UPC · Release
Various Artists
Last verified:
886973038628 is the Universal Product Code (UPC barcode) for the release “Baroque Masterpieces” by Various Artists, released 2008-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 999 tracks, each with its own ISRC. Tracks include DEE479502234, DEE479502235, DEE479502236.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto | La Petite Bande, Sigiswald Kuijken | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | La Petite Bande, Sigiswald Kuijken | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | La Petite Bande, Sigiswald Kuijken | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro / II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | La Petite Bande, Sigiswald Kuijken | T-307.292.946-1 | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | La Petite Bande, Sigiswald Kuijken | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | La Petite Bande, Sigiswald Kuijken | — | |
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 3-1 | Overture no. 1, BWV 1066 in C major: I. Ouverture | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.574.378-5 | |
| 3-2 | Overture no. 1, BWV 1066 in C major: II. Courante | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-3 | Overture no. 1, BWV 1066 in C major: III. Gavotte I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-4 | Overture no. 1, BWV 1066 in C major: IV. Forlane | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-5 | Overture no. 1, BWV 1066 in C major: V. Menuet I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-6 | Overture no. 1, BWV 1066 in C major: VI. Bourrée I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-7 | Overture no. 1, BWV 1066 in C major: VII. Passepied I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-8 | Overture no. 2, BWV 1067 in B minor: I. Ouverture | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-9 | Overture no. 2, BWV 1067 in B minor: II. Rondeau | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-10 | Overture no. 2, BWV 1067 in B minor: III. Sarabande | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-11 | Overture no. 2, BWV 1067 in B minor: IV. Bourrée I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-12 | Overture no. 2, BWV 1067 in B minor: V. Polonaise avec double | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-13 | Overture no. 2, BWV 1067 in B minor: VI. Menuet | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-011.654.484-3 | |
| 3-14 | Overture no. 2, BWV 1067 in B minor: VII. Badinerie | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-011.654.484-3 | |
| 4-1 | Musikalisches Opfer, BWV 1079: Ricercar a 3 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-2 | Musikalisches Opfer, BWV 1079: Canon #1 Perpetuus Super Thema Regium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-3 | Musikalisches Opfer, BWV 1079: Canon #2 Perpetuus Super Thema Regium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-4 | Musikalisches Opfer, BWV 1079: Canon a 2 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-5 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Motum Contrarium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-6 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Augmentationem | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-7 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Tonos | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-8 | Musikalisches Opfer, BWV 1079: Fuga Canonica in Epidiapente | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | T-002.152.861-9 | |
| 4-9 | Musikalisches Opfer, BWV 1079: Ricercar a 6 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-10 | Musikalisches Opfer, BWV 1079: Canon a 2 Quaerendo Invenietis (Canon Contrarium Stricte Reversum) | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-11 | Musikalisches Opfer, BWV 1079: Canon a 4 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-12 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: I. Largo | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-13 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: II. Allegro moderato | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-14 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: III. Andante larghetto | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-15 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: IV. Allegro | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-16 | Musikalisches Opfer, BWV 1079: Canon Perpetuus Contrario Motu | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 5-1 | Three Chorales: "Allein Gott in Der Höh’ Sei Ehr", BWV 663 | — | ||
| 5-2 | Three Chorales: "O Lamm Gottes, unschuldig", BWV 618 | — | ||
| 5-3 | Three Chorales: "Wir Christenleut", BWV 710 | — | ||
| 5-4 | Prelude and Fugue in C Minor, BWV 546: Prelude | — | ||
| 5-5 | Prelude and Fugue in C Minor, BWV 546: Fugue | — | ||
| 5-6 | Prelude and Fugue In C Major, BWV 547 Prelude | — | ||
| 5-7 | Prelude and Fugue In C Major, BWV 547 Fugue | — | ||
| 5-8 | Prelude and Fugue In E Minor, BWV 548 Prelude | — | ||
| 5-9 | Prelude and Fugue In E Minor, BWV 548 Fugue | — | ||
| 5-10 | Fantasia In G Major, BWV 572 | — | ||
| 5-11 | Toccata und Fuga d-moll, BWV 565: I. Toccata | Gustav Leonhardt | T-932.014.719-1 | |
| 5-12 | Toccata und Fuga d-moll, BWV 565: II. Fuga | Gustav Leonhardt | — | |
| 6-1 | The Art of Fugue, BWV 1080: Contrapunctus 1 | — | ||
| 6-2 | The Art of Fugue, BWV 1080: Contrapunctus 2 | — | ||
| 6-3 | The Art of Fugue, BWV 1080: Contrapunctus 3 | — | ||
| 6-4 | The Art of Fugue, BWV 1080: Contrapunctus 4 | — | ||
| 6-5 | The Art of Fugue, BWV 1080: Canon 1 | — | ||
| 6-6 | The Art of Fugue, BWV 1080: Contrapunctus 5 | — | ||
| 6-7 | The Art of Fugue, BWV 1080: Contrapunctus 6 | — | ||
| 6-8 | The Art of Fugue, BWV 1080: Contrapunctus 7 | — | ||
| 6-9 | The Art of Fugue, BWV 1080: Canon 2 [3] | — | ||
| 6-10 | The Art of Fugue, BWV 1080: Contrapunctus 8 | — | ||
| 6-11 | The Art of Fugue, BWV 1080: Contrapunctus 9 | — | ||
| 6-12 | The Art of Fugue, BWV 1080: Contrapunctus 10 | — | ||
| 6-13 | The Art of Fugue, BWV 1080: Contrapunctus 11 | — | ||
| 6-14 | The Art of Fugue, BWV 1080: Canon 3 [2] | — | ||
| 6-15 | The Art of Fugue, BWV 1080: Contrapunctus 12a | — | ||
| 6-16 | The Art of Fugue, BWV 1080: Contrapunctus 12b | — | ||
| 6-17 | The Art of Fugue, BWV 1080: Contrapunctus 13a | — | ||
| 6-18 | The Art of Fugue, BWV 1080: Contrapunctus 13b | — | ||
| 6-19 | The Art of Fugue, BWV 1080: Canon 4 | — | ||
| 6-20 | The Art of Fugue, BWV 1080: Contrapunctus 14 | — | ||
| 7-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 7-2 | Goldberg Variations, BWV 988: Variatio 1. A 1 Clav. | — | ||
| 7-3 | Goldberg Variations, BWV 988: Variatio 2. A 1 Clav. | — | ||
| 7-4 | Goldberg Variations, BWV 988: Variatio 3. Canone All'Unisono A 1 Clav. | — | ||
| 7-5 | Goldberg Variations, BWV 988: Variatio 4. A 1 Clav. | — | ||
| 7-6 | Goldberg Variations, BWV 988: Variatio 5. A 1 Ô Vero 2 Clav. | — | ||
| 7-7 | Goldberg Variations, BWV 988: Variatio 6. Canone Alla Secondaa 1 Clav. | — | ||
| 7-8 | Goldberg Variations, BWV 988: Variatio 7. A 1 Ô Vero 2 Clav. "Al Tempo Di Giga" | — | ||
| 7-9 | Goldberg Variations, BWV 988: Variatio 8. A 2 Clav. | — | ||
| 7-10 | Goldberg Variations, BWV 988: Variatio 9. Canone Alla Terza A 1 Clav. | — | ||
| 7-11 | Goldberg Variations, BWV 988: Variatio 10. A 1 Clav. | — | ||
| 7-12 | Goldberg Variations, BWV 988: Variatio 11. A 1 Clav. | — | ||
| 7-13 | Goldberg Variations, BWV 988: Variatio 12. Canona Alla Quarta A 1 Clav. | — | ||
| 7-14 | Goldberg Variations, BWV 988: Variatio 13. A 1 Clav. | — | ||
| 7-15 | Goldberg Variations, BWV 988: Variatio 14. A 1 Clav. | — | ||
| 7-16 | Goldberg Variations, BWV 988: Variatio 15. Canone Alla Quinta A 1 Clav. | — | ||
| 7-17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture A 1 Clav. | — | ||
| 7-18 | Goldberg Variations, BWV 988: Variatio 17. A 2 Clav. | — | ||
| 7-19 | Goldberg Variations, BWV 988: Variatio 18. Canone Alla Sesta A 1 Clav. | — | ||
| 7-20 | Goldberg Variations, BWV 988: Variatio 19. A 1 Clav. | — | ||
| 7-21 | Goldberg Variations, BWV 988: Variatio 20. A 2 Clav. | — | ||
| 7-22 | Goldberg Variations, BWV 988: Variatio 21. Canone Alla Settima A 1 Clav. | — | ||
| 7-23 | Goldberg Variations, BWV 988: Variatio 22. A 1 Clav. | — | ||
| 7-24 | Goldberg Variations, BWV 988: Variatio 23. A 2 Clav. | — | ||
| 7-25 | Goldberg Variations, BWV 988: Variatio 24. Canone All'Ottava A 1 Clav. | — | ||
| 7-26 | Goldberg Variations, BWV 988: Variatio 25. A 2 Clav. Adagio | — | ||
| 7-27 | Goldberg Variations, BWV 988: Variatio 26. A 2 Clav. | — | ||
| 7-28 | Goldberg Variations, BWV 988: Variatio 27. Canone Alla Nona A 2 Clav. | — | ||
| 7-29 | Goldberg Variations, BWV 988: Variatio 28. A 2 Clav. | — | ||
| 7-30 | Goldberg Variations, BWV 988: Variatio 29. A 1 Ô Vero 2 Clav. | — | ||
| 7-31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet A 1 Clav. | — | ||
| 7-32 | Goldberg Variations, BWV 988: Aria Da Capo | — | ||
| 7-33 | Italian Concerto in F Major, BWV 971: I. Allegro | — | ||
| 7-34 | Italian Concerto in F Major, BWV 971: II. Andante | — | ||
| 7-35 | Italian Concerto in F Major, BWV 971: III. Presto | — | ||
| 8-1 | Invention No. 1 in C major, BWV 772 | Gustav Leonhardt | — | |
| 8-2 | Inventions: no. 2 in C minor, BWV 773 | — | ||
| 8-3 | Inventions: no. 3 in D major, BWV 774 | — | ||
| 8-4 | Invention No. 4 in D minor, BWV 775 | Gustav Leonhardt | — | |
| 8-5 | Inventions: no. 5 in E-flat major, BWV 776 | — | ||
| 8-6 | Inventions: no. 6 in E major, BWV 777 | — | ||
| 8-7 | Inventions: no. 7 in E minor, BWV 778 | — | ||
| 8-8 | Invention No. 8 in F major, BWV 779 | Gustav Leonhardt | T-912.732.006-3 | |
| 8-9 | Inventions: no. 9 in F minor, BWV 780 | — | ||
| 8-10 | Invention No. 10 in G major, BWV 781 | Gustav Leonhardt | — | |
| 8-11 | Inventions: no. 11 in G minor, BWV 782 | — | ||
| 8-12 | Inventions: no. 12 in A major, BWV 783 | — | ||
| 8-13 | Invention No. 13 in A minor, BWV 784 | Gustav Leonhardt | — | |
| 8-14 | Invention No. 14 in B-flat major, BWV 785 | Gustav Leonhardt | — | |
| 8-15 | Inventions: no. 15 in B minor, BWV 786 | — | ||
| 8-16 | Sinfonias: no. 1 in C major, BWV 787 | — | ||
| 8-17 | Sinfonias: no. 2 in C minor, BWV 788 | — | ||
| 8-18 | Sinfonias: no. 3 in D major, BWV 789 | — | ||
| 8-19 | Sinfonias: no. 4 in D minor, BWV 790 | — | ||
| 8-20 | Sinfonias: no. 5 in E-flat major, BWV 791 | — | ||
| 8-21 | Sinfonias: no. 6 in E major, BWV 792 | — | ||
| 8-22 | Sinfonias: no. 7 in E minor, BWV 793 | — | ||
| 8-23 | Sinfonias: no. 8 in F major, BWV 794 | — | ||
| 8-24 | Sinfonias: no. 9 in F minor, BWV 795 | — | ||
| 8-25 | Sinfonias: no. 10 in G major, BWV 796 | — | ||
| 8-26 | Sinfonias: no. 11 in G minor, BWV 797 | — | ||
| 8-27 | Sinfonias: no. 12 in A major, BWV 798 | — | ||
| 8-28 | Sinfonias: no. 13 in A minor, BWV 799 | — | ||
| 8-29 | Sinfonias: no. 14 in B-flat major, BWV 800 | — | ||
| 8-30 | Sinfonias: no. 15 in B minor, BWV 801 | — | ||
| 9-1 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C major, BWV 846 | — | ||
| 9-2 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C minor, BWV 847 | — | ||
| 9-3 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C-sharp major, BWV 848 | — | ||
| 9-4 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C-sharp minor, BWV 849 | — | ||
| 9-5 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in G major, BWV 860 | — | ||
| 9-6 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in A-flat major, BWV 862 | — | ||
| 9-7 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in B-flat major, BWV 866 | — | ||
| 9-8 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in B minor, BWV 869 | — | ||
| 9-9 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in C major, BWV 870 | — | ||
| 9-10 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in D minor, BWV 875 | — | ||
| 9-11 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in E-flat major, BWV 876 | — | ||
| 9-12 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in F minor, BWV 881 | — | ||
| 9-13 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in F-sharp major, BWV 882 | — | ||
| 9-14 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in G major, BWV 884 | — | ||
| 9-15 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in G-sharp minor, BWV 887 | — | ||
| 9-16 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in A major, BWV 888 | — | ||
| 10-1 | Lute Suite No. 1 in E minor, BWV 996: I. Praeludio | Julian Bream | T-917.142.154-8 | |
| 10-2 | Lute Suite No. 1 in E minor, BWV 996: II. Allemande | Julian Bream | — | |
| 10-3 | Lute Suite No. 1 in E minor, BWV 996: III. Courante | Julian Bream | T-308.783.849-7 | |
| 10-4 | Lute Suite No. 1 in E minor, BWV 996: IV. Sarabande | Julian Bream | — | |
| 10-5 | Lute Suite No. 1 in E minor, BWV 996: V. Bourrée | Julian Bream | T-924.225.131-6 | |
| 10-6 | Lute Suite No. 1 in E minor, BWV 996: VI. Gigue | Julian Bream | — | |
| 10-7 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) I. Praeludio | Julian Bream | — | |
| 10-8 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) II. Fuga | Julian Bream | — | |
| 10-9 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) III. Sarabande | Julian Bream | — | |
| 10-10 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) IV. Gigue / 5. Double | Julian Bream | — | |
| 10-11 | Trisonate Nr.1 in Es-Dur, BWV 525 - Allegro moderato | Julian Bream | T-801.411.105-9 | |
| 10-12 | Trisonate Nr.1 in Es-Dur, BWV 525 - Adagio | Julian Bream | T-001.439.586-8 | |
| 10-13 | Trisonate Nr.1 in Es-Dur, BWV 525 - Allegro | Julian Bream | T-902.685.630-4 | |
| 10-14 | Trisonate Nr.5 in C-Dur, BWV 529 - Allegro | Julian Bream | T-902.685.630-4 | |
| 10-15 | Trisonate Nr.5 in C-Dur, BWV 529 - Largo | Julian Bream | — | |
| 11-1 | Sonata in A minor, BWV 1003: I. Grave | — | ||
| 11-2 | Sonata in A minor, BWV 1003: II. Fuga | — | ||
| 11-3 | Sonata in A minor, BWV 1003: III. Andante | — | ||
| 11-4 | Sonata in A minor, BWV 1003: IV. Allegro | — | ||
| 11-5 | Partita in D minor, BWV 1004: I. Allemanda | — | ||
| 11-6 | Partita in D minor, BWV 1004: II. Corrente | — | ||
| 11-7 | Partita in D minor, BWV 1004: III. Sarabanda | — | ||
| 11-8 | Partita in D minor, BWV 1004: IV. Giga | — | ||
| 11-9 | Partita in D minor, BWV 1004: V. Ciaconna | — | ||
| 11-10 | Partita in E major, BWV 1006: I. Preludio | — | ||
| 11-11 | Partita in E major, BWV 1006: II. Loure | — | ||
| 11-12 | Partita in E major, BWV 1006: III. Gavotte En Rondeau | — | ||
| 11-13 | Partita in E major, BWV 1006: IV. Menuet I | — | ||
| 11-14 | Partita in E major, BWV 1006: V. Menuet II - Menuet I da capo | — | ||
| 11-15 | Partita in E major, BWV 1006: VI. Bourrée | — | ||
| 11-16 | Partita in E major, BWV 1006: VII. Gigue | — | ||
| 12-1 | Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Guido Schiefen | — | |
| 12-2 | Cello Suite No. 1 in G major, BWV 1007: II. Allemande | Guido Schiefen | — | |
| 12-3 | Cello Suite No. 1 in G major, BWV 1007: III. Courante | Guido Schiefen | T-307.669.076-7 | |
| 12-4 | Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande | Guido Schiefen | — | |
| 12-5 | Cello Suite No. 1 in G major, BWV 1007: V. Menuett | Guido Schiefen | — | |
| 12-6 | Cello Suite No. 1 in G major, BWV 1007: VI. Gigue | Guido Schiefen | — | |
| 12-7 | Cello Suite No. 3 in C major, BWV 1009: I. Prélude | Guido Schiefen | — | |
| 12-8 | Cello Suite No. 3 in C major, BWV 1009: II. Allemande | Guido Schiefen | — | |
| 12-9 | Cello Suite No. 3 in C major, BWV 1009: III. Courante | Guido Schiefen | — | |
| 12-10 | Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande | Guido Schiefen | — | |
| 12-11 | Cello Suite No. 3 in C major, BWV 1009: V. Bourrée | Guido Schiefen | — | |
| 12-12 | Cello Suite No. 3 in C major, BWV 1009: VI. Gigue | Guido Schiefen | — | |
| 12-13 | Cello Suite No. 6 in D major, BWV 1012: I. Prélude | Guido Schiefen | — | |
| 12-14 | Cello Suite No. 6 in D major, BWV 1012: II. Allemande | Guido Schiefen | — | |
| 12-15 | Cello Suite No. 6 in D major, BWV 1012: III. Courante | Guido Schiefen | — | |
| 12-16 | Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande | Guido Schiefen | — | |
| 12-17 | Cello Suite No. 6 in D major, BWV 1012: V. Gavotte | Guido Schiefen | T-310.783.361-0 | |
| 12-18 | Cello Suite No. 6 in D major, BWV 1012: VI. Gigue | Guido Schiefen | — | |
| 13-1 | Cello Suite No. 2 in D minor, BWV 1008: I. Prélude | Guido Schiefen | — | |
| 13-2 | Cello Suite No. 2 in D minor, BWV 1008: II. Allemande | Guido Schiefen | — | |
| 13-3 | Cello Suite No. 2 in D minor, BWV 1008: III. Courante | Guido Schiefen | — | |
| 13-4 | Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande | Guido Schiefen | — | |
| 13-5 | Cello Suite No. 2 in D minor, BWV 1008: V. Menuett | Guido Schiefen | — | |
| 13-6 | Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue | Guido Schiefen | — | |
| 13-7 | Cello Suite No. 4 in E-Flat major, BWV 1010: I. Prélude | Guido Schiefen | — | |
| 13-8 | Cello Suite No. 4 in E-Flat major, BWV 1010: II. Allemande | Guido Schiefen | — | |
| 13-9 | Cello Suite No. 4 in E-Flat major, BWV 1010: III. Courante | Guido Schiefen | — | |
| 13-10 | Cello Suite No. 4 in E-Flat major, BWV 1010: IV. Sarabande | Guido Schiefen | — | |
| 13-11 | Cello Suite No. 4 in E-Flat major, BWV 1010: V. Bourrée | Guido Schiefen | — | |
| 13-12 | Cello Suite No. 4 in E-Flat major, BWV 1010: VI. Gigue | Guido Schiefen | — | |
| 13-13 | Cello Suite No. 5 in C minor, BWV 1011: I. Prélude | Guido Schiefen | — | |
| 13-14 | Cello Suite No. 5 in C minor, BWV 1011: II. Allemande | Guido Schiefen | — | |
| 13-15 | Cello Suite No. 5 in C minor, BWV 1011: III. Courante | Guido Schiefen | — | |
| 13-16 | Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande | Guido Schiefen | — | |
| 13-17 | Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte | Guido Schiefen | — | |
| 13-18 | Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue | Guido Schiefen | — | |
| 14-1 | Singet dem Herrn ein neues Lied, BWV 225 | — | ||
| 14-2 | Komm, Jesu, komm, BWV 229 | — | ||
| 14-3 | Jesu meine Freude, BWV 227 | — | ||
| 14-4 | Der Geist hilft unsrer Schwachheit auf, BWV 226 | — | ||
| 14-5 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 14-6 | Lobet den Herren, alle Heiden, BWV 230 | — | ||
| 15-1 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Aria: „Ich will den Kreuzstab gerne tragen“ | — | ||
| 15-2 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Recitativo: „Mein Wandel auf der Welt ist einer Schifffahrt gleich“ | — | ||
| 15-3 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Aria: „Endlich, endlich wird mein Joch“ | — | ||
| 15-4 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Recitativo: „Ich stehe fertig und bereit“ | — | ||
| 15-5 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Choral: „Komm, o Tod, du Schlafes Bruder“ | — | ||
| 15-6 | “Ich habe genug”, Cantata BWV 82: Aria: „Ich habe genug“ | — | ||
| 15-7 | “Ich habe genug”, Cantata BWV 82: Recitativo: „Ich habe genug! Mein Trost ist nur allein“ | — | ||
| 15-8 | “Ich habe genug”, Cantata BWV 82: Aria: „Schlummert ein, ihr matten Augen“ | — | ||
| 15-9 | “Ich habe genug”, Cantata BWV 82: Recitativo: „Mein Gott! Wann kommt das Schöne nun!“ | — | ||
| 15-10 | “Ich habe genug”, Cantata BWV 82: Aria: „Ich freue mich auf meinen Tod“ | — | ||
| 16-1 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-2 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-3 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-4 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-5 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-6 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-7 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-8 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-9 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-10 | Kantate "Non sà che sia dolore", BWV 209: Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 16-11 | Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-12 | Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-13 | Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-14 | Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 17-1 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Jauchzet, frohlocket, auf, preiset die Tage“ | — | ||
| 17-2 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Wie soll ich dich empfangen“ | — | ||
| 17-3 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Großer Herr, O starker König“ | — | ||
| 17-4 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Ach mein herzliebes Jesulein“ | — | ||
| 17-5 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Sinfonia | — | ||
| 17-6 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Brich an, o schönes Morgenlicht“ | — | ||
| 17-7 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Schlafe, mein Liebster, genieße der Ruh“ | — | ||
| 17-8 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Ehre sei Gott in der Höhe“ | — | ||
| 17-9 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Wir singen dir in deinem Heer“ | — | ||
| 17-10 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Herrscher des Himmels, erhöre das Lallen“ | — | ||
| 17-11 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Dies hat er alles uns getan“ | — | ||
| 17-12 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Fallt mit Danken, fallt mit Loben“ | — | ||
| 17-13 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Flößt, mein Heiland, flößt dein Namen“ | — | ||
| 17-14 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Ich will nur dir zu Ehren leben“ | — | ||
| 17-15 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Ehre sei dir, Gott, gesungen“ | — | ||
| 17-16 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Dein Glanz all Finsternis verzehret“ | — | ||
| 17-17 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Herr, wenn die stolzen Feinde schnauben“ | — | ||
| 17-18 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Ich steh an deiner Krippen hier“ | — | ||
| 17-19 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Nun seid ihr wohl gerochen“ | — | ||
| 18-1 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Herr, unser Herrscher' (Coro) | — | ||
| 18-2 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'O große Lieb' o Lieb ohn' alle Maße' (Choral) | — | ||
| 18-3 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Von den Stricken meiner Sünden' (Aria Alto) | — | ||
| 18-4 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ich folge dir gleichfalls mit freudigen Schritten' (AriaSoprano) | — | ||
| 18-5 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Wer hat dich so geschlagen?' (Choral) | — | ||
| 18-6 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach, mein Sinn, wo willst du endlich hin?' (AriaTenor) | — | ||
| 18-7 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Christus, der uns selig macht' (Choral) | — | ||
| 18-8 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach, großer König, groß zu allen Zeiten' (Choral) | — | ||
| 18-9 | St. John Passion / Johannes Passion, BWV 245 (Highlights): Betrachte meine Seel' mit ängstlichem Vergnügen'(Arioso Bass) | — | ||
| 18-10 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Und die Kriegsknechte flochten eine Krone von Dornen' (Evangelist Coro) | — | ||
| 18-11 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Durch dein Gefängnis, Gottes Sohn' (Choral) | — | ||
| 18-12 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Die Juden aber schrieen und sprachen' (Evangelist -Coro) | — | ||
| 18-13 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Eilt, ihr angefocht'nen Seelen' - 'Wohin?' (Aria Baritone Coro) | — | ||
| 18-14 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'In meines Herzens Grunde' (Choral) | — | ||
| 18-15 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Es ist vollbracht' (Aria Alto) | — | ||
| 18-16 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Zerfließe, mein Herze' (Aria Soprano) | — | ||
| 18-17 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ruht wohl, ihr heiligen Gebeine' (Coro) | — | ||
| 18-18 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach Herr, lass dein lieb' Engelein' (Choral) | — | ||
| 19-1 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Kommt, ihr Töchter, helft mir klagen' (Coro) | — | ||
| 19-2 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Herzliebster Jesu, was hast du verbrochen?' (Choral) | — | ||
| 19-3 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Blute nur, du liebes Herz' (Aria Soprano) | — | ||
| 19-4 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'O Schmerz! Hier zittert das gequälte Herz' (Recitativo Tenor) - 'Was ist die Ursach' aller .. | — | ||
| 19-5 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Ich will bei meinem Jesu wachen' (Aria Tenor) - 'So schlafen meine Sünden ein' (Coro) | — | ||
| 19-6 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'So ist mein Jesus nun gefangen' (Duet Soprano/Alto)- 'Lasst ihn, haltet, bindet nicht' (Coro) | — | ||
| 19-7 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Sind Blitze, sind Donner in Wolken verschwunden'(Coro) | — | ||
| 19-8 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'O Mensch, bewein dein Sünden groß' (Coro) | — | ||
| 19-9 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Erbarme dich, mein Gott' (Aria Alto) | — | ||
| 19-10 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Gebt mir meinen Jesum wieder' (Aria Tenor) | — | ||
| 19-11 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Können Tränen meiner Wangen' (Aria Alto) | — | ||
| 19-12 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'O Haupt voll Blut und Wunden' (Coro) | — | ||
| 19-13 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Und von der sechsten Stunde an' (Evangelist Jesus- Coro) | — | ||
| 19-14 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Wenn ich einmal soll scheiden' (Coro) | — | ||
| 19-15 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Und siehe da, der Vorhang im Tempel zerriss (Evangelist) - 'Wahrlich, dieser ist Gottes Sohn .. | — | ||
| 19-16 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Mache dich, mein Herze, rein' (Aria Bass) | — | ||
| 19-17 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Nun ist der Herr zur Ruh' gebracht' (Recitativo Soloists) - 'Mein Jesu, gute Nacht' (Coro) | — | ||
| 19-18 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Wir setzen uns mit Tränen nieder' (Coro) | — | ||
| 20-1 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Kyrie Eleison | — | ||
| 20-2 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Christe Eleison | — | ||
| 20-3 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Kyrie Eleison | — | ||
| 20-4 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Gloria In Excelsis Deo | — | ||
| 20-5 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Et In Terra Pax | — | ||
| 20-6 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Laudamus Te | — | ||
| 20-7 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Gratias Agimus Tibi | — | ||
| 20-8 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Domine Deus | — | ||
| 20-9 | Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 20-10 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Qui Sedes Ad Dextram Patris | — | ||
| 20-11 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Quoniam Tu Solus Sanctus | — | ||
| 20-12 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Cum Sancto Spiritu | — | ||
| 21-1 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Credo in unum deum | — | ||
| 21-2 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Patrem omnipotentem | — | ||
| 21-3 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et in unum Dominum | — | ||
| 21-4 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et incarnatus est | — | ||
| 21-5 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Crucifixus | — | ||
| 21-6 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et resurrexit | — | ||
| 21-7 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et in Spiritum Sanctum | — | ||
| 21-8 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Confiteor | — | ||
| 21-9 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et expecto | — | ||
| 21-10 | Messe in H-Moll, BWV 232: IVa. Coro "Sanctus" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 21-11 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Osanna | — | ||
| 21-12 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Benedictus | — | ||
| 21-13 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Osanna (Reprise) | — | ||
| 21-14 | Mass in B minor / Messe h-Moll, BWV 232: Agnus Dei: Agnus Dei | — | ||
| 21-15 | Mass in B minor / Messe h-Moll, BWV 232: Agnus Dei: Dona nobis pacem | — | ||
| 22-1 | Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-2 | Magnificat BWV 243 in D major, 2. Et exsultavit spiritus meus | Ann Murray, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-3 | Magnificat BWV 243 in D major, Einlage A: Vom Himmel hoch | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-4 | Magnificat: III+IV. Omnes generationes | Arleen Augér, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-5 | Magnificat BWV 243 in D major, 5. Quia fecit mihi magna | Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-6 | Magnificat BWV 243 in D major, Einlage B: Freut euch und jubiliert | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-7 | Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-8 | Magnificat BWV 243 in D major, 7. Fecit potentiam | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-9 | Magnificat BWV 243 in D major, Einlage C: Gloria in excelsis Deo | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-10 | Magnificat BWV 243 in D major, 8. Deposuit potentes | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-11 | Magnificat BWV 243 in D major, 9. Esurientes implevit bonis | Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-12 | Magnificat BWV 243 in D major, Einlage D: Virga Jesse floruit | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-13 | Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-14 | Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-15 | Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-16 | Beatus vir en si bémol majeur, RV 598 | Mary Burgess, Jocelyne Chamonin, Carolyn Watkinson, Daniele Salzer, Ensemble vocal Raphaël Passaquet, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-17 | Gloria en ré majeur, RV 589: I. Gloria in excelsis Deo (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | T-307.614.694-2 | |
| 22-18 | Gloria en ré majeur, RV 589: II. Et in terra pax (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-19 | Gloria en ré majeur, RV 589: III. Laudamus te (1ère et 2ème sopranos) | Mary Burgess, Jocelyne Chamonin, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-20 | Gloria en ré majeur, RV 589: IV. Gratias agimus tibi (choeur) / V. Propter magnam gloriam tuam (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-21 | Gloria en ré majeur, RV 589: VI. Domine Deus (2ème soprano) | Jocelyne Chamonin, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-22 | Gloria en ré majeur, RV 589: VII. Domine Fili unigenite (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-23 | Gloria en ré majeur, RV 589: VIII. Domine Deus, Agnus Dei (contralto, choeur) | Carolyn Watkinson, Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-24 | Gloria en ré majeur, RV 589: IX. Qui tollis peccata mundi (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-25 | Gloria en ré majeur, RV 589: X. Qui sedes ad dexteram Patris (contralto) | Carolyn Watkinson, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-26 | Gloria en ré majeur, RV 589: XI. Quoniam tu solus sanctus (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-27 | Gloria en ré majeur, RV 589: XII. Cum Sancto Spiritu (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 23-1 | Magnificat primi toni Bux WV 203 | — | ||
| 23-2 | Passacaglia in D minor Bux WV 161 | — | ||
| 23-3 | Ciacona in E minor Bux WV 160 | — | ||
| 23-4 | Toccata in F major Bux WV 157 | — | ||
| 23-5 | Prelude in D minor Bux WV 140 | — | ||
| 23-6 | Fugue in C major Bux WV 174 | — | ||
| 23-7 | Prelude in A minor Bux WV 153 | — | ||
| 23-8 | Choral Fantasy 'Gelobet seist du, Jesu Christ' BuxWV 188 | — | ||
| 23-9 | Prelude in F sharp minor Bux WV 146 (transposedversion in G minor) | — | ||
| 23-10 | Canzona in D minor Bux WV 168 | — | ||
| 23-11 | Toccata in D minor Bux WV 155 | — | ||
| 24-1 | Concerto VII in D major: I. Vivace - Allegro - Adagio | — | ||
| 24-2 | Concerto VII in D major: II. Allegro | — | ||
| 24-3 | Concerto VII in D major: III. Andante largo - Allegro | — | ||
| 24-4 | Concerto VII in D major: IV. Vivace | — | ||
| 24-5 | Concerto IX in F major: I. Preludio. Largo | — | ||
| 24-6 | Concerto IX in F major: II. Allemanda. Allegro | — | ||
| 24-7 | Concerto IX in F major: III. Corrente. Vivace | — | ||
| 24-8 | Concerto IX in F major: IV. Gavotta. Allegro | — | ||
| 24-9 | Concerto IX in F major: V. Adagio | — | ||
| 24-10 | Concerto IX in F major: VI. Minuetto. Vivace | — | ||
| 24-11 | Concerto III in C minor: I. Largo - Allegro | — | ||
| 24-12 | Concerto III in C minor: II. Grave | — | ||
| 24-13 | Concerto III in C minor: III. Vivace | — | ||
| 24-14 | Concerto III in C minor: IV. Allegro | — | ||
| 24-15 | Concerto I in D major: I. Largo - Allegro | — | ||
| 24-16 | Concerto I in D major: II. Largo - Allegro | — | ||
| 24-17 | Concerto I in D major: III. Largo - Allegro | — | ||
| 24-18 | Concerto I in D major: IV. Allegro | — | ||
| 24-19 | Concerto XI in B-flat major: I. Preludio. Andante Largo | — | ||
| 24-20 | Concerto XI in B-flat major: II. Allemanda. Allegro | — | ||
| 24-21 | Concerto XI in B-flat major: III. Adagio - Andante Largo | — | ||
| 24-22 | Concerto XI in B-flat major: IV. Sarabanda. Largo | — | ||
| 24-23 | Concerto XI in B-flat major: V. Giga. Vivace | — | ||
| 24-24 | Concerto VIII in G minor 'fatto per la notte di Natale': I. Vivace - Grave | — | ||
| 24-25 | Concerto VIII in G minor 'fatto per la notte di Natale': II. Allegro | — | ||
| 24-26 | Concerto VIII in G minor 'fatto per la notte di Natale': III. Adagio - Allegro - Adagio | — | ||
| 24-27 | Concerto VIII in G minor 'fatto per la notte di Natale': IV. Vivace | — | ||
| 24-28 | Concerto VIII in G minor 'fatto per la notte di Natale': V. Allegro - Pastorale Largo | — | ||
| 25-1 | Sonata in G minor op. 5. no. 7: Preludio - Vivace | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-2 | Sonata in G minor op. 5. no. 7: Corrente - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-3 | Sonata in G minor op. 5. no. 7: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-4 | Sonata in G minor op. 5. no. 7: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-5 | Sonata in A minor op. 5. no. 8: Preludio - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-6 | Sonata in A minor op. 5. no. 8: Allemanda - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-7 | Sonata in A minor op. 5. no. 8: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-8 | Sonata in A minor op. 5. no. 8: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-9 | Sonata in E-flat major op. 5. no. 9: Preludio - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-10 | Sonata in E-flat major op. 5. no. 9: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-11 | Sonata in E-flat major op. 5. no. 9: Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-903.026.983-1 | |
| 25-12 | Sonata in E-flat major op. 5. no. 9: Tempo di Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-13 | Sonata in C major op. 5. no. 10: Preludio - Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-14 | Sonata in C major op. 5. no. 10: Allemanda - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-15 | Sonata in C major op. 5. no. 10: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-16 | Sonata in C major op. 5. no. 10: Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-17 | Sonata in C major op. 5. no. 10: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-18 | Sonata in B-flat major op. 5. no. 11: Preludio - Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-19 | Sonata in B-flat major op. 5. no. 11: Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-20 | Sonata in B-flat major op. 5. no. 11: Adagio - Vivace | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-21 | Sonata in B-flat major op. 5. no. 11: Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-22 | 'La Follia' in G minor op. 5. no. 12 | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 26-1 | Premier Concert: I. Prélude (Gravement) | — | ||
| 26-2 | Premier Concert: II. Allemande (Légèrement) | — | ||
| 26-3 | Premier Concert: III. Sarabande (Mesuré) | — | ||
| 26-4 | Premier Concert: IV. Gavotte (Notes égales et coulées) | — | ||
| 26-5 | Premier Concert: V. Gigue (Légèrement) | — | ||
| 26-6 | Premier Concert: VI. Menuet en Trio | — | ||
| 26-7 | Second Concert: I. Prélude (Gracieusement) | — | ||
| 26-8 | Second Concert: II. Allemande fuguée (Gayement) | — | ||
| 26-9 | Second Concert: III. Air tendre | — | ||
| 26-10 | Second Concert: IV. Air contre-fugué (Vivement) | — | ||
| 26-11 | Second Concert: V. Echos (Tendrement) | — | ||
| 26-12 | Troisième Concert: I. Prélude (Lentement) | — | ||
| 26-13 | Troisième Concert: II. Allemande (Légèrement) | — | ||
| 26-14 | Troisième Concert: III. Courante | — | ||
| 26-15 | Troisième Concert: IV. Sarabande (Grave) | — | ||
| 26-16 | Troisième Concert: V. Gavotte | — | ||
| 26-17 | Troisième Concert: VI. Musette | — | ||
| 26-18 | Troisième Concert: VII. Chaconne (Légère) | — | ||
| 26-19 | Quartième Concert: I. Prélude (Gravement) | — | ||
| 26-20 | Quartième Concert: II. Allemande (Légèrement) | — | ||
| 26-21 | Quartième Concert: III. Courante française (Galamment) | — | ||
| 26-22 | Quartième Concert: IV. Courante à l'italienne (Pointé-coulé, gavement) | — | ||
| 26-23 | Quartième Concert: V. Sarabande (Très tendrement) | — | ||
| 26-24 | Quartième Concert: VI. Rigaudon (Légèrement et marqué) | — | ||
| 26-25 | Quartième Concert: VII. Forlane Rondeau (Gayement) | — | ||
| 27-1 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata avanti la Messa (Organ) | — | ||
| 27-2 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Kyrie orbis factor (Organ/Choir/Organ) | — | ||
| 27-3 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Gloria (Choir) | — | ||
| 27-4 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Canzon dopo la Pistola (Organ) | — | ||
| 27-5 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Credo (Credo I) (Choir) | — | ||
| 27-6 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Recercar dopo il Credo (Organ) | — | ||
| 27-7 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Sanctus (Choir) | — | ||
| 27-8 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata chromaticha per le levatione (Organ) | — | ||
| 27-9 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Agnus Dei (Choir) | — | ||
| 27-10 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Canzone post il Comune (Organ) | — | ||
| 27-11 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Ite Missa est (Choir) | — | ||
| 27-12 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata sopra i pedali (Organ) | — | ||
| 27-13 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Invitatorium: Deus, in adjutorium (Choir) | — | ||
| 27-14 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Versetten (Christe) (Organ) | — | ||
| 27-15 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Antiphon: Dixit Dominus Psalm 109 - Antiphon (Choir) | — | ||
| 27-16 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Versetten (Kyrie) (Organ) | — | ||
| 27-17 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Hymnus: Lucis creator optime (Choir/Organ/Choir) | — | ||
| 27-18 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Antiphon: Serve nequam Magnificat (Choir/Organ/Choir) | — | ||
| 27-19 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Benedicamus Domino (Choir) | — | ||
| 27-20 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Marian Antiphon: Salve Regina (Choir) | — | ||
| 27-21 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Bergamasca (Organ) | — | ||
| 28-1 | Sonata a tre ex d per due Violini (violoncello & basso continuo) | Clemencic Consort, René Clemencic | — | |
| 28-2 | Ciaccona per organo | Clemencic Consort, René Clemencic | — | |
| 28-3 | Grave (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-4 | Media vita in morte sumus (choral) | Clemencic Consort, René Clemencic | — | |
| 28-5 | De profundis (motet) | Clemencic Consort, René Clemencic | — | |
| 28-6 | Adagio per organo | Clemencic Consort, René Clemencic | — | |
| 28-7 | Requiem, K. 51-53: Requiem Aeternam - Kyrie eleison | Clemencic Consort, René Clemencic | — | |
| 28-8 | Requiem, K. 51-53: Dies Irae | Clemencic Consort, René Clemencic | — | |
| 28-9 | Libera me, Domine (motet) | Clemencic Consort, René Clemencic | — | |
| 28-10 | Canon a due. Largo (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-11 | Requiem, K. 51-53: Domine Jesu Christe | Clemencic Consort, René Clemencic | — | |
| 28-12 | Requiem, K. 51-53: Sanctus | Clemencic Consort, René Clemencic | — | |
| 28-13 | Adagio (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-14 | Requiem, K. 51-53: Agnus Dei - Lux Aeterna - Requiem Aeternam | Clemencic Consort, René Clemencic | — | |
| 29-1 | Music for the Royal Fireworks, HWV 351: Ouverture | — | ||
| 29-2 | Music for the Royal Fireworks, HWV 351: Bourrée | — | ||
| 29-3 | Music for the Royal Fireworks, HWV 351: La paix | — | ||
| 29-4 | Music for the Royal Fireworks, HWV 351: La réjouissance | — | ||
| 29-5 | Music for the Royal Fireworks, HWV 351: Menuet I & II | — | ||
| 29-6 | Water Music: Suite no. I in F major, HWV 348: Ouverture | — | ||
| 29-7 | Water Music: Suite no. I in F major, HWV 348: Adagio e staccato | — | ||
| 29-8 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-9 | Water Music: Suite no. I in F major, HWV 348: Andante | — | ||
| 29-10 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-11 | Water Music: Suite no. I in F major, HWV 348: Air | — | ||
| 29-12 | Water Music: Suite no. I in F major, HWV 348: Menuet | — | ||
| 29-13 | Water Music: Suite no. I in F major, HWV 348: Bourrée | — | ||
| 29-14 | Water Music: Suite no. I in F major, HWV 348: Hornpipe | — | ||
| 29-15 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-16 | Water Music: Suite no. 2 in D major, HWV 349: Allegro | — | ||
| 29-17 | Water Music: Suite no. 2 in D major, HWV 349: Alla hornpipe | — | ||
| 29-18 | Water Music: Suite no. 2 in D major, HWV 349: Menuet | — | ||
| 29-19 | Water Music: Suite no. 2 in D major, HWV 349: Lentement | — | ||
| 29-20 | Water Music: Suite no. 2 in D major, HWV 349: Bourrée | — | ||
| 29-21 | Water Music: Suite no. 3 in G major, HWV 350: Allegro | — | ||
| 29-22 | Water Music: Suite no. 3 in G major, HWV 350: Rigaudon: Trio No. 18 | — | ||
| 29-23 | Water Music: Suite no. 3 in G major, HWV 350: Menuet | — | ||
| 29-24 | Water Music: Suite no. 3 in G major, HWV 350: Allegro | — | ||
| 29-25 | Water Music: Suite no. 3 in G major, HWV 350: Trio No. 22: Trio No. 21 | — | ||
| 30-1 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Larghetto e staccato | — | ||
| 30-2 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Allegro | — | ||
| 30-3 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Adagio | — | ||
| 30-4 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 No. 1: Andante | — | ||
| 30-5 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: A tempo ordinario e staccato | — | ||
| 30-6 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Allegro | — | ||
| 30-7 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Adagio e staccato | — | ||
| 30-8 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Allegro ma non presto | — | ||
| 30-9 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Adagio | — | ||
| 30-10 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Allegro | — | ||
| 30-11 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Adagio | — | ||
| 30-12 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Allegro (Gavotte) | — | ||
| 30-13 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Allegro | — | ||
| 30-14 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Andante | — | ||
| 30-15 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Adagio - Allegro | — | ||
| 30-16 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Larghetto | — | ||
| 30-17 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Allegro | — | ||
| 30-18 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Alla Siciliana | — | ||
| 30-19 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Presto | — | ||
| 30-20 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Andante allegro | — | ||
| 30-21 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Larghetto | — | ||
| 30-22 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Allegro moderato | — | ||
| 31-1 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Andante allegro | — | ||
| 31-2 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Larghetto | — | ||
| 31-3 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Allegro moderato | — | ||
| 31-4 | Concerto for Oboe no. I in B-flat major, HWV 301: Adagio | — | ||
| 31-5 | Concerto for Oboe no. I in B-flat major, HWV 301: Allegro | — | ||
| 31-6 | Concerto for Oboe no. I in B-flat major, HWV 301: Siciliana (Largo) | — | ||
| 31-7 | Concerto for Oboe no. I in B-flat major, HWV 301: Vivace | — | ||
| 31-8 | Concerto for two Cellos in G minor: Grave | — | ||
| 31-9 | Concerto for two Cellos in G minor: Allegro | — | ||
| 31-10 | Concerto for two Cellos in G minor: Llargo | — | ||
| 31-11 | Concerto for two Cellos in G minor: Fugue (Allegro) | — | ||
| 31-12 | Concerto for Oboe no. 2 in B major, HWV 302a: Vivace | — | ||
| 31-13 | Concerto for Oboe no. 2 in B major, HWV 302a: Fuga. Allegro | — | ||
| 31-14 | Concerto for Oboe no. 2 in B major, HWV 302a: Andante | — | ||
| 31-15 | Concerto for Oboe no. 2 in B major, HWV 302a: Allegro | — | ||
| 31-16 | Concerto for Flute in D major: Aria 1 (Largo) | — | ||
| 31-17 | Concerto for Flute in D major: Aria 2 (Poco allegro) | — | ||
| 31-18 | Concerto for Flute in D major: Aria 3 (Largo) | — | ||
| 31-19 | Concerto for Flute in D major: Aria 4 (Pastorella, Allegro) | — | ||
| 31-20 | Concerto for Oboe no. 3 in G minor, HWV 287: Grave | — | ||
| 31-21 | Concerto for Oboe no. 3 in G minor, HWV 287: Allegro | — | ||
| 31-22 | Concerto for Oboe no. 3 in G minor, HWV 287: Sarabande. Largo | — | ||
| 31-23 | Concerto for Oboe no. 3 in G minor, HWV 287: Allegro | — | ||
| 32-1 | Chandos Te Deum, HWV 281: We praise Thee, o God | — | ||
| 32-2 | Chandos Te Deum, HWV 281: All the earth | — | ||
| 32-3 | Chandos Te Deum, HWV 281: The glorious Company | — | ||
| 32-4 | Chandos Te Deum, HWV 281: Thou art the King | — | ||
| 32-5 | Chandos Te Deum, HWV 281: When Thou tookest | — | ||
| 32-6 | Chandos Te Deum, HWV 281: When Thou hadst overcome | — | ||
| 32-7 | Chandos Te Deum, HWV 281: Thou didst open the kingdom | — | ||
| 32-8 | Chandos Te Deum, HWV 281: Thou sittest of the right hand | — | ||
| 32-9 | Chandos Te Deum, HWV 281: We believe that Thou shalt come | — | ||
| 32-10 | Chandos Te Deum, HWV 281: Day by day | — | ||
| 32-11 | Chandos Te Deum, HWV 281: And we worship Thy name ever | — | ||
| 32-12 | Chandos Te Deum, HWV 281: Vouchsafe, o Lord | — | ||
| 32-13 | Chandos Te Deum, HWV 281: O Lord, in Thee we have trust | — | ||
| 32-14 | Chandos Anthem 'Let God Arise', HWV 256a: Symphony | — | ||
| 32-15 | Chandos Anthem 'Let God Arise', HWV 256a: Let God arise | — | ||
| 32-16 | Chandos Anthem 'Let God Arise', HWV 256a: Like as a smoke | — | ||
| 32-17 | Chandos Anthem 'Let God Arise', HWV 256a: Let the righteous be glad | — | ||
| 32-18 | Chandos Anthem 'Let God Arise', HWV 256a: O sing unto God | — | ||
| 32-19 | Chandos Anthem 'Let God Arise', HWV 256a: Praised by the Lord | — | ||
| 32-20 | Chandos Anthem 'Let God Arise', HWV 256a: At Thy rebuke, o God | — | ||
| 32-21 | Chandos Anthem 'Let God Arise', HWV 256a: Blessed be God, Alleluja | — | ||
| 33-1 | Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-2 | Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-3 | Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-4 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-5 | Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | T-916.330.297-4 | |
| 33-6 | Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-7 | Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-8 | Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-9 | Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-10 | He Was Despised | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.081-8 | |
| 33-11 | Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-12 | Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-13 | Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-14 | Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.137.534-9 | |
| 33-15 | Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-16 | Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-17 | Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 34-1 | Rinaldo HWV. 7: Act I. Aria "Sibillar gli angui d'Aletto" - Recitativo "Goffredo, se t'arrise" (Argante; Argante, Goffredo) | Ulrik Cold, Paul Esswood, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-2 | Rinaldo HWV. 7: Act I. Aria "Augelletti, che cantate" - Recitativo "Adorato mio sposo" (Almirena; Almirena, Rinaldo) | Ileana Cotrubaș, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-3 | Rinaldo HWV. 7: Act I. Duetto "Scherzano sul tuo volto" - Recitativo "Al valor del mio brando" - Sinfonia (Almirena, Rinaldo; Armida, Almirena, Rinaldo) | Ileana Cotrubaș, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-4 | Rinaldo HWV. 7: Act I. Aria "Venti, turbini, prestate" (Rinaldo) | Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-5 | Rinaldo, HWV 7: Lascia ch’io pianga | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Ileana Cotrubaş | — | |
| 34-6 | Rinaldo HWV. 7: Act II. Aria "Abbrugio, avampo e fremo" (Rinaldo) | Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-7 | Rinaldo HWV. 7: Act II. Aria "Vo' far guerra" (Armida) | Jeanette Scovotti, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-8 | Rinaldo HWV. 7: Act III. Duetto "Al trionfo" - Recitativo "Di quei strani accidenti" (Armida, Argante; Goffredo, Almirena, Rinaldo) | Ulrik Cold, Ileana Cotrubaș, Paul Esswood, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-9 | Rinaldo HWV. 7: Act III. Aria "Or la tromba in suon festante" - Recitativo "Miei fidi, eccolà" (Rinaldo; Argante, Goffredo) | Ulrik Cold, Paul Esswood, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-10 | Rinaldo HWV. 7: Act III. Battaglia | La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-11 | Rinaldo HWV. 7: Act III. Coro "Vinto è sol della virtù" (Almirena, Armida, Rinaldo, Goffredo, Eustazio, Argante) | Charles Brett, Ulrik Cold, Ileana Cotrubaș, Paul Esswood, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-12 | Alessandro: Ouvertüre | La Petite Bande, Sigiswald Kuijken | — | |
| 34-13 | Alessandro: Sinfonia | La Petite Bande, Sigiswald Kuijken | — | |
| 34-14 | Alessandro: Duett "Placa l'alma, quieta il petto!" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-15 | Alessandro: Arie "Sire, il popol gia vinto" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-16 | Alessandro: Arie "Renditi, o muori" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-17 | Alessandro: Arie "Sento un' interno inusitata gioja" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-18 | Alessandro: Chor "Tempesta e calma sento nell' alma" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-19 | Alessandro: Duett "In generoso onor" | La Petite Bande, Sigiswald Kuijken | — | |
| 35-1 | Giulio Cesare in Egitto (Highlights): Ouverture | — | ||
| 35-2 | Giulio Cesare in Egitto (Highlights): Viva, viva il nostro Alcide (Choir Egyptians) | — | ||
| 35-3 | Giulio Cesare in Egitto (Highlights): Presti omai l'egizia terra (Giulio Cesare) | — | ||
| 35-4 | Giulio Cesare in Egitto (Highlights): Empio, diròtu sei (Giulio Cesare) | — | ||
| 35-5 | Giulio Cesare in Egitto (Highlights): Priva son d'ogni conforto (Cornelia) | — | ||
| 35-6 | Giulio Cesare in Egitto (Highlights): Avanti al tuo cospetto (Cleopatra) | — | ||
| 35-7 | Giulio Cesare in Egitto (Highlights): Va tacito e nascosto (Giulio Cesare) | — | ||
| 35-8 | Giulio Cesare in Egitto (Highlights): Dove, dove inumani (Cornelia) | — | ||
| 35-9 | Giulio Cesare in Egitto (Highlights): Più amabile beltà (Cleopatra, Giulio Cesare) | — | ||
| 35-10 | Giulio Cesare in Egitto (Highlights): Cessa omai di sospirare (Cornelia) | — | ||
| 35-11 | Giulio Cesare in Egitto (Highlights): Se pietà di me non senti (Cleopatra) | — | ||
| 35-12 | Giulio Cesare in Egitto (Highlights): Sinfonia | — | ||
| 35-13 | Giulio Cesare in Egitto (Highlights): Da tempeste il legno infranto (Cleopatra) | — | ||
| 35-14 | Tamerlano (Highlights): Ciel e terra armi di sdegno (Bajazet/Asteria) | — | ||
| 35-15 | Tamerlano (Highlights): Per che mi nasca in seno (Irene/Leone) | — | ||
| 35-16 | Tamerlano (Highlights): A dispetto (Tamerlano, Bajazet, Asteria, Andronico) | — | ||
| 35-17 | Tamerlano (Highlights): Vedrò ch'un dì si cangierà (Irene, Tamerlano,Bajazet) | — | ||
| 36-1 | Serse, HWV 40: I. Overture | The Hanover Band, Nicholas McGegan | T-009.030.807-8 | |
| 36-2 | Serse, HWV 40: II. Allegro | The Hanover Band, Nicholas McGegan | T-915.520.107-3 | |
| 36-3 | Serse, HWV 40: III. Gigue | The Hanover Band, Nicholas McGegan | — | |
| 36-4 | Serse, HWV 40: Ombra mai fu | Judith Malafronte, Hanover Band, Nicholas McGegan | T-308.021.303-8 | |
| 36-5 | Serse, HWV 40: Act 1: No. 5 Aria: "Va godendo vezzoso e bello" | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-6 | Serse, HWV 40, Act I: Lo le diro che l'amo | The Hanover Band, Nicholas McGegan | — | |
| 36-7 | Serse, HWV 40: Act 1: Choro: "Gia la tromba che chiamo" | Hanover Chorus, Hanover Band, Nicholas McGegan | — | |
| 36-8 | Serse, HWV 40: Act 1: Aria: "Soggetto al mio volere" | Dean Ely, The Hanover Band, Nicholas McGegan | — | |
| 36-9 | Serse, HWV 40: Act 1: Aria: "Piu che penso alle fiamme del core" | Judith Malafronte, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-10 | Serse, HWV 40: Act 1: Aria: "Sapra delle mie offese ben vendicarsi il cor" | Susan Bickley, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-11 | Serse, HWV 40: Act 1: Aria: "Se l'idol mio rapir mi vuoi, cangia desio" | Jennifer Smith, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-12 | Serse, HWV 40: Act 1: Aria: "Un cenno leggiadretto, un riso vezzosetto" | Lisa Milne, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-13 | Serse, HWV 40: Act 2: Arioso. Speranze mie fermate | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-14 | Serse, HWV 40: Act 2: Arietta: Ah! Chi voler fiora di bella giardina | David Thomas, The Hanover Band, Nicholas McGegan | — | |
| 36-15 | Serse, HWV 40: Act 2: Aria: Or che spiete speranze tradite | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-16 | Serse, HWV 40: Act 2: Aria: Dirà, che amor per me | Lisa Milne, The Hanover Band, Nicholas McGegan | — | |
| 36-17 | Serse, HWV 40: Act 2: Aria: Se bramate d'amar | Judith Malafronte, The Hanover Band, Nicholas McGegan | — | |
| 36-18 | Serse, HWV 40: Act 2: Aria: Anima infida, tradita io sono | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-19 | Serse, HWV 40: Act 2: No. 32 Aria: "Quella che tutta fe" | Brian Asawa, The Hanover Band, Nicholas McGegan | — | |
| 36-20 | Serse, HWV 40, Act II: La virtute sol potea | The Hanover Band, Nicholas McGegan | — | |
| 36-21 | Serse, HWV 40, Act II: Si, la voglio e la otterro! | The Hanover Band, Nicholas McGegan | — | |
| 36-22 | Serse, HWV 40: Act 2: Aria: Chi cede al furore di stelle rubelle | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-23 | Serse, HWV 40, Act III: Sinfonia | The Hanover Band, Nicholas McGegan | T-306.482.958-5 | |
| 36-24 | Serse, HWV 40: Act 3: No. 48 Aria: "Cagion son io del mio dolore" | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-25 | Serse, HWV 40: Act 3: No. 49 Duetta: "Troppo oltraggi la mia fede" | Brian Asawa, Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-26 | Serse, HWV 40: Act 3: Aria: Crude furie degl' orridi abissi | Judith Malafronte, The Hanover Band, Nicholas McGegan | — | |
| 36-27 | Serse, HWV 40: Act 3: Aria: Caro voi siete all'alma | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-28 | Serse, HWV 40, Act III: Ritorna a noi la calma | The Hanover Band, Nicholas McGegan | — | |
| 37-1 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Ouverture | — | ||
| 37-2 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air, L'élève de Musique | — | ||
| 37-3 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air, La Musicienne | — | ||
| 37-4 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Dialogue en Musique | — | ||
| 37-5 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air | — | ||
| 37-6 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 1er Air | — | ||
| 37-7 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 2e Air (Gavotte) | — | ||
| 37-8 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 1ère chanson à boire | — | ||
| 37-9 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 2e chanson à boire | — | ||
| 37-10 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: La Cérémonie Turque | — | ||
| 37-11 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Première Entrée | — | ||
| 37-12 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Seconde Entrée | — | ||
| 37-13 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Troisième Entrée | — | ||
| 38-1 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Quatrième Entrée | — | ||
| 38-2 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Cinquième Entrée | — | ||
| 38-3 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Sisième Entrée | — | ||
| 38-4 | Divertissement I: Ouverture d'Amadis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-5 | Divertissement I: Répands charmante nuit | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-6 | Divertissement I: Récit d'Orphée | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-7 | Divertissement I: Plainte de Vénus sur la mort d'Adonis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-8 | Divertissement I: Dieu des enfers | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-9 | Divertissement II: Ouverture de Psyché | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-10 | Divertissement II: Plainte italienne | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-11 | Divertissement II: Chaconne d'Amadis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-12 | Divertissement III: Entrée d'Apollon | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-13 | Divertissement III: Si l'amour vous soumet | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-14 | Divertissement III: Enfin il est en ma puissance | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-15 | Divertissement III: Air pour les démons et les monstres | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-16 | Divertissement III: Passacaille d'Armide | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 39-1 | Vespro della Beata Vergine: Intonatio: Deus in adiutorium Domine ad adjuvandum | Cantus Cölln, Concerto Palatino, Konrad Junghänel | — | |
| 39-2 | Vespro della Beata vergine (Highlights): Dixit Diminus | — | ||
| 39-3 | Vespro della Beata vergine (Highlights): Nigra sum | — | ||
| 39-4 | Vespro della Beata vergine (Highlights): Laudate pueri | — | ||
| 39-5 | Vespro della Beata vergine (Highlights): Laetatus sum | — | ||
| 39-6 | Vespro della Beata vergine (Highlights): Nisi Dominus | — | ||
| 39-7 | Vespro della Beata vergine (Highlights): Lauda Jerusalem | — | ||
| 39-8 | Vespro della Beata vergine (Highlights): Sonata à 8 sopra 'Sancta maria ora pro nobis' | — | ||
| 39-9 | Te Deum for Solo, Choir and Orchestra in D major | — | ||
| 40-1 | Stabat Mater: Duet: 'Stabat Mater Dolorosa' | — | ||
| 40-2 | Stabat Mater: Aria (Soprano): 'Cujus animam gementem' | — | ||
| 40-3 | Stabat Mater: Duet: 'O quam tristis et afflicta' | — | ||
| 40-4 | Stabat Mater: Aria (Alto): 'Quae moerebat et dolebat' | — | ||
| 40-5 | Stabat Mater: Duet: 'Quis est home, qui non fleret' | — | ||
| 40-6 | Stabat Mater: Aria (Soprano): 'Vidit suum dulcem natum' | — | ||
| 40-7 | Stabat Mater: Aria (Alto): ' Eia Mater, fons amoris' | — | ||
| 40-8 | Stabat Mater: Duet: 'Fac ut ardeat cor meum' | — | ||
| 40-9 | Stabat Mater: Duet: 'Sancta Mater, istud agas' | — | ||
| 40-10 | Stabat Mater: Aria (Alto): 'Fac ut portem Christi mortem' | — | ||
| 40-11 | Stabat Mater: Duet: 'Inflammatus et accensus' | — | ||
| 40-12 | Stabat Mater: Duet: 'Quando corpus morietur' | — | ||
| 41-1 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Aspettare, e non venire' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-2 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-3 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Sempre in contrasti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-4 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-5 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Serpina 'Stizzoso, mio stizzoso' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-6 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-7 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Duetto 'La conosco a quegl'occhietti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-8 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-9 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Serpina 'A Serpina penserete' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-10 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-11 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Uberto 'Son imbrogliato io già' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-12 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-13 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Duetto 'Per te io ho nel core' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 42-1 | 'Rejoice in the Lord Alway' | — | ||
| 42-2 | Three Voluntaries for Organ | — | ||
| 42-3 | 'Praise the Lord. O Jerusalem' | — | ||
| 42-4 | 'Awake, and with Attention Hear' | — | ||
| 42-5 | 'O Praise God, in His Holiness' | — | ||
| 42-6 | 'Thou Wakeful Shepherd' | — | ||
| 42-7 | 'Now that the Sun Hath Veil'd his Light' | — | ||
| 42-8 | 'My Beloved Spake' | — | ||
| 42-9 | Two Verses for Organ | — | ||
| 42-10 | 'In Thee, O Lord, Do I Put my Trust' | — | ||
| 43-1 | Dido and Aeneas, Opera in three acts (Highlights): Overture | — | ||
| 43-2 | Dido and Aeneas, Opera in three acts (Highlights): 'Shake the cloud' from off your brow' | — | ||
| 43-3 | Dido and Aeneas, Opera in three acts (Highlights): 'Grief increases by concealing' | — | ||
| 43-4 | Dido and Aeneas, Opera in three acts (Highlights): 'When monarchs unite' | — | ||
| 43-5 | Dido and Aeneas, Opera in three acts (Highlights): 'Whence could so much virtue spring?' | — | ||
| 43-6 | Dido and Aeneas, Opera in three acts (Highlights): 'Fear no danger to ensue' | — | ||
| 43-7 | Dido and Aeneas, Opera in three acts (Highlights): Dance | — | ||
| 43-8 | Dido and Aeneas, Opera in three acts (Highlights): 'Cupid only throws the dart' | — | ||
| 43-9 | Dido and Aeneas, Opera in three acts (Highlights): 'In not for mine, for empire's sake' | — | ||
| 43-10 | Dido and Aeneas, Opera in three acts (Highlights): 'Pursue thy conquest, Love' | — | ||
| 43-11 | Dido and Aeneas, Opera in three acts (Highlights): Dance: Gittars Chacony | — | ||
| 43-12 | Dido and Aeneas, Opera in three acts (Highlights): 'To the hills and the vales' | — | ||
| 43-13 | Dido and Aeneas, Opera in three acts (Highlights): The Triumphing Dance | — | ||
| 43-14 | Dido and Aeneas, Opera in three acts (Highlights): Prelude for the Witches / Wayward sisters | — | ||
| 43-15 | Dido and Aeneas, Opera in three acts (Highlights): 'Harm's our delight' | — | ||
| 43-16 | Dido and Aeneas, Opera in three acts (Highlights): 'In our deep-vaulted cell' | — | ||
| 43-17 | Dido and Aeneas, Opera in three acts (Highlights): Echo Dance of Furies | — | ||
| 43-18 | Dido and Aeneas, Opera in three acts (Highlights): 'Thanks for these lonesome vales' | — | ||
| 43-19 | Dido and Aeneas, Opera in three acts (Highlights): 'Behold, upon my bending spear' | — | ||
| 43-20 | Dido and Aeneas, Opera in three acts (Highlights): 'Hast, haste to town!' | — | ||
| 43-21 | Dido and Aeneas, Opera in three acts (Highlights): Prelude / 'Come away, fellow sailors' | — | ||
| 43-22 | Dido and Aeneas, Opera in three acts (Highlights): The Sailor's Dance | — | ||
| 43-23 | Dido and Aeneas, Opera in three acts (Highlights): 'See the flags' | — | ||
| 43-24 | Dido and Aeneas, Opera in three acts (Highlights): 'Our next motion' | — | ||
| 43-25 | Dido and Aeneas, Opera in three acts (Highlights): 'Destruction's our delight' | — | ||
| 43-26 | Dido and Aeneas, Opera in three acts (Highlights): The Witches' Dance | — | ||
| 43-27 | Dido and Aeneas, Opera in three acts (Highlights): 'Great minds against themselves conspire' | — | ||
| 43-28 | Dido and Aeneas, Opera in three acts (Highlights): 'Thy hand, Belinda' | — | ||
| 43-29 | Dido and Aeneas, Opera in three acts (Highlights): 'When I am laid in earth' | — | ||
| 43-30 | Dido and Aeneas, Opera in three acts (Highlights): 'With drooping winds' | — | ||
| 43-31 | Dido and Aeneas, Opera in three acts (Highlights): Cupid's Dance | — | ||
| 43-32 | Music in King Arthur (Highlights): Overture | — | ||
| 43-33 | Music in King Arthur (Highlights): Aire | — | ||
| 43-34 | Music in King Arthur (Highlights): Song Tune: 'Fairest isle' | — | ||
| 43-35 | Music in King Arthur (Highlights): Hornpipe | — | ||
| 43-36 | Music in King Arthur (Highlights): Aire | — | ||
| 43-37 | Music in King Arthur (Highlights): Song Tune: 'How blest are shepherds' | — | ||
| 43-38 | Music in King Arthur (Highlights): Trumpet Tune | — | ||
| 43-39 | Music in King Arthur (Highlights): Chacone | — | ||
| 43-40 | Music in The Fairy Queen (Highlights): Overture | — | ||
| 43-41 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-42 | Music in The Fairy Queen (Highlights): Rondeau | — | ||
| 43-43 | Music in The Fairy Queen (Highlights): Jigg | — | ||
| 43-44 | Music in The Fairy Queen (Highlights): Dance For Furies | — | ||
| 43-45 | Music in The Fairy Queen (Highlights): Song Tune: 'Sing while we trip it' | — | ||
| 43-46 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-47 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-48 | Music in The Fairy Queen (Highlights): Song Tune: 'Thus happy and free' | — | ||
| 43-49 | Music in The Fairy Queen (Highlights): Chacone | — | ||
| 43-50 | Music in The Indian Queen (Highlights): Overture | — | ||
| 43-51 | Music in The Indian Queen (Highlights): Trumpet Tune | — | ||
| 43-52 | Music in The Indian Queen (Highlights): Trumpet Tune | — | ||
| 43-53 | Music in The Indian Queen (Highlights): Aire | — | ||
| 43-54 | Music in The Indian Queen (Highlights): Hornpipe | — | ||
| 43-55 | Music in The Indian Queen (Highlights): Rondeau | — | ||
| 44-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 44-2 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 44-3 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 44-4 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 44-5 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 44-6 | Dardanus : Ouverture | Collegium Aureum | — | |
| 44-7 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 44-8 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 44-9 | Hippolyte et Aricie: Ouverture | — | ||
| 44-10 | Hippolyte et Aricie: Tonnerre | — | ||
| 44-11 | Hippolyte et Aricie: Gavottes I et II | — | ||
| 44-12 | Suite: Platée: Ouverture | — | ||
| 44-13 | Pygmalion: Ouverture | — | ||
| 44-14 | Pygmalion: 'Du pouvoir de l'Amour' | — | ||
| 44-15 | Pygmalion: Air | — | ||
| 44-16 | Pygmalion: Gavotte gracieuse | — | ||
| 44-17 | Pygmalion: Menuet | — | ||
| 44-18 | Pygmalion: Gavotte gaie | — | ||
| 44-19 | Pygmalion: Chaconne vive | — | ||
| 44-20 | Pygmalion: Loure très grave | — | ||
| 44-21 | Pygmalion: Les Grâces | — | ||
| 44-22 | Pygmalion: Rigaudon | — | ||
| 44-23 | Pygmalion: Sarabande pour la Statue | — | ||
| 44-24 | Pygmalion: Tambourin | — | ||
| 44-25 | Pygmalion: 'Cédons à notr'impatience' | — | ||
| 44-26 | Pygmalion: 'Le peuple dans ces lieux' | — | ||
| 44-27 | Pygmalion: L'Amour triomphe' | — | ||
| 44-28 | Pygmalion: Rondeau Contredanse | — | ||
| 44-29 | Zoroastre: Ouverture | — | ||
| 44-30 | Zoroastre: L'amour pour un coeur | — | ||
| 44-31 | Zoroastre: Cher Zoroastre hilas! | — | ||
| 44-32 | Zoroastre: Les rayons du soleil | — | ||
| 44-33 | Zoroastre: Osons achever de grands crimers | — | ||
| 44-34 | Zoroastre: Sommeil fu de ce sejour | — | ||
| 44-35 | Zoroastre: Sur nos coeurs epuise tes armes | — | ||
| 44-36 | Zoroastre: La flamme le consume | — | ||
| 44-37 | Zoroastre: Ah! Nos fureurs ne sont point vaines | — | ||
| 45-1 | Serenata "Puote si poco Amor" (Cupido e Onestà): Introduzione - Puote si poco Amor | — | ||
| 45-2 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Et osi ancor, Cupido | — | ||
| 45-3 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - La costanza | — | ||
| 45-4 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Frena omai l'ardire | — | ||
| 45-5 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Frangi l'arco | — | ||
| 45-6 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Parti, ritorna in Gnido | — | ||
| 45-7 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Miei spirti guerrieri | — | ||
| 45-8 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Contro Irene la bella | — | ||
| 45-9 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - L'ardire destate | — | ||
| 45-10 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Misero, quanto t'inganni | — | ||
| 45-11 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - D'Amore all'assalto | — | ||
| 45-12 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Ma, che rimiro omai? | — | ||
| 45-13 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Tu vuoi ingannarmi, Amor | — | ||
| 45-14 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Mia compagna vuoi farti | — | ||
| 45-15 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Al mio crine | — | ||
| 45-16 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Che più si tarda, Amore? | — | ||
| 45-17 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Lo strale ch'è d'oro | — | ||
| 45-18 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Pastorella gentil | — | ||
| 45-19 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Che si, trafiggo il sen | — | ||
| 45-20 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Mi dileggi | — | ||
| 45-21 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Miralo, e poi | — | ||
| 45-22 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Che stabili la bella? | — | ||
| 45-23 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Sì ch'ho vinto | — | ||
| 45-24 | Serenata "Puote si poco Amor" (Cupido e Onestà): Duetto - Agl'abbracci Amor | — | ||
| 45-25 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Lisa, del foco mio | — | ||
| 45-26 | Cantata "Lisa del foco mio" (Clori, e Lisa): Duetto - Sono amante | — | ||
| 45-27 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Amica | — | ||
| 45-28 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Ogni immagine di bene | — | ||
| 45-29 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Benchè rigido è il mio fato | — | ||
| 45-30 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Ma dimmi, Lisa mia | — | ||
| 45-31 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Benchè schernito, benchè tradito | — | ||
| 45-32 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Amica, hora che Aprile | — | ||
| 45-33 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Vieni, vedrem di flora | — | ||
| 45-34 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Fra le mura di Roma | — | ||
| 45-35 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Libertà! | — | ||
| 45-36 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Ma se Amor non ti punge | — | ||
| 45-37 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Vieni, potrài col dardo | — | ||
| 45-38 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Sarai s'io ben conosco | — | ||
| 45-39 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Gemme che mi cingete | — | ||
| 45-40 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Andiam, che più si tarda | — | ||
| 45-41 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Dite mai più | — | ||
| 45-42 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Innocente belezza | — | ||
| 45-43 | Cantata "Amica, hora che Aprile" (Filli e Clori): Duetto - Si prepari la destra à ferire | — | ||
| 45-44 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Ahi, che sarà di me? | — | ||
| 45-45 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Aria - Fugge sempre, Dorinda mia bella | — | ||
| 45-46 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Amando, penando frà speme e timore | — | ||
| 45-47 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Aria - Se non vuol risanar le mie pene | — | ||
| 45-48 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Oh fato beato! | — | ||
| 45-49 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Recitativo - Tirsi, di che ti lagni? | — | ||
| 45-50 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Così pietate in van | — | ||
| 45-51 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Che nel regno d'Amore | — | ||
| 46-1 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 141: Allegro | — | ||
| 46-2 | Sonatas 'Pour le Clavecin': Sonata in D major, K 118: Non presto | — | ||
| 46-3 | Sonatas 'Pour le Clavecin': Sonata in D major, K 119: Allegro | — | ||
| 46-4 | Sonatas 'Pour le Clavecin': Sonata in G major, K 454: Andante spirituoso | — | ||
| 46-5 | Sonatas 'Pour le Clavecin': Sonata in G major, K 455: Allegro | — | ||
| 46-6 | Sonatas 'Pour le Clavecin': Sonata in E minor, K 198: Allegro | — | ||
| 46-7 | Sonatas 'Pour le Clavecin': Sonata in E minor, K 203: Vivo non molto | — | ||
| 46-8 | Sonatas 'Pour le Clavecin': Sonata in C major, K 501: Allegretto | — | ||
| 46-9 | Sonatas 'Pour le Clavecin': Sonata in C major, K 502: Allegro | — | ||
| 46-10 | Sonatas 'Pour le Clavecin': Sonata in F major, K 518: Allegro | — | ||
| 46-11 | Sonatas 'Pour le Clavecin': Sonata in F minor, K 519: Allegro assai | — | ||
| 46-12 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 516: Allegretto | — | ||
| 46-13 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 517: Prestissimo | — | ||
| 46-14 | Sonatas 'Pour le Clavecin': Sonata in G minor, K 108: Allegro | — | ||
| 46-15 | Sonatas 'Pour le Clavecin': Sonata in D major, K 490: Cantabile | — | ||
| 46-16 | Sonatas 'Pour le Clavecin': Sonata in D major, K 491: Allegro | — | ||
| 46-17 | Sonatas 'Pour le Clavecin': Sonata in D major, K 492: Presto | — | ||
| 47-1 | Psalms of David (Highlights): Der Herr sprach zu meinem Herrn, SWV 22 | — | ||
| 47-2 | Psalms of David (Highlights): Warum toben die Heiden, SWV 23 | — | ||
| 47-3 | Psalms of David (Highlights): Aus der Tiefe ruf ich, Herr, zu dir, SWV 25 | — | ||
| 47-4 | Psalms of David (Highlights): Ich freu mich des, das mir geredt ist, RWV 26 | — | ||
| 47-5 | Psalms of David (Highlights): Ich hebe meine Augen auf ze den bergen, SWV 31 | — | ||
| 47-6 | Psalms of David (Highlights): Danket dem Herrn, denn er ist freundlich, SWV 32 | — | ||
| 47-7 | Psalms of David (Highlights): Der Herr ist mein Hirt, SWV 33 | — | ||
| 47-8 | Psalms of David (Highlights): Ich danke dem Herrn von ganzen Herzen, SWV 34 | — | ||
| 47-9 | Psalms of David (Highlights): Singet dem Hern ein neues Lied, SWV 35 | — | ||
| 47-10 | Psalms of David (Highlights): Jauchzet dem Herrn, alle Welt, SWV 36 | — | ||
| 47-11 | Psalms of David (Highlights): Lobe den Herren, meine Seele, SWV 39 | — | ||
| 47-12 | Psalms of David (Highlights): Ist nicht Ephraim mein teurer Sohn, SWV 40 | — | ||
| 47-13 | Psalms of David (Highlights): Nun lob, mein Seel, den Herren, SWV 41 | — | ||
| 47-14 | Psalms of David (Highlights): Die mit Tränen säan, SWV 42 | — | ||
| 48-1 | Symphonie Sacrae II (Highlights): IV. Meine Seele erhebt den Herren à 3 | — | ||
| 48-2 | Symphonie Sacrae II (Highlights): V. Der Herr ist meine Stärke à 3 | — | ||
| 48-3 | Symphonie Sacrae II (Highlights): VI. Ich werde nicht sterben à 3 / VII. Ich danke dir,Herr à | — | ||
| 48-4 | Symphonie Sacrae II (Highlights): IX. Frohlocket mit Händen à 3 | — | ||
| 48-5 | Symphonie Sacrae II (Highlights): X. Lobet den Herrn in seinem Heiligthum à 3 | — | ||
| 48-6 | Symphonie Sacrae II (Highlights): XIV. Verleih uns Frieden gnädiglich à 4 / XV. Giebunsern Fürsten à 4 | — | ||
| 48-7 | Symphonie Sacrae II (Highlights): XVI. Es steh Gott auf à 4 | — | ||
| 48-8 | Symphonie Sacrae II (Highlights): XVII. Wie ein Rubin in feinem Golde à 4 | — | ||
| 48-9 | Symphonie Sacrae II (Highlights): XIX. Der Herr ist mein Licht à 4 | — | ||
| 48-10 | Symphonie Sacrae II (Highlights): XXI. Herr, neige deine Himmel à 5 | — | ||
| 48-11 | Symphonie Sacrae II (Highlights): XXII. Von aufgang der Sonnen à 5 | — | ||
| 48-12 | Symphonie Sacrae II (Highlights): XXVI. Von Gott will ich nicht lassen à 5 | — | ||
| 48-13 | Symphonie Sacrae II (Highlights): XXVII. Freuet euch des Herren à 5 | — | ||
| 49-1 | Concerto for 4 Violins in D major: Adagio, Allegro | — | ||
| 49-2 | Concerto for 4 Violins in D major: Grave | — | ||
| 49-3 | Concerto for 4 Violins in D major: Allegro | — | ||
| 49-4 | Concerto for Viola in G major: Largo | — | ||
| 49-5 | Concerto for Viola in G major: Allegro | — | ||
| 49-6 | Concerto for Viola in G major: Andante | — | ||
| 49-7 | Concerto for Viola in G major: Presto | — | ||
| 49-8 | Concerto for Oboe in E minor: Andante | — | ||
| 49-9 | Concerto for Oboe in E minor: Allegro molto | — | ||
| 49-10 | Concerto for Oboe in E minor: Largo | — | ||
| 49-11 | Concerto for Oboe in E minor: Allegro | — | ||
| 49-12 | Concerto for Violin in A minor: Allegro | — | ||
| 49-13 | Concerto for Violin in A minor: Andante | — | ||
| 49-14 | Concerto for Violin in A minor: Presto | — | ||
| 49-15 | Concerto for Flute and Recorder in E minor: Largo | — | ||
| 49-16 | Concerto for Flute and Recorder in E minor: Allegro | — | ||
| 49-17 | Concerto for Flute and Recorder in E minor: Largo | — | ||
| 49-18 | Concerto for Flute and Recorder in E minor: Presto | — | ||
| 49-19 | Suite 'Don Quichotte': Overture | — | ||
| 49-20 | Suite 'Don Quichotte': Don Quichotte's Awakening | — | ||
| 49-21 | Suite 'Don Quichotte': Attacking the Windmills | — | ||
| 49-22 | Suite 'Don Quichotte': The Sighs of Love for Princes | — | ||
| 49-23 | Suite 'Don Quichotte': The cheated Sancho Pansa | — | ||
| 49-24 | Suite 'Don Quichotte': The Gallop of Rosinante / The Gallop of Sancho Pansa's Donkey | — | ||
| 49-25 | Suite 'Don Quichotte': Don Quichotte's Rest | — | ||
| 50-1 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Allegro | — | ||
| 50-2 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Largo | — | ||
| 50-3 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Vivace | — | ||
| 50-4 | Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Largo | — | ||
| 50-5 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Allegro | — | ||
| 50-6 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Gratioso | — | ||
| 50-7 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Allegro | — | ||
| 50-8 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Maestoso | — | ||
| 50-9 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Allegro | — | ||
| 50-10 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Grave | — | ||
| 50-11 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Vivace | — | ||
| 50-12 | Suite in D major for Viola da gamba, Strings and Basso continuo: Overture | — | ||
| 50-13 | Suite in D major for Viola da gamba, Strings and Basso continuo: La Trompette | — | ||
| 50-14 | Suite in D major for Viola da gamba, Strings and Basso continuo: Sarabande | — | ||
| 50-15 | Suite in D major for Viola da gamba, Strings and Basso continuo: Rondeau | — | ||
| 50-16 | Suite in D major for Viola da gamba, Strings and Basso continuo: Bourrée | — | ||
| 50-17 | Suite in D major for Viola da gamba, Strings and Basso continuo: Courante with Double | — | ||
| 50-18 | Suite in D major for Viola da gamba, Strings and Basso continuo: Gigue | — | ||
| 51-1 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: I. Allegro | — | ||
| 51-2 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: II. Largo e spiccato | — | ||
| 51-3 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: III. Allegro | — | ||
| 51-4 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: I. Adagio e spiccato | — | ||
| 51-5 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: II. Allegro | — | ||
| 51-6 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: III. Larghetto | — | ||
| 51-7 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: IV. Allegro | — | ||
| 51-8 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: I. Allegro | — | ||
| 51-9 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: II. Largo | — | ||
| 51-10 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: III. Allegro | — | ||
| 51-11 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: I. Andante | — | ||
| 51-12 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: II. Allegro assai | — | ||
| 51-13 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: III. Adagio | — | ||
| 51-14 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: IV. Allegro | — | ||
| 51-15 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: I. Allegro | — | ||
| 51-16 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: II. Largo | — | ||
| 51-17 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: III. Allegro | — | ||
| 51-18 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: I. Allegro | — | ||
| 51-19 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: II. Largo | — | ||
| 51-20 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: III. Presto | — | ||
| 52-1 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: I. Andante | — | ||
| 52-2 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: II. Adagio | — | ||
| 52-3 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: III. Allegro | — | ||
| 52-4 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: IV. Adagio | — | ||
| 52-5 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: V. Allegro | — | ||
| 52-6 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: I. Allegro | — | ||
| 52-7 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: II. Larghetto e spirituoso | — | ||
| 52-8 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: III. Allegro | — | ||
| 52-9 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: I. Allegro | — | ||
| 52-10 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: II. Larghetto | — | ||
| 52-11 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: III. Allegro | — | ||
| 52-12 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: I. Allegro | — | ||
| 52-13 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: II. Largo - Larghetto - Adagio - Largo | — | ||
| 52-14 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: III. Allegro | — | ||
| 52-15 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 11: I. Allegro - Adagio spiccato e tutti - Allegro | — | ||
| 52-16 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 11: II. Largo e spiccato | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Trisonate Nr.5 in C-Dur, BWV 529 - Allegro | Julian Bream | T-902.685.630-4 |
| A Mighty Fortress Is Our God | Mormon Tabernacle Choir | — |
| Zion Hears the Watchmen's Voices | Mormon Tabernacle Choir | — |
| My Soul Doth Magnify the Lord | Mormon Tabernacle Choir | — |
| “Jesus bleibet meine Freude”: Aus BWV 147 | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Now Keep We All This Holy Feast | Mormon Tabernacle Choir | — |
| Sheep May Safely Graze | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Et Resurrexit (Mass in B minor) | Mormon Tabernacle Choir | — |
| Now Thank We All Our God | Mormon Tabernacle Choir | — |
| Sleepers Awake | Mormon Tabernacle Choir | T-922.060.328-1 |
| Samson, HWV 57: Act I. "Awake the Trumpet's Lofty Sound" | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Let Their Celestial Concerts All Unite | Mormon Tabernacle Choir | — |
| Judas Maccabaeus: See the Conquering Hero Comes | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Sing Unto God | Mormon Tabernacle Choir | — |
| Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" (Chorus) | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.507.711-7 |
| Welcome, Welcome Mighty King | Mormon Tabernacle Choir | — |
| David, His Ten Thousands Slew | Mormon Tabernacle Choir | — |
| But as for His People | Mormon Tabernacle Choir | — |
| Sing Ye to the Lord | Mormon Tabernacle Choir | — |
| Zadok the Priest | Mormon Tabernacle Choir | — |
| Hallelujah (Messiah) | Mormon Tabernacle Choir | — |
| Menuett G-Dur | Philadelphia Orchestra, Eugene Ormandy | — |
| Musette in D major, BWV Anh. 126 | Philadelphia Orchestra, Eugene Ormandy | — |
| Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508 | Philadelphia Orchestra, Eugene Ormandy | — |
| Little Suite: Marche in D major, BWV 122 | Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.066-9 |
| Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.080-7 |
| Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | T-050.063.889-0 |
| Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886973038628 is a Universal Product Code (UPC) assigned to Baroque Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 999 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886973038628 is the Universal Product Code (UPC barcode) for the release “Baroque Masterpieces” by Various Artists, released 2008-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 999 tracks, each with its own ISRC. Tracks include DEE479502234, DEE479502235, DEE479502236.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto | La Petite Bande, Sigiswald Kuijken | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | La Petite Bande, Sigiswald Kuijken | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | La Petite Bande, Sigiswald Kuijken | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro / II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | La Petite Bande, Sigiswald Kuijken | T-307.292.946-1 | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | La Petite Bande, Sigiswald Kuijken | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | La Petite Bande, Sigiswald Kuijken | — | |
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 3-1 | Overture no. 1, BWV 1066 in C major: I. Ouverture | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.574.378-5 | |
| 3-2 | Overture no. 1, BWV 1066 in C major: II. Courante | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-3 | Overture no. 1, BWV 1066 in C major: III. Gavotte I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-4 | Overture no. 1, BWV 1066 in C major: IV. Forlane | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-5 | Overture no. 1, BWV 1066 in C major: V. Menuet I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-6 | Overture no. 1, BWV 1066 in C major: VI. Bourrée I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-7 | Overture no. 1, BWV 1066 in C major: VII. Passepied I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-913.422.125-3 | |
| 3-8 | Overture no. 2, BWV 1067 in B minor: I. Ouverture | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-9 | Overture no. 2, BWV 1067 in B minor: II. Rondeau | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-10 | Overture no. 2, BWV 1067 in B minor: III. Sarabande | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-11 | Overture no. 2, BWV 1067 in B minor: IV. Bourrée I & II | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-12 | Overture no. 2, BWV 1067 in B minor: V. Polonaise avec double | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-909.229.948-4 | |
| 3-13 | Overture no. 2, BWV 1067 in B minor: VI. Menuet | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-011.654.484-3 | |
| 3-14 | Overture no. 2, BWV 1067 in B minor: VII. Badinerie | Hans-Martin Linde, Franzjosef Maier, Collegium Aureum | T-011.654.484-3 | |
| 4-1 | Musikalisches Opfer, BWV 1079: Ricercar a 3 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-2 | Musikalisches Opfer, BWV 1079: Canon #1 Perpetuus Super Thema Regium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-3 | Musikalisches Opfer, BWV 1079: Canon #2 Perpetuus Super Thema Regium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-4 | Musikalisches Opfer, BWV 1079: Canon a 2 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-5 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Motum Contrarium | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-6 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Augmentationem | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-7 | Musikalisches Opfer, BWV 1079: Canon a 2 Per Tonos | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-8 | Musikalisches Opfer, BWV 1079: Fuga Canonica in Epidiapente | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | T-002.152.861-9 | |
| 4-9 | Musikalisches Opfer, BWV 1079: Ricercar a 6 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-10 | Musikalisches Opfer, BWV 1079: Canon a 2 Quaerendo Invenietis (Canon Contrarium Stricte Reversum) | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-11 | Musikalisches Opfer, BWV 1079: Canon a 4 | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-12 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: I. Largo | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-13 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: II. Allegro moderato | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-14 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: III. Andante larghetto | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-15 | Musikalisches Opfer, BWV 1079: Sonata For Flute & Violin: IV. Allegro | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 4-16 | Musikalisches Opfer, BWV 1079: Canon Perpetuus Contrario Motu | Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Robert Kohnen, Gustav Leonhardt | — | |
| 5-1 | Three Chorales: "Allein Gott in Der Höh’ Sei Ehr", BWV 663 | — | ||
| 5-2 | Three Chorales: "O Lamm Gottes, unschuldig", BWV 618 | — | ||
| 5-3 | Three Chorales: "Wir Christenleut", BWV 710 | — | ||
| 5-4 | Prelude and Fugue in C Minor, BWV 546: Prelude | — | ||
| 5-5 | Prelude and Fugue in C Minor, BWV 546: Fugue | — | ||
| 5-6 | Prelude and Fugue In C Major, BWV 547 Prelude | — | ||
| 5-7 | Prelude and Fugue In C Major, BWV 547 Fugue | — | ||
| 5-8 | Prelude and Fugue In E Minor, BWV 548 Prelude | — | ||
| 5-9 | Prelude and Fugue In E Minor, BWV 548 Fugue | — | ||
| 5-10 | Fantasia In G Major, BWV 572 | — | ||
| 5-11 | Toccata und Fuga d-moll, BWV 565: I. Toccata | Gustav Leonhardt | T-932.014.719-1 | |
| 5-12 | Toccata und Fuga d-moll, BWV 565: II. Fuga | Gustav Leonhardt | — | |
| 6-1 | The Art of Fugue, BWV 1080: Contrapunctus 1 | — | ||
| 6-2 | The Art of Fugue, BWV 1080: Contrapunctus 2 | — | ||
| 6-3 | The Art of Fugue, BWV 1080: Contrapunctus 3 | — | ||
| 6-4 | The Art of Fugue, BWV 1080: Contrapunctus 4 | — | ||
| 6-5 | The Art of Fugue, BWV 1080: Canon 1 | — | ||
| 6-6 | The Art of Fugue, BWV 1080: Contrapunctus 5 | — | ||
| 6-7 | The Art of Fugue, BWV 1080: Contrapunctus 6 | — | ||
| 6-8 | The Art of Fugue, BWV 1080: Contrapunctus 7 | — | ||
| 6-9 | The Art of Fugue, BWV 1080: Canon 2 [3] | — | ||
| 6-10 | The Art of Fugue, BWV 1080: Contrapunctus 8 | — | ||
| 6-11 | The Art of Fugue, BWV 1080: Contrapunctus 9 | — | ||
| 6-12 | The Art of Fugue, BWV 1080: Contrapunctus 10 | — | ||
| 6-13 | The Art of Fugue, BWV 1080: Contrapunctus 11 | — | ||
| 6-14 | The Art of Fugue, BWV 1080: Canon 3 [2] | — | ||
| 6-15 | The Art of Fugue, BWV 1080: Contrapunctus 12a | — | ||
| 6-16 | The Art of Fugue, BWV 1080: Contrapunctus 12b | — | ||
| 6-17 | The Art of Fugue, BWV 1080: Contrapunctus 13a | — | ||
| 6-18 | The Art of Fugue, BWV 1080: Contrapunctus 13b | — | ||
| 6-19 | The Art of Fugue, BWV 1080: Canon 4 | — | ||
| 6-20 | The Art of Fugue, BWV 1080: Contrapunctus 14 | — | ||
| 7-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 7-2 | Goldberg Variations, BWV 988: Variatio 1. A 1 Clav. | — | ||
| 7-3 | Goldberg Variations, BWV 988: Variatio 2. A 1 Clav. | — | ||
| 7-4 | Goldberg Variations, BWV 988: Variatio 3. Canone All'Unisono A 1 Clav. | — | ||
| 7-5 | Goldberg Variations, BWV 988: Variatio 4. A 1 Clav. | — | ||
| 7-6 | Goldberg Variations, BWV 988: Variatio 5. A 1 Ô Vero 2 Clav. | — | ||
| 7-7 | Goldberg Variations, BWV 988: Variatio 6. Canone Alla Secondaa 1 Clav. | — | ||
| 7-8 | Goldberg Variations, BWV 988: Variatio 7. A 1 Ô Vero 2 Clav. "Al Tempo Di Giga" | — | ||
| 7-9 | Goldberg Variations, BWV 988: Variatio 8. A 2 Clav. | — | ||
| 7-10 | Goldberg Variations, BWV 988: Variatio 9. Canone Alla Terza A 1 Clav. | — | ||
| 7-11 | Goldberg Variations, BWV 988: Variatio 10. A 1 Clav. | — | ||
| 7-12 | Goldberg Variations, BWV 988: Variatio 11. A 1 Clav. | — | ||
| 7-13 | Goldberg Variations, BWV 988: Variatio 12. Canona Alla Quarta A 1 Clav. | — | ||
| 7-14 | Goldberg Variations, BWV 988: Variatio 13. A 1 Clav. | — | ||
| 7-15 | Goldberg Variations, BWV 988: Variatio 14. A 1 Clav. | — | ||
| 7-16 | Goldberg Variations, BWV 988: Variatio 15. Canone Alla Quinta A 1 Clav. | — | ||
| 7-17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture A 1 Clav. | — | ||
| 7-18 | Goldberg Variations, BWV 988: Variatio 17. A 2 Clav. | — | ||
| 7-19 | Goldberg Variations, BWV 988: Variatio 18. Canone Alla Sesta A 1 Clav. | — | ||
| 7-20 | Goldberg Variations, BWV 988: Variatio 19. A 1 Clav. | — | ||
| 7-21 | Goldberg Variations, BWV 988: Variatio 20. A 2 Clav. | — | ||
| 7-22 | Goldberg Variations, BWV 988: Variatio 21. Canone Alla Settima A 1 Clav. | — | ||
| 7-23 | Goldberg Variations, BWV 988: Variatio 22. A 1 Clav. | — | ||
| 7-24 | Goldberg Variations, BWV 988: Variatio 23. A 2 Clav. | — | ||
| 7-25 | Goldberg Variations, BWV 988: Variatio 24. Canone All'Ottava A 1 Clav. | — | ||
| 7-26 | Goldberg Variations, BWV 988: Variatio 25. A 2 Clav. Adagio | — | ||
| 7-27 | Goldberg Variations, BWV 988: Variatio 26. A 2 Clav. | — | ||
| 7-28 | Goldberg Variations, BWV 988: Variatio 27. Canone Alla Nona A 2 Clav. | — | ||
| 7-29 | Goldberg Variations, BWV 988: Variatio 28. A 2 Clav. | — | ||
| 7-30 | Goldberg Variations, BWV 988: Variatio 29. A 1 Ô Vero 2 Clav. | — | ||
| 7-31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet A 1 Clav. | — | ||
| 7-32 | Goldberg Variations, BWV 988: Aria Da Capo | — | ||
| 7-33 | Italian Concerto in F Major, BWV 971: I. Allegro | — | ||
| 7-34 | Italian Concerto in F Major, BWV 971: II. Andante | — | ||
| 7-35 | Italian Concerto in F Major, BWV 971: III. Presto | — | ||
| 8-1 | Invention No. 1 in C major, BWV 772 | Gustav Leonhardt | — | |
| 8-2 | Inventions: no. 2 in C minor, BWV 773 | — | ||
| 8-3 | Inventions: no. 3 in D major, BWV 774 | — | ||
| 8-4 | Invention No. 4 in D minor, BWV 775 | Gustav Leonhardt | — | |
| 8-5 | Inventions: no. 5 in E-flat major, BWV 776 | — | ||
| 8-6 | Inventions: no. 6 in E major, BWV 777 | — | ||
| 8-7 | Inventions: no. 7 in E minor, BWV 778 | — | ||
| 8-8 | Invention No. 8 in F major, BWV 779 | Gustav Leonhardt | T-912.732.006-3 | |
| 8-9 | Inventions: no. 9 in F minor, BWV 780 | — | ||
| 8-10 | Invention No. 10 in G major, BWV 781 | Gustav Leonhardt | — | |
| 8-11 | Inventions: no. 11 in G minor, BWV 782 | — | ||
| 8-12 | Inventions: no. 12 in A major, BWV 783 | — | ||
| 8-13 | Invention No. 13 in A minor, BWV 784 | Gustav Leonhardt | — | |
| 8-14 | Invention No. 14 in B-flat major, BWV 785 | Gustav Leonhardt | — | |
| 8-15 | Inventions: no. 15 in B minor, BWV 786 | — | ||
| 8-16 | Sinfonias: no. 1 in C major, BWV 787 | — | ||
| 8-17 | Sinfonias: no. 2 in C minor, BWV 788 | — | ||
| 8-18 | Sinfonias: no. 3 in D major, BWV 789 | — | ||
| 8-19 | Sinfonias: no. 4 in D minor, BWV 790 | — | ||
| 8-20 | Sinfonias: no. 5 in E-flat major, BWV 791 | — | ||
| 8-21 | Sinfonias: no. 6 in E major, BWV 792 | — | ||
| 8-22 | Sinfonias: no. 7 in E minor, BWV 793 | — | ||
| 8-23 | Sinfonias: no. 8 in F major, BWV 794 | — | ||
| 8-24 | Sinfonias: no. 9 in F minor, BWV 795 | — | ||
| 8-25 | Sinfonias: no. 10 in G major, BWV 796 | — | ||
| 8-26 | Sinfonias: no. 11 in G minor, BWV 797 | — | ||
| 8-27 | Sinfonias: no. 12 in A major, BWV 798 | — | ||
| 8-28 | Sinfonias: no. 13 in A minor, BWV 799 | — | ||
| 8-29 | Sinfonias: no. 14 in B-flat major, BWV 800 | — | ||
| 8-30 | Sinfonias: no. 15 in B minor, BWV 801 | — | ||
| 9-1 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C major, BWV 846 | — | ||
| 9-2 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C minor, BWV 847 | — | ||
| 9-3 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C-sharp major, BWV 848 | — | ||
| 9-4 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in C-sharp minor, BWV 849 | — | ||
| 9-5 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in G major, BWV 860 | — | ||
| 9-6 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in A-flat major, BWV 862 | — | ||
| 9-7 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in B-flat major, BWV 866 | — | ||
| 9-8 | The Well-Tempered Clavier 1st Part (Köthen 1722) (Highlights): Prelude and Fugue in B minor, BWV 869 | — | ||
| 9-9 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in C major, BWV 870 | — | ||
| 9-10 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in D minor, BWV 875 | — | ||
| 9-11 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in E-flat major, BWV 876 | — | ||
| 9-12 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in F minor, BWV 881 | — | ||
| 9-13 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in F-sharp major, BWV 882 | — | ||
| 9-14 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in G major, BWV 884 | — | ||
| 9-15 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in G-sharp minor, BWV 887 | — | ||
| 9-16 | The Well-Tempered Clavier 2nd Part (Leipzig 1744) (Highlights): Prelude and Fugue in A major, BWV 888 | — | ||
| 10-1 | Lute Suite No. 1 in E minor, BWV 996: I. Praeludio | Julian Bream | T-917.142.154-8 | |
| 10-2 | Lute Suite No. 1 in E minor, BWV 996: II. Allemande | Julian Bream | — | |
| 10-3 | Lute Suite No. 1 in E minor, BWV 996: III. Courante | Julian Bream | T-308.783.849-7 | |
| 10-4 | Lute Suite No. 1 in E minor, BWV 996: IV. Sarabande | Julian Bream | — | |
| 10-5 | Lute Suite No. 1 in E minor, BWV 996: V. Bourrée | Julian Bream | T-924.225.131-6 | |
| 10-6 | Lute Suite No. 1 in E minor, BWV 996: VI. Gigue | Julian Bream | — | |
| 10-7 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) I. Praeludio | Julian Bream | — | |
| 10-8 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) II. Fuga | Julian Bream | — | |
| 10-9 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) III. Sarabande | Julian Bream | — | |
| 10-10 | Lute Suite No. 2 in C minor, BWV 997 (played in A minor) IV. Gigue / 5. Double | Julian Bream | — | |
| 10-11 | Trisonate Nr.1 in Es-Dur, BWV 525 - Allegro moderato | Julian Bream | T-801.411.105-9 | |
| 10-12 | Trisonate Nr.1 in Es-Dur, BWV 525 - Adagio | Julian Bream | T-001.439.586-8 | |
| 10-13 | Trisonate Nr.1 in Es-Dur, BWV 525 - Allegro | Julian Bream | T-902.685.630-4 | |
| 10-14 | Trisonate Nr.5 in C-Dur, BWV 529 - Allegro | Julian Bream | T-902.685.630-4 | |
| 10-15 | Trisonate Nr.5 in C-Dur, BWV 529 - Largo | Julian Bream | — | |
| 11-1 | Sonata in A minor, BWV 1003: I. Grave | — | ||
| 11-2 | Sonata in A minor, BWV 1003: II. Fuga | — | ||
| 11-3 | Sonata in A minor, BWV 1003: III. Andante | — | ||
| 11-4 | Sonata in A minor, BWV 1003: IV. Allegro | — | ||
| 11-5 | Partita in D minor, BWV 1004: I. Allemanda | — | ||
| 11-6 | Partita in D minor, BWV 1004: II. Corrente | — | ||
| 11-7 | Partita in D minor, BWV 1004: III. Sarabanda | — | ||
| 11-8 | Partita in D minor, BWV 1004: IV. Giga | — | ||
| 11-9 | Partita in D minor, BWV 1004: V. Ciaconna | — | ||
| 11-10 | Partita in E major, BWV 1006: I. Preludio | — | ||
| 11-11 | Partita in E major, BWV 1006: II. Loure | — | ||
| 11-12 | Partita in E major, BWV 1006: III. Gavotte En Rondeau | — | ||
| 11-13 | Partita in E major, BWV 1006: IV. Menuet I | — | ||
| 11-14 | Partita in E major, BWV 1006: V. Menuet II - Menuet I da capo | — | ||
| 11-15 | Partita in E major, BWV 1006: VI. Bourrée | — | ||
| 11-16 | Partita in E major, BWV 1006: VII. Gigue | — | ||
| 12-1 | Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Guido Schiefen | — | |
| 12-2 | Cello Suite No. 1 in G major, BWV 1007: II. Allemande | Guido Schiefen | — | |
| 12-3 | Cello Suite No. 1 in G major, BWV 1007: III. Courante | Guido Schiefen | T-307.669.076-7 | |
| 12-4 | Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande | Guido Schiefen | — | |
| 12-5 | Cello Suite No. 1 in G major, BWV 1007: V. Menuett | Guido Schiefen | — | |
| 12-6 | Cello Suite No. 1 in G major, BWV 1007: VI. Gigue | Guido Schiefen | — | |
| 12-7 | Cello Suite No. 3 in C major, BWV 1009: I. Prélude | Guido Schiefen | — | |
| 12-8 | Cello Suite No. 3 in C major, BWV 1009: II. Allemande | Guido Schiefen | — | |
| 12-9 | Cello Suite No. 3 in C major, BWV 1009: III. Courante | Guido Schiefen | — | |
| 12-10 | Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande | Guido Schiefen | — | |
| 12-11 | Cello Suite No. 3 in C major, BWV 1009: V. Bourrée | Guido Schiefen | — | |
| 12-12 | Cello Suite No. 3 in C major, BWV 1009: VI. Gigue | Guido Schiefen | — | |
| 12-13 | Cello Suite No. 6 in D major, BWV 1012: I. Prélude | Guido Schiefen | — | |
| 12-14 | Cello Suite No. 6 in D major, BWV 1012: II. Allemande | Guido Schiefen | — | |
| 12-15 | Cello Suite No. 6 in D major, BWV 1012: III. Courante | Guido Schiefen | — | |
| 12-16 | Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande | Guido Schiefen | — | |
| 12-17 | Cello Suite No. 6 in D major, BWV 1012: V. Gavotte | Guido Schiefen | T-310.783.361-0 | |
| 12-18 | Cello Suite No. 6 in D major, BWV 1012: VI. Gigue | Guido Schiefen | — | |
| 13-1 | Cello Suite No. 2 in D minor, BWV 1008: I. Prélude | Guido Schiefen | — | |
| 13-2 | Cello Suite No. 2 in D minor, BWV 1008: II. Allemande | Guido Schiefen | — | |
| 13-3 | Cello Suite No. 2 in D minor, BWV 1008: III. Courante | Guido Schiefen | — | |
| 13-4 | Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande | Guido Schiefen | — | |
| 13-5 | Cello Suite No. 2 in D minor, BWV 1008: V. Menuett | Guido Schiefen | — | |
| 13-6 | Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue | Guido Schiefen | — | |
| 13-7 | Cello Suite No. 4 in E-Flat major, BWV 1010: I. Prélude | Guido Schiefen | — | |
| 13-8 | Cello Suite No. 4 in E-Flat major, BWV 1010: II. Allemande | Guido Schiefen | — | |
| 13-9 | Cello Suite No. 4 in E-Flat major, BWV 1010: III. Courante | Guido Schiefen | — | |
| 13-10 | Cello Suite No. 4 in E-Flat major, BWV 1010: IV. Sarabande | Guido Schiefen | — | |
| 13-11 | Cello Suite No. 4 in E-Flat major, BWV 1010: V. Bourrée | Guido Schiefen | — | |
| 13-12 | Cello Suite No. 4 in E-Flat major, BWV 1010: VI. Gigue | Guido Schiefen | — | |
| 13-13 | Cello Suite No. 5 in C minor, BWV 1011: I. Prélude | Guido Schiefen | — | |
| 13-14 | Cello Suite No. 5 in C minor, BWV 1011: II. Allemande | Guido Schiefen | — | |
| 13-15 | Cello Suite No. 5 in C minor, BWV 1011: III. Courante | Guido Schiefen | — | |
| 13-16 | Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande | Guido Schiefen | — | |
| 13-17 | Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte | Guido Schiefen | — | |
| 13-18 | Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue | Guido Schiefen | — | |
| 14-1 | Singet dem Herrn ein neues Lied, BWV 225 | — | ||
| 14-2 | Komm, Jesu, komm, BWV 229 | — | ||
| 14-3 | Jesu meine Freude, BWV 227 | — | ||
| 14-4 | Der Geist hilft unsrer Schwachheit auf, BWV 226 | — | ||
| 14-5 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 14-6 | Lobet den Herren, alle Heiden, BWV 230 | — | ||
| 15-1 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Aria: „Ich will den Kreuzstab gerne tragen“ | — | ||
| 15-2 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Recitativo: „Mein Wandel auf der Welt ist einer Schifffahrt gleich“ | — | ||
| 15-3 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Aria: „Endlich, endlich wird mein Joch“ | — | ||
| 15-4 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Recitativo: „Ich stehe fertig und bereit“ | — | ||
| 15-5 | “Ich will den Kreuzstab gerne tragen”, Cantata BWV 56: Choral: „Komm, o Tod, du Schlafes Bruder“ | — | ||
| 15-6 | “Ich habe genug”, Cantata BWV 82: Aria: „Ich habe genug“ | — | ||
| 15-7 | “Ich habe genug”, Cantata BWV 82: Recitativo: „Ich habe genug! Mein Trost ist nur allein“ | — | ||
| 15-8 | “Ich habe genug”, Cantata BWV 82: Aria: „Schlummert ein, ihr matten Augen“ | — | ||
| 15-9 | “Ich habe genug”, Cantata BWV 82: Recitativo: „Mein Gott! Wann kommt das Schöne nun!“ | — | ||
| 15-10 | “Ich habe genug”, Cantata BWV 82: Aria: „Ich freue mich auf meinen Tod“ | — | ||
| 16-1 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-2 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-3 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-4 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-5 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-6 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-7 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-8 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-9 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 16-10 | Kantate "Non sà che sia dolore", BWV 209: Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 16-11 | Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-12 | Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-13 | Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 16-14 | Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 17-1 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Jauchzet, frohlocket, auf, preiset die Tage“ | — | ||
| 17-2 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Wie soll ich dich empfangen“ | — | ||
| 17-3 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Großer Herr, O starker König“ | — | ||
| 17-4 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Ach mein herzliebes Jesulein“ | — | ||
| 17-5 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Sinfonia | — | ||
| 17-6 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Brich an, o schönes Morgenlicht“ | — | ||
| 17-7 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Schlafe, mein Liebster, genieße der Ruh“ | — | ||
| 17-8 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Ehre sei Gott in der Höhe“ | — | ||
| 17-9 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Wir singen dir in deinem Heer“ | — | ||
| 17-10 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Herrscher des Himmels, erhöre das Lallen“ | — | ||
| 17-11 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Dies hat er alles uns getan“ | — | ||
| 17-12 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Fallt mit Danken, fallt mit Loben“ | — | ||
| 17-13 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Flößt, mein Heiland, flößt dein Namen“ | — | ||
| 17-14 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Aria: „Ich will nur dir zu Ehren leben“ | — | ||
| 17-15 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Ehre sei dir, Gott, gesungen“ | — | ||
| 17-16 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Dein Glanz all Finsternis verzehret“ | — | ||
| 17-17 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Coro: „Herr, wenn die stolzen Feinde schnauben“ | — | ||
| 17-18 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Ich steh an deiner Krippen hier“ | — | ||
| 17-19 | Christmas Oratorio (Weihnachtsoratorium), BWV 248 (Highlights): Choral: „Nun seid ihr wohl gerochen“ | — | ||
| 18-1 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Herr, unser Herrscher' (Coro) | — | ||
| 18-2 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'O große Lieb' o Lieb ohn' alle Maße' (Choral) | — | ||
| 18-3 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Von den Stricken meiner Sünden' (Aria Alto) | — | ||
| 18-4 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ich folge dir gleichfalls mit freudigen Schritten' (AriaSoprano) | — | ||
| 18-5 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Wer hat dich so geschlagen?' (Choral) | — | ||
| 18-6 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach, mein Sinn, wo willst du endlich hin?' (AriaTenor) | — | ||
| 18-7 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Christus, der uns selig macht' (Choral) | — | ||
| 18-8 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach, großer König, groß zu allen Zeiten' (Choral) | — | ||
| 18-9 | St. John Passion / Johannes Passion, BWV 245 (Highlights): Betrachte meine Seel' mit ängstlichem Vergnügen'(Arioso Bass) | — | ||
| 18-10 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Und die Kriegsknechte flochten eine Krone von Dornen' (Evangelist Coro) | — | ||
| 18-11 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Durch dein Gefängnis, Gottes Sohn' (Choral) | — | ||
| 18-12 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Die Juden aber schrieen und sprachen' (Evangelist -Coro) | — | ||
| 18-13 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Eilt, ihr angefocht'nen Seelen' - 'Wohin?' (Aria Baritone Coro) | — | ||
| 18-14 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'In meines Herzens Grunde' (Choral) | — | ||
| 18-15 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Es ist vollbracht' (Aria Alto) | — | ||
| 18-16 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Zerfließe, mein Herze' (Aria Soprano) | — | ||
| 18-17 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ruht wohl, ihr heiligen Gebeine' (Coro) | — | ||
| 18-18 | St. John Passion / Johannes Passion, BWV 245 (Highlights): 'Ach Herr, lass dein lieb' Engelein' (Choral) | — | ||
| 19-1 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Kommt, ihr Töchter, helft mir klagen' (Coro) | — | ||
| 19-2 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Herzliebster Jesu, was hast du verbrochen?' (Choral) | — | ||
| 19-3 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Blute nur, du liebes Herz' (Aria Soprano) | — | ||
| 19-4 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'O Schmerz! Hier zittert das gequälte Herz' (Recitativo Tenor) - 'Was ist die Ursach' aller .. | — | ||
| 19-5 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Ich will bei meinem Jesu wachen' (Aria Tenor) - 'So schlafen meine Sünden ein' (Coro) | — | ||
| 19-6 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'So ist mein Jesus nun gefangen' (Duet Soprano/Alto)- 'Lasst ihn, haltet, bindet nicht' (Coro) | — | ||
| 19-7 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'Sind Blitze, sind Donner in Wolken verschwunden'(Coro) | — | ||
| 19-8 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part I: 'O Mensch, bewein dein Sünden groß' (Coro) | — | ||
| 19-9 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Erbarme dich, mein Gott' (Aria Alto) | — | ||
| 19-10 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Gebt mir meinen Jesum wieder' (Aria Tenor) | — | ||
| 19-11 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'Können Tränen meiner Wangen' (Aria Alto) | — | ||
| 19-12 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part II: 'O Haupt voll Blut und Wunden' (Coro) | — | ||
| 19-13 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Und von der sechsten Stunde an' (Evangelist Jesus- Coro) | — | ||
| 19-14 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Wenn ich einmal soll scheiden' (Coro) | — | ||
| 19-15 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Und siehe da, der Vorhang im Tempel zerriss (Evangelist) - 'Wahrlich, dieser ist Gottes Sohn .. | — | ||
| 19-16 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Mache dich, mein Herze, rein' (Aria Bass) | — | ||
| 19-17 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Nun ist der Herr zur Ruh' gebracht' (Recitativo Soloists) - 'Mein Jesu, gute Nacht' (Coro) | — | ||
| 19-18 | St. Matthew Passion / Matthäus Passion, BWV 244 (Highlights): Part III: 'Wir setzen uns mit Tränen nieder' (Coro) | — | ||
| 20-1 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Kyrie Eleison | — | ||
| 20-2 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Christe Eleison | — | ||
| 20-3 | Mass in B minor (Messe In H-Moll), BWV 232: Kyrie: Kyrie Eleison | — | ||
| 20-4 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Gloria In Excelsis Deo | — | ||
| 20-5 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Et In Terra Pax | — | ||
| 20-6 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Laudamus Te | — | ||
| 20-7 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Gratias Agimus Tibi | — | ||
| 20-8 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Domine Deus | — | ||
| 20-9 | Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 20-10 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Qui Sedes Ad Dextram Patris | — | ||
| 20-11 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Quoniam Tu Solus Sanctus | — | ||
| 20-12 | Mass in B minor (Messe In H-Moll), BWV 232: Gloria: Cum Sancto Spiritu | — | ||
| 21-1 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Credo in unum deum | — | ||
| 21-2 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Patrem omnipotentem | — | ||
| 21-3 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et in unum Dominum | — | ||
| 21-4 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et incarnatus est | — | ||
| 21-5 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Crucifixus | — | ||
| 21-6 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et resurrexit | — | ||
| 21-7 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et in Spiritum Sanctum | — | ||
| 21-8 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Confiteor | — | ||
| 21-9 | Mass in B minor / Messe h-Moll, BWV 232: Credo: Et expecto | — | ||
| 21-10 | Messe in H-Moll, BWV 232: IVa. Coro "Sanctus" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 21-11 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Osanna | — | ||
| 21-12 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Benedictus | — | ||
| 21-13 | Mass in B minor / Messe h-Moll, BWV 232: Sanctus: Osanna (Reprise) | — | ||
| 21-14 | Mass in B minor / Messe h-Moll, BWV 232: Agnus Dei: Agnus Dei | — | ||
| 21-15 | Mass in B minor / Messe h-Moll, BWV 232: Agnus Dei: Dona nobis pacem | — | ||
| 22-1 | Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-2 | Magnificat BWV 243 in D major, 2. Et exsultavit spiritus meus | Ann Murray, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-3 | Magnificat BWV 243 in D major, Einlage A: Vom Himmel hoch | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-4 | Magnificat: III+IV. Omnes generationes | Arleen Augér, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-5 | Magnificat BWV 243 in D major, 5. Quia fecit mihi magna | Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-6 | Magnificat BWV 243 in D major, Einlage B: Freut euch und jubiliert | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-7 | Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-8 | Magnificat BWV 243 in D major, 7. Fecit potentiam | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-9 | Magnificat BWV 243 in D major, Einlage C: Gloria in excelsis Deo | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-10 | Magnificat BWV 243 in D major, 8. Deposuit potentes | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-11 | Magnificat BWV 243 in D major, 9. Esurientes implevit bonis | Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-12 | Magnificat BWV 243 in D major, Einlage D: Virga Jesse floruit | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-13 | Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-14 | Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-15 | Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 22-16 | Beatus vir en si bémol majeur, RV 598 | Mary Burgess, Jocelyne Chamonin, Carolyn Watkinson, Daniele Salzer, Ensemble vocal Raphaël Passaquet, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-17 | Gloria en ré majeur, RV 589: I. Gloria in excelsis Deo (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | T-307.614.694-2 | |
| 22-18 | Gloria en ré majeur, RV 589: II. Et in terra pax (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-19 | Gloria en ré majeur, RV 589: III. Laudamus te (1ère et 2ème sopranos) | Mary Burgess, Jocelyne Chamonin, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-20 | Gloria en ré majeur, RV 589: IV. Gratias agimus tibi (choeur) / V. Propter magnam gloriam tuam (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-21 | Gloria en ré majeur, RV 589: VI. Domine Deus (2ème soprano) | Jocelyne Chamonin, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-22 | Gloria en ré majeur, RV 589: VII. Domine Fili unigenite (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-23 | Gloria en ré majeur, RV 589: VIII. Domine Deus, Agnus Dei (contralto, choeur) | Carolyn Watkinson, Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-24 | Gloria en ré majeur, RV 589: IX. Qui tollis peccata mundi (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-25 | Gloria en ré majeur, RV 589: X. Qui sedes ad dexteram Patris (contralto) | Carolyn Watkinson, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-26 | Gloria en ré majeur, RV 589: XI. Quoniam tu solus sanctus (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 22-27 | Gloria en ré majeur, RV 589: XII. Cum Sancto Spiritu (choeur) | Ensemble vocal Raphaël Passaquet, Daniele Salzer, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 23-1 | Magnificat primi toni Bux WV 203 | — | ||
| 23-2 | Passacaglia in D minor Bux WV 161 | — | ||
| 23-3 | Ciacona in E minor Bux WV 160 | — | ||
| 23-4 | Toccata in F major Bux WV 157 | — | ||
| 23-5 | Prelude in D minor Bux WV 140 | — | ||
| 23-6 | Fugue in C major Bux WV 174 | — | ||
| 23-7 | Prelude in A minor Bux WV 153 | — | ||
| 23-8 | Choral Fantasy 'Gelobet seist du, Jesu Christ' BuxWV 188 | — | ||
| 23-9 | Prelude in F sharp minor Bux WV 146 (transposedversion in G minor) | — | ||
| 23-10 | Canzona in D minor Bux WV 168 | — | ||
| 23-11 | Toccata in D minor Bux WV 155 | — | ||
| 24-1 | Concerto VII in D major: I. Vivace - Allegro - Adagio | — | ||
| 24-2 | Concerto VII in D major: II. Allegro | — | ||
| 24-3 | Concerto VII in D major: III. Andante largo - Allegro | — | ||
| 24-4 | Concerto VII in D major: IV. Vivace | — | ||
| 24-5 | Concerto IX in F major: I. Preludio. Largo | — | ||
| 24-6 | Concerto IX in F major: II. Allemanda. Allegro | — | ||
| 24-7 | Concerto IX in F major: III. Corrente. Vivace | — | ||
| 24-8 | Concerto IX in F major: IV. Gavotta. Allegro | — | ||
| 24-9 | Concerto IX in F major: V. Adagio | — | ||
| 24-10 | Concerto IX in F major: VI. Minuetto. Vivace | — | ||
| 24-11 | Concerto III in C minor: I. Largo - Allegro | — | ||
| 24-12 | Concerto III in C minor: II. Grave | — | ||
| 24-13 | Concerto III in C minor: III. Vivace | — | ||
| 24-14 | Concerto III in C minor: IV. Allegro | — | ||
| 24-15 | Concerto I in D major: I. Largo - Allegro | — | ||
| 24-16 | Concerto I in D major: II. Largo - Allegro | — | ||
| 24-17 | Concerto I in D major: III. Largo - Allegro | — | ||
| 24-18 | Concerto I in D major: IV. Allegro | — | ||
| 24-19 | Concerto XI in B-flat major: I. Preludio. Andante Largo | — | ||
| 24-20 | Concerto XI in B-flat major: II. Allemanda. Allegro | — | ||
| 24-21 | Concerto XI in B-flat major: III. Adagio - Andante Largo | — | ||
| 24-22 | Concerto XI in B-flat major: IV. Sarabanda. Largo | — | ||
| 24-23 | Concerto XI in B-flat major: V. Giga. Vivace | — | ||
| 24-24 | Concerto VIII in G minor 'fatto per la notte di Natale': I. Vivace - Grave | — | ||
| 24-25 | Concerto VIII in G minor 'fatto per la notte di Natale': II. Allegro | — | ||
| 24-26 | Concerto VIII in G minor 'fatto per la notte di Natale': III. Adagio - Allegro - Adagio | — | ||
| 24-27 | Concerto VIII in G minor 'fatto per la notte di Natale': IV. Vivace | — | ||
| 24-28 | Concerto VIII in G minor 'fatto per la notte di Natale': V. Allegro - Pastorale Largo | — | ||
| 25-1 | Sonata in G minor op. 5. no. 7: Preludio - Vivace | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-2 | Sonata in G minor op. 5. no. 7: Corrente - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-3 | Sonata in G minor op. 5. no. 7: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-4 | Sonata in G minor op. 5. no. 7: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-5 | Sonata in A minor op. 5. no. 8: Preludio - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-6 | Sonata in A minor op. 5. no. 8: Allemanda - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-7 | Sonata in A minor op. 5. no. 8: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-8 | Sonata in A minor op. 5. no. 8: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-9 | Sonata in E-flat major op. 5. no. 9: Preludio - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-10 | Sonata in E-flat major op. 5. no. 9: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-11 | Sonata in E-flat major op. 5. no. 9: Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-903.026.983-1 | |
| 25-12 | Sonata in E-flat major op. 5. no. 9: Tempo di Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-13 | Sonata in C major op. 5. no. 10: Preludio - Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-14 | Sonata in C major op. 5. no. 10: Allemanda - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-15 | Sonata in C major op. 5. no. 10: Sarabanda - Largo | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-917.337.125-0 | |
| 25-16 | Sonata in C major op. 5. no. 10: Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-17 | Sonata in C major op. 5. no. 10: Giga - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | T-306.395.786-4 | |
| 25-18 | Sonata in B-flat major op. 5. no. 11: Preludio - Adagio | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-19 | Sonata in B-flat major op. 5. no. 11: Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-20 | Sonata in B-flat major op. 5. no. 11: Adagio - Vivace | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-21 | Sonata in B-flat major op. 5. no. 11: Gavotta - Allegro | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 25-22 | 'La Follia' in G minor op. 5. no. 12 | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | — | |
| 26-1 | Premier Concert: I. Prélude (Gravement) | — | ||
| 26-2 | Premier Concert: II. Allemande (Légèrement) | — | ||
| 26-3 | Premier Concert: III. Sarabande (Mesuré) | — | ||
| 26-4 | Premier Concert: IV. Gavotte (Notes égales et coulées) | — | ||
| 26-5 | Premier Concert: V. Gigue (Légèrement) | — | ||
| 26-6 | Premier Concert: VI. Menuet en Trio | — | ||
| 26-7 | Second Concert: I. Prélude (Gracieusement) | — | ||
| 26-8 | Second Concert: II. Allemande fuguée (Gayement) | — | ||
| 26-9 | Second Concert: III. Air tendre | — | ||
| 26-10 | Second Concert: IV. Air contre-fugué (Vivement) | — | ||
| 26-11 | Second Concert: V. Echos (Tendrement) | — | ||
| 26-12 | Troisième Concert: I. Prélude (Lentement) | — | ||
| 26-13 | Troisième Concert: II. Allemande (Légèrement) | — | ||
| 26-14 | Troisième Concert: III. Courante | — | ||
| 26-15 | Troisième Concert: IV. Sarabande (Grave) | — | ||
| 26-16 | Troisième Concert: V. Gavotte | — | ||
| 26-17 | Troisième Concert: VI. Musette | — | ||
| 26-18 | Troisième Concert: VII. Chaconne (Légère) | — | ||
| 26-19 | Quartième Concert: I. Prélude (Gravement) | — | ||
| 26-20 | Quartième Concert: II. Allemande (Légèrement) | — | ||
| 26-21 | Quartième Concert: III. Courante française (Galamment) | — | ||
| 26-22 | Quartième Concert: IV. Courante à l'italienne (Pointé-coulé, gavement) | — | ||
| 26-23 | Quartième Concert: V. Sarabande (Très tendrement) | — | ||
| 26-24 | Quartième Concert: VI. Rigaudon (Légèrement et marqué) | — | ||
| 26-25 | Quartième Concert: VII. Forlane Rondeau (Gayement) | — | ||
| 27-1 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata avanti la Messa (Organ) | — | ||
| 27-2 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Kyrie orbis factor (Organ/Choir/Organ) | — | ||
| 27-3 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Gloria (Choir) | — | ||
| 27-4 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Canzon dopo la Pistola (Organ) | — | ||
| 27-5 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Credo (Credo I) (Choir) | — | ||
| 27-6 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Recercar dopo il Credo (Organ) | — | ||
| 27-7 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Sanctus (Choir) | — | ||
| 27-8 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata chromaticha per le levatione (Organ) | — | ||
| 27-9 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Agnus Dei (Choir) | — | ||
| 27-10 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Canzone post il Comune (Organ) | — | ||
| 27-11 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Ite Missa est (Choir) | — | ||
| 27-12 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Toccata sopra i pedali (Organ) | — | ||
| 27-13 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Invitatorium: Deus, in adjutorium (Choir) | — | ||
| 27-14 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Versetten (Christe) (Organ) | — | ||
| 27-15 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Antiphon: Dixit Dominus Psalm 109 - Antiphon (Choir) | — | ||
| 27-16 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Versetten (Kyrie) (Organ) | — | ||
| 27-17 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Hymnus: Lucis creator optime (Choir/Organ/Choir) | — | ||
| 27-18 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Antiphon: Serve nequam Magnificat (Choir/Organ/Choir) | — | ||
| 27-19 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Benedicamus Domino (Choir) | — | ||
| 27-20 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Marian Antiphon: Salve Regina (Choir) | — | ||
| 27-21 | Fiori Musicali: Messa Della Domenica (Missa Orbis Factor & Vesper): Bergamasca (Organ) | — | ||
| 28-1 | Sonata a tre ex d per due Violini (violoncello & basso continuo) | Clemencic Consort, René Clemencic | — | |
| 28-2 | Ciaccona per organo | Clemencic Consort, René Clemencic | — | |
| 28-3 | Grave (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-4 | Media vita in morte sumus (choral) | Clemencic Consort, René Clemencic | — | |
| 28-5 | De profundis (motet) | Clemencic Consort, René Clemencic | — | |
| 28-6 | Adagio per organo | Clemencic Consort, René Clemencic | — | |
| 28-7 | Requiem, K. 51-53: Requiem Aeternam - Kyrie eleison | Clemencic Consort, René Clemencic | — | |
| 28-8 | Requiem, K. 51-53: Dies Irae | Clemencic Consort, René Clemencic | — | |
| 28-9 | Libera me, Domine (motet) | Clemencic Consort, René Clemencic | — | |
| 28-10 | Canon a due. Largo (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-11 | Requiem, K. 51-53: Domine Jesu Christe | Clemencic Consort, René Clemencic | — | |
| 28-12 | Requiem, K. 51-53: Sanctus | Clemencic Consort, René Clemencic | — | |
| 28-13 | Adagio (2 trombones, organ, violin) | Clemencic Consort, René Clemencic | — | |
| 28-14 | Requiem, K. 51-53: Agnus Dei - Lux Aeterna - Requiem Aeternam | Clemencic Consort, René Clemencic | — | |
| 29-1 | Music for the Royal Fireworks, HWV 351: Ouverture | — | ||
| 29-2 | Music for the Royal Fireworks, HWV 351: Bourrée | — | ||
| 29-3 | Music for the Royal Fireworks, HWV 351: La paix | — | ||
| 29-4 | Music for the Royal Fireworks, HWV 351: La réjouissance | — | ||
| 29-5 | Music for the Royal Fireworks, HWV 351: Menuet I & II | — | ||
| 29-6 | Water Music: Suite no. I in F major, HWV 348: Ouverture | — | ||
| 29-7 | Water Music: Suite no. I in F major, HWV 348: Adagio e staccato | — | ||
| 29-8 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-9 | Water Music: Suite no. I in F major, HWV 348: Andante | — | ||
| 29-10 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-11 | Water Music: Suite no. I in F major, HWV 348: Air | — | ||
| 29-12 | Water Music: Suite no. I in F major, HWV 348: Menuet | — | ||
| 29-13 | Water Music: Suite no. I in F major, HWV 348: Bourrée | — | ||
| 29-14 | Water Music: Suite no. I in F major, HWV 348: Hornpipe | — | ||
| 29-15 | Water Music: Suite no. I in F major, HWV 348: Allegro | — | ||
| 29-16 | Water Music: Suite no. 2 in D major, HWV 349: Allegro | — | ||
| 29-17 | Water Music: Suite no. 2 in D major, HWV 349: Alla hornpipe | — | ||
| 29-18 | Water Music: Suite no. 2 in D major, HWV 349: Menuet | — | ||
| 29-19 | Water Music: Suite no. 2 in D major, HWV 349: Lentement | — | ||
| 29-20 | Water Music: Suite no. 2 in D major, HWV 349: Bourrée | — | ||
| 29-21 | Water Music: Suite no. 3 in G major, HWV 350: Allegro | — | ||
| 29-22 | Water Music: Suite no. 3 in G major, HWV 350: Rigaudon: Trio No. 18 | — | ||
| 29-23 | Water Music: Suite no. 3 in G major, HWV 350: Menuet | — | ||
| 29-24 | Water Music: Suite no. 3 in G major, HWV 350: Allegro | — | ||
| 29-25 | Water Music: Suite no. 3 in G major, HWV 350: Trio No. 22: Trio No. 21 | — | ||
| 30-1 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Larghetto e staccato | — | ||
| 30-2 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Allegro | — | ||
| 30-3 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 1: Adagio | — | ||
| 30-4 | Concerto for Organ, 2 Oboes, Strings and Continuo in G minor, op. 4 No. 1: Andante | — | ||
| 30-5 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: A tempo ordinario e staccato | — | ||
| 30-6 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Allegro | — | ||
| 30-7 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Adagio e staccato | — | ||
| 30-8 | Concerto for Organ, 2 Oboes, Strings and Contnuo in B flat major, op. 4 no. 2: Allegro ma non presto | — | ||
| 30-9 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Adagio | — | ||
| 30-10 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Allegro | — | ||
| 30-11 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Adagio | — | ||
| 30-12 | Concerto for Organ, Violin solo, Violoncello solo, 2 Oboes, Strings and Continuo in G minor, op. 4 no. 3: Allegro (Gavotte) | — | ||
| 30-13 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Allegro | — | ||
| 30-14 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Andante | — | ||
| 30-15 | Concerto for Organ, 2 Oboes, Bassoon, Strings and Continuo in F major, op. 4 no. 4: Adagio - Allegro | — | ||
| 30-16 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Larghetto | — | ||
| 30-17 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Allegro | — | ||
| 30-18 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Alla Siciliana | — | ||
| 30-19 | Concerto for Organ, 2 Oboes, Strings and Continuo in F major, op. 4 no. 5: Presto | — | ||
| 30-20 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Andante allegro | — | ||
| 30-21 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Larghetto | — | ||
| 30-22 | Concerto for Organ, 2 Recorders, Strings and Continuo in B flat major, op. 4 no. 6: Allegro moderato | — | ||
| 31-1 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Andante allegro | — | ||
| 31-2 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Larghetto | — | ||
| 31-3 | Concerto for harp in B-flat major, op. 4 no. 6, HWV 294: Allegro moderato | — | ||
| 31-4 | Concerto for Oboe no. I in B-flat major, HWV 301: Adagio | — | ||
| 31-5 | Concerto for Oboe no. I in B-flat major, HWV 301: Allegro | — | ||
| 31-6 | Concerto for Oboe no. I in B-flat major, HWV 301: Siciliana (Largo) | — | ||
| 31-7 | Concerto for Oboe no. I in B-flat major, HWV 301: Vivace | — | ||
| 31-8 | Concerto for two Cellos in G minor: Grave | — | ||
| 31-9 | Concerto for two Cellos in G minor: Allegro | — | ||
| 31-10 | Concerto for two Cellos in G minor: Llargo | — | ||
| 31-11 | Concerto for two Cellos in G minor: Fugue (Allegro) | — | ||
| 31-12 | Concerto for Oboe no. 2 in B major, HWV 302a: Vivace | — | ||
| 31-13 | Concerto for Oboe no. 2 in B major, HWV 302a: Fuga. Allegro | — | ||
| 31-14 | Concerto for Oboe no. 2 in B major, HWV 302a: Andante | — | ||
| 31-15 | Concerto for Oboe no. 2 in B major, HWV 302a: Allegro | — | ||
| 31-16 | Concerto for Flute in D major: Aria 1 (Largo) | — | ||
| 31-17 | Concerto for Flute in D major: Aria 2 (Poco allegro) | — | ||
| 31-18 | Concerto for Flute in D major: Aria 3 (Largo) | — | ||
| 31-19 | Concerto for Flute in D major: Aria 4 (Pastorella, Allegro) | — | ||
| 31-20 | Concerto for Oboe no. 3 in G minor, HWV 287: Grave | — | ||
| 31-21 | Concerto for Oboe no. 3 in G minor, HWV 287: Allegro | — | ||
| 31-22 | Concerto for Oboe no. 3 in G minor, HWV 287: Sarabande. Largo | — | ||
| 31-23 | Concerto for Oboe no. 3 in G minor, HWV 287: Allegro | — | ||
| 32-1 | Chandos Te Deum, HWV 281: We praise Thee, o God | — | ||
| 32-2 | Chandos Te Deum, HWV 281: All the earth | — | ||
| 32-3 | Chandos Te Deum, HWV 281: The glorious Company | — | ||
| 32-4 | Chandos Te Deum, HWV 281: Thou art the King | — | ||
| 32-5 | Chandos Te Deum, HWV 281: When Thou tookest | — | ||
| 32-6 | Chandos Te Deum, HWV 281: When Thou hadst overcome | — | ||
| 32-7 | Chandos Te Deum, HWV 281: Thou didst open the kingdom | — | ||
| 32-8 | Chandos Te Deum, HWV 281: Thou sittest of the right hand | — | ||
| 32-9 | Chandos Te Deum, HWV 281: We believe that Thou shalt come | — | ||
| 32-10 | Chandos Te Deum, HWV 281: Day by day | — | ||
| 32-11 | Chandos Te Deum, HWV 281: And we worship Thy name ever | — | ||
| 32-12 | Chandos Te Deum, HWV 281: Vouchsafe, o Lord | — | ||
| 32-13 | Chandos Te Deum, HWV 281: O Lord, in Thee we have trust | — | ||
| 32-14 | Chandos Anthem 'Let God Arise', HWV 256a: Symphony | — | ||
| 32-15 | Chandos Anthem 'Let God Arise', HWV 256a: Let God arise | — | ||
| 32-16 | Chandos Anthem 'Let God Arise', HWV 256a: Like as a smoke | — | ||
| 32-17 | Chandos Anthem 'Let God Arise', HWV 256a: Let the righteous be glad | — | ||
| 32-18 | Chandos Anthem 'Let God Arise', HWV 256a: O sing unto God | — | ||
| 32-19 | Chandos Anthem 'Let God Arise', HWV 256a: Praised by the Lord | — | ||
| 32-20 | Chandos Anthem 'Let God Arise', HWV 256a: At Thy rebuke, o God | — | ||
| 32-21 | Chandos Anthem 'Let God Arise', HWV 256a: Blessed be God, Alleluja | — | ||
| 33-1 | Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-2 | Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-3 | Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-4 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-5 | Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | T-916.330.297-4 | |
| 33-6 | Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-7 | Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-8 | Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-9 | Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-10 | He Was Despised | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.081-8 | |
| 33-11 | Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-12 | Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-13 | Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-14 | Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.137.534-9 | |
| 33-15 | Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-16 | Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-17 | Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 34-1 | Rinaldo HWV. 7: Act I. Aria "Sibillar gli angui d'Aletto" - Recitativo "Goffredo, se t'arrise" (Argante; Argante, Goffredo) | Ulrik Cold, Paul Esswood, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-2 | Rinaldo HWV. 7: Act I. Aria "Augelletti, che cantate" - Recitativo "Adorato mio sposo" (Almirena; Almirena, Rinaldo) | Ileana Cotrubaș, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-3 | Rinaldo HWV. 7: Act I. Duetto "Scherzano sul tuo volto" - Recitativo "Al valor del mio brando" - Sinfonia (Almirena, Rinaldo; Armida, Almirena, Rinaldo) | Ileana Cotrubaș, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-4 | Rinaldo HWV. 7: Act I. Aria "Venti, turbini, prestate" (Rinaldo) | Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-5 | Rinaldo, HWV 7: Lascia ch’io pianga | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Ileana Cotrubaş | — | |
| 34-6 | Rinaldo HWV. 7: Act II. Aria "Abbrugio, avampo e fremo" (Rinaldo) | Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-7 | Rinaldo HWV. 7: Act II. Aria "Vo' far guerra" (Armida) | Jeanette Scovotti, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-8 | Rinaldo HWV. 7: Act III. Duetto "Al trionfo" - Recitativo "Di quei strani accidenti" (Armida, Argante; Goffredo, Almirena, Rinaldo) | Ulrik Cold, Ileana Cotrubaș, Paul Esswood, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-9 | Rinaldo HWV. 7: Act III. Aria "Or la tromba in suon festante" - Recitativo "Miei fidi, eccolà" (Rinaldo; Argante, Goffredo) | Ulrik Cold, Paul Esswood, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-10 | Rinaldo HWV. 7: Act III. Battaglia | La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-11 | Rinaldo HWV. 7: Act III. Coro "Vinto è sol della virtù" (Almirena, Armida, Rinaldo, Goffredo, Eustazio, Argante) | Charles Brett, Ulrik Cold, Ileana Cotrubaș, Paul Esswood, Jeanette Scovotti, Carolyn Watkinson, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | — | |
| 34-12 | Alessandro: Ouvertüre | La Petite Bande, Sigiswald Kuijken | — | |
| 34-13 | Alessandro: Sinfonia | La Petite Bande, Sigiswald Kuijken | — | |
| 34-14 | Alessandro: Duett "Placa l'alma, quieta il petto!" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-15 | Alessandro: Arie "Sire, il popol gia vinto" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-16 | Alessandro: Arie "Renditi, o muori" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-17 | Alessandro: Arie "Sento un' interno inusitata gioja" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-18 | Alessandro: Chor "Tempesta e calma sento nell' alma" | La Petite Bande, Sigiswald Kuijken | — | |
| 34-19 | Alessandro: Duett "In generoso onor" | La Petite Bande, Sigiswald Kuijken | — | |
| 35-1 | Giulio Cesare in Egitto (Highlights): Ouverture | — | ||
| 35-2 | Giulio Cesare in Egitto (Highlights): Viva, viva il nostro Alcide (Choir Egyptians) | — | ||
| 35-3 | Giulio Cesare in Egitto (Highlights): Presti omai l'egizia terra (Giulio Cesare) | — | ||
| 35-4 | Giulio Cesare in Egitto (Highlights): Empio, diròtu sei (Giulio Cesare) | — | ||
| 35-5 | Giulio Cesare in Egitto (Highlights): Priva son d'ogni conforto (Cornelia) | — | ||
| 35-6 | Giulio Cesare in Egitto (Highlights): Avanti al tuo cospetto (Cleopatra) | — | ||
| 35-7 | Giulio Cesare in Egitto (Highlights): Va tacito e nascosto (Giulio Cesare) | — | ||
| 35-8 | Giulio Cesare in Egitto (Highlights): Dove, dove inumani (Cornelia) | — | ||
| 35-9 | Giulio Cesare in Egitto (Highlights): Più amabile beltà (Cleopatra, Giulio Cesare) | — | ||
| 35-10 | Giulio Cesare in Egitto (Highlights): Cessa omai di sospirare (Cornelia) | — | ||
| 35-11 | Giulio Cesare in Egitto (Highlights): Se pietà di me non senti (Cleopatra) | — | ||
| 35-12 | Giulio Cesare in Egitto (Highlights): Sinfonia | — | ||
| 35-13 | Giulio Cesare in Egitto (Highlights): Da tempeste il legno infranto (Cleopatra) | — | ||
| 35-14 | Tamerlano (Highlights): Ciel e terra armi di sdegno (Bajazet/Asteria) | — | ||
| 35-15 | Tamerlano (Highlights): Per che mi nasca in seno (Irene/Leone) | — | ||
| 35-16 | Tamerlano (Highlights): A dispetto (Tamerlano, Bajazet, Asteria, Andronico) | — | ||
| 35-17 | Tamerlano (Highlights): Vedrò ch'un dì si cangierà (Irene, Tamerlano,Bajazet) | — | ||
| 36-1 | Serse, HWV 40: I. Overture | The Hanover Band, Nicholas McGegan | T-009.030.807-8 | |
| 36-2 | Serse, HWV 40: II. Allegro | The Hanover Band, Nicholas McGegan | T-915.520.107-3 | |
| 36-3 | Serse, HWV 40: III. Gigue | The Hanover Band, Nicholas McGegan | — | |
| 36-4 | Serse, HWV 40: Ombra mai fu | Judith Malafronte, Hanover Band, Nicholas McGegan | T-308.021.303-8 | |
| 36-5 | Serse, HWV 40: Act 1: No. 5 Aria: "Va godendo vezzoso e bello" | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-6 | Serse, HWV 40, Act I: Lo le diro che l'amo | The Hanover Band, Nicholas McGegan | — | |
| 36-7 | Serse, HWV 40: Act 1: Choro: "Gia la tromba che chiamo" | Hanover Chorus, Hanover Band, Nicholas McGegan | — | |
| 36-8 | Serse, HWV 40: Act 1: Aria: "Soggetto al mio volere" | Dean Ely, The Hanover Band, Nicholas McGegan | — | |
| 36-9 | Serse, HWV 40: Act 1: Aria: "Piu che penso alle fiamme del core" | Judith Malafronte, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-10 | Serse, HWV 40: Act 1: Aria: "Sapra delle mie offese ben vendicarsi il cor" | Susan Bickley, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-11 | Serse, HWV 40: Act 1: Aria: "Se l'idol mio rapir mi vuoi, cangia desio" | Jennifer Smith, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-12 | Serse, HWV 40: Act 1: Aria: "Un cenno leggiadretto, un riso vezzosetto" | Lisa Milne, The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 36-13 | Serse, HWV 40: Act 2: Arioso. Speranze mie fermate | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-14 | Serse, HWV 40: Act 2: Arietta: Ah! Chi voler fiora di bella giardina | David Thomas, The Hanover Band, Nicholas McGegan | — | |
| 36-15 | Serse, HWV 40: Act 2: Aria: Or che spiete speranze tradite | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-16 | Serse, HWV 40: Act 2: Aria: Dirà, che amor per me | Lisa Milne, The Hanover Band, Nicholas McGegan | — | |
| 36-17 | Serse, HWV 40: Act 2: Aria: Se bramate d'amar | Judith Malafronte, The Hanover Band, Nicholas McGegan | — | |
| 36-18 | Serse, HWV 40: Act 2: Aria: Anima infida, tradita io sono | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-19 | Serse, HWV 40: Act 2: No. 32 Aria: "Quella che tutta fe" | Brian Asawa, The Hanover Band, Nicholas McGegan | — | |
| 36-20 | Serse, HWV 40, Act II: La virtute sol potea | The Hanover Band, Nicholas McGegan | — | |
| 36-21 | Serse, HWV 40, Act II: Si, la voglio e la otterro! | The Hanover Band, Nicholas McGegan | — | |
| 36-22 | Serse, HWV 40: Act 2: Aria: Chi cede al furore di stelle rubelle | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-23 | Serse, HWV 40, Act III: Sinfonia | The Hanover Band, Nicholas McGegan | T-306.482.958-5 | |
| 36-24 | Serse, HWV 40: Act 3: No. 48 Aria: "Cagion son io del mio dolore" | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 36-25 | Serse, HWV 40: Act 3: No. 49 Duetta: "Troppo oltraggi la mia fede" | Brian Asawa, Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-26 | Serse, HWV 40: Act 3: Aria: Crude furie degl' orridi abissi | Judith Malafronte, The Hanover Band, Nicholas McGegan | — | |
| 36-27 | Serse, HWV 40: Act 3: Aria: Caro voi siete all'alma | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 36-28 | Serse, HWV 40, Act III: Ritorna a noi la calma | The Hanover Band, Nicholas McGegan | — | |
| 37-1 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Ouverture | — | ||
| 37-2 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air, L'élève de Musique | — | ||
| 37-3 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air, La Musicienne | — | ||
| 37-4 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Dialogue en Musique | — | ||
| 37-5 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: Air | — | ||
| 37-6 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 1er Air | — | ||
| 37-7 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 2e Air (Gavotte) | — | ||
| 37-8 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 1ère chanson à boire | — | ||
| 37-9 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: 2e chanson à boire | — | ||
| 37-10 | Le Bourgeois Gentilhomme, LWV 43: Comédie-Ballet: La Cérémonie Turque | — | ||
| 37-11 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Première Entrée | — | ||
| 37-12 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Seconde Entrée | — | ||
| 37-13 | Le Bourgeois Gentilhomme, LWV 43: Ballet des Nations: Troisième Entrée | — | ||
| 38-1 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Quatrième Entrée | — | ||
| 38-2 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Cinquième Entrée | — | ||
| 38-3 | Le Bourgeois Gentilhomme (conclusion): Ballet des Nations: Sisième Entrée | — | ||
| 38-4 | Divertissement I: Ouverture d'Amadis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-5 | Divertissement I: Répands charmante nuit | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-6 | Divertissement I: Récit d'Orphée | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-7 | Divertissement I: Plainte de Vénus sur la mort d'Adonis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-8 | Divertissement I: Dieu des enfers | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-9 | Divertissement II: Ouverture de Psyché | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-10 | Divertissement II: Plainte italienne | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-11 | Divertissement II: Chaconne d'Amadis | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-12 | Divertissement III: Entrée d'Apollon | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-13 | Divertissement III: Si l'amour vous soumet | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-14 | Divertissement III: Enfin il est en ma puissance | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-15 | Divertissement III: Air pour les démons et les monstres | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 38-16 | Divertissement III: Passacaille d'Armide | Guillemette Laurens, Capriccio Stravagante, Skip Sempé | — | |
| 39-1 | Vespro della Beata Vergine: Intonatio: Deus in adiutorium Domine ad adjuvandum | Cantus Cölln, Concerto Palatino, Konrad Junghänel | — | |
| 39-2 | Vespro della Beata vergine (Highlights): Dixit Diminus | — | ||
| 39-3 | Vespro della Beata vergine (Highlights): Nigra sum | — | ||
| 39-4 | Vespro della Beata vergine (Highlights): Laudate pueri | — | ||
| 39-5 | Vespro della Beata vergine (Highlights): Laetatus sum | — | ||
| 39-6 | Vespro della Beata vergine (Highlights): Nisi Dominus | — | ||
| 39-7 | Vespro della Beata vergine (Highlights): Lauda Jerusalem | — | ||
| 39-8 | Vespro della Beata vergine (Highlights): Sonata à 8 sopra 'Sancta maria ora pro nobis' | — | ||
| 39-9 | Te Deum for Solo, Choir and Orchestra in D major | — | ||
| 40-1 | Stabat Mater: Duet: 'Stabat Mater Dolorosa' | — | ||
| 40-2 | Stabat Mater: Aria (Soprano): 'Cujus animam gementem' | — | ||
| 40-3 | Stabat Mater: Duet: 'O quam tristis et afflicta' | — | ||
| 40-4 | Stabat Mater: Aria (Alto): 'Quae moerebat et dolebat' | — | ||
| 40-5 | Stabat Mater: Duet: 'Quis est home, qui non fleret' | — | ||
| 40-6 | Stabat Mater: Aria (Soprano): 'Vidit suum dulcem natum' | — | ||
| 40-7 | Stabat Mater: Aria (Alto): ' Eia Mater, fons amoris' | — | ||
| 40-8 | Stabat Mater: Duet: 'Fac ut ardeat cor meum' | — | ||
| 40-9 | Stabat Mater: Duet: 'Sancta Mater, istud agas' | — | ||
| 40-10 | Stabat Mater: Aria (Alto): 'Fac ut portem Christi mortem' | — | ||
| 40-11 | Stabat Mater: Duet: 'Inflammatus et accensus' | — | ||
| 40-12 | Stabat Mater: Duet: 'Quando corpus morietur' | — | ||
| 41-1 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Aspettare, e non venire' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-2 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-3 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Sempre in contrasti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-4 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-5 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Serpina 'Stizzoso, mio stizzoso' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-6 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-7 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Duetto 'La conosco a quegl'occhietti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-8 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-9 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Serpina 'A Serpina penserete' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-10 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-11 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Uberto 'Son imbrogliato io già' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-12 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 41-13 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Duetto 'Per te io ho nel core' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 42-1 | 'Rejoice in the Lord Alway' | — | ||
| 42-2 | Three Voluntaries for Organ | — | ||
| 42-3 | 'Praise the Lord. O Jerusalem' | — | ||
| 42-4 | 'Awake, and with Attention Hear' | — | ||
| 42-5 | 'O Praise God, in His Holiness' | — | ||
| 42-6 | 'Thou Wakeful Shepherd' | — | ||
| 42-7 | 'Now that the Sun Hath Veil'd his Light' | — | ||
| 42-8 | 'My Beloved Spake' | — | ||
| 42-9 | Two Verses for Organ | — | ||
| 42-10 | 'In Thee, O Lord, Do I Put my Trust' | — | ||
| 43-1 | Dido and Aeneas, Opera in three acts (Highlights): Overture | — | ||
| 43-2 | Dido and Aeneas, Opera in three acts (Highlights): 'Shake the cloud' from off your brow' | — | ||
| 43-3 | Dido and Aeneas, Opera in three acts (Highlights): 'Grief increases by concealing' | — | ||
| 43-4 | Dido and Aeneas, Opera in three acts (Highlights): 'When monarchs unite' | — | ||
| 43-5 | Dido and Aeneas, Opera in three acts (Highlights): 'Whence could so much virtue spring?' | — | ||
| 43-6 | Dido and Aeneas, Opera in three acts (Highlights): 'Fear no danger to ensue' | — | ||
| 43-7 | Dido and Aeneas, Opera in three acts (Highlights): Dance | — | ||
| 43-8 | Dido and Aeneas, Opera in three acts (Highlights): 'Cupid only throws the dart' | — | ||
| 43-9 | Dido and Aeneas, Opera in three acts (Highlights): 'In not for mine, for empire's sake' | — | ||
| 43-10 | Dido and Aeneas, Opera in three acts (Highlights): 'Pursue thy conquest, Love' | — | ||
| 43-11 | Dido and Aeneas, Opera in three acts (Highlights): Dance: Gittars Chacony | — | ||
| 43-12 | Dido and Aeneas, Opera in three acts (Highlights): 'To the hills and the vales' | — | ||
| 43-13 | Dido and Aeneas, Opera in three acts (Highlights): The Triumphing Dance | — | ||
| 43-14 | Dido and Aeneas, Opera in three acts (Highlights): Prelude for the Witches / Wayward sisters | — | ||
| 43-15 | Dido and Aeneas, Opera in three acts (Highlights): 'Harm's our delight' | — | ||
| 43-16 | Dido and Aeneas, Opera in three acts (Highlights): 'In our deep-vaulted cell' | — | ||
| 43-17 | Dido and Aeneas, Opera in three acts (Highlights): Echo Dance of Furies | — | ||
| 43-18 | Dido and Aeneas, Opera in three acts (Highlights): 'Thanks for these lonesome vales' | — | ||
| 43-19 | Dido and Aeneas, Opera in three acts (Highlights): 'Behold, upon my bending spear' | — | ||
| 43-20 | Dido and Aeneas, Opera in three acts (Highlights): 'Hast, haste to town!' | — | ||
| 43-21 | Dido and Aeneas, Opera in three acts (Highlights): Prelude / 'Come away, fellow sailors' | — | ||
| 43-22 | Dido and Aeneas, Opera in three acts (Highlights): The Sailor's Dance | — | ||
| 43-23 | Dido and Aeneas, Opera in three acts (Highlights): 'See the flags' | — | ||
| 43-24 | Dido and Aeneas, Opera in three acts (Highlights): 'Our next motion' | — | ||
| 43-25 | Dido and Aeneas, Opera in three acts (Highlights): 'Destruction's our delight' | — | ||
| 43-26 | Dido and Aeneas, Opera in three acts (Highlights): The Witches' Dance | — | ||
| 43-27 | Dido and Aeneas, Opera in three acts (Highlights): 'Great minds against themselves conspire' | — | ||
| 43-28 | Dido and Aeneas, Opera in three acts (Highlights): 'Thy hand, Belinda' | — | ||
| 43-29 | Dido and Aeneas, Opera in three acts (Highlights): 'When I am laid in earth' | — | ||
| 43-30 | Dido and Aeneas, Opera in three acts (Highlights): 'With drooping winds' | — | ||
| 43-31 | Dido and Aeneas, Opera in three acts (Highlights): Cupid's Dance | — | ||
| 43-32 | Music in King Arthur (Highlights): Overture | — | ||
| 43-33 | Music in King Arthur (Highlights): Aire | — | ||
| 43-34 | Music in King Arthur (Highlights): Song Tune: 'Fairest isle' | — | ||
| 43-35 | Music in King Arthur (Highlights): Hornpipe | — | ||
| 43-36 | Music in King Arthur (Highlights): Aire | — | ||
| 43-37 | Music in King Arthur (Highlights): Song Tune: 'How blest are shepherds' | — | ||
| 43-38 | Music in King Arthur (Highlights): Trumpet Tune | — | ||
| 43-39 | Music in King Arthur (Highlights): Chacone | — | ||
| 43-40 | Music in The Fairy Queen (Highlights): Overture | — | ||
| 43-41 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-42 | Music in The Fairy Queen (Highlights): Rondeau | — | ||
| 43-43 | Music in The Fairy Queen (Highlights): Jigg | — | ||
| 43-44 | Music in The Fairy Queen (Highlights): Dance For Furies | — | ||
| 43-45 | Music in The Fairy Queen (Highlights): Song Tune: 'Sing while we trip it' | — | ||
| 43-46 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-47 | Music in The Fairy Queen (Highlights): Aire | — | ||
| 43-48 | Music in The Fairy Queen (Highlights): Song Tune: 'Thus happy and free' | — | ||
| 43-49 | Music in The Fairy Queen (Highlights): Chacone | — | ||
| 43-50 | Music in The Indian Queen (Highlights): Overture | — | ||
| 43-51 | Music in The Indian Queen (Highlights): Trumpet Tune | — | ||
| 43-52 | Music in The Indian Queen (Highlights): Trumpet Tune | — | ||
| 43-53 | Music in The Indian Queen (Highlights): Aire | — | ||
| 43-54 | Music in The Indian Queen (Highlights): Hornpipe | — | ||
| 43-55 | Music in The Indian Queen (Highlights): Rondeau | — | ||
| 44-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 44-2 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 44-3 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 44-4 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 44-5 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 44-6 | Dardanus : Ouverture | Collegium Aureum | — | |
| 44-7 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 44-8 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 44-9 | Hippolyte et Aricie: Ouverture | — | ||
| 44-10 | Hippolyte et Aricie: Tonnerre | — | ||
| 44-11 | Hippolyte et Aricie: Gavottes I et II | — | ||
| 44-12 | Suite: Platée: Ouverture | — | ||
| 44-13 | Pygmalion: Ouverture | — | ||
| 44-14 | Pygmalion: 'Du pouvoir de l'Amour' | — | ||
| 44-15 | Pygmalion: Air | — | ||
| 44-16 | Pygmalion: Gavotte gracieuse | — | ||
| 44-17 | Pygmalion: Menuet | — | ||
| 44-18 | Pygmalion: Gavotte gaie | — | ||
| 44-19 | Pygmalion: Chaconne vive | — | ||
| 44-20 | Pygmalion: Loure très grave | — | ||
| 44-21 | Pygmalion: Les Grâces | — | ||
| 44-22 | Pygmalion: Rigaudon | — | ||
| 44-23 | Pygmalion: Sarabande pour la Statue | — | ||
| 44-24 | Pygmalion: Tambourin | — | ||
| 44-25 | Pygmalion: 'Cédons à notr'impatience' | — | ||
| 44-26 | Pygmalion: 'Le peuple dans ces lieux' | — | ||
| 44-27 | Pygmalion: L'Amour triomphe' | — | ||
| 44-28 | Pygmalion: Rondeau Contredanse | — | ||
| 44-29 | Zoroastre: Ouverture | — | ||
| 44-30 | Zoroastre: L'amour pour un coeur | — | ||
| 44-31 | Zoroastre: Cher Zoroastre hilas! | — | ||
| 44-32 | Zoroastre: Les rayons du soleil | — | ||
| 44-33 | Zoroastre: Osons achever de grands crimers | — | ||
| 44-34 | Zoroastre: Sommeil fu de ce sejour | — | ||
| 44-35 | Zoroastre: Sur nos coeurs epuise tes armes | — | ||
| 44-36 | Zoroastre: La flamme le consume | — | ||
| 44-37 | Zoroastre: Ah! Nos fureurs ne sont point vaines | — | ||
| 45-1 | Serenata "Puote si poco Amor" (Cupido e Onestà): Introduzione - Puote si poco Amor | — | ||
| 45-2 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Et osi ancor, Cupido | — | ||
| 45-3 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - La costanza | — | ||
| 45-4 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Frena omai l'ardire | — | ||
| 45-5 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Frangi l'arco | — | ||
| 45-6 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Parti, ritorna in Gnido | — | ||
| 45-7 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Miei spirti guerrieri | — | ||
| 45-8 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Contro Irene la bella | — | ||
| 45-9 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - L'ardire destate | — | ||
| 45-10 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Misero, quanto t'inganni | — | ||
| 45-11 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - D'Amore all'assalto | — | ||
| 45-12 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Ma, che rimiro omai? | — | ||
| 45-13 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Tu vuoi ingannarmi, Amor | — | ||
| 45-14 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Mia compagna vuoi farti | — | ||
| 45-15 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Al mio crine | — | ||
| 45-16 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Che più si tarda, Amore? | — | ||
| 45-17 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Lo strale ch'è d'oro | — | ||
| 45-18 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Pastorella gentil | — | ||
| 45-19 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Che si, trafiggo il sen | — | ||
| 45-20 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Mi dileggi | — | ||
| 45-21 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Miralo, e poi | — | ||
| 45-22 | Serenata "Puote si poco Amor" (Cupido e Onestà): Recitativo - Che stabili la bella? | — | ||
| 45-23 | Serenata "Puote si poco Amor" (Cupido e Onestà): Aria - Sì ch'ho vinto | — | ||
| 45-24 | Serenata "Puote si poco Amor" (Cupido e Onestà): Duetto - Agl'abbracci Amor | — | ||
| 45-25 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Lisa, del foco mio | — | ||
| 45-26 | Cantata "Lisa del foco mio" (Clori, e Lisa): Duetto - Sono amante | — | ||
| 45-27 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Amica | — | ||
| 45-28 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Ogni immagine di bene | — | ||
| 45-29 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Benchè rigido è il mio fato | — | ||
| 45-30 | Cantata "Lisa del foco mio" (Clori, e Lisa): Recitativo - Ma dimmi, Lisa mia | — | ||
| 45-31 | Cantata "Lisa del foco mio" (Clori, e Lisa): Aria - Benchè schernito, benchè tradito | — | ||
| 45-32 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Amica, hora che Aprile | — | ||
| 45-33 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Vieni, vedrem di flora | — | ||
| 45-34 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Fra le mura di Roma | — | ||
| 45-35 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Libertà! | — | ||
| 45-36 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Ma se Amor non ti punge | — | ||
| 45-37 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Vieni, potrài col dardo | — | ||
| 45-38 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Sarai s'io ben conosco | — | ||
| 45-39 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Gemme che mi cingete | — | ||
| 45-40 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Andiam, che più si tarda | — | ||
| 45-41 | Cantata "Amica, hora che Aprile" (Filli e Clori): Aria - Dite mai più | — | ||
| 45-42 | Cantata "Amica, hora che Aprile" (Filli e Clori): Recitativo - Innocente belezza | — | ||
| 45-43 | Cantata "Amica, hora che Aprile" (Filli e Clori): Duetto - Si prepari la destra à ferire | — | ||
| 45-44 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Ahi, che sarà di me? | — | ||
| 45-45 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Aria - Fugge sempre, Dorinda mia bella | — | ||
| 45-46 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Amando, penando frà speme e timore | — | ||
| 45-47 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Aria - Se non vuol risanar le mie pene | — | ||
| 45-48 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Oh fato beato! | — | ||
| 45-49 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Recitativo - Tirsi, di che ti lagni? | — | ||
| 45-50 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Così pietate in van | — | ||
| 45-51 | Cantata "Ahi, che sarà di me?" (Floro e Tirsi)Duetto - Che nel regno d'Amore | — | ||
| 46-1 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 141: Allegro | — | ||
| 46-2 | Sonatas 'Pour le Clavecin': Sonata in D major, K 118: Non presto | — | ||
| 46-3 | Sonatas 'Pour le Clavecin': Sonata in D major, K 119: Allegro | — | ||
| 46-4 | Sonatas 'Pour le Clavecin': Sonata in G major, K 454: Andante spirituoso | — | ||
| 46-5 | Sonatas 'Pour le Clavecin': Sonata in G major, K 455: Allegro | — | ||
| 46-6 | Sonatas 'Pour le Clavecin': Sonata in E minor, K 198: Allegro | — | ||
| 46-7 | Sonatas 'Pour le Clavecin': Sonata in E minor, K 203: Vivo non molto | — | ||
| 46-8 | Sonatas 'Pour le Clavecin': Sonata in C major, K 501: Allegretto | — | ||
| 46-9 | Sonatas 'Pour le Clavecin': Sonata in C major, K 502: Allegro | — | ||
| 46-10 | Sonatas 'Pour le Clavecin': Sonata in F major, K 518: Allegro | — | ||
| 46-11 | Sonatas 'Pour le Clavecin': Sonata in F minor, K 519: Allegro assai | — | ||
| 46-12 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 516: Allegretto | — | ||
| 46-13 | Sonatas 'Pour le Clavecin': Sonata in D minor, K 517: Prestissimo | — | ||
| 46-14 | Sonatas 'Pour le Clavecin': Sonata in G minor, K 108: Allegro | — | ||
| 46-15 | Sonatas 'Pour le Clavecin': Sonata in D major, K 490: Cantabile | — | ||
| 46-16 | Sonatas 'Pour le Clavecin': Sonata in D major, K 491: Allegro | — | ||
| 46-17 | Sonatas 'Pour le Clavecin': Sonata in D major, K 492: Presto | — | ||
| 47-1 | Psalms of David (Highlights): Der Herr sprach zu meinem Herrn, SWV 22 | — | ||
| 47-2 | Psalms of David (Highlights): Warum toben die Heiden, SWV 23 | — | ||
| 47-3 | Psalms of David (Highlights): Aus der Tiefe ruf ich, Herr, zu dir, SWV 25 | — | ||
| 47-4 | Psalms of David (Highlights): Ich freu mich des, das mir geredt ist, RWV 26 | — | ||
| 47-5 | Psalms of David (Highlights): Ich hebe meine Augen auf ze den bergen, SWV 31 | — | ||
| 47-6 | Psalms of David (Highlights): Danket dem Herrn, denn er ist freundlich, SWV 32 | — | ||
| 47-7 | Psalms of David (Highlights): Der Herr ist mein Hirt, SWV 33 | — | ||
| 47-8 | Psalms of David (Highlights): Ich danke dem Herrn von ganzen Herzen, SWV 34 | — | ||
| 47-9 | Psalms of David (Highlights): Singet dem Hern ein neues Lied, SWV 35 | — | ||
| 47-10 | Psalms of David (Highlights): Jauchzet dem Herrn, alle Welt, SWV 36 | — | ||
| 47-11 | Psalms of David (Highlights): Lobe den Herren, meine Seele, SWV 39 | — | ||
| 47-12 | Psalms of David (Highlights): Ist nicht Ephraim mein teurer Sohn, SWV 40 | — | ||
| 47-13 | Psalms of David (Highlights): Nun lob, mein Seel, den Herren, SWV 41 | — | ||
| 47-14 | Psalms of David (Highlights): Die mit Tränen säan, SWV 42 | — | ||
| 48-1 | Symphonie Sacrae II (Highlights): IV. Meine Seele erhebt den Herren à 3 | — | ||
| 48-2 | Symphonie Sacrae II (Highlights): V. Der Herr ist meine Stärke à 3 | — | ||
| 48-3 | Symphonie Sacrae II (Highlights): VI. Ich werde nicht sterben à 3 / VII. Ich danke dir,Herr à | — | ||
| 48-4 | Symphonie Sacrae II (Highlights): IX. Frohlocket mit Händen à 3 | — | ||
| 48-5 | Symphonie Sacrae II (Highlights): X. Lobet den Herrn in seinem Heiligthum à 3 | — | ||
| 48-6 | Symphonie Sacrae II (Highlights): XIV. Verleih uns Frieden gnädiglich à 4 / XV. Giebunsern Fürsten à 4 | — | ||
| 48-7 | Symphonie Sacrae II (Highlights): XVI. Es steh Gott auf à 4 | — | ||
| 48-8 | Symphonie Sacrae II (Highlights): XVII. Wie ein Rubin in feinem Golde à 4 | — | ||
| 48-9 | Symphonie Sacrae II (Highlights): XIX. Der Herr ist mein Licht à 4 | — | ||
| 48-10 | Symphonie Sacrae II (Highlights): XXI. Herr, neige deine Himmel à 5 | — | ||
| 48-11 | Symphonie Sacrae II (Highlights): XXII. Von aufgang der Sonnen à 5 | — | ||
| 48-12 | Symphonie Sacrae II (Highlights): XXVI. Von Gott will ich nicht lassen à 5 | — | ||
| 48-13 | Symphonie Sacrae II (Highlights): XXVII. Freuet euch des Herren à 5 | — | ||
| 49-1 | Concerto for 4 Violins in D major: Adagio, Allegro | — | ||
| 49-2 | Concerto for 4 Violins in D major: Grave | — | ||
| 49-3 | Concerto for 4 Violins in D major: Allegro | — | ||
| 49-4 | Concerto for Viola in G major: Largo | — | ||
| 49-5 | Concerto for Viola in G major: Allegro | — | ||
| 49-6 | Concerto for Viola in G major: Andante | — | ||
| 49-7 | Concerto for Viola in G major: Presto | — | ||
| 49-8 | Concerto for Oboe in E minor: Andante | — | ||
| 49-9 | Concerto for Oboe in E minor: Allegro molto | — | ||
| 49-10 | Concerto for Oboe in E minor: Largo | — | ||
| 49-11 | Concerto for Oboe in E minor: Allegro | — | ||
| 49-12 | Concerto for Violin in A minor: Allegro | — | ||
| 49-13 | Concerto for Violin in A minor: Andante | — | ||
| 49-14 | Concerto for Violin in A minor: Presto | — | ||
| 49-15 | Concerto for Flute and Recorder in E minor: Largo | — | ||
| 49-16 | Concerto for Flute and Recorder in E minor: Allegro | — | ||
| 49-17 | Concerto for Flute and Recorder in E minor: Largo | — | ||
| 49-18 | Concerto for Flute and Recorder in E minor: Presto | — | ||
| 49-19 | Suite 'Don Quichotte': Overture | — | ||
| 49-20 | Suite 'Don Quichotte': Don Quichotte's Awakening | — | ||
| 49-21 | Suite 'Don Quichotte': Attacking the Windmills | — | ||
| 49-22 | Suite 'Don Quichotte': The Sighs of Love for Princes | — | ||
| 49-23 | Suite 'Don Quichotte': The cheated Sancho Pansa | — | ||
| 49-24 | Suite 'Don Quichotte': The Gallop of Rosinante / The Gallop of Sancho Pansa's Donkey | — | ||
| 49-25 | Suite 'Don Quichotte': Don Quichotte's Rest | — | ||
| 50-1 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Allegro | — | ||
| 50-2 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Largo | — | ||
| 50-3 | Concerto in F major for 3 Violins, Strings and Basso continuo (from Tafelmusik III): Vivace | — | ||
| 50-4 | Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Largo | — | ||
| 50-5 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Allegro | — | ||
| 50-6 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Gratioso | — | ||
| 50-7 | 4. Concerto in A major for Transverse Flute solo, Violin solo, Strings and Basso continuo (from Tafelmusik I): Allegro | — | ||
| 50-8 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Maestoso | — | ||
| 50-9 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Allegro | — | ||
| 50-10 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Grave | — | ||
| 50-11 | Concerto in E flat major for 2 Horns, Strings and Basso continuo (from Tafelmusik III): Vivace | — | ||
| 50-12 | Suite in D major for Viola da gamba, Strings and Basso continuo: Overture | — | ||
| 50-13 | Suite in D major for Viola da gamba, Strings and Basso continuo: La Trompette | — | ||
| 50-14 | Suite in D major for Viola da gamba, Strings and Basso continuo: Sarabande | — | ||
| 50-15 | Suite in D major for Viola da gamba, Strings and Basso continuo: Rondeau | — | ||
| 50-16 | Suite in D major for Viola da gamba, Strings and Basso continuo: Bourrée | — | ||
| 50-17 | Suite in D major for Viola da gamba, Strings and Basso continuo: Courante with Double | — | ||
| 50-18 | Suite in D major for Viola da gamba, Strings and Basso continuo: Gigue | — | ||
| 51-1 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: I. Allegro | — | ||
| 51-2 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: II. Largo e spiccato | — | ||
| 51-3 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 1: III. Allegro | — | ||
| 51-4 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: I. Adagio e spiccato | — | ||
| 51-5 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: II. Allegro | — | ||
| 51-6 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: III. Larghetto | — | ||
| 51-7 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 2: IV. Allegro | — | ||
| 51-8 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: I. Allegro | — | ||
| 51-9 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: II. Largo | — | ||
| 51-10 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 3: III. Allegro | — | ||
| 51-11 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: I. Andante | — | ||
| 51-12 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: II. Allegro assai | — | ||
| 51-13 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: III. Adagio | — | ||
| 51-14 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 4: IV. Allegro | — | ||
| 51-15 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: I. Allegro | — | ||
| 51-16 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: II. Largo | — | ||
| 51-17 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 5: III. Allegro | — | ||
| 51-18 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: I. Allegro | — | ||
| 51-19 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: II. Largo | — | ||
| 51-20 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 1-6) no. 6: III. Presto | — | ||
| 52-1 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: I. Andante | — | ||
| 52-2 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: II. Adagio | — | ||
| 52-3 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: III. Allegro | — | ||
| 52-4 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: IV. Adagio | — | ||
| 52-5 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 7: V. Allegro | — | ||
| 52-6 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: I. Allegro | — | ||
| 52-7 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: II. Larghetto e spirituoso | — | ||
| 52-8 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 8: III. Allegro | — | ||
| 52-9 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: I. Allegro | — | ||
| 52-10 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: II. Larghetto | — | ||
| 52-11 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 9: III. Allegro | — | ||
| 52-12 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: I. Allegro | — | ||
| 52-13 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: II. Largo - Larghetto - Adagio - Largo | — | ||
| 52-14 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 10: III. Allegro | — | ||
| 52-15 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 11: I. Allegro - Adagio spiccato e tutti - Allegro | — | ||
| 52-16 | L'estro armonico Vol. 1 op. 3 (Concertos nos. 7-12) no. 11: II. Largo e spiccato | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Trisonate Nr.5 in C-Dur, BWV 529 - Allegro | Julian Bream | T-902.685.630-4 |
| A Mighty Fortress Is Our God | Mormon Tabernacle Choir | — |
| Zion Hears the Watchmen's Voices | Mormon Tabernacle Choir | — |
| My Soul Doth Magnify the Lord | Mormon Tabernacle Choir | — |
| “Jesus bleibet meine Freude”: Aus BWV 147 | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Now Keep We All This Holy Feast | Mormon Tabernacle Choir | — |
| Sheep May Safely Graze | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Et Resurrexit (Mass in B minor) | Mormon Tabernacle Choir | — |
| Now Thank We All Our God | Mormon Tabernacle Choir | — |
| Sleepers Awake | Mormon Tabernacle Choir | T-922.060.328-1 |
| Samson, HWV 57: Act I. "Awake the Trumpet's Lofty Sound" | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Let Their Celestial Concerts All Unite | Mormon Tabernacle Choir | — |
| Judas Maccabaeus: See the Conquering Hero Comes | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Sing Unto God | Mormon Tabernacle Choir | — |
| Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" (Chorus) | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.507.711-7 |
| Welcome, Welcome Mighty King | Mormon Tabernacle Choir | — |
| David, His Ten Thousands Slew | Mormon Tabernacle Choir | — |
| But as for His People | Mormon Tabernacle Choir | — |
| Sing Ye to the Lord | Mormon Tabernacle Choir | — |
| Zadok the Priest | Mormon Tabernacle Choir | — |
| Hallelujah (Messiah) | Mormon Tabernacle Choir | — |
| Menuett G-Dur | Philadelphia Orchestra, Eugene Ormandy | — |
| Musette in D major, BWV Anh. 126 | Philadelphia Orchestra, Eugene Ormandy | — |
| Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508 | Philadelphia Orchestra, Eugene Ormandy | — |
| Little Suite: Marche in D major, BWV 122 | Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.066-9 |
| Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.080-7 |
| Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | T-050.063.889-0 |
| Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
