Black Voices Rise: African American Artists at the Met, 1955–1985

UPC · Release

Black Voices Rise: African American Artists at the Met, 1955–1985

Various Artists

810004201316
15 tracksReleased 2019-09-18

Last verified:

810004201316 is the Universal Product Code (UPC barcode) for the release Black Voices Rise: African American Artists at the Met, 1955–1985 by Various Artists, released 2019-09-18. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include USY3P1901638, USY3P1901639, USY3P1901640.

Format

8Number system
10004Manufacturer
20131Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCBlack Voices Rise: African American Artists at the Met, 1955–1985
ISRC15 recordings

Track List (15)

Un Ballo in Maschera, Act I: Zitti…l’incanto non dèssi turbare—Re dell’abisso, affrettati
Un Ballo in Maschera, Act I: Zitti…l’incanto non dèssi turbare—Re dell’abisso, affrettati
Marian Anderson, Jan Peerce, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Dimitri Mitropoulos
Rigoletto, Act I: Pari siamo!
Rigoletto, Act I: Pari siamo!
Robert McFerrin, the Metropolitan Opera Orchestra, Fausto Cleva
Les Contes d’Hoffmann, Act I (Olympia): Les oiseaux dans la charmille (Chanson d’Olympia)
Les Contes d’Hoffmann, Act I (Olympia): Les oiseaux dans la charmille (Chanson d’Olympia)
Mattiwilda Dobbs, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Jean Morel
Il Barbiere di Siviglia, Act II: Una voce poco fa
Il Barbiere di Siviglia, Act II: Una voce poco fa
Reri Grist, the Metropolitan Opera Orchestra, Silvio Varviso
Aida, Act III: Qui Radamès verrà!… O patria mia
Aida, Act III: Qui Radamès verrà!… O patria mia
Leontyne Price, the Metropolitan Opera Orchestra, Thomas Schippers
Die Zauberflöte, K. 620, Act I: Dies Bildnis ist bezaubernd schön
Die Zauberflöte, K. 620, Act I: Dies Bildnis ist bezaubernd schön
George Shirley, the Metropolitan Opera Orchestra, Josef Krips
Carmen, Act I: Quand je vous aimerai? … L’amour est un oiseau rebelle (Habanera)
Carmen, Act I: Quand je vous aimerai? … L’amour est un oiseau rebelle (Habanera)
Grace Bumbry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Alain Lombard
Il Trovatore, Act IV: D’amor sull’ali rosee
Il Trovatore, Act IV: D’amor sull’ali rosee
Martina Arroyo, the Metropolitan Opera Orchestra, Zubin Mehta
Tosca, Act II: Vissi d’arte
Tosca, Act II: Vissi d’arte
Shirley Verrett, the Metropolitan Opera Orchestra, James Conlon
Ernani, Act I: Surta è la notte…Ernani! Ernani, involami
Ernani, Act I: Surta è la notte…Ernani! Ernani, involami
Leona Mitchell, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, James Levine
Le Nozze di Figaro, K. 492, Act IV: Giunse alfin il momento … Deh vieni non tardar
Le Nozze di Figaro, K. 492, Act IV: Giunse alfin il momento … Deh vieni non tardar
Kathleen Battle, the Metropolitan Opera Orchestra, James Levine
Tannhäuser, WWW 70, Act II: Dich, teure halle, grüss ich wieder
Tannhäuser, WWW 70, Act II: Dich, teure halle, grüss ich wieder
Jessye Norman, the Metropolitan Opera Orchestra, James Levine
Der Rosenkavalier, Op. 59, Act II: Mir ist die Ehre widerfahren
Der Rosenkavalier, Op. 59, Act II: Mir ist die Ehre widerfahren
Brigitte Fassbaender, Barbara Hendricks, the Metropolitan Opera Orchestra, James Levine
The Gershwins’ Porgy and Bess, Act I: My Man’s Gone Now
The Gershwins’ Porgy and Bess, Act I: My Man’s Gone Now
Florence Quivar, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, James Levine
The Gershwins’ Porgy and Bess, Act II: Bess, You Is My Woman Now
The Gershwins’ Porgy and Bess, Act II: Bess, You Is My Woman Now
Simon Estes, Roberta Alexander, the Metropolitan Opera Orchestra, James Levine

Identifier Graph

UPCBlack Voices Ri…ISRCUn Ballo in Mas…ISRCRigoletto, Act …ISRCLes Contes d’Ho…ISRCIl Barbiere di …ISRCAida, Act III: …

People also ask

What is UPC 810004201316?
UPC 810004201316 is the Universal Product Code (barcode) for "Black Voices Rise: African American Artists at the Met, 1955–1985" by Various Artists.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 810004201316?
UPC 810004201316 contains 15 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 810004201316?

810004201316 is a Universal Product Code (UPC) assigned to Black Voices Rise: African American Artists at the Met, 1955–1985 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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