UPC · Release
Yo‐Yo Ma
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886975230723 is the Universal Product Code (UPC barcode) for the release “Yo-Yo Ma: 30 Years Outside the Box” by Yo‐Yo Ma, released 2009-10-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 918 tracks, each with its own ISRC. Tracks include USSM17800650, USSM17800651, USSM17800652.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When Mortals All to Rest Retire, folk song for voice & piano trio, WoO 155/15 | — | ||
| 2 | 'Tis Sunshine at Last, folk song for voice & piano trio, WoO 153/13 | — | ||
| 3 | The Kiss, Dear Maid, folk song for voice & piano, WoO 153/9 | — | ||
| 4 | Cease Your Funning, folk song for voice & piano trio, WoO 156/5 | — | ||
| 5 | The Return to Ulster, folk song for voice & piano trio, WoO 152/1 | — | ||
| 6 | O Mary at Thy Window, folk song for voice & piano trio, Op. 108/17 | — | ||
| 7 | Sally in Our Alley, folk song for voice & piano trio, Op. 108/25 | — | ||
| 8 | Cupid's Kindness, folk song for voice & piano trio, WoO 155/21 | — | ||
| 9 | The Pulse of an Irishman Ever Beats Quicker for voice & piano trio, WoO 154/4 | — | ||
| 10 | On the Massacre of Glencoe, folk song for voice & piano trio, WoO 152/5 | — | ||
| 11 | Oh Harp of Erin, folk song for voice & piano trio, WoO 152/25 | — | ||
| 12 | Come Draw We Round a Cheerful Ring, folk song for voice & piano trio, WoO 152/8 | — | ||
| 13 | The Soldier, folk song for voice & piano trio, WoO 157/2 | — | ||
| 14 | The British Light Dragoons, folk song for voice & piano trio, WoO 153/3 | — | ||
| 15 | The Vale of Clwyd, folk song for voice & piano trio, WoO 155/19 | — | ||
| 16 | Good Night, folk song for voice & piano trio, WoO 155/26 | — | ||
| 2-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion | Gaby Casadesus, Gérard Caussé, Philippe Entremont, Gabin Lauridon, Yo-Yo Ma, Régis Pasquier, Yan Pascal Tortelier | — | |
| 2-2 | Carnival of the Animals, R. 125: Hens and Cocks | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-3 | Carnival of the Animals: III. Wild Asses | Gaby Casadesus, Philippe Entremont, Yo-Yo Ma | — | |
| 2-4 | Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-5 | Carnival of the Animals: V. The Elephant | Gaby Casadesus, Gabin Lauridon, Philippe Entremont | — | |
| 2-6 | Carnival of the Animals, R. 125: Kangaroos | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-7 | Carnival of the Animals: VII. Aquarium | Michel Cals, Gaby Casadesus, Gérard Caussé, Philippe Entremont, Yo-Yo Ma, Alain Marion, Régis Pasquier, Yan Pascal Tortelier | — | |
| 2-8 | Carnival of the Animals, R. 125: Personnages with Long Ears | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-9 | Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods | Michel Arrignon, Gaby Casadesus, Philippe Entremont | — | |
| 2-10 | Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | T-902.759.200-3 | |
| 2-11 | Carnival of the Animals: XI. Pianists | Gaby Casadesus, Gérard Caussé, Philippe Entremont, Gabin Lauridon, Yo-Yo Ma, Régis Pasquier, Yan Pascal Tortelier | T-909.336.850-4 | |
| 2-12 | Carnival of the Animals, R. 125: Fossils | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-13 | Carnival of the Animals: XIII. The Swan | Gaby Casadesus, Philippe Entremont, Yo-Yo Ma | T-900.142.929-4 | |
| 2-14 | Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | T-913.053.370-9 | |
| 2-15 | Variations on a Theme of Beethoven for 2 pianos, Op. 35 | — | ||
| 2-16 | Polonaise for 2 pianos in F minor, Op. 77 | — | ||
| 3-1 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33 | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | — | |
| 3-2 | Concerto for Cello and Orchestra in D minor: I. Prélude. Lento - Allegro maestoso | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | T-307.241.800-5 | |
| 3-3 | Concerto for Cello and Orchestra in D minor: II. Intermezzo. Andantino con moto - Allegro presto | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | — | |
| 3-4 | Concerto for Cello and Orchestra in D minor: III. Introduction. Andante - Allegro vivace | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | T-307.241.800-5 | |
| 4-1 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: I. Moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-905.750.680-6 | |
| 4-2 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-3 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: III. Allegro molto | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-4 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: I. Allegro moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-5 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-802.445.410-3 | |
| 4-6 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: III. Allegro | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 5-1 | Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro - Adagio - Presto - Tempo I | Yo-Yo Ma, Emanuel Ax | — | |
| 5-2 | Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Yo-Yo Ma, Emanuel Ax | — | |
| 5-3 | Sonata for cello & piano No. 2 in G minor, Op. 5/2: I. Adagio Sostenuto E Espressivo-Allegro Molto Piu Tosto Presto | — | ||
| 5-4 | Sonata for cello & piano No. 2 in G minor, Op. 5/2: II. Rondo: Allegro | — | ||
| 6-1 | Tambourin chinois for violin & piano, op. 3 | — | ||
| 6-2 | Sérénade espagnole for piano, op. 150 | — | ||
| 6-3 | Rondo for wind octet in E‐flat major “Rondino”, WoO 25 (excerpt) | — | ||
| 6-4 | Sonatina for violin & piano in G major “Indian Lament”, B. 183 (op. 100) | — | ||
| 6-5 | Als die alte Mutter, song for voice & piano (Gypsy Melodies), B. 104/4 (op. 55/4) | — | ||
| 6-6 | Schön Rosmarin for violin & piano | — | ||
| 6-7 | Liebesfreud | Yo-Yo Ma, Patricia Zander | T-801.289.652-6 | |
| 6-8 | Liebesleid | Yo-Yo Ma, Patricia Zander | — | |
| 6-9 | Caprice for solo violin in E major “The Hunt”, op. 1/9, MS 25/9 | — | ||
| 6-10 | Caprice for solo violin in B‐flat major “The Devil’s Chuckle”, op. 1/13, MS 25/13 | — | ||
| 6-11 | Caprice for solo violin in E‐flat major: (Moderato), op. 1/14, MS 25/14 | — | ||
| 6-12 | Caprice for solo violin in E‐flat major: (Sostenuto–Andante), op. 1/17, MS 25/17 | — | ||
| 6-13 | Caprice for solo violin in A minor (Theme & Variations), op. 1/24, MS 25/24 | — | ||
| 6-14 | Introduction and Variations on “Dal tuo stellato soglio” from Rossini’s “Mosè” for violin & orchestra, MS 23 | — | ||
| 7-1 | Sonata no. 1 in G major, BWV 1027: I. Adagio | Yo-Yo Ma, Kenneth Cooper | T-001.439.586-8 | |
| 7-2 | Sonata no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-3 | Sonata no. 1 in G major, BWV 1027: III. Andante | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-4 | Sonata no. 1 in G major, BWV 1027: IV. Allegro moderato | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-5 | Sonata no. 2 in D major, BWV 1028: I. Adagio | Yo-Yo Ma, Kenneth Cooper | T-323.611.570-7 | |
| 7-6 | Sonata no. 2 in D major, BWV 1028: II. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-7 | Sonata no. 2 in D major, BWV 1028: III. Andante | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-8 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-9 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-10 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Yo-Yo Ma, Kenneth Cooper | T-917.755.866-6 | |
| 7-11 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 8-1 | Suite no. 1 in G major, BWV 1007: I. Prélude | Yo-Yo Ma | — | |
| 8-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Yo-Yo Ma | — | |
| 8-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Yo-Yo Ma | — | |
| 8-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 8-5 | Unaccompanied Cello Suite no. 1 in G major, BWV 1007: Menuett | Yo-Yo Ma | T-001.355.259-4 | |
| 8-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Yo-Yo Ma | — | |
| 8-7 | Suite for solo cello No. 4 in E-flat major, BWV 1010: I. Prélude | — | ||
| 8-8 | Suite for solo cello No. 4 in E-flat major, BWV 1010: II. Allemande | — | ||
| 8-9 | Suite for solo cello No. 4 in E-flat major, BWV 1010: III. Courante | — | ||
| 8-10 | Suite for solo cello No. 4 in E-flat major, BWV 1010: IV. Sarabande | — | ||
| 8-11 | Suite for solo cello No. 4 in E-flat major, BWV 1010: V. Bourrée | — | ||
| 8-12 | Suite for solo cello No. 4 in E-flat major, BWV 1010: VI. Gigue | — | ||
| 8-13 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Yo-Yo Ma | — | |
| 8-14 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Yo-Yo Ma | — | |
| 8-15 | Suite no. 5 in C minor, BWV 1011: III. Courante | Yo-Yo Ma | — | |
| 8-16 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Yo-Yo Ma | — | |
| 8-17 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I-II | Yo-Yo Ma | — | |
| 8-18 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Yo-Yo Ma | — | |
| 9-1 | Suite for solo cello No. 2 in D minor, BWV 1008: I. Prélude | — | ||
| 9-2 | Suite for solo cello No. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 9-3 | Suite for solo cello No. 2 in D minor, BWV 1008: III. Courante | — | ||
| 9-4 | Suite for solo cello No. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 9-5 | Suite for solo cello No. 2 in D minor, BWV 1008: V. Menuett | — | ||
| 9-6 | Suite for solo cello No. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 9-7 | Suite no. 3 in C major, BWV 1009: I. Prélude | Yo-Yo Ma | — | |
| 9-8 | Suite no. 3 in C major, BWV 1009: II. Allemande | Yo-Yo Ma | — | |
| 9-9 | Suite no. 3 in C major, BWV 1009: III. Courante | Yo-Yo Ma | — | |
| 9-10 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Yo-Yo Ma | — | |
| 9-11 | Suite no. 3 in C major, BWV 1009: V. Bourrée I-II | Yo-Yo Ma | — | |
| 9-12 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Yo-Yo Ma | — | |
| 9-13 | Suite for solo cello No. 6 in D major, BWV 1012: I. Prélude | — | ||
| 9-14 | Suite for solo cello No. 6 in D major, BWV 1012: II. Allemande | — | ||
| 9-15 | Suite for solo cello No. 6 in D major, BWV 1012: III. Courante | — | ||
| 9-16 | Suite for solo cello No. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 9-17 | Suite for solo cello No. 6 in D major, BWV 1012: V. Gavotte | — | ||
| 9-18 | Suite for solo cello No. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 10-1 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-2 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato - attacca / III. Cadenza - attacca / IV. Allegro con moto | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Cello Concerto No. 1 in G minor, Op. 49: I. Allegro | — | ||
| 10-4 | Cello Concerto No. 1 in G minor, Op. 49: II. Largo | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-5 | Cello Concerto No. 1 in G minor, Op. 49: III. Allegretto | — | ||
| 11-1 | Suite for cello & jazz piano trio: I. Baroque In Rhythm | — | ||
| 11-2 | Suite for cello & jazz piano trio: II. Concertante | — | ||
| 11-3 | Suite for cello & jazz piano trio: III. Galop | — | ||
| 11-4 | Suite for cello & jazz piano trio: IV. Ballade | — | ||
| 11-5 | Suite for cello & jazz piano trio: V. Romantique | — | ||
| 11-6 | Suite for cello & jazz piano trio: VI. Cello Fan | — | ||
| 12-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Yo-Yo Ma, Emanuel Ax | — | |
| 12-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 12-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-900.167.504-3 | |
| 12-4 | Sonata for cello & piano No. 5 in D major, Op. 102/2: I. Allegro Con Brio | — | ||
| 12-5 | Sonata for cello & piano No. 5 in D major, Op. 102/2: II. Adagio Con Molto Sentimento d'Affetto | — | ||
| 12-6 | Sonata for cello & piano No. 5 in D major, Op. 102/2: III. Allegro Fugato | — | ||
| 13-1 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): I. Allegro Ma Non Troppo | — | ||
| 13-2 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): II. Adagio | — | ||
| 13-3 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): III. Scherzo: Presto-Trio: Andante Sostenuto | — | ||
| 13-4 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): IV. Allegretto | — | ||
| 14-1 | Matsushima Ondo, folk song for voice & piano | — | ||
| 14-2 | Kojo No Tsuki for koto | — | ||
| 14-3 | Zui-Zui-Zukkorobashi, folk song | — | ||
| 14-4 | Defune, folk song | — | ||
| 14-5 | Nara-Yama | — | ||
| 14-6 | Chin-Chin Chidori, folksong | — | ||
| 14-7 | Sakura, Sakura, folk song "Cherry Blossom" | — | ||
| 14-8 | Oroku-Musume, folksong | — | ||
| 14-9 | Chugoku-Chiho-No-Komoriuta, folk song for voice & piano | — | ||
| 14-10 | Chiran-Bushi, folksong | — | ||
| 15-1 | Cello Concerto in E minor, Op. 85: I. Adagio-Moderato / II. Lento-allegro molto | — | ||
| 15-2 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 15-3 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 15-4 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 15-5 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 15-6 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 16-1 | Divertimento for violin, viola & cello in E-flat major, K. 563: I. Allegro | — | ||
| 16-2 | Divertimento for violin, viola & cello in E-flat major, K. 563: II. Adagio | — | ||
| 16-3 | Divertimento for violin, viola & cello in E-flat major, K. 563: III. Menuetto: Allegro-Trio | — | ||
| 16-4 | Divertimento for violin, viola & cello in E-flat major, K. 563: IV. Andante | — | ||
| 16-5 | Divertimento for violin, viola & cello in E-flat major, K. 563: V. Menuetto: Allegretto-Trio I-Trio II | — | ||
| 16-6 | Divertimento for violin, viola & cello in E-flat major, K. 563: VI. Allegro | — | ||
| 17-1 | Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 17-2 | Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto - Trio | Yo-Yo Ma, Emanuel Ax | — | |
| 17-3 | Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 17-4 | Sonata for Piano and Cello no. 2 in F major, op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-031.524.212-6 | |
| 17-5 | Sonata for Piano and Cello no. 2 in F major, op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 17-6 | Sonata for Piano and Cello no. 2 in F major, op. 99: III. Allegro passionato [-Trio] | Yo-Yo Ma, Emanuel Ax | — | |
| 17-7 | Sonata for Piano and Cello no. 2 in F major, op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 18-1 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184) | — | ||
| 18-2 | Concerto for Cello & Orchestra: I. Allegro moderato | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 18-3 | Concerto for Cello & Orchestra: II. Andante, alla marcia | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 18-4 | Concerto for Cello & Orchestra: III. Tempo di Minuetto | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-1 | Sonata for cello & piano No. 4 in C major, Op. 102/1: I. Andante-Allegro Vivace | — | ||
| 19-2 | Sonata for cello & piano No. 4 in C major, Op. 102/1: II. Adagio-Allegro Vivace | — | ||
| 19-3 | 7 Variations in E-flat minor | Emanuel Ax, Yo-Yo Ma | — | |
| 19-4 | Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 | — | ||
| 19-5 | 12 Variations in F major | Emanuel Ax, Yo-Yo Ma | — | |
| 20-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | T-070.013.855-1 | |
| 20-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio, ma non troppo | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-4 | Silent Woods in D-flat major (From the Bohemian Forest op. 68, no. 5) | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-5 | Rondo in G minor, op. 94 | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 21-1 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: I. Allegro moderato | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-2 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: II. Adagio (non troppo) | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-3 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: III. Rondo. Allegro | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-4 | Sinfonia concertante in A major for Violin, Cello and Orchestra: I. Andante di molto | Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | — | |
| 21-5 | Symphonie Concertante for violin, cello & orchestra in A major, CW C34 (T. 284/4): II. Rondeau.Allegro Assai | — | ||
| 21-6 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): I. Allegro Spiritoso | — | ||
| 21-7 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): II. Andante | — | ||
| 21-8 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): III. Allegro | — | ||
| 22-1 | Adagio and Fugue for string quartet (or string orchestra) in C minor, K. 546: I. Adagio | — | ||
| 22-2 | Adagio and Fugue for string quartet (or string orchestra) in C minor, K. 546: II. Fugue | — | ||
| 22-3 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): I. Allegro Molto Moderato | — | ||
| 22-4 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): II. Andante Un Poco Moto | — | ||
| 22-5 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): III. Scherzo: Allegro Vivace | — | ||
| 22-6 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): IV. Allegro Assai | — | ||
| 23-1 | Concerto for Cello and Orchestra in A minor, op. 129: Nicht zu schnell - | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.153.814-8 | |
| 23-2 | Concerto for Cello and Orchestra in A minor, op. 129: Langsam - | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.257.887-7 | |
| 23-3 | Concerto for Cello and Orchestra in A minor, op. 129: Sehr lebhaft | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.257.887-7 | |
| 23-4 | 3 Fantasiestücke, op. 73: no. 1: Zart und mit Ausdruck | Yo-Yo Ma, Emanuel Ax | — | |
| 23-5 | 3 Fantasiestücke, op. 73: no. 2: Lebhaft, leicht | Yo-Yo Ma, Emanuel Ax | — | |
| 23-6 | 3 Fantasiestücke, op. 73: no. 3: Rasch und mit Feuer | Yo-Yo Ma, Emanuel Ax | — | |
| 23-7 | Adagio and Allegro in A-flat major, op. 70: Langsam, mit innigem Ausdruck | Yo-Yo Ma, Emanuel Ax | — | |
| 23-8 | Adagio and Allegro in A-flat major, op. 70: Rasch und feurig | Yo-Yo Ma, Emanuel Ax | — | |
| 23-9 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: I. Mit Humor | — | ||
| 23-10 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: II. Langsam | — | ||
| 23-11 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: III. Nicht Schnell, Mit Viel Ton Zu Spielen | — | ||
| 23-12 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: IV. Nicht Zu Rasch | — | ||
| 23-13 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: V. Stark Und Markiert | — | ||
| 24-1 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): I. Allegro Ma Non Troppo | — | ||
| 24-2 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): II. Allegretto Grazioso | — | ||
| 24-3 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): III. Poco Adagio | — | ||
| 24-4 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): IV. Finale.Allegro Con Brio | — | ||
| 24-5 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): I. Lento Maestoso | — | ||
| 24-6 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): II. Andante | — | ||
| 24-7 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): III. Andante moderato (quasi tempo di marcia) | — | ||
| 24-8 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): IV. Allegro | — | ||
| 24-9 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): V. Lento Maestoso | — | ||
| 25-1 | Concerto for violin, cello & orchestra in A minor, "Double", Op. 102: I. Allegro | — | ||
| 25-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Isaac Stern, Yo-Yo Ma, Chicago Symphony Orchestra, Claudio Abbado | T-312.542.566-9 | |
| 25-3 | Concerto for violin, cello & orchestra in A minor, "Double", Op. 102: III. Vivace Non Troppo | — | ||
| 25-4 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: I. Allegro Non Troppo | — | ||
| 25-5 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: II. Scherzo: Allegro | — | ||
| 25-6 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: III. Andante | — | ||
| 25-7 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: IV. Finale: Allegro Comodo | — | ||
| 26-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante-Moderato | — | ||
| 26-2 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro Con Brio | — | ||
| 26-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | — | ||
| 26-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | — | ||
| 26-5 | Sonata for cello & piano in D minor, Op. 40: I. Allegro Non Troppo | — | ||
| 26-6 | Sonata for cello & piano in D minor, Op. 40: II. Allegro | — | ||
| 26-7 | Sonata for cello & piano in D minor, Op. 40: III. Largo | — | ||
| 26-8 | Sonata for Cello and Piano, op. 40: IV. Allegro | Emanuel Ax, Yo-Yo Ma | — | |
| 27-1 | Cello Concerto in A minor, Op. 22: I. Allegro Moderato | — | ||
| 27-2 | Cello Concerto in A minor, Op. 22: II. Andante Sostenuto | — | ||
| 27-3 | Cello Concerto in A minor, Op. 22: III. Molto Allegro E Appassionato | — | ||
| 27-4 | Cello Symphony for cello & orchestra, Op. 68: I. Allegro Maestoso | — | ||
| 27-5 | Cello Symphony for cello & orchestra, Op. 68: II. Presto Inquieto | — | ||
| 27-6 | Cello Symphony for cello & orchestra, Op. 68: III. Adagio | — | ||
| 27-7 | Cello Symphony for cello & orchestra, Op. 68: IV. Passacaglia: Andante Allegro | — | ||
| 28-1 | Sonata for Cello & Piano in F major, op. 6: I. Allegro con brio | Yo-Yo Ma, Emanuel Ax | — | |
| 28-2 | Sonata for Cello & Piano in F major, op. 6: II. Andante ma non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 28-3 | Sonata for Cello & Piano in F major, op. 6: III. Finale: Allegro vivo | Yo-Yo Ma, Emanuel Ax | — | |
| 28-4 | Sonata for Cello & Piano in C major, op. 65: I. Dialogo: Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 28-5 | Sonata for Cello & Piano in C major, op. 65: II. Scherzo pizzicato: Allegretto | Yo-Yo Ma, Emanuel Ax | — | |
| 28-6 | Sonata for Cello & Piano in C major, op. 65: III. Elegia: Lento | Yo-Yo Ma, Emanuel Ax | — | |
| 28-7 | Sonata for Cello & Piano in C major, op. 65: IV. Marcia: Energico | Yo-Yo Ma, Emanuel Ax | — | |
| 28-8 | Sonata for Cello & Piano in C major, op. 65: V. Moto perpetuo: Presto | Yo-Yo Ma, Emanuel Ax | — | |
| 29-1 | String Quartet No. 15 in E-flat minor, Op. 144: I. Elegy : I. (Adagio) | — | ||
| 29-2 | String Quartet No. 15 in E-flat minor, Op. 144: II. Serenade : II. (Adagio) | — | ||
| 29-3 | String Quartet No. 15 in E-flat minor, Op. 144: III. Intermezzo : III. (Adagio) | — | ||
| 29-4 | String Quartet No. 15 in E-flat minor, Op. 144: IV. Nocturne : IV. (Adagio) | — | ||
| 29-5 | String Quartet No. 15 in E-flat minor, Op. 144: V. Funeral March : V. (Adagio molto) | — | ||
| 29-6 | String Quartet No. 15 in E-flat minor, Op. 144: VI. Epilogue : VI. (Adagio) | — | ||
| 29-7 | Rejoice!, sonata for violin & cello: I. Your Joy No One Will Take Away From You | — | ||
| 29-8 | Rejoice!, sonata for violin & cello: II. Rejoice With Joy | — | ||
| 29-9 | Rejoice!, sonata for violin & cello: III. Rejoice Rabbi | — | ||
| 29-10 | Rejoice!, sonata for violin & cello: IV. And He Returned To His Own Abode | — | ||
| 29-11 | Rejoice!, sonata for violin & cello: V. Heed Thyself | — | ||
| 30-1 | Anything Goes, song (from "Anything Goes") | — | ||
| 30-2 | Easy to love, song (from the film "Born to Dance") | — | ||
| 30-3 | I concentrate on you, song (from "Broadway Melody of 1940") | — | ||
| 30-4 | Just one of those things, song (from "Jubilee") | — | ||
| 30-5 | In the still of the night, song (from "Rosalie") | — | ||
| 30-6 | Love of My Life | Stéphane Grappelli, Yo-Yo Ma | — | |
| 30-7 | Pas-de-Two for cello & piano | — | ||
| 30-8 | Sweet Lorraine | — | ||
| 30-9 | So in love, song (from "Kiss Me Kate") | — | ||
| 30-10 | All through the night, song (from "Anything Goes") | — | ||
| 31-1 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): I. Largo-Molto Allegro | — | ||
| 31-2 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): II. Menuetto-Trio I-Trio II | — | ||
| 31-3 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): III. Adagio | — | ||
| 31-4 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): IV. Menuetto: Allegretto-Trio I-Trio II | — | ||
| 31-5 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): V. Romance: Adagio-Allegretto-Adagio | — | ||
| 31-6 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VI. Thema Mit 6 Variationen-Andante | — | ||
| 31-7 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VII. Finale: Molto Allegro | — | ||
| 31-8 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): I. Allegro | — | ||
| 31-9 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): II. Andante | — | ||
| 31-10 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): III. Rondo.Allegro | — | ||
| 32-1 | Piano Quartet No. 1 in G minor, Op. 25: I. Allegro | — | ||
| 32-2 | Piano Quartet No. 1 in G minor, Op. 25: II. Intermezzo.Allegro Ma Non Troppo-Trio.Animato | — | ||
| 32-3 | Piano Quartet No. 1 in G minor, Op. 25: III. Andante Con Moto | — | ||
| 32-4 | Piano Quartet No. 1 in G minor, Op. 25: IV. Rondo alla Zingarese: Presto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 32-5 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: I. Allegro Non Troppo | — | ||
| 32-6 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: II. Scherzo.Allegro | — | ||
| 32-7 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: III. Andante | — | ||
| 32-8 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: IV. Finale.Allegro Comodo | — | ||
| 33-1 | Piano Quartet No. 2 in A major, Op. 26: I. Allegro Non Troppo | — | ||
| 33-2 | Piano Quartet No. 2 in A major, Op. 26: II. Poco Adagio | — | ||
| 33-3 | Piano Quartet No. 2 in A major, Op. 26: III. Scherzo-Trio.Poco Allegro | — | ||
| 33-4 | Piano Quartet No. 2 in A major, Op. 26: IV. Finale.Allegro | — | ||
| 34-1 | Cello Sonata in C major, op. 119: I. Andante grave - Moderato animato - Allegro moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 34-2 | Cello Sonata in C major, op. 119: II. Moderato - Andante dolce | Emanuel Ax, Yo-Yo Ma | — | |
| 34-3 | Cello Sonata in C major, op. 119: III. Allegro ma non troppo - Andantino | Emanuel Ax, Yo-Yo Ma | — | |
| 34-4 | Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato - Moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 34-5 | Cello Sonata in G minor, op. 19: II. Allegro scherzando | Emanuel Ax, Yo-Yo Ma | T-071.926.821-9 | |
| 34-6 | Cello Sonata in G minor, op. 19: III. Andante | Emanuel Ax, Yo-Yo Ma | T-902.907.611-7 | |
| 34-7 | Cello Sonata in G minor, op. 19: IV. Allegro mosso - Moderato - Vivace | Emanuel Ax, Yo-Yo Ma | — | |
| 35-1 | Eugene Onegin, opera, Op. 24: Polonaise | — | ||
| 35-2 | Sérénade mélancolique for violin & orchestra (or piano) in B minor, Op. 26 | — | ||
| 35-3 | Valse-scherzo for violin & orchestra (or violin & piano) in C major, Op. 34 | — | ||
| 35-4 | 6 Songs for voice & piano, Op. 65: I. Sérénade | — | ||
| 35-5 | 6 Songs for voice & piano, Op. 65: VI. Rondel | — | ||
| 35-6 | Variations on a Rococo Theme for cello & orchestra (or cello & piano) in A major, Op. 33 | — | ||
| 35-7 | The Maid of Orléans (Jeanne d'Arc), opera: "Adieu forets" | — | ||
| 35-8 | 1812 Festival Overture for orchestra in E-flat major, Op. 49 | — | ||
| 36-1 | Grace | — | ||
| 36-2 | Double Mandolin Concerto for 2 mandolins, strings & continuo in G major, RV 532: Andante | — | ||
| 36-3 | The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan) | — | ||
| 36-4 | Stars | — | ||
| 36-5 | Hush, Little Baby | — | ||
| 36-6 | Vocalise | Bobby McFerrin, Yo-Yo Ma | T-900.222.366-7 | |
| 36-7 | Musette for keyboard in D major (AMN II/22; doubtful), BWV Anh. 126 | — | ||
| 36-8 | Coyote | — | ||
| 36-9 | Sonata for 2 cellos No. 10 in G major: Allegro prestissimo | — | ||
| 36-10 | Ave Maria for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | — | ||
| 36-11 | Hoedown! | — | ||
| 36-12 | Orchestral Suite No. 3 in D major, BWV 1068: Air | — | ||
| 36-13 | Good-bye | — | ||
| 37-1 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: I. Andante | — | ||
| 37-2 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: II. Allegro Giusto | — | ||
| 37-3 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: III. Andante Con Moto | — | ||
| 37-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi Andante - Theme. Moderato semplice | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-5 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo della Thema | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-6 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo della Theme | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-7 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-8 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-9 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-10 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-11 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VII. e Coda. Allegro vivo | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-12 | Andante Cantabile for Cello Solo and String Orchestra, op. Posth. | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 38-1 | String Sextet no. 1 in B-flat major, op. 18: I. Allegro ma non troppo | — | ||
| 38-2 | String Sextet no. 1 in B-flat major, op. 18: II. Andante, ma moderato | — | ||
| 38-3 | String Sextet no. 1 in B-flat major, op. 18: III. Scherzo: Allegro molto – Trio: Animato | — | ||
| 38-4 | String Sextet no. 1 in B-flat major, op. 18: IV. Rondo: Poco allegretto e grazioso | — | ||
| 38-5 | Theme and variations for piano in D minor: (after sextet for strings, op. 18) | — | ||
| 39-1 | String Sextet no. 2 in G major, op. 36: I. Allegro non troppo | — | ||
| 39-2 | String Sextet no. 2 in G major, op. 36: II. Scherzo: Allegro non troppo – Trio: Presto giocoso | — | ||
| 39-3 | String Sextet no. 2 in G major, op. 36: III. Adagio | — | ||
| 39-4 | String Sextet no. 2 in G major, op. 36: IV. Poco Allegro | — | ||
| 40-1 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 40-2 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: II. Allegretto quasi Menuetto | Yo-Yo Ma, Emanuel Ax | — | |
| 40-3 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 40-4 | Sonata for Piano and Cello No. 2 in F major, Op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | — | |
| 40-5 | Sonata for Piano and Cello No. 2 in F major, Op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 40-6 | Sonata for Piano and Cello No. 2 in F major, Op. 99: III. Allegro passionato | Yo-Yo Ma, Emanuel Ax | — | |
| 40-7 | Sonata for Piano and Cello No. 2 in F major, Op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | T-329.454.787-4 | |
| 40-8 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: I. Allegro | Yo-Yo Ma, Emanuel Ax | T-322.183.358-1 | |
| 40-9 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: II. Adagio | Yo-Yo Ma, Emanuel Ax | T-322.183.358-1 | |
| 40-10 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: III. Un poco presto e con sentimento | Yo-Yo Ma, Emanuel Ax | — | |
| 40-11 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: IV. Presto agitato | Yo-Yo Ma, Emanuel Ax | — | |
| 41-1 | Verklärte Nacht for string sextet, Op. 4: I. Sehr Langsam (Bar 1) | — | ||
| 41-2 | Verklärte Nacht for string sextet, Op. 4: II. Breiter (Bar 100) | — | ||
| 41-3 | Verklärte Nacht for string sextet, Op. 4: III. Schwer Betont (Bar 201) | — | ||
| 41-4 | Verklärte Nacht for string sextet, Op. 4: IV. Sehr Breit Und Langsam (Bar 229) | — | ||
| 41-5 | Verklärte Nacht for string sextet, Op. 4: V. Sehr Ruhig (Bar 370) | — | ||
| 41-6 | String Trio, Op. 45, part 1: Bar 1 | — | ||
| 41-7 | String Trio, Op. 45: 1st Episode: Bar 52 | — | ||
| 41-8 | String Trio, Op. 45, part 2: Bar 133 | — | ||
| 41-9 | String Trio, Op. 45: 2nd Episode: Bar 180 | — | ||
| 41-10 | String Trio, Op. 45, part 3: Bar 208 | — | ||
| 42-1 | Piano Quartet No. 1 in C minor, Op. 15: I. Allegro Molto Moderato | — | ||
| 42-2 | Piano Quartet No. 1 in C minor, Op. 15: II. Scherzo.Allegro Vivace | — | ||
| 42-3 | Piano Quartet No. 1 in C minor, Op. 15: III. Adagio | — | ||
| 42-4 | Piano Quartet No. 1 in C minor, Op. 15: IV. Allegro Molto | — | ||
| 42-5 | Piano Quartet No. 2 in G minor, Op. 45: I. Allegro Molto Moderato | — | ||
| 42-6 | Piano Quartet No. 2 in G minor, Op. 45: II. Allegro Molto | — | ||
| 42-7 | Piano Quartet No. 2 in G minor, Op. 45: III. Adagio Non Troppo | — | ||
| 42-8 | Piano Quartet No. 2 in G minor, Op. 45: IV. Allegro molto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 43-1 | Sonata for clarinet & piano: I. Grazioso | — | ||
| 43-2 | Sonata for clarinet & piano: II. Andantino | — | ||
| 43-3 | Triptych for violin & cello: I. For Solo Cello | — | ||
| 43-4 | Triptych for violin & cello: II. For Violin And Cello Obbligato | — | ||
| 43-5 | Triptych for violin & cello: III. Presto | — | ||
| 43-6 | Three Preludes: I. Allegro ben ritmato e deciso | Jeffrey Kahane, Yo-Yo Ma | — | |
| 43-7 | Three Preludes: II. Andante con moto e poco rubato | Yo-Yo Ma, Jeffrey Kahane | T-070.126.537-3 | |
| 43-8 | 3 Preludes for piano: III. Allegro Ben Ritmato E Deciso | — | ||
| 43-9 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): I. Moderato | — | ||
| 43-10 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): II. "Tsiaj".Presto | — | ||
| 43-11 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): III. Moderato Con Moto | — | ||
| 44-1 | Carnival Overture, Op. 92 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-2 | Romance in F minor for Violin & Orchestra, Op. 11 | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-010.662.015-8 | |
| 44-3 | Silent Woods for Cello and Orchestra, op. 68 no. 5 | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-4 | Humoresque in G-flat major, op. 101 no. 7 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-106.610.454-7 | |
| 44-5 | O Moon High up in the Deep Sky | Frederica von Stade, Boston Symphony Orchestra, 小澤征爾 | — | |
| 44-6 | Psalm 149 for Chorus & Orchestra, Op. 79 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-7 | Humoresque in E-flat minor, Op. 101, #1 | Rudolf Firkušný | — | |
| 44-8 | Gypsy Melodies for Voice & Piano, Op. 55: No. 4, When My Mother Taught Me to Sing - No. 5, The Strings Are Tuned | Frederica von Stade, Rudolf Firkušný | — | |
| 44-9 | 'Dumky' Trio, Op. 90: Allegro (Dumka #5) | Rudolf Firkušný, Yo-Yo Ma, Itzhak Perlman, Seiji Ozawa | — | |
| 44-10 | Slavonic Dance in E minor, op. 72 no. 2 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-11 | Slavonic Dance in C major, Op. 72, #7 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 45-1 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: I. Grave-Allegro, Ma Non Troppo | — | ||
| 45-2 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: II. Andante Cantabile | — | ||
| 45-3 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: III. Rondo: Allegro, Ma Non Troppo | — | ||
| 45-4 | Piano Quartet in E-flat major, Op. 47: I. Sostenuto Assai-Allegro, Ma Non Troppo | — | ||
| 45-5 | Piano Quartet in E-flat major, Op. 47: II. Scherzo: Molto Vivace | — | ||
| 45-6 | Piano Quartet in E-flat major, Op. 47: III. Andante Cantabile | — | ||
| 45-7 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | — | ||
| 46-1 | Trio for Violin, Cello and Piano in G minor, op. 8: I. Allegro con fuoco | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-2 | Trio for Violin, Cello and Piano in G minor, op. 8: II. Scherzo. Con moto, ma non troppo | Emanuel Ax, Pamela Frank, Yo-Yo Ma | T-911.517.582-1 | |
| 46-3 | Trio for Violin, Cello and Piano in G minor, op. 8: III. Adagio sostenuto | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-4 | Trio for Violin, Cello and Piano in G minor, op. 8: IV. Finale. Allegretto | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-5 | Polonaise brillante in C major, op. 3 (arr. Feuermann) Introduction. Lento - Alla polacca. Allegro con spirito | Emanuel Ax, Yo-Yo Ma | — | |
| 46-6 | Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 46-7 | Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio | Emanuel Ax, Yo-Yo Ma | — | |
| 46-8 | Sonata for Cello and Piano in G minor, op. 65: III. Largo | Emanuel Ax, Yo-Yo Ma | T-309.554.580-1 | |
| 46-9 | Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro | Emanuel Ax, Yo-Yo Ma | — | |
| 46-10 | Polonaise brillante in C major, op. 3, Introduction. Lento - Alla polacca. Allegro con spirito | Ewa Osińska | — | |
| 47-1 | Cello Concerto: I. Audacemente Ma Sostenuto | — | ||
| 47-2 | Cello Concerto: II. Con Brio-Instante (Urgent) | — | ||
| 47-3 | Cello Concerto: III. Larghetto | — | ||
| 47-4 | Cello Concerto: IV. Con Moto-Con Imminenzo E Inquieto | — | ||
| 47-5 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: I. Moderato | — | ||
| 47-6 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: II. Adagio Religioso | — | ||
| 47-7 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: III. Allegro Vivace | — | ||
| 47-8 | Schelomo, rhapsody for cello & orchestra (or piano) | — | ||
| 48-1 | Symphony No. 5 in C minor, "Fate", Op. 67: I. Allegro Con Brio (excerpt) | — | ||
| 48-2 | Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | — | ||
| 48-3 | Symphony No. 3 in E-flat major, "Eroica", Op. 55: I. Allegro Con Brio (excerpt) | — | ||
| 48-4 | Piano Sonata No. 14 in C-sharp minor, "Moonlight", Op. 27/2: I. Adagio Sostenuto | — | ||
| 48-5 | Symphony No. 6 in F major, "Pastoral", Op. 68: IV. Allegro.Thunderstorm | — | ||
| 48-6 | Piano Trio in D major, "Ghost", Op. 70/1: II. Largo Assai Ed Espressivo (excerpt) | — | ||
| 48-7 | Violin Concerto in D major, Op. 61: I. Allegro Ma Non Troppo (excerpt) | — | ||
| 48-8 | Piano Sonata No. 8 in C minor, "Pathétique", Op. 13: II. Adagio Cantabile | — | ||
| 48-9 | Piano Concerto No. 5 in E-flat major, "Emperor", Op. 73: II. Adagio Un Poco Moto / III. Rondo.Allegro (excerpt) | — | ||
| 48-10 | Mass for soloists, chorus & orchestra in D major, "Missa Solemnis", Op. 123: Kyrie | — | ||
| 48-11 | Symphony No. 7 in A major, Op. 92: II. Allegretto (excerpt) | — | ||
| 48-12 | Sonata for violin & piano No. 9 in A major, "Kreutzer", Op. 47: I. Adagio sostenuto-presto (excerpt) | — | ||
| 48-13 | Ode to Joy (An die Freude) | — | ||
| 49-1 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: I. Allegro | — | ||
| 49-2 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: II. Adagio | — | ||
| 49-3 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: III. Andantino Grazioso-Trio | — | ||
| 49-4 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: IV. Allegro | — | ||
| 49-5 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: I. Allegro Con Brio | — | ||
| 49-6 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: II. Adagio | — | ||
| 49-7 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: III. Tema: Pria Ch'io L'Impegno.Allegretto | — | ||
| 49-8 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: I. Andante | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | T-902.128.688-4 | |
| 49-9 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: II. Minuetto – Trio | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | — | |
| 49-10 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: III. Rondo. Allegretto | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | — | |
| 50-1 | Cello Concerto in B minor, op. 104: I. Allegro | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-2 | Cello Concerto in B minor, op. 104: II. Adagio, ma non troppo | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-4 | Cello Concerto no. 2 in E minor, op. 30: I. Allegro impetuoso | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-5 | Cello Concerto no. 2 in E minor, op. 30: II. Andante tranquillo | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-6 | Cello Concerto no. 2 in E minor, op. 30: III. Allegro | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 51-1 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): I. Allegro Vivace | — | ||
| 51-2 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): II. Andante | — | ||
| 51-3 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): III. Scherzo.Presto-Trio | — | ||
| 51-4 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): IV. Theme &Variations.Andantino | — | ||
| 51-5 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): V. Finale.Allegro Giusto | — | ||
| 51-6 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: I. Allegro Moderato | — | ||
| 51-7 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: II. Adagio | — | ||
| 51-8 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: III. Allegretto | — | ||
| 51-9 | Die Forelle "In einem Bächlein helle", song for voice & piano, D. 550 (Op. 32) | — | ||
| 52-1 | Fire, Water, Paper: A Vietnam Oratorio, part 1: Offertorium | — | ||
| 52-2 | Fire, Water, Paper: A Vietnam Oratorio, part 2: Scherzo "Giang Co" (Tug Of War) | — | ||
| 52-3 | Fire, Water, Paper: A Vietnam Oratorio, part 3: Hymn | — | ||
| 53-1 | Works: The Green Groves of Erin / The Flowers of Red Hill | — | ||
| 53-2 | Appalachia Waltz | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-3 | Chief Sitting In the Rain | — | ||
| 53-4 | Mama for violin, cello & double bass | — | ||
| 53-5 | Butterfly’s Day Out | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-6 | Druid Fluid for violin, cello & double bass | — | ||
| 53-7 | First Impressions | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-903.501.733-5 | |
| 53-8 | Étienne et Petunia for cello & double bass | — | ||
| 53-9 | F.C.'s Jig for violin & cello | — | ||
| 53-10 | College Hornpipe | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-11 | Pickles for violin, cello & double bass | — | ||
| 53-12 | Old Country Fairytale for violin, cello & double bass | — | ||
| 53-13 | Schizoozy for violin, cello & double bass | — | ||
| 53-14 | Star of the County Down | — | ||
| 53-15 | Speed the Plow Medley | — | ||
| 53-16 | Fair Dancer Reel | — | ||
| 54-1 | King Gesar for narrator & ensemble, part 1: Calling On The Power Of Goodness In Men's Hearts: An Invocation T | — | ||
| 54-2 | King Gesar for narrator & ensemble, part 2: The Birth Of Gesar | — | ||
| 54-3 | King Gesar for narrator & ensemble, part 3: Gesar In The Desert | — | ||
| 54-4 | King Gesar for narrator & ensemble, part 4: The Horse Race | — | ||
| 54-5 | King Gesar for narrator & ensemble, part 5: The Song Of Manene | — | ||
| 54-6 | King Gesar for narrator & ensemble, part 6: The Battle With The Tirthikas | — | ||
| 54-7 | King Gesar for narrator & ensemble, part 7: Gesar's Song Of Completion | — | ||
| 55-1 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): I. Allegro Ma Non Troppo | — | ||
| 55-2 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): II. Adagio | — | ||
| 55-3 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): III. Scherzo.Presto-Trio.Andante Sostenuto | — | ||
| 55-4 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): IV. Allegretto | — | ||
| 55-5 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): I. Andantino mosso (amoroso) | — | ||
| 55-6 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): II. (Allegro con spirito) | — | ||
| 55-7 | String Quintet in E major, Op. 11 No. 5: III. Minuetto: Con un poco di moto | Jaime Laredo, Cho-Liang Lin, Yo-Yo Ma, Sharon Robinson, Isaac Stern | — | |
| 55-8 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): IV. Rondo. Allegretto (andante) | — | ||
| 56-1 | Concerto for cello and orchestra: I. Invocation (Arioso) | — | ||
| 56-2 | Concerto for cello and orchestra: II. Profanation (Dance) | — | ||
| 56-3 | Concerto for cello and orchestra: III. Soliloquy (Cadenza) | — | ||
| 56-4 | Concerto for cello and orchestra: IV. Prayer And Lamentation (Hymn) | — | ||
| 56-5 | Music for cello & orchestra | — | ||
| 56-6 | Cello Concerto: I. Combattimento.Svolazzante | — | ||
| 56-7 | Cello Concerto: II. Adagiati.Largo, Desolato, Grigio | — | ||
| 57-1 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: I. Allegro | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-902.128.688-4 | |
| 57-2 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: II. Larghetto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-926.819.124-8 | |
| 57-3 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: III. Allegretto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 57-4 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: I. Allegro | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-902.128.688-4 | |
| 57-5 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: II. Andante | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 57-6 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: III. Rondeau | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 58-1 | Sonata for cello & piano: I. Vivace-Andante Espressivo-Allegro | — | ||
| 58-2 | Sonata for cello & piano: II. Adagio | — | ||
| 58-3 | Sonata for cello & piano: III. Allegretto-Fast | — | ||
| 58-4 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: I. Mercy (Slowly) | — | ||
| 58-5 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: II. Stones (Bright and Sassy) | — | ||
| 58-6 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: III. Shelter (Gently) | — | ||
| 58-7 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: IV. The Lacemaker (Slowly) | — | ||
| 58-8 | Two Remembrances for soprano, alto flute & piano: I. A Love Song | — | ||
| 58-9 | Two Remembrances for soprano, alto flute & piano: II. Lyric | — | ||
| 58-10 | Vocalise for soprano, cello & piano (or orchestra) | — | ||
| 59-1 | Symphony 1997: Heaven Earth Mankind: Song of Peace (Prelude) | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-2 | Symphony 1997: Heaven Earth Mankind: I. HEAVEN | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-3 | Symphony 1997: Heaven Earth Mankind: I. Dragon Dance | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-4 | Symphony 1997: Heaven Earth Mankind: I. Phoenix | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-5 | Symphony 1997: Heaven Earth Mankind: I. Jubilation | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-6 | Symphony 1997: Heaven Earth Mankind: I. Opera in Temple Street With Bianzhong | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-7 | Symphony 1997: Heaven Earth Mankind: II. EARTH (Yi³) | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-8 | Symphony 1997: Heaven Earth Mankind: II. Water | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-9 | Symphony 1997: Heaven Earth Mankind: II. Fire | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-10 | Symphony 1997: Heaven Earth Mankind: II. Metal | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-11 | Symphony 1997: Heaven Earth Mankind: III. MANKIND | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-12 | Symphony 1997: Heaven Earth Mankind: III. Lullaby | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-13 | Symphony 1997: Heaven Earth Mankind: III. Song of Peace | Yip’s Children’s Choir, Imperial Bells Ensemble of China, Yo-Yo Ma, Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 60-1 | Seven Years in Tibet | Yo-Yo Ma, John Williams | — | |
| 60-2 | Young Dalai Lama and Ceremonial Chant | John Williams | — | |
| 60-3 | Leaving Ingrid | John Williams | — | |
| 60-4 | Peter's Rescue | John Williams | — | |
| 60-5 | Harrer's Journey | John Williams | — | |
| 60-6 | The Invasion | John Williams | T-700.030.311-9 | |
| 60-7 | Reflections | John Williams | — | |
| 60-8 | Premonitions | John Williams | — | |
| 60-9 | Approaching the Summit | John Williams | — | |
| 60-10 | Palace Invitation | John Williams | — | |
| 60-11 | Heinrich's Odyssey | John Williams | — | |
| 60-12 | Quiet Moments | John Williams | — | |
| 60-13 | Regaining a Son | John Williams | — | |
| 60-14 | Seven Years in Tibet | Yo-Yo Ma, John Williams | — | |
| 61-1 | Song of the Liberty Bell | — | ||
| 61-2 | Johnny Has Gone for a Soldier | James Taylor, Mark O’Connor | T-922.039.132-2 | |
| 61-3 | Surrender the Sword for violin & strings (for the television series Liberty: The American Revolution) | — | ||
| 61-4 | Soldier’s Joy | Mark O’Connor, Yo-Yo Ma, Wynton Marsalis, James Taylor | T-700.147.173-6 | |
| 61-5 | When Bidden to the Wake or Fair | — | ||
| 61-6 | The World Turned Upside Down | — | ||
| 61-7 | Bunker Hill | — | ||
| 61-8 | Freedom (theme for the series “Liberty: The American Revolution”) | — | ||
| 61-9 | Flowers of Edinburgh | — | ||
| 61-10 | Brave Wolfe | — | ||
| 61-11 | Devil’s Dream | — | ||
| 61-12 | Song of the Liberty Bell | — | ||
| 62-1 | Libertango | Antonio Agri, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Leonardo Marconi, Néstor Marconi, Jorge Calandrelli | T-900.764.940-3 | |
| 62-2 | Tango Suite: Andante | Odair Assad, Sérgio Assad, Yo-Yo Ma, Jorge Calandrelli | — | |
| 62-3 | Tango Suite: Allegro | Odair Assad, Sérgio Assad, Yo-Yo Ma, Jorge Calandrelli | — | |
| 62-4 | Sur: Regreso al amor | Héctor Console, Yo-Yo Ma, Leonardo Marconi, Néstor Marconi, Jorge Calandrelli | T-003.057.796-8 | |
| 62-5 | Le Grand Tango | Yo-Yo Ma, Kathryn Stott, Jorge Calandrelli | — | |
| 62-6 | Fugata | Antonio Agri, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Kathryn Stott, Jorge Calandrelli | — | |
| 62-7 | Tango Remembrances | Yo-Yo Ma, Astor Piazzolla, Jorge Calandrelli | — | |
| 62-8 | Mumuki | Antonio Agri, Héctor Console, Gerardo Gandini, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Jorge Calandrelli | T-003.047.827-3 | |
| 62-9 | Tres minutos con la realidad | Antonio Agri, Oscar Castro-Neves, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Kathryn Stott, Jorge Calandrelli | T-910.262.122-7 | |
| 62-10 | Milonga del Ángel | Edwin Barker, Frank Corliss, Yo-Yo Ma, Néstor Marconi, Jorge Calandrelli | T-900.759.241-8 | |
| 62-11 | Café 1930 | Yo-Yo Ma, Néstor Marconi, Jorge Calandrelli | — | |
| 63-1 | Prélude from Suite no. 1 in G major, BWV 1007 | Yo-Yo Ma | — | |
| 63-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Yo-Yo Ma | — | |
| 63-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Yo-Yo Ma | — | |
| 63-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Yo-Yo Ma | — | |
| 63-5 | Suite no. 1 in G major, BWV 1007: V. Menuett I/II | Yo-Yo Ma | T-001.355.259-4 | |
| 63-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Yo-Yo Ma | — | |
| 63-7 | Suite no. 2 in D minor, BWV 1008: I. Prélude | Yo-Yo Ma | T-919.529.720-2 | |
| 63-8 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Yo-Yo Ma | — | |
| 63-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | Yo-Yo Ma | — | |
| 63-10 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 63-11 | Suite no. 2 in D minor, BWV 1008: V. Menuett I/II | Yo-Yo Ma | T-001.355.259-4 | |
| 63-12 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Yo-Yo Ma | — | |
| 63-13 | Suite no. 3 in C major, BWV 1009: I. Prélude | Yo-Yo Ma | — | |
| 63-14 | Suite no. 3 in C major, BWV 1009: II. Allemande | Yo-Yo Ma | — | |
| 63-15 | Suite no. 3 in C major, BWV 1009: III. Courante | Yo-Yo Ma | — | |
| 63-16 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 63-17 | Suite no. 3 in C major, BWV 1009: V. Bourrée I/II | Yo-Yo Ma | — | |
| 63-18 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Yo-Yo Ma | — | |
| 63-19 | Suite no. 4 in E-flat major, BWV 1010: I. Prélude | Yo-Yo Ma | — | |
| 63-20 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Yo-Yo Ma | — | |
| 63-21 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Yo-Yo Ma | — | |
| 64-1 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 64-2 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I/II | Yo-Yo Ma | — | |
| 64-3 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Yo-Yo Ma | — | |
| 64-4 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Yo-Yo Ma | — | |
| 64-5 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Yo-Yo Ma | — | |
| 64-6 | Suite no. 5 in C minor, BWV 1011: III. Courante | Yo-Yo Ma | — | |
| 64-7 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Yo-Yo Ma | — | |
| 64-8 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Yo-Yo Ma | — | |
| 64-9 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Yo-Yo Ma | — | |
| 64-10 | Suite no. 6 in D major, BWV 1012: I. Prélude | Yo-Yo Ma | — | |
| 64-11 | Suite no. 6 in D major, BWV 1012: II. Allemande | Yo-Yo Ma | — | |
| 64-12 | Suite no. 6 in D major, BWV 1012: III. Courante | Yo-Yo Ma | — | |
| 64-13 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 64-14 | Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Yo-Yo Ma | — | |
| 64-15 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Yo-Yo Ma | — | |
| 65-1 | Suite for 2 violins, cello & piano left hand, Op. 23: I. Präludium Und Fuge.Kräftig Und Bestimmt | — | ||
| 65-2 | Suite for 2 violins, cello & piano left hand, Op. 23: II. Walzer.Nicht Schnell, Anmutig | — | ||
| 65-3 | Suite for 2 violins, cello & piano left hand, Op. 23: III. Groteske.Möglich Rasch | — | ||
| 65-4 | Suite for 2 violins, cello & piano left hand, Op. 23: IV. Lied.Schlicht Und Innig.Nicht Zu Langsam | — | ||
| 65-5 | Suite for 2 violins, cello & piano left hand, Op. 23: V. Rondo-Finale (variationen).Schnell, Heftig | — | ||
| 65-6 | Quintet for piano (left hand) & string quartet in G major: I. Lebhaft, Doch Nicht Schnell | — | ||
| 65-7 | Quintet for piano (left hand) & string quartet in G major: II. Adagio | — | ||
| 65-8 | Quintet for piano (left hand) & string quartet in G major: III. Sehr Ruhig | — | ||
| 65-9 | Quintet for piano (left hand) & string quartet in G major: IV. Sehr Lebhaft | — | ||
| 66-1 | The Protecting Veil for cello & orchestra: I. The Protecting Veil | — | ||
| 66-2 | The Protecting Veil for cello & orchestra: II. Annunciation | — | ||
| 66-3 | The Protecting Veil for cello & orchestra: III. The Incarnation | — | ||
| 66-4 | The Protecting Veil for cello & orchestra: IV. Lament Of The Mother Of God At The Cross | — | ||
| 66-5 | The Protecting Veil for cello & orchestra: V. Christ Is Risen! | — | ||
| 66-6 | The Protecting Veil for cello & orchestra: VI. The Dormition Of The Mother Of God | — | ||
| 66-7 | The Protecting Veil for cello & orchestra: VII. The Protecting Veil | — | ||
| 66-8 | Wake Up ... and Die for solo cello & cello ensemble | — | ||
| 67-1 | Cantata No. 167, "Ihr Menschen, rühmet Gottes Liebe," BWV 167 (BC A176): "Sei Lob Und Preis Mit Ehren" | — | ||
| 67-2 | Erbarme Dich (from St. Matthew Passion), BWV 244 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-902.685.853-7 | |
| 67-3 | “Jesus, bleibet meine Freude” (Jesu, Joy of Man’s Desiring), BWV 147 | Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra | T-902.433.445-0 | |
| 67-4 | Cantata No. 22, "Jesus nahm zu sich die Zwölfe," BWV 22 (BC A48): "Ertöt' Uns Durch Dein' Güte" | — | ||
| 67-5 | Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (orgel-Büchlein No. 41), BWV 639 (BC K68) | — | ||
| 67-6 | Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale No. 6), BWV 650 (BC K27) | — | ||
| 67-7 | Cantata No. 163, "Nur jedem das Seine!" BWV 163 (BC A158): "Laß Mein Herz Die Münze Sein" | — | ||
| 67-8 | Cantata No. 136, "Erforsche mich, Gott, und erfahre mein Herz," BWV 136 (BC A111): "Dein Blut, Der Edle Saft" | — | ||
| 67-9 | Orchestral Suite No. 3 in D major, BWV 1068: Air | — | ||
| 67-10 | Cello Concerto in G major, G. 480: I. Allegro | — | ||
| 67-11 | Cello Concerto in G major, G. 480: II. Adagio | — | ||
| 67-12 | Cello Concerto in G major, G. 480: III. Allegro | — | ||
| 67-13 | Cello Concerto in D major, G. 478 (doubtful): I. Allegro Con Spirito | — | ||
| 67-14 | Cello Concerto in D major, G. 478 (doubtful): II. Larghetto | — | ||
| 67-15 | Cello Concerto in D major, G. 478 (doubtful): III. Rondo | — | ||
| 67-16 | Cello Concerto in D major, G. 478 (doubtful): IV. Rondo Comodo Assai | — | ||
| 68-1 | Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro Non Troppo | — | ||
| 68-2 | Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro Appassionato | — | ||
| 68-3 | Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante | — | ||
| 68-4 | Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto Grazioso | — | ||
| 68-5 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: I. Vivace Ma Non Troppo | — | ||
| 68-6 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: II. Adagio | — | ||
| 68-7 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: III. Allegro Molto Moderato | — | ||
| 69-1 | Appalachia Waltz | Yo-Yo Ma | — | |
| 69-2 | Seven Tunes Heard In China for cello: I. Seasons | — | ||
| 69-3 | Seven Tunes Heard In China for cello: II. Guessing Song | — | ||
| 69-4 | Seven Tunes Heard In China for cello: III. Little Cabbage | — | ||
| 69-5 | Seven Tunes Heard In China for cello: IV. The Drunken Fisherman | — | ||
| 69-6 | Seven Tunes Heard In China for cello: V. Diu Diu Dong | — | ||
| 69-7 | Seven Tunes Heard In China for cello: VI. Pastoral Ballade | — | ||
| 69-8 | Seven Tunes Heard In China for cello: VII. Tibetan Dance | — | ||
| 69-9 | The Cellist of Sarajevo | Yo-Yo Ma | T-010.898.233-7 | |
| 69-10 | Suite for solo cello: I. Quasi Cadenza (Quarter Note = 80) | — | ||
| 69-11 | Suite for solo cello: II. Quarter Note = 96 | — | ||
| 69-12 | Suite for solo cello: III. Eighth Note = 42 | — | ||
| 69-13 | Suite for solo cello: IV. Vivace (Quarter Note = 104) | — | ||
| 69-14 | Sonata for solo cello, Op. 8: I. Allegro maestoso ma appassionato | — | ||
| 69-15 | Sonata for solo cello, Op. 8: II. Adagio | — | ||
| 69-16 | Sonata for solo cello, Op. 8: III. Allegro molto vivace | — | ||
| 70-1 | 1B | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-2 | Misty Moonlight Waltz | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 70-3 | Hard Times Come Again No More | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, James Taylor | T-902.821.023-3 | |
| 70-4 | Indecision | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-5 | Limerock | Yo-Yo Ma, Mark O’Connor | — | |
| 70-6 | Benjamin | James Taylor, Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-070.257.782-9 | |
| 70-7 | Fisher’s Hornpipe | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, Alison Krauss | — | |
| 70-8 | Duet for Cello and Bass | Yo-Yo Ma, Edgar Meyer | — | |
| 70-9 | Emily’s Reel | Edgar Meyer, Béla Fleck, Mike Marshall | — | |
| 70-10 | Cloverfoot Reel | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-11 | Poem for Carlita | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-12 | Caprice for Three | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 70-13 | Second Time Around | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-070.134.567-6 | |
| 70-14 | Slumber, My Darling | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, Alison Krauss | T-329.509.797-7 | |
| 70-15 | Vistas | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 71-1 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): I. Allegro Con Fuoco | — | ||
| 71-2 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): II. Lento | — | ||
| 71-3 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): III. Allegro Moderato, Grazioso | — | ||
| 71-4 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): IV. Finale.Allegro, Ma Non Troppo | — | ||
| 71-5 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): I. Allegro Moderato | — | ||
| 71-6 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): II. Allegro Maestoso | — | ||
| 71-7 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): III. Allegro Appassionato | — | ||
| 71-8 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): IV. Larghetto | — | ||
| 71-9 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): I. Allegro Risoluto | — | ||
| 71-10 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): II. Larghetto | — | ||
| 71-11 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): III. Scherzo.Molto Vivace | — | ||
| 71-12 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): IV. Finale.Allegro | — | ||
| 72-1 | Cantata, BWV 75 "Das Elenden sollen essen": "Was Gott tut, das ist wohlgetan" | Yo-Yo Ma | — | |
| 72-2 | Goldberg Variations for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria | — | ||
| 72-3 | “Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-031.722.033-9 | |
| 72-4 | Wer nur den lieben Gott lässt walten (II), chorale prelude for organ (Schübler Chorale No. 3), BWV 647 (BC K24) | — | ||
| 72-5 | Cantata No. 186, "Ärgre dich, O Seele, nicht," BWV 186 (BC A108): "Die Hoffnung Wart' Der Rechten Zeit" | — | ||
| 72-6 | Meine Seele erhebet den Herren, chorale prelude for organ (Schübler Chorale No. 4), BWV 648 (BC K25) | — | ||
| 72-7 | “Schafe können sicher weiden” (Sheep May Safely Graze), BWV 208 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-325.954.727-4 | |
| 72-8 | Cantata No. 76, "Die Himmel erzählen die Ehre Gottes," BWV 76 (BC A97): "Es Danke, Gott Und Lobe Dich Das Volk In Guten Taten" | — | ||
| 72-9 | Ach bleib' bei uns, Herr Jesu Christ, chorale prelude for organ "Schübler No. 5", BWV 649 (BC K26) | — | ||
| 72-10 | Cello Concerto in B-flat major, G. 482: I. Allegro Moderato | — | ||
| 72-11 | Cello Concerto in B-flat major, G. 482: II. Andante Grazioso | — | ||
| 72-12 | Cello Concerto in B-flat major, G. 482: III. Rondo-Allegro | — | ||
| 72-13 | Cello Concerto in D major, G. 476: I. Allegro | — | ||
| 72-14 | Cello Concerto in D major, G. 476: II. Largo | — | ||
| 72-15 | Cello Concerto in D major, G. 476: III. Allegro Piacere | — | ||
| 73-1 | Fancy on a Bach Air for cello | — | ||
| 73-2 | Fantasia on an Ostinato for piano | — | ||
| 73-3 | Etude Fantasy for piano: I. For the Left Hand Alone | — | ||
| 73-4 | Etude Fantasy for piano: II. Legato | — | ||
| 73-5 | Etude Fantasy for piano: III. Fifths To Thirds | — | ||
| 73-6 | Etude Fantasy for piano: IV. Ornaments | — | ||
| 73-7 | Etude Fantasy for piano: V. Melody | — | ||
| 73-8 | Phantasmagoria (on themes from "The Ghosts of Versailles") for cello & piano | — | ||
| 74-1 | Crouching Tiger, Hidden Dragon | 谭盾 | — | |
| 74-2 | Eternal Vow (Crouching Tiger, Hidden Dragon) | Alimjan, David Cossin, Kasim Cossin, Yo-Yo Ma, 上海交响乐团, Shanghai National Orchestra | — | |
| 74-3 | A Wedding Interrupted | 谭盾 | T-902.773.623-8 | |
| 74-4 | Night Fight | 谭盾 | — | |
| 74-5 | Silk Road | 谭盾 | — | |
| 74-6 | To the South | 谭盾 | T-904.695.412-5 | |
| 74-7 | Through the Bamboo Forest | 谭盾 | — | |
| 74-8 | The Encounter | 谭盾 | — | |
| 74-9 | Desert Capriccio | 谭盾 | — | |
| 74-10 | In the Old Temple | 谭盾 | T-070.187.602-9 | |
| 74-11 | Yearning of the Sword | 谭盾 | — | |
| 74-12 | Sorrow | 谭盾 | — | |
| 74-13 | Farewell | 谭盾 | T-932.019.536-6 | |
| 74-14 | A Love Before Time (English) | 谭盾 | T-072.654.045-9 | |
| 74-15 | A Love Before Time (Mandarin) | 谭盾 | T-072.654.045-9 | |
| 75-1 | Concerto for Cello and Orchestra: Theme and Cadenza | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-2 | Concerto for Cello and Orchestra: Blues | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-3 | Concerto for Cello and Orchestra: Scherzo | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-4 | Concerto for Cello and Orchestra: Song | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-5 | Elegy for Cello and Orchestra | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-918.063.884-0 | |
| 75-6 | Three Pieces for Solo Cello: Rosewood | Yo-Yo Ma | — | |
| 75-7 | Three Pieces for Solo Cello: Pickin’ | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 75-8 | Three Pieces for Solo Cello: The Long Way North | Yo-Yo Ma | — | |
| 75-9 | Heartwood | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 76-1 | Mongolian Traditional Long Song | Ganbaataryn Khongorzul | — | |
| 76-2 | Legend of Herlen | Ganbaataryn Khongorzul, Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-3 | Blue Little Flower | Yo-Yo Ma, Silk Road Ensemble, Wu Tong | T-072.317.469-3 | |
| 76-4 | Mido Mountain | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-5 | Moon Over Guan Mountains | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-6 | Five Finnish Folksongs: No. 3 Miero vuotti uutta kuuta | Joel Fan, Yo-Yo Ma | — | |
| 76-7 | Five Finnish Folksongs: No. 5 Joiku | Joel Fan, Yo-Yo Ma | — | |
| 76-8 | Avaz‐e Dashti | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-9 | Habil‐Sayagy (In Habil’s Style) for Violoncello and Prepared Piano | Joel Fan, Yo-Yo Ma | — | |
| 76-10 | Blue as the Turquoise Night of Neyshabur | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-11 | Chi passa per’sta strada | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-12 | Desert Capriccio | Yo-Yo Ma, Silk Road Ensemble | — | |
| 77-1 | Double Concerto for Cello and Double Bass: I. ♩ = 110 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-2 | Double Concerto for Cello and Double Bass: II. ♩ = 65 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-3 | Double Concerto for Cello and Double Bass: III. ♩ = 150 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-4 | Concerto no. 2 in B minor for Double Bass and Orchestra: I. Allegro moderato | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-5 | Concerto no. 2 in B minor for Double Bass and Orchestra: II. Andante | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-6 | Concerto no. 2 in B minor for Double Bass and Orchestra: III. Allegro | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-7 | Concerto in D for Double Bass and Orchestra: I. ♩ = 109 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-8 | Concerto in D for Double Bass and Orchestra: II. ♩ = 74 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-9 | Concerto in D for Double Bass and Orchestra: III. ♩ = 190 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-10 | Gran Duo Concertante | Joshua Bell, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | T-071.000.879-9 | |
| 78-1 | Naqoyqatsi | Philip Glass | T-071.657.950-8 | |
| 78-2 | Primacy of Number | Philip Glass | T-072.673.413-9 | |
| 78-3 | Massman | Philip Glass | T-072.660.101-9 | |
| 78-4 | New World | Philip Glass | T-072.666.849-0 | |
| 78-5 | Religion | Philip Glass | T-071.657.950-8 | |
| 78-6 | Media Weather | Philip Glass | T-071.497.474-9 | |
| 78-7 | Old World | Philip Glass | T-071.497.566-2 | |
| 78-8 | Intensive Time | Philip Glass | T-071.497.254-9 | |
| 78-9 | Point Blank | Philip Glass | T-071.497.614-3 | |
| 78-10 | The Vivid Unknown | Philip Glass | T-071.497.951-7 | |
| 78-11 | Definition | Philip Glass | T-071.496.921-7 | |
| 79-1 | Méditation from Thaïs | Yo-Yo Ma, Kathryn Stott | T-306.705.438-6 | |
| 79-2 | Sonata for violin & piano No. 1 in A major, Op. 13: I. Allegro Molto | — | ||
| 79-3 | Sonata for violin & piano No. 1 in A major, Op. 13: II. Andante | — | ||
| 79-4 | Sonata for violin & piano No. 1 in A major, Op. 13: III. Allegro Vivo | — | ||
| 79-5 | Sonata for violin & piano No. 1 in A major, Op. 13: IV. Allegro Quasi Presto | — | ||
| 79-6 | Havanaise, in E major for violin & piano (or orchestra), Op. 83 | — | ||
| 79-7 | Sonata for violin & piano in A major, M. 8: I. Allegretto Ben Moderato | — | ||
| 79-8 | Sonata for violin & piano in A major, M. 8: II. Allegro | — | ||
| 79-9 | Sonata for violin & piano in A major, M. 8: III. Recitativo-Fantasia: Ben Moderato | — | ||
| 79-10 | Violin Sonata in A major: IV. Allegretto poco mosso | Yo-Yo Ma, Kathryn Stott | — | |
| 80-1 | Cristal | Yo-Yo Ma, César Camargo Mariano | — | |
| 80-2 | Chega de saudade | Rosa Passos, Yo-Yo Ma | T-039.000.722-3 | |
| 80-3 | A lenda do caboclo | Odair Assad, Sérgio Assad, Yo-Yo Ma | — | |
| 80-4 | Doce de coco | Yo-Yo Ma | — | |
| 80-5 | Dança brasileira | Yo-Yo Ma | T-039.006.486-4 | |
| 80-6 | Apelo | Yo-Yo Ma | — | |
| 80-7 | Dança negra | Yo-Yo Ma | T-039.007.723-2 | |
| 80-8 | 1×0 | Yo-Yo Ma | T-039.037.569-5 | |
| 80-9 | Menino | Yo-Yo Ma | T-903.270.784-9 | |
| 80-10 | Samambaia | Yo-Yo Ma | T-904.465.605-5 | |
| 80-11 | Carinhoso | Yo-Yo Ma | T-916.268.769-6 | |
| 80-12 | Alma brasileira | Yo-Yo Ma | T-901.135.990-3 | |
| 80-13 | O amor em paz | Yo-Yo Ma | T-041.699.597-5 | |
| 80-14 | Bodas de prata & Quatro cantos | Yo-Yo Ma | — | |
| 80-15 | Brasileirinho | Yo-Yo Ma | T-039.000.663-9 | |
| 80-16 | Salvador | Yo-Yo Ma | T-039.082.438-0 | |
| 81-1 | Libertango | Yo-Yo Ma | T-900.764.940-3 | |
| 81-2 | Chega de Saudade | Cyro Baptista, Yo-Yo Ma, Nilson Matta, Rosa Passos, Kathryn Stott | T-039.000.722-3 | |
| 81-3 | Merengue | Yo-Yo Ma | — | |
| 81-4 | Menino | Yo-Yo Ma | T-903.270.784-9 | |
| 81-5 | Águas de Março | Yo-Yo Ma | T-070.247.690-1 | |
| 81-6 | Wapango | Cyro Baptista, Paquito D’Rivera, Yo-Yo Ma, Kathryn Stott | T-307.233.972-7 | |
| 81-7 | Doce de Coco | Yo-Yo Ma | — | |
| 81-8 | Cristal | Yo-Yo Ma | — | |
| 81-9 | Tango Suite (Andante & Allegro) | Yo-Yo Ma | — | |
| 81-10 | Afro | Yo-Yo Ma | — | |
| 81-11 | Bodas de Prata & Quatro Cantos | Yo-Yo Ma | — | |
| 81-12 | Aquarela do Brasil | Yo-Yo Ma | T-039.000.073-3 | |
| 81-13 | Zita | Yo-Yo Ma | T-900.765.988-3 | |
| 81-14 | Só Danço Samba | Yo-Yo Ma | T-041.645.314-9 | |
| 82-1 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: I. Allegro | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-2 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: II. Largo | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-3 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: III. Allegro | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-4 | II. Largo from “Winter” from the Four Seasons, op. 8 no. 4 | Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra | — | |
| 82-5 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: I. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-312.958.407-8 | |
| 82-6 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: II. Largo | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-7 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: III. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-8 | "Cosi sugl' occhi miei" from La fida ninfa, RV 714 | Yo-Yo Ma, Wouter Verschuren, Alfredo Bernardini, Margaret Faultless, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-9 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: I. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-312.958.407-8 | |
| 82-10 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: II. Largo | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-11 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: III. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-12 | "La gloria del mio sangue" from Il Giustino, RV 717 | Yo-Yo Ma, Alfredo Bernardini, Michel Henry, Amsterdam Baroque Orchestra, Ton Koopman | T-061.483.131-0 | |
| 82-13 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: I. Allegro non molto | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-14 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: II. Adagio | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-15 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: III. Allegro ma non molto | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-16 | "Noli, ò cara, te adorantis" from Juditha triumphans, RV 644 | Yo-Yo Ma, Alfredo Bernardini, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-17 | "Laudamus Te" from Gloria, RV 589 | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | T-061.483.131-0 | |
| 82-18 | "Quanto magis generosa" from Juditha triumphans, RV 644 | Yo-Yo Ma, Katherine McGillivray, Amsterdam Baroque Orchestra, Ton Koopman | T-910.415.366-4 | |
| 82-19 | "Dite oihmè" from La fida ninfa, RV 714 | Yo-Yo Ma, Jonathan Manson, Mike Fentross, Amsterdam Baroque Orchestra, Ton Koopman | T-011.572.610-7 | |
| 83-1 | Piano Trio in B-flat major, D. 898 (op. 99): I. Allegro moderato | Isaac Stern | — | |
| 83-2 | Piano Trio in B-flat major, D. 898 (op. 99): II. Andante un poco mosso | Isaac Stern | — | |
| 83-3 | Piano Trio in B-flat major, D. 898 (op. 99): III. Scherzo. Allegro | Isaac Stern | — | |
| 83-4 | Piano Trio in B-flat major, D. 898 (op. 99): IV. Rondo. Allegro vivace | Isaac Stern | — | |
| 83-5 | String Quintet No. 2 in G major, Op. 111: I. Allegro non troppo, ma con brio | — | ||
| 83-6 | String Quintet No. 2 in G major, Op. 111: II. Adagio | — | ||
| 83-7 | String Quintet No. 2 in G major, Op. 111: III. Un poco allegretto | — | ||
| 83-8 | String Quintet No. 2 in G major, Op. 111: IV. Vivace ma non troppo presto | — | ||
| 83-9 | Partita for solo violin No. 1 in B minor, BWV 1002: Sarabande / Double | — | ||
| 83-10 | Rondo for violin & orchestra in C major, K. 373 | — | ||
| 84-1 | “Gabriel’s Oboe” from The Mission | Gilda Buttà, Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.002.184-5 | |
| 84-2 | “The Falls” from The Mission | Gilda Buttà, Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.152.654-8 | |
| 84-3 | Giuseppe Tornatore Suite: The Legend of 1900: Playing Love | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.300.127-9 | |
| 84-4 | Giuseppe Tornatore Suite: Cinema Paradiso: Nostalgia | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-070.188.572-4 | |
| 84-5 | Giuseppe Tornatore Suite: Cinema Paradiso: Looking for You | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.015.501-5 | |
| 84-6 | Giuseppe Tornatore Suite: Malena: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.123.228-0 | |
| 84-7 | Giuseppe Tornatore Suite: A Pure Formality: Ricordare | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-006.628.583-3 | |
| 84-8 | Sergio Leone Suite: Once Upon a Time in America: Deborah’s Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-910.260.346-3 | |
| 84-9 | Sergio Leone Suite: Once Upon a Time in America: Cockeye’s Song | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-910.257.784-4 | |
| 84-10 | Sergio Leone Suite: Once Upon a Time in America: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.007.609-9 | |
| 84-11 | Sergio Leone Suite: Once Upon a Time in the West: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.001.150-1 | |
| 84-12 | Sergio Leone Suite: The Good, the Bad, and the Ugly: Ecstasy of Gold | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.011.592-8 | |
| 84-13 | Brian DePalma Suite: Casualties of War: Main Theme | Yo-Yo Ma, Gilda Buttà, Roma Sinfonietta, Ennio Morricone | T-005.010.111-5 | |
| 84-14 | Brian DePalma Suite: The Untouchables: Death Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.298.010-8 | |
| 84-15 | Moses and Marco Polo Suite: Moses: Journey | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-006.518.269-5 | |
| 84-16 | Moses and Marco Polo Suite: Moses: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 84-17 | Moses and Marco Polo Suite: Marco Polo: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.032.220-7 | |
| 84-18 | The Lady Caliph: Dinner | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 84-19 | The Lady Caliph: Nocturne | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 85-1 | Mohini (Enchantment) | — | ||
| 85-2 | Oasis, improvisation | — | ||
| 85-3 | Distant Green Valley | — | ||
| 85-4 | Akhalqalaqi Dance | — | ||
| 85-5 | Echoes of a Lost City for cello & xun | — | ||
| 85-6 | Mountains are Far Away | — | ||
| 85-7 | Yanzi (Swallow Song) (Kazakh) | — | ||
| 85-8 | Battle Remembered | — | ||
| 85-9 | Summer in the High Grassland | — | ||
| 85-10 | Kor Arab | — | ||
| 85-11 | Shikasta (Minstrel's Song) | — | ||
| 85-12 | Night at the Caravanserai | — | ||
| 85-13 | Gallop of a Thousand Horses for string quartet, kamancheh & tombak | — | ||
| 85-14 | Tarang (Currents) | — | ||
| 85-15 | Sacred Cloud Music for pipa & string quartet | — | ||
| 86-1 | Sayuri’s Theme | Yo-Yo Ma, Itzhak Perlman, John Williams | T-930.919.909-5 | |
| 86-2 | The Journey to the Hanamachi | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.726.876-9 | |
| 86-3 | Going to School | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.925.766-2 | |
| 86-4 | Brush on Silk | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-5 | Chiyo’s Prayer | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-6 | Becoming a Geisha | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.726.726-6 | |
| 86-7 | Finding Satsu | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-8 | The Chairman’s Waltz | Yo-Yo Ma, Itzhak Perlman, John Williams | T-909.044.522-0 | |
| 86-9 | The Rooftops of the Hanamachi | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-10 | The Garden Meeting | Yo-Yo Ma, Itzhak Perlman, John Williams | T-914.351.959-9 | |
| 86-11 | Dr. Crab’s Prize | Yo-Yo Ma, Itzhak Perlman, John Williams | T-917.397.856-8 | |
| 86-12 | Destiny’s Path | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-13 | A New Name… A New Life | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-14 | The Fire Scene and the Coming of War | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-15 | As the Water… | Yo-Yo Ma, Itzhak Perlman, John Williams | T-914.433.513-7 | |
| 86-16 | Confluence | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-17 | A Dream Discarded | Yo-Yo Ma, Itzhak Perlman, John Williams | T-913.783.400-5 | |
| 86-18 | Sayuri’s Theme and End Credits | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 87-1 | Arabian Waltz for oud, string quartet, tuba & frame dtrum | — | ||
| 87-2 | Night of the Flying Horses, suite for soprano solo & orchestra | — | ||
| 87-3 | Galloping Horses for pipa & bass | — | ||
| 87-4 | Song of Eight Unruly Tipsy Poets for string quartet & orchestra (from "Poems from Tang") | — | ||
| 87-5 | Shristi for voice, percussion & ensemble | — | ||
| 87-6 | The Silent City for kemancheh & string orchestra | — | ||
| 87-7 | Ambush from Ten Sides, traditional melody (a.k.a. "Ambush on All Sides") | — | ||
| 87-8 | Vocussion for voices & percussion | — | ||
| 88-1 | Dona Nobis Pacem (Give Us Peace) (with counterpoint) | Yo-Yo Ma | T-922.031.650-7 | |
| 88-2 | You Couldn't Be Cuter, song (from the film "The Joy of Living") | — | ||
| 88-3 | Joy to the World (theme by Handel) | — | ||
| 88-4 | Here Comes the Sun | — | ||
| 88-5 | Improvisation on "Dona nobis pacem" for acoustic bass & mandolin | — | ||
| 88-6 | The Wassail Song "All Through the Night", medley for cello, acoustic bass & mandolin | — | ||
| 88-7 | A Christmas Jig "Mouth of the Tobique Reel", medley for fiddle, cello, Celtic harp, piano & drums | — | ||
| 88-8 | The Wexford Carol ("Good People All, This Christmastime") | — | ||
| 88-9 | Panxoliña, Galician carol | — | ||
| 88-10 | Improvisation on "Dona nobis pacem" for 2 guitars, part 1 | — | ||
| 88-11 | Vassourinhas for guitar (arrangement after Matias da Rocha) | — | ||
| 88-12 | Improvisation on "Dona nobis pacem" for clarinet & piano, part 2 | — | ||
| 88-13 | Invitación al Danzón for cello, clarinet & piano | — | ||
| 88-14 | My One and Only Love, song | — | ||
| 88-15 | Familia, song | — | ||
| 88-16 | Concordia for ensemble | — | ||
| 88-17 | My Favorite Things | Yo-Yo Ma, Chris Botti | T-070.110.801-1 | |
| 88-18 | Touch the Hand of Love | Yo-Yo Ma, Renée Fleming, Edgar Meyer, Chris Thile | — | |
| 88-19 | Kuai Le for ensemble | — | ||
| 88-20 | This Little Light of Mine, spiritual | — | ||
| 88-21 | Happy Xmas (War Is Over) | Yo-Yo Ma, Jake Shimabukuro | T-011.020.978-3 | |
| 88-22 | Dona nobis pacem / Auld Lang Syne, medley for trumpet & cello | — | ||
| 89-1 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Sayuri’s Theme | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-930.919.909-5 | |
| 89-2 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Going to School | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-072.925.766-2 | |
| 89-3 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: The Chairman’s Waltz | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-905.988.439-8 | |
| 89-4 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Brush on Silk | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-909.247.785-5 | |
| 89-5 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Chiyo’s Prayer | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | — | |
| 89-6 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Becoming A Geisha | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-072.726.726-6 | |
| 90-1 | Five Tango Sensations for bandoneón & string quartet (abridgement and arrangement of Sette sequenze): Fear Tango | — | ||
| 90-2 | Soledad, tango | Yo-Yo Ma | T-900.768.596-3 | |
| 90-3 | American Collection Theme | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 90-4 | Simple Gifts | Alison Krauss, Yo-Yo Ma | T-902.029.457-9 | |
| 90-5 | Song Without Words, op. 109 | Yo-Yo Ma | T-321.286.830-5 | |
| 90-6 | Going to School | Yo-Yo Ma | T-072.925.766-2 | |
| 90-7 | Five Finnish Folk Songs: IV. Mikin Pekko | Yo-Yo Ma | — | |
| 90-8 | Yanzi (Swallow Song) (Kazakh) | Yo-Yo Ma | — | |
| 90-9 | Partita for solo cello, Op. 31: IV. Allegretto | — | ||
| 90-10 | I Could Have Danced All Night | Yo-Yo Ma | T-070.902.566-0 | |
| 90-11 | Air and Simple Gifts | Yo-Yo Ma, Anthony McGill, Gabriela Montero, Itzhak Perlman | T-902.029.457-9 | |
| 90-12 | Night at the Caravanserai | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: I. Allegro moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — |
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — |
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: III. Allegro | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-312.958.407-8 |
| Three Pieces for Solo Cello: Pickin’ | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — |
| Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — |
| Prelude From Solo Cello Suite No. 1 | Yo-Yo Ma | — |
| Three Preludes: I. Allegro ben ritmato e deciso | Jeffrey Kahane, Yo-Yo Ma | T-070.126.537-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886975230723 is a Universal Product Code (UPC) assigned to Yo-Yo Ma: 30 Years Outside the Box by Yo‐Yo Ma. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 918 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886975230723 is the Universal Product Code (UPC barcode) for the release “Yo-Yo Ma: 30 Years Outside the Box” by Yo‐Yo Ma, released 2009-10-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 918 tracks, each with its own ISRC. Tracks include USSM17800650, USSM17800651, USSM17800652.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When Mortals All to Rest Retire, folk song for voice & piano trio, WoO 155/15 | — | ||
| 2 | 'Tis Sunshine at Last, folk song for voice & piano trio, WoO 153/13 | — | ||
| 3 | The Kiss, Dear Maid, folk song for voice & piano, WoO 153/9 | — | ||
| 4 | Cease Your Funning, folk song for voice & piano trio, WoO 156/5 | — | ||
| 5 | The Return to Ulster, folk song for voice & piano trio, WoO 152/1 | — | ||
| 6 | O Mary at Thy Window, folk song for voice & piano trio, Op. 108/17 | — | ||
| 7 | Sally in Our Alley, folk song for voice & piano trio, Op. 108/25 | — | ||
| 8 | Cupid's Kindness, folk song for voice & piano trio, WoO 155/21 | — | ||
| 9 | The Pulse of an Irishman Ever Beats Quicker for voice & piano trio, WoO 154/4 | — | ||
| 10 | On the Massacre of Glencoe, folk song for voice & piano trio, WoO 152/5 | — | ||
| 11 | Oh Harp of Erin, folk song for voice & piano trio, WoO 152/25 | — | ||
| 12 | Come Draw We Round a Cheerful Ring, folk song for voice & piano trio, WoO 152/8 | — | ||
| 13 | The Soldier, folk song for voice & piano trio, WoO 157/2 | — | ||
| 14 | The British Light Dragoons, folk song for voice & piano trio, WoO 153/3 | — | ||
| 15 | The Vale of Clwyd, folk song for voice & piano trio, WoO 155/19 | — | ||
| 16 | Good Night, folk song for voice & piano trio, WoO 155/26 | — | ||
| 2-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion | Gaby Casadesus, Gérard Caussé, Philippe Entremont, Gabin Lauridon, Yo-Yo Ma, Régis Pasquier, Yan Pascal Tortelier | — | |
| 2-2 | Carnival of the Animals, R. 125: Hens and Cocks | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-3 | Carnival of the Animals: III. Wild Asses | Gaby Casadesus, Philippe Entremont, Yo-Yo Ma | — | |
| 2-4 | Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-5 | Carnival of the Animals: V. The Elephant | Gaby Casadesus, Gabin Lauridon, Philippe Entremont | — | |
| 2-6 | Carnival of the Animals, R. 125: Kangaroos | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-7 | Carnival of the Animals: VII. Aquarium | Michel Cals, Gaby Casadesus, Gérard Caussé, Philippe Entremont, Yo-Yo Ma, Alain Marion, Régis Pasquier, Yan Pascal Tortelier | — | |
| 2-8 | Carnival of the Animals, R. 125: Personnages with Long Ears | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-9 | Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods | Michel Arrignon, Gaby Casadesus, Philippe Entremont | — | |
| 2-10 | Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | T-902.759.200-3 | |
| 2-11 | Carnival of the Animals: XI. Pianists | Gaby Casadesus, Gérard Caussé, Philippe Entremont, Gabin Lauridon, Yo-Yo Ma, Régis Pasquier, Yan Pascal Tortelier | T-909.336.850-4 | |
| 2-12 | Carnival of the Animals, R. 125: Fossils | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | — | |
| 2-13 | Carnival of the Animals: XIII. The Swan | Gaby Casadesus, Philippe Entremont, Yo-Yo Ma | T-900.142.929-4 | |
| 2-14 | Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gérard Caussé, Alain Marion, Michel Arrignon | T-913.053.370-9 | |
| 2-15 | Variations on a Theme of Beethoven for 2 pianos, Op. 35 | — | ||
| 2-16 | Polonaise for 2 pianos in F minor, Op. 77 | — | ||
| 3-1 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33 | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | — | |
| 3-2 | Concerto for Cello and Orchestra in D minor: I. Prélude. Lento - Allegro maestoso | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | T-307.241.800-5 | |
| 3-3 | Concerto for Cello and Orchestra in D minor: II. Intermezzo. Andantino con moto - Allegro presto | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | — | |
| 3-4 | Concerto for Cello and Orchestra in D minor: III. Introduction. Andante - Allegro vivace | Yo-Yo Ma, Orchestre National de France, Lorin Maazel | T-307.241.800-5 | |
| 4-1 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: I. Moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-905.750.680-6 | |
| 4-2 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-3 | Concerto for Cello and orchestra no. 1 in C major, Hob. VIIb: 1: III. Allegro molto | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-4 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: I. Allegro moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 4-5 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-802.445.410-3 | |
| 4-6 | Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: III. Allegro | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — | |
| 5-1 | Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro - Adagio - Presto - Tempo I | Yo-Yo Ma, Emanuel Ax | — | |
| 5-2 | Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Yo-Yo Ma, Emanuel Ax | — | |
| 5-3 | Sonata for cello & piano No. 2 in G minor, Op. 5/2: I. Adagio Sostenuto E Espressivo-Allegro Molto Piu Tosto Presto | — | ||
| 5-4 | Sonata for cello & piano No. 2 in G minor, Op. 5/2: II. Rondo: Allegro | — | ||
| 6-1 | Tambourin chinois for violin & piano, op. 3 | — | ||
| 6-2 | Sérénade espagnole for piano, op. 150 | — | ||
| 6-3 | Rondo for wind octet in E‐flat major “Rondino”, WoO 25 (excerpt) | — | ||
| 6-4 | Sonatina for violin & piano in G major “Indian Lament”, B. 183 (op. 100) | — | ||
| 6-5 | Als die alte Mutter, song for voice & piano (Gypsy Melodies), B. 104/4 (op. 55/4) | — | ||
| 6-6 | Schön Rosmarin for violin & piano | — | ||
| 6-7 | Liebesfreud | Yo-Yo Ma, Patricia Zander | T-801.289.652-6 | |
| 6-8 | Liebesleid | Yo-Yo Ma, Patricia Zander | — | |
| 6-9 | Caprice for solo violin in E major “The Hunt”, op. 1/9, MS 25/9 | — | ||
| 6-10 | Caprice for solo violin in B‐flat major “The Devil’s Chuckle”, op. 1/13, MS 25/13 | — | ||
| 6-11 | Caprice for solo violin in E‐flat major: (Moderato), op. 1/14, MS 25/14 | — | ||
| 6-12 | Caprice for solo violin in E‐flat major: (Sostenuto–Andante), op. 1/17, MS 25/17 | — | ||
| 6-13 | Caprice for solo violin in A minor (Theme & Variations), op. 1/24, MS 25/24 | — | ||
| 6-14 | Introduction and Variations on “Dal tuo stellato soglio” from Rossini’s “Mosè” for violin & orchestra, MS 23 | — | ||
| 7-1 | Sonata no. 1 in G major, BWV 1027: I. Adagio | Yo-Yo Ma, Kenneth Cooper | T-001.439.586-8 | |
| 7-2 | Sonata no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-3 | Sonata no. 1 in G major, BWV 1027: III. Andante | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-4 | Sonata no. 1 in G major, BWV 1027: IV. Allegro moderato | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-5 | Sonata no. 2 in D major, BWV 1028: I. Adagio | Yo-Yo Ma, Kenneth Cooper | T-323.611.570-7 | |
| 7-6 | Sonata no. 2 in D major, BWV 1028: II. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-7 | Sonata no. 2 in D major, BWV 1028: III. Andante | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-8 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-9 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Yo-Yo Ma, Kenneth Cooper | — | |
| 7-10 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Yo-Yo Ma, Kenneth Cooper | T-917.755.866-6 | |
| 7-11 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Yo-Yo Ma, Kenneth Cooper | — | |
| 8-1 | Suite no. 1 in G major, BWV 1007: I. Prélude | Yo-Yo Ma | — | |
| 8-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Yo-Yo Ma | — | |
| 8-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Yo-Yo Ma | — | |
| 8-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 8-5 | Unaccompanied Cello Suite no. 1 in G major, BWV 1007: Menuett | Yo-Yo Ma | T-001.355.259-4 | |
| 8-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Yo-Yo Ma | — | |
| 8-7 | Suite for solo cello No. 4 in E-flat major, BWV 1010: I. Prélude | — | ||
| 8-8 | Suite for solo cello No. 4 in E-flat major, BWV 1010: II. Allemande | — | ||
| 8-9 | Suite for solo cello No. 4 in E-flat major, BWV 1010: III. Courante | — | ||
| 8-10 | Suite for solo cello No. 4 in E-flat major, BWV 1010: IV. Sarabande | — | ||
| 8-11 | Suite for solo cello No. 4 in E-flat major, BWV 1010: V. Bourrée | — | ||
| 8-12 | Suite for solo cello No. 4 in E-flat major, BWV 1010: VI. Gigue | — | ||
| 8-13 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Yo-Yo Ma | — | |
| 8-14 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Yo-Yo Ma | — | |
| 8-15 | Suite no. 5 in C minor, BWV 1011: III. Courante | Yo-Yo Ma | — | |
| 8-16 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Yo-Yo Ma | — | |
| 8-17 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I-II | Yo-Yo Ma | — | |
| 8-18 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Yo-Yo Ma | — | |
| 9-1 | Suite for solo cello No. 2 in D minor, BWV 1008: I. Prélude | — | ||
| 9-2 | Suite for solo cello No. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 9-3 | Suite for solo cello No. 2 in D minor, BWV 1008: III. Courante | — | ||
| 9-4 | Suite for solo cello No. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 9-5 | Suite for solo cello No. 2 in D minor, BWV 1008: V. Menuett | — | ||
| 9-6 | Suite for solo cello No. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 9-7 | Suite no. 3 in C major, BWV 1009: I. Prélude | Yo-Yo Ma | — | |
| 9-8 | Suite no. 3 in C major, BWV 1009: II. Allemande | Yo-Yo Ma | — | |
| 9-9 | Suite no. 3 in C major, BWV 1009: III. Courante | Yo-Yo Ma | — | |
| 9-10 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Yo-Yo Ma | — | |
| 9-11 | Suite no. 3 in C major, BWV 1009: V. Bourrée I-II | Yo-Yo Ma | — | |
| 9-12 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Yo-Yo Ma | — | |
| 9-13 | Suite for solo cello No. 6 in D major, BWV 1012: I. Prélude | — | ||
| 9-14 | Suite for solo cello No. 6 in D major, BWV 1012: II. Allemande | — | ||
| 9-15 | Suite for solo cello No. 6 in D major, BWV 1012: III. Courante | — | ||
| 9-16 | Suite for solo cello No. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 9-17 | Suite for solo cello No. 6 in D major, BWV 1012: V. Gavotte | — | ||
| 9-18 | Suite for solo cello No. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 10-1 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-2 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato - attacca / III. Cadenza - attacca / IV. Allegro con moto | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Cello Concerto No. 1 in G minor, Op. 49: I. Allegro | — | ||
| 10-4 | Cello Concerto No. 1 in G minor, Op. 49: II. Largo | Yo-Yo Ma, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-5 | Cello Concerto No. 1 in G minor, Op. 49: III. Allegretto | — | ||
| 11-1 | Suite for cello & jazz piano trio: I. Baroque In Rhythm | — | ||
| 11-2 | Suite for cello & jazz piano trio: II. Concertante | — | ||
| 11-3 | Suite for cello & jazz piano trio: III. Galop | — | ||
| 11-4 | Suite for cello & jazz piano trio: IV. Ballade | — | ||
| 11-5 | Suite for cello & jazz piano trio: V. Romantique | — | ||
| 11-6 | Suite for cello & jazz piano trio: VI. Cello Fan | — | ||
| 12-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Yo-Yo Ma, Emanuel Ax | — | |
| 12-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 12-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-900.167.504-3 | |
| 12-4 | Sonata for cello & piano No. 5 in D major, Op. 102/2: I. Allegro Con Brio | — | ||
| 12-5 | Sonata for cello & piano No. 5 in D major, Op. 102/2: II. Adagio Con Molto Sentimento d'Affetto | — | ||
| 12-6 | Sonata for cello & piano No. 5 in D major, Op. 102/2: III. Allegro Fugato | — | ||
| 13-1 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): I. Allegro Ma Non Troppo | — | ||
| 13-2 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): II. Adagio | — | ||
| 13-3 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): III. Scherzo: Presto-Trio: Andante Sostenuto | — | ||
| 13-4 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): IV. Allegretto | — | ||
| 14-1 | Matsushima Ondo, folk song for voice & piano | — | ||
| 14-2 | Kojo No Tsuki for koto | — | ||
| 14-3 | Zui-Zui-Zukkorobashi, folk song | — | ||
| 14-4 | Defune, folk song | — | ||
| 14-5 | Nara-Yama | — | ||
| 14-6 | Chin-Chin Chidori, folksong | — | ||
| 14-7 | Sakura, Sakura, folk song "Cherry Blossom" | — | ||
| 14-8 | Oroku-Musume, folksong | — | ||
| 14-9 | Chugoku-Chiho-No-Komoriuta, folk song for voice & piano | — | ||
| 14-10 | Chiran-Bushi, folksong | — | ||
| 15-1 | Cello Concerto in E minor, Op. 85: I. Adagio-Moderato / II. Lento-allegro molto | — | ||
| 15-2 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 15-3 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 15-4 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 15-5 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 15-6 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 16-1 | Divertimento for violin, viola & cello in E-flat major, K. 563: I. Allegro | — | ||
| 16-2 | Divertimento for violin, viola & cello in E-flat major, K. 563: II. Adagio | — | ||
| 16-3 | Divertimento for violin, viola & cello in E-flat major, K. 563: III. Menuetto: Allegro-Trio | — | ||
| 16-4 | Divertimento for violin, viola & cello in E-flat major, K. 563: IV. Andante | — | ||
| 16-5 | Divertimento for violin, viola & cello in E-flat major, K. 563: V. Menuetto: Allegretto-Trio I-Trio II | — | ||
| 16-6 | Divertimento for violin, viola & cello in E-flat major, K. 563: VI. Allegro | — | ||
| 17-1 | Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 17-2 | Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto - Trio | Yo-Yo Ma, Emanuel Ax | — | |
| 17-3 | Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 17-4 | Sonata for Piano and Cello no. 2 in F major, op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-031.524.212-6 | |
| 17-5 | Sonata for Piano and Cello no. 2 in F major, op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 17-6 | Sonata for Piano and Cello no. 2 in F major, op. 99: III. Allegro passionato [-Trio] | Yo-Yo Ma, Emanuel Ax | — | |
| 17-7 | Sonata for Piano and Cello no. 2 in F major, op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 18-1 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184) | — | ||
| 18-2 | Concerto for Cello & Orchestra: I. Allegro moderato | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 18-3 | Concerto for Cello & Orchestra: II. Andante, alla marcia | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 18-4 | Concerto for Cello & Orchestra: III. Tempo di Minuetto | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-1 | Sonata for cello & piano No. 4 in C major, Op. 102/1: I. Andante-Allegro Vivace | — | ||
| 19-2 | Sonata for cello & piano No. 4 in C major, Op. 102/1: II. Adagio-Allegro Vivace | — | ||
| 19-3 | 7 Variations in E-flat minor | Emanuel Ax, Yo-Yo Ma | — | |
| 19-4 | Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 | — | ||
| 19-5 | 12 Variations in F major | Emanuel Ax, Yo-Yo Ma | — | |
| 20-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | T-070.013.855-1 | |
| 20-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio, ma non troppo | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-4 | Silent Woods in D-flat major (From the Bohemian Forest op. 68, no. 5) | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 20-5 | Rondo in G minor, op. 94 | Yo-Yo Ma, Berliner Philharmoniker, Lorin Maazel | — | |
| 21-1 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: I. Allegro moderato | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-2 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: II. Adagio (non troppo) | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-3 | Concerto for Cello and Orchestra no. 9 in B-flat major, G. 482: III. Rondo. Allegro | Yo-Yo Ma, Saint Paul Chamber Orchestra, Pinchas Zukerman | — | |
| 21-4 | Sinfonia concertante in A major for Violin, Cello and Orchestra: I. Andante di molto | Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | — | |
| 21-5 | Symphonie Concertante for violin, cello & orchestra in A major, CW C34 (T. 284/4): II. Rondeau.Allegro Assai | — | ||
| 21-6 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): I. Allegro Spiritoso | — | ||
| 21-7 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): II. Andante | — | ||
| 21-8 | Symphony for double orchestra "No. 26" in E-flat major, Op. 18/1, CW C26 (T. 269/4): III. Allegro | — | ||
| 22-1 | Adagio and Fugue for string quartet (or string orchestra) in C minor, K. 546: I. Adagio | — | ||
| 22-2 | Adagio and Fugue for string quartet (or string orchestra) in C minor, K. 546: II. Fugue | — | ||
| 22-3 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): I. Allegro Molto Moderato | — | ||
| 22-4 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): II. Andante Un Poco Moto | — | ||
| 22-5 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): III. Scherzo: Allegro Vivace | — | ||
| 22-6 | String Quartet No. 15 in G major, D. 887 (Op. posth. 161): IV. Allegro Assai | — | ||
| 23-1 | Concerto for Cello and Orchestra in A minor, op. 129: Nicht zu schnell - | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.153.814-8 | |
| 23-2 | Concerto for Cello and Orchestra in A minor, op. 129: Langsam - | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.257.887-7 | |
| 23-3 | Concerto for Cello and Orchestra in A minor, op. 129: Sehr lebhaft | Yo-Yo Ma, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-070.257.887-7 | |
| 23-4 | 3 Fantasiestücke, op. 73: no. 1: Zart und mit Ausdruck | Yo-Yo Ma, Emanuel Ax | — | |
| 23-5 | 3 Fantasiestücke, op. 73: no. 2: Lebhaft, leicht | Yo-Yo Ma, Emanuel Ax | — | |
| 23-6 | 3 Fantasiestücke, op. 73: no. 3: Rasch und mit Feuer | Yo-Yo Ma, Emanuel Ax | — | |
| 23-7 | Adagio and Allegro in A-flat major, op. 70: Langsam, mit innigem Ausdruck | Yo-Yo Ma, Emanuel Ax | — | |
| 23-8 | Adagio and Allegro in A-flat major, op. 70: Rasch und feurig | Yo-Yo Ma, Emanuel Ax | — | |
| 23-9 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: I. Mit Humor | — | ||
| 23-10 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: II. Langsam | — | ||
| 23-11 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: III. Nicht Schnell, Mit Viel Ton Zu Spielen | — | ||
| 23-12 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: IV. Nicht Zu Rasch | — | ||
| 23-13 | Fünf Stücke im Volkston for cello (or violin) & piano, Op. 102: V. Stark Und Markiert | — | ||
| 24-1 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): I. Allegro Ma Non Troppo | — | ||
| 24-2 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): II. Allegretto Grazioso | — | ||
| 24-3 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): III. Poco Adagio | — | ||
| 24-4 | Piano Trio No. 3 in F minor, B. 130 (Op. 65): IV. Finale.Allegro Con Brio | — | ||
| 24-5 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): I. Lento Maestoso | — | ||
| 24-6 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): II. Andante | — | ||
| 24-7 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): III. Andante moderato (quasi tempo di marcia) | — | ||
| 24-8 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): IV. Allegro | — | ||
| 24-9 | Piano Trio No. 4 in E minor, "Dumky", B. 166 (Op. 90): V. Lento Maestoso | — | ||
| 25-1 | Concerto for violin, cello & orchestra in A minor, "Double", Op. 102: I. Allegro | — | ||
| 25-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Isaac Stern, Yo-Yo Ma, Chicago Symphony Orchestra, Claudio Abbado | T-312.542.566-9 | |
| 25-3 | Concerto for violin, cello & orchestra in A minor, "Double", Op. 102: III. Vivace Non Troppo | — | ||
| 25-4 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: I. Allegro Non Troppo | — | ||
| 25-5 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: II. Scherzo: Allegro | — | ||
| 25-6 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: III. Andante | — | ||
| 25-7 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: IV. Finale: Allegro Comodo | — | ||
| 26-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante-Moderato | — | ||
| 26-2 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro Con Brio | — | ||
| 26-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | — | ||
| 26-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | — | ||
| 26-5 | Sonata for cello & piano in D minor, Op. 40: I. Allegro Non Troppo | — | ||
| 26-6 | Sonata for cello & piano in D minor, Op. 40: II. Allegro | — | ||
| 26-7 | Sonata for cello & piano in D minor, Op. 40: III. Largo | — | ||
| 26-8 | Sonata for Cello and Piano, op. 40: IV. Allegro | Emanuel Ax, Yo-Yo Ma | — | |
| 27-1 | Cello Concerto in A minor, Op. 22: I. Allegro Moderato | — | ||
| 27-2 | Cello Concerto in A minor, Op. 22: II. Andante Sostenuto | — | ||
| 27-3 | Cello Concerto in A minor, Op. 22: III. Molto Allegro E Appassionato | — | ||
| 27-4 | Cello Symphony for cello & orchestra, Op. 68: I. Allegro Maestoso | — | ||
| 27-5 | Cello Symphony for cello & orchestra, Op. 68: II. Presto Inquieto | — | ||
| 27-6 | Cello Symphony for cello & orchestra, Op. 68: III. Adagio | — | ||
| 27-7 | Cello Symphony for cello & orchestra, Op. 68: IV. Passacaglia: Andante Allegro | — | ||
| 28-1 | Sonata for Cello & Piano in F major, op. 6: I. Allegro con brio | Yo-Yo Ma, Emanuel Ax | — | |
| 28-2 | Sonata for Cello & Piano in F major, op. 6: II. Andante ma non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 28-3 | Sonata for Cello & Piano in F major, op. 6: III. Finale: Allegro vivo | Yo-Yo Ma, Emanuel Ax | — | |
| 28-4 | Sonata for Cello & Piano in C major, op. 65: I. Dialogo: Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 28-5 | Sonata for Cello & Piano in C major, op. 65: II. Scherzo pizzicato: Allegretto | Yo-Yo Ma, Emanuel Ax | — | |
| 28-6 | Sonata for Cello & Piano in C major, op. 65: III. Elegia: Lento | Yo-Yo Ma, Emanuel Ax | — | |
| 28-7 | Sonata for Cello & Piano in C major, op. 65: IV. Marcia: Energico | Yo-Yo Ma, Emanuel Ax | — | |
| 28-8 | Sonata for Cello & Piano in C major, op. 65: V. Moto perpetuo: Presto | Yo-Yo Ma, Emanuel Ax | — | |
| 29-1 | String Quartet No. 15 in E-flat minor, Op. 144: I. Elegy : I. (Adagio) | — | ||
| 29-2 | String Quartet No. 15 in E-flat minor, Op. 144: II. Serenade : II. (Adagio) | — | ||
| 29-3 | String Quartet No. 15 in E-flat minor, Op. 144: III. Intermezzo : III. (Adagio) | — | ||
| 29-4 | String Quartet No. 15 in E-flat minor, Op. 144: IV. Nocturne : IV. (Adagio) | — | ||
| 29-5 | String Quartet No. 15 in E-flat minor, Op. 144: V. Funeral March : V. (Adagio molto) | — | ||
| 29-6 | String Quartet No. 15 in E-flat minor, Op. 144: VI. Epilogue : VI. (Adagio) | — | ||
| 29-7 | Rejoice!, sonata for violin & cello: I. Your Joy No One Will Take Away From You | — | ||
| 29-8 | Rejoice!, sonata for violin & cello: II. Rejoice With Joy | — | ||
| 29-9 | Rejoice!, sonata for violin & cello: III. Rejoice Rabbi | — | ||
| 29-10 | Rejoice!, sonata for violin & cello: IV. And He Returned To His Own Abode | — | ||
| 29-11 | Rejoice!, sonata for violin & cello: V. Heed Thyself | — | ||
| 30-1 | Anything Goes, song (from "Anything Goes") | — | ||
| 30-2 | Easy to love, song (from the film "Born to Dance") | — | ||
| 30-3 | I concentrate on you, song (from "Broadway Melody of 1940") | — | ||
| 30-4 | Just one of those things, song (from "Jubilee") | — | ||
| 30-5 | In the still of the night, song (from "Rosalie") | — | ||
| 30-6 | Love of My Life | Stéphane Grappelli, Yo-Yo Ma | — | |
| 30-7 | Pas-de-Two for cello & piano | — | ||
| 30-8 | Sweet Lorraine | — | ||
| 30-9 | So in love, song (from "Kiss Me Kate") | — | ||
| 30-10 | All through the night, song (from "Anything Goes") | — | ||
| 31-1 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): I. Largo-Molto Allegro | — | ||
| 31-2 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): II. Menuetto-Trio I-Trio II | — | ||
| 31-3 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): III. Adagio | — | ||
| 31-4 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): IV. Menuetto: Allegretto-Trio I-Trio II | — | ||
| 31-5 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): V. Romance: Adagio-Allegretto-Adagio | — | ||
| 31-6 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VI. Thema Mit 6 Variationen-Andante | — | ||
| 31-7 | Serenade No. 10 for winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VII. Finale: Molto Allegro | — | ||
| 31-8 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): I. Allegro | — | ||
| 31-9 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): II. Andante | — | ||
| 31-10 | Sonata for bassoon & cello in B-flat major, K. 292 (K. 196c): III. Rondo.Allegro | — | ||
| 32-1 | Piano Quartet No. 1 in G minor, Op. 25: I. Allegro | — | ||
| 32-2 | Piano Quartet No. 1 in G minor, Op. 25: II. Intermezzo.Allegro Ma Non Troppo-Trio.Animato | — | ||
| 32-3 | Piano Quartet No. 1 in G minor, Op. 25: III. Andante Con Moto | — | ||
| 32-4 | Piano Quartet No. 1 in G minor, Op. 25: IV. Rondo alla Zingarese: Presto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 32-5 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: I. Allegro Non Troppo | — | ||
| 32-6 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: II. Scherzo.Allegro | — | ||
| 32-7 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: III. Andante | — | ||
| 32-8 | Piano Quartet No. 3 in C minor, "Werther", Op. 60: IV. Finale.Allegro Comodo | — | ||
| 33-1 | Piano Quartet No. 2 in A major, Op. 26: I. Allegro Non Troppo | — | ||
| 33-2 | Piano Quartet No. 2 in A major, Op. 26: II. Poco Adagio | — | ||
| 33-3 | Piano Quartet No. 2 in A major, Op. 26: III. Scherzo-Trio.Poco Allegro | — | ||
| 33-4 | Piano Quartet No. 2 in A major, Op. 26: IV. Finale.Allegro | — | ||
| 34-1 | Cello Sonata in C major, op. 119: I. Andante grave - Moderato animato - Allegro moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 34-2 | Cello Sonata in C major, op. 119: II. Moderato - Andante dolce | Emanuel Ax, Yo-Yo Ma | — | |
| 34-3 | Cello Sonata in C major, op. 119: III. Allegro ma non troppo - Andantino | Emanuel Ax, Yo-Yo Ma | — | |
| 34-4 | Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato - Moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 34-5 | Cello Sonata in G minor, op. 19: II. Allegro scherzando | Emanuel Ax, Yo-Yo Ma | T-071.926.821-9 | |
| 34-6 | Cello Sonata in G minor, op. 19: III. Andante | Emanuel Ax, Yo-Yo Ma | T-902.907.611-7 | |
| 34-7 | Cello Sonata in G minor, op. 19: IV. Allegro mosso - Moderato - Vivace | Emanuel Ax, Yo-Yo Ma | — | |
| 35-1 | Eugene Onegin, opera, Op. 24: Polonaise | — | ||
| 35-2 | Sérénade mélancolique for violin & orchestra (or piano) in B minor, Op. 26 | — | ||
| 35-3 | Valse-scherzo for violin & orchestra (or violin & piano) in C major, Op. 34 | — | ||
| 35-4 | 6 Songs for voice & piano, Op. 65: I. Sérénade | — | ||
| 35-5 | 6 Songs for voice & piano, Op. 65: VI. Rondel | — | ||
| 35-6 | Variations on a Rococo Theme for cello & orchestra (or cello & piano) in A major, Op. 33 | — | ||
| 35-7 | The Maid of Orléans (Jeanne d'Arc), opera: "Adieu forets" | — | ||
| 35-8 | 1812 Festival Overture for orchestra in E-flat major, Op. 49 | — | ||
| 36-1 | Grace | — | ||
| 36-2 | Double Mandolin Concerto for 2 mandolins, strings & continuo in G major, RV 532: Andante | — | ||
| 36-3 | The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan) | — | ||
| 36-4 | Stars | — | ||
| 36-5 | Hush, Little Baby | — | ||
| 36-6 | Vocalise | Bobby McFerrin, Yo-Yo Ma | T-900.222.366-7 | |
| 36-7 | Musette for keyboard in D major (AMN II/22; doubtful), BWV Anh. 126 | — | ||
| 36-8 | Coyote | — | ||
| 36-9 | Sonata for 2 cellos No. 10 in G major: Allegro prestissimo | — | ||
| 36-10 | Ave Maria for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | — | ||
| 36-11 | Hoedown! | — | ||
| 36-12 | Orchestral Suite No. 3 in D major, BWV 1068: Air | — | ||
| 36-13 | Good-bye | — | ||
| 37-1 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: I. Andante | — | ||
| 37-2 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: II. Allegro Giusto | — | ||
| 37-3 | Sinfonia Concertante for cello & orchestra in E minor, Op. 125: III. Andante Con Moto | — | ||
| 37-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi Andante - Theme. Moderato semplice | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-5 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo della Thema | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-6 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo della Theme | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-7 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-8 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-9 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-10 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-11 | Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VII. e Coda. Allegro vivo | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 37-12 | Andante Cantabile for Cello Solo and String Orchestra, op. Posth. | Yo-Yo Ma, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 38-1 | String Sextet no. 1 in B-flat major, op. 18: I. Allegro ma non troppo | — | ||
| 38-2 | String Sextet no. 1 in B-flat major, op. 18: II. Andante, ma moderato | — | ||
| 38-3 | String Sextet no. 1 in B-flat major, op. 18: III. Scherzo: Allegro molto – Trio: Animato | — | ||
| 38-4 | String Sextet no. 1 in B-flat major, op. 18: IV. Rondo: Poco allegretto e grazioso | — | ||
| 38-5 | Theme and variations for piano in D minor: (after sextet for strings, op. 18) | — | ||
| 39-1 | String Sextet no. 2 in G major, op. 36: I. Allegro non troppo | — | ||
| 39-2 | String Sextet no. 2 in G major, op. 36: II. Scherzo: Allegro non troppo – Trio: Presto giocoso | — | ||
| 39-3 | String Sextet no. 2 in G major, op. 36: III. Adagio | — | ||
| 39-4 | String Sextet no. 2 in G major, op. 36: IV. Poco Allegro | — | ||
| 40-1 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 40-2 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: II. Allegretto quasi Menuetto | Yo-Yo Ma, Emanuel Ax | — | |
| 40-3 | Sonata for Piano and Cello No. 1 in E minor, Op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 40-4 | Sonata for Piano and Cello No. 2 in F major, Op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | — | |
| 40-5 | Sonata for Piano and Cello No. 2 in F major, Op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 40-6 | Sonata for Piano and Cello No. 2 in F major, Op. 99: III. Allegro passionato | Yo-Yo Ma, Emanuel Ax | — | |
| 40-7 | Sonata for Piano and Cello No. 2 in F major, Op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | T-329.454.787-4 | |
| 40-8 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: I. Allegro | Yo-Yo Ma, Emanuel Ax | T-322.183.358-1 | |
| 40-9 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: II. Adagio | Yo-Yo Ma, Emanuel Ax | T-322.183.358-1 | |
| 40-10 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: III. Un poco presto e con sentimento | Yo-Yo Ma, Emanuel Ax | — | |
| 40-11 | Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: IV. Presto agitato | Yo-Yo Ma, Emanuel Ax | — | |
| 41-1 | Verklärte Nacht for string sextet, Op. 4: I. Sehr Langsam (Bar 1) | — | ||
| 41-2 | Verklärte Nacht for string sextet, Op. 4: II. Breiter (Bar 100) | — | ||
| 41-3 | Verklärte Nacht for string sextet, Op. 4: III. Schwer Betont (Bar 201) | — | ||
| 41-4 | Verklärte Nacht for string sextet, Op. 4: IV. Sehr Breit Und Langsam (Bar 229) | — | ||
| 41-5 | Verklärte Nacht for string sextet, Op. 4: V. Sehr Ruhig (Bar 370) | — | ||
| 41-6 | String Trio, Op. 45, part 1: Bar 1 | — | ||
| 41-7 | String Trio, Op. 45: 1st Episode: Bar 52 | — | ||
| 41-8 | String Trio, Op. 45, part 2: Bar 133 | — | ||
| 41-9 | String Trio, Op. 45: 2nd Episode: Bar 180 | — | ||
| 41-10 | String Trio, Op. 45, part 3: Bar 208 | — | ||
| 42-1 | Piano Quartet No. 1 in C minor, Op. 15: I. Allegro Molto Moderato | — | ||
| 42-2 | Piano Quartet No. 1 in C minor, Op. 15: II. Scherzo.Allegro Vivace | — | ||
| 42-3 | Piano Quartet No. 1 in C minor, Op. 15: III. Adagio | — | ||
| 42-4 | Piano Quartet No. 1 in C minor, Op. 15: IV. Allegro Molto | — | ||
| 42-5 | Piano Quartet No. 2 in G minor, Op. 45: I. Allegro Molto Moderato | — | ||
| 42-6 | Piano Quartet No. 2 in G minor, Op. 45: II. Allegro Molto | — | ||
| 42-7 | Piano Quartet No. 2 in G minor, Op. 45: III. Adagio Non Troppo | — | ||
| 42-8 | Piano Quartet No. 2 in G minor, Op. 45: IV. Allegro molto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 43-1 | Sonata for clarinet & piano: I. Grazioso | — | ||
| 43-2 | Sonata for clarinet & piano: II. Andantino | — | ||
| 43-3 | Triptych for violin & cello: I. For Solo Cello | — | ||
| 43-4 | Triptych for violin & cello: II. For Violin And Cello Obbligato | — | ||
| 43-5 | Triptych for violin & cello: III. Presto | — | ||
| 43-6 | Three Preludes: I. Allegro ben ritmato e deciso | Jeffrey Kahane, Yo-Yo Ma | — | |
| 43-7 | Three Preludes: II. Andante con moto e poco rubato | Yo-Yo Ma, Jeffrey Kahane | T-070.126.537-3 | |
| 43-8 | 3 Preludes for piano: III. Allegro Ben Ritmato E Deciso | — | ||
| 43-9 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): I. Moderato | — | ||
| 43-10 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): II. "Tsiaj".Presto | — | ||
| 43-11 | Trio for violin, violoncello & piano, S. 86 (K. 2B17): III. Moderato Con Moto | — | ||
| 44-1 | Carnival Overture, Op. 92 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-2 | Romance in F minor for Violin & Orchestra, Op. 11 | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-010.662.015-8 | |
| 44-3 | Silent Woods for Cello and Orchestra, op. 68 no. 5 | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-4 | Humoresque in G-flat major, op. 101 no. 7 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-106.610.454-7 | |
| 44-5 | O Moon High up in the Deep Sky | Frederica von Stade, Boston Symphony Orchestra, 小澤征爾 | — | |
| 44-6 | Psalm 149 for Chorus & Orchestra, Op. 79 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-7 | Humoresque in E-flat minor, Op. 101, #1 | Rudolf Firkušný | — | |
| 44-8 | Gypsy Melodies for Voice & Piano, Op. 55: No. 4, When My Mother Taught Me to Sing - No. 5, The Strings Are Tuned | Frederica von Stade, Rudolf Firkušný | — | |
| 44-9 | 'Dumky' Trio, Op. 90: Allegro (Dumka #5) | Rudolf Firkušný, Yo-Yo Ma, Itzhak Perlman, Seiji Ozawa | — | |
| 44-10 | Slavonic Dance in E minor, op. 72 no. 2 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 44-11 | Slavonic Dance in C major, Op. 72, #7 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 45-1 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: I. Grave-Allegro, Ma Non Troppo | — | ||
| 45-2 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: II. Andante Cantabile | — | ||
| 45-3 | Piano Quartet in E-flat major (arrangement from Quintet Op. 16), Op. 16: III. Rondo: Allegro, Ma Non Troppo | — | ||
| 45-4 | Piano Quartet in E-flat major, Op. 47: I. Sostenuto Assai-Allegro, Ma Non Troppo | — | ||
| 45-5 | Piano Quartet in E-flat major, Op. 47: II. Scherzo: Molto Vivace | — | ||
| 45-6 | Piano Quartet in E-flat major, Op. 47: III. Andante Cantabile | — | ||
| 45-7 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | — | ||
| 46-1 | Trio for Violin, Cello and Piano in G minor, op. 8: I. Allegro con fuoco | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-2 | Trio for Violin, Cello and Piano in G minor, op. 8: II. Scherzo. Con moto, ma non troppo | Emanuel Ax, Pamela Frank, Yo-Yo Ma | T-911.517.582-1 | |
| 46-3 | Trio for Violin, Cello and Piano in G minor, op. 8: III. Adagio sostenuto | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-4 | Trio for Violin, Cello and Piano in G minor, op. 8: IV. Finale. Allegretto | Emanuel Ax, Pamela Frank, Yo-Yo Ma | — | |
| 46-5 | Polonaise brillante in C major, op. 3 (arr. Feuermann) Introduction. Lento - Alla polacca. Allegro con spirito | Emanuel Ax, Yo-Yo Ma | — | |
| 46-6 | Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato | Emanuel Ax, Yo-Yo Ma | — | |
| 46-7 | Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio | Emanuel Ax, Yo-Yo Ma | — | |
| 46-8 | Sonata for Cello and Piano in G minor, op. 65: III. Largo | Emanuel Ax, Yo-Yo Ma | T-309.554.580-1 | |
| 46-9 | Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro | Emanuel Ax, Yo-Yo Ma | — | |
| 46-10 | Polonaise brillante in C major, op. 3, Introduction. Lento - Alla polacca. Allegro con spirito | Ewa Osińska | — | |
| 47-1 | Cello Concerto: I. Audacemente Ma Sostenuto | — | ||
| 47-2 | Cello Concerto: II. Con Brio-Instante (Urgent) | — | ||
| 47-3 | Cello Concerto: III. Larghetto | — | ||
| 47-4 | Cello Concerto: IV. Con Moto-Con Imminenzo E Inquieto | — | ||
| 47-5 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: I. Moderato | — | ||
| 47-6 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: II. Adagio Religioso | — | ||
| 47-7 | Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: III. Allegro Vivace | — | ||
| 47-8 | Schelomo, rhapsody for cello & orchestra (or piano) | — | ||
| 48-1 | Symphony No. 5 in C minor, "Fate", Op. 67: I. Allegro Con Brio (excerpt) | — | ||
| 48-2 | Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | — | ||
| 48-3 | Symphony No. 3 in E-flat major, "Eroica", Op. 55: I. Allegro Con Brio (excerpt) | — | ||
| 48-4 | Piano Sonata No. 14 in C-sharp minor, "Moonlight", Op. 27/2: I. Adagio Sostenuto | — | ||
| 48-5 | Symphony No. 6 in F major, "Pastoral", Op. 68: IV. Allegro.Thunderstorm | — | ||
| 48-6 | Piano Trio in D major, "Ghost", Op. 70/1: II. Largo Assai Ed Espressivo (excerpt) | — | ||
| 48-7 | Violin Concerto in D major, Op. 61: I. Allegro Ma Non Troppo (excerpt) | — | ||
| 48-8 | Piano Sonata No. 8 in C minor, "Pathétique", Op. 13: II. Adagio Cantabile | — | ||
| 48-9 | Piano Concerto No. 5 in E-flat major, "Emperor", Op. 73: II. Adagio Un Poco Moto / III. Rondo.Allegro (excerpt) | — | ||
| 48-10 | Mass for soloists, chorus & orchestra in D major, "Missa Solemnis", Op. 123: Kyrie | — | ||
| 48-11 | Symphony No. 7 in A major, Op. 92: II. Allegretto (excerpt) | — | ||
| 48-12 | Sonata for violin & piano No. 9 in A major, "Kreutzer", Op. 47: I. Adagio sostenuto-presto (excerpt) | — | ||
| 48-13 | Ode to Joy (An die Freude) | — | ||
| 49-1 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: I. Allegro | — | ||
| 49-2 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: II. Adagio | — | ||
| 49-3 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: III. Andantino Grazioso-Trio | — | ||
| 49-4 | Trio for clarinet (or viola), cello & piano in A minor, Op. 114: IV. Allegro | — | ||
| 49-5 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: I. Allegro Con Brio | — | ||
| 49-6 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: II. Adagio | — | ||
| 49-7 | Trio for clarinet (or violin), cello & piano No. 4 in B-flat major, "Gassenhauer", Op. 11: III. Tema: Pria Ch'io L'Impegno.Allegretto | — | ||
| 49-8 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: I. Andante | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | T-902.128.688-4 | |
| 49-9 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: II. Minuetto – Trio | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | — | |
| 49-10 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 “Kegelstatt”: III. Rondo. Allegretto | Emanuel Ax, Yo-Yo Ma, Richard Stoltzman | — | |
| 50-1 | Cello Concerto in B minor, op. 104: I. Allegro | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-2 | Cello Concerto in B minor, op. 104: II. Adagio, ma non troppo | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-4 | Cello Concerto no. 2 in E minor, op. 30: I. Allegro impetuoso | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-5 | Cello Concerto no. 2 in E minor, op. 30: II. Andante tranquillo | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 50-6 | Cello Concerto no. 2 in E minor, op. 30: III. Allegro | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 51-1 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): I. Allegro Vivace | — | ||
| 51-2 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): II. Andante | — | ||
| 51-3 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): III. Scherzo.Presto-Trio | — | ||
| 51-4 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): IV. Theme &Variations.Andantino | — | ||
| 51-5 | Quintet for piano, violin, viola, cello & double bass in A major, "Trout", D. 667 (Op. posth. 114): V. Finale.Allegro Giusto | — | ||
| 51-6 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: I. Allegro Moderato | — | ||
| 51-7 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: II. Adagio | — | ||
| 51-8 | Sonata for arpeggione & piano in A minor, "Arpeggione Sonata", D. 821: III. Allegretto | — | ||
| 51-9 | Die Forelle "In einem Bächlein helle", song for voice & piano, D. 550 (Op. 32) | — | ||
| 52-1 | Fire, Water, Paper: A Vietnam Oratorio, part 1: Offertorium | — | ||
| 52-2 | Fire, Water, Paper: A Vietnam Oratorio, part 2: Scherzo "Giang Co" (Tug Of War) | — | ||
| 52-3 | Fire, Water, Paper: A Vietnam Oratorio, part 3: Hymn | — | ||
| 53-1 | Works: The Green Groves of Erin / The Flowers of Red Hill | — | ||
| 53-2 | Appalachia Waltz | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-3 | Chief Sitting In the Rain | — | ||
| 53-4 | Mama for violin, cello & double bass | — | ||
| 53-5 | Butterfly’s Day Out | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-6 | Druid Fluid for violin, cello & double bass | — | ||
| 53-7 | First Impressions | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-903.501.733-5 | |
| 53-8 | Étienne et Petunia for cello & double bass | — | ||
| 53-9 | F.C.'s Jig for violin & cello | — | ||
| 53-10 | College Hornpipe | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 53-11 | Pickles for violin, cello & double bass | — | ||
| 53-12 | Old Country Fairytale for violin, cello & double bass | — | ||
| 53-13 | Schizoozy for violin, cello & double bass | — | ||
| 53-14 | Star of the County Down | — | ||
| 53-15 | Speed the Plow Medley | — | ||
| 53-16 | Fair Dancer Reel | — | ||
| 54-1 | King Gesar for narrator & ensemble, part 1: Calling On The Power Of Goodness In Men's Hearts: An Invocation T | — | ||
| 54-2 | King Gesar for narrator & ensemble, part 2: The Birth Of Gesar | — | ||
| 54-3 | King Gesar for narrator & ensemble, part 3: Gesar In The Desert | — | ||
| 54-4 | King Gesar for narrator & ensemble, part 4: The Horse Race | — | ||
| 54-5 | King Gesar for narrator & ensemble, part 5: The Song Of Manene | — | ||
| 54-6 | King Gesar for narrator & ensemble, part 6: The Battle With The Tirthikas | — | ||
| 54-7 | King Gesar for narrator & ensemble, part 7: Gesar's Song Of Completion | — | ||
| 55-1 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): I. Allegro Ma Non Troppo | — | ||
| 55-2 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): II. Adagio | — | ||
| 55-3 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): III. Scherzo.Presto-Trio.Andante Sostenuto | — | ||
| 55-4 | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): IV. Allegretto | — | ||
| 55-5 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): I. Andantino mosso (amoroso) | — | ||
| 55-6 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): II. (Allegro con spirito) | — | ||
| 55-7 | String Quintet in E major, Op. 11 No. 5: III. Minuetto: Con un poco di moto | Jaime Laredo, Cho-Liang Lin, Yo-Yo Ma, Sharon Robinson, Isaac Stern | — | |
| 55-8 | String Quintet for 2 violins, viola & 2 cellos in E major, G. 275 (Op. 11/5): IV. Rondo. Allegretto (andante) | — | ||
| 56-1 | Concerto for cello and orchestra: I. Invocation (Arioso) | — | ||
| 56-2 | Concerto for cello and orchestra: II. Profanation (Dance) | — | ||
| 56-3 | Concerto for cello and orchestra: III. Soliloquy (Cadenza) | — | ||
| 56-4 | Concerto for cello and orchestra: IV. Prayer And Lamentation (Hymn) | — | ||
| 56-5 | Music for cello & orchestra | — | ||
| 56-6 | Cello Concerto: I. Combattimento.Svolazzante | — | ||
| 56-7 | Cello Concerto: II. Adagiati.Largo, Desolato, Grigio | — | ||
| 57-1 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: I. Allegro | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-902.128.688-4 | |
| 57-2 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: II. Larghetto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-926.819.124-8 | |
| 57-3 | Quartet for Piano, Violin, Viola and Cello no. 2 in E-flat major, K. 493: III. Allegretto | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 57-4 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: I. Allegro | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | T-902.128.688-4 | |
| 57-5 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: II. Andante | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 57-6 | Quartet for Piano, Violin, Viola and Cello no. 1 in G minor, K. 478: III. Rondeau | Emanuel Ax, Jaime Laredo, Yo-Yo Ma, Isaac Stern | — | |
| 58-1 | Sonata for cello & piano: I. Vivace-Andante Espressivo-Allegro | — | ||
| 58-2 | Sonata for cello & piano: II. Adagio | — | ||
| 58-3 | Sonata for cello & piano: III. Allegretto-Fast | — | ||
| 58-4 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: I. Mercy (Slowly) | — | ||
| 58-5 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: II. Stones (Bright and Sassy) | — | ||
| 58-6 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: III. Shelter (Gently) | — | ||
| 58-7 | 4 Songs after poems by Toni Morrison for soprano, cello & piano: IV. The Lacemaker (Slowly) | — | ||
| 58-8 | Two Remembrances for soprano, alto flute & piano: I. A Love Song | — | ||
| 58-9 | Two Remembrances for soprano, alto flute & piano: II. Lyric | — | ||
| 58-10 | Vocalise for soprano, cello & piano (or orchestra) | — | ||
| 59-1 | Symphony 1997: Heaven Earth Mankind: Song of Peace (Prelude) | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-2 | Symphony 1997: Heaven Earth Mankind: I. HEAVEN | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-3 | Symphony 1997: Heaven Earth Mankind: I. Dragon Dance | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-4 | Symphony 1997: Heaven Earth Mankind: I. Phoenix | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-5 | Symphony 1997: Heaven Earth Mankind: I. Jubilation | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-6 | Symphony 1997: Heaven Earth Mankind: I. Opera in Temple Street With Bianzhong | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-7 | Symphony 1997: Heaven Earth Mankind: II. EARTH (Yi³) | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-8 | Symphony 1997: Heaven Earth Mankind: II. Water | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-9 | Symphony 1997: Heaven Earth Mankind: II. Fire | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-10 | Symphony 1997: Heaven Earth Mankind: II. Metal | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-11 | Symphony 1997: Heaven Earth Mankind: III. MANKIND | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-12 | Symphony 1997: Heaven Earth Mankind: III. Lullaby | Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 59-13 | Symphony 1997: Heaven Earth Mankind: III. Song of Peace | Yip’s Children’s Choir, Imperial Bells Ensemble of China, Yo-Yo Ma, Hong Kong Philharmonic Orchestra, Tan Dun | — | |
| 60-1 | Seven Years in Tibet | Yo-Yo Ma, John Williams | — | |
| 60-2 | Young Dalai Lama and Ceremonial Chant | John Williams | — | |
| 60-3 | Leaving Ingrid | John Williams | — | |
| 60-4 | Peter's Rescue | John Williams | — | |
| 60-5 | Harrer's Journey | John Williams | — | |
| 60-6 | The Invasion | John Williams | T-700.030.311-9 | |
| 60-7 | Reflections | John Williams | — | |
| 60-8 | Premonitions | John Williams | — | |
| 60-9 | Approaching the Summit | John Williams | — | |
| 60-10 | Palace Invitation | John Williams | — | |
| 60-11 | Heinrich's Odyssey | John Williams | — | |
| 60-12 | Quiet Moments | John Williams | — | |
| 60-13 | Regaining a Son | John Williams | — | |
| 60-14 | Seven Years in Tibet | Yo-Yo Ma, John Williams | — | |
| 61-1 | Song of the Liberty Bell | — | ||
| 61-2 | Johnny Has Gone for a Soldier | James Taylor, Mark O’Connor | T-922.039.132-2 | |
| 61-3 | Surrender the Sword for violin & strings (for the television series Liberty: The American Revolution) | — | ||
| 61-4 | Soldier’s Joy | Mark O’Connor, Yo-Yo Ma, Wynton Marsalis, James Taylor | T-700.147.173-6 | |
| 61-5 | When Bidden to the Wake or Fair | — | ||
| 61-6 | The World Turned Upside Down | — | ||
| 61-7 | Bunker Hill | — | ||
| 61-8 | Freedom (theme for the series “Liberty: The American Revolution”) | — | ||
| 61-9 | Flowers of Edinburgh | — | ||
| 61-10 | Brave Wolfe | — | ||
| 61-11 | Devil’s Dream | — | ||
| 61-12 | Song of the Liberty Bell | — | ||
| 62-1 | Libertango | Antonio Agri, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Leonardo Marconi, Néstor Marconi, Jorge Calandrelli | T-900.764.940-3 | |
| 62-2 | Tango Suite: Andante | Odair Assad, Sérgio Assad, Yo-Yo Ma, Jorge Calandrelli | — | |
| 62-3 | Tango Suite: Allegro | Odair Assad, Sérgio Assad, Yo-Yo Ma, Jorge Calandrelli | — | |
| 62-4 | Sur: Regreso al amor | Héctor Console, Yo-Yo Ma, Leonardo Marconi, Néstor Marconi, Jorge Calandrelli | T-003.057.796-8 | |
| 62-5 | Le Grand Tango | Yo-Yo Ma, Kathryn Stott, Jorge Calandrelli | — | |
| 62-6 | Fugata | Antonio Agri, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Kathryn Stott, Jorge Calandrelli | — | |
| 62-7 | Tango Remembrances | Yo-Yo Ma, Astor Piazzolla, Jorge Calandrelli | — | |
| 62-8 | Mumuki | Antonio Agri, Héctor Console, Gerardo Gandini, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Jorge Calandrelli | T-003.047.827-3 | |
| 62-9 | Tres minutos con la realidad | Antonio Agri, Oscar Castro-Neves, Héctor Console, Yo-Yo Ma, Horacio Malvicino, Néstor Marconi, Kathryn Stott, Jorge Calandrelli | T-910.262.122-7 | |
| 62-10 | Milonga del Ángel | Edwin Barker, Frank Corliss, Yo-Yo Ma, Néstor Marconi, Jorge Calandrelli | T-900.759.241-8 | |
| 62-11 | Café 1930 | Yo-Yo Ma, Néstor Marconi, Jorge Calandrelli | — | |
| 63-1 | Prélude from Suite no. 1 in G major, BWV 1007 | Yo-Yo Ma | — | |
| 63-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Yo-Yo Ma | — | |
| 63-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Yo-Yo Ma | — | |
| 63-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Yo-Yo Ma | — | |
| 63-5 | Suite no. 1 in G major, BWV 1007: V. Menuett I/II | Yo-Yo Ma | T-001.355.259-4 | |
| 63-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Yo-Yo Ma | — | |
| 63-7 | Suite no. 2 in D minor, BWV 1008: I. Prélude | Yo-Yo Ma | T-919.529.720-2 | |
| 63-8 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Yo-Yo Ma | — | |
| 63-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | Yo-Yo Ma | — | |
| 63-10 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 63-11 | Suite no. 2 in D minor, BWV 1008: V. Menuett I/II | Yo-Yo Ma | T-001.355.259-4 | |
| 63-12 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Yo-Yo Ma | — | |
| 63-13 | Suite no. 3 in C major, BWV 1009: I. Prélude | Yo-Yo Ma | — | |
| 63-14 | Suite no. 3 in C major, BWV 1009: II. Allemande | Yo-Yo Ma | — | |
| 63-15 | Suite no. 3 in C major, BWV 1009: III. Courante | Yo-Yo Ma | — | |
| 63-16 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 63-17 | Suite no. 3 in C major, BWV 1009: V. Bourrée I/II | Yo-Yo Ma | — | |
| 63-18 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Yo-Yo Ma | — | |
| 63-19 | Suite no. 4 in E-flat major, BWV 1010: I. Prélude | Yo-Yo Ma | — | |
| 63-20 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Yo-Yo Ma | — | |
| 63-21 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Yo-Yo Ma | — | |
| 64-1 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 64-2 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I/II | Yo-Yo Ma | — | |
| 64-3 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Yo-Yo Ma | — | |
| 64-4 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Yo-Yo Ma | — | |
| 64-5 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Yo-Yo Ma | — | |
| 64-6 | Suite no. 5 in C minor, BWV 1011: III. Courante | Yo-Yo Ma | — | |
| 64-7 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Yo-Yo Ma | — | |
| 64-8 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Yo-Yo Ma | — | |
| 64-9 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Yo-Yo Ma | — | |
| 64-10 | Suite no. 6 in D major, BWV 1012: I. Prélude | Yo-Yo Ma | — | |
| 64-11 | Suite no. 6 in D major, BWV 1012: II. Allemande | Yo-Yo Ma | — | |
| 64-12 | Suite no. 6 in D major, BWV 1012: III. Courante | Yo-Yo Ma | — | |
| 64-13 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Yo-Yo Ma | T-070.957.807-3 | |
| 64-14 | Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Yo-Yo Ma | — | |
| 64-15 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Yo-Yo Ma | — | |
| 65-1 | Suite for 2 violins, cello & piano left hand, Op. 23: I. Präludium Und Fuge.Kräftig Und Bestimmt | — | ||
| 65-2 | Suite for 2 violins, cello & piano left hand, Op. 23: II. Walzer.Nicht Schnell, Anmutig | — | ||
| 65-3 | Suite for 2 violins, cello & piano left hand, Op. 23: III. Groteske.Möglich Rasch | — | ||
| 65-4 | Suite for 2 violins, cello & piano left hand, Op. 23: IV. Lied.Schlicht Und Innig.Nicht Zu Langsam | — | ||
| 65-5 | Suite for 2 violins, cello & piano left hand, Op. 23: V. Rondo-Finale (variationen).Schnell, Heftig | — | ||
| 65-6 | Quintet for piano (left hand) & string quartet in G major: I. Lebhaft, Doch Nicht Schnell | — | ||
| 65-7 | Quintet for piano (left hand) & string quartet in G major: II. Adagio | — | ||
| 65-8 | Quintet for piano (left hand) & string quartet in G major: III. Sehr Ruhig | — | ||
| 65-9 | Quintet for piano (left hand) & string quartet in G major: IV. Sehr Lebhaft | — | ||
| 66-1 | The Protecting Veil for cello & orchestra: I. The Protecting Veil | — | ||
| 66-2 | The Protecting Veil for cello & orchestra: II. Annunciation | — | ||
| 66-3 | The Protecting Veil for cello & orchestra: III. The Incarnation | — | ||
| 66-4 | The Protecting Veil for cello & orchestra: IV. Lament Of The Mother Of God At The Cross | — | ||
| 66-5 | The Protecting Veil for cello & orchestra: V. Christ Is Risen! | — | ||
| 66-6 | The Protecting Veil for cello & orchestra: VI. The Dormition Of The Mother Of God | — | ||
| 66-7 | The Protecting Veil for cello & orchestra: VII. The Protecting Veil | — | ||
| 66-8 | Wake Up ... and Die for solo cello & cello ensemble | — | ||
| 67-1 | Cantata No. 167, "Ihr Menschen, rühmet Gottes Liebe," BWV 167 (BC A176): "Sei Lob Und Preis Mit Ehren" | — | ||
| 67-2 | Erbarme Dich (from St. Matthew Passion), BWV 244 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-902.685.853-7 | |
| 67-3 | “Jesus, bleibet meine Freude” (Jesu, Joy of Man’s Desiring), BWV 147 | Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra | T-902.433.445-0 | |
| 67-4 | Cantata No. 22, "Jesus nahm zu sich die Zwölfe," BWV 22 (BC A48): "Ertöt' Uns Durch Dein' Güte" | — | ||
| 67-5 | Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (orgel-Büchlein No. 41), BWV 639 (BC K68) | — | ||
| 67-6 | Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale No. 6), BWV 650 (BC K27) | — | ||
| 67-7 | Cantata No. 163, "Nur jedem das Seine!" BWV 163 (BC A158): "Laß Mein Herz Die Münze Sein" | — | ||
| 67-8 | Cantata No. 136, "Erforsche mich, Gott, und erfahre mein Herz," BWV 136 (BC A111): "Dein Blut, Der Edle Saft" | — | ||
| 67-9 | Orchestral Suite No. 3 in D major, BWV 1068: Air | — | ||
| 67-10 | Cello Concerto in G major, G. 480: I. Allegro | — | ||
| 67-11 | Cello Concerto in G major, G. 480: II. Adagio | — | ||
| 67-12 | Cello Concerto in G major, G. 480: III. Allegro | — | ||
| 67-13 | Cello Concerto in D major, G. 478 (doubtful): I. Allegro Con Spirito | — | ||
| 67-14 | Cello Concerto in D major, G. 478 (doubtful): II. Larghetto | — | ||
| 67-15 | Cello Concerto in D major, G. 478 (doubtful): III. Rondo | — | ||
| 67-16 | Cello Concerto in D major, G. 478 (doubtful): IV. Rondo Comodo Assai | — | ||
| 68-1 | Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro Non Troppo | — | ||
| 68-2 | Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro Appassionato | — | ||
| 68-3 | Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante | — | ||
| 68-4 | Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto Grazioso | — | ||
| 68-5 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: I. Vivace Ma Non Troppo | — | ||
| 68-6 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: II. Adagio | — | ||
| 68-7 | Sonata for violin & piano No. 1 in G major, "Regen", Op. 78: III. Allegro Molto Moderato | — | ||
| 69-1 | Appalachia Waltz | Yo-Yo Ma | — | |
| 69-2 | Seven Tunes Heard In China for cello: I. Seasons | — | ||
| 69-3 | Seven Tunes Heard In China for cello: II. Guessing Song | — | ||
| 69-4 | Seven Tunes Heard In China for cello: III. Little Cabbage | — | ||
| 69-5 | Seven Tunes Heard In China for cello: IV. The Drunken Fisherman | — | ||
| 69-6 | Seven Tunes Heard In China for cello: V. Diu Diu Dong | — | ||
| 69-7 | Seven Tunes Heard In China for cello: VI. Pastoral Ballade | — | ||
| 69-8 | Seven Tunes Heard In China for cello: VII. Tibetan Dance | — | ||
| 69-9 | The Cellist of Sarajevo | Yo-Yo Ma | T-010.898.233-7 | |
| 69-10 | Suite for solo cello: I. Quasi Cadenza (Quarter Note = 80) | — | ||
| 69-11 | Suite for solo cello: II. Quarter Note = 96 | — | ||
| 69-12 | Suite for solo cello: III. Eighth Note = 42 | — | ||
| 69-13 | Suite for solo cello: IV. Vivace (Quarter Note = 104) | — | ||
| 69-14 | Sonata for solo cello, Op. 8: I. Allegro maestoso ma appassionato | — | ||
| 69-15 | Sonata for solo cello, Op. 8: II. Adagio | — | ||
| 69-16 | Sonata for solo cello, Op. 8: III. Allegro molto vivace | — | ||
| 70-1 | 1B | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-2 | Misty Moonlight Waltz | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 70-3 | Hard Times Come Again No More | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, James Taylor | T-902.821.023-3 | |
| 70-4 | Indecision | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-5 | Limerock | Yo-Yo Ma, Mark O’Connor | — | |
| 70-6 | Benjamin | James Taylor, Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-070.257.782-9 | |
| 70-7 | Fisher’s Hornpipe | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, Alison Krauss | — | |
| 70-8 | Duet for Cello and Bass | Yo-Yo Ma, Edgar Meyer | — | |
| 70-9 | Emily’s Reel | Edgar Meyer, Béla Fleck, Mike Marshall | — | |
| 70-10 | Cloverfoot Reel | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-11 | Poem for Carlita | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | — | |
| 70-12 | Caprice for Three | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 70-13 | Second Time Around | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-070.134.567-6 | |
| 70-14 | Slumber, My Darling | Yo-Yo Ma, Edgar Meyer, Mark O’Connor, Alison Krauss | T-329.509.797-7 | |
| 70-15 | Vistas | Yo-Yo Ma, Edgar Meyer, Mark O’Connor | T-901.480.028-3 | |
| 71-1 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): I. Allegro Con Fuoco | — | ||
| 71-2 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): II. Lento | — | ||
| 71-3 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): III. Allegro Moderato, Grazioso | — | ||
| 71-4 | Piano Quartet No. 2 in E-flat major, B. 162 (Op. 87): IV. Finale.Allegro, Ma Non Troppo | — | ||
| 71-5 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): I. Allegro Moderato | — | ||
| 71-6 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): II. Allegro Maestoso | — | ||
| 71-7 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): III. Allegro Appassionato | — | ||
| 71-8 | 4 Romantic Pieces for violin & piano, B. 150 (Op. 75) (revision of Miniatures, B. 149): IV. Larghetto | — | ||
| 71-9 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): I. Allegro Risoluto | — | ||
| 71-10 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): II. Larghetto | — | ||
| 71-11 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): III. Scherzo.Molto Vivace | — | ||
| 71-12 | Sonatina for violin & piano in G major, "Indian Lament", B. 183 (Op. 100): IV. Finale.Allegro | — | ||
| 72-1 | Cantata, BWV 75 "Das Elenden sollen essen": "Was Gott tut, das ist wohlgetan" | Yo-Yo Ma | — | |
| 72-2 | Goldberg Variations for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria | — | ||
| 72-3 | “Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-031.722.033-9 | |
| 72-4 | Wer nur den lieben Gott lässt walten (II), chorale prelude for organ (Schübler Chorale No. 3), BWV 647 (BC K24) | — | ||
| 72-5 | Cantata No. 186, "Ärgre dich, O Seele, nicht," BWV 186 (BC A108): "Die Hoffnung Wart' Der Rechten Zeit" | — | ||
| 72-6 | Meine Seele erhebet den Herren, chorale prelude for organ (Schübler Chorale No. 4), BWV 648 (BC K25) | — | ||
| 72-7 | “Schafe können sicher weiden” (Sheep May Safely Graze), BWV 208 | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-325.954.727-4 | |
| 72-8 | Cantata No. 76, "Die Himmel erzählen die Ehre Gottes," BWV 76 (BC A97): "Es Danke, Gott Und Lobe Dich Das Volk In Guten Taten" | — | ||
| 72-9 | Ach bleib' bei uns, Herr Jesu Christ, chorale prelude for organ "Schübler No. 5", BWV 649 (BC K26) | — | ||
| 72-10 | Cello Concerto in B-flat major, G. 482: I. Allegro Moderato | — | ||
| 72-11 | Cello Concerto in B-flat major, G. 482: II. Andante Grazioso | — | ||
| 72-12 | Cello Concerto in B-flat major, G. 482: III. Rondo-Allegro | — | ||
| 72-13 | Cello Concerto in D major, G. 476: I. Allegro | — | ||
| 72-14 | Cello Concerto in D major, G. 476: II. Largo | — | ||
| 72-15 | Cello Concerto in D major, G. 476: III. Allegro Piacere | — | ||
| 73-1 | Fancy on a Bach Air for cello | — | ||
| 73-2 | Fantasia on an Ostinato for piano | — | ||
| 73-3 | Etude Fantasy for piano: I. For the Left Hand Alone | — | ||
| 73-4 | Etude Fantasy for piano: II. Legato | — | ||
| 73-5 | Etude Fantasy for piano: III. Fifths To Thirds | — | ||
| 73-6 | Etude Fantasy for piano: IV. Ornaments | — | ||
| 73-7 | Etude Fantasy for piano: V. Melody | — | ||
| 73-8 | Phantasmagoria (on themes from "The Ghosts of Versailles") for cello & piano | — | ||
| 74-1 | Crouching Tiger, Hidden Dragon | 谭盾 | — | |
| 74-2 | Eternal Vow (Crouching Tiger, Hidden Dragon) | Alimjan, David Cossin, Kasim Cossin, Yo-Yo Ma, 上海交响乐团, Shanghai National Orchestra | — | |
| 74-3 | A Wedding Interrupted | 谭盾 | T-902.773.623-8 | |
| 74-4 | Night Fight | 谭盾 | — | |
| 74-5 | Silk Road | 谭盾 | — | |
| 74-6 | To the South | 谭盾 | T-904.695.412-5 | |
| 74-7 | Through the Bamboo Forest | 谭盾 | — | |
| 74-8 | The Encounter | 谭盾 | — | |
| 74-9 | Desert Capriccio | 谭盾 | — | |
| 74-10 | In the Old Temple | 谭盾 | T-070.187.602-9 | |
| 74-11 | Yearning of the Sword | 谭盾 | — | |
| 74-12 | Sorrow | 谭盾 | — | |
| 74-13 | Farewell | 谭盾 | T-932.019.536-6 | |
| 74-14 | A Love Before Time (English) | 谭盾 | T-072.654.045-9 | |
| 74-15 | A Love Before Time (Mandarin) | 谭盾 | T-072.654.045-9 | |
| 75-1 | Concerto for Cello and Orchestra: Theme and Cadenza | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-2 | Concerto for Cello and Orchestra: Blues | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-3 | Concerto for Cello and Orchestra: Scherzo | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-4 | Concerto for Cello and Orchestra: Song | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-912.600.666-4 | |
| 75-5 | Elegy for Cello and Orchestra | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | T-918.063.884-0 | |
| 75-6 | Three Pieces for Solo Cello: Rosewood | Yo-Yo Ma | — | |
| 75-7 | Three Pieces for Solo Cello: Pickin’ | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 75-8 | Three Pieces for Solo Cello: The Long Way North | Yo-Yo Ma | — | |
| 75-9 | Heartwood | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 76-1 | Mongolian Traditional Long Song | Ganbaataryn Khongorzul | — | |
| 76-2 | Legend of Herlen | Ganbaataryn Khongorzul, Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-3 | Blue Little Flower | Yo-Yo Ma, Silk Road Ensemble, Wu Tong | T-072.317.469-3 | |
| 76-4 | Mido Mountain | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-5 | Moon Over Guan Mountains | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-6 | Five Finnish Folksongs: No. 3 Miero vuotti uutta kuuta | Joel Fan, Yo-Yo Ma | — | |
| 76-7 | Five Finnish Folksongs: No. 5 Joiku | Joel Fan, Yo-Yo Ma | — | |
| 76-8 | Avaz‐e Dashti | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-9 | Habil‐Sayagy (In Habil’s Style) for Violoncello and Prepared Piano | Joel Fan, Yo-Yo Ma | — | |
| 76-10 | Blue as the Turquoise Night of Neyshabur | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-11 | Chi passa per’sta strada | Yo-Yo Ma, Silk Road Ensemble | — | |
| 76-12 | Desert Capriccio | Yo-Yo Ma, Silk Road Ensemble | — | |
| 77-1 | Double Concerto for Cello and Double Bass: I. ♩ = 110 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-2 | Double Concerto for Cello and Double Bass: II. ♩ = 65 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-3 | Double Concerto for Cello and Double Bass: III. ♩ = 150 | Yo-Yo Ma, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-4 | Concerto no. 2 in B minor for Double Bass and Orchestra: I. Allegro moderato | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-5 | Concerto no. 2 in B minor for Double Bass and Orchestra: II. Andante | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-6 | Concerto no. 2 in B minor for Double Bass and Orchestra: III. Allegro | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-7 | Concerto in D for Double Bass and Orchestra: I. ♩ = 109 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-8 | Concerto in D for Double Bass and Orchestra: II. ♩ = 74 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-9 | Concerto in D for Double Bass and Orchestra: III. ♩ = 190 | Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 77-10 | Gran Duo Concertante | Joshua Bell, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | T-071.000.879-9 | |
| 78-1 | Naqoyqatsi | Philip Glass | T-071.657.950-8 | |
| 78-2 | Primacy of Number | Philip Glass | T-072.673.413-9 | |
| 78-3 | Massman | Philip Glass | T-072.660.101-9 | |
| 78-4 | New World | Philip Glass | T-072.666.849-0 | |
| 78-5 | Religion | Philip Glass | T-071.657.950-8 | |
| 78-6 | Media Weather | Philip Glass | T-071.497.474-9 | |
| 78-7 | Old World | Philip Glass | T-071.497.566-2 | |
| 78-8 | Intensive Time | Philip Glass | T-071.497.254-9 | |
| 78-9 | Point Blank | Philip Glass | T-071.497.614-3 | |
| 78-10 | The Vivid Unknown | Philip Glass | T-071.497.951-7 | |
| 78-11 | Definition | Philip Glass | T-071.496.921-7 | |
| 79-1 | Méditation from Thaïs | Yo-Yo Ma, Kathryn Stott | T-306.705.438-6 | |
| 79-2 | Sonata for violin & piano No. 1 in A major, Op. 13: I. Allegro Molto | — | ||
| 79-3 | Sonata for violin & piano No. 1 in A major, Op. 13: II. Andante | — | ||
| 79-4 | Sonata for violin & piano No. 1 in A major, Op. 13: III. Allegro Vivo | — | ||
| 79-5 | Sonata for violin & piano No. 1 in A major, Op. 13: IV. Allegro Quasi Presto | — | ||
| 79-6 | Havanaise, in E major for violin & piano (or orchestra), Op. 83 | — | ||
| 79-7 | Sonata for violin & piano in A major, M. 8: I. Allegretto Ben Moderato | — | ||
| 79-8 | Sonata for violin & piano in A major, M. 8: II. Allegro | — | ||
| 79-9 | Sonata for violin & piano in A major, M. 8: III. Recitativo-Fantasia: Ben Moderato | — | ||
| 79-10 | Violin Sonata in A major: IV. Allegretto poco mosso | Yo-Yo Ma, Kathryn Stott | — | |
| 80-1 | Cristal | Yo-Yo Ma, César Camargo Mariano | — | |
| 80-2 | Chega de saudade | Rosa Passos, Yo-Yo Ma | T-039.000.722-3 | |
| 80-3 | A lenda do caboclo | Odair Assad, Sérgio Assad, Yo-Yo Ma | — | |
| 80-4 | Doce de coco | Yo-Yo Ma | — | |
| 80-5 | Dança brasileira | Yo-Yo Ma | T-039.006.486-4 | |
| 80-6 | Apelo | Yo-Yo Ma | — | |
| 80-7 | Dança negra | Yo-Yo Ma | T-039.007.723-2 | |
| 80-8 | 1×0 | Yo-Yo Ma | T-039.037.569-5 | |
| 80-9 | Menino | Yo-Yo Ma | T-903.270.784-9 | |
| 80-10 | Samambaia | Yo-Yo Ma | T-904.465.605-5 | |
| 80-11 | Carinhoso | Yo-Yo Ma | T-916.268.769-6 | |
| 80-12 | Alma brasileira | Yo-Yo Ma | T-901.135.990-3 | |
| 80-13 | O amor em paz | Yo-Yo Ma | T-041.699.597-5 | |
| 80-14 | Bodas de prata & Quatro cantos | Yo-Yo Ma | — | |
| 80-15 | Brasileirinho | Yo-Yo Ma | T-039.000.663-9 | |
| 80-16 | Salvador | Yo-Yo Ma | T-039.082.438-0 | |
| 81-1 | Libertango | Yo-Yo Ma | T-900.764.940-3 | |
| 81-2 | Chega de Saudade | Cyro Baptista, Yo-Yo Ma, Nilson Matta, Rosa Passos, Kathryn Stott | T-039.000.722-3 | |
| 81-3 | Merengue | Yo-Yo Ma | — | |
| 81-4 | Menino | Yo-Yo Ma | T-903.270.784-9 | |
| 81-5 | Águas de Março | Yo-Yo Ma | T-070.247.690-1 | |
| 81-6 | Wapango | Cyro Baptista, Paquito D’Rivera, Yo-Yo Ma, Kathryn Stott | T-307.233.972-7 | |
| 81-7 | Doce de Coco | Yo-Yo Ma | — | |
| 81-8 | Cristal | Yo-Yo Ma | — | |
| 81-9 | Tango Suite (Andante & Allegro) | Yo-Yo Ma | — | |
| 81-10 | Afro | Yo-Yo Ma | — | |
| 81-11 | Bodas de Prata & Quatro Cantos | Yo-Yo Ma | — | |
| 81-12 | Aquarela do Brasil | Yo-Yo Ma | T-039.000.073-3 | |
| 81-13 | Zita | Yo-Yo Ma | T-900.765.988-3 | |
| 81-14 | Só Danço Samba | Yo-Yo Ma | T-041.645.314-9 | |
| 82-1 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: I. Allegro | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-2 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: II. Largo | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-3 | Concerto for 2 Cellos, Strings and Basso continuo in G minor, RV 531: III. Allegro | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-4 | II. Largo from “Winter” from the Four Seasons, op. 8 no. 4 | Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra | — | |
| 82-5 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: I. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-312.958.407-8 | |
| 82-6 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: II. Largo | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-7 | Concerto for Cello, Strings and Basso continuo in B-flat major, RV 423: III. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-8 | "Cosi sugl' occhi miei" from La fida ninfa, RV 714 | Yo-Yo Ma, Wouter Verschuren, Alfredo Bernardini, Margaret Faultless, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-9 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: I. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | T-312.958.407-8 | |
| 82-10 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: II. Largo | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-11 | Concerto for Viola d´amore, Lute and Orchestra, RV 540: III. Allegro | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-12 | "La gloria del mio sangue" from Il Giustino, RV 717 | Yo-Yo Ma, Alfredo Bernardini, Michel Henry, Amsterdam Baroque Orchestra, Ton Koopman | T-061.483.131-0 | |
| 82-13 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: I. Allegro non molto | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-14 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: II. Adagio | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-15 | Concerto for Cello, Strings and Basso continuo in C minor, RV 401: III. Allegro ma non molto | Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-16 | "Noli, ò cara, te adorantis" from Juditha triumphans, RV 644 | Yo-Yo Ma, Alfredo Bernardini, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 82-17 | "Laudamus Te" from Gloria, RV 589 | Yo-Yo Ma, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman | T-061.483.131-0 | |
| 82-18 | "Quanto magis generosa" from Juditha triumphans, RV 644 | Yo-Yo Ma, Katherine McGillivray, Amsterdam Baroque Orchestra, Ton Koopman | T-910.415.366-4 | |
| 82-19 | "Dite oihmè" from La fida ninfa, RV 714 | Yo-Yo Ma, Jonathan Manson, Mike Fentross, Amsterdam Baroque Orchestra, Ton Koopman | T-011.572.610-7 | |
| 83-1 | Piano Trio in B-flat major, D. 898 (op. 99): I. Allegro moderato | Isaac Stern | — | |
| 83-2 | Piano Trio in B-flat major, D. 898 (op. 99): II. Andante un poco mosso | Isaac Stern | — | |
| 83-3 | Piano Trio in B-flat major, D. 898 (op. 99): III. Scherzo. Allegro | Isaac Stern | — | |
| 83-4 | Piano Trio in B-flat major, D. 898 (op. 99): IV. Rondo. Allegro vivace | Isaac Stern | — | |
| 83-5 | String Quintet No. 2 in G major, Op. 111: I. Allegro non troppo, ma con brio | — | ||
| 83-6 | String Quintet No. 2 in G major, Op. 111: II. Adagio | — | ||
| 83-7 | String Quintet No. 2 in G major, Op. 111: III. Un poco allegretto | — | ||
| 83-8 | String Quintet No. 2 in G major, Op. 111: IV. Vivace ma non troppo presto | — | ||
| 83-9 | Partita for solo violin No. 1 in B minor, BWV 1002: Sarabande / Double | — | ||
| 83-10 | Rondo for violin & orchestra in C major, K. 373 | — | ||
| 84-1 | “Gabriel’s Oboe” from The Mission | Gilda Buttà, Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.002.184-5 | |
| 84-2 | “The Falls” from The Mission | Gilda Buttà, Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.152.654-8 | |
| 84-3 | Giuseppe Tornatore Suite: The Legend of 1900: Playing Love | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.300.127-9 | |
| 84-4 | Giuseppe Tornatore Suite: Cinema Paradiso: Nostalgia | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-070.188.572-4 | |
| 84-5 | Giuseppe Tornatore Suite: Cinema Paradiso: Looking for You | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.015.501-5 | |
| 84-6 | Giuseppe Tornatore Suite: Malena: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.123.228-0 | |
| 84-7 | Giuseppe Tornatore Suite: A Pure Formality: Ricordare | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-006.628.583-3 | |
| 84-8 | Sergio Leone Suite: Once Upon a Time in America: Deborah’s Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-910.260.346-3 | |
| 84-9 | Sergio Leone Suite: Once Upon a Time in America: Cockeye’s Song | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-910.257.784-4 | |
| 84-10 | Sergio Leone Suite: Once Upon a Time in America: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.007.609-9 | |
| 84-11 | Sergio Leone Suite: Once Upon a Time in the West: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.001.150-1 | |
| 84-12 | Sergio Leone Suite: The Good, the Bad, and the Ugly: Ecstasy of Gold | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.011.592-8 | |
| 84-13 | Brian DePalma Suite: Casualties of War: Main Theme | Yo-Yo Ma, Gilda Buttà, Roma Sinfonietta, Ennio Morricone | T-005.010.111-5 | |
| 84-14 | Brian DePalma Suite: The Untouchables: Death Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-901.298.010-8 | |
| 84-15 | Moses and Marco Polo Suite: Moses: Journey | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-006.518.269-5 | |
| 84-16 | Moses and Marco Polo Suite: Moses: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 84-17 | Moses and Marco Polo Suite: Marco Polo: Main Theme | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | T-005.032.220-7 | |
| 84-18 | The Lady Caliph: Dinner | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 84-19 | The Lady Caliph: Nocturne | Yo-Yo Ma, Roma Sinfonietta, Ennio Morricone | — | |
| 85-1 | Mohini (Enchantment) | — | ||
| 85-2 | Oasis, improvisation | — | ||
| 85-3 | Distant Green Valley | — | ||
| 85-4 | Akhalqalaqi Dance | — | ||
| 85-5 | Echoes of a Lost City for cello & xun | — | ||
| 85-6 | Mountains are Far Away | — | ||
| 85-7 | Yanzi (Swallow Song) (Kazakh) | — | ||
| 85-8 | Battle Remembered | — | ||
| 85-9 | Summer in the High Grassland | — | ||
| 85-10 | Kor Arab | — | ||
| 85-11 | Shikasta (Minstrel's Song) | — | ||
| 85-12 | Night at the Caravanserai | — | ||
| 85-13 | Gallop of a Thousand Horses for string quartet, kamancheh & tombak | — | ||
| 85-14 | Tarang (Currents) | — | ||
| 85-15 | Sacred Cloud Music for pipa & string quartet | — | ||
| 86-1 | Sayuri’s Theme | Yo-Yo Ma, Itzhak Perlman, John Williams | T-930.919.909-5 | |
| 86-2 | The Journey to the Hanamachi | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.726.876-9 | |
| 86-3 | Going to School | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.925.766-2 | |
| 86-4 | Brush on Silk | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-5 | Chiyo’s Prayer | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-6 | Becoming a Geisha | Yo-Yo Ma, Itzhak Perlman, John Williams | T-072.726.726-6 | |
| 86-7 | Finding Satsu | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-8 | The Chairman’s Waltz | Yo-Yo Ma, Itzhak Perlman, John Williams | T-909.044.522-0 | |
| 86-9 | The Rooftops of the Hanamachi | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-10 | The Garden Meeting | Yo-Yo Ma, Itzhak Perlman, John Williams | T-914.351.959-9 | |
| 86-11 | Dr. Crab’s Prize | Yo-Yo Ma, Itzhak Perlman, John Williams | T-917.397.856-8 | |
| 86-12 | Destiny’s Path | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-13 | A New Name… A New Life | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-14 | The Fire Scene and the Coming of War | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-15 | As the Water… | Yo-Yo Ma, Itzhak Perlman, John Williams | T-914.433.513-7 | |
| 86-16 | Confluence | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 86-17 | A Dream Discarded | Yo-Yo Ma, Itzhak Perlman, John Williams | T-913.783.400-5 | |
| 86-18 | Sayuri’s Theme and End Credits | Yo-Yo Ma, Itzhak Perlman, John Williams | — | |
| 87-1 | Arabian Waltz for oud, string quartet, tuba & frame dtrum | — | ||
| 87-2 | Night of the Flying Horses, suite for soprano solo & orchestra | — | ||
| 87-3 | Galloping Horses for pipa & bass | — | ||
| 87-4 | Song of Eight Unruly Tipsy Poets for string quartet & orchestra (from "Poems from Tang") | — | ||
| 87-5 | Shristi for voice, percussion & ensemble | — | ||
| 87-6 | The Silent City for kemancheh & string orchestra | — | ||
| 87-7 | Ambush from Ten Sides, traditional melody (a.k.a. "Ambush on All Sides") | — | ||
| 87-8 | Vocussion for voices & percussion | — | ||
| 88-1 | Dona Nobis Pacem (Give Us Peace) (with counterpoint) | Yo-Yo Ma | T-922.031.650-7 | |
| 88-2 | You Couldn't Be Cuter, song (from the film "The Joy of Living") | — | ||
| 88-3 | Joy to the World (theme by Handel) | — | ||
| 88-4 | Here Comes the Sun | — | ||
| 88-5 | Improvisation on "Dona nobis pacem" for acoustic bass & mandolin | — | ||
| 88-6 | The Wassail Song "All Through the Night", medley for cello, acoustic bass & mandolin | — | ||
| 88-7 | A Christmas Jig "Mouth of the Tobique Reel", medley for fiddle, cello, Celtic harp, piano & drums | — | ||
| 88-8 | The Wexford Carol ("Good People All, This Christmastime") | — | ||
| 88-9 | Panxoliña, Galician carol | — | ||
| 88-10 | Improvisation on "Dona nobis pacem" for 2 guitars, part 1 | — | ||
| 88-11 | Vassourinhas for guitar (arrangement after Matias da Rocha) | — | ||
| 88-12 | Improvisation on "Dona nobis pacem" for clarinet & piano, part 2 | — | ||
| 88-13 | Invitación al Danzón for cello, clarinet & piano | — | ||
| 88-14 | My One and Only Love, song | — | ||
| 88-15 | Familia, song | — | ||
| 88-16 | Concordia for ensemble | — | ||
| 88-17 | My Favorite Things | Yo-Yo Ma, Chris Botti | T-070.110.801-1 | |
| 88-18 | Touch the Hand of Love | Yo-Yo Ma, Renée Fleming, Edgar Meyer, Chris Thile | — | |
| 88-19 | Kuai Le for ensemble | — | ||
| 88-20 | This Little Light of Mine, spiritual | — | ||
| 88-21 | Happy Xmas (War Is Over) | Yo-Yo Ma, Jake Shimabukuro | T-011.020.978-3 | |
| 88-22 | Dona nobis pacem / Auld Lang Syne, medley for trumpet & cello | — | ||
| 89-1 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Sayuri’s Theme | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-930.919.909-5 | |
| 89-2 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Going to School | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-072.925.766-2 | |
| 89-3 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: The Chairman’s Waltz | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-905.988.439-8 | |
| 89-4 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Brush on Silk | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-909.247.785-5 | |
| 89-5 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Chiyo’s Prayer | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | — | |
| 89-6 | Suite for Cello and Orchestra from “Memoirs of a Geisha”: Becoming A Geisha | Yo-Yo Ma, Chicago Symphony Orchestra, John Williams | T-072.726.726-6 | |
| 90-1 | Five Tango Sensations for bandoneón & string quartet (abridgement and arrangement of Sette sequenze): Fear Tango | — | ||
| 90-2 | Soledad, tango | Yo-Yo Ma | T-900.768.596-3 | |
| 90-3 | American Collection Theme | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 90-4 | Simple Gifts | Alison Krauss, Yo-Yo Ma | T-902.029.457-9 | |
| 90-5 | Song Without Words, op. 109 | Yo-Yo Ma | T-321.286.830-5 | |
| 90-6 | Going to School | Yo-Yo Ma | T-072.925.766-2 | |
| 90-7 | Five Finnish Folk Songs: IV. Mikin Pekko | Yo-Yo Ma | — | |
| 90-8 | Yanzi (Swallow Song) (Kazakh) | Yo-Yo Ma | — | |
| 90-9 | Partita for solo cello, Op. 31: IV. Allegretto | — | ||
| 90-10 | I Could Have Danced All Night | Yo-Yo Ma | T-070.902.566-0 | |
| 90-11 | Air and Simple Gifts | Yo-Yo Ma, Anthony McGill, Gabriela Montero, Itzhak Perlman | T-902.029.457-9 | |
| 90-12 | Night at the Caravanserai | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: I. Allegro moderato | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — |
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: II. Adagio | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | — |
| Concerto for Cello and Orchestra no. 2 in D major, Hob. VIIb: 2: III. Allegro | Yo-Yo Ma, English Chamber Orchestra, José-Luis García | T-312.958.407-8 |
| Three Pieces for Solo Cello: Pickin’ | Yo-Yo Ma, Recording Arts Orchestra of Los Angeles, John Williams | — |
| Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — |
| Prelude From Solo Cello Suite No. 1 | Yo-Yo Ma | — |
| Three Preludes: I. Allegro ben ritmato e deciso | Jeffrey Kahane, Yo-Yo Ma | T-070.126.537-3 |
