UPC · Release
Bach, Mozart, Beethoven, Dvořák, Debussy, Ravel, Franck, Verdi, Mussorgsky, Schumann, Stravinsky, Vivaldi, Carlo Maria Giulini
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The UPC for “The Complete Sony Recordings” by Bach, Mozart, Beethoven, Dvořák, Debussy, Ravel, Franck, Verdi, Mussorgsky, Schumann, Stravinsky, Vivaldi, Carlo Maria Giulini is 888430146426. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 179 tracks, each with its own ISRC. Tracks include USSM18900750, USSM18900751, USSM10605680.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 39 in E-flat major, K.543: I. Adagio - Allegro | — | ||
| 2 | Symphony no. 39 in E-flat major, K.543: II. Andante con moto | — | ||
| 3 | Symphony no. 39 in E-flat major, K.543: III. Menuetto. Allegretto - Trio | — | ||
| 4 | Symphony no. 39 in E-flat major, K.543: IV. Finale. Allegro | — | ||
| 5 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): I. Allegro | — | ||
| 6 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): II. Adagio | — | ||
| 7 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): III. Andantino con variazioni | — | ||
| 2-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 2-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 2-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto-Trio | — | ||
| 2-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | — | ||
| 3-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-070.093.418-4 | |
| 3-3 | Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini | T-903.028.404-9 | |
| 3-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-919.097.742-5 | |
| 3-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-11 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Quam olim Abrahae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-12 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-922.061.546-3 | |
| 3-13 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-14 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-15 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-910.952.061-8 | |
| 4-1 | Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | — | ||
| 4-2 | Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto | — | ||
| 4-3 | Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4-4 | Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace | — | ||
| 4-6 | Symphony No. 7 in A major, Op. 92: II. Allegretto | — | ||
| 4-7 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-8 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | — | ||
| 5-1 | Symphony No. 2 In D Major, Op. 36: I Adagio Molto – Allegro Con Brio | — | ||
| 5-2 | Symphony No. 2 In D Major, Op. 36: II. Larghetto | — | ||
| 5-3 | Symphony No. 2 In D Major, Op. 36: III. Scherzo. Allegro | — | ||
| 5-4 | Symphony No. 2 In D Major, Op. 36: IV. Allegro Molto | — | ||
| 5-5 | Symphony No. 8 In F Major, Op. 93: I. Allegro Vivace E Con Brio | — | ||
| 5-6 | Symphony No. 8 In F Major, Op. 93: II. Allengretto Scherzando | — | ||
| 5-7 | Symphony No. 8 In F Major, Op. 93: III. Tempo Di Minuetto | — | ||
| 5-8 | Symphony No. 8 In F Major, Op. 93: IV. Allegro Vivace | — | ||
| 6-1 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Allegro Con Brio | — | ||
| 6-2 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Marcia Funebre: Adagio Assai | — | ||
| 6-3 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Scherzo Allegro Vivace | — | ||
| 6-4 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Finale: Allegro Molto | — | ||
| 7-1 | Symphony No. 5 In C Minor, Op. 67: Allegro Con Brio | — | ||
| 7-2 | Symphony No. 5 In C Minor, Op. 67: Andante Con Moto | — | ||
| 7-3 | Symphony No. 5 In C Minor, Op. 67: Scherzo - Allegro | — | ||
| 7-4 | Symphony No. 5 In C Minor, Op. 67: Finale - Allegro | — | ||
| 7-5 | Symphony No. 4 In B-flat Major, Op. 60: Adagio - Allegro Vivace | — | ||
| 7-6 | Symphony No. 4 In B-flat Major, Op. 60: Adagio | — | ||
| 7-7 | Symphony No. 4 In B-flat Major, Op. 60: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro | — | ||
| 7-8 | Symphony No. 4 In B-flat Major, Op. 60: Allegro Ma Non Troppo | — | ||
| 8-1 | Overture 'Coriolan', Op. 62: Allegro Con Brio | — | ||
| 8-2 | Symphony No. 6 In F Major, Op. 68 'Pastoral': I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo | — | ||
| 8-3 | Symphony No. 6 In F Major, Op. 68 'Pastoral': II. Szene Am Bach: Andante Molto Mosso | — | ||
| 8-4 | Symphony No. 6 In F Major, Op. 68 'Pastoral': III. Lustiges Zusammensein Der Landleute: Allegro | — | ||
| 8-5 | Symphony No. 6 In F Major, Op. 68 'Pastoral': IV. Gewitter, Sturm: Allegro | — | ||
| 8-6 | Symphony No. 6 In F Major, Op. 68 'Pastoral': V. Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm: Allegretto | — | ||
| 8-7 | Overture 'Egmont', Op. 84: Sostenuto, Ma Non Troppo - Allegro | — | ||
| 9-1 | Concerto For Violin And Orchestra In D Major, Op. 61 - I. Allegro Ma Non Troppo | — | ||
| 9-2 | Concerto For Violin And Orchestra In D Major, Op. 61 - II. Larghetto | — | ||
| 9-3 | Concerto For Violin And Orchestra In D Major, Op. 61 - III. Rondo. Allegro | — | ||
| 9-4 | Romance For Violin And Orchestra No. 1 In G Major, Op. 40 | — | ||
| 9-5 | Romance for Violin and Orchestra no. 2 in F major, op. 50 | Salvatore Accardo, Orchestra filarmonica della Scala, Carlo Maria Giulini | — | |
| 10-1 | Symphony no. 8 in B minor, D 759, “Unfinished”: I Allegro moderato | — | ||
| 10-2 | Symphony no. 8 in B minor, D 759, “Unfinished”: II Andante con moto | — | ||
| 10-3 | Symphony no. 4 in C minor, D 417, “Tragic”: I Adagio molto - Allegro vivace | — | ||
| 10-4 | Symphony no. 4 in C minor, D 417, “Tragic”: II Andante | — | ||
| 10-5 | Symphony no. 4 in C minor, D 417, “Tragic”: III Menuetto. Allegro vivace - Trio | — | ||
| 10-6 | Symphony no. 4 in C minor, D 417, “Tragic”: IV Allegro | — | ||
| 11-1 | Symphony No. 8 (9) In C Major, D 944 "The Great": I. Andante - Allegro Ma Non Troppo | — | ||
| 11-2 | Symphony No. 8 (9) In C Major, D 944 "The Great": II. Andante Con Moto | — | ||
| 11-3 | Symphony No. 8 (9) In C Major, D 944 "The Great": III. Scherzo. Allegro Vivace - Trio | — | ||
| 11-4 | Symphony No. 8 (9) In C Major, D 944 "The Great": IV. Allegro Vivace | — | ||
| 12-1 | Missa, D 950: I. Kyrie | — | ||
| 12-2 | Missa, D 950: II. Gloria | — | ||
| 12-3 | Missa, D 950: III. Credo | — | ||
| 12-4 | Missa, D 950: IV. Sanctus | — | ||
| 12-5 | Missa, D 950: V. Benedictus | — | ||
| 12-6 | Missa, D 950: VI. Agnus Dei | — | ||
| 13-1 | Concerto For Piano And Orchestra In A Minor, Op. 54: I. Allegro Affettuoso | — | ||
| 13-2 | Concerto For Piano And Orchestra In A Minor, Op. 54: II. Intermezzo. Andantino Grazioso | — | ||
| 13-3 | Concerto For Piano And Orchestra In A Minor, Op. 54: III. Allegro Vivace | — | ||
| 13-4 | Arabeske, Op. 18 | — | ||
| 13-5 | The Trout | — | ||
| 13-6 | The Erl-king | — | ||
| 13-7 | Carnival Scene | — | ||
| 13-8 | I Love you | — | ||
| 13-9 | Soirées De Vienne: Valse Caprice Nr. 6 | — | ||
| 14-1 | Symphony No. 7 In D Minor, Op. 70: I. Allegro Maestoso | — | ||
| 14-2 | Symphony No. 7 In D Minor, Op. 70: II. Poco Adagio | — | ||
| 14-3 | Symphony No. 7 In D Minor, Op. 70: III. Scherzo, Vivace | — | ||
| 14-4 | Symphony No. 7 In D Minor, Op. 70: IV. Finale, Allegro | — | ||
| 15-1 | Symphony no. 9 in E minor "From the new World": I. Adagio - Allegro molto | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 15-2 | Symphony no. 9 in E minor "From the new World": II. Largo | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-902.286.256-2 | |
| 15-3 | Symphony no. 9 in E minor "From the new World": III. Scherzo, Molto vivace | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 15-4 | Symphony no. 9 in E minor "From the new World": IV. Allegro con fuoco | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 16-1 | Symphony No. 8 In G Major, Op.88: I. Allegro Con Brio | — | ||
| 16-2 | Symphony No. 8 In G Major, Op.88: II. Adagio | — | ||
| 16-3 | Symphony No. 8 In G Major, Op.88: III. Allegretto Grazioso – Molto Vivave | — | ||
| 16-4 | Symphony No. 8 In G Major, Op.88: IV. Allegro Ma Non Troppo | — | ||
| 16-5 | Ma Mere l'Oye: I. Pavane de la Belle au bois dormant. Lent | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-6 | Ma Mere l'Oye: II. Petit Poucet. Très modéré | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-7 | Ma Mere l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-8 | Ma Mere l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-9 | Ma Mere l'Oye: V. Le Jardin féerique. Lent et grave | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 17-1 | La Mer: I. De l'aube à midi la mer. Très lent | — | ||
| 17-2 | La Mer: II. Jeux de vagues. Allegro | — | ||
| 17-3 | La Mer: III. Dialogue du vent et de la mer. Animé et tumultueux | — | ||
| 17-4 | Prélude à l'après-midi d'un faune. Très modéré | — | ||
| 17-5 | Pavane pour une infante défunte | — | ||
| 17-6 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | — | ||
| 17-7 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | — | ||
| 17-8 | Ma Mère l'Oye: III. Laideronnette, Impératrice des pagodes. Mouvement de marche | — | ||
| 17-9 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | — | ||
| 17-10 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | — | ||
| 18-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 18-2 | Symphony in D minor: II. Allegretto | — | ||
| 18-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 18-4 | Symphonic Variations - Poco Allegro - Allegretto quasi Andante - Molto più lento - Allegro non troppo - Un pochettino ritenuto - Tempo primo (feat. piano: Paul Crossley) | — | ||
| 19-1 | Pictures at an Exhibition: Promenade | — | ||
| 19-2 | Pictures at an Exhibition: Gnomus | — | ||
| 19-3 | Pictures at an Exhibition: Promenade | — | ||
| 19-4 | Pictures at an Exhibition: Il vecchio castello | — | ||
| 19-5 | Pictures at an Exhibition: Promenade | — | ||
| 19-6 | Pictures at an Exhibition: Tuileries | — | ||
| 19-7 | Pictures at an Exhibition: Bydlo | — | ||
| 19-8 | Pictures at an Exhibition: Promenade | — | ||
| 19-9 | Pictures at an Exhibition: Ballet des petits poussins dans leurs coques | — | ||
| 19-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 19-11 | Pictures at an Exhibition: Limoges - le marche | — | ||
| 19-12 | Pictures at an Exhibition: Catacombae: Sepulchrum Romanum | — | ||
| 19-13 | Pictures at an Exhibition: Cum mortiuis in lingua mortua | — | ||
| 19-14 | Pictures at an Exhibition: La cabane de Baba-Yaga sur des pattes de poule | — | ||
| 19-15 | Pictures at an Exhibition: La grande porte de Kiev | — | ||
| 19-16 | Firebird Suite: Introduction | — | ||
| 19-17 | Firebird Suite: The Firebird and Its Dance | — | ||
| 19-18 | Firebird Suite: Variation of the Firebird | — | ||
| 19-19 | Firebird Suite: The Princesses' Round | — | ||
| 19-20 | Firebird Suite: Infernal Dance of King Kashchei | — | ||
| 19-21 | Firebird Suite: Lullaby | — | ||
| 19-22 | Firebird Suite: Finale | — | ||
| 20-1 | Credo RV 591 In E Minor: I. Credo: Allegro | — | ||
| 20-2 | Credo RV 591 In E Minor: II. Et Incarnatus Est: Allegro | — | ||
| 20-3 | Credo RV 591 In E Minor: III. Crucifixus: Largo | — | ||
| 20-4 | Credo RV 591 In E Minor: IV. Et Resurrexit: Allegro | — | ||
| 20-5 | Quattro Pezzi Sacri: I. Ave Maria: Moderato | — | ||
| 20-6 | Quattro Pezzi Sacri: II. Stabat Mater: Sostenuto | — | ||
| 20-7 | Quattro Pezzi Sacri: III. Laudi Alla Vergine Maria: Moderato | — | ||
| 20-8 | Quattro Pezzi Sacri: IV. Te Deum: Sostenuto | — | ||
| 21-1 | Mass in B minor, BWV 232: Kyrie: No. 1. Chorus "Kyrie eleison" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-2 | Mass in B minor, BWV 232: Missa: Kyrie: No. 2. Duet: "Christe eleison" | Roberta Alexander, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-3 | Mass in B minor, BWV 232: Missa: Kyrie: No. 3. Chorus "Kyrie eleison" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-4 | Mass in B minor, BWV 232: Missa: Gloria: No. 4. Chorus "Gloria in excelsis" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-5 | Mass in B minor, BWV 232: Missa: Gloria: No. 5. Chorus "Et in terra pax" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-6 | Mass in B minor, BWV 232: Missa: Gloria: No. 6. Aria: "Laudamus te" | Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-7 | Mass in B minor, BWV 232: Missa: Gloria: No. 7. Chorus "Gratias agimus tibi" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-8 | Mass in B minor, BWV 232: Missa: Gloria: No. 8. Duet "Domine Deus" | Roberta Alexander, Keith Lewis, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-9 | Mass in B minor, BWV 232: Missa: Gloria: No. 9. Chorus: "Qui tollis peccata mundi" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-10 | Mass in B minor, BWV 232: Missa: Gloria: No. 10. Aria "Qui sedes ad dextram Patris" | Jard van Nes, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-11 | Mass in B minor, BWV 232: Missa: Gloria: No. 11. Aria "Quoniam tu solus Sanctus" | David Wilson-Johnson, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-12 | Mass in B minor, BWV 232: Missa: Gloria: No. 12. Chorus: "Cum Sancto Spiritu" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-13 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 1. Chorus: "Credo in unum Deum" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-14 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 2. Chorus: "Patrem omnipotentem" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-15 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 3. Duet: "Et in unum Dominum" | Jard van Nes, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | T-900.147.322-9 | |
| 21-16 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 4. Chorus: "Et incarnatus est" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-17 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 5. Chorus: "Crucifixus" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-18 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 6. Chorus "Et resurrexit" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-19 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 7. Aria "Es in Spiritum Sanctum" | David Wilson-Johnson, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-20 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 8. Chorus: "Confiteor" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-21 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 9. Chorus: "Et exspecto" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-22 | Mass in B minor, BWV 232: Sanctus: Chorus: "Sanctus" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-23 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 1. Chorus I/II: "Osanna in excelsis" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | T-901.463.893-8 | |
| 21-24 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 2. Aria: "Benedictus qui venit" | Keith Lewis, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-25 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 3. Chorus I/II: "Osanna in excelsis" (da capo) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-26 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 4. Aria: "Agnus Dei" | Jard van Nes, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-27 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 5. Chorus: "Dona nobis pacem" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
888430146426 is a Universal Product Code (UPC) assigned to The Complete Sony Recordings by Bach, Mozart, Beethoven, Dvořák, Debussy, Ravel, Franck, Bach, Verdi, Mussorgsky, Schumann, Stravinsky, Vivaldi, Carlo Maria Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 179 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Sony Recordings” by Bach, Mozart, Beethoven, Dvořák, Debussy, Ravel, Franck, Verdi, Mussorgsky, Schumann, Stravinsky, Vivaldi, Carlo Maria Giulini is 888430146426. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 179 tracks, each with its own ISRC. Tracks include USSM18900750, USSM18900751, USSM10605680.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 39 in E-flat major, K.543: I. Adagio - Allegro | — | ||
| 2 | Symphony no. 39 in E-flat major, K.543: II. Andante con moto | — | ||
| 3 | Symphony no. 39 in E-flat major, K.543: III. Menuetto. Allegretto - Trio | — | ||
| 4 | Symphony no. 39 in E-flat major, K.543: IV. Finale. Allegro | — | ||
| 5 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): I. Allegro | — | ||
| 6 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): II. Adagio | — | ||
| 7 | Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K.297b(Anh.C14.01): III. Andantino con variazioni | — | ||
| 2-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 2-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 2-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto-Trio | — | ||
| 2-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | — | ||
| 3-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-070.093.418-4 | |
| 3-3 | Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini | T-903.028.404-9 | |
| 3-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-919.097.742-5 | |
| 3-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-11 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Quam olim Abrahae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-12 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-922.061.546-3 | |
| 3-13 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-14 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-15 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | T-910.952.061-8 | |
| 4-1 | Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | — | ||
| 4-2 | Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto | — | ||
| 4-3 | Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4-4 | Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace | — | ||
| 4-6 | Symphony No. 7 in A major, Op. 92: II. Allegretto | — | ||
| 4-7 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-8 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | — | ||
| 5-1 | Symphony No. 2 In D Major, Op. 36: I Adagio Molto – Allegro Con Brio | — | ||
| 5-2 | Symphony No. 2 In D Major, Op. 36: II. Larghetto | — | ||
| 5-3 | Symphony No. 2 In D Major, Op. 36: III. Scherzo. Allegro | — | ||
| 5-4 | Symphony No. 2 In D Major, Op. 36: IV. Allegro Molto | — | ||
| 5-5 | Symphony No. 8 In F Major, Op. 93: I. Allegro Vivace E Con Brio | — | ||
| 5-6 | Symphony No. 8 In F Major, Op. 93: II. Allengretto Scherzando | — | ||
| 5-7 | Symphony No. 8 In F Major, Op. 93: III. Tempo Di Minuetto | — | ||
| 5-8 | Symphony No. 8 In F Major, Op. 93: IV. Allegro Vivace | — | ||
| 6-1 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Allegro Con Brio | — | ||
| 6-2 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Marcia Funebre: Adagio Assai | — | ||
| 6-3 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Scherzo Allegro Vivace | — | ||
| 6-4 | Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Finale: Allegro Molto | — | ||
| 7-1 | Symphony No. 5 In C Minor, Op. 67: Allegro Con Brio | — | ||
| 7-2 | Symphony No. 5 In C Minor, Op. 67: Andante Con Moto | — | ||
| 7-3 | Symphony No. 5 In C Minor, Op. 67: Scherzo - Allegro | — | ||
| 7-4 | Symphony No. 5 In C Minor, Op. 67: Finale - Allegro | — | ||
| 7-5 | Symphony No. 4 In B-flat Major, Op. 60: Adagio - Allegro Vivace | — | ||
| 7-6 | Symphony No. 4 In B-flat Major, Op. 60: Adagio | — | ||
| 7-7 | Symphony No. 4 In B-flat Major, Op. 60: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro | — | ||
| 7-8 | Symphony No. 4 In B-flat Major, Op. 60: Allegro Ma Non Troppo | — | ||
| 8-1 | Overture 'Coriolan', Op. 62: Allegro Con Brio | — | ||
| 8-2 | Symphony No. 6 In F Major, Op. 68 'Pastoral': I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo | — | ||
| 8-3 | Symphony No. 6 In F Major, Op. 68 'Pastoral': II. Szene Am Bach: Andante Molto Mosso | — | ||
| 8-4 | Symphony No. 6 In F Major, Op. 68 'Pastoral': III. Lustiges Zusammensein Der Landleute: Allegro | — | ||
| 8-5 | Symphony No. 6 In F Major, Op. 68 'Pastoral': IV. Gewitter, Sturm: Allegro | — | ||
| 8-6 | Symphony No. 6 In F Major, Op. 68 'Pastoral': V. Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm: Allegretto | — | ||
| 8-7 | Overture 'Egmont', Op. 84: Sostenuto, Ma Non Troppo - Allegro | — | ||
| 9-1 | Concerto For Violin And Orchestra In D Major, Op. 61 - I. Allegro Ma Non Troppo | — | ||
| 9-2 | Concerto For Violin And Orchestra In D Major, Op. 61 - II. Larghetto | — | ||
| 9-3 | Concerto For Violin And Orchestra In D Major, Op. 61 - III. Rondo. Allegro | — | ||
| 9-4 | Romance For Violin And Orchestra No. 1 In G Major, Op. 40 | — | ||
| 9-5 | Romance for Violin and Orchestra no. 2 in F major, op. 50 | Salvatore Accardo, Orchestra filarmonica della Scala, Carlo Maria Giulini | — | |
| 10-1 | Symphony no. 8 in B minor, D 759, “Unfinished”: I Allegro moderato | — | ||
| 10-2 | Symphony no. 8 in B minor, D 759, “Unfinished”: II Andante con moto | — | ||
| 10-3 | Symphony no. 4 in C minor, D 417, “Tragic”: I Adagio molto - Allegro vivace | — | ||
| 10-4 | Symphony no. 4 in C minor, D 417, “Tragic”: II Andante | — | ||
| 10-5 | Symphony no. 4 in C minor, D 417, “Tragic”: III Menuetto. Allegro vivace - Trio | — | ||
| 10-6 | Symphony no. 4 in C minor, D 417, “Tragic”: IV Allegro | — | ||
| 11-1 | Symphony No. 8 (9) In C Major, D 944 "The Great": I. Andante - Allegro Ma Non Troppo | — | ||
| 11-2 | Symphony No. 8 (9) In C Major, D 944 "The Great": II. Andante Con Moto | — | ||
| 11-3 | Symphony No. 8 (9) In C Major, D 944 "The Great": III. Scherzo. Allegro Vivace - Trio | — | ||
| 11-4 | Symphony No. 8 (9) In C Major, D 944 "The Great": IV. Allegro Vivace | — | ||
| 12-1 | Missa, D 950: I. Kyrie | — | ||
| 12-2 | Missa, D 950: II. Gloria | — | ||
| 12-3 | Missa, D 950: III. Credo | — | ||
| 12-4 | Missa, D 950: IV. Sanctus | — | ||
| 12-5 | Missa, D 950: V. Benedictus | — | ||
| 12-6 | Missa, D 950: VI. Agnus Dei | — | ||
| 13-1 | Concerto For Piano And Orchestra In A Minor, Op. 54: I. Allegro Affettuoso | — | ||
| 13-2 | Concerto For Piano And Orchestra In A Minor, Op. 54: II. Intermezzo. Andantino Grazioso | — | ||
| 13-3 | Concerto For Piano And Orchestra In A Minor, Op. 54: III. Allegro Vivace | — | ||
| 13-4 | Arabeske, Op. 18 | — | ||
| 13-5 | The Trout | — | ||
| 13-6 | The Erl-king | — | ||
| 13-7 | Carnival Scene | — | ||
| 13-8 | I Love you | — | ||
| 13-9 | Soirées De Vienne: Valse Caprice Nr. 6 | — | ||
| 14-1 | Symphony No. 7 In D Minor, Op. 70: I. Allegro Maestoso | — | ||
| 14-2 | Symphony No. 7 In D Minor, Op. 70: II. Poco Adagio | — | ||
| 14-3 | Symphony No. 7 In D Minor, Op. 70: III. Scherzo, Vivace | — | ||
| 14-4 | Symphony No. 7 In D Minor, Op. 70: IV. Finale, Allegro | — | ||
| 15-1 | Symphony no. 9 in E minor "From the new World": I. Adagio - Allegro molto | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 15-2 | Symphony no. 9 in E minor "From the new World": II. Largo | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-902.286.256-2 | |
| 15-3 | Symphony no. 9 in E minor "From the new World": III. Scherzo, Molto vivace | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 15-4 | Symphony no. 9 in E minor "From the new World": IV. Allegro con fuoco | Koninklijk Concertgebouworkest, Carlo Maria Giulini | — | |
| 16-1 | Symphony No. 8 In G Major, Op.88: I. Allegro Con Brio | — | ||
| 16-2 | Symphony No. 8 In G Major, Op.88: II. Adagio | — | ||
| 16-3 | Symphony No. 8 In G Major, Op.88: III. Allegretto Grazioso – Molto Vivave | — | ||
| 16-4 | Symphony No. 8 In G Major, Op.88: IV. Allegro Ma Non Troppo | — | ||
| 16-5 | Ma Mere l'Oye: I. Pavane de la Belle au bois dormant. Lent | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-6 | Ma Mere l'Oye: II. Petit Poucet. Très modéré | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-7 | Ma Mere l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-8 | Ma Mere l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 16-9 | Ma Mere l'Oye: V. Le Jardin féerique. Lent et grave | Koninklijk Concertgebouworkest, Carlo Maria Giulini | T-004.018.862-2 | |
| 17-1 | La Mer: I. De l'aube à midi la mer. Très lent | — | ||
| 17-2 | La Mer: II. Jeux de vagues. Allegro | — | ||
| 17-3 | La Mer: III. Dialogue du vent et de la mer. Animé et tumultueux | — | ||
| 17-4 | Prélude à l'après-midi d'un faune. Très modéré | — | ||
| 17-5 | Pavane pour une infante défunte | — | ||
| 17-6 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | — | ||
| 17-7 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | — | ||
| 17-8 | Ma Mère l'Oye: III. Laideronnette, Impératrice des pagodes. Mouvement de marche | — | ||
| 17-9 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | — | ||
| 17-10 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | — | ||
| 18-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 18-2 | Symphony in D minor: II. Allegretto | — | ||
| 18-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 18-4 | Symphonic Variations - Poco Allegro - Allegretto quasi Andante - Molto più lento - Allegro non troppo - Un pochettino ritenuto - Tempo primo (feat. piano: Paul Crossley) | — | ||
| 19-1 | Pictures at an Exhibition: Promenade | — | ||
| 19-2 | Pictures at an Exhibition: Gnomus | — | ||
| 19-3 | Pictures at an Exhibition: Promenade | — | ||
| 19-4 | Pictures at an Exhibition: Il vecchio castello | — | ||
| 19-5 | Pictures at an Exhibition: Promenade | — | ||
| 19-6 | Pictures at an Exhibition: Tuileries | — | ||
| 19-7 | Pictures at an Exhibition: Bydlo | — | ||
| 19-8 | Pictures at an Exhibition: Promenade | — | ||
| 19-9 | Pictures at an Exhibition: Ballet des petits poussins dans leurs coques | — | ||
| 19-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 19-11 | Pictures at an Exhibition: Limoges - le marche | — | ||
| 19-12 | Pictures at an Exhibition: Catacombae: Sepulchrum Romanum | — | ||
| 19-13 | Pictures at an Exhibition: Cum mortiuis in lingua mortua | — | ||
| 19-14 | Pictures at an Exhibition: La cabane de Baba-Yaga sur des pattes de poule | — | ||
| 19-15 | Pictures at an Exhibition: La grande porte de Kiev | — | ||
| 19-16 | Firebird Suite: Introduction | — | ||
| 19-17 | Firebird Suite: The Firebird and Its Dance | — | ||
| 19-18 | Firebird Suite: Variation of the Firebird | — | ||
| 19-19 | Firebird Suite: The Princesses' Round | — | ||
| 19-20 | Firebird Suite: Infernal Dance of King Kashchei | — | ||
| 19-21 | Firebird Suite: Lullaby | — | ||
| 19-22 | Firebird Suite: Finale | — | ||
| 20-1 | Credo RV 591 In E Minor: I. Credo: Allegro | — | ||
| 20-2 | Credo RV 591 In E Minor: II. Et Incarnatus Est: Allegro | — | ||
| 20-3 | Credo RV 591 In E Minor: III. Crucifixus: Largo | — | ||
| 20-4 | Credo RV 591 In E Minor: IV. Et Resurrexit: Allegro | — | ||
| 20-5 | Quattro Pezzi Sacri: I. Ave Maria: Moderato | — | ||
| 20-6 | Quattro Pezzi Sacri: II. Stabat Mater: Sostenuto | — | ||
| 20-7 | Quattro Pezzi Sacri: III. Laudi Alla Vergine Maria: Moderato | — | ||
| 20-8 | Quattro Pezzi Sacri: IV. Te Deum: Sostenuto | — | ||
| 21-1 | Mass in B minor, BWV 232: Kyrie: No. 1. Chorus "Kyrie eleison" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-2 | Mass in B minor, BWV 232: Missa: Kyrie: No. 2. Duet: "Christe eleison" | Roberta Alexander, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-3 | Mass in B minor, BWV 232: Missa: Kyrie: No. 3. Chorus "Kyrie eleison" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-4 | Mass in B minor, BWV 232: Missa: Gloria: No. 4. Chorus "Gloria in excelsis" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-5 | Mass in B minor, BWV 232: Missa: Gloria: No. 5. Chorus "Et in terra pax" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-6 | Mass in B minor, BWV 232: Missa: Gloria: No. 6. Aria: "Laudamus te" | Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-7 | Mass in B minor, BWV 232: Missa: Gloria: No. 7. Chorus "Gratias agimus tibi" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-8 | Mass in B minor, BWV 232: Missa: Gloria: No. 8. Duet "Domine Deus" | Roberta Alexander, Keith Lewis, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-9 | Mass in B minor, BWV 232: Missa: Gloria: No. 9. Chorus: "Qui tollis peccata mundi" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-10 | Mass in B minor, BWV 232: Missa: Gloria: No. 10. Aria "Qui sedes ad dextram Patris" | Jard van Nes, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-11 | Mass in B minor, BWV 232: Missa: Gloria: No. 11. Aria "Quoniam tu solus Sanctus" | David Wilson-Johnson, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-12 | Mass in B minor, BWV 232: Missa: Gloria: No. 12. Chorus: "Cum Sancto Spiritu" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-13 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 1. Chorus: "Credo in unum Deum" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-14 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 2. Chorus: "Patrem omnipotentem" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-15 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 3. Duet: "Et in unum Dominum" | Jard van Nes, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | T-900.147.322-9 | |
| 21-16 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 4. Chorus: "Et incarnatus est" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-17 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 5. Chorus: "Crucifixus" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-18 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 6. Chorus "Et resurrexit" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-19 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 7. Aria "Es in Spiritum Sanctum" | David Wilson-Johnson, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-20 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 8. Chorus: "Confiteor" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-21 | Mass in B minor, BWV 232: Symbolum Nicenum: Credo: No. 9. Chorus: "Et exspecto" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-22 | Mass in B minor, BWV 232: Sanctus: Chorus: "Sanctus" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-23 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 1. Chorus I/II: "Osanna in excelsis" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | T-901.463.893-8 | |
| 21-24 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 2. Aria: "Benedictus qui venit" | Keith Lewis, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-25 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 3. Chorus I/II: "Osanna in excelsis" (da capo) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-26 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 4. Aria: "Agnus Dei" | Jard van Nes, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — | |
| 21-27 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem: No. 5. Chorus: "Dona nobis pacem" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
