UPC · Release
Glenn Gould
Last verified:
886971309423 is the Universal Product Code (UPC barcode) for the release “The Complete Original Jacket Collection” by Glenn Gould, released 2007-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 940 tracks, each with its own ISRC. Tracks include HKI190701108, HKI190701109, HKI190701110.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3 | Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 4 | Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | — | |
| 5 | Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — | |
| 6 | Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 7 | Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — | |
| 8 | Goldberg Variations, BWV 988: Variatio 7. a 1 ô vero 2 Clav. "al tempo di Giga" | Glenn Gould | T-902.128.688-4 | |
| 9 | Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 10 | Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — | |
| 11 | Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — | |
| 12 | Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 13 | Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | — | |
| 14 | Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 15 | Goldberg Variations, BWV 988: Variatio 14. a 2 Clav. | Glenn Gould | — | |
| 16 | Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | — | |
| 17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 18 | Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 19 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 20 | Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 21 | Goldberg-Variationen, BWV 988: Variatio XX. a 2 Clav. | Glenn Gould | — | |
| 22 | Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | — | |
| 23 | Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — | |
| 24 | Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 25 | Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — | |
| 26 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 27 | Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 28 | Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | — | |
| 29 | Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 30 | Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 2-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo, sempre legato | Glenn Gould | — | |
| 2-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Glenn Gould | — | |
| 2-3 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Glenn Gould | — | |
| 2-4 | Piano Sonata no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Glenn Gould | — | |
| 2-5 | Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto - Remastered | Glenn Gould | — | |
| 2-6 | Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo - Remastered | Glenn Gould | — | |
| 2-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso; Allegro con brio ed appassionato | Glenn Gould | — | |
| 2-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Glenn Gould | — | |
| 3-1 | Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-2 | Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-3 | Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-4 | Keyboard Concerto No. 1 in D minor, BWV 1052: I. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-914.323.771-2 | |
| 3-5 | Keyboard Concerto No. 1 in D minor, BWV 1052: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-917.755.866-6 | |
| 3-6 | Keyboard Concerto No. 1 in D minor, BWV 1052: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 4-1 | Partita no. 5 in G major, BWV 829: Praeludium | Glenn Gould | — | |
| 4-2 | Partita no. 5 in G major, BWV 829: Allemande | Glenn Gould | — | |
| 4-3 | Partita no. 5 in G major, BWV 829: Courante | Glenn Gould | — | |
| 4-4 | Partita no. 5 in G major, BWV 829: Sarabande | Glenn Gould | — | |
| 4-5 | Partita no. 5 in G major, BWV 829: Tempo di Menuetto | Glenn Gould | — | |
| 4-6 | Partita no. 5 in G major, BWV 829: Passepied | Glenn Gould | — | |
| 4-7 | Partita no. 5 in G major, BWV 829: Gigue | Glenn Gould | — | |
| 4-8 | The Well‐Tempered Clavier, Book II: Fugue No. 14 in F-sharp minor, BWV 883 | Glenn Gould | — | |
| 4-9 | The Well‐Tempered Clavier, Book II: Fugue No. 9 in E major, BWV 878 | Glenn Gould | — | |
| 4-10 | Partita no. 6 in E minor, BWV 830: Toccata | Glenn Gould | — | |
| 4-11 | Partita no. 6 in E minor, BWV 830: Allemande | Glenn Gould | — | |
| 4-12 | Partita no. 6 in E minor, BWV 830: Courante | Glenn Gould | — | |
| 4-13 | Partita no. 6 in E minor, BWV 830: Air | Glenn Gould | — | |
| 4-14 | Partita no. 6 in E minor, BWV 830: Sarabande | Glenn Gould | — | |
| 4-15 | Partita no. 6 in E minor, BWV 830: Tempo di Gavotta | Glenn Gould | — | |
| 4-16 | Partita no. 6 in E minor, BWV 830: Gigue | Glenn Gould | — | |
| 5-1 | Sonata in E-flat major, Hob. XVI:49: I. Allegro | Glenn Gould | — | |
| 5-2 | Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile | Glenn Gould | T-001.397.158-8 | |
| 5-3 | Sonata in E-flat major, Hob. XVI:49: III. Finale. Tempo di Minuet | Glenn Gould | — | |
| 5-4 | Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato | Glenn Gould | — | |
| 5-5 | Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile | Glenn Gould | — | |
| 5-6 | Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto | Glenn Gould | — | |
| 5-7 | Fantasia and Fugue, K. 394: I. Fantasia | Glenn Gould | — | |
| 5-8 | Fantasia and Fugue, K. 394: II. Fugue | Glenn Gould | — | |
| 6-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio (cadenza by Glenn Gould) | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando (cadenza by Glenn Gould) | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 7-1 | Piano Sonata No. 1: Mässig bewegt | Glenn Gould | — | |
| 7-2 | Three Piano Pieces, Op. 11: I. Mäßig | Glenn Gould | — | |
| 7-3 | Three Piano Pieces, Op. 11: II. Mäßige | Glenn Gould | — | |
| 7-4 | Three Piano Pieces, Op. 11: III. Bewegt | Glenn Gould | — | |
| 7-5 | Sonata for Piano no. 3, op. 92 no. 4: I. Allegretto piacavole, animato e flessibile | Glenn Gould | — | |
| 7-6 | Sonata for Piano no. 3, op. 92 no. 4: II. Theme, Canons and Variations. Andantino - Agitato - Allegretto | Glenn Gould | — | |
| 7-7 | Sonata for Piano no. 3, op. 92 no. 4: III. Scherzo. Vivace ma non troppo | Glenn Gould | — | |
| 7-8 | Sonata for Piano no. 3, op. 92 no. 4: IV. Adagio | Glenn Gould | — | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 9-1 | String Quartet, op. 1 | Symphonia Quartet | — | |
| 10-1 | Italian Concerto in F major, BWV 971: I. [...] | Glenn Gould | T-061.296.484-7 | |
| 10-2 | Italian Concerto in F Major, BWV 971: II. Andante | Glenn Gould | T-312.198.890-3 | |
| 10-3 | Italian Concerto in F major, BWV 971: III. Presto | Glenn Gould | T-312.198.890-3 | |
| 10-4 | Partita no. 1 in B-flat major, BWV 825: Praeludium | Glenn Gould | T-928.012.883-8 | |
| 10-5 | Partita no. 1 in B-flat major, BWV 825: Allemande | Glenn Gould | — | |
| 10-6 | Partita no. 1 in B-flat major, BWV 825: Courante | Glenn Gould | — | |
| 10-7 | Partita no. 1 in B-flat major, BWV 825: Sarabande | Glenn Gould | — | |
| 10-8 | Partita no. 1 in B-flat major, BWV 825: Menuet I & II | Glenn Gould | — | |
| 10-9 | Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — | |
| 10-10 | Partita no. 2 in C minor, BWV 826: Sinfonia | Glenn Gould | T-919.327.166-8 | |
| 10-11 | Partita no. 2 in C minor, BWV 826: Allemande | Glenn Gould | — | |
| 10-12 | Partita no. 2 in C minor, BWV 826: Courante | Glenn Gould | — | |
| 10-13 | Partita no. 2 in C minor, BWV 826: Sarabande | Glenn Gould | — | |
| 10-14 | Partita no. 2 in C minor, BWV 826: Rondeaux | Glenn Gould | — | |
| 10-15 | Partita no. 2 in C minor, BWV 826: Capriccio | Glenn Gould | — | |
| 11-1 | Intermezzo op. 117 no. 1 in E-flat major: Andante moderato | Glenn Gould | — | |
| 11-2 | Intermezzo op. 117 no. 2 in B-flat minor: Andante non troppo e con molta espressione | Glenn Gould | — | |
| 11-3 | Intermezzo op. 117 no. 3 in C-sharp minor: Andante con moto | Glenn Gould | — | |
| 11-4 | Intermezzo op. 118 no. 6 in E-flat minor: Andante, largo e mesto | Glenn Gould | — | |
| 11-5 | Intermezzo op. 116 no. 4 in E major: Adagio | Glenn Gould | — | |
| 11-6 | Intermezzo op. 76 no. 7 in A minor: Moderato semplice | Glenn Gould | — | |
| 11-7 | Intermezzo op. 76 no. 6 in A major: Andante con moto | Glenn Gould | — | |
| 11-8 | Intermezzo op. 119 no. 1 in B minor: Adagio | Glenn Gould | — | |
| 11-9 | Intermezzo op. 118 no. 1 in A minor: Allegro non assai, ma molto appassionato | Glenn Gould | — | |
| 11-10 | Intermezzo op. 118 no. 2 in A major: Andante teneramente | Glenn Gould | T-916.456.074-1 | |
| 12-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 12-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 12-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 13-1 | Art of the Fugue, BWV 1080: I. Contrapunctus 1 | Glenn Gould | — | |
| 13-2 | Art of the Fugue, BWV 1080: II. Contrapunctus 2 | Glenn Gould | — | |
| 13-3 | Art of the Fugue, BWV 1080: III. Contrapunctus 3 | Glenn Gould | — | |
| 13-4 | Art of the Fugue, BWV 1080: IV. Contrapunctus 4 | Glenn Gould | — | |
| 13-5 | Art of the Fugue, BWV 1080: V. Contrapunctus 5 | Glenn Gould | — | |
| 13-6 | Art of the Fugue, BWV 1080: VI. Contrapunctus 6 | Glenn Gould | — | |
| 13-7 | Art of the Fugue, BWV 1080: VII. Contrapunctus 7 | Glenn Gould | — | |
| 13-8 | Art of the Fugue, BWV 1080: VIII. Contrapunctus 8 | Glenn Gould | — | |
| 13-9 | Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — | |
| 14-1 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-2 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. Larghetto | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-3 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. Allegretto | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-4 | Concerto for Piano and Orchestra, op. 42: Andante | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-5 | Concerto for Piano and Orchestra, op. 42: Molto allegro (Bar 176) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-6 | Concerto for Piano and Orchestra, op. 42: Adagio (Bar 264) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-7 | Concerto for Piano and Orchestra, op. 42: Giocoso (Moderato) (Bar 329) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 15-1 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Prelude. Andante | — | ||
| 15-2 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: "So These Were Wed" | — | ||
| 15-3 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Allegro appassionato | — | ||
| 15-4 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Tranquillo | — | ||
| 15-5 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Annie's Dream. Langsam. | — | ||
| 15-6 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Prelude. Allegro moderato | — | ||
| 15-7 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: "Thus Over Enoch's Early-Silvering Head" | — | ||
| 15-8 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Allegro agitato | — | ||
| 15-9 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Langsam | — | ||
| 16-1 | Prelude and Fugue no. 1 in C major, BWV 846: I. Praeludium | Glenn Gould | T-910.415.372-2 | |
| 16-2 | Prelude and Fugue no. 1 in C major, BWV 846: II. Fuga | Glenn Gould | — | |
| 16-3 | Prelude and Fugue no. 2 in C minor, BWV 847: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-4 | Prelude and Fugue no. 2 in C minor, BWV 847: II. Fuga | Glenn Gould | — | |
| 16-5 | Prelude and Fugue no. 3 in C-sharp major, BWV 848: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-6 | Prelude and Fugue no. 3 in C-sharp major, BWV 848: II. Fuga | Glenn Gould | — | |
| 16-7 | Prelude and Fugue no. 4 in C-sharp minor, BWV 849: I. Praeludium | Glenn Gould | T-011.696.501-5 | |
| 16-8 | Prelude and Fugue no. 4 in C-sharp minor, BWV 849: II. Fuga | Glenn Gould | T-011.696.501-5 | |
| 16-9 | Prelude and Fugue no. 5 in D major, BWV 850: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-10 | Prelude and Fugue no. 5 in D major, BWV 850: II. Fuga | Glenn Gould | — | |
| 16-11 | Prelude and Fugue no. 6 in D minor, BWV 851: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-12 | Prelude and Fugue no. 6 in D minor, BWV 851: II. Fuga | Glenn Gould | — | |
| 16-13 | Prelude and Fugue no. 7 in E-flat major, BWV 852: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-14 | Prelude and Fugue no. 7 in E-flat major, BWV 852: II. Fuga | Glenn Gould | — | |
| 16-15 | Prelude in E-flat minor and Fugue in D-sharp minor no. 8, BWV 853: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-16 | Prelude in E-flat minor and Fugue in D-sharp minor no. 8, BWV 853: II. Fuga | Glenn Gould | — | |
| 17-1 | Partita no. 4 in D major, BWV 828: I. Overture | Glenn Gould | — | |
| 17-2 | Partita no. 4 in D major, BWV 828: II. Allemande | Glenn Gould | — | |
| 17-3 | Partita no. 4 in D major, BWV 828: III. Courante | Glenn Gould | — | |
| 17-4 | Partita no. 4 in D major, BWV 828: IV. Aria | Glenn Gould | T-905.380.384-2 | |
| 17-5 | Partita no. 4 in D major, BWV 828: V. Sarabande | Glenn Gould | — | |
| 17-6 | Partita no. 4 in D major, BWV 828: VI. Menuet | Glenn Gould | — | |
| 17-7 | Partita no. 4 in D major, BWV 828: VII. Gigue | Glenn Gould | — | |
| 17-8 | Partita no. 3 in A minor, BWV 827: I. Fantasia | Glenn Gould | — | |
| 17-9 | Partita no. 3 in A minor, BWV 827: II. Allemande | Glenn Gould | — | |
| 17-10 | Partita no. 3 in A minor, BWV 827: III. Corrente | Glenn Gould | — | |
| 17-11 | Partita no. 3 in A minor, BWV 827: IV. Sarabande | Glenn Gould | — | |
| 17-12 | Partita no. 3 in A minor, BWV 827: V. Burlesca | Glenn Gould | — | |
| 17-13 | Partita no. 3 in A minor, BWV 827: VI. Scherzo | Glenn Gould | — | |
| 17-14 | Partita no. 3 in A minor, BWV 827: VII. Gigue | Glenn Gould | — | |
| 17-15 | Toccata in E Minor, BWV 914 | Glenn Gould | — | |
| 18-1 | Das wohltemperierte Klavier, Buch I: Präludium No. 9 E‐dur, BWV 854 | Glenn Gould | T-918.063.729-0 | |
| 18-2 | Prelude & Fugue no. 9 in E major, BWV 854: Fugue | Glenn Gould | — | |
| 18-3 | Prelude and Fugue no. 10 in E minor, BWV 855: I. Praeludium | Glenn Gould | — | |
| 18-4 | Prelude and Fugue no. 10 in E minor, BWV 855: II. Fuga | Glenn Gould | — | |
| 18-5 | Prelude and Fugue no. 11 in F major, BWV 856: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-6 | Prelude and Fugue no. 11 in F major, BWV 856: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-7 | Prelude and Fugue no. 12 in F minor, BWV 857: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-8 | Prelude and Fugue no. 12 in F minor, BWV 857: II. Fuga | Glenn Gould | — | |
| 18-9 | Prelude and Fugue no. 13 in F-sharp major, BWV 858: I. Praeludium | Glenn Gould | — | |
| 18-10 | Prelude and Fugue no. 13 in F-sharp major, BWV 858: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-11 | Prelude and Fugue no. 14 in F-sharp minor, BWV 859: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-12 | Prelude and Fugue no. 14 in F-sharp minor, BWV 859: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-13 | Prelude and Fugue no. 15 in G major, BWV 860: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-14 | Prelude and Fugue no. 15 in G major, BWV 860: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-15 | Prelude and Fugue no. 16 in G minor, BWV 861: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-16 | Prelude and Fugue no. 16 in G minor, BWV 861: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 19-1 | Invention no. 1 in C Major, BWV 772 | Glenn Gould | — | |
| 19-2 | Sinfonia no. 1 in C major, BWV 787 | Glenn Gould | — | |
| 19-3 | Invention no. 2 in C minor, BWV 773 | Glenn Gould | — | |
| 19-4 | Sinfonia no. 2 in C minor, BWV 788 | Glenn Gould | T-902.387.184-3 | |
| 19-5 | Invention no. 5 in E-flat major, BWV 776 | Glenn Gould | — | |
| 19-6 | Sinfonia no. 5 in E-flat major, BWV 791 | Glenn Gould | — | |
| 19-7 | Invention no. 14 in B-flat major, BWV 785 | Glenn Gould | T-917.235.934-1 | |
| 19-8 | Sinfonia no. 14 in B-flat major, BWV 800 | Glenn Gould | — | |
| 19-9 | Invention no. 11 in G minor, BWV 782 | Glenn Gould | — | |
| 19-10 | Sinfonia no. 11 in G minor, BWV 797 | Glenn Gould | T-803.278.224-5 | |
| 19-11 | Invention no. 10 in G major, BWV 781 | Glenn Gould | — | |
| 19-12 | Sinfonia no. 10 in G major, BWV 796 | Glenn Gould | — | |
| 19-13 | Invention no. 15 in B minor, BWV 786 | Glenn Gould | — | |
| 19-14 | Sinfonia no. 15 in B minor, BWV 801 | Glenn Gould | — | |
| 19-15 | Invention no. 7 in E minor, BWV 778 | Glenn Gould | — | |
| 19-16 | Sinfonia no. 7 in E minor, BWV 793 | Glenn Gould | — | |
| 19-17 | Invention no. 6 in E major, BWV 777 | Glenn Gould | — | |
| 19-18 | Sinfonia no. 6 in E major, BWV 792 | Glenn Gould | — | |
| 19-19 | Invention no. 13 in A minor, BWV 784 | Glenn Gould | — | |
| 19-20 | Sinfonia no. 13 in A minor, BWV 799 | Glenn Gould | — | |
| 19-21 | Invention no. 12 in A major, BWV 783 | Glenn Gould | — | |
| 19-22 | Sinfonia no. 12 in A major, BWV 798 | Glenn Gould | — | |
| 19-23 | Invention no. 3 in D major, BWV 774 | Glenn Gould | — | |
| 19-24 | Sinfonia no. 3 in D major, BWV 789 | Glenn Gould | — | |
| 19-25 | Invention no. 4 in D minor, BWV 775 | Glenn Gould | — | |
| 19-26 | Sinfonia no. 4 in D minor, BWV 790 | Glenn Gould | — | |
| 19-27 | Invention no. 8 in F major, BWV 779 | Glenn Gould | T-912.732.006-3 | |
| 19-28 | Sinfonia no. 8 in F major, BWV 794 | Glenn Gould | T-912.732.006-3 | |
| 19-29 | Invention no. 9 in F minor, BWV 780 | Glenn Gould | — | |
| 19-30 | Sinfonia no. 9 in F minor, BWV 795 | Glenn Gould | T-927.294.271-9 | |
| 20-1 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Glenn Gould | — | |
| 20-2 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Glenn Gould | — | |
| 20-3 | Sonata No. 5 in C minor, Op. 10 No. 1: III. Finale. Prestissimo | Glenn Gould | — | |
| 20-4 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Glenn Gould | — | |
| 20-5 | Sonata No. 6 in F major, Op. 10 No. 2: II. Allegretto | Glenn Gould | — | |
| 20-6 | Sonata No. 6 in F major, Op. 10 No. 2: III. Presto | Glenn Gould | — | |
| 20-7 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Glenn Gould | T-912.751.549-5 | |
| 20-8 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Glenn Gould | — | |
| 20-9 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Glenn Gould | — | |
| 20-10 | Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | Glenn Gould | — | |
| 21-1 | Prelude and Fugue no. 17 in A-flat major, BWV 862: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-2 | Prelude and Fugue no. 17 in A-flat major, BWV 862: II. Fuga | Glenn Gould | — | |
| 21-3 | Prelude and Fugue no. 18 in G-sharp minor, BWV 863: I. Praeludium | Glenn Gould | — | |
| 21-4 | Prelude and Fugue no. 18 in G-sharp minor, BWV 863: II. Fuga | Glenn Gould | — | |
| 21-5 | Prelude and Fugue no. 19 in A major, BWV 864: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-6 | Prelude and Fugue no. 19 in A major, BWV 864: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 21-7 | Prelude and Fugue no. 20 in A minor, BWV 865: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-8 | Prelude and Fugue no. 20 in A minor, BWV 865: II. Fuga | Glenn Gould | — | |
| 21-9 | Prelude and Fugue no. 21 in B-flat major, BWV 866: I. Praeludium | Glenn Gould | T-916.508.484-4 | |
| 21-10 | Prelude and Fugue no. 21 in B-flat major, BWV 866: II. Fuga | Glenn Gould | T-916.508.484-4 | |
| 21-11 | Prelude and Fugue no. 22 in B-flat minor, BWV 867: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-12 | Prelude and Fugue no. 22 in B-flat minor, BWV 867: II. Fuga | Glenn Gould | — | |
| 21-13 | Prelude and Fugue no. 23 in B major, BWV 868: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-14 | Prelude and Fugue no. 23 in B major, BWV 868: II. Fuga | Glenn Gould | — | |
| 21-15 | Prelude and Fugue no. 24 in B minor, BWV 869: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-16 | Prelude and Fugue no. 24 in B minor, BWV 869: II. Fuga | Glenn Gould | — | |
| 22-1 | Zwei Gesänge, Op. 1: I. Dank | — | ||
| 22-2 | Zwei Gesänge, Op. 1: II. Abschied | — | ||
| 22-3 | Vier Lieder, Op. 2: I. Erwartung | — | ||
| 22-4 | Vier Lieder, Op. 2: II. Schenk mir deinen goldenen Kamm | — | ||
| 22-5 | Vier Lieder, Op. 2: III. Erhebung | — | ||
| 22-6 | Vier Lieder, Op. 2: IV. Waldsonne | — | ||
| 22-7 | Das Buch der hängenden Gärten, Op. 15: I. Unterm Schutz von dichten Blättergründen | — | ||
| 22-8 | Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen Paradiesen | — | ||
| 22-9 | Das Buch der hängenden Gärten, Op. 15: III. Als Neuling trat ich ein in dein Gehege | — | ||
| 22-10 | Das Buch der hängenden Gärten, Op. 15: IV. Da meine Lippen reglos sind und brennen | — | ||
| 22-11 | Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem Pfade | — | ||
| 22-12 | Das Buch der hängenden Gärten, Op. 15: VI. Jedem Werke bin ich fürder tot | — | ||
| 22-13 | Das Buch der hängenden Gärten, Op. 15: VII. Angst und Hoffen wechselnd mich beklemmen | — | ||
| 22-14 | Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen Leib berühre | — | ||
| 22-15 | Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das Glück und spröde | — | ||
| 22-16 | Das Buch der hängenden Gärten, Op. 15: X. Das schöne Beet betracht ich mir im Harren | — | ||
| 22-17 | Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten Tore | — | ||
| 22-18 | Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger Ruh in tiefen Matten | — | ||
| 22-19 | Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine Silberweide | — | ||
| 22-20 | Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht mehr von dem Laub | — | ||
| 22-21 | Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern Lauben | — | ||
| 23-1 | Three Piano Pieces, Op. 11: I. Mäßig | Glenn Gould | — | |
| 23-2 | Three Piano Pieces, Op. 11: II. Mäßige | Glenn Gould | — | |
| 23-3 | Three Piano Pieces, Op. 11: III. Bewegt | Glenn Gould | — | |
| 23-4 | Fünf Klavierstücke, Op. 23: I. Sehr langsam | — | ||
| 23-5 | Fünf Klavierstücke, Op. 23: II. Sehr rasch | — | ||
| 23-6 | Fünf Klavierstücke, Op. 23: III. Langsam | — | ||
| 23-7 | Fünf Klavierstücke, Op. 23: IV. Schwungvoll. Mäßige Viertel | — | ||
| 23-8 | Fünf Klavierstücke, Op. 23: V. Walzer | — | ||
| 23-9 | Sechs Kleine Klavierstücke, op. 19: I. Leicht, zart | Glenn Gould | — | |
| 23-10 | Sechs Kleine Klavierstücke, Op. 19: II. Langsam | — | ||
| 23-11 | Sechs Kleine Klavierstücke, Op. 19: III. Sehr langsam | — | ||
| 23-12 | Sechs Kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht | — | ||
| 23-13 | Sechs Kleine Klavierstücke, Op. 19: V. Etwas rasch | — | ||
| 23-14 | Sechs Kleine Klavierstücke, Op. 19: VI. Sehr langsam | — | ||
| 23-15 | Suite für Klavier, Op. 25: Präludium. Rasch | — | ||
| 23-16 | Suite für Klavier, Op. 25: Gavotte. Etwas langsam, nicht hastig - Musette. Rascher - Gavotte da capo | — | ||
| 23-17 | Suite für Klavier, Op. 25: Intermezzo | — | ||
| 23-18 | Suite für Klavier, Op. 25: Menuett. Moderato - Trio - Menuett da capo | — | ||
| 23-19 | Suite für Klavier, op. 25: Gigue. Rasch | Glenn Gould | — | |
| 23-20 | Zwei Klavierstücke, Op. 33a & b: Op. 33a: Mäßige Viertel | — | ||
| 23-21 | Zwei Klavierstücke, Op. 33a & b: Op. 33b: Mäßig langsam | — | ||
| 24-1 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": I. Allegro | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 24-2 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": II. Adagio un poco mosso | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 24-3 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": III. Rondo. Allegro ma non tanto | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 25-1 | Trio for Violin, Viola and Cello, Op. 45 | — | ||
| 25-2 | Ode to Napoleon Buonaparte for String Quartet, Piano and Reciter, Op. 41 | — | ||
| 26-1 | Variations on a Recitative, Op. 40 | — | ||
| 26-2 | Fantasy for Violin and Piano Accompaniment, Op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso | — | ||
| 26-3 | Fantasy for Violin and Piano Accompaniment, Op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | — | ||
| 26-4 | Theme and Variations, Op. 43b | — | ||
| 27-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Glenn Gould | T-915.723.669-6 | |
| 27-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | T-001.397.158-8 | |
| 27-3 | Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — | |
| 27-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Glenn Gould | — | |
| 27-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Glenn Gould | T-802.445.410-3 | |
| 27-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro commodo | Glenn Gould | — | |
| 27-7 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | Glenn Gould | — | |
| 27-8 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | Glenn Gould | — | |
| 27-9 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Glenn Gould | — | |
| 28-1 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 28-2 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-3 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-7 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: I. Allegro | — | ||
| 28-8 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: II. Andante | — | ||
| 28-9 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: III. Allegro assai | — | ||
| 29-1 | Fantasy in D minor | — | ||
| 29-2 | Fantasia | — | ||
| 29-3 | Variations pour piano, Op. 8 | — | ||
| 30-1 | Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro | — | ||
| 30-2 | Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante | — | ||
| 30-3 | Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro | — | ||
| 30-4 | Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai | — | ||
| 30-5 | Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio | — | ||
| 30-6 | Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto | — | ||
| 30-7 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro | — | ||
| 30-8 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso | — | ||
| 30-9 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | — | ||
| 30-10 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | — | ||
| 30-11 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto I & II | — | ||
| 30-12 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Allegro | — | ||
| 30-13 | Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro | — | ||
| 30-14 | Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante | — | ||
| 30-15 | Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto | — | ||
| 31-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 1 in C major, BWV 870: Prelude | — | ||
| 31-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 1 in C major, BWV 870: Fugue | — | ||
| 31-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 2 in C minor, BWV 871: Prelude | — | ||
| 31-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 2 in C minor, BWV 871: Fugue | — | ||
| 31-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 3 in C-sharp major, BWV 872: Prelude | — | ||
| 31-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 3 in C-sharp major, BWV 872: Fugue | — | ||
| 31-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Prelude | — | ||
| 31-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Fugue | — | ||
| 31-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 5 in D major, BWV 874: Prelude | — | ||
| 31-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 5 in D major, BWV 874: Fugue | — | ||
| 31-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 6 in D minor, BWV 875: Prelude | — | ||
| 31-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 6 in D minor, BWV 875: Fugue | — | ||
| 31-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 7 in E-flat major, BWV 876: Prelude | — | ||
| 31-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 7 in E-flat major, BWV 876: Fugue | — | ||
| 31-15 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 8 in D-sharp minor, BWV 877: Prelude | — | ||
| 31-16 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 8 in D-sharp minor, BWV 877: Fugue | — | ||
| 32-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Glenn Gould | — | |
| 32-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Glenn Gould | — | |
| 32-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Glenn Gould | T-902.876.200-7 | |
| 32-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Glenn Gould | T-902.876.200-7 | |
| 33-1 | Part I | — | ||
| 33-2 | Part II | — | ||
| 34-1 | Sonata No. 3 in F-sharp minor, Op. 23: I. Dramatico | — | ||
| 34-2 | Sonata No. 3 in F-sharp minor, Op. 23: II. Allegretto | — | ||
| 34-3 | Sonata No. 3 in F-sharp minor, Op. 23: III. Andante - attacca | — | ||
| 34-4 | Sonata No. 3 in F-sharp minor, Op. 23: IV. Presto con fuoco - maestoso | — | ||
| 34-5 | Piano Sonata No. 7 in B-flat major, Op. 83: I. Allegro inquieto - andantino | — | ||
| 34-6 | Piano Sonata No. 7 in B-flat major, Op. 83: II. Andante caloroso | — | ||
| 34-7 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Glenn Gould | — | |
| 35-1 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro | — | ||
| 35-2 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante | — | ||
| 35-3 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro | — | ||
| 35-4 | Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito | — | ||
| 35-5 | Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio | — | ||
| 35-6 | Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso | — | ||
| 35-7 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | — | ||
| 35-8 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | — | ||
| 35-9 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro | — | ||
| 36-1 | Keyboard Concerto No. 2 in E major, BWV 1053: I. Allegro | — | ||
| 36-2 | Concerto for Piano and Orchestra no. 2 in E major, BWV 1053: II. Siciliano | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 36-3 | Keyboard Concerto No. 2 in E major, BWV 1053: III. Allegro | — | ||
| 36-4 | Keyboard Concerto No. 4 in A major, BWV 1055: I. Allegro | — | ||
| 36-5 | Keyboard Concerto No. 4 in A major, BWV 1055: II. Larghetto | — | ||
| 36-6 | Keyboard Concerto No. 4 in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 37-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Glenn Gould | T-915.723.669-6 | |
| 37-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | T-001.397.158-8 | |
| 37-3 | Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — | |
| 37-4 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Glenn Gould | — | |
| 37-5 | Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto - attacca | — | ||
| 37-6 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Glenn Gould | — | |
| 37-7 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Glenn Gould | — | |
| 37-8 | Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Glenn Gould | — | |
| 37-9 | Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo - Presto | Glenn Gould | — | |
| 38-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 9 in E major, BWV 878: Prelude | — | ||
| 38-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 9 in E major, BWV 878: Fugue | — | ||
| 38-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 10 in E minor, BWV 879: Prelude | — | ||
| 38-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 10 in E minor, BWV 879: Fugue | — | ||
| 38-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 11 in F major, BWV 880: Prelude | — | ||
| 38-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 11 in F major, BWV 880: Fugue | — | ||
| 38-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 12 in F minor, BWV 881: Prelude | — | ||
| 38-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 12 in F minor, BWV 881: Fugue | — | ||
| 38-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 13 in F-sharp major, BWV 882: Prelude | — | ||
| 38-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 13 in F-sharp major, BWV 882: Fugue | — | ||
| 38-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 883: Prelude | — | ||
| 38-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 883: Fugue | — | ||
| 38-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 15 in G major, BWV 884: Prelude | — | ||
| 38-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 15 in G major, BWV 884: Fugue | — | ||
| 38-15 | The Well-Tempered Clavier: Book II: Prelude and Fugue no. 16 in G minor, BWV 885: I. Praeludium | Glenn Gould | T-800.348.332-8 | |
| 38-16 | The Well-Tempered Clavier: Book II: Prelude and Fugue no. 16 in G minor, BWV 885: II. Fuga | Glenn Gould | T-042.929.730-2 | |
| 39-1 | 32 VARIATIONS IN C MINOR WOO 80 THEME VARIATIONS 1 2 | Glenn Gould | — | |
| 39-2 | VARIATIONS 3-5 | Glenn Gould | T-315.783.809-6 | |
| 39-3 | VARIATIONS 6-8 | T-921.511.740-1 | ||
| 39-4 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 9 11 | Glenn Gould | — | |
| 39-5 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 12 14 | — | ||
| 39-6 | 32 VARIATIONS IN C MINOR, WOO 80: VAR. XV - VAR. XVI | — | ||
| 39-7 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 17 18 | — | ||
| 39-8 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 19 21 | — | ||
| 39-9 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 22 24 | Glenn Gould | — | |
| 39-10 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 25 28 | — | ||
| 39-11 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 29 30 | Glenn Gould | — | |
| 39-12 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 31 32 | Glenn Gould | — | |
| 39-13 | 6 VARIATIONS IN F MAJOR, OP. 34: TEMA. ADAGIO | Glenn Gould | — | |
| 39-14 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. I | Glenn Gould | — | |
| 39-15 | VAR. II. ALLEGRO MA NON TROPPO | Glenn Gould | — | |
| 39-16 | VAR. III. ALLEGRETTO | Glenn Gould | — | |
| 39-17 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. IV. TEMPO DI MENUETTO | Glenn Gould | — | |
| 39-18 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. V. MARCIA. ALLEGRETTO | Glenn Gould | — | |
| 39-19 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. VI. ALLEGRETTO - CODA - ADAGIO MOLTO | Glenn Gould | — | |
| 39-20 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": INTRODUZIONE COL BASSO DEL TEMA - TEMAGLENN GOULD 283 228182378 applemusic true | Glenn Gould | — | |
| 39-21 | EROICA VARIATIONS OP 35 VAR I | Glenn Gould | — | |
| 39-22 | EROICA VARIATIONS OP 35 VAR II | Glenn Gould | — | |
| 39-23 | EROICA VARIATIONS OP 35 VAR III | Glenn Gould | — | |
| 39-24 | "15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""EROICA\"": VAR. IV" | Glenn Gould | — | |
| 39-25 | EROICA VARIATIONS OP 35 VAR V | Glenn Gould | — | |
| 39-26 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": VAR. VIGLENN GOULD 32 228182378 applemusic true | — | ||
| 39-27 | EROICA VARIATIONS OP 35 VAR VII | Glenn Gould | — | |
| 39-28 | EROICA VARIATIONS OP 35 VAR VIII | — | ||
| 39-29 | EROICA VARIATIONS OP 35 VAR IX | Glenn Gould | — | |
| 39-30 | EROICA VARIATIONS OP 35 VAR X | — | ||
| 39-31 | EROICA VARIATIONS OP 35 VAR XI | — | ||
| 39-32 | EROICA VARIATIONS OP 35 VAR XII | Glenn Gould | — | |
| 39-33 | EROICA VARIATIONS OP 35 VAR XIII | — | ||
| 39-34 | EROICA VARIATIONS OP 35 VAR XIV | — | ||
| 39-35 | EROICA VARIATIONS OP 35 VAR XV | Glenn Gould | — | |
| 39-36 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": FINALE ALLA FUGA. ALLEGRO CON BRIO - ADAGIO - ANDANTE CON MOTOGLENN GOULD 342 228182378 applemusic true | — | ||
| 40-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 17 in A-flat major, BWV 886: Prelude | — | ||
| 40-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 17 in A-flat major, BWV 886: Fugue | — | ||
| 40-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 18 in G-sharp minor, BWV 887: Prelude | — | ||
| 40-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 18 in G-sharp minor, BWV 887: Fugue | — | ||
| 40-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 19 in A major, BWV 888: Prelude | — | ||
| 40-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 19 in A major, BWV 888: Fugue | — | ||
| 40-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 20 in A minor, BWV 889: Prelude | — | ||
| 40-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 20 in A minor, BWV 889: Fugue | — | ||
| 40-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 21 in B-flat major, BWV 890: Prelude | — | ||
| 40-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 21 in B-flat major, BWV 890: Fugue | — | ||
| 40-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 22 in B-flat minor, BWV 891: Prelude | — | ||
| 40-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 22 in B-flat minor, BWV 891: Fugue | — | ||
| 40-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 23 in B major, BWV 892: Prelude | — | ||
| 40-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 23 in B major, BWV 892: Fugue | — | ||
| 40-15 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24 in B minor, BWV 893: Prelude | — | ||
| 40-16 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24 in B minor, BWV 893: Fugue | — | ||
| 41-1 | Pavan & Galliard no. 1 in C minor | Glenn Gould | — | |
| 41-2 | Fantasia in C major | Glenn Gould | — | |
| 41-3 | Italian Ground: Allemande | Glenn Gould | — | |
| 41-4 | Hughe Ashton's Ground | Glenn Gould | — | |
| 41-5 | Pavan & Galliard no. 2 in C major "Kinborough Good" | Glenn Gould | — | |
| 41-6 | Pavan & Galliard "Lord Salisbury" | Glenn Gould | T-309.783.123-3 | |
| 41-7 | Fantasia no. 1 in G major "Voluntary for My Lady Nevell" | Glenn Gould | — | |
| 41-8 | Sellinger's Round | Glenn Gould | — | |
| 42-1 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Glenn Gould | — | |
| 42-2 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Glenn Gould | — | |
| 42-3 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Glenn Gould | — | |
| 42-4 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 42-5 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 42-6 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 42-7 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | — | ||
| 42-8 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | — | ||
| 42-9 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | — | ||
| 42-10 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro | — | ||
| 42-11 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile | — | ||
| 42-12 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | — | ||
| 43-1 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-2 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-3 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-4 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 43-5 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 43-6 | Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | — | ||
| 43-7 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 43-8 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-9 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 44-1 | Sechs Lieder, Op. 3: I. Wie Georg von Frundsberg von sich selber sang | — | ||
| 44-2 | Sechs Lieder, Op. 3: II. Die Aufgeregten | — | ||
| 44-3 | Sechs Lieder, Op. 3: III. Warnung | — | ||
| 44-4 | Sechs Lieder, Op. 3: IV. Hochzeitslied | — | ||
| 44-5 | Sechs Lieder, Op. 3: V. Geübtes Herz | — | ||
| 44-6 | Sechs Lieder, Op. 3: VI. Freihold | — | ||
| 44-7 | Zwei Balladen, Op. 12: I. Jane Grey | — | ||
| 44-8 | Zwei Balladen, Op. 12: II. Der verlorene Haufen | — | ||
| 44-9 | Drei Lieder, Op. 48: I. Sommermüd | — | ||
| 44-10 | Drei Lieder, Op. 48: II. Tot | — | ||
| 44-11 | Drei Lieder, Op. 48: III. Mädchenlied | — | ||
| 44-12 | Zwei Lieder. Op. 14: I. Ich darf nicht dankend | — | ||
| 44-13 | Zwei Lieder, Op. 14: II. In diesen Wintertagen | — | ||
| 44-14 | Zwei Lieder, Op. post.: I. Gedenken | — | ||
| 44-15 | Zwei Lieder, Op. post.: II. Am Strande | — | ||
| 44-16 | Acht Lieder, Op. 6: I. Traumleben | — | ||
| 44-17 | Acht Lieder, Op. 6: II. Alles | — | ||
| 44-18 | Acht Lieder, Op. 6: III. Mädchenlied | — | ||
| 44-19 | Acht Lieder, Op. 6: IV. Verlassen | — | ||
| 44-20 | Acht Lieder, Op. 6: V. Ghasel | — | ||
| 44-21 | Acht Lieder, Op. 6: VI. Am Wegrand | — | ||
| 44-22 | Acht Lieder, Op. 6: VII. Lockung | — | ||
| 44-23 | Acht Lieder, Op. 6: VIII. Der Wanderer | — | ||
| 45-1 | Suite no. 1 in A major, HWV 426: I. Prélude | Glenn Gould | — | |
| 45-2 | Suite no. 1 in A major, HWV 426: II. Allemande | Glenn Gould | — | |
| 45-3 | Suite no. 1 in A major, HWV 426: III. Courante | Glenn Gould | — | |
| 45-4 | Suite no. 1 in A major, HWV 426: IV. Gigue | Glenn Gould | — | |
| 45-5 | Suite no. 2 in F major, HWV 427: I. Adagio (attacca) | Glenn Gould | — | |
| 45-6 | Suite no. 2 in F major, HWV 427: II. Allegro | Glenn Gould | T-802.445.410-3 | |
| 45-7 | Suite no. 2 in F major, HWV 427: III. Adagio (attacca) | Glenn Gould | — | |
| 45-8 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fuga) | Glenn Gould | T-003.055.867-8 | |
| 45-9 | Suite no. 3 in D minor, HWV 428: I. Prelude. Presto [attacca] | Glenn Gould | — | |
| 45-10 | Suite no. 3 in D minor, HWV 428: II. Allegro [Fuga] | Glenn Gould | T-802.445.410-3 | |
| 45-11 | Suite no. 3 in D minor, HWV 428: III. Allemande [attacca] | Glenn Gould | — | |
| 45-12 | Suite no. 3 in D minor, HWV 428: IV. Courante | Glenn Gould | — | |
| 45-13 | Suite No. 3 in D minor, HWV 428: V. Air | — | ||
| 45-14 | Suite No. 3 in D minor, HWV 428: Variatio I | — | ||
| 45-15 | Suite No. 3 in D minor, HWV 428: Variatio II | — | ||
| 45-16 | Suite No. 3 in D minor, HWV 428: Variatio III | — | ||
| 45-17 | Suite No. 3 in D minor, HWV 428: Variatio IV | — | ||
| 45-18 | Suite No. 3 in D minor, HWV 428: Variatio V | — | ||
| 45-19 | Suite No. 3 in D minor, HWV 428: VI. Presto | — | ||
| 45-20 | Suite no. 4 in E minor, HWV 429: I. Allegro [Fuga] | Glenn Gould | — | |
| 45-21 | Suite no. 4 in E minor, HWV 429: II. Allemande [attacca] | Glenn Gould | — | |
| 45-22 | Suite no. 4 in E minor, HWV 429: III. Courante | Glenn Gould | — | |
| 45-23 | Suite no. 4 in E minor, HWV 429: IV. Sarabande | Glenn Gould | — | |
| 45-24 | Suite no. 4 in E minor, HWV 429: V. Gigue | Glenn Gould | — | |
| 46-1 | Sonata in E minor for Piano, Op. 7: I. Allegro moderato | — | ||
| 46-2 | Sonata in E minor for Piano, Op. 7: II. Andante molto | — | ||
| 46-3 | Sonata in E minor for Piano, Op. 7: III. Alla menuetto ma poco piu lento | — | ||
| 46-4 | Sonata in E minor for Piano, Op. 7: IV. Finale. Molto allegro | — | ||
| 46-5 | Premier Nocturne in F major | — | ||
| 46-6 | Variations Chromatiques (de concert), Op. 3: Theme. Moderato maestoso | — | ||
| 46-7 | Variations Chromatiques (de concert), Op. 3: Variatio I. Un pochissimo piu allegretto | — | ||
| 46-8 | Variations Chromatiques (de concert), Op. 3: Variatio II. a tempo rubato | — | ||
| 46-9 | Variations Chromatiques (de concert), Op. 3: Variatio III. a tempo risoluto | — | ||
| 46-10 | Variations Chromatiques (de concert), Op. 3: Variatio IV. Con fuoco | — | ||
| 46-11 | Variations Chromatiques (de concert), Op. 3: Variatio V. | — | ||
| 46-12 | Variations Chromatiques (de concert), Op. 3: Variatio VI. Agitato | — | ||
| 46-13 | Variations Chromatiques (de concert), Op. 3: Variatio VII. | — | ||
| 46-14 | Variations Chromatiques (de concert), Op. 3: Variatio VIII. Con espressione | — | ||
| 46-15 | Variations Chromatiques (de concert), Op. 3: Variatio IX. Un peu plus vite | — | ||
| 46-16 | Variations Chromatiques (de concert), Op. 3: Variatio X. Alla polacca | — | ||
| 46-17 | Variations Chromatiques (de concert), Op. 3: Variatio XI. Andante | — | ||
| 46-18 | Variations Chromatiques (de concert), Op. 3: Variatio XII. Plus anime | — | ||
| 46-19 | Variations Chromatiques (de concert), Op. 3: Variatio XIII. Mouvement des Ires Variations | — | ||
| 46-20 | Variations Chromatiques (de concert), Op. 3: Variatio XIV. appassionato | — | ||
| 46-21 | Variations Chromatiques (de concert), Op. 3: Coda. semplice - Un peu plus lent - Quasi recitativo - a tempo | — | ||
| 47-1 | French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — | |
| 47-2 | French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-3 | French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — | |
| 47-4 | French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — | |
| 47-5 | French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — | |
| 47-6 | French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — | |
| 47-7 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | — | |
| 47-8 | French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-9 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | — | |
| 47-10 | French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | — | |
| 47-11 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | — | |
| 47-12 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | — | |
| 47-13 | French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | — | |
| 47-14 | French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-15 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | — | |
| 47-16 | French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-307.292.941-6 | |
| 47-17 | French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | — | |
| 47-18 | French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | — | |
| 47-19 | French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — | |
| 47-20 | French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-21 | French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — | |
| 47-22 | French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — | |
| 47-23 | French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — | |
| 47-24 | French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | T-306.036.936-6 | |
| 47-25 | French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — | |
| 48-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Glenn Gould | — | |
| 48-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Glenn Gould | T-313.706.466-1 | |
| 48-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Glenn Gould | T-902.809.665-3 | |
| 48-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 48-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 48-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 48-7 | Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante | — | ||
| 48-8 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 48-9 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 48-10 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 49-1 | Sonata No. 1 for Piano "The River Main": I. Ruhig bewegte Viertel | — | ||
| 49-2 | Sonata No. 1 for Piano "The River Main": II. Im Zeitmaß eines sehr langsamen Marsches | — | ||
| 49-3 | Sonata No. 1 for Piano "The River Main": III. Lebhaft | — | ||
| 49-4 | Sonata No. 1 for Piano "The River Main": IV. Ruhig bewegte Viertel | — | ||
| 49-5 | Sonata No. 1 for Piano "The River Main": V. Lebhaft | — | ||
| 49-6 | Sonata No. 2 for Piano: I. Mäßig schnell | — | ||
| 49-7 | Sonata No. 2 for Piano: II. Lebhaft | — | ||
| 49-8 | Sonata No. 2 for Piano: III. Sehr langsam - Ruhig | — | ||
| 49-9 | Sonata No. 2 for Piano: IV. Rondo. Bewegt - Langsam | — | ||
| 49-10 | Sonata No. 3 for Piano: I. Ruhig bewegt | — | ||
| 49-11 | Piano Sonata no. 3: II. Sehr lebhaft | Glenn Gould | — | |
| 49-12 | Sonata No. 3 for Piano: III. Mäßig schnell | — | ||
| 49-13 | Sonata No. 3 for Piano: IV. Fuge. Lebhaft | — | ||
| 50-1 | Die Meistersinger, Prelude, Act I | — | ||
| 50-2 | Dawn and Siegfried's Rhine Journey from Gotterdämmerung | — | ||
| 50-3 | Siegfried-Idyll | — | ||
| 51-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Glenn Gould | — | |
| 51-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Glenn Gould | — | |
| 51-3 | Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | Glenn Gould | — | |
| 51-4 | Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": I. Largo - Allegro | Glenn Gould | T-915.723.676-5 | |
| 51-5 | Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 51-6 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — | |
| 51-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | Glenn Gould | — | |
| 51-8 | Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegro vivace | Glenn Gould | — | |
| 51-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | Glenn Gould | — | |
| 51-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Glenn Gould | — | |
| 52-1 | French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — | |
| 52-2 | French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 52-3 | French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — | |
| 52-4 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — | |
| 52-5 | French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — | |
| 52-6 | French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — | |
| 52-7 | French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — | |
| 52-8 | French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — | |
| 52-9 | French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — | |
| 52-10 | French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — | |
| 52-11 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — | |
| 52-12 | French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — | |
| 52-13 | French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — | |
| 52-14 | French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — | |
| 52-15 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — | |
| 52-16 | Overture in the French Style, BWV 831: I. Ouverture | Glenn Gould | T-702.622.103-6 | |
| 52-17 | Overture in the French Style, BWV 831: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 52-18 | Overture in the French Style, BWV 831: III. Gavotte I | Glenn Gould | — | |
| 52-19 | Overture in the French Style, BWV 831: IV. Gavotte II (with da capo I) | Glenn Gould | — | |
| 52-20 | Overture in the French Style, BWV 831: V. Passepied I | Glenn Gould | — | |
| 52-21 | Overture in the French Style, BWV 831: VI. Passepied II (with da capo I) | Glenn Gould | — | |
| 52-22 | Overture in the French Style, BWV 831: VII. Sarabande | Glenn Gould | — | |
| 52-23 | Overture in the French Style, BWV 831: VIII. Bourée I | Glenn Gould | — | |
| 52-24 | Overture in the French Style, BWV 831: IX. Bourée II (with da capo I) | Glenn Gould | — | |
| 52-25 | Overture in the French Style, BWV 831: X. Gigue | Glenn Gould | — | |
| 52-26 | Overture in the French Style, BWV 831: XI. Echo | Glenn Gould | — | |
| 53-1 | Sonata no. 1 in G major, BWV 1027: I. Adagio | Leonard Rose, Glenn Gould | T-910.775.176-8 | |
| 53-2 | Sonata no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Leonard Rose, Glenn Gould | — | |
| 53-3 | Sonata no. 1 in G major, BWV 1027: III. Andante | Leonard Rose, Glenn Gould | — | |
| 53-4 | Sonata no. 1 in G major, BWV 1027: IV. Allegro moderato | Leonard Rose, Glenn Gould | — | |
| 53-5 | Sonata no. 2 in D major, BWV 1028: I. Adagio | Leonard Rose, Glenn Gould | T-323.611.570-7 | |
| 53-6 | Sonata no. 2 in D major, BWV 1028: II. Allegro | Leonard Rose, Glenn Gould | T-802.445.410-3 | |
| 53-7 | Sonata no. 2 in D major, BWV 1028: III. Andante | Leonard Rose, Glenn Gould | — | |
| 53-8 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | Leonard Rose, Glenn Gould | T-318.676.528-2 | |
| 53-9 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Leonard Rose, Glenn Gould | — | |
| 53-10 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Leonard Rose, Glenn Gould | T-802.445.410-3 | |
| 53-11 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Glenn Gould, Leonard Rose | — | |
| 54-1 | 7 Bagatelles, op. 33: No. 1 in E-flat major: Andante grazioso quasi Allegretto | Glenn Gould | — | |
| 54-2 | 7 BAGATELLES OP 33 NO 2 IN C MAJOR SCHERZO ALLEGRO | — | ||
| 54-3 | 3. ALLEGRETTO | Glenn Gould | — | |
| 54-4 | 7 Bagatelles, op. 33: no. 4 in A Major. Andante | Glenn Gould | T-003.055.867-8 | |
| 54-5 | NO. 5 IN C MAJOR. ALLEGRO MA NON TROPPO | Glenn Gould | — | |
| 54-6 | 7 Bagatelles, Op. 33 No. 6 in D major: Allegretto, quasi andante (Con una certa espressione parlante) | — | ||
| 54-7 | 7 Bagatelles, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 54-8 | NO. 1 IN G MAJOR. ANDANTE CON MOTO CANTABILE E COMPIACEVOLE | — | ||
| 54-9 | NO. 2 IN G MINOR. ALLEGRO | Glenn Gould | — | |
| 54-10 | NO. 3 IN E-FLAT MAJOR. ANDANTE CANTABILE E GRAZIOSO | Glenn Gould | — | |
| 54-11 | NO. 4 IN B MINOR. PRESTO | Glenn Gould | — | |
| 54-12 | NO. 5 IN G MAJOR. QUASI ALLEGRETTO | Glenn Gould | — | |
| 54-13 | 6 Bagatelles, op. 126: No. 6 in E‐flat major: Presto – Andante amabile e con moto | Glenn Gould | — | |
| 55-1 | Fantasia for Piano in C minor, K. 475: Adagio | — | ||
| 55-2 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro | — | ||
| 55-3 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | — | ||
| 55-4 | Sonata for Piano No. 14 in C minor, K. 457: III. Molto allegro | — | ||
| 55-5 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 55-6 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 55-7 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 55-8 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 55-9 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 55-10 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 56-1 | Sonata in F for French Horn and Piano: I. Mäßig bewegt | — | ||
| 56-2 | Sonata in F for French Horn and Piano: II. Ruhig bewegt | — | ||
| 56-3 | Sonata in F for French Horn and Piano: III. Lebhaft | — | ||
| 56-4 | Sonata for Bass Tuba and Piano: I. Allegro pesante | — | ||
| 56-5 | Sonata for Bass Tuba and Piano: II. Allegro assai | — | ||
| 56-6 | Sonata for Bass Tuba and Piano: III. Variationen - Moderato, comodo | — | ||
| 56-7 | Sonata for Bass Tuba and Piano: Scherzando, l'istesso tempo | — | ||
| 56-8 | Sonata for Bass Tuba and Piano: Lento | — | ||
| 56-9 | Sonata for Bass Tuba and Piano: Wie am Anfang des Satzes | — | ||
| 57-1 | Sonata for Trumpet and Piano: I. Mit Kraft | — | ||
| 57-2 | Sonata for Trumpet and Piano: II. Mäßig bewegt - Lebhaft - Wie zuerst - Wie vorher | — | ||
| 57-3 | Sonata for Trumpet and Piano: III. Trauermusik. Sehr langsam - Ruhig bewegt - Wie am Anfang | — | ||
| 57-4 | Sonata for Trumpet and Piano: Alle Menschen müssen sterben. Sehr ruhig | — | ||
| 57-5 | Sonata in E-flat major for Alto Horn and Piano: I. Ruhig, bewegt | — | ||
| 57-6 | Sonata in E-flat major for Alto Horn and Piano: II. Lebhaft | — | ||
| 57-7 | Sonata in E-flat major for Alto Horn and Piano: III. Sehr langsam | — | ||
| 57-8 | Sonata in E-flat major for Alto Horn and Piano: The Posthorn (Dialogue) | — | ||
| 57-9 | Sonata in E-flat major for Alto Horn and Piano: IV. Lebhaft | — | ||
| 57-10 | Sonata for Trombone and Piano: I. Allegretto moderato maestoso | — | ||
| 57-11 | Sonata for Trombone and Piano: II. Allegretto grazioso | — | ||
| 57-12 | Sonata for Trombone and Piano: III. Lied des Raufbolds (Swashbuckler's Song) - Allegro pesante | — | ||
| 57-13 | Sonata for Trombone and Piano: IV. Allegro moderato maestoso | — | ||
| 58-1 | Sonata No. 1 in B minor, BWV 1014: I. Adagio | — | ||
| 58-2 | Sonata No. 1 in B minor, BWV 1014: II. Allegro | — | ||
| 58-3 | Sonata No. 1 in B minor, BWV 1014: III. Andante | — | ||
| 58-4 | Sonata No. 1 in B minor, BWV 1014: IV. Allegro | — | ||
| 58-5 | Sonata No. 2 in A major, BWV 1015: I. [without temo indication] | — | ||
| 58-6 | Sonata No. 2 in A major, BWV 1015: II. Allegro assai | — | ||
| 58-7 | Sonata No. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 58-8 | Sonata No. 2 in A major, BWV 1015: IV. Presto | — | ||
| 58-9 | Sonata No. 3 in E major, BWV 1016: I. Adagio | — | ||
| 58-10 | Sonata No. 3 in E major, BWV 1016: II. Allegro | — | ||
| 58-11 | Sonata No. 3 in E major, BWV 1016: III. Adagio ma non tanto | — | ||
| 58-12 | Sonata No. 3 in E major, BWV 1016: IV. Allegro | — | ||
| 59-1 | Sonata No. 4 in C minor, BWV 1017: I. Siciliano. Largo | — | ||
| 59-2 | Sonata No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 59-3 | Sonata No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 59-4 | Sonata No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 59-5 | Sonata No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 59-6 | Sonata No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 59-7 | Sonata No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 59-8 | Sonata No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 59-9 | Sonata No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 59-10 | Sonata No. 6 in G major, BWV 1019: II. Largo | — | ||
| 59-11 | Sonata No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 59-12 | Sonata No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 59-13 | Sonata No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 60-1 | English Suite No. 1 in A major, BWV 806: I. Prélude | Glenn Gould | — | |
| 60-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Glenn Gould | — | |
| 60-3 | English Suite No. 1 in A major, BWV 806: III. Courante I | Glenn Gould | — | |
| 60-4 | English Suite No. 1 in A major, BWV 806: IV. Courante II | Glenn Gould | T-910.773.789-3 | |
| 60-5 | English Suite No. 1 in A major, BWV 806: V. Double I | Glenn Gould | — | |
| 60-6 | English Suite No. 1 in A major, BWV 806: VI. Double II | Glenn Gould | — | |
| 60-7 | English Suite No. 1 in A major, BWV 806: VII. Sarabande | Glenn Gould | — | |
| 60-8 | English Suite No. 1 in A major, BWV 806: VIII. Bourrée I | Glenn Gould | — | |
| 60-9 | English Suite No. 1 in A major, BWV 806: IX. Bourrée II - Bourrée I da Capo | Glenn Gould | — | |
| 60-10 | English Suite No. 1 in A major, BWV 806: X. Gigue | Glenn Gould | — | |
| 60-11 | English Suite No. 4 in F major, BWV 809: I. Prélude | Glenn Gould | — | |
| 60-12 | English Suite No. 4 in F major, BWV 809: II. Allemande | Glenn Gould | — | |
| 60-13 | English Suite No. 4 in F major, BWV 809: III. Courante | Glenn Gould | — | |
| 60-14 | English Suite No. 4 in F major, BWV 809: IV. Sarabande | Glenn Gould | — | |
| 60-15 | English Suite No. 4 in F major, BWV 809: V. Menuett I | Glenn Gould | — | |
| 60-16 | English Suite No. 4 in F major, BWV 809: VI. Menuett II - Menuett I da capo | Glenn Gould | — | |
| 60-17 | English Suite No. 4 in F major, BWV 809: VII. Gigue | Glenn Gould | — | |
| 60-18 | English Suite no. 5 in E minor, BWV 810: I. Prélude | Glenn Gould | — | |
| 60-19 | English Suite No. 5 in E minor, BWV 810: II. Allemande | Glenn Gould | — | |
| 60-20 | English Suite No. 5 in E minor, BWV 810: III. Courante | Glenn Gould | — | |
| 60-21 | English Suite No. 5 in E minor, BWV 810: IV. Sarabande | Glenn Gould | — | |
| 60-22 | English Suite No. 5 in E minor, BWV 810: V. Passepied I (en Rondeau) | Glenn Gould | — | |
| 60-23 | English Suite No. 5 in E minor, BWV 810: VI. Passepied II - Passepied I da capo | Glenn Gould | — | |
| 60-24 | English Suite No. 5 in E minor, BWV 810: VII. Gigue | Glenn Gould | — | |
| 61-1 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Glenn Gould | T-909.229.948-4 | |
| 61-2 | English Suite No. 2 in A minor, BWV 807: II. Allemande | Glenn Gould | T-909.229.948-4 | |
| 61-3 | English Suite No. 2 in A minor, BWV 807: III. Courante | Glenn Gould | T-909.229.948-4 | |
| 61-4 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande, les agréments de la même Sarabande | Glenn Gould | T-909.229.948-4 | |
| 61-5 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I | Glenn Gould | T-909.229.948-4 | |
| 61-6 | English Suite No. 2 in A minor, BWV 807: VI. Bourree II - Bourrée I da Capo | Glenn Gould | T-909.229.948-4 | |
| 61-7 | English Suite no. 2 in A minor, BWV 807: VII. Gigue | Glenn Gould | T-909.229.948-4 | |
| 61-8 | English Suite No. 3 in G minor, BWV 808: I. Prélude | Glenn Gould | — | |
| 61-9 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Glenn Gould | — | |
| 61-10 | English Suite No. 3 in G minor, BWV 808: III. Courante | Glenn Gould | — | |
| 61-11 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande, les agréments de la même Sarabande | Glenn Gould | — | |
| 61-12 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I (ou la Musette) | Glenn Gould | — | |
| 61-13 | English Suite No. 3 in G minor, BWV 808: VI. Gavotte II - Gavotte I da Capo | Glenn Gould | — | |
| 61-14 | English Suite No. 3 in G minor, BWV 808: VII. Gigue | Glenn Gould | — | |
| 61-15 | English Suite No. 6 in D minor, BWV 811: I. Prélude | Glenn Gould | — | |
| 61-16 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Glenn Gould | — | |
| 61-17 | English Suite No. 6 in D minor, BWV 811: III. Courante | Glenn Gould | — | |
| 61-18 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande | Glenn Gould | — | |
| 61-19 | English Suite No. 6 in D minor, BWV 811: V. Double | Glenn Gould | T-920.218.518-0 | |
| 61-20 | English Suite No. 6 in D minor, BWV 811: VI. Gavotte I | Glenn Gould | — | |
| 61-21 | English Suite No. 6 in D minor, BWV 811: VII. Gavotte II - Gavotte I da capo | Glenn Gould | — | |
| 61-22 | English Suite No. 6 in D minor, BWV 811: VIII. Gigue | Glenn Gould | — | |
| 62-1 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: I. Allegro | Glenn Gould | — | |
| 62-2 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: II. Largo | Glenn Gould | — | |
| 62-3 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — | |
| 62-4 | Sonatine for Piano in E major, op. 67 no. 2: I. Allegro | Glenn Gould | — | |
| 62-5 | Sonatine for Piano in E major, op. 67 no. 2: II. Andantino | Glenn Gould | — | |
| 62-6 | Sonatine for Piano in E major, op. 67 no. 2: III. Allegro | Glenn Gould | — | |
| 62-7 | Sonatine for Piano in B-flat major, op. 67 no. 3: I. Andante- Allegro Moderato - Tranquillo | Glenn Gould | — | |
| 62-8 | Sonatine for Piano in B-flat major, op. 67 no. 3: II. Andante - Allegretto | Glenn Gould | T-802.445.410-3 | |
| 62-9 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 1 Largamente - Allegro | Glenn Gould | — | |
| 62-10 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 2 Andantino | Glenn Gould | — | |
| 62-11 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 3 Commodo - Tranquillo | Glenn Gould | — | |
| 63-1 | Das Marienleben, op. 27: No. 1. Geburt Mariae | Roxolana Roslak, Glenn Gould | — | |
| 63-2 | Das Marienleben, op. 27: No. 2. Die Darstellung Mariae im Tempel | Roxolana Roslak, Glenn Gould | — | |
| 63-3 | Das Marienleben, op. 27: No. 3. Mariae Verkündung | Roxolana Roslak, Glenn Gould | — | |
| 63-4 | Das Marienleben, op. 27: No. 4. Mariae Heimsuchung | Roxolana Roslak, Glenn Gould | — | |
| 63-5 | Das Marienleben, op. 27: No. 5. Argwohn Josephs | Roxolana Roslak, Glenn Gould | — | |
| 63-6 | Das Marienleben, op. 27: No. 6. Verkündigung über die Hirten | Roxolana Roslak, Glenn Gould | — | |
| 63-7 | Das Marienleben, op. 27: No. 7. Geburt Christi | Roxolana Roslak, Glenn Gould | — | |
| 63-8 | Das Marienleben, op. 27: No. 8. Rast auf der Flucht nach Ägypten | Roxolana Roslak, Glenn Gould | — | |
| 64-1 | Das Marienleben, op. 27: No. 9. Von der Hochzeit zu Kana | Roxolana Roslak, Glenn Gould | — | |
| 64-2 | Das Marienleben, op. 27: No. 10. Vor der Passion | Roxolana Roslak, Glenn Gould | — | |
| 64-3 | Das Marienleben for Soprano and Piano: Pietà | — | ||
| 64-4 | Das Marienleben, op. 27: No. 12. Stillung Mariae mit dem Auferstandenen | Roxolana Roslak, Glenn Gould | — | |
| 64-5 | Das Marienleben, op. 27: No. 13. Vom Tode Mariae I | Roxolana Roslak, Glenn Gould | — | |
| 64-6 | Das Marienleben, op. 27: No. 14. Vom Tode Mariae II | Roxolana Roslak, Glenn Gould | — | |
| 64-7 | Das Marienleben, op. 27: No. 15. Vom Tode Mariae III | Roxolana Roslak, Glenn Gould | — | |
| 65-1 | Toccata in D major, BWV 912 | Glenn Gould | — | |
| 65-2 | Toccata in F‐sharp minor, BWV 910 | Glenn Gould | — | |
| 65-3 | Toccata in D minor, BWV 913 | Glenn Gould | — | |
| 66-1 | Toccata in C minor, BWV 911 | Glenn Gould | — | |
| 66-2 | Toccata in G minor, BWV 915 | Glenn Gould | — | |
| 66-3 | Toccata in G major, BWV 916 | Glenn Gould | — | |
| 66-4 | Toccata in E Minor, BWV 914 | Glenn Gould | — | |
| 67-1 | Praeludium in C major, BWV 933 | Glenn Gould | T-905.027.556-4 | |
| 67-2 | Praeludium in C minor, BWV 934 | Glenn Gould | — | |
| 67-3 | Praeludium in D minor, BWV 935 | Glenn Gould | — | |
| 67-4 | Praeludium in D major, BWV 936 | Glenn Gould | — | |
| 67-5 | Praeludium in E major, BWV 937 | Glenn Gould | — | |
| 67-6 | Praeludium in E minor, BWV 938 | Glenn Gould | — | |
| 67-7 | Prelude & Fughetta in D minor, BWV 899: I. Prelude | Glenn Gould | — | |
| 67-8 | Prelude & Fughetta in D minor, BWV 899: II. Fughetta | Glenn Gould | — | |
| 67-9 | Prelude in G major, BWV 902 | Glenn Gould | — | |
| 67-10 | Prelude in G major, BWV 902a | Glenn Gould | — | |
| 67-11 | Fughetta in G major, BWV 902 | Glenn Gould | — | |
| 67-12 | Praeambulum in C major, BWV 924 | Glenn Gould | T-905.027.556-4 | |
| 67-13 | Praeambulum in F major, BWV 927 | Glenn Gould | — | |
| 67-14 | Praeludium in D minor, BWV 926 | Glenn Gould | — | |
| 67-15 | Praeludium in D major, BWV 925 | Glenn Gould | — | |
| 67-16 | Praeludium in F major, BWV 928 | Glenn Gould | — | |
| 67-17 | Praeambulum in G minor, BWV 930 | Glenn Gould | — | |
| 67-18 | Fugue in C major, BWV 952 | Glenn Gould | T-905.027.556-4 | |
| 67-19 | Fughetta in C minor, BWV 961 | Glenn Gould | — | |
| 67-20 | Fugue in C major, BWV 953 | Glenn Gould | T-905.027.556-4 | |
| 67-21 | Prelude & Fugue in A minor, BWV 895: I. Preludium | Glenn Gould | T-905.168.276-9 | |
| 67-22 | Prelude & Fugue in A minor, BWV 895: II. Fugue | Glenn Gould | T-905.027.556-4 | |
| 67-23 | Prelude & Fughetta in E minor, BWV 900: I. Preludium | Glenn Gould | — | |
| 67-24 | Prelude & Fughetta in E minor, BWV 900: II. Fughetta | Glenn Gould | — | |
| 68-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Glenn Gould | — | |
| 68-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 68-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Glenn Gould | — | |
| 68-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Glenn Gould | — | |
| 68-5 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Glenn Gould | — | |
| 68-6 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 68-7 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Glenn Gould | — | |
| 68-8 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Glenn Gould | — | |
| 69-1 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Glenn Gould | — | |
| 69-2 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Glenn Gould | — | |
| 69-3 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | Glenn Gould | — | |
| 69-4 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Glenn Gould | — | |
| 69-5 | Sonata no. 15 in D major, op. 28 "Pastorale": I. Allegro | Glenn Gould | — | |
| 69-6 | Sonata no. 15 in D major, op. 28 "Pastorale": II. Andante | Glenn Gould | — | |
| 69-7 | Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro assai | Glenn Gould | — | |
| 69-8 | Sonata no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | Glenn Gould | — | |
| 70-1 | Sonata in D major, K. 430 / L. 463: Non presto mà a tempo di ballo | Glenn Gould | — | |
| 70-2 | Sonata in D minor, K. 9 / L. 413: Allegro | Glenn Gould | T-922.272.056-1 | |
| 70-3 | Sonata in G major, K. 13 / L. 486: Presto | Glenn Gould | — | |
| 70-4 | Sonata in A minor, Wq. 49 No. 1 "Württembergische Sonate": I. Moderato | — | ||
| 70-5 | Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": II. Andante | Glenn Gould | — | |
| 70-6 | Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": III. Allegro assai | Glenn Gould | T-306.395.786-4 | |
| 70-7 | "So You Want to Write a Fugue?" for Four Voices and String Quartet | — | ||
| 70-8 | 2 morceaux, op. 57: Désir | Glenn Gould | — | |
| 70-9 | 2 morceaux, op. 57: Caresse dansée | Glenn Gould | — | |
| 70-10 | Ophelia-Lieder, Op. 67 No. 1: Three songs after William Shakespeare: "Wie erkenn' ich mei Traulieb?" | — | ||
| 70-11 | Ophelia-Lieder, Op. 67 No. 2: Three songs after William Shakespeare: "Guten Morgen, 's ist Sankt Valentinstag" | — | ||
| 70-12 | Ophelia-Lieder, Op. 67 No. 3: Three songs after William Shakespeare: "Sie trugen ihn auf der Bahre bloß" | — | ||
| 70-13 | Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande) | — | ||
| 71-1 | "A Glenn Gould Fantasy" | — | ||
| 72-1 | Sonata in D major, Hob. XVI:42: I. Andante con espressione | — | ||
| 72-2 | Sonata in D major, Hob. XVI:42: II. Vivace assai | — | ||
| 72-3 | Sonata in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 72-4 | Sonata in C major, Hob. XVI:48: II. Rondo. Presto | — | ||
| 72-5 | Sonata in E-flat major, Hob. XVI:49: I. Allegro | — | ||
| 72-6 | Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile | — | ||
| 72-7 | Sonata in E-flat major, Hob. XVI:49: III. Finale. Tempo di Minuet | — | ||
| 73-1 | Sonata in C major, Hob. XVI:50: I. Allegro | — | ||
| 73-2 | Sonata in C major, Hob. XVI:50: II. Adagio | — | ||
| 73-3 | Sonata in C major, Hob. XVI:50: III. Allegro molto | — | ||
| 73-4 | Piano Sonata no. 61 in D major, Hob. XVI: 51: I. Andante | Glenn Gould | — | |
| 73-5 | Sonata in D major, Hob. XVI:51: II. Finale. Presto | — | ||
| 73-6 | Sonata in E-flat major, Hob. XVI:52: I. Allegro | — | ||
| 73-7 | Sonata in E-flat major, Hob. XVI:52: II. Adagio | — | ||
| 73-8 | Sonata in E-flat major, Hob. XVI:52: III. Finale. Presto | — | ||
| 74-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 74-2 | Goldberg Variations, BWV 988: II. Variatio 1 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-3 | Goldberg Variations, BWV 988: III. Variatio 2 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-4 | Goldberg Variations, BWV 988: IV. Variatio 3 a 1 clav. Canone all’unisono | Glenn Gould | T-902.128.688-4 | |
| 74-5 | Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-6 | Goldberg Variations, BWV 988: VI. Variatio 5 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-7 | Goldberg Variations, BWV 988: VII. Variatio 6 a 1 clav. Canone alla seconda | Glenn Gould | T-902.128.688-4 | |
| 74-8 | Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-902.128.688-4 | |
| 74-9 | Goldberg Variations, BWV 988: IX. Variatio 8 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-10 | Goldberg Variations, BWV 988: X. Variatio 9 a 1 clav. Canone alla terza | Glenn Gould | T-902.128.688-4 | |
| 74-11 | Goldberg Variations, BWV 988: XI. Variatio 10 a 1 clav. Fughetta | Glenn Gould | T-902.128.688-4 | |
| 74-12 | Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-13 | Goldberg Variations, BWV 988: XIII. Variatio 12. Canone alla quarta | Glenn Gould | T-311.760.304-6 | |
| 74-14 | Goldberg Variations, BWV 988: XIV. Variatio 13 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-15 | Goldberg Variations, BWV 988: XV. Variatio 14 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-16 | Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-902.128.688-4 | |
| 74-17 | Goldberg Variations, BWV 988: XVII. Variatio 16 a 1 clav. Ouverture | Glenn Gould | T-902.128.688-4 | |
| 74-18 | Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-19 | Goldberg Variations, BWV 988: XIX. Variatio 18 a 1 clav. Canone alla sesta | Glenn Gould | T-902.128.688-4 | |
| 74-20 | Goldberg Variations, BWV 988: XX. Variatio 19 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-21 | Goldberg Variations, BWV 988: XXI. Variatio 20 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-22 | Goldberg Variations, BWV 988: XXII. Variatio 21. Canone alla settima | Glenn Gould | T-311.760.304-6 | |
| 74-23 | Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | T-902.128.688-4 | |
| 74-24 | Goldberg Variations, BWV 988: XXIV. Variatio 23 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-25 | Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | T-902.128.688-4 | |
| 74-26 | Goldberg Variations, BWV 988: XXVI. Variatio 25 a 2 clav. Adagio | Glenn Gould | T-902.128.688-4 | |
| 74-27 | Goldberg Variations, BWV 988: XXVII. Variatio 26 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-28 | Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | T-902.128.688-4 | |
| 74-29 | Goldberg Variations, BWV 988: XXIX. Variatio 28 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-30 | Goldberg Variations, BWV 988: XXX. Variatio 29 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-31 | Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | T-902.128.688-4 | |
| 74-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 75-1 | Ballade in D minor, Op. 10 No. 1 "Edward Ballade": Andante | — | ||
| 75-2 | Ballade in D major, Op. 10 No. 2: Andante | — | ||
| 75-3 | Ballade in B minor, Op. 10 No. 3 "Intermezzo": Allegro | — | ||
| 75-4 | Ballade in B major, op. 10 no. 4: Andante con moto | Glenn Gould | — | |
| 75-5 | Rhapsody in B minor, Op. 79 No. 1: Agitato | — | ||
| 75-6 | Rhapsody in G minor, Op. 79 No. 2: Molto passionato, ma non troppo allegro | — | ||
| 76-1 | Sonata No. 12 in A-flat major, Op. 26: I. Andante con Variazioni | Glenn Gould | — | |
| 76-2 | Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto | Glenn Gould | — | |
| 76-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe | Glenn Gould | — | |
| 76-4 | Sonata No. 12 in A-flat major, Op. 26: IV. Allegro | Glenn Gould | T-003.055.867-8 | |
| 76-5 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": I. Andante | Glenn Gould | — | |
| 76-6 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Glenn Gould | — | |
| 76-7 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": III. Adagio con espressione | Glenn Gould | — | |
| 76-8 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": IV. Allegro vivace | Glenn Gould | — | |
| 77-1 | Sonata for Piano in B minor, Op. 5: I. Allegro molto appassionato | — | ||
| 77-2 | Piano Sonata in B minor, op. 5: II. Adagio cantabile | Glenn Gould | — | |
| 77-3 | Sonata for Piano in B minor, Op. 5: III. Scherzo. Presto - Trio. Un poco piu lento | — | ||
| 77-4 | Sonata for Piano in B minor, Op. 5: IV. Finale. Allegretto vivo | — | ||
| 77-5 | 5 Klavierstücke, op. 3: I. Andante | Glenn Gould | T-915.272.981-2 | |
| 77-6 | Five Piano Pieces, Op. 3: Allegro vivace scherzando | — | ||
| 77-7 | Five Piano Pieces, Op. 3: Largo | — | ||
| 77-8 | Five Piano Pieces, Op. 3: Allegro molto | — | ||
| 77-9 | Five Piano Pieces, Op. 3: Allegro marcatissimo | — | ||
| 78-1 | Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brillante | — | ||
| 78-2 | Quintet for Piano and Strings in E-flat major, Op. 44: II. In modo d'una marcia | — | ||
| 78-3 | Quintet for Piano and Strings in E-flat major, Op. 44: III. Scherzo. Molto Vivace | — | ||
| 78-4 | Quintet for Piano and Strings in E-flat major, Op. 44: IV. Allegro ma non troppo | — | ||
| 78-5 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 78-6 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: II. Scherzo. Molto Vivace - Trio I - Trio II | — | ||
| 78-7 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: III. Andante cantabile | — | ||
| 78-8 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: IV. Finale. Vivace | — | ||
| 79-1 | Glenn Gould discusses his performance of the "Goldberg Variations" with Tim Page | — | ||
| 80-1 | Concerto in D minor after Alessandro Marcello BWV 974: I. | Glenn Gould | T-801.411.105-9 | |
| 80-2 | Concerto in D minor after Alessandro Marcello BWV 974: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 80-3 | Concerto in D minor after Alessandro Marcello BWV 974: III. Presto | Glenn Gould | — | |
| 80-4 | Fugue in B minor on a theme by Tomaso Albinoni BWV 951 | Glenn Gould | — | |
| 80-5 | Fugue in A major on a theme by Tomaso Albinoni BWV 950 | Glenn Gould | — | |
| 80-6 | Aria variata (alla maniera italiana) in A minor BWV 989 | Glenn Gould | T-902.128.688-4 | |
| 80-7 | Chromatic Fantasia in D minor BWV 903a | Glenn Gould | — | |
| 80-8 | Fantasy in G minor BWV 917 | Glenn Gould | — | |
| 80-9 | Fantasy in C minor BWV 919 | Glenn Gould | — | |
| 80-10 | Fantasy (and Fugue) in C minor BWV 906 | Glenn Gould | — | |
| 80-11 | Siegfried Idyll (original version for 13 instruments) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
| Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — |
| Das Marienleben, op. 27: No. 12. Stillung Mariae mit dem Auferstandenen | Roxolana Roslak, Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: I. Allegretto piacavole, animato e flessibile | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: II. Theme, Canons and Variations. Andantino - Agitato - Allegretto | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: III. Scherzo. Vivace ma non troppo | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: IV. Adagio | Glenn Gould | T-003.055.867-8 |
| Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo, sempre legato | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Glenn Gould | — |
| Piano Sonata no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Glenn Gould | — |
| Piano Sonata No. 31 in A‐flat major, op. 110: II. Allegro molto | Glenn Gould | — |
| Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | Glenn Gould | — |
| Piano Sonata no. 32 in C minor, op. 111: I. Maestoso; Allegro con brio ed appassionato | Glenn Gould | — |
| Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Toccata | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Allemande | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Courante | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Air | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Sarabande | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Tempo di Gavotta | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Gigue | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Praeludium | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Allemande | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Courante | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Sarabande | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Tempo di Menuetto | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Passepied | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Gigue | Glenn Gould | — |
| Piano Concerto no. 1 in C major, op. 15: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Piano Sonata, op. 1. Mäßig bewegt | Glenn Gould | — |
| Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Italian Concerto in F Major, BWV 971: II. Andante | Glenn Gould | T-061.296.484-7 |
| Italian Concerto in F major, BWV 971: III. Presto | Glenn Gould | T-061.296.484-7 |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Partita no. 2 in C minor, BWV 826: Allemande | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Courante | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Sarabande | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Rondeaux | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Capriccio | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Allemande | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Courante | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Sarabande | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Menuet I & II | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Art of the Fugue, BWV 1080: I. Contrapunctus 1 | Glenn Gould | T-702.866.042-8 |
| Art of the Fugue, BWV 1080: II. Contrapunctus 2 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: III. Contrapunctus 3 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IV. Contrapunctus 4 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VIII. Contrapunctus 8 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VI. Contrapunctus 6 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VII. Contrapunctus 7 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: V. Contrapunctus 5 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: I. Fantasia | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: II. Allemande | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: III. Corrente | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: IV. Sarabande | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: V. Burlesca | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: VI. Scherzo | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: VII. Gigue | Glenn Gould | — |
| Prelude and Fugue no. 10 in E minor, BWV 855: I. Praeludium | Glenn Gould | T-918.063.729-0 |
| Toccata in E Minor, BWV 914 | Glenn Gould | — |
| Invention no. 1 in C Major, BWV 772 | Glenn Gould | — |
| Sinfonia no. 1 in C major, BWV 787 | Glenn Gould | — |
| Invention no. 2 in C minor, BWV 773 | Glenn Gould | — |
| Invention no. 5 in E-flat major, BWV 776 | Glenn Gould | — |
| Sinfonia no. 5 in E-flat major, BWV 791 | Glenn Gould | — |
| Invention no. 14 in B-flat major, BWV 785 | Glenn Gould | — |
| Sinfonia no. 14 in B-flat major, BWV 800 | Glenn Gould | — |
| Invention no. 11 in G minor, BWV 782 | Glenn Gould | — |
| Sinfonia no. 11 in G minor, BWV 797 | Glenn Gould | — |
| Invention no. 10 in G major, BWV 781 | Glenn Gould | — |
| Sinfonia no. 10 in G major, BWV 796 | Glenn Gould | — |
| Invention no. 15 in B minor, BWV 786 | Glenn Gould | — |
| Sinfonia no. 15 in B minor, BWV 801 | Glenn Gould | — |
| Invention no. 7 in E minor, BWV 778 | Glenn Gould | — |
| Sinfonia no. 7 in E minor, BWV 793 | Glenn Gould | — |
| Invention no. 6 in E major, BWV 777 | Glenn Gould | — |
| Sinfonia no. 6 in E major, BWV 792 | Glenn Gould | — |
| Invention no. 13 in A minor, BWV 784 | Glenn Gould | — |
| Sinfonia no. 13 in A minor, BWV 799 | Glenn Gould | — |
| Invention no. 12 in A major, BWV 783 | Glenn Gould | — |
| Sinfonia no. 12 in A major, BWV 798 | Glenn Gould | — |
| Invention no. 3 in D major, BWV 774 | Glenn Gould | — |
| Sinfonia no. 3 in D major, BWV 789 | Glenn Gould | — |
| Invention no. 4 in D minor, BWV 775 | Glenn Gould | — |
| Sinfonia no. 4 in D minor, BWV 790 | Glenn Gould | — |
| Invention no. 9 in F minor, BWV 780 | Glenn Gould | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": I. Allegro | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": II. Adagio un poco mosso | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": III. Rondo. Allegro ma non tanto | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | — |
| Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — |
| Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — |
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — |
| English Suite No. 3 in G minor, BWV 808: V. Gavotte I (ou la Musette) | Glenn Gould | — |
| Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — |
| Piano Sonata no. 61 in D major, Hob. XVI: 51: I. Andante | Glenn Gould | — |
| Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-010.504.520-2 |
| Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-308.975.747-7 |
| Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-312.642.162-9 |
| Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-010.909.095-0 |
| Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
| Invention no. 13 in A minor, BWV 784 | Glenn Gould | — |
| English Suite no. 5 in E minor, BWV 810: I. Prélude | Glenn Gould | — |
| Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Glenn Gould | — |
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — |
| Prelude and Fugue no. 2 in C minor, BWV 847: I. Praeludium | Glenn Gould | — |
| English Suite no. 2 in A minor, BWV 807: VII. Gigue | Glenn Gould | — |
| Piano Sonata in B minor, op. 5: II. Adagio cantabile | Glenn Gould | T-001.397.158-8 |
| Sonatine for Piano in E major, op. 67 no. 2: II. Andantino | Glenn Gould | — |
| English Suite no. 2 in A minor, BWV 807: I. Prélude | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Prelude and Fugue no. 14 in F-sharp minor, BWV 859: II. Fuga | Glenn Gould | — |
| 2 morceaux, op. 57: Désir | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — |
| Praeludium in C major, BWV 933 | Glenn Gould | — |
| Praeludium in D minor, BWV 926 | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886971309423 is a Universal Product Code (UPC) assigned to The Complete Original Jacket Collection by Glenn Gould. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 940 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886971309423 is the Universal Product Code (UPC barcode) for the release “The Complete Original Jacket Collection” by Glenn Gould, released 2007-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 940 tracks, each with its own ISRC. Tracks include HKI190701108, HKI190701109, HKI190701110.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3 | Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 4 | Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | — | |
| 5 | Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — | |
| 6 | Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 7 | Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — | |
| 8 | Goldberg Variations, BWV 988: Variatio 7. a 1 ô vero 2 Clav. "al tempo di Giga" | Glenn Gould | T-902.128.688-4 | |
| 9 | Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 10 | Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — | |
| 11 | Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — | |
| 12 | Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 13 | Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | — | |
| 14 | Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 15 | Goldberg Variations, BWV 988: Variatio 14. a 2 Clav. | Glenn Gould | — | |
| 16 | Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | — | |
| 17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 18 | Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 19 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 20 | Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 21 | Goldberg-Variationen, BWV 988: Variatio XX. a 2 Clav. | Glenn Gould | — | |
| 22 | Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | — | |
| 23 | Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — | |
| 24 | Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 25 | Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — | |
| 26 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 27 | Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 28 | Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | — | |
| 29 | Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 30 | Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 2-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo, sempre legato | Glenn Gould | — | |
| 2-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Glenn Gould | — | |
| 2-3 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Glenn Gould | — | |
| 2-4 | Piano Sonata no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Glenn Gould | — | |
| 2-5 | Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto - Remastered | Glenn Gould | — | |
| 2-6 | Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo - Remastered | Glenn Gould | — | |
| 2-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso; Allegro con brio ed appassionato | Glenn Gould | — | |
| 2-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Glenn Gould | — | |
| 3-1 | Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-2 | Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-3 | Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 3-4 | Keyboard Concerto No. 1 in D minor, BWV 1052: I. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-914.323.771-2 | |
| 3-5 | Keyboard Concerto No. 1 in D minor, BWV 1052: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-917.755.866-6 | |
| 3-6 | Keyboard Concerto No. 1 in D minor, BWV 1052: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 4-1 | Partita no. 5 in G major, BWV 829: Praeludium | Glenn Gould | — | |
| 4-2 | Partita no. 5 in G major, BWV 829: Allemande | Glenn Gould | — | |
| 4-3 | Partita no. 5 in G major, BWV 829: Courante | Glenn Gould | — | |
| 4-4 | Partita no. 5 in G major, BWV 829: Sarabande | Glenn Gould | — | |
| 4-5 | Partita no. 5 in G major, BWV 829: Tempo di Menuetto | Glenn Gould | — | |
| 4-6 | Partita no. 5 in G major, BWV 829: Passepied | Glenn Gould | — | |
| 4-7 | Partita no. 5 in G major, BWV 829: Gigue | Glenn Gould | — | |
| 4-8 | The Well‐Tempered Clavier, Book II: Fugue No. 14 in F-sharp minor, BWV 883 | Glenn Gould | — | |
| 4-9 | The Well‐Tempered Clavier, Book II: Fugue No. 9 in E major, BWV 878 | Glenn Gould | — | |
| 4-10 | Partita no. 6 in E minor, BWV 830: Toccata | Glenn Gould | — | |
| 4-11 | Partita no. 6 in E minor, BWV 830: Allemande | Glenn Gould | — | |
| 4-12 | Partita no. 6 in E minor, BWV 830: Courante | Glenn Gould | — | |
| 4-13 | Partita no. 6 in E minor, BWV 830: Air | Glenn Gould | — | |
| 4-14 | Partita no. 6 in E minor, BWV 830: Sarabande | Glenn Gould | — | |
| 4-15 | Partita no. 6 in E minor, BWV 830: Tempo di Gavotta | Glenn Gould | — | |
| 4-16 | Partita no. 6 in E minor, BWV 830: Gigue | Glenn Gould | — | |
| 5-1 | Sonata in E-flat major, Hob. XVI:49: I. Allegro | Glenn Gould | — | |
| 5-2 | Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile | Glenn Gould | T-001.397.158-8 | |
| 5-3 | Sonata in E-flat major, Hob. XVI:49: III. Finale. Tempo di Minuet | Glenn Gould | — | |
| 5-4 | Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato | Glenn Gould | — | |
| 5-5 | Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile | Glenn Gould | — | |
| 5-6 | Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto | Glenn Gould | — | |
| 5-7 | Fantasia and Fugue, K. 394: I. Fantasia | Glenn Gould | — | |
| 5-8 | Fantasia and Fugue, K. 394: II. Fugue | Glenn Gould | — | |
| 6-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio (cadenza by Glenn Gould) | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando (cadenza by Glenn Gould) | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 6-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 7-1 | Piano Sonata No. 1: Mässig bewegt | Glenn Gould | — | |
| 7-2 | Three Piano Pieces, Op. 11: I. Mäßig | Glenn Gould | — | |
| 7-3 | Three Piano Pieces, Op. 11: II. Mäßige | Glenn Gould | — | |
| 7-4 | Three Piano Pieces, Op. 11: III. Bewegt | Glenn Gould | — | |
| 7-5 | Sonata for Piano no. 3, op. 92 no. 4: I. Allegretto piacavole, animato e flessibile | Glenn Gould | — | |
| 7-6 | Sonata for Piano no. 3, op. 92 no. 4: II. Theme, Canons and Variations. Andantino - Agitato - Allegretto | Glenn Gould | — | |
| 7-7 | Sonata for Piano no. 3, op. 92 no. 4: III. Scherzo. Vivace ma non troppo | Glenn Gould | — | |
| 7-8 | Sonata for Piano no. 3, op. 92 no. 4: IV. Adagio | Glenn Gould | — | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 9-1 | String Quartet, op. 1 | Symphonia Quartet | — | |
| 10-1 | Italian Concerto in F major, BWV 971: I. [...] | Glenn Gould | T-061.296.484-7 | |
| 10-2 | Italian Concerto in F Major, BWV 971: II. Andante | Glenn Gould | T-312.198.890-3 | |
| 10-3 | Italian Concerto in F major, BWV 971: III. Presto | Glenn Gould | T-312.198.890-3 | |
| 10-4 | Partita no. 1 in B-flat major, BWV 825: Praeludium | Glenn Gould | T-928.012.883-8 | |
| 10-5 | Partita no. 1 in B-flat major, BWV 825: Allemande | Glenn Gould | — | |
| 10-6 | Partita no. 1 in B-flat major, BWV 825: Courante | Glenn Gould | — | |
| 10-7 | Partita no. 1 in B-flat major, BWV 825: Sarabande | Glenn Gould | — | |
| 10-8 | Partita no. 1 in B-flat major, BWV 825: Menuet I & II | Glenn Gould | — | |
| 10-9 | Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — | |
| 10-10 | Partita no. 2 in C minor, BWV 826: Sinfonia | Glenn Gould | T-919.327.166-8 | |
| 10-11 | Partita no. 2 in C minor, BWV 826: Allemande | Glenn Gould | — | |
| 10-12 | Partita no. 2 in C minor, BWV 826: Courante | Glenn Gould | — | |
| 10-13 | Partita no. 2 in C minor, BWV 826: Sarabande | Glenn Gould | — | |
| 10-14 | Partita no. 2 in C minor, BWV 826: Rondeaux | Glenn Gould | — | |
| 10-15 | Partita no. 2 in C minor, BWV 826: Capriccio | Glenn Gould | — | |
| 11-1 | Intermezzo op. 117 no. 1 in E-flat major: Andante moderato | Glenn Gould | — | |
| 11-2 | Intermezzo op. 117 no. 2 in B-flat minor: Andante non troppo e con molta espressione | Glenn Gould | — | |
| 11-3 | Intermezzo op. 117 no. 3 in C-sharp minor: Andante con moto | Glenn Gould | — | |
| 11-4 | Intermezzo op. 118 no. 6 in E-flat minor: Andante, largo e mesto | Glenn Gould | — | |
| 11-5 | Intermezzo op. 116 no. 4 in E major: Adagio | Glenn Gould | — | |
| 11-6 | Intermezzo op. 76 no. 7 in A minor: Moderato semplice | Glenn Gould | — | |
| 11-7 | Intermezzo op. 76 no. 6 in A major: Andante con moto | Glenn Gould | — | |
| 11-8 | Intermezzo op. 119 no. 1 in B minor: Adagio | Glenn Gould | — | |
| 11-9 | Intermezzo op. 118 no. 1 in A minor: Allegro non assai, ma molto appassionato | Glenn Gould | — | |
| 11-10 | Intermezzo op. 118 no. 2 in A major: Andante teneramente | Glenn Gould | T-916.456.074-1 | |
| 12-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 12-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 12-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 13-1 | Art of the Fugue, BWV 1080: I. Contrapunctus 1 | Glenn Gould | — | |
| 13-2 | Art of the Fugue, BWV 1080: II. Contrapunctus 2 | Glenn Gould | — | |
| 13-3 | Art of the Fugue, BWV 1080: III. Contrapunctus 3 | Glenn Gould | — | |
| 13-4 | Art of the Fugue, BWV 1080: IV. Contrapunctus 4 | Glenn Gould | — | |
| 13-5 | Art of the Fugue, BWV 1080: V. Contrapunctus 5 | Glenn Gould | — | |
| 13-6 | Art of the Fugue, BWV 1080: VI. Contrapunctus 6 | Glenn Gould | — | |
| 13-7 | Art of the Fugue, BWV 1080: VII. Contrapunctus 7 | Glenn Gould | — | |
| 13-8 | Art of the Fugue, BWV 1080: VIII. Contrapunctus 8 | Glenn Gould | — | |
| 13-9 | Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — | |
| 14-1 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-2 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. Larghetto | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-3 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. Allegretto | Glenn Gould, CBC Symphony Orchestra, Walter Süsskind | — | |
| 14-4 | Concerto for Piano and Orchestra, op. 42: Andante | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-5 | Concerto for Piano and Orchestra, op. 42: Molto allegro (Bar 176) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-6 | Concerto for Piano and Orchestra, op. 42: Adagio (Bar 264) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 14-7 | Concerto for Piano and Orchestra, op. 42: Giocoso (Moderato) (Bar 329) | Glenn Gould, CBC Symphony Orchestra, Robert Craft | — | |
| 15-1 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Prelude. Andante | — | ||
| 15-2 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: "So These Were Wed" | — | ||
| 15-3 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Allegro appassionato | — | ||
| 15-4 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Tranquillo | — | ||
| 15-5 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Annie's Dream. Langsam. | — | ||
| 15-6 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Prelude. Allegro moderato | — | ||
| 15-7 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: "Thus Over Enoch's Early-Silvering Head" | — | ||
| 15-8 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Allegro agitato | — | ||
| 15-9 | Enoch Arden, Op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Langsam | — | ||
| 16-1 | Prelude and Fugue no. 1 in C major, BWV 846: I. Praeludium | Glenn Gould | T-910.415.372-2 | |
| 16-2 | Prelude and Fugue no. 1 in C major, BWV 846: II. Fuga | Glenn Gould | — | |
| 16-3 | Prelude and Fugue no. 2 in C minor, BWV 847: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-4 | Prelude and Fugue no. 2 in C minor, BWV 847: II. Fuga | Glenn Gould | — | |
| 16-5 | Prelude and Fugue no. 3 in C-sharp major, BWV 848: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-6 | Prelude and Fugue no. 3 in C-sharp major, BWV 848: II. Fuga | Glenn Gould | — | |
| 16-7 | Prelude and Fugue no. 4 in C-sharp minor, BWV 849: I. Praeludium | Glenn Gould | T-011.696.501-5 | |
| 16-8 | Prelude and Fugue no. 4 in C-sharp minor, BWV 849: II. Fuga | Glenn Gould | T-011.696.501-5 | |
| 16-9 | Prelude and Fugue no. 5 in D major, BWV 850: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-10 | Prelude and Fugue no. 5 in D major, BWV 850: II. Fuga | Glenn Gould | — | |
| 16-11 | Prelude and Fugue no. 6 in D minor, BWV 851: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-12 | Prelude and Fugue no. 6 in D minor, BWV 851: II. Fuga | Glenn Gould | — | |
| 16-13 | Prelude and Fugue no. 7 in E-flat major, BWV 852: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-14 | Prelude and Fugue no. 7 in E-flat major, BWV 852: II. Fuga | Glenn Gould | — | |
| 16-15 | Prelude in E-flat minor and Fugue in D-sharp minor no. 8, BWV 853: I. Praeludium | Glenn Gould | T-902.393.396-2 | |
| 16-16 | Prelude in E-flat minor and Fugue in D-sharp minor no. 8, BWV 853: II. Fuga | Glenn Gould | — | |
| 17-1 | Partita no. 4 in D major, BWV 828: I. Overture | Glenn Gould | — | |
| 17-2 | Partita no. 4 in D major, BWV 828: II. Allemande | Glenn Gould | — | |
| 17-3 | Partita no. 4 in D major, BWV 828: III. Courante | Glenn Gould | — | |
| 17-4 | Partita no. 4 in D major, BWV 828: IV. Aria | Glenn Gould | T-905.380.384-2 | |
| 17-5 | Partita no. 4 in D major, BWV 828: V. Sarabande | Glenn Gould | — | |
| 17-6 | Partita no. 4 in D major, BWV 828: VI. Menuet | Glenn Gould | — | |
| 17-7 | Partita no. 4 in D major, BWV 828: VII. Gigue | Glenn Gould | — | |
| 17-8 | Partita no. 3 in A minor, BWV 827: I. Fantasia | Glenn Gould | — | |
| 17-9 | Partita no. 3 in A minor, BWV 827: II. Allemande | Glenn Gould | — | |
| 17-10 | Partita no. 3 in A minor, BWV 827: III. Corrente | Glenn Gould | — | |
| 17-11 | Partita no. 3 in A minor, BWV 827: IV. Sarabande | Glenn Gould | — | |
| 17-12 | Partita no. 3 in A minor, BWV 827: V. Burlesca | Glenn Gould | — | |
| 17-13 | Partita no. 3 in A minor, BWV 827: VI. Scherzo | Glenn Gould | — | |
| 17-14 | Partita no. 3 in A minor, BWV 827: VII. Gigue | Glenn Gould | — | |
| 17-15 | Toccata in E Minor, BWV 914 | Glenn Gould | — | |
| 18-1 | Das wohltemperierte Klavier, Buch I: Präludium No. 9 E‐dur, BWV 854 | Glenn Gould | T-918.063.729-0 | |
| 18-2 | Prelude & Fugue no. 9 in E major, BWV 854: Fugue | Glenn Gould | — | |
| 18-3 | Prelude and Fugue no. 10 in E minor, BWV 855: I. Praeludium | Glenn Gould | — | |
| 18-4 | Prelude and Fugue no. 10 in E minor, BWV 855: II. Fuga | Glenn Gould | — | |
| 18-5 | Prelude and Fugue no. 11 in F major, BWV 856: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-6 | Prelude and Fugue no. 11 in F major, BWV 856: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-7 | Prelude and Fugue no. 12 in F minor, BWV 857: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-8 | Prelude and Fugue no. 12 in F minor, BWV 857: II. Fuga | Glenn Gould | — | |
| 18-9 | Prelude and Fugue no. 13 in F-sharp major, BWV 858: I. Praeludium | Glenn Gould | — | |
| 18-10 | Prelude and Fugue no. 13 in F-sharp major, BWV 858: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-11 | Prelude and Fugue no. 14 in F-sharp minor, BWV 859: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-12 | Prelude and Fugue no. 14 in F-sharp minor, BWV 859: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-13 | Prelude and Fugue no. 15 in G major, BWV 860: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-14 | Prelude and Fugue no. 15 in G major, BWV 860: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 18-15 | Prelude and Fugue no. 16 in G minor, BWV 861: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 18-16 | Prelude and Fugue no. 16 in G minor, BWV 861: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 19-1 | Invention no. 1 in C Major, BWV 772 | Glenn Gould | — | |
| 19-2 | Sinfonia no. 1 in C major, BWV 787 | Glenn Gould | — | |
| 19-3 | Invention no. 2 in C minor, BWV 773 | Glenn Gould | — | |
| 19-4 | Sinfonia no. 2 in C minor, BWV 788 | Glenn Gould | T-902.387.184-3 | |
| 19-5 | Invention no. 5 in E-flat major, BWV 776 | Glenn Gould | — | |
| 19-6 | Sinfonia no. 5 in E-flat major, BWV 791 | Glenn Gould | — | |
| 19-7 | Invention no. 14 in B-flat major, BWV 785 | Glenn Gould | T-917.235.934-1 | |
| 19-8 | Sinfonia no. 14 in B-flat major, BWV 800 | Glenn Gould | — | |
| 19-9 | Invention no. 11 in G minor, BWV 782 | Glenn Gould | — | |
| 19-10 | Sinfonia no. 11 in G minor, BWV 797 | Glenn Gould | T-803.278.224-5 | |
| 19-11 | Invention no. 10 in G major, BWV 781 | Glenn Gould | — | |
| 19-12 | Sinfonia no. 10 in G major, BWV 796 | Glenn Gould | — | |
| 19-13 | Invention no. 15 in B minor, BWV 786 | Glenn Gould | — | |
| 19-14 | Sinfonia no. 15 in B minor, BWV 801 | Glenn Gould | — | |
| 19-15 | Invention no. 7 in E minor, BWV 778 | Glenn Gould | — | |
| 19-16 | Sinfonia no. 7 in E minor, BWV 793 | Glenn Gould | — | |
| 19-17 | Invention no. 6 in E major, BWV 777 | Glenn Gould | — | |
| 19-18 | Sinfonia no. 6 in E major, BWV 792 | Glenn Gould | — | |
| 19-19 | Invention no. 13 in A minor, BWV 784 | Glenn Gould | — | |
| 19-20 | Sinfonia no. 13 in A minor, BWV 799 | Glenn Gould | — | |
| 19-21 | Invention no. 12 in A major, BWV 783 | Glenn Gould | — | |
| 19-22 | Sinfonia no. 12 in A major, BWV 798 | Glenn Gould | — | |
| 19-23 | Invention no. 3 in D major, BWV 774 | Glenn Gould | — | |
| 19-24 | Sinfonia no. 3 in D major, BWV 789 | Glenn Gould | — | |
| 19-25 | Invention no. 4 in D minor, BWV 775 | Glenn Gould | — | |
| 19-26 | Sinfonia no. 4 in D minor, BWV 790 | Glenn Gould | — | |
| 19-27 | Invention no. 8 in F major, BWV 779 | Glenn Gould | T-912.732.006-3 | |
| 19-28 | Sinfonia no. 8 in F major, BWV 794 | Glenn Gould | T-912.732.006-3 | |
| 19-29 | Invention no. 9 in F minor, BWV 780 | Glenn Gould | — | |
| 19-30 | Sinfonia no. 9 in F minor, BWV 795 | Glenn Gould | T-927.294.271-9 | |
| 20-1 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Glenn Gould | — | |
| 20-2 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Glenn Gould | — | |
| 20-3 | Sonata No. 5 in C minor, Op. 10 No. 1: III. Finale. Prestissimo | Glenn Gould | — | |
| 20-4 | Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Glenn Gould | — | |
| 20-5 | Sonata No. 6 in F major, Op. 10 No. 2: II. Allegretto | Glenn Gould | — | |
| 20-6 | Sonata No. 6 in F major, Op. 10 No. 2: III. Presto | Glenn Gould | — | |
| 20-7 | Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Glenn Gould | T-912.751.549-5 | |
| 20-8 | Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Glenn Gould | — | |
| 20-9 | Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Glenn Gould | — | |
| 20-10 | Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | Glenn Gould | — | |
| 21-1 | Prelude and Fugue no. 17 in A-flat major, BWV 862: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-2 | Prelude and Fugue no. 17 in A-flat major, BWV 862: II. Fuga | Glenn Gould | — | |
| 21-3 | Prelude and Fugue no. 18 in G-sharp minor, BWV 863: I. Praeludium | Glenn Gould | — | |
| 21-4 | Prelude and Fugue no. 18 in G-sharp minor, BWV 863: II. Fuga | Glenn Gould | — | |
| 21-5 | Prelude and Fugue no. 19 in A major, BWV 864: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-6 | Prelude and Fugue no. 19 in A major, BWV 864: II. Fuga | Glenn Gould | T-917.032.929-0 | |
| 21-7 | Prelude and Fugue no. 20 in A minor, BWV 865: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-8 | Prelude and Fugue no. 20 in A minor, BWV 865: II. Fuga | Glenn Gould | — | |
| 21-9 | Prelude and Fugue no. 21 in B-flat major, BWV 866: I. Praeludium | Glenn Gould | T-916.508.484-4 | |
| 21-10 | Prelude and Fugue no. 21 in B-flat major, BWV 866: II. Fuga | Glenn Gould | T-916.508.484-4 | |
| 21-11 | Prelude and Fugue no. 22 in B-flat minor, BWV 867: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-12 | Prelude and Fugue no. 22 in B-flat minor, BWV 867: II. Fuga | Glenn Gould | — | |
| 21-13 | Prelude and Fugue no. 23 in B major, BWV 868: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-14 | Prelude and Fugue no. 23 in B major, BWV 868: II. Fuga | Glenn Gould | — | |
| 21-15 | Prelude and Fugue no. 24 in B minor, BWV 869: I. Praeludium | Glenn Gould | T-918.063.729-0 | |
| 21-16 | Prelude and Fugue no. 24 in B minor, BWV 869: II. Fuga | Glenn Gould | — | |
| 22-1 | Zwei Gesänge, Op. 1: I. Dank | — | ||
| 22-2 | Zwei Gesänge, Op. 1: II. Abschied | — | ||
| 22-3 | Vier Lieder, Op. 2: I. Erwartung | — | ||
| 22-4 | Vier Lieder, Op. 2: II. Schenk mir deinen goldenen Kamm | — | ||
| 22-5 | Vier Lieder, Op. 2: III. Erhebung | — | ||
| 22-6 | Vier Lieder, Op. 2: IV. Waldsonne | — | ||
| 22-7 | Das Buch der hängenden Gärten, Op. 15: I. Unterm Schutz von dichten Blättergründen | — | ||
| 22-8 | Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen Paradiesen | — | ||
| 22-9 | Das Buch der hängenden Gärten, Op. 15: III. Als Neuling trat ich ein in dein Gehege | — | ||
| 22-10 | Das Buch der hängenden Gärten, Op. 15: IV. Da meine Lippen reglos sind und brennen | — | ||
| 22-11 | Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem Pfade | — | ||
| 22-12 | Das Buch der hängenden Gärten, Op. 15: VI. Jedem Werke bin ich fürder tot | — | ||
| 22-13 | Das Buch der hängenden Gärten, Op. 15: VII. Angst und Hoffen wechselnd mich beklemmen | — | ||
| 22-14 | Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen Leib berühre | — | ||
| 22-15 | Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das Glück und spröde | — | ||
| 22-16 | Das Buch der hängenden Gärten, Op. 15: X. Das schöne Beet betracht ich mir im Harren | — | ||
| 22-17 | Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten Tore | — | ||
| 22-18 | Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger Ruh in tiefen Matten | — | ||
| 22-19 | Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine Silberweide | — | ||
| 22-20 | Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht mehr von dem Laub | — | ||
| 22-21 | Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern Lauben | — | ||
| 23-1 | Three Piano Pieces, Op. 11: I. Mäßig | Glenn Gould | — | |
| 23-2 | Three Piano Pieces, Op. 11: II. Mäßige | Glenn Gould | — | |
| 23-3 | Three Piano Pieces, Op. 11: III. Bewegt | Glenn Gould | — | |
| 23-4 | Fünf Klavierstücke, Op. 23: I. Sehr langsam | — | ||
| 23-5 | Fünf Klavierstücke, Op. 23: II. Sehr rasch | — | ||
| 23-6 | Fünf Klavierstücke, Op. 23: III. Langsam | — | ||
| 23-7 | Fünf Klavierstücke, Op. 23: IV. Schwungvoll. Mäßige Viertel | — | ||
| 23-8 | Fünf Klavierstücke, Op. 23: V. Walzer | — | ||
| 23-9 | Sechs Kleine Klavierstücke, op. 19: I. Leicht, zart | Glenn Gould | — | |
| 23-10 | Sechs Kleine Klavierstücke, Op. 19: II. Langsam | — | ||
| 23-11 | Sechs Kleine Klavierstücke, Op. 19: III. Sehr langsam | — | ||
| 23-12 | Sechs Kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht | — | ||
| 23-13 | Sechs Kleine Klavierstücke, Op. 19: V. Etwas rasch | — | ||
| 23-14 | Sechs Kleine Klavierstücke, Op. 19: VI. Sehr langsam | — | ||
| 23-15 | Suite für Klavier, Op. 25: Präludium. Rasch | — | ||
| 23-16 | Suite für Klavier, Op. 25: Gavotte. Etwas langsam, nicht hastig - Musette. Rascher - Gavotte da capo | — | ||
| 23-17 | Suite für Klavier, Op. 25: Intermezzo | — | ||
| 23-18 | Suite für Klavier, Op. 25: Menuett. Moderato - Trio - Menuett da capo | — | ||
| 23-19 | Suite für Klavier, op. 25: Gigue. Rasch | Glenn Gould | — | |
| 23-20 | Zwei Klavierstücke, Op. 33a & b: Op. 33a: Mäßige Viertel | — | ||
| 23-21 | Zwei Klavierstücke, Op. 33a & b: Op. 33b: Mäßig langsam | — | ||
| 24-1 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": I. Allegro | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 24-2 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": II. Adagio un poco mosso | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 24-3 | Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": III. Rondo. Allegro ma non tanto | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — | |
| 25-1 | Trio for Violin, Viola and Cello, Op. 45 | — | ||
| 25-2 | Ode to Napoleon Buonaparte for String Quartet, Piano and Reciter, Op. 41 | — | ||
| 26-1 | Variations on a Recitative, Op. 40 | — | ||
| 26-2 | Fantasy for Violin and Piano Accompaniment, Op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso | — | ||
| 26-3 | Fantasy for Violin and Piano Accompaniment, Op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | — | ||
| 26-4 | Theme and Variations, Op. 43b | — | ||
| 27-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Glenn Gould | T-915.723.669-6 | |
| 27-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | T-001.397.158-8 | |
| 27-3 | Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — | |
| 27-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Glenn Gould | — | |
| 27-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Glenn Gould | T-802.445.410-3 | |
| 27-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro commodo | Glenn Gould | — | |
| 27-7 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | Glenn Gould | — | |
| 27-8 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | Glenn Gould | — | |
| 27-9 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Glenn Gould | — | |
| 28-1 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 28-2 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-3 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 28-7 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: I. Allegro | — | ||
| 28-8 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: II. Andante | — | ||
| 28-9 | Concerto for Piano and Orchestra No. 7 in G minor, BWV 1058: III. Allegro assai | — | ||
| 29-1 | Fantasy in D minor | — | ||
| 29-2 | Fantasia | — | ||
| 29-3 | Variations pour piano, Op. 8 | — | ||
| 30-1 | Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro | — | ||
| 30-2 | Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante | — | ||
| 30-3 | Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro | — | ||
| 30-4 | Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai | — | ||
| 30-5 | Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio | — | ||
| 30-6 | Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto | — | ||
| 30-7 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro | — | ||
| 30-8 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso | — | ||
| 30-9 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | — | ||
| 30-10 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | — | ||
| 30-11 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto I & II | — | ||
| 30-12 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Allegro | — | ||
| 30-13 | Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro | — | ||
| 30-14 | Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante | — | ||
| 30-15 | Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto | — | ||
| 31-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 1 in C major, BWV 870: Prelude | — | ||
| 31-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 1 in C major, BWV 870: Fugue | — | ||
| 31-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 2 in C minor, BWV 871: Prelude | — | ||
| 31-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 2 in C minor, BWV 871: Fugue | — | ||
| 31-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 3 in C-sharp major, BWV 872: Prelude | — | ||
| 31-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 3 in C-sharp major, BWV 872: Fugue | — | ||
| 31-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Prelude | — | ||
| 31-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Fugue | — | ||
| 31-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 5 in D major, BWV 874: Prelude | — | ||
| 31-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 5 in D major, BWV 874: Fugue | — | ||
| 31-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 6 in D minor, BWV 875: Prelude | — | ||
| 31-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 6 in D minor, BWV 875: Fugue | — | ||
| 31-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 7 in E-flat major, BWV 876: Prelude | — | ||
| 31-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 7 in E-flat major, BWV 876: Fugue | — | ||
| 31-15 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 8 in D-sharp minor, BWV 877: Prelude | — | ||
| 31-16 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 8 in D-sharp minor, BWV 877: Fugue | — | ||
| 32-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Glenn Gould | — | |
| 32-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Glenn Gould | — | |
| 32-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Glenn Gould | T-902.876.200-7 | |
| 32-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Glenn Gould | T-902.876.200-7 | |
| 33-1 | Part I | — | ||
| 33-2 | Part II | — | ||
| 34-1 | Sonata No. 3 in F-sharp minor, Op. 23: I. Dramatico | — | ||
| 34-2 | Sonata No. 3 in F-sharp minor, Op. 23: II. Allegretto | — | ||
| 34-3 | Sonata No. 3 in F-sharp minor, Op. 23: III. Andante - attacca | — | ||
| 34-4 | Sonata No. 3 in F-sharp minor, Op. 23: IV. Presto con fuoco - maestoso | — | ||
| 34-5 | Piano Sonata No. 7 in B-flat major, Op. 83: I. Allegro inquieto - andantino | — | ||
| 34-6 | Piano Sonata No. 7 in B-flat major, Op. 83: II. Andante caloroso | — | ||
| 34-7 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Glenn Gould | — | |
| 35-1 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro | — | ||
| 35-2 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante | — | ||
| 35-3 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro | — | ||
| 35-4 | Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito | — | ||
| 35-5 | Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio | — | ||
| 35-6 | Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso | — | ||
| 35-7 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | — | ||
| 35-8 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | — | ||
| 35-9 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro | — | ||
| 36-1 | Keyboard Concerto No. 2 in E major, BWV 1053: I. Allegro | — | ||
| 36-2 | Concerto for Piano and Orchestra no. 2 in E major, BWV 1053: II. Siciliano | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 36-3 | Keyboard Concerto No. 2 in E major, BWV 1053: III. Allegro | — | ||
| 36-4 | Keyboard Concerto No. 4 in A major, BWV 1055: I. Allegro | — | ||
| 36-5 | Keyboard Concerto No. 4 in A major, BWV 1055: II. Larghetto | — | ||
| 36-6 | Keyboard Concerto No. 4 in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 37-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Glenn Gould | T-915.723.669-6 | |
| 37-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | T-001.397.158-8 | |
| 37-3 | Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — | |
| 37-4 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Glenn Gould | — | |
| 37-5 | Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto - attacca | — | ||
| 37-6 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Glenn Gould | — | |
| 37-7 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Glenn Gould | — | |
| 37-8 | Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Glenn Gould | — | |
| 37-9 | Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo - Presto | Glenn Gould | — | |
| 38-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 9 in E major, BWV 878: Prelude | — | ||
| 38-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 9 in E major, BWV 878: Fugue | — | ||
| 38-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 10 in E minor, BWV 879: Prelude | — | ||
| 38-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 10 in E minor, BWV 879: Fugue | — | ||
| 38-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 11 in F major, BWV 880: Prelude | — | ||
| 38-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 11 in F major, BWV 880: Fugue | — | ||
| 38-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 12 in F minor, BWV 881: Prelude | — | ||
| 38-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 12 in F minor, BWV 881: Fugue | — | ||
| 38-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 13 in F-sharp major, BWV 882: Prelude | — | ||
| 38-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 13 in F-sharp major, BWV 882: Fugue | — | ||
| 38-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 883: Prelude | — | ||
| 38-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 883: Fugue | — | ||
| 38-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 15 in G major, BWV 884: Prelude | — | ||
| 38-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 15 in G major, BWV 884: Fugue | — | ||
| 38-15 | The Well-Tempered Clavier: Book II: Prelude and Fugue no. 16 in G minor, BWV 885: I. Praeludium | Glenn Gould | T-800.348.332-8 | |
| 38-16 | The Well-Tempered Clavier: Book II: Prelude and Fugue no. 16 in G minor, BWV 885: II. Fuga | Glenn Gould | T-042.929.730-2 | |
| 39-1 | 32 VARIATIONS IN C MINOR WOO 80 THEME VARIATIONS 1 2 | Glenn Gould | — | |
| 39-2 | VARIATIONS 3-5 | Glenn Gould | T-315.783.809-6 | |
| 39-3 | VARIATIONS 6-8 | T-921.511.740-1 | ||
| 39-4 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 9 11 | Glenn Gould | — | |
| 39-5 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 12 14 | — | ||
| 39-6 | 32 VARIATIONS IN C MINOR, WOO 80: VAR. XV - VAR. XVI | — | ||
| 39-7 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 17 18 | — | ||
| 39-8 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 19 21 | — | ||
| 39-9 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 22 24 | Glenn Gould | — | |
| 39-10 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 25 28 | — | ||
| 39-11 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 29 30 | Glenn Gould | — | |
| 39-12 | 32 VARIATIONS IN C MINOR WOO 80 VARIATIONS 31 32 | Glenn Gould | — | |
| 39-13 | 6 VARIATIONS IN F MAJOR, OP. 34: TEMA. ADAGIO | Glenn Gould | — | |
| 39-14 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. I | Glenn Gould | — | |
| 39-15 | VAR. II. ALLEGRO MA NON TROPPO | Glenn Gould | — | |
| 39-16 | VAR. III. ALLEGRETTO | Glenn Gould | — | |
| 39-17 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. IV. TEMPO DI MENUETTO | Glenn Gould | — | |
| 39-18 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. V. MARCIA. ALLEGRETTO | Glenn Gould | — | |
| 39-19 | 6 VARIATIONS IN F MAJOR, OP. 34: VAR. VI. ALLEGRETTO - CODA - ADAGIO MOLTO | Glenn Gould | — | |
| 39-20 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": INTRODUZIONE COL BASSO DEL TEMA - TEMAGLENN GOULD 283 228182378 applemusic true | Glenn Gould | — | |
| 39-21 | EROICA VARIATIONS OP 35 VAR I | Glenn Gould | — | |
| 39-22 | EROICA VARIATIONS OP 35 VAR II | Glenn Gould | — | |
| 39-23 | EROICA VARIATIONS OP 35 VAR III | Glenn Gould | — | |
| 39-24 | "15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""EROICA\"": VAR. IV" | Glenn Gould | — | |
| 39-25 | EROICA VARIATIONS OP 35 VAR V | Glenn Gould | — | |
| 39-26 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": VAR. VIGLENN GOULD 32 228182378 applemusic true | — | ||
| 39-27 | EROICA VARIATIONS OP 35 VAR VII | Glenn Gould | — | |
| 39-28 | EROICA VARIATIONS OP 35 VAR VIII | — | ||
| 39-29 | EROICA VARIATIONS OP 35 VAR IX | Glenn Gould | — | |
| 39-30 | EROICA VARIATIONS OP 35 VAR X | — | ||
| 39-31 | EROICA VARIATIONS OP 35 VAR XI | — | ||
| 39-32 | EROICA VARIATIONS OP 35 VAR XII | Glenn Gould | — | |
| 39-33 | EROICA VARIATIONS OP 35 VAR XIII | — | ||
| 39-34 | EROICA VARIATIONS OP 35 VAR XIV | — | ||
| 39-35 | EROICA VARIATIONS OP 35 VAR XV | Glenn Gould | — | |
| 39-36 | 15 VARIATIONS AND FUGUE IN E-FLAT MAJOR, OP. 35 ""\""EROICA""\"": FINALE ALLA FUGA. ALLEGRO CON BRIO - ADAGIO - ANDANTE CON MOTOGLENN GOULD 342 228182378 applemusic true | — | ||
| 40-1 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 17 in A-flat major, BWV 886: Prelude | — | ||
| 40-2 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 17 in A-flat major, BWV 886: Fugue | — | ||
| 40-3 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 18 in G-sharp minor, BWV 887: Prelude | — | ||
| 40-4 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 18 in G-sharp minor, BWV 887: Fugue | — | ||
| 40-5 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 19 in A major, BWV 888: Prelude | — | ||
| 40-6 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 19 in A major, BWV 888: Fugue | — | ||
| 40-7 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 20 in A minor, BWV 889: Prelude | — | ||
| 40-8 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 20 in A minor, BWV 889: Fugue | — | ||
| 40-9 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 21 in B-flat major, BWV 890: Prelude | — | ||
| 40-10 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 21 in B-flat major, BWV 890: Fugue | — | ||
| 40-11 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 22 in B-flat minor, BWV 891: Prelude | — | ||
| 40-12 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 22 in B-flat minor, BWV 891: Fugue | — | ||
| 40-13 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 23 in B major, BWV 892: Prelude | — | ||
| 40-14 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 23 in B major, BWV 892: Fugue | — | ||
| 40-15 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24 in B minor, BWV 893: Prelude | — | ||
| 40-16 | The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24 in B minor, BWV 893: Fugue | — | ||
| 41-1 | Pavan & Galliard no. 1 in C minor | Glenn Gould | — | |
| 41-2 | Fantasia in C major | Glenn Gould | — | |
| 41-3 | Italian Ground: Allemande | Glenn Gould | — | |
| 41-4 | Hughe Ashton's Ground | Glenn Gould | — | |
| 41-5 | Pavan & Galliard no. 2 in C major "Kinborough Good" | Glenn Gould | — | |
| 41-6 | Pavan & Galliard "Lord Salisbury" | Glenn Gould | T-309.783.123-3 | |
| 41-7 | Fantasia no. 1 in G major "Voluntary for My Lady Nevell" | Glenn Gould | — | |
| 41-8 | Sellinger's Round | Glenn Gould | — | |
| 42-1 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Glenn Gould | — | |
| 42-2 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Glenn Gould | — | |
| 42-3 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Glenn Gould | — | |
| 42-4 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 42-5 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 42-6 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 42-7 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | — | ||
| 42-8 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | — | ||
| 42-9 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | — | ||
| 42-10 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro | — | ||
| 42-11 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile | — | ||
| 42-12 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | — | ||
| 43-1 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-2 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-3 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-4 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 43-5 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 43-6 | Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | — | ||
| 43-7 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 43-8 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 43-9 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 44-1 | Sechs Lieder, Op. 3: I. Wie Georg von Frundsberg von sich selber sang | — | ||
| 44-2 | Sechs Lieder, Op. 3: II. Die Aufgeregten | — | ||
| 44-3 | Sechs Lieder, Op. 3: III. Warnung | — | ||
| 44-4 | Sechs Lieder, Op. 3: IV. Hochzeitslied | — | ||
| 44-5 | Sechs Lieder, Op. 3: V. Geübtes Herz | — | ||
| 44-6 | Sechs Lieder, Op. 3: VI. Freihold | — | ||
| 44-7 | Zwei Balladen, Op. 12: I. Jane Grey | — | ||
| 44-8 | Zwei Balladen, Op. 12: II. Der verlorene Haufen | — | ||
| 44-9 | Drei Lieder, Op. 48: I. Sommermüd | — | ||
| 44-10 | Drei Lieder, Op. 48: II. Tot | — | ||
| 44-11 | Drei Lieder, Op. 48: III. Mädchenlied | — | ||
| 44-12 | Zwei Lieder. Op. 14: I. Ich darf nicht dankend | — | ||
| 44-13 | Zwei Lieder, Op. 14: II. In diesen Wintertagen | — | ||
| 44-14 | Zwei Lieder, Op. post.: I. Gedenken | — | ||
| 44-15 | Zwei Lieder, Op. post.: II. Am Strande | — | ||
| 44-16 | Acht Lieder, Op. 6: I. Traumleben | — | ||
| 44-17 | Acht Lieder, Op. 6: II. Alles | — | ||
| 44-18 | Acht Lieder, Op. 6: III. Mädchenlied | — | ||
| 44-19 | Acht Lieder, Op. 6: IV. Verlassen | — | ||
| 44-20 | Acht Lieder, Op. 6: V. Ghasel | — | ||
| 44-21 | Acht Lieder, Op. 6: VI. Am Wegrand | — | ||
| 44-22 | Acht Lieder, Op. 6: VII. Lockung | — | ||
| 44-23 | Acht Lieder, Op. 6: VIII. Der Wanderer | — | ||
| 45-1 | Suite no. 1 in A major, HWV 426: I. Prélude | Glenn Gould | — | |
| 45-2 | Suite no. 1 in A major, HWV 426: II. Allemande | Glenn Gould | — | |
| 45-3 | Suite no. 1 in A major, HWV 426: III. Courante | Glenn Gould | — | |
| 45-4 | Suite no. 1 in A major, HWV 426: IV. Gigue | Glenn Gould | — | |
| 45-5 | Suite no. 2 in F major, HWV 427: I. Adagio (attacca) | Glenn Gould | — | |
| 45-6 | Suite no. 2 in F major, HWV 427: II. Allegro | Glenn Gould | T-802.445.410-3 | |
| 45-7 | Suite no. 2 in F major, HWV 427: III. Adagio (attacca) | Glenn Gould | — | |
| 45-8 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fuga) | Glenn Gould | T-003.055.867-8 | |
| 45-9 | Suite no. 3 in D minor, HWV 428: I. Prelude. Presto [attacca] | Glenn Gould | — | |
| 45-10 | Suite no. 3 in D minor, HWV 428: II. Allegro [Fuga] | Glenn Gould | T-802.445.410-3 | |
| 45-11 | Suite no. 3 in D minor, HWV 428: III. Allemande [attacca] | Glenn Gould | — | |
| 45-12 | Suite no. 3 in D minor, HWV 428: IV. Courante | Glenn Gould | — | |
| 45-13 | Suite No. 3 in D minor, HWV 428: V. Air | — | ||
| 45-14 | Suite No. 3 in D minor, HWV 428: Variatio I | — | ||
| 45-15 | Suite No. 3 in D minor, HWV 428: Variatio II | — | ||
| 45-16 | Suite No. 3 in D minor, HWV 428: Variatio III | — | ||
| 45-17 | Suite No. 3 in D minor, HWV 428: Variatio IV | — | ||
| 45-18 | Suite No. 3 in D minor, HWV 428: Variatio V | — | ||
| 45-19 | Suite No. 3 in D minor, HWV 428: VI. Presto | — | ||
| 45-20 | Suite no. 4 in E minor, HWV 429: I. Allegro [Fuga] | Glenn Gould | — | |
| 45-21 | Suite no. 4 in E minor, HWV 429: II. Allemande [attacca] | Glenn Gould | — | |
| 45-22 | Suite no. 4 in E minor, HWV 429: III. Courante | Glenn Gould | — | |
| 45-23 | Suite no. 4 in E minor, HWV 429: IV. Sarabande | Glenn Gould | — | |
| 45-24 | Suite no. 4 in E minor, HWV 429: V. Gigue | Glenn Gould | — | |
| 46-1 | Sonata in E minor for Piano, Op. 7: I. Allegro moderato | — | ||
| 46-2 | Sonata in E minor for Piano, Op. 7: II. Andante molto | — | ||
| 46-3 | Sonata in E minor for Piano, Op. 7: III. Alla menuetto ma poco piu lento | — | ||
| 46-4 | Sonata in E minor for Piano, Op. 7: IV. Finale. Molto allegro | — | ||
| 46-5 | Premier Nocturne in F major | — | ||
| 46-6 | Variations Chromatiques (de concert), Op. 3: Theme. Moderato maestoso | — | ||
| 46-7 | Variations Chromatiques (de concert), Op. 3: Variatio I. Un pochissimo piu allegretto | — | ||
| 46-8 | Variations Chromatiques (de concert), Op. 3: Variatio II. a tempo rubato | — | ||
| 46-9 | Variations Chromatiques (de concert), Op. 3: Variatio III. a tempo risoluto | — | ||
| 46-10 | Variations Chromatiques (de concert), Op. 3: Variatio IV. Con fuoco | — | ||
| 46-11 | Variations Chromatiques (de concert), Op. 3: Variatio V. | — | ||
| 46-12 | Variations Chromatiques (de concert), Op. 3: Variatio VI. Agitato | — | ||
| 46-13 | Variations Chromatiques (de concert), Op. 3: Variatio VII. | — | ||
| 46-14 | Variations Chromatiques (de concert), Op. 3: Variatio VIII. Con espressione | — | ||
| 46-15 | Variations Chromatiques (de concert), Op. 3: Variatio IX. Un peu plus vite | — | ||
| 46-16 | Variations Chromatiques (de concert), Op. 3: Variatio X. Alla polacca | — | ||
| 46-17 | Variations Chromatiques (de concert), Op. 3: Variatio XI. Andante | — | ||
| 46-18 | Variations Chromatiques (de concert), Op. 3: Variatio XII. Plus anime | — | ||
| 46-19 | Variations Chromatiques (de concert), Op. 3: Variatio XIII. Mouvement des Ires Variations | — | ||
| 46-20 | Variations Chromatiques (de concert), Op. 3: Variatio XIV. appassionato | — | ||
| 46-21 | Variations Chromatiques (de concert), Op. 3: Coda. semplice - Un peu plus lent - Quasi recitativo - a tempo | — | ||
| 47-1 | French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — | |
| 47-2 | French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-3 | French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — | |
| 47-4 | French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — | |
| 47-5 | French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — | |
| 47-6 | French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — | |
| 47-7 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | — | |
| 47-8 | French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-9 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | — | |
| 47-10 | French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | — | |
| 47-11 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | — | |
| 47-12 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | — | |
| 47-13 | French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | — | |
| 47-14 | French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-15 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | — | |
| 47-16 | French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-307.292.941-6 | |
| 47-17 | French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | — | |
| 47-18 | French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | — | |
| 47-19 | French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — | |
| 47-20 | French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 47-21 | French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — | |
| 47-22 | French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — | |
| 47-23 | French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — | |
| 47-24 | French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | T-306.036.936-6 | |
| 47-25 | French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — | |
| 48-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Glenn Gould | — | |
| 48-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Glenn Gould | T-313.706.466-1 | |
| 48-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Glenn Gould | T-902.809.665-3 | |
| 48-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 48-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 48-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 48-7 | Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante | — | ||
| 48-8 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 48-9 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 48-10 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 49-1 | Sonata No. 1 for Piano "The River Main": I. Ruhig bewegte Viertel | — | ||
| 49-2 | Sonata No. 1 for Piano "The River Main": II. Im Zeitmaß eines sehr langsamen Marsches | — | ||
| 49-3 | Sonata No. 1 for Piano "The River Main": III. Lebhaft | — | ||
| 49-4 | Sonata No. 1 for Piano "The River Main": IV. Ruhig bewegte Viertel | — | ||
| 49-5 | Sonata No. 1 for Piano "The River Main": V. Lebhaft | — | ||
| 49-6 | Sonata No. 2 for Piano: I. Mäßig schnell | — | ||
| 49-7 | Sonata No. 2 for Piano: II. Lebhaft | — | ||
| 49-8 | Sonata No. 2 for Piano: III. Sehr langsam - Ruhig | — | ||
| 49-9 | Sonata No. 2 for Piano: IV. Rondo. Bewegt - Langsam | — | ||
| 49-10 | Sonata No. 3 for Piano: I. Ruhig bewegt | — | ||
| 49-11 | Piano Sonata no. 3: II. Sehr lebhaft | Glenn Gould | — | |
| 49-12 | Sonata No. 3 for Piano: III. Mäßig schnell | — | ||
| 49-13 | Sonata No. 3 for Piano: IV. Fuge. Lebhaft | — | ||
| 50-1 | Die Meistersinger, Prelude, Act I | — | ||
| 50-2 | Dawn and Siegfried's Rhine Journey from Gotterdämmerung | — | ||
| 50-3 | Siegfried-Idyll | — | ||
| 51-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Glenn Gould | — | |
| 51-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Glenn Gould | — | |
| 51-3 | Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | Glenn Gould | — | |
| 51-4 | Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": I. Largo - Allegro | Glenn Gould | T-915.723.676-5 | |
| 51-5 | Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 51-6 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — | |
| 51-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | Glenn Gould | — | |
| 51-8 | Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegro vivace | Glenn Gould | — | |
| 51-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | Glenn Gould | — | |
| 51-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Glenn Gould | — | |
| 52-1 | French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — | |
| 52-2 | French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 52-3 | French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — | |
| 52-4 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — | |
| 52-5 | French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — | |
| 52-6 | French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — | |
| 52-7 | French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — | |
| 52-8 | French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — | |
| 52-9 | French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — | |
| 52-10 | French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — | |
| 52-11 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — | |
| 52-12 | French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — | |
| 52-13 | French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — | |
| 52-14 | French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — | |
| 52-15 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — | |
| 52-16 | Overture in the French Style, BWV 831: I. Ouverture | Glenn Gould | T-702.622.103-6 | |
| 52-17 | Overture in the French Style, BWV 831: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 52-18 | Overture in the French Style, BWV 831: III. Gavotte I | Glenn Gould | — | |
| 52-19 | Overture in the French Style, BWV 831: IV. Gavotte II (with da capo I) | Glenn Gould | — | |
| 52-20 | Overture in the French Style, BWV 831: V. Passepied I | Glenn Gould | — | |
| 52-21 | Overture in the French Style, BWV 831: VI. Passepied II (with da capo I) | Glenn Gould | — | |
| 52-22 | Overture in the French Style, BWV 831: VII. Sarabande | Glenn Gould | — | |
| 52-23 | Overture in the French Style, BWV 831: VIII. Bourée I | Glenn Gould | — | |
| 52-24 | Overture in the French Style, BWV 831: IX. Bourée II (with da capo I) | Glenn Gould | — | |
| 52-25 | Overture in the French Style, BWV 831: X. Gigue | Glenn Gould | — | |
| 52-26 | Overture in the French Style, BWV 831: XI. Echo | Glenn Gould | — | |
| 53-1 | Sonata no. 1 in G major, BWV 1027: I. Adagio | Leonard Rose, Glenn Gould | T-910.775.176-8 | |
| 53-2 | Sonata no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Leonard Rose, Glenn Gould | — | |
| 53-3 | Sonata no. 1 in G major, BWV 1027: III. Andante | Leonard Rose, Glenn Gould | — | |
| 53-4 | Sonata no. 1 in G major, BWV 1027: IV. Allegro moderato | Leonard Rose, Glenn Gould | — | |
| 53-5 | Sonata no. 2 in D major, BWV 1028: I. Adagio | Leonard Rose, Glenn Gould | T-323.611.570-7 | |
| 53-6 | Sonata no. 2 in D major, BWV 1028: II. Allegro | Leonard Rose, Glenn Gould | T-802.445.410-3 | |
| 53-7 | Sonata no. 2 in D major, BWV 1028: III. Andante | Leonard Rose, Glenn Gould | — | |
| 53-8 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | Leonard Rose, Glenn Gould | T-318.676.528-2 | |
| 53-9 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Leonard Rose, Glenn Gould | — | |
| 53-10 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Leonard Rose, Glenn Gould | T-802.445.410-3 | |
| 53-11 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Glenn Gould, Leonard Rose | — | |
| 54-1 | 7 Bagatelles, op. 33: No. 1 in E-flat major: Andante grazioso quasi Allegretto | Glenn Gould | — | |
| 54-2 | 7 BAGATELLES OP 33 NO 2 IN C MAJOR SCHERZO ALLEGRO | — | ||
| 54-3 | 3. ALLEGRETTO | Glenn Gould | — | |
| 54-4 | 7 Bagatelles, op. 33: no. 4 in A Major. Andante | Glenn Gould | T-003.055.867-8 | |
| 54-5 | NO. 5 IN C MAJOR. ALLEGRO MA NON TROPPO | Glenn Gould | — | |
| 54-6 | 7 Bagatelles, Op. 33 No. 6 in D major: Allegretto, quasi andante (Con una certa espressione parlante) | — | ||
| 54-7 | 7 Bagatelles, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 54-8 | NO. 1 IN G MAJOR. ANDANTE CON MOTO CANTABILE E COMPIACEVOLE | — | ||
| 54-9 | NO. 2 IN G MINOR. ALLEGRO | Glenn Gould | — | |
| 54-10 | NO. 3 IN E-FLAT MAJOR. ANDANTE CANTABILE E GRAZIOSO | Glenn Gould | — | |
| 54-11 | NO. 4 IN B MINOR. PRESTO | Glenn Gould | — | |
| 54-12 | NO. 5 IN G MAJOR. QUASI ALLEGRETTO | Glenn Gould | — | |
| 54-13 | 6 Bagatelles, op. 126: No. 6 in E‐flat major: Presto – Andante amabile e con moto | Glenn Gould | — | |
| 55-1 | Fantasia for Piano in C minor, K. 475: Adagio | — | ||
| 55-2 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro | — | ||
| 55-3 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio | — | ||
| 55-4 | Sonata for Piano No. 14 in C minor, K. 457: III. Molto allegro | — | ||
| 55-5 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 55-6 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 55-7 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 55-8 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 55-9 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 55-10 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 56-1 | Sonata in F for French Horn and Piano: I. Mäßig bewegt | — | ||
| 56-2 | Sonata in F for French Horn and Piano: II. Ruhig bewegt | — | ||
| 56-3 | Sonata in F for French Horn and Piano: III. Lebhaft | — | ||
| 56-4 | Sonata for Bass Tuba and Piano: I. Allegro pesante | — | ||
| 56-5 | Sonata for Bass Tuba and Piano: II. Allegro assai | — | ||
| 56-6 | Sonata for Bass Tuba and Piano: III. Variationen - Moderato, comodo | — | ||
| 56-7 | Sonata for Bass Tuba and Piano: Scherzando, l'istesso tempo | — | ||
| 56-8 | Sonata for Bass Tuba and Piano: Lento | — | ||
| 56-9 | Sonata for Bass Tuba and Piano: Wie am Anfang des Satzes | — | ||
| 57-1 | Sonata for Trumpet and Piano: I. Mit Kraft | — | ||
| 57-2 | Sonata for Trumpet and Piano: II. Mäßig bewegt - Lebhaft - Wie zuerst - Wie vorher | — | ||
| 57-3 | Sonata for Trumpet and Piano: III. Trauermusik. Sehr langsam - Ruhig bewegt - Wie am Anfang | — | ||
| 57-4 | Sonata for Trumpet and Piano: Alle Menschen müssen sterben. Sehr ruhig | — | ||
| 57-5 | Sonata in E-flat major for Alto Horn and Piano: I. Ruhig, bewegt | — | ||
| 57-6 | Sonata in E-flat major for Alto Horn and Piano: II. Lebhaft | — | ||
| 57-7 | Sonata in E-flat major for Alto Horn and Piano: III. Sehr langsam | — | ||
| 57-8 | Sonata in E-flat major for Alto Horn and Piano: The Posthorn (Dialogue) | — | ||
| 57-9 | Sonata in E-flat major for Alto Horn and Piano: IV. Lebhaft | — | ||
| 57-10 | Sonata for Trombone and Piano: I. Allegretto moderato maestoso | — | ||
| 57-11 | Sonata for Trombone and Piano: II. Allegretto grazioso | — | ||
| 57-12 | Sonata for Trombone and Piano: III. Lied des Raufbolds (Swashbuckler's Song) - Allegro pesante | — | ||
| 57-13 | Sonata for Trombone and Piano: IV. Allegro moderato maestoso | — | ||
| 58-1 | Sonata No. 1 in B minor, BWV 1014: I. Adagio | — | ||
| 58-2 | Sonata No. 1 in B minor, BWV 1014: II. Allegro | — | ||
| 58-3 | Sonata No. 1 in B minor, BWV 1014: III. Andante | — | ||
| 58-4 | Sonata No. 1 in B minor, BWV 1014: IV. Allegro | — | ||
| 58-5 | Sonata No. 2 in A major, BWV 1015: I. [without temo indication] | — | ||
| 58-6 | Sonata No. 2 in A major, BWV 1015: II. Allegro assai | — | ||
| 58-7 | Sonata No. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 58-8 | Sonata No. 2 in A major, BWV 1015: IV. Presto | — | ||
| 58-9 | Sonata No. 3 in E major, BWV 1016: I. Adagio | — | ||
| 58-10 | Sonata No. 3 in E major, BWV 1016: II. Allegro | — | ||
| 58-11 | Sonata No. 3 in E major, BWV 1016: III. Adagio ma non tanto | — | ||
| 58-12 | Sonata No. 3 in E major, BWV 1016: IV. Allegro | — | ||
| 59-1 | Sonata No. 4 in C minor, BWV 1017: I. Siciliano. Largo | — | ||
| 59-2 | Sonata No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 59-3 | Sonata No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 59-4 | Sonata No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 59-5 | Sonata No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 59-6 | Sonata No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 59-7 | Sonata No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 59-8 | Sonata No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 59-9 | Sonata No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 59-10 | Sonata No. 6 in G major, BWV 1019: II. Largo | — | ||
| 59-11 | Sonata No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 59-12 | Sonata No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 59-13 | Sonata No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 60-1 | English Suite No. 1 in A major, BWV 806: I. Prélude | Glenn Gould | — | |
| 60-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Glenn Gould | — | |
| 60-3 | English Suite No. 1 in A major, BWV 806: III. Courante I | Glenn Gould | — | |
| 60-4 | English Suite No. 1 in A major, BWV 806: IV. Courante II | Glenn Gould | T-910.773.789-3 | |
| 60-5 | English Suite No. 1 in A major, BWV 806: V. Double I | Glenn Gould | — | |
| 60-6 | English Suite No. 1 in A major, BWV 806: VI. Double II | Glenn Gould | — | |
| 60-7 | English Suite No. 1 in A major, BWV 806: VII. Sarabande | Glenn Gould | — | |
| 60-8 | English Suite No. 1 in A major, BWV 806: VIII. Bourrée I | Glenn Gould | — | |
| 60-9 | English Suite No. 1 in A major, BWV 806: IX. Bourrée II - Bourrée I da Capo | Glenn Gould | — | |
| 60-10 | English Suite No. 1 in A major, BWV 806: X. Gigue | Glenn Gould | — | |
| 60-11 | English Suite No. 4 in F major, BWV 809: I. Prélude | Glenn Gould | — | |
| 60-12 | English Suite No. 4 in F major, BWV 809: II. Allemande | Glenn Gould | — | |
| 60-13 | English Suite No. 4 in F major, BWV 809: III. Courante | Glenn Gould | — | |
| 60-14 | English Suite No. 4 in F major, BWV 809: IV. Sarabande | Glenn Gould | — | |
| 60-15 | English Suite No. 4 in F major, BWV 809: V. Menuett I | Glenn Gould | — | |
| 60-16 | English Suite No. 4 in F major, BWV 809: VI. Menuett II - Menuett I da capo | Glenn Gould | — | |
| 60-17 | English Suite No. 4 in F major, BWV 809: VII. Gigue | Glenn Gould | — | |
| 60-18 | English Suite no. 5 in E minor, BWV 810: I. Prélude | Glenn Gould | — | |
| 60-19 | English Suite No. 5 in E minor, BWV 810: II. Allemande | Glenn Gould | — | |
| 60-20 | English Suite No. 5 in E minor, BWV 810: III. Courante | Glenn Gould | — | |
| 60-21 | English Suite No. 5 in E minor, BWV 810: IV. Sarabande | Glenn Gould | — | |
| 60-22 | English Suite No. 5 in E minor, BWV 810: V. Passepied I (en Rondeau) | Glenn Gould | — | |
| 60-23 | English Suite No. 5 in E minor, BWV 810: VI. Passepied II - Passepied I da capo | Glenn Gould | — | |
| 60-24 | English Suite No. 5 in E minor, BWV 810: VII. Gigue | Glenn Gould | — | |
| 61-1 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Glenn Gould | T-909.229.948-4 | |
| 61-2 | English Suite No. 2 in A minor, BWV 807: II. Allemande | Glenn Gould | T-909.229.948-4 | |
| 61-3 | English Suite No. 2 in A minor, BWV 807: III. Courante | Glenn Gould | T-909.229.948-4 | |
| 61-4 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande, les agréments de la même Sarabande | Glenn Gould | T-909.229.948-4 | |
| 61-5 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I | Glenn Gould | T-909.229.948-4 | |
| 61-6 | English Suite No. 2 in A minor, BWV 807: VI. Bourree II - Bourrée I da Capo | Glenn Gould | T-909.229.948-4 | |
| 61-7 | English Suite no. 2 in A minor, BWV 807: VII. Gigue | Glenn Gould | T-909.229.948-4 | |
| 61-8 | English Suite No. 3 in G minor, BWV 808: I. Prélude | Glenn Gould | — | |
| 61-9 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Glenn Gould | — | |
| 61-10 | English Suite No. 3 in G minor, BWV 808: III. Courante | Glenn Gould | — | |
| 61-11 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande, les agréments de la même Sarabande | Glenn Gould | — | |
| 61-12 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I (ou la Musette) | Glenn Gould | — | |
| 61-13 | English Suite No. 3 in G minor, BWV 808: VI. Gavotte II - Gavotte I da Capo | Glenn Gould | — | |
| 61-14 | English Suite No. 3 in G minor, BWV 808: VII. Gigue | Glenn Gould | — | |
| 61-15 | English Suite No. 6 in D minor, BWV 811: I. Prélude | Glenn Gould | — | |
| 61-16 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Glenn Gould | — | |
| 61-17 | English Suite No. 6 in D minor, BWV 811: III. Courante | Glenn Gould | — | |
| 61-18 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande | Glenn Gould | — | |
| 61-19 | English Suite No. 6 in D minor, BWV 811: V. Double | Glenn Gould | T-920.218.518-0 | |
| 61-20 | English Suite No. 6 in D minor, BWV 811: VI. Gavotte I | Glenn Gould | — | |
| 61-21 | English Suite No. 6 in D minor, BWV 811: VII. Gavotte II - Gavotte I da capo | Glenn Gould | — | |
| 61-22 | English Suite No. 6 in D minor, BWV 811: VIII. Gigue | Glenn Gould | — | |
| 62-1 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: I. Allegro | Glenn Gould | — | |
| 62-2 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: II. Largo | Glenn Gould | — | |
| 62-3 | Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — | |
| 62-4 | Sonatine for Piano in E major, op. 67 no. 2: I. Allegro | Glenn Gould | — | |
| 62-5 | Sonatine for Piano in E major, op. 67 no. 2: II. Andantino | Glenn Gould | — | |
| 62-6 | Sonatine for Piano in E major, op. 67 no. 2: III. Allegro | Glenn Gould | — | |
| 62-7 | Sonatine for Piano in B-flat major, op. 67 no. 3: I. Andante- Allegro Moderato - Tranquillo | Glenn Gould | — | |
| 62-8 | Sonatine for Piano in B-flat major, op. 67 no. 3: II. Andante - Allegretto | Glenn Gould | T-802.445.410-3 | |
| 62-9 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 1 Largamente - Allegro | Glenn Gould | — | |
| 62-10 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 2 Andantino | Glenn Gould | — | |
| 62-11 | Three Lyric Pieces for Piano, op. 41 "Kyllikki": no. 3 Commodo - Tranquillo | Glenn Gould | — | |
| 63-1 | Das Marienleben, op. 27: No. 1. Geburt Mariae | Roxolana Roslak, Glenn Gould | — | |
| 63-2 | Das Marienleben, op. 27: No. 2. Die Darstellung Mariae im Tempel | Roxolana Roslak, Glenn Gould | — | |
| 63-3 | Das Marienleben, op. 27: No. 3. Mariae Verkündung | Roxolana Roslak, Glenn Gould | — | |
| 63-4 | Das Marienleben, op. 27: No. 4. Mariae Heimsuchung | Roxolana Roslak, Glenn Gould | — | |
| 63-5 | Das Marienleben, op. 27: No. 5. Argwohn Josephs | Roxolana Roslak, Glenn Gould | — | |
| 63-6 | Das Marienleben, op. 27: No. 6. Verkündigung über die Hirten | Roxolana Roslak, Glenn Gould | — | |
| 63-7 | Das Marienleben, op. 27: No. 7. Geburt Christi | Roxolana Roslak, Glenn Gould | — | |
| 63-8 | Das Marienleben, op. 27: No. 8. Rast auf der Flucht nach Ägypten | Roxolana Roslak, Glenn Gould | — | |
| 64-1 | Das Marienleben, op. 27: No. 9. Von der Hochzeit zu Kana | Roxolana Roslak, Glenn Gould | — | |
| 64-2 | Das Marienleben, op. 27: No. 10. Vor der Passion | Roxolana Roslak, Glenn Gould | — | |
| 64-3 | Das Marienleben for Soprano and Piano: Pietà | — | ||
| 64-4 | Das Marienleben, op. 27: No. 12. Stillung Mariae mit dem Auferstandenen | Roxolana Roslak, Glenn Gould | — | |
| 64-5 | Das Marienleben, op. 27: No. 13. Vom Tode Mariae I | Roxolana Roslak, Glenn Gould | — | |
| 64-6 | Das Marienleben, op. 27: No. 14. Vom Tode Mariae II | Roxolana Roslak, Glenn Gould | — | |
| 64-7 | Das Marienleben, op. 27: No. 15. Vom Tode Mariae III | Roxolana Roslak, Glenn Gould | — | |
| 65-1 | Toccata in D major, BWV 912 | Glenn Gould | — | |
| 65-2 | Toccata in F‐sharp minor, BWV 910 | Glenn Gould | — | |
| 65-3 | Toccata in D minor, BWV 913 | Glenn Gould | — | |
| 66-1 | Toccata in C minor, BWV 911 | Glenn Gould | — | |
| 66-2 | Toccata in G minor, BWV 915 | Glenn Gould | — | |
| 66-3 | Toccata in G major, BWV 916 | Glenn Gould | — | |
| 66-4 | Toccata in E Minor, BWV 914 | Glenn Gould | — | |
| 67-1 | Praeludium in C major, BWV 933 | Glenn Gould | T-905.027.556-4 | |
| 67-2 | Praeludium in C minor, BWV 934 | Glenn Gould | — | |
| 67-3 | Praeludium in D minor, BWV 935 | Glenn Gould | — | |
| 67-4 | Praeludium in D major, BWV 936 | Glenn Gould | — | |
| 67-5 | Praeludium in E major, BWV 937 | Glenn Gould | — | |
| 67-6 | Praeludium in E minor, BWV 938 | Glenn Gould | — | |
| 67-7 | Prelude & Fughetta in D minor, BWV 899: I. Prelude | Glenn Gould | — | |
| 67-8 | Prelude & Fughetta in D minor, BWV 899: II. Fughetta | Glenn Gould | — | |
| 67-9 | Prelude in G major, BWV 902 | Glenn Gould | — | |
| 67-10 | Prelude in G major, BWV 902a | Glenn Gould | — | |
| 67-11 | Fughetta in G major, BWV 902 | Glenn Gould | — | |
| 67-12 | Praeambulum in C major, BWV 924 | Glenn Gould | T-905.027.556-4 | |
| 67-13 | Praeambulum in F major, BWV 927 | Glenn Gould | — | |
| 67-14 | Praeludium in D minor, BWV 926 | Glenn Gould | — | |
| 67-15 | Praeludium in D major, BWV 925 | Glenn Gould | — | |
| 67-16 | Praeludium in F major, BWV 928 | Glenn Gould | — | |
| 67-17 | Praeambulum in G minor, BWV 930 | Glenn Gould | — | |
| 67-18 | Fugue in C major, BWV 952 | Glenn Gould | T-905.027.556-4 | |
| 67-19 | Fughetta in C minor, BWV 961 | Glenn Gould | — | |
| 67-20 | Fugue in C major, BWV 953 | Glenn Gould | T-905.027.556-4 | |
| 67-21 | Prelude & Fugue in A minor, BWV 895: I. Preludium | Glenn Gould | T-905.168.276-9 | |
| 67-22 | Prelude & Fugue in A minor, BWV 895: II. Fugue | Glenn Gould | T-905.027.556-4 | |
| 67-23 | Prelude & Fughetta in E minor, BWV 900: I. Preludium | Glenn Gould | — | |
| 67-24 | Prelude & Fughetta in E minor, BWV 900: II. Fughetta | Glenn Gould | — | |
| 68-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Glenn Gould | — | |
| 68-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 68-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Glenn Gould | — | |
| 68-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Glenn Gould | — | |
| 68-5 | Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Glenn Gould | — | |
| 68-6 | Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 68-7 | Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Glenn Gould | — | |
| 68-8 | Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Glenn Gould | — | |
| 69-1 | Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Glenn Gould | — | |
| 69-2 | Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Glenn Gould | — | |
| 69-3 | Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto | Glenn Gould | — | |
| 69-4 | Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Glenn Gould | — | |
| 69-5 | Sonata no. 15 in D major, op. 28 "Pastorale": I. Allegro | Glenn Gould | — | |
| 69-6 | Sonata no. 15 in D major, op. 28 "Pastorale": II. Andante | Glenn Gould | — | |
| 69-7 | Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro assai | Glenn Gould | — | |
| 69-8 | Sonata no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | Glenn Gould | — | |
| 70-1 | Sonata in D major, K. 430 / L. 463: Non presto mà a tempo di ballo | Glenn Gould | — | |
| 70-2 | Sonata in D minor, K. 9 / L. 413: Allegro | Glenn Gould | T-922.272.056-1 | |
| 70-3 | Sonata in G major, K. 13 / L. 486: Presto | Glenn Gould | — | |
| 70-4 | Sonata in A minor, Wq. 49 No. 1 "Württembergische Sonate": I. Moderato | — | ||
| 70-5 | Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": II. Andante | Glenn Gould | — | |
| 70-6 | Sonata in A minor No. 1, Wq. 49 No. 1 / H. 30 "Württembergische Sonate": III. Allegro assai | Glenn Gould | T-306.395.786-4 | |
| 70-7 | "So You Want to Write a Fugue?" for Four Voices and String Quartet | — | ||
| 70-8 | 2 morceaux, op. 57: Désir | Glenn Gould | — | |
| 70-9 | 2 morceaux, op. 57: Caresse dansée | Glenn Gould | — | |
| 70-10 | Ophelia-Lieder, Op. 67 No. 1: Three songs after William Shakespeare: "Wie erkenn' ich mei Traulieb?" | — | ||
| 70-11 | Ophelia-Lieder, Op. 67 No. 2: Three songs after William Shakespeare: "Guten Morgen, 's ist Sankt Valentinstag" | — | ||
| 70-12 | Ophelia-Lieder, Op. 67 No. 3: Three songs after William Shakespeare: "Sie trugen ihn auf der Bahre bloß" | — | ||
| 70-13 | Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande) | — | ||
| 71-1 | "A Glenn Gould Fantasy" | — | ||
| 72-1 | Sonata in D major, Hob. XVI:42: I. Andante con espressione | — | ||
| 72-2 | Sonata in D major, Hob. XVI:42: II. Vivace assai | — | ||
| 72-3 | Sonata in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 72-4 | Sonata in C major, Hob. XVI:48: II. Rondo. Presto | — | ||
| 72-5 | Sonata in E-flat major, Hob. XVI:49: I. Allegro | — | ||
| 72-6 | Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile | — | ||
| 72-7 | Sonata in E-flat major, Hob. XVI:49: III. Finale. Tempo di Minuet | — | ||
| 73-1 | Sonata in C major, Hob. XVI:50: I. Allegro | — | ||
| 73-2 | Sonata in C major, Hob. XVI:50: II. Adagio | — | ||
| 73-3 | Sonata in C major, Hob. XVI:50: III. Allegro molto | — | ||
| 73-4 | Piano Sonata no. 61 in D major, Hob. XVI: 51: I. Andante | Glenn Gould | — | |
| 73-5 | Sonata in D major, Hob. XVI:51: II. Finale. Presto | — | ||
| 73-6 | Sonata in E-flat major, Hob. XVI:52: I. Allegro | — | ||
| 73-7 | Sonata in E-flat major, Hob. XVI:52: II. Adagio | — | ||
| 73-8 | Sonata in E-flat major, Hob. XVI:52: III. Finale. Presto | — | ||
| 74-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 74-2 | Goldberg Variations, BWV 988: II. Variatio 1 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-3 | Goldberg Variations, BWV 988: III. Variatio 2 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-4 | Goldberg Variations, BWV 988: IV. Variatio 3 a 1 clav. Canone all’unisono | Glenn Gould | T-902.128.688-4 | |
| 74-5 | Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-6 | Goldberg Variations, BWV 988: VI. Variatio 5 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-7 | Goldberg Variations, BWV 988: VII. Variatio 6 a 1 clav. Canone alla seconda | Glenn Gould | T-902.128.688-4 | |
| 74-8 | Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-902.128.688-4 | |
| 74-9 | Goldberg Variations, BWV 988: IX. Variatio 8 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-10 | Goldberg Variations, BWV 988: X. Variatio 9 a 1 clav. Canone alla terza | Glenn Gould | T-902.128.688-4 | |
| 74-11 | Goldberg Variations, BWV 988: XI. Variatio 10 a 1 clav. Fughetta | Glenn Gould | T-902.128.688-4 | |
| 74-12 | Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-13 | Goldberg Variations, BWV 988: XIII. Variatio 12. Canone alla quarta | Glenn Gould | T-311.760.304-6 | |
| 74-14 | Goldberg Variations, BWV 988: XIV. Variatio 13 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-15 | Goldberg Variations, BWV 988: XV. Variatio 14 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-16 | Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-902.128.688-4 | |
| 74-17 | Goldberg Variations, BWV 988: XVII. Variatio 16 a 1 clav. Ouverture | Glenn Gould | T-902.128.688-4 | |
| 74-18 | Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-19 | Goldberg Variations, BWV 988: XIX. Variatio 18 a 1 clav. Canone alla sesta | Glenn Gould | T-902.128.688-4 | |
| 74-20 | Goldberg Variations, BWV 988: XX. Variatio 19 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-21 | Goldberg Variations, BWV 988: XXI. Variatio 20 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-22 | Goldberg Variations, BWV 988: XXII. Variatio 21. Canone alla settima | Glenn Gould | T-311.760.304-6 | |
| 74-23 | Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | T-902.128.688-4 | |
| 74-24 | Goldberg Variations, BWV 988: XXIV. Variatio 23 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-25 | Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | T-902.128.688-4 | |
| 74-26 | Goldberg Variations, BWV 988: XXVI. Variatio 25 a 2 clav. Adagio | Glenn Gould | T-902.128.688-4 | |
| 74-27 | Goldberg Variations, BWV 988: XXVII. Variatio 26 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-28 | Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | T-902.128.688-4 | |
| 74-29 | Goldberg Variations, BWV 988: XXIX. Variatio 28 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-30 | Goldberg Variations, BWV 988: XXX. Variatio 29 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 74-31 | Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | T-902.128.688-4 | |
| 74-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 75-1 | Ballade in D minor, Op. 10 No. 1 "Edward Ballade": Andante | — | ||
| 75-2 | Ballade in D major, Op. 10 No. 2: Andante | — | ||
| 75-3 | Ballade in B minor, Op. 10 No. 3 "Intermezzo": Allegro | — | ||
| 75-4 | Ballade in B major, op. 10 no. 4: Andante con moto | Glenn Gould | — | |
| 75-5 | Rhapsody in B minor, Op. 79 No. 1: Agitato | — | ||
| 75-6 | Rhapsody in G minor, Op. 79 No. 2: Molto passionato, ma non troppo allegro | — | ||
| 76-1 | Sonata No. 12 in A-flat major, Op. 26: I. Andante con Variazioni | Glenn Gould | — | |
| 76-2 | Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto | Glenn Gould | — | |
| 76-3 | Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe | Glenn Gould | — | |
| 76-4 | Sonata No. 12 in A-flat major, Op. 26: IV. Allegro | Glenn Gould | T-003.055.867-8 | |
| 76-5 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": I. Andante | Glenn Gould | — | |
| 76-6 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Glenn Gould | — | |
| 76-7 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": III. Adagio con espressione | Glenn Gould | — | |
| 76-8 | Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": IV. Allegro vivace | Glenn Gould | — | |
| 77-1 | Sonata for Piano in B minor, Op. 5: I. Allegro molto appassionato | — | ||
| 77-2 | Piano Sonata in B minor, op. 5: II. Adagio cantabile | Glenn Gould | — | |
| 77-3 | Sonata for Piano in B minor, Op. 5: III. Scherzo. Presto - Trio. Un poco piu lento | — | ||
| 77-4 | Sonata for Piano in B minor, Op. 5: IV. Finale. Allegretto vivo | — | ||
| 77-5 | 5 Klavierstücke, op. 3: I. Andante | Glenn Gould | T-915.272.981-2 | |
| 77-6 | Five Piano Pieces, Op. 3: Allegro vivace scherzando | — | ||
| 77-7 | Five Piano Pieces, Op. 3: Largo | — | ||
| 77-8 | Five Piano Pieces, Op. 3: Allegro molto | — | ||
| 77-9 | Five Piano Pieces, Op. 3: Allegro marcatissimo | — | ||
| 78-1 | Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brillante | — | ||
| 78-2 | Quintet for Piano and Strings in E-flat major, Op. 44: II. In modo d'una marcia | — | ||
| 78-3 | Quintet for Piano and Strings in E-flat major, Op. 44: III. Scherzo. Molto Vivace | — | ||
| 78-4 | Quintet for Piano and Strings in E-flat major, Op. 44: IV. Allegro ma non troppo | — | ||
| 78-5 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 78-6 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: II. Scherzo. Molto Vivace - Trio I - Trio II | — | ||
| 78-7 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: III. Andante cantabile | — | ||
| 78-8 | Quartet for Piano, Violin, Viola & Cello in E-flat major, Op. 47: IV. Finale. Vivace | — | ||
| 79-1 | Glenn Gould discusses his performance of the "Goldberg Variations" with Tim Page | — | ||
| 80-1 | Concerto in D minor after Alessandro Marcello BWV 974: I. | Glenn Gould | T-801.411.105-9 | |
| 80-2 | Concerto in D minor after Alessandro Marcello BWV 974: II. Adagio | Glenn Gould | T-802.445.410-3 | |
| 80-3 | Concerto in D minor after Alessandro Marcello BWV 974: III. Presto | Glenn Gould | — | |
| 80-4 | Fugue in B minor on a theme by Tomaso Albinoni BWV 951 | Glenn Gould | — | |
| 80-5 | Fugue in A major on a theme by Tomaso Albinoni BWV 950 | Glenn Gould | — | |
| 80-6 | Aria variata (alla maniera italiana) in A minor BWV 989 | Glenn Gould | T-902.128.688-4 | |
| 80-7 | Chromatic Fantasia in D minor BWV 903a | Glenn Gould | — | |
| 80-8 | Fantasy in G minor BWV 917 | Glenn Gould | — | |
| 80-9 | Fantasy in C minor BWV 919 | Glenn Gould | — | |
| 80-10 | Fantasy (and Fugue) in C minor BWV 906 | Glenn Gould | — | |
| 80-11 | Siegfried Idyll (original version for 13 instruments) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
| Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — |
| Das Marienleben, op. 27: No. 12. Stillung Mariae mit dem Auferstandenen | Roxolana Roslak, Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: I. Allegretto piacavole, animato e flessibile | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: II. Theme, Canons and Variations. Andantino - Agitato - Allegretto | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: III. Scherzo. Vivace ma non troppo | Glenn Gould | — |
| Sonata for Piano no. 3, op. 92 no. 4: IV. Adagio | Glenn Gould | T-003.055.867-8 |
| Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo, sempre legato | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Glenn Gould | — |
| Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Glenn Gould | — |
| Piano Sonata no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Glenn Gould | — |
| Piano Sonata No. 31 in A‐flat major, op. 110: II. Allegro molto | Glenn Gould | — |
| Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | Glenn Gould | — |
| Piano Sonata no. 32 in C minor, op. 111: I. Maestoso; Allegro con brio ed appassionato | Glenn Gould | — |
| Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Toccata | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Allemande | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Courante | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Air | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Sarabande | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Tempo di Gavotta | Glenn Gould | — |
| Partita no. 6 in E minor, BWV 830: Gigue | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Praeludium | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Allemande | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Courante | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Sarabande | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Tempo di Menuetto | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Passepied | Glenn Gould | — |
| Partita no. 5 in G major, BWV 829: Gigue | Glenn Gould | — |
| Piano Concerto no. 1 in C major, op. 15: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Piano Sonata, op. 1. Mäßig bewegt | Glenn Gould | — |
| Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Italian Concerto in F Major, BWV 971: II. Andante | Glenn Gould | T-061.296.484-7 |
| Italian Concerto in F major, BWV 971: III. Presto | Glenn Gould | T-061.296.484-7 |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Partita no. 2 in C minor, BWV 826: Allemande | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Courante | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Sarabande | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Rondeaux | Glenn Gould | — |
| Partita no. 2 in C minor, BWV 826: Capriccio | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Allemande | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Courante | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Sarabande | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Menuet I & II | Glenn Gould | — |
| Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Art of the Fugue, BWV 1080: I. Contrapunctus 1 | Glenn Gould | T-702.866.042-8 |
| Art of the Fugue, BWV 1080: II. Contrapunctus 2 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: III. Contrapunctus 3 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IV. Contrapunctus 4 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VIII. Contrapunctus 8 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VI. Contrapunctus 6 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: VII. Contrapunctus 7 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: V. Contrapunctus 5 | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: I. Fantasia | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: II. Allemande | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: III. Corrente | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: IV. Sarabande | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: V. Burlesca | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: VI. Scherzo | Glenn Gould | — |
| Partita no. 3 in A minor, BWV 827: VII. Gigue | Glenn Gould | — |
| Prelude and Fugue no. 10 in E minor, BWV 855: I. Praeludium | Glenn Gould | T-918.063.729-0 |
| Toccata in E Minor, BWV 914 | Glenn Gould | — |
| Invention no. 1 in C Major, BWV 772 | Glenn Gould | — |
| Sinfonia no. 1 in C major, BWV 787 | Glenn Gould | — |
| Invention no. 2 in C minor, BWV 773 | Glenn Gould | — |
| Invention no. 5 in E-flat major, BWV 776 | Glenn Gould | — |
| Sinfonia no. 5 in E-flat major, BWV 791 | Glenn Gould | — |
| Invention no. 14 in B-flat major, BWV 785 | Glenn Gould | — |
| Sinfonia no. 14 in B-flat major, BWV 800 | Glenn Gould | — |
| Invention no. 11 in G minor, BWV 782 | Glenn Gould | — |
| Sinfonia no. 11 in G minor, BWV 797 | Glenn Gould | — |
| Invention no. 10 in G major, BWV 781 | Glenn Gould | — |
| Sinfonia no. 10 in G major, BWV 796 | Glenn Gould | — |
| Invention no. 15 in B minor, BWV 786 | Glenn Gould | — |
| Sinfonia no. 15 in B minor, BWV 801 | Glenn Gould | — |
| Invention no. 7 in E minor, BWV 778 | Glenn Gould | — |
| Sinfonia no. 7 in E minor, BWV 793 | Glenn Gould | — |
| Invention no. 6 in E major, BWV 777 | Glenn Gould | — |
| Sinfonia no. 6 in E major, BWV 792 | Glenn Gould | — |
| Invention no. 13 in A minor, BWV 784 | Glenn Gould | — |
| Sinfonia no. 13 in A minor, BWV 799 | Glenn Gould | — |
| Invention no. 12 in A major, BWV 783 | Glenn Gould | — |
| Sinfonia no. 12 in A major, BWV 798 | Glenn Gould | — |
| Invention no. 3 in D major, BWV 774 | Glenn Gould | — |
| Sinfonia no. 3 in D major, BWV 789 | Glenn Gould | — |
| Invention no. 4 in D minor, BWV 775 | Glenn Gould | — |
| Sinfonia no. 4 in D minor, BWV 790 | Glenn Gould | — |
| Invention no. 9 in F minor, BWV 780 | Glenn Gould | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": I. Allegro | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": II. Adagio un poco mosso | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Concerto No. 5 in E-flat major for Piano and Orchestra, Op. 73 "Emperor": III. Rondo. Allegro ma non tanto | Glenn Gould, American Symphony Orchestra, Leopold Stokowski | — |
| Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Glenn Gould | — |
| Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Glenn Gould | — |
| Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Glenn Gould | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — |
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — |
| English Suite No. 3 in G minor, BWV 808: V. Gavotte I (ou la Musette) | Glenn Gould | — |
| Sonatine for Piano in F-sharp minor, op. 67 no. 1: III. Allegro Moderato | Glenn Gould | — |
| Piano Sonata no. 61 in D major, Hob. XVI: 51: I. Andante | Glenn Gould | — |
| Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-010.504.520-2 |
| Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-308.975.747-7 |
| Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-312.642.162-9 |
| Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-010.909.095-0 |
| Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
| Invention no. 13 in A minor, BWV 784 | Glenn Gould | — |
| English Suite no. 5 in E minor, BWV 810: I. Prélude | Glenn Gould | — |
| Sonata no. 13 in E-flat major, op. 27 no. 1 "Quasi una fantasia": II. Allegro molto e vivace | Glenn Gould | — |
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Glenn Gould | — |
| Prelude and Fugue no. 2 in C minor, BWV 847: I. Praeludium | Glenn Gould | — |
| English Suite no. 2 in A minor, BWV 807: VII. Gigue | Glenn Gould | — |
| Piano Sonata in B minor, op. 5: II. Adagio cantabile | Glenn Gould | T-001.397.158-8 |
| Sonatine for Piano in E major, op. 67 no. 2: II. Andantino | Glenn Gould | — |
| English Suite no. 2 in A minor, BWV 807: I. Prélude | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Prelude and Fugue no. 14 in F-sharp minor, BWV 859: II. Fuga | Glenn Gould | — |
| 2 morceaux, op. 57: Désir | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| Art of the Fugue, BWV 1080: IX. Contrapunctus 9 | Glenn Gould | — |
| Praeludium in C major, BWV 933 | Glenn Gould | — |
| Praeludium in D minor, BWV 926 | Glenn Gould | — |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | T-902.128.688-4 |
| Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | T-311.760.304-6 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
