UPC · Release
Leonard Bernstein
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The UPC for “Concertos & Orchestral Works” by Leonard Bernstein is 888430133020. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 930 tracks, each with its own ISRC. Tracks include USSM11408936, USSM11408937, USSM11408938.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 2 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 3 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: III. Allegro Assai | — | ||
| 4 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: I. Allegro | — | ||
| 5 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: II. Adagio | — | ||
| 6 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: III. Allegro | — | ||
| 7 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: I. Allegro | — | ||
| 8 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: II. Largo | — | ||
| 9 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: III. Allegro Molto | — | ||
| 10 | Keyboard Concerto No. 1 in D minor, BWV 1052: I. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-914.323.771-2 | |
| 11 | Keyboard Concerto No. 1 in D minor, BWV 1052: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-917.755.866-6 | |
| 12 | Keyboard Concerto No. 1 in D minor, BWV 1052: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 2-1 | Concerto for Violin and Orchestra, op. 14: I. Allegro | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-2 | Concerto for Violin and Orchestra, op. 14: II. Andante | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-4 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 2-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | — | ||
| 2-6 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppo | — | ||
| 2-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 2-8 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 2, Sz. 95: I. Allegro | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Concerto for Piano and Orchestra no. 2, Sz. 95: II. Adagio - Presto - Adagio | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Concerto for Piano and Orchestra no. 2, Sz. 95: III. Allegro molto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: I. Assai lento - Allegro molto | — | ||
| 4-2 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: II. Lento, ma non troppo | — | ||
| 4-3 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: III. Allegro non troppo | — | ||
| 4-4 | Violin Concerto no. 2, Sz.112: I. Allegro non troppo | — | ||
| 4-5 | Violin Concerto no. 2, Sz.112: II. Andante tranquillo - Allegro scherzando - Tempo I | — | ||
| 4-6 | Violin Concerto no. 2, Sz.112: III. Allegro molto | — | ||
| 5-1 | Concerto for Violin and Orchestra: I. Andante – Allegro | — | ||
| 5-2 | Concerto for Violin and Orchestra: II. Allegro | — | ||
| 5-3 | First Rhapsody: I. “Lassú” | — | ||
| 5-4 | First Rhapsody: II. “Friss” | — | ||
| 5-5 | Second Rhapsody: I. “Lassú” | — | ||
| 5-6 | Second Rhapsody: II. “Friss” | — | ||
| 6-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 6-4 | Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 6-5 | Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 6-6 | Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-4 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 7-6 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 8-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Violin Concerto in D major, op. 61: 1. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D major, op. 61: 2. Larghetto | — | ||
| 9-3 | Violin Concerto in D major, op. 61: 3. Rondo. Allegro | — | ||
| 9-4 | Concerto for Two Violins in D minor, BWV 1043: 1. Vivace | — | ||
| 9-5 | Concerto for Two Violins in D minor, BWV 1043: 2. Largo, ma non tanto | — | ||
| 9-6 | Concerto for Two Violins in D minor, BWV 1043: 3. Allegro | — | ||
| 10-1 | Harold in Italy, op.16 - Harold in the Mountains | — | ||
| 10-2 | Harold in Italy, op.16 - March of the Pilgrims | — | ||
| 10-3 | Harold in Italy, op.16 - Serenade | — | ||
| 10-4 | Harold in Italy, op.16 - Orgy of the Brigands | — | ||
| 10-5 | Poeme op.25 | — | ||
| 10-6 | Tzigane - Lento | — | ||
| 10-7 | Tzigane - Moderato | — | ||
| 11-1 | Bernstein, pre-performance speech on April 6, 1962 | Leonard Bernstein | — | |
| 11-2 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 11-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15 - II. Adagio | — | ||
| 11-4 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15 - III. Rondo. Allegro non troppo | — | ||
| 11-5 | Glenn Gould Speech | — | ||
| 12-1 | Piano Concerto #2 In B-flat, op.83 - I. Allegro non troppo | — | ||
| 12-2 | Piano Concerto #2 In B-flat, op.83 - II. Allegro appassionato | — | ||
| 12-3 | Piano Concerto #2 In B-flat, op.83 - III. Andante | — | ||
| 12-4 | Piano Concerto #2 In B-flat, op.83 - IV. Allegretto grazioso | — | ||
| 13-1 | Violin Concerto in D major, op. 77- Allegro non troppo | — | ||
| 13-2 | Violin Concerto in D major, op. 77- Adagio | — | ||
| 13-3 | Violin Concerto in D major, op. 77- Allegro giocoso, ma non troppo vivace | — | ||
| 13-4 | Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 13-5 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 13-6 | Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 14-1 | Piano Concerto: 1. Andante sostenuto | — | ||
| 14-2 | Piano Concerto: 2. Molto moderato | — | ||
| 14-3 | Concerto on Old English Rounds: 1. Amaryllis | — | ||
| 14-4 | Concerto on Old English Rounds: 2. Great Tom Is Cast | — | ||
| 14-5 | Concerto on Old English Rounds: 3. Who'll Buy Mi Roses / Come, Follow Me | — | ||
| 14-6 | Concerto on Old English Rounds: 4. Combinations | — | ||
| 14-7 | Concerto on Old English Rounds: 5. Amaryllis | — | ||
| 14-8 | To Thee Old Cause | Harold Gomberg, New York Philharmonic, Leonard Bernstein | — | |
| 15-1 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 1. Allegro maestoso | — | ||
| 15-2 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 2. Quasi Adagio - Allegretto vivace - Allegro animato | — | ||
| 15-3 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 3. Allegro marziale animato - Presto | — | ||
| 15-4 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Introduction. Allegro vivace | — | ||
| 15-5 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 1. [Precedente] | — | ||
| 15-6 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 2. L'istesso tempo | — | ||
| 15-7 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 3. L'istesso tempo | — | ||
| 15-8 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 4. Più vivo | — | ||
| 15-9 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 5. Tempo precedente | — | ||
| 15-10 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 6. L'istesso tempo | — | ||
| 15-11 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 7. Meno mosso, a tempo moderato | — | ||
| 15-12 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 8. Tempo 1 | — | ||
| 15-13 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 9. L'istesso tempo | — | ||
| 15-14 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 10. A 2 poco marcato | — | ||
| 15-15 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 11. Moderato | — | ||
| 15-16 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 12. Tempo di Minuetto | — | ||
| 15-17 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 13. Allegro | — | ||
| 15-18 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 14. L'istesso tempo | — | ||
| 15-19 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 15. Più vivo. Scherzando | — | ||
| 15-20 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 16. Allegretto | — | ||
| 15-21 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 17. Poco marcato | — | ||
| 15-22 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 18. Andante cantabile | — | ||
| 15-23 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 19. L'istesso tempo | — | ||
| 15-24 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 20. Un poco più vivo | — | ||
| 15-25 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 21. Un poco più vivo | — | ||
| 15-26 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 22. Un poco più vivo (alla breve) | — | ||
| 15-27 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 23. L'istesso tempo | — | ||
| 15-28 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 24. A tempo un poco meno mosso | — | ||
| 15-29 | Piano Concerto in G major: 1. Allegramente | — | ||
| 15-30 | Piano Concerto in G major: 2. Adagio assai | — | ||
| 15-31 | Piano Concerto in G major: 3. Presto | — | ||
| 16-1 | Piano Concerto no. 15 in B flat major, K. 450: Allegro | — | ||
| 16-2 | Piano Concerto no. 15 in B flat major, K. 450: Andante | — | ||
| 16-3 | Piano Concerto no. 15 in B flat major, K. 450: Allegro | — | ||
| 16-4 | Piano Concerto no. 17 in G major, K. 453: Allegro | — | ||
| 16-5 | Piano Concerto no. 17 in G major, K. 453: Andante | — | ||
| 16-6 | Piano Concerto no. 17 in G major, K. 453: Allegretto | — | ||
| 17-1 | Piano Concerto no.10 for Two Pianos in E flat major, K365 1. Allegro | — | ||
| 17-2 | Piano Concerto no.10 for Two Pianos in E flat major, K365 2. Andante | — | ||
| 17-3 | Piano Concerto no.10 for Two Pianos in E flat major, K365 3. Rondeau. Allegro | — | ||
| 17-4 | Piano Concerto no.7 for Three Pianos in F major, K242 1. Allegro | — | ||
| 17-5 | Piano Concerto no.7 for Three Pianos in F major, K242 2. Adagio | — | ||
| 17-6 | Piano Concerto no.7 for Three Pianos in F major, K242 3. Rondeau. Tempo di menuetto | — | ||
| 17-7 | Serenade no.13 in G major, K525 | — | ||
| 17-8 | Serenade no.13 in G major, K525 | — | ||
| 17-9 | Serenade no.13 in G major, K525 | — | ||
| 17-10 | Serenade no.13 in G major, K525 | — | ||
| 18-1 | Piano Concerto no.25 in C major, K503 1. Allegro maestoso | — | ||
| 18-2 | Piano Concerto No.25 in C major, K503 2. Andante | — | ||
| 18-3 | Piano Concerto No.25 in C major, K503 3. Allegretto | — | ||
| 18-4 | Mendelssohn: Violin Concerto in E minor, op.64 1. Allegro molto appassionato | — | ||
| 18-5 | Mendelssohn: Violin Concerto in E minor, op.64 2. Andante | — | ||
| 18-6 | Mendelssohn: Violin Concerto in E minor, op.64 3. Allegretto non troppo | — | ||
| 19-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | — | |
| 19-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | T-312.542.566-9 | |
| 19-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | — | |
| 19-4 | Cello Concerto in A minor, op.129 1. Nicht Zu Schnell | — | ||
| 19-5 | Cello Concerto in A minor, op.129 2. Langsam | — | ||
| 19-6 | Cello Concerto in A minor, op.129 3. Sehr Lebhaft | — | ||
| 20-1 | Concerto for Flute and Orchestra, I. Allegro moderato | — | ||
| 20-2 | Concerto for Flute and Orchestra, II. Allegretto | — | ||
| 20-3 | Concerto for Clarinet and Orchestra, op. 57 · Allegretto un poco — Cadenza — Tempo I — Poco adagio — Allegro non troppo — Cadenza — Adagio — Allegro vivace | — | ||
| 20-4 | Concerto for Violin and Orchestra, I. Massig bewegte Halbe | — | ||
| 20-5 | Concerto for Violin and Orchestra, II. Langsam | — | ||
| 20-6 | Concerto for Violin and Orchestra, III. Lebhaft | — | ||
| 21-1 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 21-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Philippe Entremont, New York Philharmonic, Leonard Bernstein | T-071.926.821-9 | |
| 21-4 | Violin Concerto no.2 in G minor, op.63 1. Allegro moderato | — | ||
| 21-5 | Violin Concerto no.2 in G minor, op.63 2. Andante assai | — | ||
| 21-6 | Violin Concerto no.2 in G minor, op.63 3. Allegro ben marcato | — | ||
| 22-1 | Piano Concerto no. 4 in C minor, op. 44: 1. Allegro moderato - Andante | — | ||
| 22-2 | Piano Concerto no. 4 in C minor, op. 44: 2. Allegro vivace - Andante - Allegro | — | ||
| 22-3 | Introduction and Rondo capriccioso, op. 28 | — | ||
| 22-4 | Première Rapsodie | — | ||
| 22-5 | Rapsodie pour orchestre et saxophone | — | ||
| 22-6 | Ballade in F-sharp major, op. 19 | — | ||
| 23-1 | Piano Concerto no. 1 in C minor, op. 35: I. Allegro vivace | — | ||
| 23-2 | Piano Concerto no. 1 in C minor, op. 35: II. Lento | — | ||
| 23-3 | Piano Concerto no. 1 in C minor, op. 35: III. Moderato | — | ||
| 23-4 | Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio | — | ||
| 23-5 | Piano Concerto no. 2 in F major, op. 102: I . Allegro | — | ||
| 23-6 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 23-7 | Piano Concerto no. 2 in F major, op. 102: III. Allegro | — | ||
| 23-8 | Concerto for Two Pianos & Orchestra in D minor: I. Allegro ma non troppo | — | ||
| 23-9 | Concerto for Two Pianos & Orchestra in D minor: II. Larghetto | — | ||
| 23-10 | Concerto for Two Pianos & Orchestra in D minor: III. Finale. allegro molto | — | ||
| 24-1 | Don Quixote, op.35 - Introduction | — | ||
| 24-2 | Don Quixote, op.35 - Theme | — | ||
| 24-3 | Don Quixote, op.35 - Var 1: The Adventure Of The Windmills | — | ||
| 24-4 | Don Quixote, op.35 - Var 2: The Battle With The Sheep | — | ||
| 24-5 | Don Quixote, op.35 - Var 3: Dialogue Of Knight & Squire | — | ||
| 24-6 | Don Quixote, op.35 - Var 4: The Adventure With The Procession Of Penitents | — | ||
| 24-7 | Don Quixote, op.35 - Var 5: Don Quixote's Vigil | — | ||
| 24-8 | Don Quixote, op.35 - Var 6: Dulcinea's Enchantment | — | ||
| 24-9 | Don Quixote, op.35 - Var 7: The Ride Through The Air | — | ||
| 24-10 | Don Quixote, op.35 - Var 8: The Adventure Of The Enchanted Boat | — | ||
| 24-11 | Don Quixote, op.35 - Var 9: The Contest With The Magicians | — | ||
| 24-12 | Don Quixote, op.35 - Var 10: Joust With Knight Of White Moone | — | ||
| 24-13 | Don Quixote, op.35 - Var 11: The Death Of Don Quixote | — | ||
| 24-14 | Concerto for Piano and Wind Instruments 1. Largo, allegro | — | ||
| 24-15 | Concerto for Piano and Wind Instruments 2. Largo | — | ||
| 24-16 | Concerto for Piano and Wind Instruments 3. Allegro | — | ||
| 25-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 25-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | — | ||
| 25-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 25-4 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato | — | ||
| 25-5 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 25-6 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto | — | ||
| 26-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-4 | Piano Concerto in G minor, B. 63 (op. 33): Allegro agitato | — | ||
| 26-5 | Piano Concerto in G minor, B. 63 (op. 33): Andante sostenuto | — | ||
| 26-6 | Piano Concerto in G minor, B. 63 (op. 33): Finale, Allegro con fuoco | — | ||
| 27-1 | Concerto for violin, strings & continuo in E major (Spring): I. Allegro | — | ||
| 27-2 | Concerto for violin, strings & continuo in E major (Spring): II. Largo | — | ||
| 27-3 | Concerto for violin, strings & continuo in E major (Spring): III. Allegro | — | ||
| 27-4 | Concerto for violin, strings & continuo in G minor (Summer): I. Allegro non molto - Allegro | — | ||
| 27-5 | Concerto for violin, strings & continuo in G minor (Summer): II. Adagio | — | ||
| 27-6 | Concerto for violin, strings & continuo in G minor (Summer): III. Presto | — | ||
| 27-7 | Concerto for violin, strings & continuo in F major (Autumn): I. Allegro | — | ||
| 27-8 | Concerto for violin, strings & continuo in F major (Autumn): II. Adagio molto | — | ||
| 27-9 | Concerto for violin, strings & continuo in F major (Autumn): III. Allegro | — | ||
| 27-10 | Concerto for violin, strings & continuo in F minor (Winter): I. Allegro non molto | — | ||
| 27-11 | Concerto for violin, strings & continuo in F minor (Winter): II. Largo | — | ||
| 27-12 | Concerto for violin, strings & continuo in F minor (Winter): III. Allegro | — | ||
| 27-13 | Concerto for Diverse Instruments in C major, RV 558: I. Allegro molto | — | ||
| 27-14 | Concerto for Diverse Instruments in C major, RV 558: Andante molto | — | ||
| 27-15 | Concerto for Diverse Instruments in C major, RV 558: III. Allegro | — | ||
| 27-16 | Concerto for oboe, strings & continuo in D minor, RV 454: I. Allegro | — | ||
| 27-17 | Concerto for oboe, strings & continuo in D minor, RV 454: II. Largo | — | ||
| 27-18 | Concerto for oboe, strings & continuo in D minor, RV 454: III. Allegro | — | ||
| 27-19 | Concerto for flute, strings & continuo in C minor, RV 441: I. Allegro non molto | — | ||
| 27-20 | Concerto for flute, strings & continuo in C minor, RV 441: II. Largo | — | ||
| 27-21 | Concerto for flute, strings & continuo in C minor, RV 441: III. [Allegro] | — | ||
| 28-1 | Violin Concerto in D major, op.35 1. Allegro Moderato | — | ||
| 28-2 | Violin Concerto in D major, op.35 2. Canzonetta. Andante | — | ||
| 28-3 | Violin Concerto in D major, op.35 3. Finale. Allegro Vivacissimo | — | ||
| 29-1 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 29-2 | Music for Strings, Percussion and Celeste, Sz106 - 1. Andante tranquillo | — | ||
| 29-3 | Music for Strings, Percussion and Celeste, Sz106 - 2. Allegro | — | ||
| 29-4 | Music for Strings, Percussion and Celeste, Sz106 - 3. Adagio | — | ||
| 29-5 | Music for Strings, Percussion and Celeste, Sz106 - 4. Allegro molto | — | ||
| 29-6 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - I. David before Saul. Largo | — | ||
| 29-7 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - II. Invocation. Molto calmato e con divozione profunda | — | ||
| 29-8 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - IIIa. A Song of Degrees. Con moto solenne - | — | ||
| 29-9 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - IIIb. Vivo - Pesante - Molto allargando - Animando | — | ||
| 30-1 | Leonore no. 3, op. 72a | — | ||
| 30-2 | The Consecration Of The House, op. 124 | — | ||
| 30-3 | King Stephan, op. 117 | — | ||
| 30-4 | Fidelio, op. 72b | — | ||
| 30-5 | Egmont, op. 84 | — | ||
| 30-6 | Leonore no. 3, op. 72a | — | ||
| 31-1 | Grande Ouverture de Benvenuto Cellini, op. 23 | — | ||
| 31-2 | Le Carnaval romain, ouverture caractéristique, op. 9 | New York Philharmonic, Leonard Bernstein | — | |
| 31-3 | Roméo et Juliette, op. 17, Part 2: Andante malinconico e sostenuto | — | ||
| 31-4 | Roméo et Juliette, op. 17, Part 2: Allegro - Largetto espressivo | — | ||
| 31-5 | Roméo et Juliette, op. 17, Part 2: Allegro | — | ||
| 31-6 | Roméo et Juliette, op. 17, Part 2: Réunion des deux thèmes | — | ||
| 31-7 | Roméo et Juliette, op. 17, Part 3: Scène d'amour | — | ||
| 31-8 | Roméo et Juliette, op. 17, Part 3: Allegro agitato | — | ||
| 31-9 | Roméo et Juliette, op. 17, Part 4: Scherzo | — | ||
| 31-10 | Marche hongroise (Marche de Rákóczy) from La Damnation de Faust | — | ||
| 32-1 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-2 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-3 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-4 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-5 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-6 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-7 | Facsimile (Choreographic Essay for Orchestra) - Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo | — | ||
| 32-8 | Facsimile (Choreographic Essay for Orchestra) - Allegretto - Subito Allegro - Più mosso | — | ||
| 33-1 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Prologue. Lento moderato | — | ||
| 33-2 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Seven Ages. Variations 1-7 | — | ||
| 33-3 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Seven Stages. Variations 8-14 | — | ||
| 33-4 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Dirge. Largo | — | ||
| 33-5 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Masque. Extremely fast | — | ||
| 33-6 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Epilogue. L'istesso tempo - Adagio - Con moto | — | ||
| 33-7 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato | — | ||
| 33-8 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: II. Aristophanes. Allegretto | — | ||
| 33-9 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: III. Eryximachus. Presto | — | ||
| 33-10 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: IV. Agathon. Adagio | — | ||
| 33-11 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: V. Socrates - Alcibiades. Molto tenuto - Adagio - Allegro molto vivace - Molto giocoso | — | ||
| 34-1 | Overture to Candide | — | ||
| 34-2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 34-3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 34-4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 34-5 | Symphonic Dances from West Side Story: IV. Mambo. Meno presto | — | ||
| 34-6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 34-7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 34-8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 34-9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 34-10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 34-11 | On the Waterfront, symphonic suite: I. Andante (with dignity) - Presto barbaro | — | ||
| 34-12 | On the Waterfront, symphonic suite: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 34-13 | On the Waterfront, symphonic suite: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 34-14 | On the Waterfront, symphonic suite: IV. Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, | — | ||
| 34-15 | On the Waterfront, symphonic suite: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 34-16 | On the Waterfront, symphonic suite: VI. A tempo | — | ||
| 34-17 | Fancy Free, ballet: I. Enter Three Sailors | — | ||
| 34-18 | Fancy Free, ballet: II. Scene at the Bar | — | ||
| 34-19 | Fancy Free, ballet: III. Enter Two Girls | — | ||
| 34-20 | Fancy Free, ballet: IV. Pas de deux | — | ||
| 34-21 | Fancy Free, ballet: V. Competition Scene | — | ||
| 34-22 | Fancy Free, ballet: VIa. Three Dance Variations: Variation 1 (Galop) | — | ||
| 34-23 | Fancy Free, ballet: VIb. Three Dance Variations: Variation 2 (Waltz) | — | ||
| 34-24 | Fancy Free, ballet: VIc. Three Dance Variations: Variation 3 (Danzon) | — | ||
| 34-25 | Fancy Free, ballet: VII. Finale | — | ||
| 35-1 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 1. Prelude for the Brass | — | ||
| 35-2 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 2. Fugue for the Saxes | — | ||
| 35-3 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 3. Riffs for Everyone | — | ||
| 35-4 | Dance Episodes (3) from -On the Town-, for orchestra- I. The Great Lover Displays Himself (To Sono Osato) | — | ||
| 35-5 | Dance Episodes (3) from -On the Town-, for orchestra- II. Lonely Town- Pas de Deux (To Betty Comden) | — | ||
| 35-6 | Dance Episodes (3) from -On the Town-, for orchestra- III. Times square- 1944 (To Nancy Walker) | — | ||
| 35-7 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Phaedrus- Pausanias | — | ||
| 35-8 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Aristophanes | — | ||
| 35-9 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Eryximachus | — | ||
| 35-10 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Agathon | — | ||
| 35-11 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Socrates- Alcibiades | — | ||
| 35-12 | Fancy Free, ballet- Big Stuff (Prologue) | — | ||
| 35-13 | Fancy Free, ballet- Opening Dance | — | ||
| 35-14 | Fancy Free, ballet- Scene at the Bar | — | ||
| 35-15 | Fancy Free, ballet- Pas de Deux | — | ||
| 35-16 | Fancy Free, ballet- The Competition Scene | — | ||
| 35-17 | Fancy Free, ballet- Galop Variation | — | ||
| 35-18 | Fancy Free, ballet- Waltz Variation | — | ||
| 35-19 | Fancy Free, ballet- Danzon Variation | — | ||
| 35-20 | Fancy Free, ballet- Finale | — | ||
| 36-1 | Dybbuk, ballet- The Community | — | ||
| 36-2 | Dybbuk, ballet- The Fathers | — | ||
| 36-3 | Dybbuk, ballet- Witnesses of Birth | — | ||
| 36-4 | Dybbuk, ballet- The Children | — | ||
| 36-5 | Dybbuk, ballet- Kabbalah- Six Variations | — | ||
| 36-6 | Dybbuk, ballet- Witnesses of Death | — | ||
| 36-7 | Dybbuk, ballet- Leah | — | ||
| 36-8 | Dybbuk, ballet- Possession | — | ||
| 36-9 | Dybbuk, ballet- Exorcism | — | ||
| 36-10 | Dybbuk, ballet- The Community | — | ||
| 37-1 | Carmen Suite No. 1 ... Les Toreadors ... Allegro giocoso | — | ||
| 37-2 | Carmen Suite No. 1... Les Toreadors ... Andante moderato | — | ||
| 37-3 | Carmen Suite No. 1... Aragonaise | — | ||
| 37-4 | Carmen Suite No. 1... Intermezzo | — | ||
| 37-5 | Carmen Suite No. 1... Seguidilla | — | ||
| 37-6 | Carmen Suite No. 1... Dragon d'Alcala | — | ||
| 37-7 | Carmen Suite No. 2 ... Marche de Contrebandiers | — | ||
| 37-8 | Carmen Suite No. 2 ... Habanera | — | ||
| 37-9 | Carmen Suite No. 2 ... Nocturne | — | ||
| 37-10 | Carmen Suite No. 2 ... Chanson du Toreador | — | ||
| 37-11 | Carmen Suite No. 2 ... La Garde montante | — | ||
| 37-12 | Carmen Suite No. 2 ... Danse boheme | — | ||
| 37-13 | L'Arlésienne Suite No. 1 ... Prelude ... Allegro deciso, Andantino | — | ||
| 37-14 | L'Arlésienne Suite No. 1 ... Prelude ... Andante molto | — | ||
| 37-15 | L'Arlésienne Suite No. 1 ... Minuetto | — | ||
| 37-16 | L'Arlésienne Suite No. 1 ... Adagietto | — | ||
| 37-17 | L'Arlésienne Suite No. 1 ... Carillon | — | ||
| 37-18 | L'Arlésienne Suite No. 2 ... Pastorale | — | ||
| 37-19 | L'Arlésienne Suite No. 2 ... Intermezzo | — | ||
| 37-20 | L'Arlésienne Suite No. 2 ... Menuet | — | ||
| 37-21 | L'Arlésienne Suite No. 2 ... Farandole | — | ||
| 38-1 | Gaite Parisienne - 1. Overture | — | ||
| 38-2 | Gaite Parisienne - 2. Tortoni No. 1 | — | ||
| 38-3 | Gaite Parisienne - 3. Polka | — | ||
| 38-4 | Gaite Parisienne - 4. Galop | — | ||
| 38-5 | Gaite Parisienne - 5. Valse Lente | — | ||
| 38-6 | Gaite Parisienne - 6. Marche | — | ||
| 38-7 | Gaite Parisienne - 7. Grande Valse | — | ||
| 38-8 | Gaite Parisienne - 8. Cancan | — | ||
| 38-9 | Gaîté parisienne : VIII. Barcarolle | New York Philharmonic, Leonard Bernstein | T-909.336.964-3 | |
| 38-10 | Orphee Aux Enfers - Overture | — | ||
| 38-11 | Suppe: Die Schone Galathee - Overture | — | ||
| 38-12 | Herold: Zampa - Overture | — | ||
| 38-13 | Thomas: Raymond - Overture | — | ||
| 39-1 | Academic Festival Overture, Op. 80 | — | ||
| 39-2 | Tragic Overture, Op. 81 | — | ||
| 39-3 | Serenade No. 2 in A Major, Op. 16: I. Allegro moderato | — | ||
| 39-4 | Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace | — | ||
| 39-5 | Serenade No. 2 in A Major, Op. 16: III. Adagio non troppo | — | ||
| 39-6 | Serenade No. 2 in A Major, Op. 16: IV. Quasi menuetto | — | ||
| 39-7 | Serenade No. 2 in A Major, Op. 16: V. Rondo. Allegro | — | ||
| 39-8 | Variations on a Theme by Haydn, Op. 56a: Theme. Andante | — | ||
| 39-9 | Variations on a Theme by Haydn, Op. 56a: Variation 1, Poco più animato | — | ||
| 39-10 | Variations on a Theme by Haydn, Op. 56a: Variation 2, Più vivace | — | ||
| 39-11 | Variations on a Theme by Haydn, Op. 56a: Variation 3, Con moto | — | ||
| 39-12 | Variations on a Theme by Haydn, Op. 56a: Variation 4, Andante con moto | — | ||
| 39-13 | Variations on a Theme by Haydn, Op. 56a: Variation 5, Vivace | — | ||
| 39-14 | Variations on a Theme by Haydn, Op. 56a: Variation 6, Vivace | — | ||
| 39-15 | Variations on a Theme by Haydn, Op. 56a: Variation 7, Grazioso | — | ||
| 39-16 | Variations on a Theme by Haydn, Op. 56a: Variation 8, Presto non troppo | — | ||
| 39-17 | Variations on a Theme by Haydn, Op. 56a: Finale. Andante | — | ||
| 40-1 | The Young Person's Guide to the Orchestra Op.34 (without narration): I. Theme | — | ||
| 40-2 | The Young Person's Guide to the Orchestra Op.34 (without narration): II. Variations A - B - C - D - | — | ||
| 40-3 | The Young Person's Guide to the Orchestra Op.34 (without narration): III. Variations E - F - G - H - | — | ||
| 40-4 | The Young Person's Guide to the Orchestra Op.34 (without narration): IV. Variations I - J - K - L - M - | — | ||
| 40-5 | The Young Person's Guide to the Orchestra Op.34 (without narration): V. Fugue: Allegro Molto | — | ||
| 40-6 | Four Sea Interludes from “Peter Grimes”, op. 33a: I. Lento e tranquillo. “Dawn” | New York Philharmonic, Leonard Bernstein | — | |
| 40-7 | Four Sea Interludes from “Peter Grimes”, op. 33a: II. Allegro spiritoso. “Sunday Morning” | New York Philharmonic, Leonard Bernstein | — | |
| 40-8 | Four Sea Interludes from “Peter Grimes”, op. 33a: III. Andante comodo e rubato. “Moonlight” | New York Philharmonic, Leonard Bernstein | — | |
| 40-9 | Four Sea Interludes from “Peter Grimes”, op. 33a: IV. Presto con fuoco - molto animato - largamente - tempo I. “Storm” | New York Philharmonic, Leonard Bernstein | — | |
| 40-10 | Passacaglia from “Peter Grimes”, op. 33b | New York Philharmonic, Leonard Bernstein | — | |
| 40-11 | Suite on English Folk Tunes "A Time There Was..." op. 90: I. "Cakes and Ale": Fast and Rough | — | ||
| 40-12 | Suite on English Folk Tunes "A Time There Was..." op. 90: II. "The Bitter Withy": Allegretto | — | ||
| 40-13 | Suite on English Folk Tunes "A Time There Was..." op. 90: III. "Hankin Booby": Heavily | — | ||
| 40-14 | Suite on English Folk Tunes "A Time There Was..." op. 90: IV. "Hunt the Squirrel": Fast and Gay | — | ||
| 40-15 | Suite on English Folk Tunes "A Time There Was..." op. 90: V. "Lord Melbourne": Slow and Languid | — | ||
| 40-16 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ia. Theme A (Tutti) | — | ||
| 40-17 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ib. Theme B (Woodwinds) | — | ||
| 40-18 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ic. Theme C (Brass) | — | ||
| 40-19 | The Young Person's Guide to the Orchestra Op.34 (with narration): Id. Theme D (Strings) | — | ||
| 40-20 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ie. Theme E (Percussion) | — | ||
| 40-21 | The Young Person's Guide to the Orchestra Op.34 (with narration): If. Theme F (tutti) | — | ||
| 40-22 | The Young Person's Guide to the Orchestra Op.34 (with narration): II. Variation A (Flutes & Piccolo) | — | ||
| 40-23 | The Young Person's Guide to the Orchestra Op.34 (with narration): III. Variation B (Oboes) | — | ||
| 40-24 | The Young Person's Guide to the Orchestra Op.34 (with narration): IV. Variation C (Clarinets) | — | ||
| 40-25 | The Young Person's Guide to the Orchestra Op.34 (with narration): V. Variation D (Bassoons) | — | ||
| 40-26 | The Young Person's Guide to the Orchestra Op.34 (with narration): VI. Variation E (Violins) | — | ||
| 40-27 | The Young Person's Guide to the Orchestra Op.34 (with narration): VII. Variation F (Violas) | — | ||
| 40-28 | The Young Person's Guide to the Orchestra Op.34 (with narration): VIII. Variation G (Cellos) | — | ||
| 40-29 | The Young Person's Guide to the Orchestra Op.34 (with narration): IX. Variation H (Double Basses) | — | ||
| 40-30 | The Young Person's Guide to the Orchestra Op.34 (with narration): X. Variation I (Harp) | — | ||
| 40-31 | The Young Person's Guide to the Orchestra Op.34 (with narration): XI. Variation J (French Horns) | — | ||
| 40-32 | The Young Person's Guide to the Orchestra Op.34 (with narration): XII. Variation K (Trumpets) | — | ||
| 40-33 | The Young Person's Guide to the Orchestra Op.34 (with narration): XIII. Variation L (Trombones & Tuba) | — | ||
| 40-34 | The Young Person's Guide to the Orchestra Op.34 (with narration): XIV. Variation M (Percussion) | — | ||
| 40-35 | The Young Person's Guide to the Orchestra Op.34 (with narration): XV. Fugue (tutti) | — | ||
| 41-1 | Appalachian Spring: Very slowly | — | ||
| 41-2 | Appalachian Spring: Allegro | — | ||
| 41-3 | Appalachian Spring: Moderato | — | ||
| 41-4 | Appalachian Spring: Fast | — | ||
| 41-5 | Appalachian Spring: Subito Allegro | — | ||
| 41-6 | Appalachian Spring: As at first (slowly) | — | ||
| 41-7 | Appalachian Spring: Doppio movimento | — | ||
| 41-8 | Appalachian Spring: Moderato - Coda | — | ||
| 41-9 | Rodeo. Four Dance Episodes: I. Buckaroo Holiday. Allegro con spirito | — | ||
| 41-10 | Rodeo. Four Dance Episodes: II. Corral Nocturne. Moderato | — | ||
| 41-11 | Rodeo. Four Dance Episodes: III. Saturday Night Waltz. Slow Waltz | — | ||
| 41-12 | Rodeo. Four Dance Episodes: IV. Hoe-Down. Allegro | — | ||
| 41-13 | Billy The Kid: Introduction. The open Pairie | — | ||
| 41-14 | Billy The Kid: Street in a Frontier Town | — | ||
| 41-15 | Billy The Kid: Mexican Dance and Finale | — | ||
| 41-16 | Billy The Kid: Prairie Night (Card game at night) | — | ||
| 41-17 | Billy The Kid: Gun Battle | — | ||
| 41-18 | Billy The Kid: Celebration (after Billy' capture) | — | ||
| 41-19 | Billy The Kid: Billy's Death | — | ||
| 41-20 | Billy The Kid: The open Prairie again | — | ||
| 41-21 | Fanfare for the Common Man: Molto deliberato | — | ||
| 42-1 | Music For The Theatre 1. Prologue | — | ||
| 42-2 | Music For The Theatre 2. Dance | — | ||
| 42-3 | Music For The Theatre 3. Interlude | — | ||
| 42-4 | Music For The Theatre 4. Burlesque | — | ||
| 42-5 | Music For The Theatre 5. Epilogue | — | ||
| 42-6 | Connotations For Orchestra | — | ||
| 42-7 | Inscape | — | ||
| 42-8 | El Salón México | — | ||
| 43-1 | Images for Orchestra - 1. Gigues | — | ||
| 43-2 | Images for Orchestra - 2a. In the Streets and Byways | — | ||
| 43-3 | Images for Orchestra - 2b The Fragrances of the Night | — | ||
| 43-4 | Images for Orchestra - 2c. The Morning of a Festival Day | — | ||
| 43-5 | Images for Orchestra - 3. Spring Rounds | — | ||
| 43-6 | Pavane pour une infante defunte | — | ||
| 43-7 | Ma mere l'Oye - Cinq pieces enfantines - 1. Pavan of the Sleeping Beauty | — | ||
| 43-8 | Ma mere l'Oye - Cinq pieces enfantines - 2. Tom Thumb | — | ||
| 43-9 | Ma mere l'Oye - Cinq pieces enfantines - 3. Laideronnette, Empress of the Pagodas | — | ||
| 43-10 | Ma mere l'Oye - Cinq pieces enfantines - 4. Conversation of Beauty and the Beast | — | ||
| 43-11 | Ma mere l'Oye - Cinq pieces enfantines - 5. The Fairy Garden | — | ||
| 44-1 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 1, -De l'aube a midi sur la mer? | — | ||
| 44-2 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 2, -Jeux de vagues- (Play of the waves) | — | ||
| 44-3 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 3, -Dialogue du vent et de la mer? | — | ||
| 44-4 | Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 | — | ||
| 44-5 | Jeux, ballet, L. 126 | — | ||
| 44-6 | Nocturnes, for female chorus & orchestra, L. 91- Nuages | — | ||
| 44-7 | Nocturnes, for female chorus & orchestra, L. 91- Nuages | — | ||
| 45-1 | Carnival Overture, op. 92: Allegro - Andante con moto - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 45-2 | Slavonic Dances no. 1 in C major, op. 46: Presto | New York Philharmonic, Leonard Bernstein | T-312.527.003-9 | |
| 45-3 | Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro | New York Philharmonic, Leonard Bernstein | — | |
| 45-4 | The Bartered Bride: Overture | New York Philharmonic, Leonard Bernstein | T-913.828.907-3 | |
| 45-5 | Three Dances from The Bartered Bride: Polka | New York Philharmonic, Leonard Bernstein | — | |
| 45-6 | Three Dances from The Bartered Bride: Furiant | New York Philharmonic, Leonard Bernstein | T-031.533.699-2 | |
| 45-7 | Three Dances from The Bartered Bride: Dance of the Comedians | New York Philharmonic, Leonard Bernstein | — | |
| 45-8 | Má Vlast 2. Vltava (The Moldau) | — | ||
| 46-1 | España | — | ||
| 46-2 | El Amor Brujo - Introducción Y Escena | — | ||
| 46-3 | El Amor Brujo - En La Cueva | — | ||
| 46-4 | El Amor Brujo - Canción Del Amor Dolido | — | ||
| 46-5 | El Amor Brujo - El Aparecido | — | ||
| 46-6 | l Amor Brujo - Danza Del Terror | — | ||
| 46-7 | El Amor Brujo - El Círculo Magico | — | ||
| 46-8 | El Amor Brujo - A Media Noche | — | ||
| 46-9 | El Amor Brujo - Danza Ritual Del Fuego | — | ||
| 46-10 | El Amor Brujo - Escena | — | ||
| 46-11 | El Amor Brujo - Canción Del Fuego Fatuo | — | ||
| 46-12 | El Amor Brujo - Pantomima | — | ||
| 46-13 | El Amor Brujo - Danza Del Juego Del Amor | — | ||
| 46-14 | El Amor Brujo - Final. Las Campanas Del Amanecer | — | ||
| 46-15 | Fanfare Pour Une Fête | — | ||
| 46-16 | La Vida Breve - Interlude & Danza | — | ||
| 46-17 | El Sombrero De Tres Picos, Part 1 - Introducción | — | ||
| 46-18 | El Sombrero De Tres Picos, Part 1 - Danza De La Molinera | — | ||
| 46-19 | El Sombrero De Tres Picos, Part 1 - El Corregidor | — | ||
| 46-20 | El Sombrero De Tres Picos, Part 1 - Las Uvas | — | ||
| 46-21 | El Sombrero De Tres Picos, Part 2 - Danza De Los Vecinos | — | ||
| 46-22 | El Sombrero De Tres Picos, Part 2 - Danza Del Molinero | — | ||
| 46-23 | El Sombrero De Tres Picos, Part 2 - Danza Final | — | ||
| 46-24 | El Amor Brujo - Danza Ritual Del Fuego | — | ||
| 47-1 | Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 | |
| 47-2 | An American in Paris | New York Philharmonic, Leonard Bernstein | T-070.001.144-4 | |
| 47-3 | Grand Canyon Suite: I. Sunrise | New York Philharmonic, Leonard Bernstein | — | |
| 47-4 | Grand Canyon Suite: II. Painted Desert | New York Philharmonic, Leonard Bernstein | — | |
| 47-5 | Grand Canyon Suite: III. On the Trail | New York Philharmonic, Leonard Bernstein | — | |
| 47-6 | Grand Canyon Suite: IV. Sunset | New York Philharmonic, Leonard Bernstein | — | |
| 47-7 | Grand Canyon Suite: V. Cloudburst | New York Philharmonic, Leonard Bernstein | — | |
| 48-1 | Peer Gynt Suite no. 1, op. 46: I. Dawn | New York Philharmonic, Leonard Bernstein | — | |
| 48-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse | New York Philharmonic, Leonard Bernstein | — | |
| 48-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance | New York Philharmonic, Leonard Bernstein | T-928.635.589-3 | |
| 48-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | New York Philharmonic, Leonard Bernstein | — | |
| 48-5 | Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | New York Philharmonic, Leonard Bernstein | — | |
| 48-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | New York Philharmonic, Leonard Bernstein | — | |
| 48-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home | New York Philharmonic, Leonard Bernstein | — | |
| 48-8 | Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song | New York Philharmonic, Leonard Bernstein | — | |
| 48-9 | Norwegian Dance, op. 35/2 | — | ||
| 48-10 | March of the Dwarfs, op. 54/3 | — | ||
| 48-11 | Kuolema, op. 44: Valse Triste | New York Philharmonic, Leonard Bernstein | T-000.769.449-6 | |
| 48-12 | The Swan of Tuonela, op. 22 | Thomas Stacy, New York Philharmonic, Leonard Bernstein | — | |
| 48-13 | Finlandia | — | ||
| 49-1 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 49-2 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot. Scherzo. Moderato - Lebhaft | — | ||
| 49-3 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 49-4 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 49-5 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part I. Mäßig schnell, mit Kraft - | — | ||
| 49-6 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part I. Sehr Breit, aber stets fließend | — | ||
| 49-7 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Lebhaft - | — | ||
| 49-8 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Langsam - | — | ||
| 49-9 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Im ersten Zeitmaß - | — | ||
| 49-10 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Lebhaft | — | ||
| 49-11 | Pacific 231: Mouvement symphonique | — | ||
| 49-12 | Rugby: Mouvement symphonique | — | ||
| 49-13 | Pastorale d'été | — | ||
| 50-1 | The Planets, op. 32: I. Mars, the Bringer of War. Allegro | New York Philharmonic, Leonard Bernstein | T-307.278.690-0 | |
| 50-2 | The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 50-3 | The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace | New York Philharmonic, Leonard Bernstein | T-318.843.156-9 | |
| 50-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto | New York Philharmonic, Leonard Bernstein | T-101.257.909-6 | |
| 50-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante | New York Philharmonic, Leonard Bernstein | — | |
| 50-6 | The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo | New York Philharmonic, Leonard Bernstein | — | |
| 50-7 | The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 50-8 | Pomp and Circumstance March No. 1, for orchestra in D major, Op. 39/1 | — | ||
| 51-1 | The Unanswered Question | — | ||
| 51-2 | Holidays Symphony: I. Washington's Birthday | — | ||
| 51-3 | Holidays Symphony: II. Decoration Day | — | ||
| 51-4 | Holidays Symphony: III. The Fourth Of July | — | ||
| 51-5 | Holidays Symphony: IV. Thanksgiving Day | — | ||
| 51-6 | Central Park in the Dark | New York Philharmonic, Seiji Ozawa, Maurice Peress | — | |
| 51-7 | The Gong on the Hook and Ladder or Firemen's Parade on Main Street | — | ||
| 51-8 | The Circus Band | — | ||
| 52-1 | Pictures at an Exhibition: I. Promenade. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 52-2 | Pictures at an Exhibition: II. Gnomus (Gnomes) | New York Philharmonic, Leonard Bernstein | — | |
| 52-3 | Pictures at an Exhibition: III. Promenade. Moderato | New York Philharmonic, Leonard Bernstein | T-900.140.545-4 | |
| 52-4 | Pictures at an Exhibition: IV. Il vecchio castello | New York Philharmonic, Leonard Bernstein | — | |
| 52-5 | Pictures at an Exhibition: V. Promenade. Moderato non tanto | New York Philharmonic, Leonard Bernstein | — | |
| 52-6 | Pictures at an Exhibition: VI. Tuileries | New York Philharmonic, Leonard Bernstein | — | |
| 52-7 | Pictures at an Exhibition: VII. Bydlo | New York Philharmonic, Leonard Bernstein | — | |
| 52-8 | Pictures at an Exhibition: VIII. Promenade. Tranquillo | New York Philharmonic, Leonard Bernstein | T-900.107.356-9 | |
| 52-9 | Pictures at an Exhibition: IX. Ballet des poussins dans leurs coques | New York Philharmonic, Leonard Bernstein | — | |
| 52-10 | Pictures at an Exhibition: X. Samuel Goldenberg and Shmuyle | New York Philharmonic, Leonard Bernstein | — | |
| 52-11 | Pictures at an Exhibition: XI. Limoges | New York Philharmonic, Leonard Bernstein | — | |
| 52-12 | Pictures at an Exhibition: XII. Catacombæ | New York Philharmonic, Leonard Bernstein | — | |
| 52-13 | Pictures at an Exhibition: XIII. Cum mortuis in lingua morta | New York Philharmonic, Leonard Bernstein | — | |
| 52-14 | Pictures at an Exhibition: XIV. La Cabane sur des pattes de poule | New York Philharmonic, Leonard Bernstein | — | |
| 52-15 | Pictures at an Exhibition: XV. La Grande Porte de Kiev | New York Philharmonic, Leonard Bernstein | — | |
| 52-16 | Night on Bald Mountain | Leonard Bernstein, New York Philharmonic | — | |
| 52-17 | L'apprenti Sorcier | — | ||
| 53-1 | Peter and the Wolf, Op. 67 — I. Andantino | — | ||
| 53-2 | Peter and the Wolf, Op. 67 — II. Allegro – Andantino, come prima | — | ||
| 53-3 | Peter and the Wolf, Op. 67 — III. L'istesso tempo – Più mosso | — | ||
| 53-4 | Peter and the Wolf, Op. 67 — IV. Moderato – Allegro ma non troppo – Moderato | — | ||
| 53-5 | Peter and the Wolf, Op. 67 — V. Poco più andante | — | ||
| 53-6 | Peter and the Wolf, Op. 67 — VI. Andantino, come prima – Andante | — | ||
| 53-7 | Peter and the Wolf, Op. 67 — VII. Andante molto | — | ||
| 53-8 | Peter and the Wolf, Op. 67 — VIII. Nervoso – Allegro – Andante | — | ||
| 53-9 | Peter and the Wolf, Op. 67 — IX. Allegretto – Moderato | — | ||
| 53-10 | Peter and the Wolf, Op. 67 — X. Andantino, come prima – Meno mosso | — | ||
| 53-11 | Peter and the Wolf, Op. 67 — XI. Vivo – Andante molto – Vivo – Andante | — | ||
| 53-12 | Peter and the Wolf, Op. 67 — XII. Allegro – Poco meno mosso – Moderato (Meno mosso) | — | ||
| 53-13 | Peter and the Wolf, Op. 67 — XIII. Allegro moderato | — | ||
| 53-14 | Peter and the Wolf, Op. 67 — XIV. Andante | — | ||
| 53-15 | Peter and the Wolf, Op. 67 — XV. Moderato – Poco più mosso (Allegro moderato) – Sostenuto – L'istesso tempo – Poco più mosso | — | ||
| 53-16 | Peter and the Wolf, Op. 67 — XVI. Andante – Allegro | — | ||
| 53-17 | The Carnival of the Animals — I. Introduction et Marche Royale du Lion | — | ||
| 53-18 | The Carnival of the Animals — II. Poules et Coqs | — | ||
| 53-19 | The Carnival of the Animals — III. Hémiones | — | ||
| 53-20 | The Carnival of the Animals — IV. Tortues | — | ||
| 53-21 | The Carnival of the Animals — V. L'Éléphant | — | ||
| 53-22 | The Carnival of the Animals — VI. Kangourous | — | ||
| 53-23 | The Carnival of the Animals — VII. Aquarium | — | ||
| 53-24 | The Carnival of the Animals — VIII. Personnages à Longues Oreilles | — | ||
| 53-25 | The Carnival of the Animals — IX. Le Coucou au Fond des Bois | — | ||
| 53-26 | The Carnival of the Animals — X. Volière | — | ||
| 53-27 | The Carnival of the Animals — XI. Pianistes | — | ||
| 53-28 | The Carnival of the Animals — XII. Fossiles | — | ||
| 53-29 | The Carnival of the Animals — XIII. Le Cygne | — | ||
| 53-30 | The Carnival of the Animals — XIV. Final | — | ||
| 53-31 | Danse Macabre, Op. 40 | — | ||
| 54-1 | Peter & The Wolf, Op.67 | — | ||
| 54-2 | Le Carnaval Des Animaux 1. Introduction & Royal March Of The Lion | — | ||
| 54-3 | Le Carnaval Des Animaux 2. Hens & Cockerels | — | ||
| 54-4 | Le Carnaval Des Animaux 3. Wild Asses | — | ||
| 54-5 | Le Carnaval Des Animaux 4. Tortugas | — | ||
| 54-6 | Le Carnaval Des Animaux 5. The Elephant | — | ||
| 54-7 | Le Carnaval Des Animaux 6. Kangaroos | — | ||
| 54-8 | Le Carnaval Des Animaux 7. Aquarium | — | ||
| 54-9 | Le Carnaval Des Animaux 8. Personajes De Largas Orejas | — | ||
| 54-10 | Le Carnaval Des Animaux 9. The Cuckoo In The Depths Of The Woods | — | ||
| 54-11 | Le Carnaval Des Animaux 10. Aviary | — | ||
| 54-12 | Le Carnaval Des Animaux 11. Pianists | — | ||
| 54-13 | Le Carnaval Des Animaux 12. Fossils | — | ||
| 54-14 | Le Carnaval Des Animaux 13. Le Cygne | — | ||
| 54-15 | Le Carnaval Des Animaux 14. Finale | — | ||
| 55-1 | BOLÉRO, M. 81 | Orchestre National de France, Leonard Bernstein | T-305.199.422-6 | |
| 55-2 | RAVEL: MIROIRS, M. 43: IV. ALBORADA DEL GRACIOSO | Orchestre National de France, Leonard Bernstein | T-338.342.512-1 | |
| 55-3 | La Valse | — | ||
| 55-4 | Rapsodie Espagnole - 1. Prelude A La Nuit | — | ||
| 55-5 | Rapsodie Espagnole - 2. Malaguena | — | ||
| 55-6 | Rapsodie Espagnole - 3. Habanera | — | ||
| 55-7 | Rapsodie Espagnole - 4. Feria | — | ||
| 56-1 | Bolero | — | ||
| 56-2 | La Valse | — | ||
| 56-3 | Rhapsodie Espagnole - 1. Prelude A La Nuit | — | ||
| 56-4 | Rhapsodie Espagnole - 2. Malaguena | — | ||
| 56-5 | Rhapsodie Espagnole - 3. Habanera | — | ||
| 56-6 | Rhapsodie Espagnole - 4. Feria | — | ||
| 56-7 | Alborada Del Gracioso | — | ||
| 57-1 | Daphnis et Chloé: Tableau I. Introduction. Lent | — | ||
| 57-2 | Daphnis et Chloé: Tableau I. Danse religieuse. Modéré | — | ||
| 57-3 | Daphnis et Chloé: Tableau I. Les Jeunes Filles. Vif - Danse générale | — | ||
| 57-4 | Daphnis et Chloé: Tableau I. Danse grotesque de Dorcon. Tres modéré | — | ||
| 57-5 | Daphnis et Chloé: Tableau I. Danse légere et gracieuse de Daphnis. Assez lent | — | ||
| 57-6 | Daphnis et Chloé: Tableau I. Lyceion entra. Tres libre - Lyceion danse. Tres modéré | — | ||
| 57-7 | Daphnis et Chloé: Tableau I. Nocturne. Modéré | — | ||
| 57-8 | Daphnis et Chloé: Tableau I. Interlude. Meme mouvt. | — | ||
| 57-9 | Daphnis et Chloé: Tableau II. Danse guerruere Animé et tres rude | — | ||
| 57-10 | Daphnis et Chloé: Tableau II. Danse suppliante de Chloé. Modéré | — | ||
| 57-11 | Daphnis et Chloé: Tableau III. Lever du jour. Lent | — | ||
| 57-12 | Daphnis et Chloé: Tableau III. Pantomime - Chloé figure la jeune nymphe. Lent | — | ||
| 57-13 | Daphnis et Chloé: Tableau III. Devant l'autel des nymphes - Danse générale | — | ||
| 57-14 | La Valse | — | ||
| 58-1 | Pini di Roma: Poema Sinfonico per Orchestra: I. I pini di Villa Borghese | New York Philharmonic, Leonard Bernstein | — | |
| 58-2 | Pini di Roma: Poema Sinfonico per Orchestra: II. Pini presso una catacomba | New York Philharmonic, Leonard Bernstein | — | |
| 58-3 | Pini di Roma: Poema Sinfonico per Orchestra: III. I pini del Gianicolo | New York Philharmonic, Leonard Bernstein | — | |
| 58-4 | Pini di Roma: Poema Sinfonico per Orchestra: IV. I pni della via Appia | New York Philharmonic, Leonard Bernstein | T-902.597.196-4 | |
| 58-5 | Feste Romane 1. Circenses | — | ||
| 58-6 | Feste Romane 2. Il Giubileo | — | ||
| 58-7 | Feste Romane 3. L'Ottobrata | — | ||
| 58-8 | Feste Romane 4. La Befana | — | ||
| 58-9 | Luonnotar, op. 70 | Phyllis Curtin, New York Philharmonic, Leonard Bernstein | — | |
| 58-10 | Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — | |
| 59-1 | Scheherazade, symphonic suite for orchestra, Op. 35: 1. The Sea and Sinbad's Ship | — | ||
| 59-2 | Scheherazade, symphonic suite for orchestra, Op. 35: 2. The Kalendar Prince | — | ||
| 59-3 | Scheherazade, symphonic suite for orchestra, Op. 35: 3. The Young Prince and the Young Princess | — | ||
| 59-4 | Scheherazade, symphonic suite for orchestra, Op. 35: 4. Festival at Baghdad. The Sea. The Shipwreck. Conclusion | — | ||
| 59-5 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 1. Alborada. Vivo e strepitoso | — | ||
| 59-6 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 2. Variazioni. Andante con moto | — | ||
| 59-7 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 3. Alborada. Vivo e strepitoso | — | ||
| 59-8 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 4. Scena e canto gitano. Allegretto | — | ||
| 59-9 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 5. Fandango asturiano | — | ||
| 60-1 | Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T-306.482.271-1 | |
| 60-2 | L’Italiana in Algeri: Overture | New York Philharmonic, Leonard Bernstein | T-301.972.539-0 | |
| 60-3 | Guillaume Tell (William Tell): Overture | — | ||
| 60-4 | La gazza ladra: Overture | New York Philharmonic, Leonard Bernstein | — | |
| 60-5 | Semiramide: Overture | New York Philharmonic, Leonard Bernstein | — | |
| 60-6 | La scala di seta: Overture | New York Philharmonic, Leonard Bernstein | T-305.157.600-8 | |
| 60-7 | Leichte Kavallerie (Light Cavalry), operetta: Overture | — | ||
| 60-8 | Dichter und Bauer (Poet and Peasant), overture for orchestra | — | ||
| 61-1 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Einleitung | — | ||
| 61-2 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von den Hinterweltlern | — | ||
| 61-3 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Vonder großen Sehnsucht | — | ||
| 61-4 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von den Freuden und Leidenschaften | — | ||
| 61-5 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Das Grablied | — | ||
| 61-6 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von der Wissenschaft | — | ||
| 61-7 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Der Genesende | — | ||
| 61-8 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Ziemlich langsam - schnell | — | ||
| 61-9 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Das Tanzlied | — | ||
| 61-10 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Nachtwandlerlied | — | ||
| 61-11 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Langsam | — | ||
| 61-12 | Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra, Op. 28 (TrV 171) | — | ||
| 61-13 | Don Juan, tone poem for orchestra, Op. 20 (TrV 156) | — | ||
| 62-1 | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) | — | ||
| 62-2 | Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) | — | ||
| 62-3 | Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257) | — | ||
| 62-4 | Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) | — | ||
| 62-5 | Geschichten aus dem Wienerwald (Tales from the Vienna Woods), waltz for orchestra, Op. 325 (RV 325) | — | ||
| 62-6 | Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437) | — | ||
| 62-7 | Frühlingsstimmen (Voices of Spring), waltz for orchestra (with voice ad lib), Op. 410 (RV 410) | — | ||
| 62-8 | Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316) | — | ||
| 62-9 | Auf der Jagd (Off to the Hunt), schnellpolka for orchestra, Op. 373 (RV 373) | — | ||
| 62-10 | Rosen aus dem Süden (Roses from the South), waltz for orchestra, Op. 388 (RV 388) | — | ||
| 62-11 | Radetzky-Marsch, for orchestra, Op. 228 | — | ||
| 63-1 | Festival Prelude, Op. 61 | — | ||
| 63-2 | Salome - Dance Of The Seven Veils, Op. 54 | — | ||
| 63-3 | Pulcinella Suite: I. Sinfonia | — | ||
| 63-4 | Pulcinella Suite: II: Serenata | — | ||
| 63-5 | Pulcinella Suite: III. a. Scherzino | — | ||
| 63-6 | Pulcinella Suite: III. b. Allegro | — | ||
| 63-7 | Pulcinella Suite III. c. Andantino | — | ||
| 63-8 | Pulcinella Suite: IV. Tarantella | — | ||
| 63-9 | Pulcinella Suite: V. Toccata | — | ||
| 63-10 | Pulcinella Suite: VI. Gavotta (con due variazioni) | — | ||
| 63-11 | Pulcinella Suite: VI. Variation I | — | ||
| 63-12 | Pulcinella Suite: VI. Variation II | — | ||
| 63-13 | Pulcinella Suite: VII. Vivo | — | ||
| 63-14 | Pulcinella Suite: VIII. a. Minuetto | — | ||
| 63-15 | Pulcinella Suite: VIII. b. Finale | — | ||
| 64-1 | Le Sacre du printemps : L’Adoration de la terre : I. Introduction (Lento) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-2 | Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-3 | Le Sacre du printemps : L’Adoration de la terre : III. Jeu du rapt | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-4 | Le Sacre du printemps : L’Adoration de la terre : IV. Rondes printanières | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-5 | Le Sacre du printemps : L’Adoration de la terre : V. Jeux des cités rivales | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-6 | Le Sacre du printemps : L’Adoration de la terre : VI. Cortège du sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-7 | Le Sacre du printemps : L’Adoration de la terre : VII. Adoration de la terre - Le Sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-8 | Le Sacre du printemps : L’Adoration de la terre : VIII. Danse de la terre | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-9 | Le Sacre du printemps : Le Sacrifice : I. Introduction (Largo) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-10 | Le Sacre du printemps : Le Sacrifice : II. Cercles mysterieux des adolescentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-11 | Le Sacre du printemps : Le Sacrifice : III. Glorification de l’élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-12 | Le Sacre du printemps : Le Sacrifice : IV. Évocation des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-13 | Le Sacre du printemps : Le Sacrifice : V. Action rituelle des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-14 | Le Sacre du printemps : Le Sacrifice : VI. Danse sacrale. L’Élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-15 | Pétrouchka: The Shrove-tide Fair | — | ||
| 64-16 | Pétrouchka: The Charlatan's Booth | — | ||
| 64-17 | Pétrouchka: Russian Dance | — | ||
| 64-18 | Pétrouchka: Pétrouchka's Room | — | ||
| 64-19 | Pétrouchka: The Moor's Room | — | ||
| 64-20 | Pétrouchka: Dance of the Ballerina | — | ||
| 64-21 | Pétrouchka: The Ballerina and the Moor | — | ||
| 64-22 | Pétrouchka: The Shrove-tide Fair (evening) | — | ||
| 64-23 | Pétrouchka: Dance of the Wet-Nurses | — | ||
| 64-24 | Pétrouchka: The Bear and the Peasant | — | ||
| 64-25 | Pétrouchka: Jovial Merchant /w 2 Gypsy Girls | — | ||
| 64-26 | Pétrouchka: Dance of the Coachmen & Grooms | — | ||
| 64-27 | Pétrouchka: The Masqueraders | — | ||
| 64-28 | Pétrouchka: The Moor and Pétrouchka | — | ||
| 64-29 | Pétrouchka: Death of Pétrouchka | — | ||
| 64-30 | Pétrouchka: The Police and the Charlatan | — | ||
| 64-31 | Pétrouchka: Apparition of Pétrouchka's Double | — | ||
| 65-1 | The Rite of Spring: I. The Adoration of the Earth: I. Introduction. Lento | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-2 | The Rite of Spring: I. The Adoration of the Earth: I. The Spring Divinations: Dances of the Young Girls | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-3 | The Rite of Spring: I. The Adoration of the Earth: I. Mock Abduction | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-4 | The Rite of Spring: I. The Adoration of the Earth: I. Spring Round Dances | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-5 | The Rite of Spring: I. The Adoration of the Earth: I. Games of the Rival Tribes | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-6 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-7 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le Sage | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-8 | The Rite of Spring: I. The Adoration of the Earth: I. Dance of the Earth | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-9 | The Rite of Spring: II. The Sacrifice: I. Introduction. Largo | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-10 | The Rite of Spring: II. The Sacrifice: II. Mystical Circles of the Young Girls | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-11 | The Rite of Spring: II. The Sacrifice: III. Glorification of the Chosen Victim | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-12 | The Rite of Spring: II. The Sacrifice: IV. Summoning of the Ancestors | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-13 | The Rite of Spring: II. The Sacrifice: V. Ritual of the Ancestors | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-14 | The Rite of Spring: II. The Sacrifice: VI. Sacrificial Dance (The Chosen Victim) | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-15 | Firebird Suite: I. Introduction | New York Philharmonic, Leonard Bernstein | — | |
| 65-16 | Firebird Suite: II. The Firebird and its Dance | New York Philharmonic, Leonard Bernstein | — | |
| 65-17 | Firebird Suite: III. Variation of the Firebird | New York Philharmonic, Leonard Bernstein | — | |
| 65-18 | Firebird Suite: IV. The Princesses’ Round | New York Philharmonic, Leonard Bernstein | — | |
| 65-19 | Firebird Suite: V. Infernal Dance of King Kashchei | New York Philharmonic, Leonard Bernstein | — | |
| 65-20 | Firebird Suite: VI. Lullaby | New York Philharmonic, Leonard Bernstein | — | |
| 65-21 | Firebird Suite: VII. Finale | New York Philharmonic, Leonard Bernstein | T-073.071.144-0 | |
| 66-1 | Romeo and Juliet Fantasy Overture | New York Philharmonic, Leonard Bernstein | — | |
| 66-2 | Capriccio Italien, Op.45 | — | ||
| 66-3 | Francesca Da Rimini, Symphonic Fantasia After Dante, Op.32 | — | ||
| 66-4 | Marche Slave, Op.31 | — | ||
| 67-1 | 1812 Overture, Op.49 | — | ||
| 67-2 | Hamlet. Fantasy Overture In F Minor, Op.67a | — | ||
| 67-3 | Serenade For Strings In C Major, Op.48 1. Pezzo In Forma Di Sonatina | — | ||
| 67-4 | Serenade For Strings In C Major, Op.48 2. Valse | — | ||
| 67-5 | Serenade For Strings In C Major, Op.48 3. Elégie. Larghetto Elegiaco | — | ||
| 67-6 | Serenade For Strings In C Major, Op.48 4. Finale. Tema Russo | — | ||
| 67-7 | String Quartet No.1 In D Major, Op.11 2. Andante Cantabile | — | ||
| 68-1 | The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 68-2 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. a. Marche. Tempo di marcia viva | — | ||
| 68-3 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. b. Danse de la fée dragée. Andante non troppo | — | ||
| 68-4 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. c. Danse russe (Trépak). Tempo di Trépak, molto vivace | — | ||
| 68-5 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. d. Danse arabe. Allegretto | — | ||
| 68-6 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. e. Danse chinoise. Allegro moderato | — | ||
| 68-7 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. f. Danse des mirlitons. Moderato assai | — | ||
| 68-8 | The Nutcracker: Suite, op. 71a: III. Valse des fleurs. Tempo di valse | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 68-9 | The Swan Lake, ballet, Op. 20: Act I, No.5 | — | ||
| 68-10 | The Swan Lake, ballet, Op. 20: Act II, No.10: Scene, Moderato Act 1. No. 5. Pas de deux. 2. Andante - Allegro | — | ||
| 68-11 | The Swan Lake, ballet, Op. 20: Act II, No.13: Danses des cygnes Act 1. No. 5. Pas de deux. 3. Allegro moderato | — | ||
| 68-12 | The Swan Lake, ballet, Op. 20: Act III, No.15: Allegro giusto Act 1. No. 5. Pas de deux. 4. Coda. Allegro molto vivace | — | ||
| 68-13 | The Swan Lake, ballet, Op. 20: Act III, No.20: Danse hongroise Act 2. No. 10. Scène. Moderato. | — | ||
| 68-14 | The Swan Lake, ballet, Op. 20: Act III, No.21: Danse espagnole Act 2. No. 13. Danses des cygnes. 1. Tempo di valse | — | ||
| 68-15 | The Swan Lake, ballet, Op. 20: Act III, No.22: Danse napolitaine Act 2. No. 13. Danses des cygnes. 2. Moderato assai - Molto più mosso | — | ||
| 68-16 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 4. Allegro moderato | — | ||
| 68-17 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 5. Pas d'action. Andante - Allegro | — | ||
| 68-18 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 6. Tout le monde danse. Tempo di valse | — | ||
| 68-19 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 7. Coda. Allegro vivo | — | ||
| 68-20 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 15. Allegro giusto | — | ||
| 68-21 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 20. Danse hongroise. Csárdás. Moderato assai - Allegro moderato - Vivace | — | ||
| 68-22 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 21. Danse espagnole. Allegro non troppo. Tempo di boléro | — | ||
| 68-23 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 22. Danse napolitaine. Allegro moderato - Presto | — | ||
| 68-24 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 23. Mazurka. Tempo di mazurka | — | ||
| 68-25 | The Sleeping Beauty, ballet, Op. 66: Act I: Valse, Allegro Act I: Valse. Allegro. Tempo di valse | — | ||
| 68-26 | Eugene Onegin, opera, Op. 24: Act III, Scene I: Polonaise Act III. Scene I. Polonaise | — | ||
| 69-1 | Der Fliegende Holländer - Overture | — | ||
| 69-2 | Rienzi - Overture | — | ||
| 69-3 | Lohengrin - Prelude To Act 1 | — | ||
| 69-4 | Lohengrin - Prelude To Act 3 | — | ||
| 69-5 | Die Meistersinger Von Nürnberg - Prelude To Act 1 | — | ||
| 69-6 | Die Meistersinger Von Nürnberg - Prelude To Act 3 | — | ||
| 69-7 | Die Walküre - Walkürenritt | — | ||
| 69-8 | Die Walküre - Feuerzauber | — | ||
| 70-1 | Tannhäuser - Overture | — | ||
| 70-2 | Tannhäuser - Fest March | — | ||
| 70-3 | Tristan Und Isolde - Act 1: Prelude & Isoldes Liebestod | — | ||
| 71-1 | Rusland & Ludmilla Overture | — | ||
| 71-2 | In The Steppes Of Central Asia | — | ||
| 71-3 | The Red Pony: Russian Sailors' Dance | — | ||
| 71-4 | Caucasian Sketches, op. 10: II In The Village | — | ||
| 71-5 | Caucasian Sketches, op. 10: IV Procession Of The Sardar | — | ||
| 71-6 | Khovanshchina: Dawn Of The Moscow River (Prelude To Act 1) | — | ||
| 71-7 | Scythian Suite, op. 20: I The Adoration Of Veles And Ala | — | ||
| 71-8 | Scythian Suite, op. 20: II The Enemy Of God And The Dance Of The Spirits Of Darkness | — | ||
| 71-9 | Scythian Suite, op. 20: III Night | — | ||
| 71-10 | Scythian Suite, op. 20: IV The Glorious Departure Of Lolli And The Sun's Procession | — | ||
| 71-11 | The Love For Three Oranges Suite, op. 33a, III March. Tempo Di Marcia | — | ||
| 71-12 | Lieutenant Kije - Suite: III Kije's Wedding. Allegro Fastoso | — | ||
| 71-13 | Lieutenant Kije - Suite: Troika. Moderato - Allegro Con Brio | — | ||
| 71-14 | The Age Of Gold - Suite, op. 22a, III Polka. Allegretto | — | ||
| 71-15 | Concertino for Orchestra, op. 30: I. Toccata. Allegro molto | — | ||
| 71-16 | Concertino for Orchestra, op. 30: II. Elegietta. Andante | — | ||
| 71-17 | Concertino for Orchestra, op. 30: III. Finale. Allegro molto vivace | — | ||
| 72-1 | Danzón cubano | New York Philharmonic, Leonard Bernstein | T-070.038.362-5 | |
| 72-2 | Concerto For Orchestra | — | ||
| 72-3 | St. Louis Blues | — | ||
| 72-4 | Dialogues for Jazz Combo & Orchestra: I. Allegro | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-5 | Dialogues for Jazz Combo & Orchestra: II. Andante - Ballad | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-6 | Dialogues for Jazz Combo & Orchestra: III. Adagio - Ballad | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-7 | Dialogues for Jazz Combo & Orchestra: IV. Allegro - Blues | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-8 | Improvisations For Orchestra And Jazz Soloists | — | ||
| 73-1 | El salón México | New York Philharmonic, Leonard Bernstein | T-070.133.985-6 | |
| 73-2 | Batuque | New York Philharmonic, Leonard Bernstein | — | |
| 73-3 | Dansa Brasileira | New York Philharmonic, Leonard Bernstein | T-039.006.486-4 | |
| 73-4 | Sensemaya | New York Philharmonic, Leonard Bernstein | T-070.134.681-7 | |
| 73-5 | Phurion | — | ||
| 73-6 | Fantasia On A Theme By Thomas Tallis | — | ||
| 73-7 | Fantasia On 'Greensleeves' | — | ||
| 73-8 | La Création Du Monde, Op.81a | — | ||
| 74-1 | Atmosphères | New York Philharmonic, Leonard Bernstein | — | |
| 74-2 | Out of "Last Pieces" | — | ||
| 74-3 | 4 Improvisations by the Orchestra: I | — | ||
| 74-4 | 4 Improvisations by the Orchestra: II | — | ||
| 74-5 | 4 Improvisations by the Orchestra: III | — | ||
| 74-6 | 4 Improvisations by the Orchestra: IV | — | ||
| 74-7 | Crescendo e diminuendo | — | ||
| 74-8 | Triplum: Part I | — | ||
| 74-9 | Triplum: Part II | — | ||
| 74-10 | Triplum: Part III | — | ||
| 74-11 | Tartinana for Violin & Orchestra: I. Larghetto, molto espressivo, ma semplice | — | ||
| 74-12 | Tartinana for Violin & Orchestra: II. Allegro misurato, ma con fuoco | — | ||
| 74-13 | Tartinana for Violin & Orchestra: III. Molto sostenuto | — | ||
| 74-14 | Tartinana for Violin & Orchestra: IV. Allegro assai, ma non precipitato | — | ||
| 75-1 | The Incredible Flutist: 1. Siesta in the Market Place | — | ||
| 75-2 | The Incredible Flutist: 2. Entrance of the Vendors | — | ||
| 75-3 | The Incredible Flutist: 3. Entrance of the Customers | — | ||
| 75-4 | The Incredible Flutist: 4. Tango of the Merchant's Daughters | — | ||
| 75-5 | The Incredible Flutist: 5. Arrival of the Circus | — | ||
| 75-6 | The Incredible Flutist: 6. Circus March | — | ||
| 75-7 | The Incredible Flutist: 7. The Flutist | — | ||
| 75-8 | The Incredible Flutist: 8. Minuet | — | ||
| 75-9 | The Incredible Flutist: 9. Spanish Waltz | — | ||
| 75-10 | The Incredible Flutist: 10. Eight O'Clock Strikes | — | ||
| 75-11 | The Incredible Flutist: 11. Siciliano | — | ||
| 75-12 | The Incredible Flutist: 12. Polka Finale | — | ||
| 75-13 | Prelude for Orchestra | — | ||
| 75-14 | In Praise of Shahn (Canticle for Orchestra): Vigoroso | New York Philharmonic, Leonard Bernstein | — | |
| 75-15 | In Praise of Shahn (Canticle for Orchestra): Lento (Bar 185) | New York Philharmonic, Leonard Bernstein | — | |
| 76-1 | Hungarian Rhapsody No. 1 In F Minor, S. 359 No. 1 | — | ||
| 76-2 | Hungarian Rhapsody No.4 In D Minor, S359/4 | — | ||
| 76-3 | Roumanian Rhapsody No.1 In A Major, Op.11 | — | ||
| 76-4 | Hungarian Dance No.5 In F Sharp Minor | — | ||
| 76-5 | Hungarian Dance No.6 In D Flat Major | — | ||
| 76-6 | German Dance In C, K605-3 | — | ||
| 76-7 | Les Preludes, S97 | — | ||
| 76-8 | Hora Staccato | — | ||
| 76-9 | I Gioielle Della Madonna, Intermezzo Act 3 | — | ||
| 77-1 | Le Nozze Di Figaro, K492 - Overture | — | ||
| 77-2 | Die Lustigen Weiber Von Windsor, Overture | — | ||
| 77-3 | Donna Diana, Overture | — | ||
| 77-4 | Die Fledermaus - Overture | — | ||
| 77-5 | Der Zigeunerbaron - Overture | — | ||
| 77-6 | Mignon - Overture | — | ||
| 77-7 | Der Freischütz, Op.77 - Ouvertüre | — | ||
| 77-8 | Euryanthe, Op.81 - Ouvertüre | — | ||
| 77-9 | Oberon - Overture | — | ||
| 78-1 | Ruy Blas, Op. 95 | — | ||
| 78-2 | Overture "The Hebrides" ("Fingal's Cave"), op. 26: Allegro moderato - Animato in tempo | New York Philharmonic, Leonard Bernstein | — | |
| 78-3 | Des Teufels Lustschloss, D84. The Devil's Pleasure Palace | — | ||
| 78-4 | Manfred, Op. 115 | — | ||
| 78-5 | Genoveva, Op. 81 | — | ||
| 78-6 | Aufforderung Zum Tanz, Op. 65. Invitation To The Dance | — | ||
| 78-7 | Hansel & Gretel: Abendsegen, Children's Prayer | — | ||
| 78-8 | Il Segreto Di Susanna | — | ||
| 79-1 | Prince Igor; Polovtsian Dances (Act II): Dance Of The Polvtsian Maidens | — | ||
| 79-2 | Prince Igor; Polovtsian Dances (Act II): Polovtsian Dance. Introduction. Andantino | — | ||
| 79-3 | Prince Igor; Polovtsian Dances (Act II): Allegro Vivo | — | ||
| 79-4 | Prince Igor; Polovtsian Dances (Act II): Allegro | — | ||
| 79-5 | Prince Igor; Polovtsian Dances (Act II): Presto | — | ||
| 79-6 | Prince Igor; Polovtsian Dances (Act II): Moderato Alla Breve | — | ||
| 79-7 | Prince Igor; Polovtsian Dances (Act II): Presto | — | ||
| 79-8 | Prince Igor; Polovtsian Dances (Act II): Allegro Con Spirito - Piu Animato | — | ||
| 79-9 | Faust - Ballet Music: I Allegretto. Tempo Di Valse | — | ||
| 79-10 | Faust - Ballet Music: II Adagio | — | ||
| 79-11 | Faust - Ballet Music: III Allegretto | — | ||
| 79-12 | Faust - Ballet Music: IV Moderato Maestoso | — | ||
| 79-13 | Faust - Ballet Music: V Moderato Con Moto | — | ||
| 79-14 | Faust - Ballet Music: VI Allegretto | — | ||
| 79-15 | Faust - Ballet Music: VII Allegro Vivo - Poco Animato | — | ||
| 79-16 | La Gioconda: Atto III. Danza delle ore | New York Philharmonic, Leonard Bernstein | T-316.992.933-9 | |
| 79-17 | Snow Maiden: Dance Of The Tumblers (Act III) | — | ||
| 79-18 | Samson And Dalila: Bacchanale (Act III) | — | ||
| 79-19 | Dance Of The Priestesses (Act I) | — | ||
| 79-20 | Dance Of The Moorish Slaves (Act II) | — | ||
| 79-21 | Ballet (Act II) | — | ||
| 79-22 | Aida: Grand March | New York Philharmonic, Leonard Bernstein | T-031.622.985-2 | |
| 79-23 | Eugene Onegin: Waltz (Act II) | — | ||
| 80-1 | Semper Fidelis | — | ||
| 80-2 | The Thunderer | — | ||
| 80-3 | Washington Post | — | ||
| 80-4 | Hands Across The Sea | — | ||
| 80-5 | Under the Double Eagle | — | ||
| 80-6 | Battle Hymn of the Republic | — | ||
| 80-7 | Anchors Aweigh | — | ||
| 80-8 | Stars and Stripes Forever! | — | ||
| 80-9 | The British Grenadiers | — | ||
| 80-10 | Rule Britannia | — | ||
| 80-11 | Le Marseillaise | — | ||
| 80-12 | The National Emblem | — | ||
| 80-13 | Le Prophète: Coronation March | — | ||
| 80-14 | Athalie, op. 74: War March of the Priests | New York Philharmonic, Leonard Bernstein | — | |
| 80-15 | Aida: Grand March | New York Philharmonic, Leonard Bernstein | T-031.622.985-2 | |
| 80-16 | Colonel Bogey | — | ||
| 80-17 | The Star-Spangled Banner (1975 Recording) | — | ||
| 80-18 | The Star-Spangled Banner (1962 Recording) | — |
Identifier Graph
888430133020 is a Universal Product Code (UPC) assigned to Concertos & Orchestral Works by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 930 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | T-070.136.739-6 |
| Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
| Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — |
| Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — |
| Luonnotar, op. 70 | Phyllis Curtin, New York Philharmonic, Leonard Bernstein | T-318.703.097-9 |
| Gaîté parisienne : VIII. Barcarolle | New York Philharmonic, Leonard Bernstein | T-906.860.938-1 |
Creative Contributors (ISNI)
The UPC for “Concertos & Orchestral Works” by Leonard Bernstein is 888430133020. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 930 tracks, each with its own ISRC. Tracks include USSM11408936, USSM11408937, USSM11408938.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 2 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 3 | Concerto for Violin & Orchestra no. 2 in E major, BWV 1042: III. Allegro Assai | — | ||
| 4 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: I. Allegro | — | ||
| 5 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: II. Adagio | — | ||
| 6 | Concerto for Oboe, Violin & Orchestra in C minor, BWV 1060: III. Allegro | — | ||
| 7 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: I. Allegro | — | ||
| 8 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: II. Largo | — | ||
| 9 | Concerto for Piccolo, Strings & Basso Continuo in C major, RV. 443: III. Allegro Molto | — | ||
| 10 | Keyboard Concerto No. 1 in D minor, BWV 1052: I. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-914.323.771-2 | |
| 11 | Keyboard Concerto No. 1 in D minor, BWV 1052: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | T-917.755.866-6 | |
| 12 | Keyboard Concerto No. 1 in D minor, BWV 1052: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 2-1 | Concerto for Violin and Orchestra, op. 14: I. Allegro | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-2 | Concerto for Violin and Orchestra, op. 14: II. Andante | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 2-4 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace | — | ||
| 2-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | — | ||
| 2-6 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppo | — | ||
| 2-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 2-8 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 2, Sz. 95: I. Allegro | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Concerto for Piano and Orchestra no. 2, Sz. 95: II. Adagio - Presto - Adagio | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Concerto for Piano and Orchestra no. 2, Sz. 95: III. Allegro molto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: I. Assai lento - Allegro molto | — | ||
| 4-2 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: II. Lento, ma non troppo | — | ||
| 4-3 | Concerto for 2 Pianos, Percussion and Orchestra, Sz. 115: III. Allegro non troppo | — | ||
| 4-4 | Violin Concerto no. 2, Sz.112: I. Allegro non troppo | — | ||
| 4-5 | Violin Concerto no. 2, Sz.112: II. Andante tranquillo - Allegro scherzando - Tempo I | — | ||
| 4-6 | Violin Concerto no. 2, Sz.112: III. Allegro molto | — | ||
| 5-1 | Concerto for Violin and Orchestra: I. Andante – Allegro | — | ||
| 5-2 | Concerto for Violin and Orchestra: II. Allegro | — | ||
| 5-3 | First Rhapsody: I. “Lassú” | — | ||
| 5-4 | First Rhapsody: II. “Friss” | — | ||
| 5-5 | Second Rhapsody: I. “Lassú” | — | ||
| 5-6 | Second Rhapsody: II. “Friss” | — | ||
| 6-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 6-4 | Concerto for Piano no. 2 in B-flat major, op. 19: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 6-5 | Concerto for Piano no. 2 in B-flat major, op. 19: II. Adagio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 6-6 | Concerto for Piano and Orchestra no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | — | |
| 7-4 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 7-6 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 8-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 8-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Violin Concerto in D major, op. 61: 1. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D major, op. 61: 2. Larghetto | — | ||
| 9-3 | Violin Concerto in D major, op. 61: 3. Rondo. Allegro | — | ||
| 9-4 | Concerto for Two Violins in D minor, BWV 1043: 1. Vivace | — | ||
| 9-5 | Concerto for Two Violins in D minor, BWV 1043: 2. Largo, ma non tanto | — | ||
| 9-6 | Concerto for Two Violins in D minor, BWV 1043: 3. Allegro | — | ||
| 10-1 | Harold in Italy, op.16 - Harold in the Mountains | — | ||
| 10-2 | Harold in Italy, op.16 - March of the Pilgrims | — | ||
| 10-3 | Harold in Italy, op.16 - Serenade | — | ||
| 10-4 | Harold in Italy, op.16 - Orgy of the Brigands | — | ||
| 10-5 | Poeme op.25 | — | ||
| 10-6 | Tzigane - Lento | — | ||
| 10-7 | Tzigane - Moderato | — | ||
| 11-1 | Bernstein, pre-performance speech on April 6, 1962 | Leonard Bernstein | — | |
| 11-2 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 11-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15 - II. Adagio | — | ||
| 11-4 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15 - III. Rondo. Allegro non troppo | — | ||
| 11-5 | Glenn Gould Speech | — | ||
| 12-1 | Piano Concerto #2 In B-flat, op.83 - I. Allegro non troppo | — | ||
| 12-2 | Piano Concerto #2 In B-flat, op.83 - II. Allegro appassionato | — | ||
| 12-3 | Piano Concerto #2 In B-flat, op.83 - III. Andante | — | ||
| 12-4 | Piano Concerto #2 In B-flat, op.83 - IV. Allegretto grazioso | — | ||
| 13-1 | Violin Concerto in D major, op. 77- Allegro non troppo | — | ||
| 13-2 | Violin Concerto in D major, op. 77- Adagio | — | ||
| 13-3 | Violin Concerto in D major, op. 77- Allegro giocoso, ma non troppo vivace | — | ||
| 13-4 | Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 13-5 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 13-6 | Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — | |
| 14-1 | Piano Concerto: 1. Andante sostenuto | — | ||
| 14-2 | Piano Concerto: 2. Molto moderato | — | ||
| 14-3 | Concerto on Old English Rounds: 1. Amaryllis | — | ||
| 14-4 | Concerto on Old English Rounds: 2. Great Tom Is Cast | — | ||
| 14-5 | Concerto on Old English Rounds: 3. Who'll Buy Mi Roses / Come, Follow Me | — | ||
| 14-6 | Concerto on Old English Rounds: 4. Combinations | — | ||
| 14-7 | Concerto on Old English Rounds: 5. Amaryllis | — | ||
| 14-8 | To Thee Old Cause | Harold Gomberg, New York Philharmonic, Leonard Bernstein | — | |
| 15-1 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 1. Allegro maestoso | — | ||
| 15-2 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 2. Quasi Adagio - Allegretto vivace - Allegro animato | — | ||
| 15-3 | Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 3. Allegro marziale animato - Presto | — | ||
| 15-4 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Introduction. Allegro vivace | — | ||
| 15-5 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 1. [Precedente] | — | ||
| 15-6 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 2. L'istesso tempo | — | ||
| 15-7 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 3. L'istesso tempo | — | ||
| 15-8 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 4. Più vivo | — | ||
| 15-9 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 5. Tempo precedente | — | ||
| 15-10 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 6. L'istesso tempo | — | ||
| 15-11 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 7. Meno mosso, a tempo moderato | — | ||
| 15-12 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 8. Tempo 1 | — | ||
| 15-13 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 9. L'istesso tempo | — | ||
| 15-14 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 10. A 2 poco marcato | — | ||
| 15-15 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 11. Moderato | — | ||
| 15-16 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 12. Tempo di Minuetto | — | ||
| 15-17 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 13. Allegro | — | ||
| 15-18 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 14. L'istesso tempo | — | ||
| 15-19 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 15. Più vivo. Scherzando | — | ||
| 15-20 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 16. Allegretto | — | ||
| 15-21 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 17. Poco marcato | — | ||
| 15-22 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 18. Andante cantabile | — | ||
| 15-23 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 19. L'istesso tempo | — | ||
| 15-24 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 20. Un poco più vivo | — | ||
| 15-25 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 21. Un poco più vivo | — | ||
| 15-26 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 22. Un poco più vivo (alla breve) | — | ||
| 15-27 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 23. L'istesso tempo | — | ||
| 15-28 | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, op. 43: Variation 24. A tempo un poco meno mosso | — | ||
| 15-29 | Piano Concerto in G major: 1. Allegramente | — | ||
| 15-30 | Piano Concerto in G major: 2. Adagio assai | — | ||
| 15-31 | Piano Concerto in G major: 3. Presto | — | ||
| 16-1 | Piano Concerto no. 15 in B flat major, K. 450: Allegro | — | ||
| 16-2 | Piano Concerto no. 15 in B flat major, K. 450: Andante | — | ||
| 16-3 | Piano Concerto no. 15 in B flat major, K. 450: Allegro | — | ||
| 16-4 | Piano Concerto no. 17 in G major, K. 453: Allegro | — | ||
| 16-5 | Piano Concerto no. 17 in G major, K. 453: Andante | — | ||
| 16-6 | Piano Concerto no. 17 in G major, K. 453: Allegretto | — | ||
| 17-1 | Piano Concerto no.10 for Two Pianos in E flat major, K365 1. Allegro | — | ||
| 17-2 | Piano Concerto no.10 for Two Pianos in E flat major, K365 2. Andante | — | ||
| 17-3 | Piano Concerto no.10 for Two Pianos in E flat major, K365 3. Rondeau. Allegro | — | ||
| 17-4 | Piano Concerto no.7 for Three Pianos in F major, K242 1. Allegro | — | ||
| 17-5 | Piano Concerto no.7 for Three Pianos in F major, K242 2. Adagio | — | ||
| 17-6 | Piano Concerto no.7 for Three Pianos in F major, K242 3. Rondeau. Tempo di menuetto | — | ||
| 17-7 | Serenade no.13 in G major, K525 | — | ||
| 17-8 | Serenade no.13 in G major, K525 | — | ||
| 17-9 | Serenade no.13 in G major, K525 | — | ||
| 17-10 | Serenade no.13 in G major, K525 | — | ||
| 18-1 | Piano Concerto no.25 in C major, K503 1. Allegro maestoso | — | ||
| 18-2 | Piano Concerto No.25 in C major, K503 2. Andante | — | ||
| 18-3 | Piano Concerto No.25 in C major, K503 3. Allegretto | — | ||
| 18-4 | Mendelssohn: Violin Concerto in E minor, op.64 1. Allegro molto appassionato | — | ||
| 18-5 | Mendelssohn: Violin Concerto in E minor, op.64 2. Andante | — | ||
| 18-6 | Mendelssohn: Violin Concerto in E minor, op.64 3. Allegretto non troppo | — | ||
| 19-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | — | |
| 19-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | T-312.542.566-9 | |
| 19-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | New York Philharmonic, Leonard Bernstein, Pinchas Zukerman | — | |
| 19-4 | Cello Concerto in A minor, op.129 1. Nicht Zu Schnell | — | ||
| 19-5 | Cello Concerto in A minor, op.129 2. Langsam | — | ||
| 19-6 | Cello Concerto in A minor, op.129 3. Sehr Lebhaft | — | ||
| 20-1 | Concerto for Flute and Orchestra, I. Allegro moderato | — | ||
| 20-2 | Concerto for Flute and Orchestra, II. Allegretto | — | ||
| 20-3 | Concerto for Clarinet and Orchestra, op. 57 · Allegretto un poco — Cadenza — Tempo I — Poco adagio — Allegro non troppo — Cadenza — Adagio — Allegro vivace | — | ||
| 20-4 | Concerto for Violin and Orchestra, I. Massig bewegte Halbe | — | ||
| 20-5 | Concerto for Violin and Orchestra, II. Langsam | — | ||
| 20-6 | Concerto for Violin and Orchestra, III. Lebhaft | — | ||
| 21-1 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 21-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Philippe Entremont, New York Philharmonic, Leonard Bernstein | T-071.926.821-9 | |
| 21-4 | Violin Concerto no.2 in G minor, op.63 1. Allegro moderato | — | ||
| 21-5 | Violin Concerto no.2 in G minor, op.63 2. Andante assai | — | ||
| 21-6 | Violin Concerto no.2 in G minor, op.63 3. Allegro ben marcato | — | ||
| 22-1 | Piano Concerto no. 4 in C minor, op. 44: 1. Allegro moderato - Andante | — | ||
| 22-2 | Piano Concerto no. 4 in C minor, op. 44: 2. Allegro vivace - Andante - Allegro | — | ||
| 22-3 | Introduction and Rondo capriccioso, op. 28 | — | ||
| 22-4 | Première Rapsodie | — | ||
| 22-5 | Rapsodie pour orchestre et saxophone | — | ||
| 22-6 | Ballade in F-sharp major, op. 19 | — | ||
| 23-1 | Piano Concerto no. 1 in C minor, op. 35: I. Allegro vivace | — | ||
| 23-2 | Piano Concerto no. 1 in C minor, op. 35: II. Lento | — | ||
| 23-3 | Piano Concerto no. 1 in C minor, op. 35: III. Moderato | — | ||
| 23-4 | Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio | — | ||
| 23-5 | Piano Concerto no. 2 in F major, op. 102: I . Allegro | — | ||
| 23-6 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 23-7 | Piano Concerto no. 2 in F major, op. 102: III. Allegro | — | ||
| 23-8 | Concerto for Two Pianos & Orchestra in D minor: I. Allegro ma non troppo | — | ||
| 23-9 | Concerto for Two Pianos & Orchestra in D minor: II. Larghetto | — | ||
| 23-10 | Concerto for Two Pianos & Orchestra in D minor: III. Finale. allegro molto | — | ||
| 24-1 | Don Quixote, op.35 - Introduction | — | ||
| 24-2 | Don Quixote, op.35 - Theme | — | ||
| 24-3 | Don Quixote, op.35 - Var 1: The Adventure Of The Windmills | — | ||
| 24-4 | Don Quixote, op.35 - Var 2: The Battle With The Sheep | — | ||
| 24-5 | Don Quixote, op.35 - Var 3: Dialogue Of Knight & Squire | — | ||
| 24-6 | Don Quixote, op.35 - Var 4: The Adventure With The Procession Of Penitents | — | ||
| 24-7 | Don Quixote, op.35 - Var 5: Don Quixote's Vigil | — | ||
| 24-8 | Don Quixote, op.35 - Var 6: Dulcinea's Enchantment | — | ||
| 24-9 | Don Quixote, op.35 - Var 7: The Ride Through The Air | — | ||
| 24-10 | Don Quixote, op.35 - Var 8: The Adventure Of The Enchanted Boat | — | ||
| 24-11 | Don Quixote, op.35 - Var 9: The Contest With The Magicians | — | ||
| 24-12 | Don Quixote, op.35 - Var 10: Joust With Knight Of White Moone | — | ||
| 24-13 | Don Quixote, op.35 - Var 11: The Death Of Don Quixote | — | ||
| 24-14 | Concerto for Piano and Wind Instruments 1. Largo, allegro | — | ||
| 24-15 | Concerto for Piano and Wind Instruments 2. Largo | — | ||
| 24-16 | Concerto for Piano and Wind Instruments 3. Allegro | — | ||
| 25-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 25-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | — | ||
| 25-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 25-4 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato | — | ||
| 25-5 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 25-6 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto | — | ||
| 26-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 26-4 | Piano Concerto in G minor, B. 63 (op. 33): Allegro agitato | — | ||
| 26-5 | Piano Concerto in G minor, B. 63 (op. 33): Andante sostenuto | — | ||
| 26-6 | Piano Concerto in G minor, B. 63 (op. 33): Finale, Allegro con fuoco | — | ||
| 27-1 | Concerto for violin, strings & continuo in E major (Spring): I. Allegro | — | ||
| 27-2 | Concerto for violin, strings & continuo in E major (Spring): II. Largo | — | ||
| 27-3 | Concerto for violin, strings & continuo in E major (Spring): III. Allegro | — | ||
| 27-4 | Concerto for violin, strings & continuo in G minor (Summer): I. Allegro non molto - Allegro | — | ||
| 27-5 | Concerto for violin, strings & continuo in G minor (Summer): II. Adagio | — | ||
| 27-6 | Concerto for violin, strings & continuo in G minor (Summer): III. Presto | — | ||
| 27-7 | Concerto for violin, strings & continuo in F major (Autumn): I. Allegro | — | ||
| 27-8 | Concerto for violin, strings & continuo in F major (Autumn): II. Adagio molto | — | ||
| 27-9 | Concerto for violin, strings & continuo in F major (Autumn): III. Allegro | — | ||
| 27-10 | Concerto for violin, strings & continuo in F minor (Winter): I. Allegro non molto | — | ||
| 27-11 | Concerto for violin, strings & continuo in F minor (Winter): II. Largo | — | ||
| 27-12 | Concerto for violin, strings & continuo in F minor (Winter): III. Allegro | — | ||
| 27-13 | Concerto for Diverse Instruments in C major, RV 558: I. Allegro molto | — | ||
| 27-14 | Concerto for Diverse Instruments in C major, RV 558: Andante molto | — | ||
| 27-15 | Concerto for Diverse Instruments in C major, RV 558: III. Allegro | — | ||
| 27-16 | Concerto for oboe, strings & continuo in D minor, RV 454: I. Allegro | — | ||
| 27-17 | Concerto for oboe, strings & continuo in D minor, RV 454: II. Largo | — | ||
| 27-18 | Concerto for oboe, strings & continuo in D minor, RV 454: III. Allegro | — | ||
| 27-19 | Concerto for flute, strings & continuo in C minor, RV 441: I. Allegro non molto | — | ||
| 27-20 | Concerto for flute, strings & continuo in C minor, RV 441: II. Largo | — | ||
| 27-21 | Concerto for flute, strings & continuo in C minor, RV 441: III. [Allegro] | — | ||
| 28-1 | Violin Concerto in D major, op.35 1. Allegro Moderato | — | ||
| 28-2 | Violin Concerto in D major, op.35 2. Canzonetta. Andante | — | ||
| 28-3 | Violin Concerto in D major, op.35 3. Finale. Allegro Vivacissimo | — | ||
| 29-1 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 29-2 | Music for Strings, Percussion and Celeste, Sz106 - 1. Andante tranquillo | — | ||
| 29-3 | Music for Strings, Percussion and Celeste, Sz106 - 2. Allegro | — | ||
| 29-4 | Music for Strings, Percussion and Celeste, Sz106 - 3. Adagio | — | ||
| 29-5 | Music for Strings, Percussion and Celeste, Sz106 - 4. Allegro molto | — | ||
| 29-6 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - I. David before Saul. Largo | — | ||
| 29-7 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - II. Invocation. Molto calmato e con divozione profunda | — | ||
| 29-8 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - IIIa. A Song of Degrees. Con moto solenne - | — | ||
| 29-9 | The Sweet Psalmist of Israel (Three Symphonic Fragments for Harpsichord, Harp and Orchestra) - IIIb. Vivo - Pesante - Molto allargando - Animando | — | ||
| 30-1 | Leonore no. 3, op. 72a | — | ||
| 30-2 | The Consecration Of The House, op. 124 | — | ||
| 30-3 | King Stephan, op. 117 | — | ||
| 30-4 | Fidelio, op. 72b | — | ||
| 30-5 | Egmont, op. 84 | — | ||
| 30-6 | Leonore no. 3, op. 72a | — | ||
| 31-1 | Grande Ouverture de Benvenuto Cellini, op. 23 | — | ||
| 31-2 | Le Carnaval romain, ouverture caractéristique, op. 9 | New York Philharmonic, Leonard Bernstein | — | |
| 31-3 | Roméo et Juliette, op. 17, Part 2: Andante malinconico e sostenuto | — | ||
| 31-4 | Roméo et Juliette, op. 17, Part 2: Allegro - Largetto espressivo | — | ||
| 31-5 | Roméo et Juliette, op. 17, Part 2: Allegro | — | ||
| 31-6 | Roméo et Juliette, op. 17, Part 2: Réunion des deux thèmes | — | ||
| 31-7 | Roméo et Juliette, op. 17, Part 3: Scène d'amour | — | ||
| 31-8 | Roméo et Juliette, op. 17, Part 3: Allegro agitato | — | ||
| 31-9 | Roméo et Juliette, op. 17, Part 4: Scherzo | — | ||
| 31-10 | Marche hongroise (Marche de Rákóczy) from La Damnation de Faust | — | ||
| 32-1 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-2 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-3 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-4 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-5 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-6 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 32-7 | Facsimile (Choreographic Essay for Orchestra) - Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo | — | ||
| 32-8 | Facsimile (Choreographic Essay for Orchestra) - Allegretto - Subito Allegro - Più mosso | — | ||
| 33-1 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Prologue. Lento moderato | — | ||
| 33-2 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Seven Ages. Variations 1-7 | — | ||
| 33-3 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part I: The Seven Stages. Variations 8-14 | — | ||
| 33-4 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Dirge. Largo | — | ||
| 33-5 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Masque. Extremely fast | — | ||
| 33-6 | "The Age of Anxiety" - Symphony No. 2 for Piano and Orchestra - After the poem by W.H. Auden Part II: The Epilogue. L'istesso tempo - Adagio - Con moto | — | ||
| 33-7 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato | — | ||
| 33-8 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: II. Aristophanes. Allegretto | — | ||
| 33-9 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: III. Eryximachus. Presto | — | ||
| 33-10 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: IV. Agathon. Adagio | — | ||
| 33-11 | Serenade (after Plato's Symposium), for Solo Violin, Strings, Harp and Percussion: V. Socrates - Alcibiades. Molto tenuto - Adagio - Allegro molto vivace - Molto giocoso | — | ||
| 34-1 | Overture to Candide | — | ||
| 34-2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 34-3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 34-4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 34-5 | Symphonic Dances from West Side Story: IV. Mambo. Meno presto | — | ||
| 34-6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 34-7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 34-8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 34-9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 34-10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 34-11 | On the Waterfront, symphonic suite: I. Andante (with dignity) - Presto barbaro | — | ||
| 34-12 | On the Waterfront, symphonic suite: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 34-13 | On the Waterfront, symphonic suite: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 34-14 | On the Waterfront, symphonic suite: IV. Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, | — | ||
| 34-15 | On the Waterfront, symphonic suite: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 34-16 | On the Waterfront, symphonic suite: VI. A tempo | — | ||
| 34-17 | Fancy Free, ballet: I. Enter Three Sailors | — | ||
| 34-18 | Fancy Free, ballet: II. Scene at the Bar | — | ||
| 34-19 | Fancy Free, ballet: III. Enter Two Girls | — | ||
| 34-20 | Fancy Free, ballet: IV. Pas de deux | — | ||
| 34-21 | Fancy Free, ballet: V. Competition Scene | — | ||
| 34-22 | Fancy Free, ballet: VIa. Three Dance Variations: Variation 1 (Galop) | — | ||
| 34-23 | Fancy Free, ballet: VIb. Three Dance Variations: Variation 2 (Waltz) | — | ||
| 34-24 | Fancy Free, ballet: VIc. Three Dance Variations: Variation 3 (Danzon) | — | ||
| 34-25 | Fancy Free, ballet: VII. Finale | — | ||
| 35-1 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 1. Prelude for the Brass | — | ||
| 35-2 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 2. Fugue for the Saxes | — | ||
| 35-3 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble- 3. Riffs for Everyone | — | ||
| 35-4 | Dance Episodes (3) from -On the Town-, for orchestra- I. The Great Lover Displays Himself (To Sono Osato) | — | ||
| 35-5 | Dance Episodes (3) from -On the Town-, for orchestra- II. Lonely Town- Pas de Deux (To Betty Comden) | — | ||
| 35-6 | Dance Episodes (3) from -On the Town-, for orchestra- III. Times square- 1944 (To Nancy Walker) | — | ||
| 35-7 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Phaedrus- Pausanias | — | ||
| 35-8 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Aristophanes | — | ||
| 35-9 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Eryximachus | — | ||
| 35-10 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Agathon | — | ||
| 35-11 | Serenade (after Plato- Symposium), for violin, harp, percussion & strings; also for violin & piano- Socrates- Alcibiades | — | ||
| 35-12 | Fancy Free, ballet- Big Stuff (Prologue) | — | ||
| 35-13 | Fancy Free, ballet- Opening Dance | — | ||
| 35-14 | Fancy Free, ballet- Scene at the Bar | — | ||
| 35-15 | Fancy Free, ballet- Pas de Deux | — | ||
| 35-16 | Fancy Free, ballet- The Competition Scene | — | ||
| 35-17 | Fancy Free, ballet- Galop Variation | — | ||
| 35-18 | Fancy Free, ballet- Waltz Variation | — | ||
| 35-19 | Fancy Free, ballet- Danzon Variation | — | ||
| 35-20 | Fancy Free, ballet- Finale | — | ||
| 36-1 | Dybbuk, ballet- The Community | — | ||
| 36-2 | Dybbuk, ballet- The Fathers | — | ||
| 36-3 | Dybbuk, ballet- Witnesses of Birth | — | ||
| 36-4 | Dybbuk, ballet- The Children | — | ||
| 36-5 | Dybbuk, ballet- Kabbalah- Six Variations | — | ||
| 36-6 | Dybbuk, ballet- Witnesses of Death | — | ||
| 36-7 | Dybbuk, ballet- Leah | — | ||
| 36-8 | Dybbuk, ballet- Possession | — | ||
| 36-9 | Dybbuk, ballet- Exorcism | — | ||
| 36-10 | Dybbuk, ballet- The Community | — | ||
| 37-1 | Carmen Suite No. 1 ... Les Toreadors ... Allegro giocoso | — | ||
| 37-2 | Carmen Suite No. 1... Les Toreadors ... Andante moderato | — | ||
| 37-3 | Carmen Suite No. 1... Aragonaise | — | ||
| 37-4 | Carmen Suite No. 1... Intermezzo | — | ||
| 37-5 | Carmen Suite No. 1... Seguidilla | — | ||
| 37-6 | Carmen Suite No. 1... Dragon d'Alcala | — | ||
| 37-7 | Carmen Suite No. 2 ... Marche de Contrebandiers | — | ||
| 37-8 | Carmen Suite No. 2 ... Habanera | — | ||
| 37-9 | Carmen Suite No. 2 ... Nocturne | — | ||
| 37-10 | Carmen Suite No. 2 ... Chanson du Toreador | — | ||
| 37-11 | Carmen Suite No. 2 ... La Garde montante | — | ||
| 37-12 | Carmen Suite No. 2 ... Danse boheme | — | ||
| 37-13 | L'Arlésienne Suite No. 1 ... Prelude ... Allegro deciso, Andantino | — | ||
| 37-14 | L'Arlésienne Suite No. 1 ... Prelude ... Andante molto | — | ||
| 37-15 | L'Arlésienne Suite No. 1 ... Minuetto | — | ||
| 37-16 | L'Arlésienne Suite No. 1 ... Adagietto | — | ||
| 37-17 | L'Arlésienne Suite No. 1 ... Carillon | — | ||
| 37-18 | L'Arlésienne Suite No. 2 ... Pastorale | — | ||
| 37-19 | L'Arlésienne Suite No. 2 ... Intermezzo | — | ||
| 37-20 | L'Arlésienne Suite No. 2 ... Menuet | — | ||
| 37-21 | L'Arlésienne Suite No. 2 ... Farandole | — | ||
| 38-1 | Gaite Parisienne - 1. Overture | — | ||
| 38-2 | Gaite Parisienne - 2. Tortoni No. 1 | — | ||
| 38-3 | Gaite Parisienne - 3. Polka | — | ||
| 38-4 | Gaite Parisienne - 4. Galop | — | ||
| 38-5 | Gaite Parisienne - 5. Valse Lente | — | ||
| 38-6 | Gaite Parisienne - 6. Marche | — | ||
| 38-7 | Gaite Parisienne - 7. Grande Valse | — | ||
| 38-8 | Gaite Parisienne - 8. Cancan | — | ||
| 38-9 | Gaîté parisienne : VIII. Barcarolle | New York Philharmonic, Leonard Bernstein | T-909.336.964-3 | |
| 38-10 | Orphee Aux Enfers - Overture | — | ||
| 38-11 | Suppe: Die Schone Galathee - Overture | — | ||
| 38-12 | Herold: Zampa - Overture | — | ||
| 38-13 | Thomas: Raymond - Overture | — | ||
| 39-1 | Academic Festival Overture, Op. 80 | — | ||
| 39-2 | Tragic Overture, Op. 81 | — | ||
| 39-3 | Serenade No. 2 in A Major, Op. 16: I. Allegro moderato | — | ||
| 39-4 | Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace | — | ||
| 39-5 | Serenade No. 2 in A Major, Op. 16: III. Adagio non troppo | — | ||
| 39-6 | Serenade No. 2 in A Major, Op. 16: IV. Quasi menuetto | — | ||
| 39-7 | Serenade No. 2 in A Major, Op. 16: V. Rondo. Allegro | — | ||
| 39-8 | Variations on a Theme by Haydn, Op. 56a: Theme. Andante | — | ||
| 39-9 | Variations on a Theme by Haydn, Op. 56a: Variation 1, Poco più animato | — | ||
| 39-10 | Variations on a Theme by Haydn, Op. 56a: Variation 2, Più vivace | — | ||
| 39-11 | Variations on a Theme by Haydn, Op. 56a: Variation 3, Con moto | — | ||
| 39-12 | Variations on a Theme by Haydn, Op. 56a: Variation 4, Andante con moto | — | ||
| 39-13 | Variations on a Theme by Haydn, Op. 56a: Variation 5, Vivace | — | ||
| 39-14 | Variations on a Theme by Haydn, Op. 56a: Variation 6, Vivace | — | ||
| 39-15 | Variations on a Theme by Haydn, Op. 56a: Variation 7, Grazioso | — | ||
| 39-16 | Variations on a Theme by Haydn, Op. 56a: Variation 8, Presto non troppo | — | ||
| 39-17 | Variations on a Theme by Haydn, Op. 56a: Finale. Andante | — | ||
| 40-1 | The Young Person's Guide to the Orchestra Op.34 (without narration): I. Theme | — | ||
| 40-2 | The Young Person's Guide to the Orchestra Op.34 (without narration): II. Variations A - B - C - D - | — | ||
| 40-3 | The Young Person's Guide to the Orchestra Op.34 (without narration): III. Variations E - F - G - H - | — | ||
| 40-4 | The Young Person's Guide to the Orchestra Op.34 (without narration): IV. Variations I - J - K - L - M - | — | ||
| 40-5 | The Young Person's Guide to the Orchestra Op.34 (without narration): V. Fugue: Allegro Molto | — | ||
| 40-6 | Four Sea Interludes from “Peter Grimes”, op. 33a: I. Lento e tranquillo. “Dawn” | New York Philharmonic, Leonard Bernstein | — | |
| 40-7 | Four Sea Interludes from “Peter Grimes”, op. 33a: II. Allegro spiritoso. “Sunday Morning” | New York Philharmonic, Leonard Bernstein | — | |
| 40-8 | Four Sea Interludes from “Peter Grimes”, op. 33a: III. Andante comodo e rubato. “Moonlight” | New York Philharmonic, Leonard Bernstein | — | |
| 40-9 | Four Sea Interludes from “Peter Grimes”, op. 33a: IV. Presto con fuoco - molto animato - largamente - tempo I. “Storm” | New York Philharmonic, Leonard Bernstein | — | |
| 40-10 | Passacaglia from “Peter Grimes”, op. 33b | New York Philharmonic, Leonard Bernstein | — | |
| 40-11 | Suite on English Folk Tunes "A Time There Was..." op. 90: I. "Cakes and Ale": Fast and Rough | — | ||
| 40-12 | Suite on English Folk Tunes "A Time There Was..." op. 90: II. "The Bitter Withy": Allegretto | — | ||
| 40-13 | Suite on English Folk Tunes "A Time There Was..." op. 90: III. "Hankin Booby": Heavily | — | ||
| 40-14 | Suite on English Folk Tunes "A Time There Was..." op. 90: IV. "Hunt the Squirrel": Fast and Gay | — | ||
| 40-15 | Suite on English Folk Tunes "A Time There Was..." op. 90: V. "Lord Melbourne": Slow and Languid | — | ||
| 40-16 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ia. Theme A (Tutti) | — | ||
| 40-17 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ib. Theme B (Woodwinds) | — | ||
| 40-18 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ic. Theme C (Brass) | — | ||
| 40-19 | The Young Person's Guide to the Orchestra Op.34 (with narration): Id. Theme D (Strings) | — | ||
| 40-20 | The Young Person's Guide to the Orchestra Op.34 (with narration): Ie. Theme E (Percussion) | — | ||
| 40-21 | The Young Person's Guide to the Orchestra Op.34 (with narration): If. Theme F (tutti) | — | ||
| 40-22 | The Young Person's Guide to the Orchestra Op.34 (with narration): II. Variation A (Flutes & Piccolo) | — | ||
| 40-23 | The Young Person's Guide to the Orchestra Op.34 (with narration): III. Variation B (Oboes) | — | ||
| 40-24 | The Young Person's Guide to the Orchestra Op.34 (with narration): IV. Variation C (Clarinets) | — | ||
| 40-25 | The Young Person's Guide to the Orchestra Op.34 (with narration): V. Variation D (Bassoons) | — | ||
| 40-26 | The Young Person's Guide to the Orchestra Op.34 (with narration): VI. Variation E (Violins) | — | ||
| 40-27 | The Young Person's Guide to the Orchestra Op.34 (with narration): VII. Variation F (Violas) | — | ||
| 40-28 | The Young Person's Guide to the Orchestra Op.34 (with narration): VIII. Variation G (Cellos) | — | ||
| 40-29 | The Young Person's Guide to the Orchestra Op.34 (with narration): IX. Variation H (Double Basses) | — | ||
| 40-30 | The Young Person's Guide to the Orchestra Op.34 (with narration): X. Variation I (Harp) | — | ||
| 40-31 | The Young Person's Guide to the Orchestra Op.34 (with narration): XI. Variation J (French Horns) | — | ||
| 40-32 | The Young Person's Guide to the Orchestra Op.34 (with narration): XII. Variation K (Trumpets) | — | ||
| 40-33 | The Young Person's Guide to the Orchestra Op.34 (with narration): XIII. Variation L (Trombones & Tuba) | — | ||
| 40-34 | The Young Person's Guide to the Orchestra Op.34 (with narration): XIV. Variation M (Percussion) | — | ||
| 40-35 | The Young Person's Guide to the Orchestra Op.34 (with narration): XV. Fugue (tutti) | — | ||
| 41-1 | Appalachian Spring: Very slowly | — | ||
| 41-2 | Appalachian Spring: Allegro | — | ||
| 41-3 | Appalachian Spring: Moderato | — | ||
| 41-4 | Appalachian Spring: Fast | — | ||
| 41-5 | Appalachian Spring: Subito Allegro | — | ||
| 41-6 | Appalachian Spring: As at first (slowly) | — | ||
| 41-7 | Appalachian Spring: Doppio movimento | — | ||
| 41-8 | Appalachian Spring: Moderato - Coda | — | ||
| 41-9 | Rodeo. Four Dance Episodes: I. Buckaroo Holiday. Allegro con spirito | — | ||
| 41-10 | Rodeo. Four Dance Episodes: II. Corral Nocturne. Moderato | — | ||
| 41-11 | Rodeo. Four Dance Episodes: III. Saturday Night Waltz. Slow Waltz | — | ||
| 41-12 | Rodeo. Four Dance Episodes: IV. Hoe-Down. Allegro | — | ||
| 41-13 | Billy The Kid: Introduction. The open Pairie | — | ||
| 41-14 | Billy The Kid: Street in a Frontier Town | — | ||
| 41-15 | Billy The Kid: Mexican Dance and Finale | — | ||
| 41-16 | Billy The Kid: Prairie Night (Card game at night) | — | ||
| 41-17 | Billy The Kid: Gun Battle | — | ||
| 41-18 | Billy The Kid: Celebration (after Billy' capture) | — | ||
| 41-19 | Billy The Kid: Billy's Death | — | ||
| 41-20 | Billy The Kid: The open Prairie again | — | ||
| 41-21 | Fanfare for the Common Man: Molto deliberato | — | ||
| 42-1 | Music For The Theatre 1. Prologue | — | ||
| 42-2 | Music For The Theatre 2. Dance | — | ||
| 42-3 | Music For The Theatre 3. Interlude | — | ||
| 42-4 | Music For The Theatre 4. Burlesque | — | ||
| 42-5 | Music For The Theatre 5. Epilogue | — | ||
| 42-6 | Connotations For Orchestra | — | ||
| 42-7 | Inscape | — | ||
| 42-8 | El Salón México | — | ||
| 43-1 | Images for Orchestra - 1. Gigues | — | ||
| 43-2 | Images for Orchestra - 2a. In the Streets and Byways | — | ||
| 43-3 | Images for Orchestra - 2b The Fragrances of the Night | — | ||
| 43-4 | Images for Orchestra - 2c. The Morning of a Festival Day | — | ||
| 43-5 | Images for Orchestra - 3. Spring Rounds | — | ||
| 43-6 | Pavane pour une infante defunte | — | ||
| 43-7 | Ma mere l'Oye - Cinq pieces enfantines - 1. Pavan of the Sleeping Beauty | — | ||
| 43-8 | Ma mere l'Oye - Cinq pieces enfantines - 2. Tom Thumb | — | ||
| 43-9 | Ma mere l'Oye - Cinq pieces enfantines - 3. Laideronnette, Empress of the Pagodas | — | ||
| 43-10 | Ma mere l'Oye - Cinq pieces enfantines - 4. Conversation of Beauty and the Beast | — | ||
| 43-11 | Ma mere l'Oye - Cinq pieces enfantines - 5. The Fairy Garden | — | ||
| 44-1 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 1, -De l'aube a midi sur la mer? | — | ||
| 44-2 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 2, -Jeux de vagues- (Play of the waves) | — | ||
| 44-3 | La Mer, symphonic sketches (3) for orchestra, L. 109- No. 3, -Dialogue du vent et de la mer? | — | ||
| 44-4 | Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 | — | ||
| 44-5 | Jeux, ballet, L. 126 | — | ||
| 44-6 | Nocturnes, for female chorus & orchestra, L. 91- Nuages | — | ||
| 44-7 | Nocturnes, for female chorus & orchestra, L. 91- Nuages | — | ||
| 45-1 | Carnival Overture, op. 92: Allegro - Andante con moto - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 45-2 | Slavonic Dances no. 1 in C major, op. 46: Presto | New York Philharmonic, Leonard Bernstein | T-312.527.003-9 | |
| 45-3 | Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro | New York Philharmonic, Leonard Bernstein | — | |
| 45-4 | The Bartered Bride: Overture | New York Philharmonic, Leonard Bernstein | T-913.828.907-3 | |
| 45-5 | Three Dances from The Bartered Bride: Polka | New York Philharmonic, Leonard Bernstein | — | |
| 45-6 | Three Dances from The Bartered Bride: Furiant | New York Philharmonic, Leonard Bernstein | T-031.533.699-2 | |
| 45-7 | Three Dances from The Bartered Bride: Dance of the Comedians | New York Philharmonic, Leonard Bernstein | — | |
| 45-8 | Má Vlast 2. Vltava (The Moldau) | — | ||
| 46-1 | España | — | ||
| 46-2 | El Amor Brujo - Introducción Y Escena | — | ||
| 46-3 | El Amor Brujo - En La Cueva | — | ||
| 46-4 | El Amor Brujo - Canción Del Amor Dolido | — | ||
| 46-5 | El Amor Brujo - El Aparecido | — | ||
| 46-6 | l Amor Brujo - Danza Del Terror | — | ||
| 46-7 | El Amor Brujo - El Círculo Magico | — | ||
| 46-8 | El Amor Brujo - A Media Noche | — | ||
| 46-9 | El Amor Brujo - Danza Ritual Del Fuego | — | ||
| 46-10 | El Amor Brujo - Escena | — | ||
| 46-11 | El Amor Brujo - Canción Del Fuego Fatuo | — | ||
| 46-12 | El Amor Brujo - Pantomima | — | ||
| 46-13 | El Amor Brujo - Danza Del Juego Del Amor | — | ||
| 46-14 | El Amor Brujo - Final. Las Campanas Del Amanecer | — | ||
| 46-15 | Fanfare Pour Une Fête | — | ||
| 46-16 | La Vida Breve - Interlude & Danza | — | ||
| 46-17 | El Sombrero De Tres Picos, Part 1 - Introducción | — | ||
| 46-18 | El Sombrero De Tres Picos, Part 1 - Danza De La Molinera | — | ||
| 46-19 | El Sombrero De Tres Picos, Part 1 - El Corregidor | — | ||
| 46-20 | El Sombrero De Tres Picos, Part 1 - Las Uvas | — | ||
| 46-21 | El Sombrero De Tres Picos, Part 2 - Danza De Los Vecinos | — | ||
| 46-22 | El Sombrero De Tres Picos, Part 2 - Danza Del Molinero | — | ||
| 46-23 | El Sombrero De Tres Picos, Part 2 - Danza Final | — | ||
| 46-24 | El Amor Brujo - Danza Ritual Del Fuego | — | ||
| 47-1 | Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 | |
| 47-2 | An American in Paris | New York Philharmonic, Leonard Bernstein | T-070.001.144-4 | |
| 47-3 | Grand Canyon Suite: I. Sunrise | New York Philharmonic, Leonard Bernstein | — | |
| 47-4 | Grand Canyon Suite: II. Painted Desert | New York Philharmonic, Leonard Bernstein | — | |
| 47-5 | Grand Canyon Suite: III. On the Trail | New York Philharmonic, Leonard Bernstein | — | |
| 47-6 | Grand Canyon Suite: IV. Sunset | New York Philharmonic, Leonard Bernstein | — | |
| 47-7 | Grand Canyon Suite: V. Cloudburst | New York Philharmonic, Leonard Bernstein | — | |
| 48-1 | Peer Gynt Suite no. 1, op. 46: I. Dawn | New York Philharmonic, Leonard Bernstein | — | |
| 48-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse | New York Philharmonic, Leonard Bernstein | — | |
| 48-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance | New York Philharmonic, Leonard Bernstein | T-928.635.589-3 | |
| 48-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | New York Philharmonic, Leonard Bernstein | — | |
| 48-5 | Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | New York Philharmonic, Leonard Bernstein | — | |
| 48-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | New York Philharmonic, Leonard Bernstein | — | |
| 48-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home | New York Philharmonic, Leonard Bernstein | — | |
| 48-8 | Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song | New York Philharmonic, Leonard Bernstein | — | |
| 48-9 | Norwegian Dance, op. 35/2 | — | ||
| 48-10 | March of the Dwarfs, op. 54/3 | — | ||
| 48-11 | Kuolema, op. 44: Valse Triste | New York Philharmonic, Leonard Bernstein | T-000.769.449-6 | |
| 48-12 | The Swan of Tuonela, op. 22 | Thomas Stacy, New York Philharmonic, Leonard Bernstein | — | |
| 48-13 | Finlandia | — | ||
| 49-1 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 49-2 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot. Scherzo. Moderato - Lebhaft | — | ||
| 49-3 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 49-4 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 49-5 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part I. Mäßig schnell, mit Kraft - | — | ||
| 49-6 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part I. Sehr Breit, aber stets fließend | — | ||
| 49-7 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Lebhaft - | — | ||
| 49-8 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Langsam - | — | ||
| 49-9 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Im ersten Zeitmaß - | — | ||
| 49-10 | Konzertmusik für Streichorchester und Blechbläser, op.50, Part II. Lebhaft | — | ||
| 49-11 | Pacific 231: Mouvement symphonique | — | ||
| 49-12 | Rugby: Mouvement symphonique | — | ||
| 49-13 | Pastorale d'été | — | ||
| 50-1 | The Planets, op. 32: I. Mars, the Bringer of War. Allegro | New York Philharmonic, Leonard Bernstein | T-307.278.690-0 | |
| 50-2 | The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 50-3 | The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace | New York Philharmonic, Leonard Bernstein | T-318.843.156-9 | |
| 50-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto | New York Philharmonic, Leonard Bernstein | T-101.257.909-6 | |
| 50-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante | New York Philharmonic, Leonard Bernstein | — | |
| 50-6 | The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo | New York Philharmonic, Leonard Bernstein | — | |
| 50-7 | The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 50-8 | Pomp and Circumstance March No. 1, for orchestra in D major, Op. 39/1 | — | ||
| 51-1 | The Unanswered Question | — | ||
| 51-2 | Holidays Symphony: I. Washington's Birthday | — | ||
| 51-3 | Holidays Symphony: II. Decoration Day | — | ||
| 51-4 | Holidays Symphony: III. The Fourth Of July | — | ||
| 51-5 | Holidays Symphony: IV. Thanksgiving Day | — | ||
| 51-6 | Central Park in the Dark | New York Philharmonic, Seiji Ozawa, Maurice Peress | — | |
| 51-7 | The Gong on the Hook and Ladder or Firemen's Parade on Main Street | — | ||
| 51-8 | The Circus Band | — | ||
| 52-1 | Pictures at an Exhibition: I. Promenade. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 52-2 | Pictures at an Exhibition: II. Gnomus (Gnomes) | New York Philharmonic, Leonard Bernstein | — | |
| 52-3 | Pictures at an Exhibition: III. Promenade. Moderato | New York Philharmonic, Leonard Bernstein | T-900.140.545-4 | |
| 52-4 | Pictures at an Exhibition: IV. Il vecchio castello | New York Philharmonic, Leonard Bernstein | — | |
| 52-5 | Pictures at an Exhibition: V. Promenade. Moderato non tanto | New York Philharmonic, Leonard Bernstein | — | |
| 52-6 | Pictures at an Exhibition: VI. Tuileries | New York Philharmonic, Leonard Bernstein | — | |
| 52-7 | Pictures at an Exhibition: VII. Bydlo | New York Philharmonic, Leonard Bernstein | — | |
| 52-8 | Pictures at an Exhibition: VIII. Promenade. Tranquillo | New York Philharmonic, Leonard Bernstein | T-900.107.356-9 | |
| 52-9 | Pictures at an Exhibition: IX. Ballet des poussins dans leurs coques | New York Philharmonic, Leonard Bernstein | — | |
| 52-10 | Pictures at an Exhibition: X. Samuel Goldenberg and Shmuyle | New York Philharmonic, Leonard Bernstein | — | |
| 52-11 | Pictures at an Exhibition: XI. Limoges | New York Philharmonic, Leonard Bernstein | — | |
| 52-12 | Pictures at an Exhibition: XII. Catacombæ | New York Philharmonic, Leonard Bernstein | — | |
| 52-13 | Pictures at an Exhibition: XIII. Cum mortuis in lingua morta | New York Philharmonic, Leonard Bernstein | — | |
| 52-14 | Pictures at an Exhibition: XIV. La Cabane sur des pattes de poule | New York Philharmonic, Leonard Bernstein | — | |
| 52-15 | Pictures at an Exhibition: XV. La Grande Porte de Kiev | New York Philharmonic, Leonard Bernstein | — | |
| 52-16 | Night on Bald Mountain | Leonard Bernstein, New York Philharmonic | — | |
| 52-17 | L'apprenti Sorcier | — | ||
| 53-1 | Peter and the Wolf, Op. 67 — I. Andantino | — | ||
| 53-2 | Peter and the Wolf, Op. 67 — II. Allegro – Andantino, come prima | — | ||
| 53-3 | Peter and the Wolf, Op. 67 — III. L'istesso tempo – Più mosso | — | ||
| 53-4 | Peter and the Wolf, Op. 67 — IV. Moderato – Allegro ma non troppo – Moderato | — | ||
| 53-5 | Peter and the Wolf, Op. 67 — V. Poco più andante | — | ||
| 53-6 | Peter and the Wolf, Op. 67 — VI. Andantino, come prima – Andante | — | ||
| 53-7 | Peter and the Wolf, Op. 67 — VII. Andante molto | — | ||
| 53-8 | Peter and the Wolf, Op. 67 — VIII. Nervoso – Allegro – Andante | — | ||
| 53-9 | Peter and the Wolf, Op. 67 — IX. Allegretto – Moderato | — | ||
| 53-10 | Peter and the Wolf, Op. 67 — X. Andantino, come prima – Meno mosso | — | ||
| 53-11 | Peter and the Wolf, Op. 67 — XI. Vivo – Andante molto – Vivo – Andante | — | ||
| 53-12 | Peter and the Wolf, Op. 67 — XII. Allegro – Poco meno mosso – Moderato (Meno mosso) | — | ||
| 53-13 | Peter and the Wolf, Op. 67 — XIII. Allegro moderato | — | ||
| 53-14 | Peter and the Wolf, Op. 67 — XIV. Andante | — | ||
| 53-15 | Peter and the Wolf, Op. 67 — XV. Moderato – Poco più mosso (Allegro moderato) – Sostenuto – L'istesso tempo – Poco più mosso | — | ||
| 53-16 | Peter and the Wolf, Op. 67 — XVI. Andante – Allegro | — | ||
| 53-17 | The Carnival of the Animals — I. Introduction et Marche Royale du Lion | — | ||
| 53-18 | The Carnival of the Animals — II. Poules et Coqs | — | ||
| 53-19 | The Carnival of the Animals — III. Hémiones | — | ||
| 53-20 | The Carnival of the Animals — IV. Tortues | — | ||
| 53-21 | The Carnival of the Animals — V. L'Éléphant | — | ||
| 53-22 | The Carnival of the Animals — VI. Kangourous | — | ||
| 53-23 | The Carnival of the Animals — VII. Aquarium | — | ||
| 53-24 | The Carnival of the Animals — VIII. Personnages à Longues Oreilles | — | ||
| 53-25 | The Carnival of the Animals — IX. Le Coucou au Fond des Bois | — | ||
| 53-26 | The Carnival of the Animals — X. Volière | — | ||
| 53-27 | The Carnival of the Animals — XI. Pianistes | — | ||
| 53-28 | The Carnival of the Animals — XII. Fossiles | — | ||
| 53-29 | The Carnival of the Animals — XIII. Le Cygne | — | ||
| 53-30 | The Carnival of the Animals — XIV. Final | — | ||
| 53-31 | Danse Macabre, Op. 40 | — | ||
| 54-1 | Peter & The Wolf, Op.67 | — | ||
| 54-2 | Le Carnaval Des Animaux 1. Introduction & Royal March Of The Lion | — | ||
| 54-3 | Le Carnaval Des Animaux 2. Hens & Cockerels | — | ||
| 54-4 | Le Carnaval Des Animaux 3. Wild Asses | — | ||
| 54-5 | Le Carnaval Des Animaux 4. Tortugas | — | ||
| 54-6 | Le Carnaval Des Animaux 5. The Elephant | — | ||
| 54-7 | Le Carnaval Des Animaux 6. Kangaroos | — | ||
| 54-8 | Le Carnaval Des Animaux 7. Aquarium | — | ||
| 54-9 | Le Carnaval Des Animaux 8. Personajes De Largas Orejas | — | ||
| 54-10 | Le Carnaval Des Animaux 9. The Cuckoo In The Depths Of The Woods | — | ||
| 54-11 | Le Carnaval Des Animaux 10. Aviary | — | ||
| 54-12 | Le Carnaval Des Animaux 11. Pianists | — | ||
| 54-13 | Le Carnaval Des Animaux 12. Fossils | — | ||
| 54-14 | Le Carnaval Des Animaux 13. Le Cygne | — | ||
| 54-15 | Le Carnaval Des Animaux 14. Finale | — | ||
| 55-1 | BOLÉRO, M. 81 | Orchestre National de France, Leonard Bernstein | T-305.199.422-6 | |
| 55-2 | RAVEL: MIROIRS, M. 43: IV. ALBORADA DEL GRACIOSO | Orchestre National de France, Leonard Bernstein | T-338.342.512-1 | |
| 55-3 | La Valse | — | ||
| 55-4 | Rapsodie Espagnole - 1. Prelude A La Nuit | — | ||
| 55-5 | Rapsodie Espagnole - 2. Malaguena | — | ||
| 55-6 | Rapsodie Espagnole - 3. Habanera | — | ||
| 55-7 | Rapsodie Espagnole - 4. Feria | — | ||
| 56-1 | Bolero | — | ||
| 56-2 | La Valse | — | ||
| 56-3 | Rhapsodie Espagnole - 1. Prelude A La Nuit | — | ||
| 56-4 | Rhapsodie Espagnole - 2. Malaguena | — | ||
| 56-5 | Rhapsodie Espagnole - 3. Habanera | — | ||
| 56-6 | Rhapsodie Espagnole - 4. Feria | — | ||
| 56-7 | Alborada Del Gracioso | — | ||
| 57-1 | Daphnis et Chloé: Tableau I. Introduction. Lent | — | ||
| 57-2 | Daphnis et Chloé: Tableau I. Danse religieuse. Modéré | — | ||
| 57-3 | Daphnis et Chloé: Tableau I. Les Jeunes Filles. Vif - Danse générale | — | ||
| 57-4 | Daphnis et Chloé: Tableau I. Danse grotesque de Dorcon. Tres modéré | — | ||
| 57-5 | Daphnis et Chloé: Tableau I. Danse légere et gracieuse de Daphnis. Assez lent | — | ||
| 57-6 | Daphnis et Chloé: Tableau I. Lyceion entra. Tres libre - Lyceion danse. Tres modéré | — | ||
| 57-7 | Daphnis et Chloé: Tableau I. Nocturne. Modéré | — | ||
| 57-8 | Daphnis et Chloé: Tableau I. Interlude. Meme mouvt. | — | ||
| 57-9 | Daphnis et Chloé: Tableau II. Danse guerruere Animé et tres rude | — | ||
| 57-10 | Daphnis et Chloé: Tableau II. Danse suppliante de Chloé. Modéré | — | ||
| 57-11 | Daphnis et Chloé: Tableau III. Lever du jour. Lent | — | ||
| 57-12 | Daphnis et Chloé: Tableau III. Pantomime - Chloé figure la jeune nymphe. Lent | — | ||
| 57-13 | Daphnis et Chloé: Tableau III. Devant l'autel des nymphes - Danse générale | — | ||
| 57-14 | La Valse | — | ||
| 58-1 | Pini di Roma: Poema Sinfonico per Orchestra: I. I pini di Villa Borghese | New York Philharmonic, Leonard Bernstein | — | |
| 58-2 | Pini di Roma: Poema Sinfonico per Orchestra: II. Pini presso una catacomba | New York Philharmonic, Leonard Bernstein | — | |
| 58-3 | Pini di Roma: Poema Sinfonico per Orchestra: III. I pini del Gianicolo | New York Philharmonic, Leonard Bernstein | — | |
| 58-4 | Pini di Roma: Poema Sinfonico per Orchestra: IV. I pni della via Appia | New York Philharmonic, Leonard Bernstein | T-902.597.196-4 | |
| 58-5 | Feste Romane 1. Circenses | — | ||
| 58-6 | Feste Romane 2. Il Giubileo | — | ||
| 58-7 | Feste Romane 3. L'Ottobrata | — | ||
| 58-8 | Feste Romane 4. La Befana | — | ||
| 58-9 | Luonnotar, op. 70 | Phyllis Curtin, New York Philharmonic, Leonard Bernstein | — | |
| 58-10 | Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — | |
| 59-1 | Scheherazade, symphonic suite for orchestra, Op. 35: 1. The Sea and Sinbad's Ship | — | ||
| 59-2 | Scheherazade, symphonic suite for orchestra, Op. 35: 2. The Kalendar Prince | — | ||
| 59-3 | Scheherazade, symphonic suite for orchestra, Op. 35: 3. The Young Prince and the Young Princess | — | ||
| 59-4 | Scheherazade, symphonic suite for orchestra, Op. 35: 4. Festival at Baghdad. The Sea. The Shipwreck. Conclusion | — | ||
| 59-5 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 1. Alborada. Vivo e strepitoso | — | ||
| 59-6 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 2. Variazioni. Andante con moto | — | ||
| 59-7 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 3. Alborada. Vivo e strepitoso | — | ||
| 59-8 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 4. Scena e canto gitano. Allegretto | — | ||
| 59-9 | Capriccio espagnol (Kaprichchio na ispankskiye temï), for orchestra, Op. 34: 5. Fandango asturiano | — | ||
| 60-1 | Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T-306.482.271-1 | |
| 60-2 | L’Italiana in Algeri: Overture | New York Philharmonic, Leonard Bernstein | T-301.972.539-0 | |
| 60-3 | Guillaume Tell (William Tell): Overture | — | ||
| 60-4 | La gazza ladra: Overture | New York Philharmonic, Leonard Bernstein | — | |
| 60-5 | Semiramide: Overture | New York Philharmonic, Leonard Bernstein | — | |
| 60-6 | La scala di seta: Overture | New York Philharmonic, Leonard Bernstein | T-305.157.600-8 | |
| 60-7 | Leichte Kavallerie (Light Cavalry), operetta: Overture | — | ||
| 60-8 | Dichter und Bauer (Poet and Peasant), overture for orchestra | — | ||
| 61-1 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Einleitung | — | ||
| 61-2 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von den Hinterweltlern | — | ||
| 61-3 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Vonder großen Sehnsucht | — | ||
| 61-4 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von den Freuden und Leidenschaften | — | ||
| 61-5 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Das Grablied | — | ||
| 61-6 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Von der Wissenschaft | — | ||
| 61-7 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Der Genesende | — | ||
| 61-8 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Ziemlich langsam - schnell | — | ||
| 61-9 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Das Tanzlied | — | ||
| 61-10 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Nachtwandlerlied | — | ||
| 61-11 | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)- Langsam | — | ||
| 61-12 | Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra, Op. 28 (TrV 171) | — | ||
| 61-13 | Don Juan, tone poem for orchestra, Op. 20 (TrV 156) | — | ||
| 62-1 | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) | — | ||
| 62-2 | Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) | — | ||
| 62-3 | Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257) | — | ||
| 62-4 | Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) | — | ||
| 62-5 | Geschichten aus dem Wienerwald (Tales from the Vienna Woods), waltz for orchestra, Op. 325 (RV 325) | — | ||
| 62-6 | Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437) | — | ||
| 62-7 | Frühlingsstimmen (Voices of Spring), waltz for orchestra (with voice ad lib), Op. 410 (RV 410) | — | ||
| 62-8 | Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316) | — | ||
| 62-9 | Auf der Jagd (Off to the Hunt), schnellpolka for orchestra, Op. 373 (RV 373) | — | ||
| 62-10 | Rosen aus dem Süden (Roses from the South), waltz for orchestra, Op. 388 (RV 388) | — | ||
| 62-11 | Radetzky-Marsch, for orchestra, Op. 228 | — | ||
| 63-1 | Festival Prelude, Op. 61 | — | ||
| 63-2 | Salome - Dance Of The Seven Veils, Op. 54 | — | ||
| 63-3 | Pulcinella Suite: I. Sinfonia | — | ||
| 63-4 | Pulcinella Suite: II: Serenata | — | ||
| 63-5 | Pulcinella Suite: III. a. Scherzino | — | ||
| 63-6 | Pulcinella Suite: III. b. Allegro | — | ||
| 63-7 | Pulcinella Suite III. c. Andantino | — | ||
| 63-8 | Pulcinella Suite: IV. Tarantella | — | ||
| 63-9 | Pulcinella Suite: V. Toccata | — | ||
| 63-10 | Pulcinella Suite: VI. Gavotta (con due variazioni) | — | ||
| 63-11 | Pulcinella Suite: VI. Variation I | — | ||
| 63-12 | Pulcinella Suite: VI. Variation II | — | ||
| 63-13 | Pulcinella Suite: VII. Vivo | — | ||
| 63-14 | Pulcinella Suite: VIII. a. Minuetto | — | ||
| 63-15 | Pulcinella Suite: VIII. b. Finale | — | ||
| 64-1 | Le Sacre du printemps : L’Adoration de la terre : I. Introduction (Lento) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-2 | Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-3 | Le Sacre du printemps : L’Adoration de la terre : III. Jeu du rapt | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-4 | Le Sacre du printemps : L’Adoration de la terre : IV. Rondes printanières | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-5 | Le Sacre du printemps : L’Adoration de la terre : V. Jeux des cités rivales | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-6 | Le Sacre du printemps : L’Adoration de la terre : VI. Cortège du sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-7 | Le Sacre du printemps : L’Adoration de la terre : VII. Adoration de la terre - Le Sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-8 | Le Sacre du printemps : L’Adoration de la terre : VIII. Danse de la terre | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-9 | Le Sacre du printemps : Le Sacrifice : I. Introduction (Largo) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-10 | Le Sacre du printemps : Le Sacrifice : II. Cercles mysterieux des adolescentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-11 | Le Sacre du printemps : Le Sacrifice : III. Glorification de l’élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-12 | Le Sacre du printemps : Le Sacrifice : IV. Évocation des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-13 | Le Sacre du printemps : Le Sacrifice : V. Action rituelle des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-14 | Le Sacre du printemps : Le Sacrifice : VI. Danse sacrale. L’Élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 64-15 | Pétrouchka: The Shrove-tide Fair | — | ||
| 64-16 | Pétrouchka: The Charlatan's Booth | — | ||
| 64-17 | Pétrouchka: Russian Dance | — | ||
| 64-18 | Pétrouchka: Pétrouchka's Room | — | ||
| 64-19 | Pétrouchka: The Moor's Room | — | ||
| 64-20 | Pétrouchka: Dance of the Ballerina | — | ||
| 64-21 | Pétrouchka: The Ballerina and the Moor | — | ||
| 64-22 | Pétrouchka: The Shrove-tide Fair (evening) | — | ||
| 64-23 | Pétrouchka: Dance of the Wet-Nurses | — | ||
| 64-24 | Pétrouchka: The Bear and the Peasant | — | ||
| 64-25 | Pétrouchka: Jovial Merchant /w 2 Gypsy Girls | — | ||
| 64-26 | Pétrouchka: Dance of the Coachmen & Grooms | — | ||
| 64-27 | Pétrouchka: The Masqueraders | — | ||
| 64-28 | Pétrouchka: The Moor and Pétrouchka | — | ||
| 64-29 | Pétrouchka: Death of Pétrouchka | — | ||
| 64-30 | Pétrouchka: The Police and the Charlatan | — | ||
| 64-31 | Pétrouchka: Apparition of Pétrouchka's Double | — | ||
| 65-1 | The Rite of Spring: I. The Adoration of the Earth: I. Introduction. Lento | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-2 | The Rite of Spring: I. The Adoration of the Earth: I. The Spring Divinations: Dances of the Young Girls | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-3 | The Rite of Spring: I. The Adoration of the Earth: I. Mock Abduction | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-4 | The Rite of Spring: I. The Adoration of the Earth: I. Spring Round Dances | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-5 | The Rite of Spring: I. The Adoration of the Earth: I. Games of the Rival Tribes | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-6 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-7 | Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le Sage | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-8 | The Rite of Spring: I. The Adoration of the Earth: I. Dance of the Earth | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-9 | The Rite of Spring: II. The Sacrifice: I. Introduction. Largo | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-10 | The Rite of Spring: II. The Sacrifice: II. Mystical Circles of the Young Girls | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-11 | The Rite of Spring: II. The Sacrifice: III. Glorification of the Chosen Victim | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-12 | The Rite of Spring: II. The Sacrifice: IV. Summoning of the Ancestors | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-13 | The Rite of Spring: II. The Sacrifice: V. Ritual of the Ancestors | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-14 | The Rite of Spring: II. The Sacrifice: VI. Sacrificial Dance (The Chosen Victim) | London Symphony Orchestra, Leonard Bernstein | — | |
| 65-15 | Firebird Suite: I. Introduction | New York Philharmonic, Leonard Bernstein | — | |
| 65-16 | Firebird Suite: II. The Firebird and its Dance | New York Philharmonic, Leonard Bernstein | — | |
| 65-17 | Firebird Suite: III. Variation of the Firebird | New York Philharmonic, Leonard Bernstein | — | |
| 65-18 | Firebird Suite: IV. The Princesses’ Round | New York Philharmonic, Leonard Bernstein | — | |
| 65-19 | Firebird Suite: V. Infernal Dance of King Kashchei | New York Philharmonic, Leonard Bernstein | — | |
| 65-20 | Firebird Suite: VI. Lullaby | New York Philharmonic, Leonard Bernstein | — | |
| 65-21 | Firebird Suite: VII. Finale | New York Philharmonic, Leonard Bernstein | T-073.071.144-0 | |
| 66-1 | Romeo and Juliet Fantasy Overture | New York Philharmonic, Leonard Bernstein | — | |
| 66-2 | Capriccio Italien, Op.45 | — | ||
| 66-3 | Francesca Da Rimini, Symphonic Fantasia After Dante, Op.32 | — | ||
| 66-4 | Marche Slave, Op.31 | — | ||
| 67-1 | 1812 Overture, Op.49 | — | ||
| 67-2 | Hamlet. Fantasy Overture In F Minor, Op.67a | — | ||
| 67-3 | Serenade For Strings In C Major, Op.48 1. Pezzo In Forma Di Sonatina | — | ||
| 67-4 | Serenade For Strings In C Major, Op.48 2. Valse | — | ||
| 67-5 | Serenade For Strings In C Major, Op.48 3. Elégie. Larghetto Elegiaco | — | ||
| 67-6 | Serenade For Strings In C Major, Op.48 4. Finale. Tema Russo | — | ||
| 67-7 | String Quartet No.1 In D Major, Op.11 2. Andante Cantabile | — | ||
| 68-1 | The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 68-2 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. a. Marche. Tempo di marcia viva | — | ||
| 68-3 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. b. Danse de la fée dragée. Andante non troppo | — | ||
| 68-4 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. c. Danse russe (Trépak). Tempo di Trépak, molto vivace | — | ||
| 68-5 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. d. Danse arabe. Allegretto | — | ||
| 68-6 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. e. Danse chinoise. Allegro moderato | — | ||
| 68-7 | Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. f. Danse des mirlitons. Moderato assai | — | ||
| 68-8 | The Nutcracker: Suite, op. 71a: III. Valse des fleurs. Tempo di valse | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 68-9 | The Swan Lake, ballet, Op. 20: Act I, No.5 | — | ||
| 68-10 | The Swan Lake, ballet, Op. 20: Act II, No.10: Scene, Moderato Act 1. No. 5. Pas de deux. 2. Andante - Allegro | — | ||
| 68-11 | The Swan Lake, ballet, Op. 20: Act II, No.13: Danses des cygnes Act 1. No. 5. Pas de deux. 3. Allegro moderato | — | ||
| 68-12 | The Swan Lake, ballet, Op. 20: Act III, No.15: Allegro giusto Act 1. No. 5. Pas de deux. 4. Coda. Allegro molto vivace | — | ||
| 68-13 | The Swan Lake, ballet, Op. 20: Act III, No.20: Danse hongroise Act 2. No. 10. Scène. Moderato. | — | ||
| 68-14 | The Swan Lake, ballet, Op. 20: Act III, No.21: Danse espagnole Act 2. No. 13. Danses des cygnes. 1. Tempo di valse | — | ||
| 68-15 | The Swan Lake, ballet, Op. 20: Act III, No.22: Danse napolitaine Act 2. No. 13. Danses des cygnes. 2. Moderato assai - Molto più mosso | — | ||
| 68-16 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 4. Allegro moderato | — | ||
| 68-17 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 5. Pas d'action. Andante - Allegro | — | ||
| 68-18 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 6. Tout le monde danse. Tempo di valse | — | ||
| 68-19 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 2. No. 13. Danses des cygnes. 7. Coda. Allegro vivo | — | ||
| 68-20 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 15. Allegro giusto | — | ||
| 68-21 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 20. Danse hongroise. Csárdás. Moderato assai - Allegro moderato - Vivace | — | ||
| 68-22 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 21. Danse espagnole. Allegro non troppo. Tempo di boléro | — | ||
| 68-23 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 22. Danse napolitaine. Allegro moderato - Presto | — | ||
| 68-24 | The Swan Lake, ballet, Op. 20: Act III, No.23: Mazurka Act 3. No. 23. Mazurka. Tempo di mazurka | — | ||
| 68-25 | The Sleeping Beauty, ballet, Op. 66: Act I: Valse, Allegro Act I: Valse. Allegro. Tempo di valse | — | ||
| 68-26 | Eugene Onegin, opera, Op. 24: Act III, Scene I: Polonaise Act III. Scene I. Polonaise | — | ||
| 69-1 | Der Fliegende Holländer - Overture | — | ||
| 69-2 | Rienzi - Overture | — | ||
| 69-3 | Lohengrin - Prelude To Act 1 | — | ||
| 69-4 | Lohengrin - Prelude To Act 3 | — | ||
| 69-5 | Die Meistersinger Von Nürnberg - Prelude To Act 1 | — | ||
| 69-6 | Die Meistersinger Von Nürnberg - Prelude To Act 3 | — | ||
| 69-7 | Die Walküre - Walkürenritt | — | ||
| 69-8 | Die Walküre - Feuerzauber | — | ||
| 70-1 | Tannhäuser - Overture | — | ||
| 70-2 | Tannhäuser - Fest March | — | ||
| 70-3 | Tristan Und Isolde - Act 1: Prelude & Isoldes Liebestod | — | ||
| 71-1 | Rusland & Ludmilla Overture | — | ||
| 71-2 | In The Steppes Of Central Asia | — | ||
| 71-3 | The Red Pony: Russian Sailors' Dance | — | ||
| 71-4 | Caucasian Sketches, op. 10: II In The Village | — | ||
| 71-5 | Caucasian Sketches, op. 10: IV Procession Of The Sardar | — | ||
| 71-6 | Khovanshchina: Dawn Of The Moscow River (Prelude To Act 1) | — | ||
| 71-7 | Scythian Suite, op. 20: I The Adoration Of Veles And Ala | — | ||
| 71-8 | Scythian Suite, op. 20: II The Enemy Of God And The Dance Of The Spirits Of Darkness | — | ||
| 71-9 | Scythian Suite, op. 20: III Night | — | ||
| 71-10 | Scythian Suite, op. 20: IV The Glorious Departure Of Lolli And The Sun's Procession | — | ||
| 71-11 | The Love For Three Oranges Suite, op. 33a, III March. Tempo Di Marcia | — | ||
| 71-12 | Lieutenant Kije - Suite: III Kije's Wedding. Allegro Fastoso | — | ||
| 71-13 | Lieutenant Kije - Suite: Troika. Moderato - Allegro Con Brio | — | ||
| 71-14 | The Age Of Gold - Suite, op. 22a, III Polka. Allegretto | — | ||
| 71-15 | Concertino for Orchestra, op. 30: I. Toccata. Allegro molto | — | ||
| 71-16 | Concertino for Orchestra, op. 30: II. Elegietta. Andante | — | ||
| 71-17 | Concertino for Orchestra, op. 30: III. Finale. Allegro molto vivace | — | ||
| 72-1 | Danzón cubano | New York Philharmonic, Leonard Bernstein | T-070.038.362-5 | |
| 72-2 | Concerto For Orchestra | — | ||
| 72-3 | St. Louis Blues | — | ||
| 72-4 | Dialogues for Jazz Combo & Orchestra: I. Allegro | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-5 | Dialogues for Jazz Combo & Orchestra: II. Andante - Ballad | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-6 | Dialogues for Jazz Combo & Orchestra: III. Adagio - Ballad | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-7 | Dialogues for Jazz Combo & Orchestra: IV. Allegro - Blues | The Dave Brubeck Quartet, New York Philharmonic, Leonard Bernstein | — | |
| 72-8 | Improvisations For Orchestra And Jazz Soloists | — | ||
| 73-1 | El salón México | New York Philharmonic, Leonard Bernstein | T-070.133.985-6 | |
| 73-2 | Batuque | New York Philharmonic, Leonard Bernstein | — | |
| 73-3 | Dansa Brasileira | New York Philharmonic, Leonard Bernstein | T-039.006.486-4 | |
| 73-4 | Sensemaya | New York Philharmonic, Leonard Bernstein | T-070.134.681-7 | |
| 73-5 | Phurion | — | ||
| 73-6 | Fantasia On A Theme By Thomas Tallis | — | ||
| 73-7 | Fantasia On 'Greensleeves' | — | ||
| 73-8 | La Création Du Monde, Op.81a | — | ||
| 74-1 | Atmosphères | New York Philharmonic, Leonard Bernstein | — | |
| 74-2 | Out of "Last Pieces" | — | ||
| 74-3 | 4 Improvisations by the Orchestra: I | — | ||
| 74-4 | 4 Improvisations by the Orchestra: II | — | ||
| 74-5 | 4 Improvisations by the Orchestra: III | — | ||
| 74-6 | 4 Improvisations by the Orchestra: IV | — | ||
| 74-7 | Crescendo e diminuendo | — | ||
| 74-8 | Triplum: Part I | — | ||
| 74-9 | Triplum: Part II | — | ||
| 74-10 | Triplum: Part III | — | ||
| 74-11 | Tartinana for Violin & Orchestra: I. Larghetto, molto espressivo, ma semplice | — | ||
| 74-12 | Tartinana for Violin & Orchestra: II. Allegro misurato, ma con fuoco | — | ||
| 74-13 | Tartinana for Violin & Orchestra: III. Molto sostenuto | — | ||
| 74-14 | Tartinana for Violin & Orchestra: IV. Allegro assai, ma non precipitato | — | ||
| 75-1 | The Incredible Flutist: 1. Siesta in the Market Place | — | ||
| 75-2 | The Incredible Flutist: 2. Entrance of the Vendors | — | ||
| 75-3 | The Incredible Flutist: 3. Entrance of the Customers | — | ||
| 75-4 | The Incredible Flutist: 4. Tango of the Merchant's Daughters | — | ||
| 75-5 | The Incredible Flutist: 5. Arrival of the Circus | — | ||
| 75-6 | The Incredible Flutist: 6. Circus March | — | ||
| 75-7 | The Incredible Flutist: 7. The Flutist | — | ||
| 75-8 | The Incredible Flutist: 8. Minuet | — | ||
| 75-9 | The Incredible Flutist: 9. Spanish Waltz | — | ||
| 75-10 | The Incredible Flutist: 10. Eight O'Clock Strikes | — | ||
| 75-11 | The Incredible Flutist: 11. Siciliano | — | ||
| 75-12 | The Incredible Flutist: 12. Polka Finale | — | ||
| 75-13 | Prelude for Orchestra | — | ||
| 75-14 | In Praise of Shahn (Canticle for Orchestra): Vigoroso | New York Philharmonic, Leonard Bernstein | — | |
| 75-15 | In Praise of Shahn (Canticle for Orchestra): Lento (Bar 185) | New York Philharmonic, Leonard Bernstein | — | |
| 76-1 | Hungarian Rhapsody No. 1 In F Minor, S. 359 No. 1 | — | ||
| 76-2 | Hungarian Rhapsody No.4 In D Minor, S359/4 | — | ||
| 76-3 | Roumanian Rhapsody No.1 In A Major, Op.11 | — | ||
| 76-4 | Hungarian Dance No.5 In F Sharp Minor | — | ||
| 76-5 | Hungarian Dance No.6 In D Flat Major | — | ||
| 76-6 | German Dance In C, K605-3 | — | ||
| 76-7 | Les Preludes, S97 | — | ||
| 76-8 | Hora Staccato | — | ||
| 76-9 | I Gioielle Della Madonna, Intermezzo Act 3 | — | ||
| 77-1 | Le Nozze Di Figaro, K492 - Overture | — | ||
| 77-2 | Die Lustigen Weiber Von Windsor, Overture | — | ||
| 77-3 | Donna Diana, Overture | — | ||
| 77-4 | Die Fledermaus - Overture | — | ||
| 77-5 | Der Zigeunerbaron - Overture | — | ||
| 77-6 | Mignon - Overture | — | ||
| 77-7 | Der Freischütz, Op.77 - Ouvertüre | — | ||
| 77-8 | Euryanthe, Op.81 - Ouvertüre | — | ||
| 77-9 | Oberon - Overture | — | ||
| 78-1 | Ruy Blas, Op. 95 | — | ||
| 78-2 | Overture "The Hebrides" ("Fingal's Cave"), op. 26: Allegro moderato - Animato in tempo | New York Philharmonic, Leonard Bernstein | — | |
| 78-3 | Des Teufels Lustschloss, D84. The Devil's Pleasure Palace | — | ||
| 78-4 | Manfred, Op. 115 | — | ||
| 78-5 | Genoveva, Op. 81 | — | ||
| 78-6 | Aufforderung Zum Tanz, Op. 65. Invitation To The Dance | — | ||
| 78-7 | Hansel & Gretel: Abendsegen, Children's Prayer | — | ||
| 78-8 | Il Segreto Di Susanna | — | ||
| 79-1 | Prince Igor; Polovtsian Dances (Act II): Dance Of The Polvtsian Maidens | — | ||
| 79-2 | Prince Igor; Polovtsian Dances (Act II): Polovtsian Dance. Introduction. Andantino | — | ||
| 79-3 | Prince Igor; Polovtsian Dances (Act II): Allegro Vivo | — | ||
| 79-4 | Prince Igor; Polovtsian Dances (Act II): Allegro | — | ||
| 79-5 | Prince Igor; Polovtsian Dances (Act II): Presto | — | ||
| 79-6 | Prince Igor; Polovtsian Dances (Act II): Moderato Alla Breve | — | ||
| 79-7 | Prince Igor; Polovtsian Dances (Act II): Presto | — | ||
| 79-8 | Prince Igor; Polovtsian Dances (Act II): Allegro Con Spirito - Piu Animato | — | ||
| 79-9 | Faust - Ballet Music: I Allegretto. Tempo Di Valse | — | ||
| 79-10 | Faust - Ballet Music: II Adagio | — | ||
| 79-11 | Faust - Ballet Music: III Allegretto | — | ||
| 79-12 | Faust - Ballet Music: IV Moderato Maestoso | — | ||
| 79-13 | Faust - Ballet Music: V Moderato Con Moto | — | ||
| 79-14 | Faust - Ballet Music: VI Allegretto | — | ||
| 79-15 | Faust - Ballet Music: VII Allegro Vivo - Poco Animato | — | ||
| 79-16 | La Gioconda: Atto III. Danza delle ore | New York Philharmonic, Leonard Bernstein | T-316.992.933-9 | |
| 79-17 | Snow Maiden: Dance Of The Tumblers (Act III) | — | ||
| 79-18 | Samson And Dalila: Bacchanale (Act III) | — | ||
| 79-19 | Dance Of The Priestesses (Act I) | — | ||
| 79-20 | Dance Of The Moorish Slaves (Act II) | — | ||
| 79-21 | Ballet (Act II) | — | ||
| 79-22 | Aida: Grand March | New York Philharmonic, Leonard Bernstein | T-031.622.985-2 | |
| 79-23 | Eugene Onegin: Waltz (Act II) | — | ||
| 80-1 | Semper Fidelis | — | ||
| 80-2 | The Thunderer | — | ||
| 80-3 | Washington Post | — | ||
| 80-4 | Hands Across The Sea | — | ||
| 80-5 | Under the Double Eagle | — | ||
| 80-6 | Battle Hymn of the Republic | — | ||
| 80-7 | Anchors Aweigh | — | ||
| 80-8 | Stars and Stripes Forever! | — | ||
| 80-9 | The British Grenadiers | — | ||
| 80-10 | Rule Britannia | — | ||
| 80-11 | Le Marseillaise | — | ||
| 80-12 | The National Emblem | — | ||
| 80-13 | Le Prophète: Coronation March | — | ||
| 80-14 | Athalie, op. 74: War March of the Priests | New York Philharmonic, Leonard Bernstein | — | |
| 80-15 | Aida: Grand March | New York Philharmonic, Leonard Bernstein | T-031.622.985-2 | |
| 80-16 | Colonel Bogey | — | ||
| 80-17 | The Star-Spangled Banner (1975 Recording) | — | ||
| 80-18 | The Star-Spangled Banner (1962 Recording) | — |
