UPC · Release
Die kompletten Werke, Volume 37: Werke für Tasteninstrumente
Johann Sebastian Bach, Trevor Pinnock, Robert Hill
8590646420826
67 tracksReleased 2004-01-01
Last verified:
8590646420826 is the Universal Product Code (UPC barcode) for the release “Die kompletten Werke, Volume 37: Werke für Tasteninstrumente” by Johann Sebastian Bach, Trevor Pinnock, Robert Hill, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include DEA550003429, DEA550003430, DEA550003431.
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859GS1 prefix
0646Company prefix
42082Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
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UPCDie kompletten Werke, Volume 37: Werke für Tasteninstrumente
ISRC40 recordings
ISWC2 works
IPI1 songwriter
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita No. 1 in B-Dur, BWV 825: I. Präludium | Trevor Pinnock | T-928.012.883-8 | |
| 2 | Partita No. 1 in B-Dur, BWV 825: II. Allemande | Trevor Pinnock | — | |
| 3 | Partita No. 1 in B-Dur, BWV 825: III. Corrente | Trevor Pinnock | — | |
| 4 | Partita No. 1 in B-Dur, BWV 825: IV. Sarabande | Trevor Pinnock | — | |
| 5 | Partita No. 1 in B-Dur, BWV 825: V. Menuet I & II | Trevor Pinnock | — | |
| 6 | Partita No. 1 in B-Dur, BWV 825: VI. Gigue | Trevor Pinnock | — | |
| 7 | Partita No. 2 in c-Moll, BWV 826: I. Sinfonia | Trevor Pinnock | T-919.327.166-8 | |
| 8 | Partita No. 2 in c-Moll, BWV 826: II. Allemande | Trevor Pinnock | — | |
| 9 | Partita No. 2 in c-Moll, BWV 826: III. Courante | Trevor Pinnock | — | |
| 10 | Partita No. 2 in c-Moll, BWV 826: IV. Sarabande | Trevor Pinnock | — | |
| 11 | Partita No. 2 in c-Moll, BWV 826: V. Rondeaux | Trevor Pinnock | — | |
| 12 | Partita No. 2 in c-Moll, BWV 826: VI. Capriccio | Trevor Pinnock | — | |
| 13 | Partita No. 6 in e-Moll, BWV 830: I. Toccata | Trevor Pinnock | — | |
| 14 | Partita No. 6 in e-Moll, BWV 830: II. Allemande | Trevor Pinnock | — | |
| 15 | Partita No. 6 in e-Moll, BWV 830: III. Corrente | Trevor Pinnock | — | |
| 16 | Partita No. 6 in e-Moll, BWV 830: IV. Air | Trevor Pinnock | — | |
| 17 | Partita No. 6 in e-Moll, BWV 830: V. Sarabande | Trevor Pinnock | — | |
| 18 | Partita No. 6 in e-Moll, BWV 830: VI. Tempo di Gavotta | Trevor Pinnock | — | |
| 19 | Partita No. 6 in e-Moll, BWV 830: VII. Gigue | Trevor Pinnock | — | |
| 2-1 | Partita No. 3 in a-Moll, BWV 827: I. Fantasia | Trevor Pinnock | — | |
| 2-2 | Partita No. 3 in a-Moll, BWV 827: II. Allemande | Trevor Pinnock | — | |
| 2-3 | Partita No. 3 in a-Moll, BWV 827: III. Corrente | Trevor Pinnock | — | |
| 2-4 | Partita No. 3 in a-Moll, BWV 827: IV. Sarabande | Trevor Pinnock | — | |
| 2-5 | Partita No. 3 in a-Moll, BWV 827: V. Burlesca | Trevor Pinnock | — | |
| 2-6 | Partita No. 3 in a-Moll, BWV 827: VI. Scherzo | Trevor Pinnock | — | |
| 2-7 | Partita No. 3 in a-Moll, BWV 827: VII. Gigue | Trevor Pinnock | — | |
| 2-8 | Partita No. 4 in D-Dur, BWV 828: I. Ouverture | Trevor Pinnock | — | |
| 2-9 | Partita No. 4 in D-Dur, BWV 828: II. Allemande | Trevor Pinnock | — | |
| 2-10 | Partita No. 4 in D-Dur, BWV 828: III. Courante | Trevor Pinnock | — | |
| 2-11 | Partita No. 4 in D-Dur, BWV 828: IV. Aria | Trevor Pinnock | — | |
| 2-12 | Partita No. 4 in D-Dur, BWV 828: V. Sarabande | Trevor Pinnock | — | |
| 2-13 | Partita No. 4 in D-Dur, BWV 828: VI. Menuet | Trevor Pinnock | — | |
| 2-14 | Partita No. 4 in D-Dur, BWV 828: VII. Gigue | Trevor Pinnock | — | |
| 2-15 | Partita No. 5 in G-Dur, BWV 829: I. Praeambulum | Trevor Pinnock | — | |
| 2-16 | Partita No. 5 in G-Dur, BWV 829: II. Allemande | Trevor Pinnock | — | |
| 2-17 | Partita No. 5 in G-Dur, BWV 829: III. Corrente | Trevor Pinnock | — | |
| 2-18 | Partita No. 5 in G-Dur, BWV 829: IV. Sarabande | Trevor Pinnock | — | |
| 2-19 | Partita No. 5 in G-Dur, BWV 829: V. Tempo di Minuetta | Trevor Pinnock | — | |
| 2-20 | Partita No. 5 in G-Dur, BWV 829: VI. Passepied | Trevor Pinnock | — | |
| 2-21 | Partita No. 5 in G-Dur, BWV 829: VII. Gigue | Trevor Pinnock | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080 no. 1: Contrapunctus 1 a 4 | — | ||
| 3-2 | Die Kunst der Fuge, BWV 1080 no. 2: Contrapunctus 2 a 4 | — | ||
| 3-3 | Die Kunst der Fuge, BWV 1080 no. 3: Contrapunctus 3 a 4 | — | ||
| 3-4 | Die Kunst der Fuge, BWV 1080 no. 4: Contrapunctus 4 a 4 | — | ||
| 3-5 | Die Kunst der Fuge, BWV 1080 no. 5: Contrapunctus 5 a 4 | — | ||
| 3-6 | Die Kunst der Fuge, BWV 1080 no. 6: Contrapunctus 6 a 4 in Stylo Francese | — | ||
| 3-7 | Die Kunst der Fuge, BWV 1080 no. 7: Contrapunctus 7 a 4, per Augentationem et Diminutionem | — | ||
| 3-8 | Die Kunst der Fuge, BWV 1080 no. 8: Contrapunctus 8 a 4 | — | ||
| 3-9 | Die Kunst der Fuge, BWV 1080 no. 9: Contrapunctus 9 a 4, alla Duodecima | — | ||
| 3-10 | Die Kunst der Fuge, BWV 1080 no. 10: Contrapunctus 10 a 4, alla Decima | — | ||
| 3-11 | Die Kunst der Fuge, BWV 1080 no. 11: Contrapunctus 11 a 4 | — | ||
| 4-1 | Die Kunst der Fuge, BWV 1080 no. 12.1: Contrapunctus inversus 12 a 4 in forma recta | — | ||
| 4-2 | Die Kunst der Fuge, BWV 1080 no. 12.2: Contrapunctus inversus 12 a 4 in forma inversa | — | ||
| 4-3 | Die Kunst der Fuge, BWV 1080 no. 13.1: Contrapunctus inversus 13 a 3 in forma recta | — | ||
| 4-4 | Die Kunst der Fuge, BWV 1080 no. 13.2: Contrapunctus inversus 13 a 3 in forma inverso | — | ||
| 4-5 | Die Kunst der Fuge, BWV 1080 no. 15: Canon alla Ottava | — | ||
| 4-6 | Die Kunst der Fuge, BWV 1080 no. 16: Canon alla Decima in Contrapunto alla Terza | — | ||
| 4-7 | Die Kunst der Fuge, BWV 1080 no. 17: Canon alla Duodecima in Contrapunto alla Quinta | — | ||
| 4-8 | Die Kunst der Fuge, BWV 1080 no. 14: Canon per Augmentationem in Contrario Motu | — | ||
| 4-9 | Die Kunst der Fuge, BWV 1080 no. 19: Fuga a 3 Soggetti | — | ||
| 4-10 | Die Kunst der Fuge, BWV 1080 no. 18.1: Fuga inversa a 2 Claviere: Forma inversa | — | ||
| 4-11 | Die Kunst der Fuge, BWV 1080 no. 18.2: Alio modo: Fuga inversa a 2 Claviere: Forma recta | — | ||
| 4-12 | Die Kunst der Fuge, BWV 1080a no. 1: Contrapunctus a 4 | — | ||
| 4-13 | Die Kunst der Fuge, BWV 1080a no. 3: Contrapunctus a 4 | — | ||
| 4-14 | Die Kunst der Fuge, BWV 1080a no. 2: Contrapunctus a 4 | — | ||
| 4-15 | Die Kunst der Fuge, BWV 1080a no. 6: Contrapunctus a 4 | — | ||
| 4-16 | Die Kunst der Fuge, BWV 1080a no. 12: Canon per Augmentationem in contrario motu | — |
Partita No. 1 in B-Dur, BWV 825: II. Allemande
Trevor Pinnock
—
Partita No. 1 in B-Dur, BWV 825: III. Corrente
Trevor Pinnock
—
Partita No. 1 in B-Dur, BWV 825: IV. Sarabande
Trevor Pinnock
—
Partita No. 1 in B-Dur, BWV 825: V. Menuet I & II
Trevor Pinnock
—
Partita No. 1 in B-Dur, BWV 825: VI. Gigue
Trevor Pinnock
—
Partita No. 2 in c-Moll, BWV 826: II. Allemande
Trevor Pinnock
—
Partita No. 2 in c-Moll, BWV 826: III. Courante
Trevor Pinnock
—
Partita No. 2 in c-Moll, BWV 826: IV. Sarabande
Trevor Pinnock
—
Partita No. 2 in c-Moll, BWV 826: V. Rondeaux
Trevor Pinnock
—
Partita No. 2 in c-Moll, BWV 826: VI. Capriccio
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: I. Toccata
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: II. Allemande
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: III. Corrente
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: IV. Air
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: V. Sarabande
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: VI. Tempo di Gavotta
Trevor Pinnock
—
Partita No. 6 in e-Moll, BWV 830: VII. Gigue
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: I. Fantasia
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: II. Allemande
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: III. Corrente
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: IV. Sarabande
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: V. Burlesca
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: VI. Scherzo
Trevor Pinnock
—
Partita No. 3 in a-Moll, BWV 827: VII. Gigue
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: I. Ouverture
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: II. Allemande
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: III. Courante
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: IV. Aria
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: V. Sarabande
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: VI. Menuet
Trevor Pinnock
—
Partita No. 4 in D-Dur, BWV 828: VII. Gigue
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: I. Praeambulum
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: II. Allemande
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: III. Corrente
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: IV. Sarabande
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: V. Tempo di Minuetta
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: VI. Passepied
Trevor Pinnock
—
Partita No. 5 in G-Dur, BWV 829: VII. Gigue
Trevor Pinnock
—
Die Kunst der Fuge, BWV 1080 no. 1: Contrapunctus 1 a 4
—
Die Kunst der Fuge, BWV 1080 no. 2: Contrapunctus 2 a 4
—
Die Kunst der Fuge, BWV 1080 no. 3: Contrapunctus 3 a 4
—
Die Kunst der Fuge, BWV 1080 no. 4: Contrapunctus 4 a 4
—
Die Kunst der Fuge, BWV 1080 no. 5: Contrapunctus 5 a 4
—
Die Kunst der Fuge, BWV 1080 no. 6: Contrapunctus 6 a 4 in Stylo Francese
—
Die Kunst der Fuge, BWV 1080 no. 7: Contrapunctus 7 a 4, per Augentationem et Diminutionem
—
Die Kunst der Fuge, BWV 1080 no. 8: Contrapunctus 8 a 4
—
Die Kunst der Fuge, BWV 1080 no. 9: Contrapunctus 9 a 4, alla Duodecima
—
Die Kunst der Fuge, BWV 1080 no. 10: Contrapunctus 10 a 4, alla Decima
—
Die Kunst der Fuge, BWV 1080 no. 11: Contrapunctus 11 a 4
—
Die Kunst der Fuge, BWV 1080 no. 12.1: Contrapunctus inversus 12 a 4 in forma recta
—
Die Kunst der Fuge, BWV 1080 no. 12.2: Contrapunctus inversus 12 a 4 in forma inversa
—
Die Kunst der Fuge, BWV 1080 no. 13.1: Contrapunctus inversus 13 a 3 in forma recta
—
Die Kunst der Fuge, BWV 1080 no. 13.2: Contrapunctus inversus 13 a 3 in forma inverso
—
Die Kunst der Fuge, BWV 1080 no. 15: Canon alla Ottava
—
Die Kunst der Fuge, BWV 1080 no. 16: Canon alla Decima in Contrapunto alla Terza
—
Die Kunst der Fuge, BWV 1080 no. 17: Canon alla Duodecima in Contrapunto alla Quinta
—
Die Kunst der Fuge, BWV 1080 no. 14: Canon per Augmentationem in Contrario Motu
—
Die Kunst der Fuge, BWV 1080 no. 19: Fuga a 3 Soggetti
—
Die Kunst der Fuge, BWV 1080 no. 18.1: Fuga inversa a 2 Claviere: Forma inversa
—
Die Kunst der Fuge, BWV 1080 no. 18.2: Alio modo: Fuga inversa a 2 Claviere: Forma recta
—
Die Kunst der Fuge, BWV 1080a no. 1: Contrapunctus a 4
—
Die Kunst der Fuge, BWV 1080a no. 3: Contrapunctus a 4
—
Die Kunst der Fuge, BWV 1080a no. 2: Contrapunctus a 4
—
Die Kunst der Fuge, BWV 1080a no. 6: Contrapunctus a 4
—
Die Kunst der Fuge, BWV 1080a no. 12: Canon per Augmentationem in contrario motu
—
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What is UPC 8590646420826?
8590646420826 is a Universal Product Code (UPC) assigned to Die kompletten Werke, Volume 37: Werke für Tasteninstrumente by Johann Sebastian Bach, Trevor Pinnock, Robert Hill. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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