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Various Artists
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886975286126 is the Universal Product Code (UPC barcode) for the release “J’aime bien le classique, mais il faudra m’aider un peu… !” by Various Artists, released 2009-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC. Tracks include USBC19704248, USSM16801252, USSM16801128.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita no. 3 en mi majeur, BWV 1006 : Prélude | — | ||
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Moscow Virtuosi, Vladimir Spivakov | T-914.248.874-2 | |
| 3 | Sleepers Awake | Philadelphia Orchestra, Eugene Ormandy | T-922.060.328-1 | |
| 4 | Menuett G-Dur | Philadelphia Orchestra, Eugene Ormandy | — | |
| 5 | Musette in D major, BWV Anh. 126 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 6 | Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 7 | Little Suite: Marche in D major, BWV 122 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 8 | Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862) | — | ||
| 9 | Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808 | — | ||
| 10 | Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung » | — | ||
| 11 | Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816 | — | ||
| 12 | Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816 | — | ||
| 13 | Toccata & Fugue in D minor, BWV 565: Toccata | Los Angeles Philharmonic, Esa-Pekka Salonen | T-905.381.873-8 | |
| 14 | Toccata & Fugue in D minor, BWV 565: Fugue | Los Angeles Philharmonic, Esa-Pekka Salonen | T-329.412.466-2 | |
| 15 | Suite 2 in B minor BWV 1067: VII. Badinerie | James Galway, Zagrebački solisti | T-011.654.484-3 | |
| 16 | In Dulci Jubilo, BWV 751 | — | ||
| 17 | “Jesus bleibet meine Freude”: Aus BWV 147 | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 18 | « Ein' feste Burg ist unser Gott », BWV 302 | — | ||
| 19 | Passion selon Saint Matthieu, BWV 244 : « Erbarme dich » | — | ||
| 20 | Cantate no. 156, « Ich steh mit einem Fuss im grabe » : Sinfonia | — | ||
| 21 | Fugue en sol mineur, « Petite » | — | ||
| 22 | Concerto Brandebourgoies no. 2 en fa majeur, BWV 1047 : III. Allegro assai | — | ||
| 23 | Italian Concerto in F major BWV 971: III. Presto | Rudolf Serkin | — | |
| 2-1 | Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-2 | Magnificat BWV 243 in D major, 2. Et exsultavit spiritus meus | Ann Murray, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-3 | Magnificat BWV 243 in D major, Einlage A: Vom Himmel hoch | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-4 | Magnificat: III+IV. Omnes generationes | Arleen Augér, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-5 | Magnificat BWV 243 in D major, 5. Quia fecit mihi magna | Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-6 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion B : « Freut euch und jubilieret » (choeur) - Et misericordia (contralto, ténor) | — | ||
| 2-7 | Magnificat BWV 243 in D major, 7. Fecit potentiam | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-8 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion C : « Gloria in excelsis Deo » (choeur) - Deposuit potentes (ténor) | — | ||
| 2-9 | Magnificat BWV 243 in D major, 9. Esurientes implevit bonis | Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-10 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto) | — | ||
| 2-11 | Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-12 | Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-13 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : I. Allegro | — | ||
| 2-14 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : II. Andante | — | ||
| 2-15 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : III. Allegro assai | — | ||
| 2-16 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : I. Allegro | — | ||
| 2-17 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : II. Affetuoso | — | ||
| 2-18 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : III. Allegro assai | — | ||
| 3-1 | Le nozze di Figaro, K. 492: Sinfonia | Cleveland Orchestra, George Szell | T-900.061.083-3 | |
| 3-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | — | |
| 3-3 | Piano Sonata no. 15 in C, K. 545: I. Allegro | Philippe Entremont | — | |
| 3-4 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chicago Symphony Orchestra, James Levine | — | |
| 3-5 | Piano Sonata in A, K. 331: Rondo alla Turca | Canadian Brass | T-922.059.784-2 | |
| 3-6 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Boston Symphony Orchestra, Erich Leinsdorf | — | |
| 3-7 | Requiem, K. 626: Dies irae | Bruno Weil | — | |
| 3-8 | Sinfonia Concertante in E-flat, K. 364: III. Presto | Vladimir Spivakov, Shlomo Mintz, Moscow Virtuosi | — | |
| 3-9 | Don Giovanni, K. 527: Atto I. "Là ci darem la mano" (Duettino: Don Giovanni, Zerlina) | Teresa Berganza, Ruggero Raimondi, Orchestra of the Paris Opéra, Lorin Maazel | — | |
| 3-10 | Concerto for Horn No. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Mason Jones, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3-11 | Die Zauberflöte, K. 620: Act II, Scene VIII. "Der Hölle Rache" | Zdislawa Donat, Wiener Philharmoniker, James Levine | — | |
| 3-12 | Sleigh Ride (Mozart) | Boston Pops Orchestra, Arthur Fiedler | — | |
| 3-13 | Le nozze di Figaro, K. 492: Aria "Non piu andrai" | Sir Colin Davis | — | |
| 3-14 | March of the Priests from The Magic Flute, K.620 | London Symphony Orchestra, Erich Leinsdorf | T-903.529.769-9 | |
| 3-15 | Serenade in D, K. 320 "Posthorn": VI. Menuetto II - Trio I - Trio II | Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 3-16 | Divertimento no. 11 in D major, K. 251: Allegro molto | Collegium Aureum | — | |
| 4-1 | Requiem, K. 626 : I. Introitus - requiem | — | ||
| 4-2 | Requiem, K. 626 : II. Kyrie | — | ||
| 4-3 | Requiem, K. 626 : III. Sequenz : Dies Irae | — | ||
| 4-4 | Requiem, K. 626 : III. Sequenz : Tuba Mirum | — | ||
| 4-5 | Requiem, K. 626 : III. Sequenz : Rex Tremendae | — | ||
| 4-6 | Requiem, K. 626 : III. Sequenz : Recordare | — | ||
| 4-7 | Requiem, K. 626 : III. Sequenz : Confutatis | — | ||
| 4-8 | Requiem, K. 626 : III. Sequenz : Lacrimosa | — | ||
| 4-9 | Requiem, K. 626 : IV. Offertorium : Domine | — | ||
| 4-10 | Requiem, K. 626 : IV. Offertorium : Jesu Hostias | — | ||
| 4-11 | Requiem, K. 626 : V. Sanctus | — | ||
| 4-12 | Requiem, K. 626 : VI. Benedictus | — | ||
| 4-13 | Requiem, K. 626 : VII. Agnus Dei | — | ||
| 4-14 | Requiem, K. 626 : VIII. Communio - Lux Aeterna | — | ||
| 5-1 | Symphonie no. 5 en ut mineur, op. 67 : I. Allegro con brio | — | ||
| 5-2 | Lettre à Élise (Bagatelle WoO. 59) | — | ||
| 5-3 | Concerto pour piano et orchestre no. 5 en mi bémolmajeur, op. 73, « L'Empereur » : III. Rondo : Allegro | — | ||
| 5-4 | Sonate pour piano no. 14 en ut dièse mineur, op. 27 no. 2, « Clair de lune » : I. Adagio sostenuto | — | ||
| 5-5 | Leonore, Ouverture no. 3, op. 72A | — | ||
| 5-6 | Quatuor à cordes no. 13 en si bémol majeur, op. 130 : V. Cavatina : Adagio molto espressivo | — | ||
| 5-7 | Symphonie no. 9 en ré mineur, op. 125 : IV. Finale : Choeur sur « Ode à la joie » de Schiller | — | ||
| 6-1 | Symphonie N°5 en ut mineur, op.67 I/ Allegro | The Cleveland Orchestra, George Szell | — | |
| 6-2 | Symphonie N°5 en ut mineur, op.67 II/ Andante con brio | The Cleveland Orchestra, George Szell | — | |
| 6-3 | Symphonie N°5 en ut mineur, op.67 III/ Allegro - Attacca | The Cleveland Orchestra, George Szell | — | |
| 6-4 | Symphonie N°5 en ut mineur, op.67 IV/ Allegro | The Cleveland Orchestra, George Szell | — | |
| 6-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 6-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 6-7 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 7-1 | Polonaise en la bémol majeur, op. 53 : « Héroïque » | — | ||
| 7-2 | Valse en ré bémol majeur, op. 64 no. 1 : « Minute » | — | ||
| 7-3 | Valse en ut dièse mineur, op. 64 no. 2 | — | ||
| 7-4 | Étude en mi majeur, op. 10 no. 3 : « Tristesse » | — | ||
| 7-5 | Étude en ut mineur, op. 10 no. 12 : « Révolutionnaire » | — | ||
| 7-6 | Étude en la bémol majeur, op. 28 no. 1 | — | ||
| 7-7 | Prélude en mi mineur, op. 28 no. 4 : Largo | — | ||
| 7-8 | Prélude en la majeur, op. 28 no. 7 : Andantino | — | ||
| 7-9 | Prélude en ut mineur, op. 28 no. 20 : Largo | — | ||
| 7-10 | Fantaisie-Impromptu, op. 66 | — | ||
| 7-11 | Sonate no.2 en si bémol mineur, op. 35 : III. Marche funèbre | — | ||
| 7-12 | Nocturne en si majeur, op. 62 no. 1 | — | ||
| 7-13 | Ballade no. 4 en fa mineur, op. 52 | — | ||
| 7-14 | Mazurka en la mineur, op. 17 no. 4 | — | ||
| 7-15 | Andante spianato et Grande Polonaise brillante, op. 22 | — | ||
| 8-1 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : I. Allegro maestoso | — | ||
| 8-2 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : II. Romance. Larghetto | — | ||
| 8-3 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : III. Rondo. Vivace | — | ||
| 8-4 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : I. Maestoso | — | ||
| 8-5 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : II. Larghetto | — | ||
| 8-6 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : III. Allegro vivace | — | ||
| 9-1 | Aïda: Grande Marche | — | ||
| 9-2 | Le Trouvère: Chœur des enclumes | — | ||
| 9-3 | La Force du destin: Ouverture | — | ||
| 9-4 | Aïda: “Celeste Aida” | — | ||
| 9-5 | Don Carlos: "O don fatale" | — | ||
| 9-6 | La Traviata: "Libiamo" | — | ||
| 9-7 | La Traviata: “E strano !... Ah, fors'é lui“ | — | ||
| 9-8 | Falstaff: "L'onore!... L'onore! Ladri » | — | ||
| 9-9 | Aida: “Ritorna vincitor” | — | ||
| 9-10 | Nabucco: “Va pensiero” (Chœur des esclaves hébreux) | — | ||
| 9-11 | Simon Boccanegra: “Come in quest'ora bruna” | — | ||
| 9-12 | Don Carlos: “E lui!... desso !... L'Infante” | — | ||
| 9-13 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | — | ||
| 9-14 | Messa da Requiem: II. Dies irae “Dies irae, dies illa” | — | ||
| 10-1 | Messa da Requiem: II. Dies Irae “Tuba mirum, spargens sonum” (basse, chœur) | — | ||
| 10-2 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | — | ||
| 10-3 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | — | ||
| 10-4 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | — | ||
| 10-5 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | — | ||
| 10-6 | Messa da Requiem: II. Dies Irae “Ingemisco tamquam reus” (ténor) | — | ||
| 10-7 | Messa da Requiem: II. Dies Irae “Confutatis maledictis” (basse, chœur) | — | ||
| 10-8 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | — | ||
| 10-9 | Messa da Requiem: III. Offertorio (solistes) | — | ||
| 10-10 | Messa da Requiem: IV. Sanctus (chœur) | — | ||
| 10-11 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | — | ||
| 10-12 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | — | ||
| 10-13 | Messa da Requiem: VII. Libera me (soprano, chœur) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | — |
| Sleigh Ride (Mozart) | Boston Pops Orchestra, Arthur Fiedler | T-071.070.336-8 |
| Sleigh Ride | Boston Pops Orchestra, Arthur Fiedler | T-071.070.336-8 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | T-010.194.871-3 |
| Concerto for Horn No. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Mason Jones, The Philadelphia Orchestra, Eugene Ormandy | — |
| Don Giovanni, K. 527: Atto I. "Là ci darem la mano" (Duettino: Don Giovanni, Zerlina) | Teresa Berganza, Ruggero Raimondi, Orchestra of the Paris Opéra, Lorin Maazel | T-900.134.396-0 |
| Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886975286126 is a Universal Product Code (UPC) assigned to J’aime bien le classique, mais il faudra m’aider un peu… ! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 133 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886975286126 is the Universal Product Code (UPC barcode) for the release “J’aime bien le classique, mais il faudra m’aider un peu… !” by Various Artists, released 2009-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC. Tracks include USBC19704248, USSM16801252, USSM16801128.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita no. 3 en mi majeur, BWV 1006 : Prélude | — | ||
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Moscow Virtuosi, Vladimir Spivakov | T-914.248.874-2 | |
| 3 | Sleepers Awake | Philadelphia Orchestra, Eugene Ormandy | T-922.060.328-1 | |
| 4 | Menuett G-Dur | Philadelphia Orchestra, Eugene Ormandy | — | |
| 5 | Musette in D major, BWV Anh. 126 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 6 | Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 7 | Little Suite: Marche in D major, BWV 122 | Philadelphia Orchestra, Eugene Ormandy | — | |
| 8 | Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862) | — | ||
| 9 | Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808 | — | ||
| 10 | Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung » | — | ||
| 11 | Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816 | — | ||
| 12 | Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816 | — | ||
| 13 | Toccata & Fugue in D minor, BWV 565: Toccata | Los Angeles Philharmonic, Esa-Pekka Salonen | T-905.381.873-8 | |
| 14 | Toccata & Fugue in D minor, BWV 565: Fugue | Los Angeles Philharmonic, Esa-Pekka Salonen | T-329.412.466-2 | |
| 15 | Suite 2 in B minor BWV 1067: VII. Badinerie | James Galway, Zagrebački solisti | T-011.654.484-3 | |
| 16 | In Dulci Jubilo, BWV 751 | — | ||
| 17 | “Jesus bleibet meine Freude”: Aus BWV 147 | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 18 | « Ein' feste Burg ist unser Gott », BWV 302 | — | ||
| 19 | Passion selon Saint Matthieu, BWV 244 : « Erbarme dich » | — | ||
| 20 | Cantate no. 156, « Ich steh mit einem Fuss im grabe » : Sinfonia | — | ||
| 21 | Fugue en sol mineur, « Petite » | — | ||
| 22 | Concerto Brandebourgoies no. 2 en fa majeur, BWV 1047 : III. Allegro assai | — | ||
| 23 | Italian Concerto in F major BWV 971: III. Presto | Rudolf Serkin | — | |
| 2-1 | Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-2 | Magnificat BWV 243 in D major, 2. Et exsultavit spiritus meus | Ann Murray, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-3 | Magnificat BWV 243 in D major, Einlage A: Vom Himmel hoch | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-4 | Magnificat: III+IV. Omnes generationes | Arleen Augér, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-5 | Magnificat BWV 243 in D major, 5. Quia fecit mihi magna | Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-6 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion B : « Freut euch und jubilieret » (choeur) - Et misericordia (contralto, ténor) | — | ||
| 2-7 | Magnificat BWV 243 in D major, 7. Fecit potentiam | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-8 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion C : « Gloria in excelsis Deo » (choeur) - Deposuit potentes (ténor) | — | ||
| 2-9 | Magnificat BWV 243 in D major, 9. Esurientes implevit bonis | Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-10 | Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto) | — | ||
| 2-11 | Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-12 | Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-13 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : I. Allegro | — | ||
| 2-14 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : II. Andante | — | ||
| 2-15 | Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : III. Allegro assai | — | ||
| 2-16 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : I. Allegro | — | ||
| 2-17 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : II. Affetuoso | — | ||
| 2-18 | Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : III. Allegro assai | — | ||
| 3-1 | Le nozze di Figaro, K. 492: Sinfonia | Cleveland Orchestra, George Szell | T-900.061.083-3 | |
| 3-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | — | |
| 3-3 | Piano Sonata no. 15 in C, K. 545: I. Allegro | Philippe Entremont | — | |
| 3-4 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chicago Symphony Orchestra, James Levine | — | |
| 3-5 | Piano Sonata in A, K. 331: Rondo alla Turca | Canadian Brass | T-922.059.784-2 | |
| 3-6 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Boston Symphony Orchestra, Erich Leinsdorf | — | |
| 3-7 | Requiem, K. 626: Dies irae | Bruno Weil | — | |
| 3-8 | Sinfonia Concertante in E-flat, K. 364: III. Presto | Vladimir Spivakov, Shlomo Mintz, Moscow Virtuosi | — | |
| 3-9 | Don Giovanni, K. 527: Atto I. "Là ci darem la mano" (Duettino: Don Giovanni, Zerlina) | Teresa Berganza, Ruggero Raimondi, Orchestra of the Paris Opéra, Lorin Maazel | — | |
| 3-10 | Concerto for Horn No. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Mason Jones, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3-11 | Die Zauberflöte, K. 620: Act II, Scene VIII. "Der Hölle Rache" | Zdislawa Donat, Wiener Philharmoniker, James Levine | — | |
| 3-12 | Sleigh Ride (Mozart) | Boston Pops Orchestra, Arthur Fiedler | — | |
| 3-13 | Le nozze di Figaro, K. 492: Aria "Non piu andrai" | Sir Colin Davis | — | |
| 3-14 | March of the Priests from The Magic Flute, K.620 | London Symphony Orchestra, Erich Leinsdorf | T-903.529.769-9 | |
| 3-15 | Serenade in D, K. 320 "Posthorn": VI. Menuetto II - Trio I - Trio II | Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 3-16 | Divertimento no. 11 in D major, K. 251: Allegro molto | Collegium Aureum | — | |
| 4-1 | Requiem, K. 626 : I. Introitus - requiem | — | ||
| 4-2 | Requiem, K. 626 : II. Kyrie | — | ||
| 4-3 | Requiem, K. 626 : III. Sequenz : Dies Irae | — | ||
| 4-4 | Requiem, K. 626 : III. Sequenz : Tuba Mirum | — | ||
| 4-5 | Requiem, K. 626 : III. Sequenz : Rex Tremendae | — | ||
| 4-6 | Requiem, K. 626 : III. Sequenz : Recordare | — | ||
| 4-7 | Requiem, K. 626 : III. Sequenz : Confutatis | — | ||
| 4-8 | Requiem, K. 626 : III. Sequenz : Lacrimosa | — | ||
| 4-9 | Requiem, K. 626 : IV. Offertorium : Domine | — | ||
| 4-10 | Requiem, K. 626 : IV. Offertorium : Jesu Hostias | — | ||
| 4-11 | Requiem, K. 626 : V. Sanctus | — | ||
| 4-12 | Requiem, K. 626 : VI. Benedictus | — | ||
| 4-13 | Requiem, K. 626 : VII. Agnus Dei | — | ||
| 4-14 | Requiem, K. 626 : VIII. Communio - Lux Aeterna | — | ||
| 5-1 | Symphonie no. 5 en ut mineur, op. 67 : I. Allegro con brio | — | ||
| 5-2 | Lettre à Élise (Bagatelle WoO. 59) | — | ||
| 5-3 | Concerto pour piano et orchestre no. 5 en mi bémolmajeur, op. 73, « L'Empereur » : III. Rondo : Allegro | — | ||
| 5-4 | Sonate pour piano no. 14 en ut dièse mineur, op. 27 no. 2, « Clair de lune » : I. Adagio sostenuto | — | ||
| 5-5 | Leonore, Ouverture no. 3, op. 72A | — | ||
| 5-6 | Quatuor à cordes no. 13 en si bémol majeur, op. 130 : V. Cavatina : Adagio molto espressivo | — | ||
| 5-7 | Symphonie no. 9 en ré mineur, op. 125 : IV. Finale : Choeur sur « Ode à la joie » de Schiller | — | ||
| 6-1 | Symphonie N°5 en ut mineur, op.67 I/ Allegro | The Cleveland Orchestra, George Szell | — | |
| 6-2 | Symphonie N°5 en ut mineur, op.67 II/ Andante con brio | The Cleveland Orchestra, George Szell | — | |
| 6-3 | Symphonie N°5 en ut mineur, op.67 III/ Allegro - Attacca | The Cleveland Orchestra, George Szell | — | |
| 6-4 | Symphonie N°5 en ut mineur, op.67 IV/ Allegro | The Cleveland Orchestra, George Szell | — | |
| 6-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 6-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 6-7 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 7-1 | Polonaise en la bémol majeur, op. 53 : « Héroïque » | — | ||
| 7-2 | Valse en ré bémol majeur, op. 64 no. 1 : « Minute » | — | ||
| 7-3 | Valse en ut dièse mineur, op. 64 no. 2 | — | ||
| 7-4 | Étude en mi majeur, op. 10 no. 3 : « Tristesse » | — | ||
| 7-5 | Étude en ut mineur, op. 10 no. 12 : « Révolutionnaire » | — | ||
| 7-6 | Étude en la bémol majeur, op. 28 no. 1 | — | ||
| 7-7 | Prélude en mi mineur, op. 28 no. 4 : Largo | — | ||
| 7-8 | Prélude en la majeur, op. 28 no. 7 : Andantino | — | ||
| 7-9 | Prélude en ut mineur, op. 28 no. 20 : Largo | — | ||
| 7-10 | Fantaisie-Impromptu, op. 66 | — | ||
| 7-11 | Sonate no.2 en si bémol mineur, op. 35 : III. Marche funèbre | — | ||
| 7-12 | Nocturne en si majeur, op. 62 no. 1 | — | ||
| 7-13 | Ballade no. 4 en fa mineur, op. 52 | — | ||
| 7-14 | Mazurka en la mineur, op. 17 no. 4 | — | ||
| 7-15 | Andante spianato et Grande Polonaise brillante, op. 22 | — | ||
| 8-1 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : I. Allegro maestoso | — | ||
| 8-2 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : II. Romance. Larghetto | — | ||
| 8-3 | Concerto pour piano et orchestre no. 1 en mi mineur, op. 11 : III. Rondo. Vivace | — | ||
| 8-4 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : I. Maestoso | — | ||
| 8-5 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : II. Larghetto | — | ||
| 8-6 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21 : III. Allegro vivace | — | ||
| 9-1 | Aïda: Grande Marche | — | ||
| 9-2 | Le Trouvère: Chœur des enclumes | — | ||
| 9-3 | La Force du destin: Ouverture | — | ||
| 9-4 | Aïda: “Celeste Aida” | — | ||
| 9-5 | Don Carlos: "O don fatale" | — | ||
| 9-6 | La Traviata: "Libiamo" | — | ||
| 9-7 | La Traviata: “E strano !... Ah, fors'é lui“ | — | ||
| 9-8 | Falstaff: "L'onore!... L'onore! Ladri » | — | ||
| 9-9 | Aida: “Ritorna vincitor” | — | ||
| 9-10 | Nabucco: “Va pensiero” (Chœur des esclaves hébreux) | — | ||
| 9-11 | Simon Boccanegra: “Come in quest'ora bruna” | — | ||
| 9-12 | Don Carlos: “E lui!... desso !... L'Infante” | — | ||
| 9-13 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | — | ||
| 9-14 | Messa da Requiem: II. Dies irae “Dies irae, dies illa” | — | ||
| 10-1 | Messa da Requiem: II. Dies Irae “Tuba mirum, spargens sonum” (basse, chœur) | — | ||
| 10-2 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | — | ||
| 10-3 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | — | ||
| 10-4 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | — | ||
| 10-5 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | — | ||
| 10-6 | Messa da Requiem: II. Dies Irae “Ingemisco tamquam reus” (ténor) | — | ||
| 10-7 | Messa da Requiem: II. Dies Irae “Confutatis maledictis” (basse, chœur) | — | ||
| 10-8 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | — | ||
| 10-9 | Messa da Requiem: III. Offertorio (solistes) | — | ||
| 10-10 | Messa da Requiem: IV. Sanctus (chœur) | — | ||
| 10-11 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | — | ||
| 10-12 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | — | ||
| 10-13 | Messa da Requiem: VII. Libera me (soprano, chœur) | — |
