UPC · Release
Various Artists
Last verified:
The UPC for “Je n’aime pas le classique, mais ça j’aime bien !” by Various Artists is 886976110321. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. This release contains 80 tracks, each with its own ISRC. Tracks include USBC10401583, USBC18000111, DEP620101122.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2 | Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | T-803.285.485-7 | |
| 3 | Die Walküre: Ride of the Valkyries (Apocalypse Now) | Orchester der Tiroler Festspiele, Gustav Kuhn | — | |
| 4 | Concerto pour mandoline : Allegro | Nigel Woodhouse, London Musici, Mark Stephenson | — | |
| 5 | Requiem in D minor, K. 626: IIIa. Sequentia: "Dies irae" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 6 | Suite no. 2 for Jazz Orchestra: VII. Waltz II | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 7 | Ungarische Tänze: Nr. 1 in g‐moll | Orchestra filarmonică „George Enescu”, Christian Mandael | T-902.753.155-1 | |
| 8 | L'Invitation au Château : Tango | Kolja Blacher, Éric Le Sage, Paul Meyer | T-004.126.846-5 | |
| 9 | Gitanerias | Morton Gould and His Orchestra, Morton Gould | T-042.188.890-5 | |
| 10 | Requiem: Dies Irae (extract) | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 11 | Sabre Dance from "Gayne" Ballet Suite | Boston Pops Orchestra, Arthur Fiedler | T-801.025.525-2 | |
| 12 | La Moldau | Bamberger Symphoniker, Gustav Kuhn | T-902.653.600-5 | |
| 13 | Lakmé : Duo des fleurs (extrait) | Ruby Philogene, Janice Watson, Royal Liverpool Philharmonic Orchestra, Carl Davis | T-900.142.826-8 | |
| 14 | Pachelbel:Canon in D | Baroque Chamber Orchestra, Ettore Stratta | T-041.726.043-5 | |
| 15 | La Traviata: Noi siamo zingarelle | Coro della RCA Italiana, Orchestra della RCA Italiana, Georges Prêtre | — | |
| 16 | Masquerade Suite: I. Waltz | RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 17 | La Flûte enchantée : Der Hölle Rache (Air de la Reine de la nuit) | Sỳlvia Geszty, Staatskapelle Dresden, Otmar Suitner | T-900.078.652-7 | |
| 18 | Le Vol du bourdon | London Symphony Orchestra, André Previn | T-071.520.252-0 | |
| 19 | Il barbiere di Siviglia: Io sono docile | Roberta Peters, Metropolitan Opera Orchestra, Erich Leinsdorf | — | |
| 20 | Pavane | National Philharmonic Orchestra, Charles Gerhardt | T-010.142.579-9 | |
| 21 | Carnaval des Animaux : Aquarium | Boston Pops Orchestra, Arthur Fiedler | T-070.002.946-4 | |
| 22 | Madama Butterfly : Un bel dì vedremo | Leontyne Price, Philharmonia Orchestra, Sir Edward Downes | — | |
| 23 | Cavalleria rusticana: Intermezzo sinfonico | National Philharmonic Orchestra, James Levine | — | |
| 24 | Gymnopédie no. 1 | National Philharmonic Orchestra, Charles Gerhardt | T-011.724.078-4 | |
| 2-1 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Vladimir Spivakov, Moscow Virtuosi | — | |
| 2-2 | La traviata: Atto I. “Libiamo ne’ lieti calici” (Brindisi) | Carlo Bergonzi, Montserrat Caballé, Coro della RCA Italiana, RCA Italiana Opera Orchestra, Georges Prêtre | — | |
| 2-3 | Carmen: Ouverture | Wiener Philharmoniker, Herbert von Karajan | T-912.619.086-1 | |
| 2-4 | Dance of the Reed Flutes (The Nutcracker) | Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | T-061.409.365-0 | |
| 2-5 | Nabucco: Atto III, scena 4. “Va, pensiero” (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw | T-928.635.488-9 | |
| 2-6 | Coppelia : Valse Lente (acte 1) | Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | T-306.310.844-7 | |
| 2-7 | Air On The G String | Festival Strings Lucerne, Rudolf Baumgartner | T-914.248.874-2 | |
| 2-8 | Requiem: Lacrimosa | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 2-9 | Clair de lune | Boston Pops Orchestra, Arthur Fiedler | T-304.252.843-4 | |
| 2-10 | Rhapsodie sur un thème de Paganini, Variation XVIII : Andante Cantabile | Leonard Pennario, Boston Pops Orchestra, Arthur Fiedler | T-902.858.745-3 | |
| 2-11 | Les Contes d'Hoffmann : Barcarolle | Boston Pops Orchestra, Arthur Fiedler | T-900.010.201-2 | |
| 2-12 | Guillaume Tell : Ouverture | Boston Pops Orchestra, Arthur Fiedler | T-700.112.081-8 | |
| 2-13 | Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies) | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Zubin Mehta | — | |
| 2-14 | Roméo et Juliette: Acte I. Danse des valets | Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | T-003.506.743-6 | |
| 2-15 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 2-16 | Swan Lake: Act 4, no. 29: Scène finale: Andante, Allegro, Alla breve, Moderato e maestoso, Moderato | Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | — | |
| 2-17 | Rigoletto : Choeur scorrendo uniti | Coro della RCA Italiana, Orchestra della RCA Italiana, Sir Georg Solti | T-905.140.179-7 | |
| 2-18 | Les Quatre Saisons, l'Hiver : Allegro non molto | Виртуозы Москвы, Владимир Теодорович Спиваков | — | |
| 2-19 | L'Arlésienne, Suite no. 2 : Farandole | Boston Pops Orchestra, Arthur Fiedler | T-010.194.866-6 | |
| 2-20 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet / VII. Badinerie | James Galway, Zagrebački solisti | T-011.654.484-3 | |
| 2-21 | Gnossienne no. 1 | William Masselos | T-003.010.023-2 | |
| 3-1 | Le Messie : Alleluia | — | ||
| 3-2 | Concerto pour mandoline, en ut majeur : Allegro | — | ||
| 3-3 | Les Quatre Saisons « l’Automne » : Allegro | — | ||
| 3-4 | Danse hongroise no. 5 | — | ||
| 3-5 | Aïda : Chœur « Gloria all’Egitto, ad Iside » | — | ||
| 3-6 | Danse slave no. 8 | — | ||
| 3-7 | Sonate pour piano, K. 331, en la majeur : Allegretto « Marche turque » | — | ||
| 3-8 | Peer Gynt Suite no. 1 : Dans la château du roi de la montagne | — | ||
| 3-9 | Rêve d’amour no. 3 | — | ||
| 3-10 | Adagio | — | ||
| 3-11 | Carnaval des animaux : Le Cygne | — | ||
| 3-12 | Ave Maria | — | ||
| 3-13 | Concerto pour piano et orchestre no. 11 : Allegro assai – Rondo all’Ungherese | — | ||
| 3-14 | Symphonie no. 9 : « Ode à la joie » | — | ||
| 3-15 | La Belle au bois dormant : Valse | — | ||
| 3-16 | Concerto pour clarinette : Adagio | — | ||
| 3-17 | Norma : « Casta Diva » | — | ||
| 3-18 | Étude, op. 10 no. 3 « Tristesse » | — | ||
| 4-1 | Carmina Burana: Fortune plango vulnera | — | ||
| 4-2 | Les Indes Galantes : Rondeau – Danse du Calumet de la Paix | — | ||
| 4-3 | Danse espagnole no. 5 | — | ||
| 4-4 | Bagatelle en la mineur « Lettre à Elise » | — | ||
| 4-5 | Peer Gynt Suite no. 1 : Au matin | — | ||
| 4-6 | Ave verum | — | ||
| 4-7 | La Wally : « Ebben ? … Ne andro lontana » | — | ||
| 4-8 | Après un rêve (transcription P. Casals) | — | ||
| 4-9 | Les Chants du Rhin : La Bohémienne | — | ||
| 4-10 | Sérénade pour cordes | — | ||
| 4-11 | Fantaisie sur « Greensleeves » | — | ||
| 4-12 | Le Sacre du Printemps : Danse du sacrifice | — | ||
| 4-13 | Sonate pour flûte : Cantinela | — | ||
| 4-14 | Méditation de Thaïs | — | ||
| 4-15 | Symphonie no. 3 : Poco allegretto | — | ||
| 4-16 | Sonate no. 8 « Pathétique » : Adagio cantabile | — | ||
| 4-17 | Pavane pour une infante défunte | — |
Identifier Graph
886976110321 is a Universal Product Code (UPC) assigned to Je n’aime pas le classique, mais ça j’aime bien ! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — |
| Requiem in D minor, K. 626: IIIa. Sequentia: "Dies irae" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-922.061.546-3 |
| Cavalleria rusticana: Intermezzo sinfonico | National Philharmonic Orchestra, James Levine | T-931.666.624-7 |
Creative Contributors (ISNI)
The UPC for “Je n’aime pas le classique, mais ça j’aime bien !” by Various Artists is 886976110321. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. This release contains 80 tracks, each with its own ISRC. Tracks include USBC10401583, USBC18000111, DEP620101122.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — |
| Requiem in D minor, K. 626: IIIa. Sequentia: "Dies irae" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T-922.061.546-3 |
| Cavalleria rusticana: Intermezzo sinfonico | National Philharmonic Orchestra, James Levine | T-931.666.624-7 |
