Tennstedt | T9053936939 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 1812 Overture (conclusion) | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9001387128 |
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Berliner Philharmoniker, Klaus Tennstedt
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
1812 Overture (conclusion)
Oslo Philharmonic Orchestra, Mariss Jansons
—
Toccata & Fugue in D minor, BWV 565: Toccata
Wayne Marshall
—
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002812295900000000551299450000000055142912000000005518504X000000005923006300000000593022310000000063104158000000006311350500000000810854640000000081232954
+40 more
000000008158477300000000818187870000000081824810000000008185705700000000841631220000000106617448000000010788634000000001086066030000000108710216000000010885462300000001089353780000000109127479000000010914411300000001092237860000000109282073000000010930050X000000010937067100000001094130370000000109426524000000011013657500000001101647520000000110225666000000011027389500000001103269770000000110331098000000011038610100000001104260970000000110552771000000011071269100000001108294270000000110829961000000011088041700000001144062610000000114461885000000011450770800000001145330840000000114533674000000011454217500000001145501830000000114553130
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What is UPC 724359357928?
724359357928 is a Universal Product Code (UPC) assigned to Greatest Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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