UPC · Release
Classic FM: Relaxing
Various Artists
Last verified:
828767436425 is the Universal Product Code (UPC barcode) for the release “Classic FM: Relaxing” by Various Artists, released 2005-01-01 on Classic FM. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include GBARU9700358, GBARU8700005, GBHMU0400001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (47)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Clarinet Concerto in A major, K. 622: II. Adagio | Joy Farrall, Britten Sinfonia, Nicholas Cleobury | — | |
| 2 | Suite Bergamasque: III. Clair de lune | Kathryn Stott | — | |
| 3 | Nella fantasia | Il Divo | T-802.066.756-6 | |
| 4 | Double Violin Concerto in D minor, BWV 1043: II. Largo ma non tanto | James Clark, Joji Hattori, Scottish Chamber Orchestra | T-106.677.153-5 | |
| 5 | Symphony No. 7 in A major, Op. 92: II. Allegretto | London Symphony Orchestra, Wyn Morris | T-314.638.300-4 | |
| 6 | January: A Yellow Disc Rising From the Sea | Joby Talbot | — | |
| 7 | Symphony no. 6 in B minor: 2nd Movement | — | ||
| 8 | Variations on a Theme by Haydn: Theme | — | ||
| 9 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 10 | Lohengrin: Prelude to Act 1 | Bavarian Radio Symphony Orchestra, Sir Colin Davis | T-800.314.192-3 | |
| 11 | A Midsummer Night's Dream: Scherzo | — | ||
| 12 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 2-1 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Felix Schmidt, London Symphony Orchestra, Rafael Frühbeck de Burgos | T-010.115.155-6 | |
| 2-2 | O Magnum Mysterium | Polyphony, Stephen Layton | — | |
| 2-3 | Romeo and Juliet, op. 64: Act I: No. 1. Introduction | National Symphony Orchestra of Ukraine, Andrew Mogrelia | — | |
| 2-4 | Symphony No. 40 in G minor, K. 550: 2nd Movement | NDR Symphony Orchestra, Bernard Haitink | — | |
| 2-5 | Piano Quintet in A ‘Trout’: IV. Theme and Variations | Boris Berezovsky, Soloists of the Royal Opera House, Covent Harden | T-902.891.286-9 | |
| 2-6 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | London Symphony Orchestra, Bernard Haitink | T-329.366.758-6 | |
| 2-7 | The Lord Is My Shepherd | — | ||
| 2-8 | Reverie | Catrin Finch | — | |
| 2-9 | Nutcracker: Dance of the Mirlitons | — | ||
| 2-10 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | John Lill, Royal Scottish National Orchestra, Sir Alexander Gibson | — | |
| 2-11 | Mors Et Vita: Judex | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 2-12 | Recondita Armonia From Tosca | Plácido Domingo, Paul Plishka, Philharmonia Orchestra, Zubin Mehta | — | |
| 3-1 | Cavalleria rusticana: Intermezzo | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 3-2 | Gnossienne No. 5 | John Lenehan | — | |
| 3-3 | Andante in C | — | ||
| 3-4 | Pavane pour une infante défunte | Kathryn Stott | T-003.013.767-7 | |
| 3-5 | Maria (West Side Story) | Joshua Bell, Philharmonia Orchestra, David Zinman | — | |
| 3-6 | Symphony no. 8 in G major: 3rd Movement | — | ||
| 3-7 | All-Night Vigil, op. 37 “Vespers”: Bogoroditse Devo | Corydon Singers, Matthew Best | — | |
| 3-8 | Concerto for Cello and Orchestra no. 1 in C major, Hob. VIIb:1: II. Adagio | Steven Isserlis, The Chamber Orchestra of Europe, Sir Roger Norrington | — | |
| 3-9 | Seven Wonders Suite: Mausoleum at Halicarnassus | — | ||
| 3-10 | Nulla in mundo pax sincera | Lesley Garrett | — | |
| 3-11 | Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | — | |
| 3-12 | The Planets: II. Venus, the Bringer of Peace | Philharmonia Orchestra, Leonard Slatkin | — | |
| 4-1 | Prélude À L'Après-Midi D'Un Faune | — | ||
| 4-2 | Liebesleid | Joji Hattori, Joseph Seiger | — | |
| 4-3 | Symphony no. 5 in C Minor: 2nd Movement | — | ||
| 4-4 | Swan Lake: Scene From Act II | — | ||
| 4-5 | Fantasia on a Theme by Thomas Tallis | Britten Sinfonia, Nicholas Cleobury | — | |
| 4-6 | Missa Papae Marcelli: Kyrie | The Sixteen, Harry Christophers | — | |
| 4-7 | Waltz in A-flat major, op. 39 no. 15 | — | ||
| 4-8 | Slavonic Dances, op. 72: No. 2 in E minor. Allegretto grazioso | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 4-9 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 11 Arietta "Voi che sapete che cosa è amor" (Cherubino) | Marilyn Schmiege, Bavarian Radio Symphony Orchestra, Sir Colin Davis | T-031.862.676-4 | |
| 4-10 | The Swan of Tuonela | London Symphony Orchestra, Charles Mackerras | — | |
| 4-11 | Nutcracker: Waltz of the Flowers | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | T-004.018.324-1 |
| Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | T-700.121.101-6 |
| Maria (West Side Story) | Joshua Bell, Philharmonia Orchestra, David Zinman | T-070.108.440-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
Verified on
What is UPC 828767436425?
828767436425 is a Universal Product Code (UPC) assigned to Classic FM: Relaxing by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm