UPC · Release
Various Artists
Last verified:
888430471221 is the Universal Product Code (UPC barcode) for the release “50 Great Recordings” by Various Artists, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 785 tracks, each with its own ISRC. Tracks include USBC10401583, USBC10401584, USBC10401585.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro – Adagio – Presto | — | ||
| 2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | — | ||
| 3 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | — | ||
| 4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 5 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | — | ||
| 6 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Adagio – Allegro vivace | — | ||
| 2-1 | Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-2 | Also sprach Zarathustra, op. 30: Of the People of the Unseen World | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-3 | Also sprach Zarathustra, op. 30: Of the Great Longing | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-4 | Also sprach Zarathustra, op. 30: Of Joys and Passions | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-5 | Also sprach Zarathustra, op. 30: Dirge | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-6 | Also sprach Zarathustra, op. 30: Of Science | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-7 | Also sprach Zarathustra, op. 30: The Convalescent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-8 | Also sprach Zarathustra, op. 30: Dance Song and Night Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-9 | Also sprach Zarathustra, op. 30: Night Wanderer’s Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-10 | Ein Heldenleben, op. 40: The Hero | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-11 | Ein Heldenleben, op. 40: The Hero’s Adversaries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-12 | Ein Heldenleben, op. 40: The Hero’s Companion | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-13 | Ein Heldenleben, op. 40: The Hero’s Battlefield | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-14 | Ein Heldenleben, op. 40: The Hero’s Works of Peace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-15 | Ein Heldenleben, op. 40: The Hero’s Retreat From the World and Fulfillment | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 3-1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 3-2 | Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-3 | Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-4 | Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | — | |
| 3-5 | Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — | |
| 3-6 | Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-7 | Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — | |
| 3-8 | Goldberg Variations, BWV 988: Variatio 7. a 1 ô vero 2 Clav. "al tempo di Giga" | Glenn Gould | T-902.128.688-4 | |
| 3-9 | Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-10 | Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — | |
| 3-11 | Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — | |
| 3-12 | Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-13 | Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | — | |
| 3-14 | Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-15 | Goldberg Variations, BWV 988: Variatio 14. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-16 | Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | — | |
| 3-17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-18 | Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-19 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 3-20 | Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-21 | Goldberg Variations, BWV 988: Variatio 20. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-22 | Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | — | |
| 3-23 | Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — | |
| 3-24 | Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-25 | Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — | |
| 3-26 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 3-27 | Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-28 | Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | — | |
| 3-29 | Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-30 | Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 4-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 4-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | Arthur Rubinstein, New Symphony Orchestra of London, Stanislaw Skrowaczewski | T-308.381.369-4 | |
| 4-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 4-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 4-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 4-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 5-1 | Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 | |
| 5-2 | An American in Paris | New York Philharmonic, Leonard Bernstein | T-070.001.144-4 | |
| 5-3 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 5-5 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 5-6 | Symphonic Dances from "West Side Story": Mambo | — | ||
| 5-7 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 5-8 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 5-9 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 5-10 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 5-11 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 5-12 | Symphonic Suite from "On the Waterfront": Andante (with dignity) - Presto barbaro | — | ||
| 5-13 | Symphonic Suite from "On the Waterfront": Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 5-14 | Symphonic Suite from "On the Waterfront": Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 5-15 | Symphonic Suite from "On the Waterfront": Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, with intensity - Ancora più mosso | — | ||
| 5-16 | Symphonic Suite from "On the Waterfront": Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 5-17 | Symphonic Suite from "On the Waterfront": A tempo | — | ||
| 6-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 7-1 | Aida: “Ritorna vincitor!” | — | ||
| 7-2 | Aida: “Qui Radamès verrà!” | — | ||
| 7-3 | Aida: “O patria mia” | — | ||
| 7-4 | Il Trovatore: “Che più t’arresti?” | — | ||
| 7-5 | Il Trovatore: “Tacea la notte” | — | ||
| 7-6 | Il Trovatore: “Di tale amor” | — | ||
| 7-7 | Il Trovatore: “Timor di me?… D’amor sull’ali rosee” | — | ||
| 7-8 | Madama Butterfly: “Un bel dì vedremo” | — | ||
| 7-9 | Madama Butterfly: “Tu? tu? piccolo Iddio!” | — | ||
| 7-10 | La rondine: “Chi il bel sogno di Doretta” | — | ||
| 7-11 | Tosca: “Vissi d’arte” | — | ||
| 7-12 | Turandot: “Signore, ascolta!” | — | ||
| 7-13 | Turandot: “Tu che di gel sei cinta” | — | ||
| 8-1 | Xerxes: Ombra mai fù | — | ||
| 8-2 | Die Zauberflöte: Dies Bildnis ist bezaubernd schön | — | ||
| 8-3 | Caro mio ben | — | ||
| 8-4 | Undine: Vater, Mutter, Schwestern, Brüder | — | ||
| 8-5 | Es muss ein Wunderbares sein | — | ||
| 8-6 | Nur wer die Sehnsucht kennt | — | ||
| 8-7 | Der Zigeunerbaron: Als flotter Geist | — | ||
| 8-8 | Eine Nacht in Venedig: Komm in die Gondel | — | ||
| 8-9 | Eine Nacht in Venedig: Treu sein, das liegt mir nicht | — | ||
| 8-10 | Eine Nacht in Venedig: Ach, wie so herrlich zu schaun | — | ||
| 8-11 | Der Vogelhändler: Grüss Euch Gott, alle miteinander | — | ||
| 8-12 | Der Vogelhändler: Wie mei' Ahnerl zwanzig Jahr | — | ||
| 8-13 | Der Zarewitsch: Wolgalied | — | ||
| 8-14 | Schön ist die Welt: Schön ist die Welt | — | ||
| 8-15 | Giuditta: Freunde, das Leben ist lebenswert | — | ||
| 8-16 | Friederike: O Mädchen, mein Mädchen | — | ||
| 8-17 | Die Zirkusprinzessin: Zwei Märchenaugen | — | ||
| 8-18 | Alle Tage ist Kein Sonntag | — | ||
| 8-19 | Unter dem Sternenzelt | — | ||
| 8-20 | Vergiss mein nicht | — | ||
| 8-21 | O sole mio | — | ||
| 8-22 | Granada | — | ||
| 9-1 | Norma: Casta Diva, che inargenti queste sacre antiche piante | — | ||
| 9-2 | Il Pirata: Oh! S'io potessi dissipar le nubi ... Col sorriso d'innocenza | — | ||
| 9-3 | Roberto Devereux: E Sara in questi orribili momenti ... Vivi, ingrato, a lei d'accanto | — | ||
| 9-4 | Lucrezia Borgia: Tranquillo ei posa ... Com'è bello! Quale incanto | — | ||
| 9-5 | Maria di Rohan: Infausto Imene ... Havvi un dio | — | ||
| 9-6 | Belisario: Plauso! Voci di gioia ... Sin la tomba è a me negata | — | ||
| 9-7 | Parisina: No, più salir non ponno ... Ciel, sei tu in tal momento | — | ||
| 10-1 | Sonata in B minor | — | ||
| 10-2 | Ballade no. 2 in B minor | Vladimir Horowitz | — | |
| 10-3 | Consolation no. 3 | — | ||
| 10-4 | Funérailles (Harmonies poetiques et religieuses no. 7) | — | ||
| 10-5 | Mephisto Waltz no. 1 | — | ||
| 11-1 | Kol Nidrei, op. 47 | — | ||
| 11-2 | Waldesruhe, op. 68 no. 1 | — | ||
| 11-3 | Rondo, op. 94 | — | ||
| 11-4 | Serenade, op. 37 | — | ||
| 11-5 | Chant du Menestrel, op. 71 | — | ||
| 11-6 | Serenade espagnole, op. 20 no. 2 | — | ||
| 11-7 | Melody, op. 20 no. 1 | — | ||
| 11-8 | Leatare anima mea, op. 77 no. 1 | — | ||
| 11-9 | Devotion: Ab imo pectore, op 77 no. 2 | — | ||
| 11-10 | Chant elégiaque, op. 24 | — | ||
| 11-11 | Romance, op. 36 | — | ||
| 11-12 | The Swan | — | ||
| 11-13 | Allegro appassionato, op. 43 | — | ||
| 11-14 | Adagio con variazioni | — | ||
| 12-1 | Accelerationen, op. 234 (Walzer) | — | ||
| 12-2 | Bauern-Polka, op. 276 | — | ||
| 12-3 | Die Libelle, op. 204 (Polka mazur) | — | ||
| 12-4 | Die Fledermaus - Ouvertüre | — | ||
| 12-5 | Künstlerleben, op. 316 (Walzer) | — | ||
| 12-6 | Moulinet, op. 57 (Polka) | — | ||
| 12-7 | Eljen A. Magyar, op. 332 | — | ||
| 12-8 | Im Krapfenwaldl, op. 336 | — | ||
| 12-9 | Frülingsstimmen, op. 410 (Walzer) | — | ||
| 12-10 | Pizzicato-Polka (1870) | — | ||
| 12-11 | Ritter Pázmán - Csárdás | — | ||
| 12-12 | Plappermäulchen, op. 245 | — | ||
| 12-13 | Jockey-Polka, op. 278 (Polka schnell) | — | ||
| 12-14 | An der schönen, blauen Donau, op. 314 (Walzer) | — | ||
| 12-15 | Radetzky-Marsch, op. 228 | — | ||
| 13-1 | Motette "Singet dem Herrn ein neues Lied", BWV 225: I. Singet dem Herrn ein neues Lied | — | ||
| 13-2 | Motette "Singet dem Herrn ein neues Lied", BWV 225: II. Gott nimm dich ferner unser an: Aria: Wie sich ein Vat'r erbarmet | — | ||
| 13-3 | Motette "Singet dem Herrn ein neues Lied", BWV 225: II. Gott nimm dich ferner unser an: Choral: Er hat uns wissen lassen | — | ||
| 13-4 | Motette "Singet dem Herrn ein neues Lied", BWV 225: III. Lobet den Herrn in seinen Taten | — | ||
| 13-5 | Motette "Komm, Jesu, komm", BWV 229: I. Komm, Jesu, komm | — | ||
| 13-6 | Motette "Komm, Jesu, komm", BWV 229: II. Aria Drum schließ ich mich in deine Hände | — | ||
| 13-7 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: I. Der Geist hilft unser Schwachheit auf | — | ||
| 13-8 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: II. Der aber die Herzen forschet | — | ||
| 13-9 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: III. Choral: Du heilige Brunst | — | ||
| 13-10 | Motette "Jesu, meine Freude", BWV 227: I. Choral: Jesu, meine Freude | — | ||
| 13-11 | Motette "Jesu, meine Freude", BWV 227: II. Es ist nun nichts Verdammliches | — | ||
| 13-12 | Motette "Jesu, meine Freude", BWV 227: III. Choral: Unter deinem Schirmen | — | ||
| 13-13 | Motette "Jesu, meine Freude", BWV 227: IV. Denn das Gesetz des Geistes | — | ||
| 13-14 | Motette "Jesu, meine Freude", BWV 227: V. Choral: Trotz dem alten Drachen | — | ||
| 13-15 | Motette "Jesu, meine Freude", BWV 227: VI. Ihr aber seid nicht fleischlich | — | ||
| 13-16 | Motette "Jesu, meine Freude", BWV 227: VII. Choral: Weg mit allen Schätzen | — | ||
| 13-17 | Motette "Jesu, meine Freude", BWV 227: VIII. So aber Christus in euch ist | — | ||
| 13-18 | Motette "Jesu, meine Freude", BWV 227: IX. Choral: Gute Nacht, o Wesen | — | ||
| 13-19 | Motette "Jesu, meine Freude", BWV 227: X. So nun der Geist | — | ||
| 13-20 | Motette "Jesu, meine Freude", BWV 227: XI. Choral: Weicht, ihr Trauergeister | — | ||
| 13-21 | Motette "Fürchte dich nicht", BWV 228 | — | ||
| 14-1 | Des Knaben Wunderhorn: I. Wo die schönen Trompeten blasen | — | ||
| 14-2 | Des Knaben Wunderhorn: II. Der Schildwache Nachtlied | — | ||
| 14-3 | Des Knaben Wunderhorn: III. Tambourg'sell | — | ||
| 14-4 | Des Knaben Wunderhorn: IV. Rheinlegendchen | — | ||
| 14-5 | Des Knaben Wunderhorn: V. Lob des hohen Verstandes | — | ||
| 14-6 | Des Knaben Wunderhorn: VI. Trost im Unglück | — | ||
| 14-7 | Des Knaben Wunderhorn: VII. Das irdische Leben | — | ||
| 14-8 | Des Knaben Wunderhorn: VIII. Des Antonius von Padua Fischpredigt | — | ||
| 14-9 | Des Knaben Wunderhorn: IX. Verlor'ne Müh | — | ||
| 14-10 | Des Knaben Wunderhorn: X. Lied des Verfolgten im Turm | — | ||
| 14-11 | Des Knaben Wunderhorn: XI. Wer hat dies Liedlein erdacht | — | ||
| 14-12 | Des Knaben Wunderhorn: XII. Revelge | — | ||
| 14-13 | Lieder eines fahrenden Gesellen I. Wenn mein Schatz Hochzeit macht | — | ||
| 14-14 | Lieder eines fahrenden Gesellen II. Ging heut morgen übers Feld | — | ||
| 14-15 | Lieder eines fahrenden Gesellen III. Ich hab ein glühend Messer | — | ||
| 14-16 | Lieder eines fahrenden Gesellen IV. Die zwei blauen Augen | — | ||
| 15-1 | Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-2 | Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-3 | Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto) | Arleen Augér, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-4 | Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-5 | Grande Messe en ut mineur K. 427 : Domine (Allegro moderato) | Arleen Augér, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-6 | Grande Messe en ut mineur K. 427 : Qui tollis (Largo) | Berliner Philharmoniker, Claudio Abbado | — | |
| 15-7 | Grande Messe en ut mineur K. 427 : Quoniam (Allegro) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-8 | Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-9 | Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu | Berliner Philharmoniker, Claudio Abbado | — | |
| 15-10 | Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-11 | Grande Messe en ut mineur K. 427 : Et incarnatus est | Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | T-924.224.927-0 | |
| 15-12 | Grande Messe en ut mineur K. 427 : IV. Sanctus | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-13 | Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 16-1 | Sonata in D minor, K. 141 - Allegro | — | ||
| 16-2 | Sonata in D major, K. 118 - Non presto | — | ||
| 16-3 | Sonata in D major, K. 119 - Allegro | — | ||
| 16-4 | Sonata in G major, K. 454 - Andante spirituoso | — | ||
| 16-5 | Sonata in G major, K. 455 - Allegro | — | ||
| 16-6 | Sonata in E minor, K. 198 - Allegro | — | ||
| 16-7 | Sonata in E minor, K. 203 - Vivo non molto | — | ||
| 16-8 | Sonata in C major, K. 501 - Allegretto | — | ||
| 16-9 | Sonata in C major, K. 502 - Allegro | — | ||
| 16-10 | Sonata in F major, K. 518 - Allegro | — | ||
| 16-11 | Sonata in F minor, K. 519 - Allegro assai | — | ||
| 16-12 | Sonata in D minor, K. 516 - Allegretto | — | ||
| 16-13 | Sonata in D minor, K. 517 - Prestissimo | — | ||
| 16-14 | Sonata in G minor, K. 108 - Allegro | — | ||
| 16-15 | Sonata in D major, K. 490 - Cantabile | — | ||
| 16-16 | Sonata in D major, K. 491 - Allegro | — | ||
| 16-17 | Sonata in D major, K. 492 - Presto | — | ||
| 17-1 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-2 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-3 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-4 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 4. Presto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-5 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 1. Allegro molto e con fuoco | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-6 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 2. Andantino quasi alleretto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-7 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 3. Scherzo. Allegro moderato e tranquillo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-8 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 4. Finale. Allegro vivace | L’Archibudelli, Smithsonian Chamber Players | — | |
| 18-1 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: I. Allegro | — | ||
| 18-2 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: II. Largo cantabile | — | ||
| 18-3 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: III. Presto | — | ||
| 18-4 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: I. Allegro | — | ||
| 18-5 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: II. Allegro | — | ||
| 18-6 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: III. Rondo, Presto | — | ||
| 18-7 | Concerto for Piano and Orchestra in D major: Vivace | Emanuel Ax, Liszt Ferenc Kamarazenekar | T-901.480.028-3 | |
| 18-8 | Concerto for Piano and Orchestra in D major: Un poco Adagio | Emanuel Ax, Liszt Ferenc Kamarazenekar | T-901.480.028-3 | |
| 18-9 | Concerto for Piano and Orchestra in D major: Rondo all'Ungarese, Allegro assai | Emanuel Ax, Liszt Ferenc Kamarazenekar | — | |
| 19-1 | Samson, Act III Scene 3: Let the bright Seraphim | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | T-011.275.815-2 | |
| 19-2 | 7 Arie con tromba sola no. 1: Si suoni la tromba | — | ||
| 19-3 | 7 Arie con tromba sola no. 3: Con voce festiva | — | ||
| 19-4 | 7 Arie con tromba sola no. 4: Rompe sprezza | — | ||
| 19-5 | 7 Arie con tromba sola no. 6: Mio tesoro per te moro | — | ||
| 19-6 | Su le sponde del Tebro: I. Sinfonia. Grave | — | ||
| 19-7 | Su le sponde del Tebro: II. Recitativo | — | ||
| 19-8 | Su le sponde del Tebro: III. Sinfonia - Aria | — | ||
| 19-9 | Su le sponde del Tebro: IV. Recitativo | — | ||
| 19-10 | Su le sponde del Tebro: V. Aria. Largo | — | ||
| 19-11 | Su le sponde del Tebro: VI. Aria. Poco moso, sempre dolce e leggiero - Ritornello | — | ||
| 19-12 | Su le sponde del Tebro: VII. Recitativo | — | ||
| 19-13 | Su le sponde del Tebro: VIII. Aria : Sinfonia. Grave (da capo) | — | ||
| 19-14 | Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | T-326.052.045-0 | |
| 19-15 | Zenobia: Pace una volta | — | ||
| 19-16 | Il Barcheggio, Part I: Sinfonia in D major: I. Spiritosa, e staccata | — | ||
| 19-17 | Il Barcheggio, Part I: Sinfonia in D major: II. [Allegretto - Corrente] | — | ||
| 19-18 | Il Barcheggio, Part I: Sinfonia in D major: III. Canzone | — | ||
| 19-19 | Il Barcheggio, Part I: Sinfonia in D major: IV. [Allegro] | — | ||
| 19-20 | Cantata no. 21 "Ich hatte viel Bekümmernis": Seufzer, Tränen, Kummer, Not | — | ||
| 19-21 | Cantata no. 21 "O! come chiare e belle", HWV 143: Alle voci del bronzo guerriero | — | ||
| 19-22 | Cantata "Jauchzet Gott in allen Landen", BWV 51 No. 1: Aria Jauchzet Gott in allen Landen | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | — | |
| 19-23 | Cantata no. 51 "Jauchzet Gott in allen Landen": Chorale. Sei Lob und Preis mit Ehren; Alleluja | — | ||
| 20-1 | Ach Herr, strafe mich nicht | — | ||
| 20-2 | Das ist mir Ileb | — | ||
| 20-3 | Gott, sei mir gnädig nach deiner Güte | — | ||
| 20-4 | Ach, mein herzliebes Jesulein | — | ||
| 20-5 | Barherzig und gnädig ist der Herr | — | ||
| 20-6 | Es haben mir die Hoffärtigen | — | ||
| 20-7 | Aus der Tieffen rufe lich, Herr zu dir | — | ||
| 20-8 | O heilige Zeit | — | ||
| 21-1 | ''Hipocondrie'' à 7 concertanti in A major, ZWV 187 | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-2 | Concerto in D major: Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-3 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-4 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-5 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-6 | Concerto à 8 concertanti in G major, ZWV 186: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-7 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-8 | Sonata in C minor: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-9 | Sonata in C minor: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-10 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: [] | Freiburger Barockorchester, Gottfried von der Goltz | T-106.550.241-0 | |
| 21-11 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-12 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Capriccio. Tempo di gavotta | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-13 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-14 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 22-1 | The Man Who Knew Too Much: Prelude | — | ||
| 22-2 | Psycho: A Suite for Strings: Prelude | — | ||
| 22-3 | Psycho: A Suite for Strings: The City | — | ||
| 22-4 | Psycho: A Suite for Strings: The Rainstorm | — | ||
| 22-5 | Psycho: A Suite for Strings: The Madhouse | — | ||
| 22-6 | Psycho: A Suite for Strings: The Murder | — | ||
| 22-7 | Psycho: A Suite for Strings: The Water | — | ||
| 22-8 | Psycho: A Suite for Strings: The Swamp | — | ||
| 22-9 | Psycho: A Suite for Strings: The Stairs | — | ||
| 22-10 | Psycho: A Suite for Strings: The Knife | — | ||
| 22-11 | Psycho: A Suite for Strings: The Cellar | — | ||
| 22-12 | Psycho: A Suite for Strings: Finale | — | ||
| 22-13 | Marnie: Suite: I. Prelude | — | ||
| 22-14 | Marnie: Suite: II. The Hunt | — | ||
| 22-15 | North by Northwest: Overture | — | ||
| 22-16 | Vertigo: Suite: I. Prelude | — | ||
| 22-17 | Vertigo: Suite: II. The Nightmare | — | ||
| 22-18 | Vertigo: Suite: III. Scene D'Amour | — | ||
| 22-19 | Torn Curtain: I. Prelude | — | ||
| 22-20 | Torn Curtain: II. Gromek | — | ||
| 22-21 | Torn Curtain: III. The Killing | — | ||
| 22-22 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Prelude | — | ||
| 22-23 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine | — | ||
| 22-24 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Bedroom | — | ||
| 22-25 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Reading | — | ||
| 22-26 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Garden | — | ||
| 22-27 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Nightmare | — | ||
| 22-28 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Flowers of Fire | — | ||
| 22-29 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Flamethrower | — | ||
| 22-30 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Captain's Death | — | ||
| 22-31 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Road | — | ||
| 22-32 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Finale | — | ||
| 22-33 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Prelude | — | ||
| 22-34 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Blues | — | ||
| 22-35 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Night Prowl | — | ||
| 22-36 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Bloodbath | — | ||
| 22-37 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Finale | — | ||
| 23-1 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: Prelude - I .Allegro | — | ||
| 23-2 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: II. Adagio | — | ||
| 23-3 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: III. Allegro assai | — | ||
| 23-4 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: Prelude - I. Allegro | — | ||
| 23-5 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: II. Romance | — | ||
| 23-6 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: III. Rondo (Allegro assai) | — | ||
| 23-7 | Song for Amadeus (Improvisation of Sonata No. 2 in F Major, K.280/189e: II. Adagio) | — | ||
| 24-1 | Four Last Songs: I. Frühling | — | ||
| 24-2 | Four Last Songs: II. September | — | ||
| 24-3 | Four Last Songs: III. Beim Schlafengehn | — | ||
| 24-4 | Four Last Songs: IV. Im Abendrot | — | ||
| 24-5 | Songs with Orchestra: Befreit, op. 39 no. 4 | — | ||
| 24-6 | Songs with Orchestra: Muttertändelei, op. 43 no. 2 | — | ||
| 24-7 | Songs with Orchestra: Wiegenlied, op. 41 no. 1 | — | ||
| 24-8 | Songs with Orchestra: Waldseligkeit, op. 49 no. 1 | — | ||
| 24-9 | Songs with Orchestra: Cäcilie, op. 27 no. 2 | — | ||
| 24-10 | Der Rosenkavalier, op. 59 - Suite | — | ||
| 25-1 | Pini di Roma: I. I pini di villa Borghese | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-2 | Pini di Roma: II. Pini presso una catacomba | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-3 | Pini di Roma: III. I pini del Gianicolo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-4 | Pini di Roma: IV. I pini della via Appia | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.597.196-4 | |
| 25-5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-6 | Fontane di Roma: II. La fontana di Tritone al mattino | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-7 | Fontane di Roma: III. La fontana di Trevi al meriggio | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-8 | Fontane di Roma: IV. La fontana di villa Medici al tramonto | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-9 | Feste romane: I. Circenses | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-10 | Feste romane: II. Il Giubileo | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-11 | Feste romane: III. L’Ottobrata | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-12 | Feste romane: IV. La Befana | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 26-1 | Fantasy for Violin and Orchestra on Porgy and Bess | Joshua Bell, London Symphony Orchestra, John Williams | — | |
| 26-2 | Three Preludes: No. 1. Allegro ben ritmato e deciso | Joshua Bell, John Williams | — | |
| 26-3 | Three Preludes: II. Andante | Joshua Bell, John Williams | T-070.126.537-3 | |
| 26-4 | Three Preludes: III. Allegro ben ritmato e deciso | Joshua Bell, John Williams | T-070.126.537-3 | |
| 26-5 | I Got Rhythm | Joshua Bell, London Symphony Orchestra, John Williams | T-010.860.260-3 | |
| 26-6 | Songs for Violin and Orchestra: 2. Embraceable You | Joshua Bell, London Symphony Orchestra, John Williams | T-010.433.969-6 | |
| 26-7 | Nice Work If You Can Get It | London Symphony Orchestra, John Williams, Joshua Bell | T-010.433.838-6 | |
| 26-8 | Songs for Violin and Orchestra: 4. Liza | Joshua Bell, London Symphony Orchestra, John Williams | T-800.365.618-7 | |
| 26-9 | Songs for Violin and Orchestra: 5. But Not for Me | Joshua Bell, London Symphony Orchestra, John Williams | T-010.433.984-5 | |
| 26-10 | Songs for Violin and Orchestra: 6. Sweet and Low-Down | Joshua Bell, George Gershwin, London Symphony Orchestra, John Williams | T-011.615.052-7 | |
| 26-11 | Our Love Is Here to Stay | Joshua Bell, London Symphony Orchestra, John Williams | T-070.097.321-2 | |
| 27-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | Murray Perahia | — | |
| 27-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Murray Perahia | — | |
| 27-3 | English Suite No. 1 in A major, BWV 806: IIIa. Courante I | Murray Perahia | — | |
| 27-4 | English Suite No. 1 in A major, BWV 806: IIIb. Courante II avec deux Doubles | Murray Perahia | — | |
| 27-5 | English Suite No. 1 in A major, BWV 806: IV. Sarabande | Murray Perahia | — | |
| 27-6 | English Suite no. 1 in A major, BWV 806: Va. Bourrée I | Murray Perahia | — | |
| 27-7 | English Suite No. 1 in A major, BWV 806: Vb. Bourree II | Murray Perahia | — | |
| 27-8 | English Suite No. 1 in A major, BWV 806: VI. Gigue | Murray Perahia | — | |
| 27-9 | English Suite No. 3 in G minor, BWV 808: I. Prelude | Murray Perahia | — | |
| 27-10 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Murray Perahia | — | |
| 27-11 | English Suite No. 3 in G minor, BWV 808: IIIa. Courante | Murray Perahia | — | |
| 27-12 | English Suite No. 3 in G minor, BWV 808: III. Sarabande | Murray Perahia | — | |
| 27-13 | English Suite No. 3 in G minor, BWV 808: IVa. Gavotte I | Murray Perahia | — | |
| 27-14 | English Suite No. 3 in G minor, BWV 808: IVb. Gavotte II (ou la Musette) | Murray Perahia | — | |
| 27-15 | English Suite No. 3 in G minor, BWV 808: V. Gigue | Murray Perahia | — | |
| 27-16 | English Suite No. 6 in D minor, BWV 811: I. Prelude - Allegro | Murray Perahia | — | |
| 27-17 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Murray Perahia | — | |
| 27-18 | English Suite No. 6 in D minor, BWV 811: III. Courante | Murray Perahia | — | |
| 27-19 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande - IVa. Double | Murray Perahia | — | |
| 27-20 | English Suite No. 6 in D minor, BWV 811: Va. Gavotte I | Murray Perahia | — | |
| 27-21 | English Suite No. 6 in D minor, BWV 811: Vb. Gavotte II | Murray Perahia | — | |
| 27-22 | English Suite No. 6 in D minor, BWV 811: VI. Gigue | Murray Perahia | — | |
| 28-1 | Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 28-2 | Symphony no. 4 in E-flat major "Romantic": II. Andante quasi Allegretto | — | ||
| 28-3 | Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell, keinesfalls schleppend | — | ||
| 28-4 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 29-1 | Karelia Suite, op. 11: I. Intermezzo | London Symphony Orchestra, Sir Colin Davis | T-912.456.317-3 | |
| 29-2 | Karelia Suite, op. 11: II. Ballade | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-3 | Karelia Suite, op. 11: III. Alla marcia | London Symphony Orchestra, Sir Colin Davis | T-000.768.497-0 | |
| 29-4 | The Oceanides, op. 73 | London Symphony Orchestra, Sir Colin Davis | T-000.768.310-4 | |
| 29-5 | Finlandia, op. 26 | London Symphony Orchestra, Sir Colin Davis | T-910.256.702-2 | |
| 29-6 | Valse Triste, op. 44 no. 1 | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-7 | Tapiola, op. 112 | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-8 | Nightride & Sunrise, op. 55 | London Symphony Orchestra, Sir Colin Davis | — | |
| 30-1 | Requiem in F major: Requiem: Requiem aeternam | — | ||
| 30-2 | Requiem in F major: Kyrie: Kyrie eleison | — | ||
| 30-3 | Requiem in F major: Dies irae: Dies irae | — | ||
| 30-4 | Requiem in F major: Dies irae: Quantus tremor | — | ||
| 30-5 | Requiem in F major: Dies irae: Tuba mirum | — | ||
| 30-6 | Requiem in F major: Dies irae: Mors stupebit | — | ||
| 30-7 | Requiem in F major: Dies irae: Liber scriptus | — | ||
| 30-8 | Requiem in F major: Dies irae: Judex ergo | — | ||
| 30-9 | Requiem in F major: Dies irae: Quid sum miser | — | ||
| 30-10 | Requiem in F major: Dies irae: Rex tremendae | — | ||
| 30-11 | Requiem in F major: Dies irae: Recordare, Jesu pie | — | ||
| 30-12 | Requiem in F major: Dies irae: Quaerens me | — | ||
| 30-13 | Requiem in F major: Dies irae: Juste judex | — | ||
| 30-14 | Requiem in F major: Dies irae: Ingemisco | — | ||
| 30-15 | Requiem in F major: Dies irae: Qui Mariam | — | ||
| 30-16 | Requiem in F major: Dies irae: Preces meae | — | ||
| 30-17 | Requiem in F major: Dies irae: Inter oves | — | ||
| 30-18 | Requiem in F major: Dies irae: Confutatis maledictis | — | ||
| 30-19 | Requiem in F major: Dies irae: Oro Supplex | — | ||
| 30-20 | Requiem in F major: Dies irae: Lacrimosa | — | ||
| 30-21 | Requiem in F major: Dies irae: Judicandus | — | ||
| 30-22 | Requiem in F major: Offertorio: Domine Jesu Christe | — | ||
| 30-23 | Requiem in F major: Offertorio: Hostias et preces | — | ||
| 30-24 | Requiem in F major: Offertorio: Quam olim | — | ||
| 30-25 | Miserere mei Deus | — | ||
| 30-26 | Credo: Credo in unum Deum | — | ||
| 30-27 | Credo: Crucifixus à 8 | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 30-28 | Credo: Et Resurrexit. Presto | — | ||
| 30-29 | Credo: Sanctus. Allegro | — | ||
| 30-30 | Credo: Et vitam | — | ||
| 31-1 | 24 Preludes, op. 28: No. 1 in C | — | ||
| 31-2 | 24 Preludes, op. 28: No. 2 in A minor | — | ||
| 31-3 | 24 Preludes, op. 28: No. 3 in G | — | ||
| 31-4 | 24 Preludes, op. 28: No. 4 in E minor | — | ||
| 31-5 | 24 Preludes, op. 28: No. 5 in D | — | ||
| 31-6 | 24 Preludes, op. 28: No. 6 in B minor | — | ||
| 31-7 | 24 Preludes, op. 28: No. 7 in A | — | ||
| 31-8 | 24 Preludes, op. 28: No. 8 in F-sharp minor | — | ||
| 31-9 | 24 Preludes, op. 28: No. 9 in E | — | ||
| 31-10 | 24 Preludes, op. 28: No. 10 in C-sharp minor | — | ||
| 31-11 | 24 Preludes, op. 28: No. 11 in B | — | ||
| 31-12 | 24 Preludes, op. 28: No. 12 in G-sharp minor | — | ||
| 31-13 | 24 Preludes, op. 28: No. 13 in F-sharp | — | ||
| 31-14 | 24 Preludes, op. 28: No. 14 in E-flat minor | — | ||
| 31-15 | 24 Preludes, op. 28: No. 15 in D-flat | — | ||
| 31-16 | 24 Preludes, op. 28: No. 16 in B-flat minor | — | ||
| 31-17 | 24 Preludes, op. 28: No. 17 in A-flat | — | ||
| 31-18 | 24 Preludes, op. 28: No. 18 in F minor | — | ||
| 31-19 | 24 Preludes, op. 28: No. 19 in E-flat | — | ||
| 31-20 | 24 Preludes, op. 28: No. 20 in C minor | — | ||
| 31-21 | 24 Preludes, op. 28: No. 21 in B-flat | — | ||
| 31-22 | 24 Preludes, op. 28: No. 22 in G minor | — | ||
| 31-23 | 24 Preludes, op. 28: No. 23 in F | — | ||
| 31-24 | 24 Preludes, op. 28: No. 24 in D minor | — | ||
| 31-25 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave - Doppio movimento | — | ||
| 31-26 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo | — | ||
| 31-27 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre: Lento | — | ||
| 31-28 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale: Presto | — | ||
| 31-29 | Polonaise in A-flat, op. 53 | — | ||
| 32-1 | Concerto for Violin and Orchestra: I. Allegro | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-2 | Concerto for Violin and Orchestra: II. Andante | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-3 | Concerto for Violin and Orchestra: III. Presto in moto | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-4 | Violin Concerto: Movement I | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-5 | Violin Concerto: Movement II | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 33-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-4 | Sonata for Violoncello and Piano, op. 19: Andante | Arcadi Volodos | T-902.907.611-7 | |
| 33-5 | Morceaux de fantaisie, op. 3 no. 5: Serenade in B-flat minor | Arcadi Volodos | — | |
| 33-6 | Morceaux de salon, op. 10 no. 6: Romance in F minor | Arcadi Volodos | — | |
| 33-7 | 13 Preludes, op. 32 no. 6: Prelude in F minor | Arcadi Volodos | — | |
| 33-8 | Prelude in D minor, op. (posth.) | Arcadi Volodos | — | |
| 33-9 | Etude-Tableaux in C-sharp minor, op. 33 no. 6 (9) | Arcadi Volodos | T-915.735.004-4 | |
| 34-1 | Suite, op. 19: I. Canon. Allegro, poco scherzando | — | ||
| 34-2 | Suite, op. 19: II. Lied. Andantiono | — | ||
| 34-3 | Suite, op. 19: III. Album Leaf. Allegro moderato | — | ||
| 34-4 | Suite, op. 19: IV. Berceuse. Andante tranquillo | — | ||
| 34-5 | Suite, op. 19: V. Final. Poco maestoso - Allegro con moto | — | ||
| 34-6 | Le portrait de Daisy Hamilton, op. 140: 15. The Race. Allegro vivace | — | ||
| 34-7 | Le portrait de Daisy Hamilton, op. 140: 42. About the Snowman. Léger et gai | — | ||
| 34-8 | Le portrait de Daisy Hamilton, op. 140: 59. In Venise. Andante quasi adagio | — | ||
| 34-9 | Le portrait de Daisy Hamilton, op. 140: 27. By Car. Vite. | — | ||
| 34-10 | Le portrait de Daisy Hamilton, op. 140: 54. Humoristic Canon. Allegro vivo | — | ||
| 34-11 | Four French Sonatinas, op. 60 no. 1: I. Canons. Moderato tranquillo | — | ||
| 34-12 | Four French Sonatinas, op. 60 no. 1: II. Allegretto. Moderato con moto | — | ||
| 34-13 | Four French Sonatinas, op. 60 no. 1: III. Intermezzo. Molto moderato e scherzando | — | ||
| 34-14 | Four French Sonatinas, op. 60 no. 1: IV. In the Normandy Orchards. Allegro scherzando | — | ||
| 34-15 | Four French Sonatinas, op. 60 no. 2: I. Pastorale. Allegro moderato | — | ||
| 34-16 | Four French Sonatinas, op. 60 no. 2: II. The Beggars' Apotheosis. Molto moderato | — | ||
| 34-17 | Four French Sonatinas, op. 60 no. 2: III. Evening Song. Andante | — | ||
| 34-18 | Four French Sonatinas, op. 60 no. 2: IV. Menuet. Tempo di Minuetto | — | ||
| 34-19 | Four French Sonatinas, op. 60 no. 2: V. Final. Allegro con moto | — | ||
| 34-20 | Danses pour Ginger, op. 163: I. Bursting into Live. Allegro | — | ||
| 34-21 | Danses pour Ginger, op. 163: II. Slow Dance. Soutenu et très lié | — | ||
| 34-22 | Danses pour Ginger, op. 163: III. The Whirlwinds. Allegro agitato | — | ||
| 34-23 | Danses pour Ginger, op. 163: IV. The Dance beneath the Stars (based on a sequence from "Swing Time"). Lento dolcissimo | — | ||
| 34-24 | Danses pour Ginger, op. 163: V. Final - Apotheosis of the Dance. Moderato | — | ||
| 34-25 | Four French Sonatinas, op. 60 no. 3: I. Scherzando. Allegro moderato | — | ||
| 34-26 | Four French Sonatinas, op. 60 no. 3: II. Evening Song. Andante | — | ||
| 34-27 | Four French Sonatinas, op. 60 no. 3: III. Rondo Dance of the Wine Harvest. Allegro con moto | — | ||
| 34-28 | Four French Sonatinas, op. 60 no. 4: I. Romance. Andante con moto | — | ||
| 34-29 | Four French Sonatinas, op. 60 no. 4: II. Another Romance. Adagio | — | ||
| 34-30 | Four French Sonatinas, op. 60 no. 4: III. Final (homme to Mr Dumollet). Allegro | — | ||
| 34-31 | Suite, op. 6: I. Andantino | — | ||
| 34-32 | Suite, op. 6: II. Andantino con moto | — | ||
| 34-33 | Suite, op. 6: III. Andantino con moto quasi allegro | — | ||
| 34-34 | Suite, op. 6: IV. Andantino quasi allegretto | — | ||
| 35-1 | Violin Concerto in B minor, RV 386: I. Allegro ma poco | — | ||
| 35-2 | Violin Concerto in B minor, RV 386: II. Larghetto | — | ||
| 35-3 | Violin Concerto in B minor, RV 386: III. Allegro | — | ||
| 35-4 | Violin Concerto in D minor, RV 235: I. Allegro non molto | — | ||
| 35-5 | Violin Concerto in D minor, RV 235: II. Adagio | — | ||
| 35-6 | Violin Concerto in D minor, RV 235: III. Allegro | — | ||
| 35-7 | Violin Concerto in F major, RV 296: I. Allegro ma poco | — | ||
| 35-8 | Violin Concerto in F major, RV 296: II. Largo | — | ||
| 35-9 | Violin Concerto in F major, RV 296: III. Allegro | — | ||
| 35-10 | Violin Concerto in E-flat major, RV 258: I. Largo - Andante molto | — | ||
| 35-11 | Violin Concerto in E-flat major, RV 258: II. Largo | — | ||
| 35-12 | Violin Concerto in E-flat major, RV 258: III. Allegro | — | ||
| 35-13 | Violin Concerto in B minor, RV 389: I. Allegro poco | — | ||
| 35-14 | Violin Concerto in B minor, RV 389: II. Largo | — | ||
| 35-15 | Violin Concerto in B minor, RV 389: III. Allegro | — | ||
| 35-16 | Violin Concerto in E-flat major, RV 251: I. Allegro ma poco | — | ||
| 35-17 | Violin Concerto in E-flat major, RV 251: II. Largo | — | ||
| 35-18 | Violin Concerto in E-flat major, RV 251: III. Allegro | — | ||
| 36-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 36-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | — | ||
| 36-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 36-4 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 36-5 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio | — | ||
| 36-6 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 37-1 | Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran) | Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.386.342-6 | |
| 37-2 | Requiem in D minor, K. 626: II. Kyrie (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-070.093.418-4 | |
| 37-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-6 | Requiem in D minor, K. 626: III. Sequentia: Recordare (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | T-916.756.672-5 | |
| 37-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-900.137.873-0 | |
| 37-11 | Requiem in D minor, K. 626: V. Sanctus (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-12 | Requiem in D minor, K. 626: VI. Benedictus (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-14 | Requiem in D minor, K. 626: VIII. Communio: Lux aeterna (Chor, Sopran) | Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien | T-910.952.061-8 | |
| 38-1 | Suite en re: I. Prélude pour la violle et le théorbe | — | ||
| 38-2 | Suite en re: II. Folies | — | ||
| 38-3 | Suite en re: III. La bagatelle | — | ||
| 38-4 | Suite en sol: I. Prélude | — | ||
| 38-5 | Suite en sol: II. Caprice | — | ||
| 38-6 | Suite en sol: III. Allemande (& Double) | — | ||
| 38-7 | Suite en sol: IV. Courante | — | ||
| 38-8 | Suite en sol: V. Sarabande | — | ||
| 38-9 | Suite en sol: VI. Gigue la Chicane | — | ||
| 38-10 | Suite en sol: VII. Rondeau Louré | — | ||
| 38-11 | Suite en sol: VIII. Plainte | — | ||
| 38-12 | Suite en sol: IX. Menuet Fantasque & Double | — | ||
| 38-13 | Suite en sol: X. Le Moulinet | — | ||
| 38-14 | Suite en re de Robert de Visée: I. Prélude | — | ||
| 38-15 | Suite en re de Robert de Visée: II. Allemande | — | ||
| 38-16 | Suite en re de Robert de Visée: III. Aire | — | ||
| 38-17 | Suite en re de Robert de Visée: IV. Passacalle | — | ||
| 38-18 | Suite en re: I. Fantaisie | — | ||
| 38-19 | Suite en re: II. Allemande (& double) | — | ||
| 38-20 | Suite en re: III. Courante (& double) | — | ||
| 38-21 | Suite en re: IV. Sarabande (& double) | — | ||
| 38-22 | Suite en re: V. Gigue | — | ||
| 38-23 | Suite en re: VI. La paysane | — | ||
| 38-24 | Suite en re: VII. Chaconne | — | ||
| 38-25 | Sujet Diversitez: 20 couplets | — | ||
| 39-1 | Violin Concerto in D major, BV 243, op. 35a: I. Allegro moderato | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgards | — | |
| 39-2 | Violin Concerto in D major, BV 243, op. 35a: II. Quasi andante | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgards | — | |
| 39-3 | Violin Concerto in D major, BV 243, op. 35a: III. Allegro impetuoso | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgårds | — | |
| 39-4 | Second Sonata for Violin and Piano, op. 36a: I. Langsam | — | ||
| 39-5 | Second Sonata for Violin and Piano, op. 36a: II. Presto Attacca | — | ||
| 39-6 | Second Sonata for Violin and Piano, op. 36a: II. Andante. Piuttosta grave | — | ||
| 39-7 | Second Sonata for Violin and Piano, op. 36a: III. Andante con moto | — | ||
| 39-8 | Second Sonata for Violin and Piano, op. 36a: III. Poco più andante | — | ||
| 39-9 | Second Sonata for Violin and Piano, op. 36a: III. Alla marcia, vivace | — | ||
| 39-10 | Second Sonata for Violin and Piano, op. 36a: III. Lo stesso movimento | — | ||
| 39-11 | Second Sonata for Violin and Piano, op. 36a: III. Andante | — | ||
| 39-12 | Second Sonata for Violin and Piano, op. 36a: III. Tranquillo assai | — | ||
| 39-13 | Second Sonata for Violin and Piano, op. 36a: III. Allegro deciso. Un poco maestoso - Più lento | — | ||
| 40-1 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: I. Allegro | — | ||
| 40-2 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: II. Largo | — | ||
| 40-3 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: III. Allegro | — | ||
| 40-4 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: I. Allegro con molto | — | ||
| 40-5 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: II. Larghetto | — | ||
| 40-6 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: III. Allegro | — | ||
| 40-7 | Concerto for Oboe, Strings & B.C. in D minor: I. Andante e spiccato | — | ||
| 40-8 | Concerto for Oboe, Strings & B.C. in D minor: II. Adagio | — | ||
| 40-9 | Concerto for Oboe, Strings & B.C. in D minor: III. Presto | — | ||
| 40-10 | Concerto for Oboe and Strings in C major: I. Introduzione | — | ||
| 40-11 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 40-12 | Concerto for Oboe and Strings in C major: III. Siciliana | — | ||
| 40-13 | Concerto for Oboe and Strings in C major: IV. Allegro giusto | — | ||
| 40-14 | Concerto for Oboe and Strings in E-flat major: I. Risoluto allegro - Larghetto cantabile | — | ||
| 40-15 | Concerto for Oboe and Strings in E-flat major: II. Allegro Polonese | — | ||
| 40-16 | Concertino for English Horn and Orchestra in G major: I. Andante | — | ||
| 40-17 | Concertino for English Horn and Orchestra in G major: II. Variationes | — | ||
| 40-18 | Concertino for English Horn and Orchestra in G major: III. Allegro | — | ||
| 41-1 | Rokoko Variations, op. 33: I. Moderato quasi andante | — | ||
| 41-2 | Rokoko Variations, op. 33: II. Thema: Moderato semplice | — | ||
| 41-3 | Rokoko Variations, op. 33: III. Variation I: Tempo della Thema | — | ||
| 41-4 | Rokoko Variations, op. 33: IV. Variation II: Tempo della Thema | — | ||
| 41-5 | Rokoko Variations, op. 33: V. Variation III: Andante sostenuto | — | ||
| 41-6 | Rokoko Variations, op. 33: VI. Variation IV: Andante grazioso | — | ||
| 41-7 | Rokoko Variations, op. 33: VII. Variation V: Allegro moderato | — | ||
| 41-8 | Rokoko Variations, op. 33: VIII. Variation VI: Andante | — | ||
| 41-9 | Rokoko Variations, op. 33: IX. Variation VII e Coda: Allegro vivo | — | ||
| 41-10 | Andante cantabile, op. posth. | — | ||
| 41-11 | Pezzo Capriccioso, op. 62 | — | ||
| 41-12 | Nocturne | — | ||
| 41-13 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: I. Allegro non troppo | — | ||
| 41-14 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: II. Allegretto con moto | — | ||
| 41-15 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: III. Tempo primo | — | ||
| 41-16 | Pampeana no. 2: Rhapsody for Violoncello | — | ||
| 42-1 | Sonata in C major op. 5 no. 3: I. Adagio | — | ||
| 42-2 | Sonata in C major op. 5 no. 3: II. Allegro | — | ||
| 42-3 | Sonata in C major op. 5 no. 3: III. Adagio | — | ||
| 42-4 | Sonata in C major op. 5 no. 3: IV. Allegro | — | ||
| 42-5 | Sonata in C major op. 5 no. 3: V. Allegro | — | ||
| 42-6 | Sonata in D minor op. 1 no. 7: I. Grave | — | ||
| 42-7 | Sonata in D minor op. 1 no. 7: II. Allegro | — | ||
| 42-8 | Sonata in D minor op. 1 no. 7: III. Grave | — | ||
| 42-9 | Sonata in D minor op. 1 no. 7: IV. Giga (Allegro) | — | ||
| 42-10 | Sonata in B-flat major (original: F major), Parma no. 16: I. Allegro | — | ||
| 42-11 | Sonata in B-flat major (original: F major), Parma no. 16: II. Andante | — | ||
| 42-12 | Sonata in B-flat major (original: F major), Parma no. 16: III. Allegro | — | ||
| 42-13 | Sonata in G minor op. 5 no. 12 "La Follia": I. Adagio tutti | — | ||
| 42-14 | Sonata in G minor op. 5 no. 12 "La Follia": II. Allegro tutti | — | ||
| 42-15 | Sonata in G minor op. 5 no. 12 "La Follia": III. Adagio | — | ||
| 42-16 | Sonata in G minor op. 5 no. 12 "La Follia": IV. Vivace | — | ||
| 42-17 | Sonata in G minor op. 5 no. 12 "La Follia": V. Allegro | — | ||
| 42-18 | Sonata in G minor op. 5 no. 12 "La Follia": VI. Andante | — | ||
| 42-19 | Sonata in G minor op. 5 no. 12 "La Follia": VII. Allegro | — | ||
| 42-20 | Sonata in G minor op. 5 no. 12 "La Follia": VIII. Adagio | — | ||
| 42-21 | Sonata in G minor op. 5 no. 12 "La Follia": IX. Allegro tutti | — | ||
| 42-22 | Sonata in G minor op. 13 no. 6, RV 58: I. Vivace | — | ||
| 42-23 | Sonata in G minor op. 13 no. 6, RV 58: II. Allabreve (Fuga da Capella) | — | ||
| 42-24 | Sonata in G minor op. 13 no. 6, RV 58: III. Largo | — | ||
| 42-25 | Sonata in G minor op. 13 no. 6, RV 58: IV. Allegro ma non presto | — | ||
| 42-26 | Sonata in E minor op. 5 no. 8: I. Preludio (Largo) | — | ||
| 42-27 | Sonata in E minor op. 5 no. 8: II. Allemanda (Allegro) | — | ||
| 42-28 | Sonata in E minor op. 5 no. 8: III. Sarabanda (Largo) | — | ||
| 42-29 | Sonata in E minor op. 5 no. 8: IV. Giga (Allegro) | — | ||
| 42-30 | Sinfonia in C major (original: B-flat major), Parma no. 13: I. Allegro | — | ||
| 42-31 | Sinfonia in C major (original: B-flat major), Parma no. 13: II. Adagio | — | ||
| 42-32 | Sinfonia in C major (original: B-flat major), Parma no. 13: III. Allegro | — | ||
| 42-33 | Sonata in C minor: I. Adagio | — | ||
| 42-34 | Sonata in C minor: II. Presto | — | ||
| 42-35 | Sonata in C minor: III. Adagio | — | ||
| 42-36 | Sonata in C minor: IV. Giga (Allegro) | — | ||
| 43-1 | Miniatures: Mzkemsuri | — | ||
| 43-2 | Miniatures: Suliko | — | ||
| 43-3 | Miniatures: Lale | — | ||
| 43-4 | Miniatures: Indi-Mindi | — | ||
| 43-5 | Miniatures: Tzin Tzkaro | — | ||
| 43-6 | Miniatures: Satchidao | — | ||
| 43-7 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 43-8 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 43-9 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 44-1 | Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina. Allegro | — | ||
| 44-2 | Domine ad adiuvandum me festina, RV 593: II. Gloria Patri. Andante molto | — | ||
| 44-3 | Domine ad adiuvandum me festina, RV 593: III. Sicut erat. Andante - Allegro | — | ||
| 44-4 | Dixit Dominus, RV 807: I. Dixit Dominus. Allegro | — | ||
| 44-5 | Dixit Dominus, RV 807: II. Donec ponam. Largo | — | ||
| 44-6 | Dixit Dominus, RV 807: III. Virgam virtutis tuae. Andante molto | — | ||
| 44-7 | Dixit Dominus, RV 807: IV. Tecum principium. Allegro | — | ||
| 44-8 | Dixit Dominus, RV 807: V. Iuravit Dominus. Allegro molto | — | ||
| 44-9 | Dixit Dominus, RV 807: VI. Dominus a dextris tuis. Allegro | — | ||
| 44-10 | Dixit Dominus, RV 807: VII. Iudicabit in nationibus. Adagio - Presto | — | ||
| 44-11 | Dixit Dominus, RV 807: VIII. De torrente in via bibet. Andante | — | ||
| 44-12 | Dixit Dominus, RV 807: IX. Gloria Patri. Allegro | — | ||
| 44-13 | Dixit Dominus, RV 807: X. Sicut erat in principio. Allegro - più allegro - Presto | — | ||
| 44-14 | Laetatus sum, RV 607 | — | ||
| 44-15 | Nisi Dominus, RV 803: I. Nisi Dominus. Allegro | — | ||
| 44-16 | Nisi Dominus, RV 803: II. Nisi Dominus custodierit. Allegro | — | ||
| 44-17 | Nisi Dominus, RV 803: III. Vanum est vobis. Allegro | — | ||
| 44-18 | Nisi Dominus, RV 803: IV. Cum dederit. Andante | — | ||
| 44-19 | Nisi Dominus, RV 803: V. Sicut sagittae. Allegro | — | ||
| 44-20 | Nisi Dominus, RV 803: VI. Beatus vir | — | ||
| 44-21 | Nisi Dominus, RV 803: VII. Gloria Patri. Larghetto | — | ||
| 44-22 | Nisi Dominus, RV 803: VIII. Sicut erat in principio. Allegro | — | ||
| 44-23 | Lauda Jerusalem, RV 609 | — | ||
| 44-24 | Magnificat, RV 610: I. Magnificat. Adagio | — | ||
| 44-25 | Magnificat, RV 610: II. Et exultavit. Allegro | — | ||
| 44-26 | Magnificat, RV 610: III. Et misericordia. Andante molto | — | ||
| 44-27 | Magnificat, RV 610: IV. Fecit potentiam. Presto - V. Deposuit potente de sede | — | ||
| 44-28 | Magnificat, RV 610: VI. Esurientes implevit Bonis. Allegro | — | ||
| 44-29 | Magnificat, RV 610: VII. Suscepit Israel. Largo | — | ||
| 44-30 | Magnificat, RV 610: VIII. Sicut locutus est. Allegro ma poco | — | ||
| 44-31 | Magnificat, RV 610: IX. Gloria Patri. Largo - Allegro | — | ||
| 45-1 | Poro: Duetto: Caro amico amplesso! | — | ||
| 45-2 | Serse: Recitativo: Romilda infida | — | ||
| 45-3 | Serse: Duetto: Troppo oltraggi la mia fede | — | ||
| 45-4 | Admeto: Recitativo: Quivi, tra questi soltari orrori | — | ||
| 45-5 | Admeto: Aria: Ah, sì, morrò | — | ||
| 45-6 | Admeto: Duetto: Alma mia, dolce ristoro | — | ||
| 45-7 | Muzio Scevola: Duetto: Ma come amar? | — | ||
| 45-8 | Rodelinda: Aria: Ritorna, o caro e dolce mio tesoro | — | ||
| 45-9 | Rodelinda: Recitativo: Non ti bastò | — | ||
| 45-10 | Rodelinda: Duetto: lo t'abbraccio | — | ||
| 45-11 | Arminio: Ouverture | — | ||
| 45-12 | Arminio: Recitativo: Fuggi, mio dene | — | ||
| 45-13 | Arminio: Duetto: Il fuggir, cara mia vita | — | ||
| 45-14 | Arminio: Duetto: Ritorna nel cuore vezzosa | — | ||
| 45-15 | Arminio: Menuetto | — | ||
| 45-16 | Teseo: Recitativo: Parte Agilea, per venerar la Dea | — | ||
| 45-17 | Teseo: Aria: Ti credo, si, ben' mio | — | ||
| 45-18 | Teseo: Recitativo: Commanda, dunque, ò bella | — | ||
| 45-19 | Teseo: Aria: Ah! Cruda gelosia! | — | ||
| 45-20 | Teseo: Recitativo: Dunque all'affetto mio | — | ||
| 45-21 | Teseo: Duetto: Addio! Mio caro bene | — | ||
| 46-1 | Per non mi dir ch'io moia | — | ||
| 46-2 | Alma afflitta, che fai? | — | ||
| 46-3 | Ohimè, se tanto amate | — | ||
| 46-4 | Partite sopra La Romanesca | — | ||
| 46-5 | Era l'anima mia | — | ||
| 46-6 | O miseria d'amante | — | ||
| 46-7 | Mentre d'ampia voragine tonante | — | ||
| 46-8 | Moribondo mio pianto | — | ||
| 46-9 | Or che la notte | — | ||
| 46-10 | Voi volete ch'io mora | — | ||
| 46-11 | Langue al vostro languir | — | ||
| 46-12 | Come sian dolorose | — | ||
| 46-13 | Toccata Settima | — | ||
| 46-14 | Ah dolente partita | — | ||
| 46-15 | Chieci desir | — | ||
| 46-16 | Occhi, un tempo mia vita | — | ||
| 47-1 | Tannhäuser: Ouverture | — | ||
| 47-2 | Tannhäuser: Bacchanale | — | ||
| 47-3 | Lohengrin: Prelude to Act I | — | ||
| 47-4 | Lohengrin: Prelude to Act III | — | ||
| 47-5 | Die Walküre: The Ride of the Valkyries | — | ||
| 47-6 | Götterdämmerung: Siegfried's Rhine Journey | — | ||
| 47-7 | Götterdämmerung: Funeral March | — | ||
| 48-1 | QUINTET IN D MAJOR, TWV 44:1: I. SINFONIA | Concerto Melante, Reinhold Friedrich | — | |
| 48-2 | Sonata for Trumpet, 2 Violins, Viola & B.C. in D major TWV 44:1: II. Largo | — | ||
| 48-3 | Sonata for Trumpet, 2 Violins, Viola & B.C. in D major TWV 44:1: III. Vivace | — | ||
| 48-4 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: I. Cantabile | — | ||
| 48-5 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: II. Vivace | — | ||
| 48-6 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: III. Andante | — | ||
| 48-7 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: IV. No Indication | — | ||
| 48-8 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: I. Affettuoso | — | ||
| 48-9 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: II. Allegro | — | ||
| 48-10 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: III. Grave | — | ||
| 48-11 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: IV. Vivace | — | ||
| 48-12 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: I. Vivace | — | ||
| 48-13 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: II. Adagio | — | ||
| 48-14 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: III. Allegro | — | ||
| 48-15 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: I. Tendrement | — | ||
| 48-16 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: II. Allegrement | — | ||
| 48-17 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: III. Chandon | — | ||
| 48-18 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: IV. Allegrement | — | ||
| 48-19 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: I. Allegro | — | ||
| 48-20 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: II. Adagio | — | ||
| 48-21 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: III. Vivace | — | ||
| 48-22 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: I. Affettuoso | — | ||
| 48-23 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: II. Allegro / Affettuoso | — | ||
| 48-24 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: III. Allegro | — | ||
| 48-25 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: I. Adagio | — | ||
| 48-26 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: II. Allegro | — | ||
| 48-27 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: III. Adagio | — | ||
| 48-28 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: IV. Presto | — | ||
| 48-29 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: I. Affettuoso | — | ||
| 48-30 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: II. Allegro / Adagio | — | ||
| 48-31 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: III. Vivace | — | ||
| 49-1 | Concerto in D major, Wq 13: I. Allegro | — | ||
| 49-2 | Concerto in D major, Wq 13: II. Un poco andante | — | ||
| 49-3 | Concerto in D major, Wq 13: III. Allegro assai | — | ||
| 49-4 | Pastorale in A minor, Wq deest: Moderato | — | ||
| 49-5 | Trio in F major, Wq 163: I. Un poco andante | — | ||
| 49-6 | Trio in F major, Wq 163: II. Allegretto | — | ||
| 49-7 | Trio in F major, Wq 163: III. Allegro | — | ||
| 49-8 | Concerto in E-flat major, Wq 35: I. Allegro ma non troppo | — | ||
| 49-9 | Concerto in E-flat major, Wq 35: II. Adagio sostenuto | — | ||
| 49-10 | Concerto in E-flat major, Wq 35: III. Allegro assai | — | ||
| 49-11 | Sonata in E Flat major, Wq 92/5: Andante | — | ||
| 50-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Wiener Philharmoniker, Christian Thielemann | T-001.444.317-4 | |
| 50-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Christian Thielemann | T-001.444.317-4 | |
| 50-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-7 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Christian Thielemann | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888430471221 is a Universal Product Code (UPC) assigned to 50 Great Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 785 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888430471221 is the Universal Product Code (UPC barcode) for the release “50 Great Recordings” by Various Artists, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 785 tracks, each with its own ISRC. Tracks include USBC10401583, USBC10401584, USBC10401585.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro – Adagio – Presto | — | ||
| 2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Rondo. Allegro vivace | — | ||
| 3 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | — | ||
| 4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 5 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | — | ||
| 6 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Adagio – Allegro vivace | — | ||
| 2-1 | Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-2 | Also sprach Zarathustra, op. 30: Of the People of the Unseen World | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-3 | Also sprach Zarathustra, op. 30: Of the Great Longing | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-4 | Also sprach Zarathustra, op. 30: Of Joys and Passions | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-5 | Also sprach Zarathustra, op. 30: Dirge | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-6 | Also sprach Zarathustra, op. 30: Of Science | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-7 | Also sprach Zarathustra, op. 30: The Convalescent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-8 | Also sprach Zarathustra, op. 30: Dance Song and Night Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-9 | Also sprach Zarathustra, op. 30: Night Wanderer’s Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-10 | Ein Heldenleben, op. 40: The Hero | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-11 | Ein Heldenleben, op. 40: The Hero’s Adversaries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-12 | Ein Heldenleben, op. 40: The Hero’s Companion | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-13 | Ein Heldenleben, op. 40: The Hero’s Battlefield | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-14 | Ein Heldenleben, op. 40: The Hero’s Works of Peace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 2-15 | Ein Heldenleben, op. 40: The Hero’s Retreat From the World and Fulfillment | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 3-1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 3-2 | Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-3 | Goldberg Variations, BWV 988: Variatio 2. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-4 | Goldberg Variations, BWV 988: Variatio 3. Canone all’ Unisono a 1 Clav. | Glenn Gould | — | |
| 3-5 | Goldberg Variations, BWV 988: Variatio 4. a 1 Clav. | Glenn Gould | — | |
| 3-6 | Goldberg Variations, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-7 | Goldberg Variations, BWV 988: Variatio 6. Canone alla Seconda a 1 Clav. | Glenn Gould | — | |
| 3-8 | Goldberg Variations, BWV 988: Variatio 7. a 1 ô vero 2 Clav. "al tempo di Giga" | Glenn Gould | T-902.128.688-4 | |
| 3-9 | Goldberg Variations, BWV 988: Variatio 8. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-10 | Goldberg Variations, BWV 988: Variatio 9. Canone alla Terza a 1 Clav. | Glenn Gould | — | |
| 3-11 | Goldberg Variations, BWV 988: Variatio 10. a 1 Clav. Fughetta | Glenn Gould | — | |
| 3-12 | Goldberg Variations, BWV 988: Variatio 11. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-13 | Goldberg Variations, BWV 988: Variatio 12. Canone alla Quarta a 1 Clav. | Glenn Gould | — | |
| 3-14 | Goldberg Variations, BWV 988: Variatio 13. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-15 | Goldberg Variations, BWV 988: Variatio 14. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-16 | Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta a 1 Clav. Andante | Glenn Gould | — | |
| 3-17 | Goldberg Variations, BWV 988: Variatio 16. Ouverture a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-18 | Goldberg Variations, BWV 988: Variatio 17. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-19 | Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta a 1 Clav. | Glenn Gould | — | |
| 3-20 | Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-21 | Goldberg Variations, BWV 988: Variatio 20. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-22 | Goldberg Variations, BWV 988: Variatio 21. Canone alla Setima a 1 Clav. | Glenn Gould | — | |
| 3-23 | Goldberg Variations, BWV 988: Variatio 22. a 1 Clav. Alla breve | Glenn Gould | — | |
| 3-24 | Goldberg Variations, BWV 988: Variatio 23. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-25 | Goldberg Variations, BWV 988: Variatio 24. Canone all’ Ottava a 1 Clav. | Glenn Gould | — | |
| 3-26 | Goldberg Variations, BWV 988: Variatio 25. a 2 Clav. “adagio” | Glenn Gould | — | |
| 3-27 | Goldberg Variations, BWV 988: Variatio 26. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-28 | Goldberg Variations, BWV 988: Variatio 27. Canone alla Nona a 2 Clav. | Glenn Gould | — | |
| 3-29 | Goldberg Variations, BWV 988: Variatio 28. a 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-30 | Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-31 | Goldberg Variations, BWV 988: Variatio 30. Quodlibet. a 1 Clav. | Glenn Gould | T-902.128.688-4 | |
| 3-32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 4-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 4-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | Arthur Rubinstein, New Symphony Orchestra of London, Stanislaw Skrowaczewski | T-308.381.369-4 | |
| 4-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 4-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 4-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 4-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 5-1 | Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 | |
| 5-2 | An American in Paris | New York Philharmonic, Leonard Bernstein | T-070.001.144-4 | |
| 5-3 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 5-5 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 5-6 | Symphonic Dances from "West Side Story": Mambo | — | ||
| 5-7 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 5-8 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 5-9 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 5-10 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 5-11 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 5-12 | Symphonic Suite from "On the Waterfront": Andante (with dignity) - Presto barbaro | — | ||
| 5-13 | Symphonic Suite from "On the Waterfront": Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 5-14 | Symphonic Suite from "On the Waterfront": Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 5-15 | Symphonic Suite from "On the Waterfront": Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, with intensity - Ancora più mosso | — | ||
| 5-16 | Symphonic Suite from "On the Waterfront": Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 5-17 | Symphonic Suite from "On the Waterfront": A tempo | — | ||
| 6-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 6-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 7-1 | Aida: “Ritorna vincitor!” | — | ||
| 7-2 | Aida: “Qui Radamès verrà!” | — | ||
| 7-3 | Aida: “O patria mia” | — | ||
| 7-4 | Il Trovatore: “Che più t’arresti?” | — | ||
| 7-5 | Il Trovatore: “Tacea la notte” | — | ||
| 7-6 | Il Trovatore: “Di tale amor” | — | ||
| 7-7 | Il Trovatore: “Timor di me?… D’amor sull’ali rosee” | — | ||
| 7-8 | Madama Butterfly: “Un bel dì vedremo” | — | ||
| 7-9 | Madama Butterfly: “Tu? tu? piccolo Iddio!” | — | ||
| 7-10 | La rondine: “Chi il bel sogno di Doretta” | — | ||
| 7-11 | Tosca: “Vissi d’arte” | — | ||
| 7-12 | Turandot: “Signore, ascolta!” | — | ||
| 7-13 | Turandot: “Tu che di gel sei cinta” | — | ||
| 8-1 | Xerxes: Ombra mai fù | — | ||
| 8-2 | Die Zauberflöte: Dies Bildnis ist bezaubernd schön | — | ||
| 8-3 | Caro mio ben | — | ||
| 8-4 | Undine: Vater, Mutter, Schwestern, Brüder | — | ||
| 8-5 | Es muss ein Wunderbares sein | — | ||
| 8-6 | Nur wer die Sehnsucht kennt | — | ||
| 8-7 | Der Zigeunerbaron: Als flotter Geist | — | ||
| 8-8 | Eine Nacht in Venedig: Komm in die Gondel | — | ||
| 8-9 | Eine Nacht in Venedig: Treu sein, das liegt mir nicht | — | ||
| 8-10 | Eine Nacht in Venedig: Ach, wie so herrlich zu schaun | — | ||
| 8-11 | Der Vogelhändler: Grüss Euch Gott, alle miteinander | — | ||
| 8-12 | Der Vogelhändler: Wie mei' Ahnerl zwanzig Jahr | — | ||
| 8-13 | Der Zarewitsch: Wolgalied | — | ||
| 8-14 | Schön ist die Welt: Schön ist die Welt | — | ||
| 8-15 | Giuditta: Freunde, das Leben ist lebenswert | — | ||
| 8-16 | Friederike: O Mädchen, mein Mädchen | — | ||
| 8-17 | Die Zirkusprinzessin: Zwei Märchenaugen | — | ||
| 8-18 | Alle Tage ist Kein Sonntag | — | ||
| 8-19 | Unter dem Sternenzelt | — | ||
| 8-20 | Vergiss mein nicht | — | ||
| 8-21 | O sole mio | — | ||
| 8-22 | Granada | — | ||
| 9-1 | Norma: Casta Diva, che inargenti queste sacre antiche piante | — | ||
| 9-2 | Il Pirata: Oh! S'io potessi dissipar le nubi ... Col sorriso d'innocenza | — | ||
| 9-3 | Roberto Devereux: E Sara in questi orribili momenti ... Vivi, ingrato, a lei d'accanto | — | ||
| 9-4 | Lucrezia Borgia: Tranquillo ei posa ... Com'è bello! Quale incanto | — | ||
| 9-5 | Maria di Rohan: Infausto Imene ... Havvi un dio | — | ||
| 9-6 | Belisario: Plauso! Voci di gioia ... Sin la tomba è a me negata | — | ||
| 9-7 | Parisina: No, più salir non ponno ... Ciel, sei tu in tal momento | — | ||
| 10-1 | Sonata in B minor | — | ||
| 10-2 | Ballade no. 2 in B minor | Vladimir Horowitz | — | |
| 10-3 | Consolation no. 3 | — | ||
| 10-4 | Funérailles (Harmonies poetiques et religieuses no. 7) | — | ||
| 10-5 | Mephisto Waltz no. 1 | — | ||
| 11-1 | Kol Nidrei, op. 47 | — | ||
| 11-2 | Waldesruhe, op. 68 no. 1 | — | ||
| 11-3 | Rondo, op. 94 | — | ||
| 11-4 | Serenade, op. 37 | — | ||
| 11-5 | Chant du Menestrel, op. 71 | — | ||
| 11-6 | Serenade espagnole, op. 20 no. 2 | — | ||
| 11-7 | Melody, op. 20 no. 1 | — | ||
| 11-8 | Leatare anima mea, op. 77 no. 1 | — | ||
| 11-9 | Devotion: Ab imo pectore, op 77 no. 2 | — | ||
| 11-10 | Chant elégiaque, op. 24 | — | ||
| 11-11 | Romance, op. 36 | — | ||
| 11-12 | The Swan | — | ||
| 11-13 | Allegro appassionato, op. 43 | — | ||
| 11-14 | Adagio con variazioni | — | ||
| 12-1 | Accelerationen, op. 234 (Walzer) | — | ||
| 12-2 | Bauern-Polka, op. 276 | — | ||
| 12-3 | Die Libelle, op. 204 (Polka mazur) | — | ||
| 12-4 | Die Fledermaus - Ouvertüre | — | ||
| 12-5 | Künstlerleben, op. 316 (Walzer) | — | ||
| 12-6 | Moulinet, op. 57 (Polka) | — | ||
| 12-7 | Eljen A. Magyar, op. 332 | — | ||
| 12-8 | Im Krapfenwaldl, op. 336 | — | ||
| 12-9 | Frülingsstimmen, op. 410 (Walzer) | — | ||
| 12-10 | Pizzicato-Polka (1870) | — | ||
| 12-11 | Ritter Pázmán - Csárdás | — | ||
| 12-12 | Plappermäulchen, op. 245 | — | ||
| 12-13 | Jockey-Polka, op. 278 (Polka schnell) | — | ||
| 12-14 | An der schönen, blauen Donau, op. 314 (Walzer) | — | ||
| 12-15 | Radetzky-Marsch, op. 228 | — | ||
| 13-1 | Motette "Singet dem Herrn ein neues Lied", BWV 225: I. Singet dem Herrn ein neues Lied | — | ||
| 13-2 | Motette "Singet dem Herrn ein neues Lied", BWV 225: II. Gott nimm dich ferner unser an: Aria: Wie sich ein Vat'r erbarmet | — | ||
| 13-3 | Motette "Singet dem Herrn ein neues Lied", BWV 225: II. Gott nimm dich ferner unser an: Choral: Er hat uns wissen lassen | — | ||
| 13-4 | Motette "Singet dem Herrn ein neues Lied", BWV 225: III. Lobet den Herrn in seinen Taten | — | ||
| 13-5 | Motette "Komm, Jesu, komm", BWV 229: I. Komm, Jesu, komm | — | ||
| 13-6 | Motette "Komm, Jesu, komm", BWV 229: II. Aria Drum schließ ich mich in deine Hände | — | ||
| 13-7 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: I. Der Geist hilft unser Schwachheit auf | — | ||
| 13-8 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: II. Der aber die Herzen forschet | — | ||
| 13-9 | Motette "Der Geist hilft unser Schwachheit auf", BWV 226: III. Choral: Du heilige Brunst | — | ||
| 13-10 | Motette "Jesu, meine Freude", BWV 227: I. Choral: Jesu, meine Freude | — | ||
| 13-11 | Motette "Jesu, meine Freude", BWV 227: II. Es ist nun nichts Verdammliches | — | ||
| 13-12 | Motette "Jesu, meine Freude", BWV 227: III. Choral: Unter deinem Schirmen | — | ||
| 13-13 | Motette "Jesu, meine Freude", BWV 227: IV. Denn das Gesetz des Geistes | — | ||
| 13-14 | Motette "Jesu, meine Freude", BWV 227: V. Choral: Trotz dem alten Drachen | — | ||
| 13-15 | Motette "Jesu, meine Freude", BWV 227: VI. Ihr aber seid nicht fleischlich | — | ||
| 13-16 | Motette "Jesu, meine Freude", BWV 227: VII. Choral: Weg mit allen Schätzen | — | ||
| 13-17 | Motette "Jesu, meine Freude", BWV 227: VIII. So aber Christus in euch ist | — | ||
| 13-18 | Motette "Jesu, meine Freude", BWV 227: IX. Choral: Gute Nacht, o Wesen | — | ||
| 13-19 | Motette "Jesu, meine Freude", BWV 227: X. So nun der Geist | — | ||
| 13-20 | Motette "Jesu, meine Freude", BWV 227: XI. Choral: Weicht, ihr Trauergeister | — | ||
| 13-21 | Motette "Fürchte dich nicht", BWV 228 | — | ||
| 14-1 | Des Knaben Wunderhorn: I. Wo die schönen Trompeten blasen | — | ||
| 14-2 | Des Knaben Wunderhorn: II. Der Schildwache Nachtlied | — | ||
| 14-3 | Des Knaben Wunderhorn: III. Tambourg'sell | — | ||
| 14-4 | Des Knaben Wunderhorn: IV. Rheinlegendchen | — | ||
| 14-5 | Des Knaben Wunderhorn: V. Lob des hohen Verstandes | — | ||
| 14-6 | Des Knaben Wunderhorn: VI. Trost im Unglück | — | ||
| 14-7 | Des Knaben Wunderhorn: VII. Das irdische Leben | — | ||
| 14-8 | Des Knaben Wunderhorn: VIII. Des Antonius von Padua Fischpredigt | — | ||
| 14-9 | Des Knaben Wunderhorn: IX. Verlor'ne Müh | — | ||
| 14-10 | Des Knaben Wunderhorn: X. Lied des Verfolgten im Turm | — | ||
| 14-11 | Des Knaben Wunderhorn: XI. Wer hat dies Liedlein erdacht | — | ||
| 14-12 | Des Knaben Wunderhorn: XII. Revelge | — | ||
| 14-13 | Lieder eines fahrenden Gesellen I. Wenn mein Schatz Hochzeit macht | — | ||
| 14-14 | Lieder eines fahrenden Gesellen II. Ging heut morgen übers Feld | — | ||
| 14-15 | Lieder eines fahrenden Gesellen III. Ich hab ein glühend Messer | — | ||
| 14-16 | Lieder eines fahrenden Gesellen IV. Die zwei blauen Augen | — | ||
| 15-1 | Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-2 | Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-3 | Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto) | Arleen Augér, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-4 | Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-5 | Grande Messe en ut mineur K. 427 : Domine (Allegro moderato) | Arleen Augér, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-6 | Grande Messe en ut mineur K. 427 : Qui tollis (Largo) | Berliner Philharmoniker, Claudio Abbado | — | |
| 15-7 | Grande Messe en ut mineur K. 427 : Quoniam (Allegro) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-8 | Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-9 | Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu | Berliner Philharmoniker, Claudio Abbado | — | |
| 15-10 | Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-11 | Grande Messe en ut mineur K. 427 : Et incarnatus est | Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | T-924.224.927-0 | |
| 15-12 | Grande Messe en ut mineur K. 427 : IV. Sanctus | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 15-13 | Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 16-1 | Sonata in D minor, K. 141 - Allegro | — | ||
| 16-2 | Sonata in D major, K. 118 - Non presto | — | ||
| 16-3 | Sonata in D major, K. 119 - Allegro | — | ||
| 16-4 | Sonata in G major, K. 454 - Andante spirituoso | — | ||
| 16-5 | Sonata in G major, K. 455 - Allegro | — | ||
| 16-6 | Sonata in E minor, K. 198 - Allegro | — | ||
| 16-7 | Sonata in E minor, K. 203 - Vivo non molto | — | ||
| 16-8 | Sonata in C major, K. 501 - Allegretto | — | ||
| 16-9 | Sonata in C major, K. 502 - Allegro | — | ||
| 16-10 | Sonata in F major, K. 518 - Allegro | — | ||
| 16-11 | Sonata in F minor, K. 519 - Allegro assai | — | ||
| 16-12 | Sonata in D minor, K. 516 - Allegretto | — | ||
| 16-13 | Sonata in D minor, K. 517 - Prestissimo | — | ||
| 16-14 | Sonata in G minor, K. 108 - Allegro | — | ||
| 16-15 | Sonata in D major, K. 490 - Cantabile | — | ||
| 16-16 | Sonata in D major, K. 491 - Allegro | — | ||
| 16-17 | Sonata in D major, K. 492 - Presto | — | ||
| 17-1 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-2 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-3 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-4 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 4. Presto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-5 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 1. Allegro molto e con fuoco | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-6 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 2. Andantino quasi alleretto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-7 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 3. Scherzo. Allegro moderato e tranquillo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 17-8 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 4. Finale. Allegro vivace | L’Archibudelli, Smithsonian Chamber Players | — | |
| 18-1 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: I. Allegro | — | ||
| 18-2 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: II. Largo cantabile | — | ||
| 18-3 | Concerto for Piano and Orchestra in F major, Hob. XVIII:3: III. Presto | — | ||
| 18-4 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: I. Allegro | — | ||
| 18-5 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: II. Allegro | — | ||
| 18-6 | Concerto for Piano and Orchestra in G major, Hob. XVIII:4: III. Rondo, Presto | — | ||
| 18-7 | Concerto for Piano and Orchestra in D major: Vivace | Emanuel Ax, Liszt Ferenc Kamarazenekar | T-901.480.028-3 | |
| 18-8 | Concerto for Piano and Orchestra in D major: Un poco Adagio | Emanuel Ax, Liszt Ferenc Kamarazenekar | T-901.480.028-3 | |
| 18-9 | Concerto for Piano and Orchestra in D major: Rondo all'Ungarese, Allegro assai | Emanuel Ax, Liszt Ferenc Kamarazenekar | — | |
| 19-1 | Samson, Act III Scene 3: Let the bright Seraphim | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | T-011.275.815-2 | |
| 19-2 | 7 Arie con tromba sola no. 1: Si suoni la tromba | — | ||
| 19-3 | 7 Arie con tromba sola no. 3: Con voce festiva | — | ||
| 19-4 | 7 Arie con tromba sola no. 4: Rompe sprezza | — | ||
| 19-5 | 7 Arie con tromba sola no. 6: Mio tesoro per te moro | — | ||
| 19-6 | Su le sponde del Tebro: I. Sinfonia. Grave | — | ||
| 19-7 | Su le sponde del Tebro: II. Recitativo | — | ||
| 19-8 | Su le sponde del Tebro: III. Sinfonia - Aria | — | ||
| 19-9 | Su le sponde del Tebro: IV. Recitativo | — | ||
| 19-10 | Su le sponde del Tebro: V. Aria. Largo | — | ||
| 19-11 | Su le sponde del Tebro: VI. Aria. Poco moso, sempre dolce e leggiero - Ritornello | — | ||
| 19-12 | Su le sponde del Tebro: VII. Recitativo | — | ||
| 19-13 | Su le sponde del Tebro: VIII. Aria : Sinfonia. Grave (da capo) | — | ||
| 19-14 | Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | T-326.052.045-0 | |
| 19-15 | Zenobia: Pace una volta | — | ||
| 19-16 | Il Barcheggio, Part I: Sinfonia in D major: I. Spiritosa, e staccata | — | ||
| 19-17 | Il Barcheggio, Part I: Sinfonia in D major: II. [Allegretto - Corrente] | — | ||
| 19-18 | Il Barcheggio, Part I: Sinfonia in D major: III. Canzone | — | ||
| 19-19 | Il Barcheggio, Part I: Sinfonia in D major: IV. [Allegro] | — | ||
| 19-20 | Cantata no. 21 "Ich hatte viel Bekümmernis": Seufzer, Tränen, Kummer, Not | — | ||
| 19-21 | Cantata no. 21 "O! come chiare e belle", HWV 143: Alle voci del bronzo guerriero | — | ||
| 19-22 | Cantata "Jauchzet Gott in allen Landen", BWV 51 No. 1: Aria Jauchzet Gott in allen Landen | Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson | — | |
| 19-23 | Cantata no. 51 "Jauchzet Gott in allen Landen": Chorale. Sei Lob und Preis mit Ehren; Alleluja | — | ||
| 20-1 | Ach Herr, strafe mich nicht | — | ||
| 20-2 | Das ist mir Ileb | — | ||
| 20-3 | Gott, sei mir gnädig nach deiner Güte | — | ||
| 20-4 | Ach, mein herzliebes Jesulein | — | ||
| 20-5 | Barherzig und gnädig ist der Herr | — | ||
| 20-6 | Es haben mir die Hoffärtigen | — | ||
| 20-7 | Aus der Tieffen rufe lich, Herr zu dir | — | ||
| 20-8 | O heilige Zeit | — | ||
| 21-1 | ''Hipocondrie'' à 7 concertanti in A major, ZWV 187 | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-2 | Concerto in D major: Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-3 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-4 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-5 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-6 | Concerto à 8 concertanti in G major, ZWV 186: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-7 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-8 | Sonata in C minor: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-9 | Sonata in C minor: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-10 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: [] | Freiburger Barockorchester, Gottfried von der Goltz | T-106.550.241-0 | |
| 21-11 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-12 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Capriccio. Tempo di gavotta | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-13 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 21-14 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 22-1 | The Man Who Knew Too Much: Prelude | — | ||
| 22-2 | Psycho: A Suite for Strings: Prelude | — | ||
| 22-3 | Psycho: A Suite for Strings: The City | — | ||
| 22-4 | Psycho: A Suite for Strings: The Rainstorm | — | ||
| 22-5 | Psycho: A Suite for Strings: The Madhouse | — | ||
| 22-6 | Psycho: A Suite for Strings: The Murder | — | ||
| 22-7 | Psycho: A Suite for Strings: The Water | — | ||
| 22-8 | Psycho: A Suite for Strings: The Swamp | — | ||
| 22-9 | Psycho: A Suite for Strings: The Stairs | — | ||
| 22-10 | Psycho: A Suite for Strings: The Knife | — | ||
| 22-11 | Psycho: A Suite for Strings: The Cellar | — | ||
| 22-12 | Psycho: A Suite for Strings: Finale | — | ||
| 22-13 | Marnie: Suite: I. Prelude | — | ||
| 22-14 | Marnie: Suite: II. The Hunt | — | ||
| 22-15 | North by Northwest: Overture | — | ||
| 22-16 | Vertigo: Suite: I. Prelude | — | ||
| 22-17 | Vertigo: Suite: II. The Nightmare | — | ||
| 22-18 | Vertigo: Suite: III. Scene D'Amour | — | ||
| 22-19 | Torn Curtain: I. Prelude | — | ||
| 22-20 | Torn Curtain: II. Gromek | — | ||
| 22-21 | Torn Curtain: III. The Killing | — | ||
| 22-22 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Prelude | — | ||
| 22-23 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine | — | ||
| 22-24 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Bedroom | — | ||
| 22-25 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Reading | — | ||
| 22-26 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Garden | — | ||
| 22-27 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Nightmare | — | ||
| 22-28 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Flowers of Fire | — | ||
| 22-29 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Flamethrower | — | ||
| 22-30 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Captain's Death | — | ||
| 22-31 | Fahrenheit 451: Suite for Strings, Harp and Percussion: The Road | — | ||
| 22-32 | Fahrenheit 451: Suite for Strings, Harp and Percussion: Finale | — | ||
| 22-33 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Prelude | — | ||
| 22-34 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Blues | — | ||
| 22-35 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Night Prowl | — | ||
| 22-36 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Bloodbath | — | ||
| 22-37 | Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Finale | — | ||
| 23-1 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: Prelude - I .Allegro | — | ||
| 23-2 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: II. Adagio | — | ||
| 23-3 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: III. Allegro assai | — | ||
| 23-4 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: Prelude - I. Allegro | — | ||
| 23-5 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: II. Romance | — | ||
| 23-6 | Concerto for Piano and Orchestra No. 20 in D minor, K. 466: III. Rondo (Allegro assai) | — | ||
| 23-7 | Song for Amadeus (Improvisation of Sonata No. 2 in F Major, K.280/189e: II. Adagio) | — | ||
| 24-1 | Four Last Songs: I. Frühling | — | ||
| 24-2 | Four Last Songs: II. September | — | ||
| 24-3 | Four Last Songs: III. Beim Schlafengehn | — | ||
| 24-4 | Four Last Songs: IV. Im Abendrot | — | ||
| 24-5 | Songs with Orchestra: Befreit, op. 39 no. 4 | — | ||
| 24-6 | Songs with Orchestra: Muttertändelei, op. 43 no. 2 | — | ||
| 24-7 | Songs with Orchestra: Wiegenlied, op. 41 no. 1 | — | ||
| 24-8 | Songs with Orchestra: Waldseligkeit, op. 49 no. 1 | — | ||
| 24-9 | Songs with Orchestra: Cäcilie, op. 27 no. 2 | — | ||
| 24-10 | Der Rosenkavalier, op. 59 - Suite | — | ||
| 25-1 | Pini di Roma: I. I pini di villa Borghese | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-2 | Pini di Roma: II. Pini presso una catacomba | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-3 | Pini di Roma: III. I pini del Gianicolo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 25-4 | Pini di Roma: IV. I pini della via Appia | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.597.196-4 | |
| 25-5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-6 | Fontane di Roma: II. La fontana di Tritone al mattino | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-7 | Fontane di Roma: III. La fontana di Trevi al meriggio | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-8 | Fontane di Roma: IV. La fontana di villa Medici al tramonto | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 25-9 | Feste romane: I. Circenses | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-10 | Feste romane: II. Il Giubileo | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-11 | Feste romane: III. L’Ottobrata | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 25-12 | Feste romane: IV. La Befana | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 26-1 | Fantasy for Violin and Orchestra on Porgy and Bess | Joshua Bell, London Symphony Orchestra, John Williams | — | |
| 26-2 | Three Preludes: No. 1. Allegro ben ritmato e deciso | Joshua Bell, John Williams | — | |
| 26-3 | Three Preludes: II. Andante | Joshua Bell, John Williams | T-070.126.537-3 | |
| 26-4 | Three Preludes: III. Allegro ben ritmato e deciso | Joshua Bell, John Williams | T-070.126.537-3 | |
| 26-5 | I Got Rhythm | Joshua Bell, London Symphony Orchestra, John Williams | T-010.860.260-3 | |
| 26-6 | Songs for Violin and Orchestra: 2. Embraceable You | Joshua Bell, London Symphony Orchestra, John Williams | T-010.433.969-6 | |
| 26-7 | Nice Work If You Can Get It | London Symphony Orchestra, John Williams, Joshua Bell | T-010.433.838-6 | |
| 26-8 | Songs for Violin and Orchestra: 4. Liza | Joshua Bell, London Symphony Orchestra, John Williams | T-800.365.618-7 | |
| 26-9 | Songs for Violin and Orchestra: 5. But Not for Me | Joshua Bell, London Symphony Orchestra, John Williams | T-010.433.984-5 | |
| 26-10 | Songs for Violin and Orchestra: 6. Sweet and Low-Down | Joshua Bell, George Gershwin, London Symphony Orchestra, John Williams | T-011.615.052-7 | |
| 26-11 | Our Love Is Here to Stay | Joshua Bell, London Symphony Orchestra, John Williams | T-070.097.321-2 | |
| 27-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | Murray Perahia | — | |
| 27-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Murray Perahia | — | |
| 27-3 | English Suite No. 1 in A major, BWV 806: IIIa. Courante I | Murray Perahia | — | |
| 27-4 | English Suite No. 1 in A major, BWV 806: IIIb. Courante II avec deux Doubles | Murray Perahia | — | |
| 27-5 | English Suite No. 1 in A major, BWV 806: IV. Sarabande | Murray Perahia | — | |
| 27-6 | English Suite no. 1 in A major, BWV 806: Va. Bourrée I | Murray Perahia | — | |
| 27-7 | English Suite No. 1 in A major, BWV 806: Vb. Bourree II | Murray Perahia | — | |
| 27-8 | English Suite No. 1 in A major, BWV 806: VI. Gigue | Murray Perahia | — | |
| 27-9 | English Suite No. 3 in G minor, BWV 808: I. Prelude | Murray Perahia | — | |
| 27-10 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Murray Perahia | — | |
| 27-11 | English Suite No. 3 in G minor, BWV 808: IIIa. Courante | Murray Perahia | — | |
| 27-12 | English Suite No. 3 in G minor, BWV 808: III. Sarabande | Murray Perahia | — | |
| 27-13 | English Suite No. 3 in G minor, BWV 808: IVa. Gavotte I | Murray Perahia | — | |
| 27-14 | English Suite No. 3 in G minor, BWV 808: IVb. Gavotte II (ou la Musette) | Murray Perahia | — | |
| 27-15 | English Suite No. 3 in G minor, BWV 808: V. Gigue | Murray Perahia | — | |
| 27-16 | English Suite No. 6 in D minor, BWV 811: I. Prelude - Allegro | Murray Perahia | — | |
| 27-17 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Murray Perahia | — | |
| 27-18 | English Suite No. 6 in D minor, BWV 811: III. Courante | Murray Perahia | — | |
| 27-19 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande - IVa. Double | Murray Perahia | — | |
| 27-20 | English Suite No. 6 in D minor, BWV 811: Va. Gavotte I | Murray Perahia | — | |
| 27-21 | English Suite No. 6 in D minor, BWV 811: Vb. Gavotte II | Murray Perahia | — | |
| 27-22 | English Suite No. 6 in D minor, BWV 811: VI. Gigue | Murray Perahia | — | |
| 28-1 | Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 28-2 | Symphony no. 4 in E-flat major "Romantic": II. Andante quasi Allegretto | — | ||
| 28-3 | Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell, keinesfalls schleppend | — | ||
| 28-4 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 29-1 | Karelia Suite, op. 11: I. Intermezzo | London Symphony Orchestra, Sir Colin Davis | T-912.456.317-3 | |
| 29-2 | Karelia Suite, op. 11: II. Ballade | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-3 | Karelia Suite, op. 11: III. Alla marcia | London Symphony Orchestra, Sir Colin Davis | T-000.768.497-0 | |
| 29-4 | The Oceanides, op. 73 | London Symphony Orchestra, Sir Colin Davis | T-000.768.310-4 | |
| 29-5 | Finlandia, op. 26 | London Symphony Orchestra, Sir Colin Davis | T-910.256.702-2 | |
| 29-6 | Valse Triste, op. 44 no. 1 | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-7 | Tapiola, op. 112 | London Symphony Orchestra, Sir Colin Davis | — | |
| 29-8 | Nightride & Sunrise, op. 55 | London Symphony Orchestra, Sir Colin Davis | — | |
| 30-1 | Requiem in F major: Requiem: Requiem aeternam | — | ||
| 30-2 | Requiem in F major: Kyrie: Kyrie eleison | — | ||
| 30-3 | Requiem in F major: Dies irae: Dies irae | — | ||
| 30-4 | Requiem in F major: Dies irae: Quantus tremor | — | ||
| 30-5 | Requiem in F major: Dies irae: Tuba mirum | — | ||
| 30-6 | Requiem in F major: Dies irae: Mors stupebit | — | ||
| 30-7 | Requiem in F major: Dies irae: Liber scriptus | — | ||
| 30-8 | Requiem in F major: Dies irae: Judex ergo | — | ||
| 30-9 | Requiem in F major: Dies irae: Quid sum miser | — | ||
| 30-10 | Requiem in F major: Dies irae: Rex tremendae | — | ||
| 30-11 | Requiem in F major: Dies irae: Recordare, Jesu pie | — | ||
| 30-12 | Requiem in F major: Dies irae: Quaerens me | — | ||
| 30-13 | Requiem in F major: Dies irae: Juste judex | — | ||
| 30-14 | Requiem in F major: Dies irae: Ingemisco | — | ||
| 30-15 | Requiem in F major: Dies irae: Qui Mariam | — | ||
| 30-16 | Requiem in F major: Dies irae: Preces meae | — | ||
| 30-17 | Requiem in F major: Dies irae: Inter oves | — | ||
| 30-18 | Requiem in F major: Dies irae: Confutatis maledictis | — | ||
| 30-19 | Requiem in F major: Dies irae: Oro Supplex | — | ||
| 30-20 | Requiem in F major: Dies irae: Lacrimosa | — | ||
| 30-21 | Requiem in F major: Dies irae: Judicandus | — | ||
| 30-22 | Requiem in F major: Offertorio: Domine Jesu Christe | — | ||
| 30-23 | Requiem in F major: Offertorio: Hostias et preces | — | ||
| 30-24 | Requiem in F major: Offertorio: Quam olim | — | ||
| 30-25 | Miserere mei Deus | — | ||
| 30-26 | Credo: Credo in unum Deum | — | ||
| 30-27 | Credo: Crucifixus à 8 | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 30-28 | Credo: Et Resurrexit. Presto | — | ||
| 30-29 | Credo: Sanctus. Allegro | — | ||
| 30-30 | Credo: Et vitam | — | ||
| 31-1 | 24 Preludes, op. 28: No. 1 in C | — | ||
| 31-2 | 24 Preludes, op. 28: No. 2 in A minor | — | ||
| 31-3 | 24 Preludes, op. 28: No. 3 in G | — | ||
| 31-4 | 24 Preludes, op. 28: No. 4 in E minor | — | ||
| 31-5 | 24 Preludes, op. 28: No. 5 in D | — | ||
| 31-6 | 24 Preludes, op. 28: No. 6 in B minor | — | ||
| 31-7 | 24 Preludes, op. 28: No. 7 in A | — | ||
| 31-8 | 24 Preludes, op. 28: No. 8 in F-sharp minor | — | ||
| 31-9 | 24 Preludes, op. 28: No. 9 in E | — | ||
| 31-10 | 24 Preludes, op. 28: No. 10 in C-sharp minor | — | ||
| 31-11 | 24 Preludes, op. 28: No. 11 in B | — | ||
| 31-12 | 24 Preludes, op. 28: No. 12 in G-sharp minor | — | ||
| 31-13 | 24 Preludes, op. 28: No. 13 in F-sharp | — | ||
| 31-14 | 24 Preludes, op. 28: No. 14 in E-flat minor | — | ||
| 31-15 | 24 Preludes, op. 28: No. 15 in D-flat | — | ||
| 31-16 | 24 Preludes, op. 28: No. 16 in B-flat minor | — | ||
| 31-17 | 24 Preludes, op. 28: No. 17 in A-flat | — | ||
| 31-18 | 24 Preludes, op. 28: No. 18 in F minor | — | ||
| 31-19 | 24 Preludes, op. 28: No. 19 in E-flat | — | ||
| 31-20 | 24 Preludes, op. 28: No. 20 in C minor | — | ||
| 31-21 | 24 Preludes, op. 28: No. 21 in B-flat | — | ||
| 31-22 | 24 Preludes, op. 28: No. 22 in G minor | — | ||
| 31-23 | 24 Preludes, op. 28: No. 23 in F | — | ||
| 31-24 | 24 Preludes, op. 28: No. 24 in D minor | — | ||
| 31-25 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave - Doppio movimento | — | ||
| 31-26 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo | — | ||
| 31-27 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre: Lento | — | ||
| 31-28 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale: Presto | — | ||
| 31-29 | Polonaise in A-flat, op. 53 | — | ||
| 32-1 | Concerto for Violin and Orchestra: I. Allegro | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-2 | Concerto for Violin and Orchestra: II. Andante | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-3 | Concerto for Violin and Orchestra: III. Presto in moto | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-4 | Violin Concerto: Movement I | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 32-5 | Violin Concerto: Movement II | Hilary Hahn, Saint Paul Chamber Orchestra, Hugh Wolff | — | |
| 33-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 33-4 | Sonata for Violoncello and Piano, op. 19: Andante | Arcadi Volodos | T-902.907.611-7 | |
| 33-5 | Morceaux de fantaisie, op. 3 no. 5: Serenade in B-flat minor | Arcadi Volodos | — | |
| 33-6 | Morceaux de salon, op. 10 no. 6: Romance in F minor | Arcadi Volodos | — | |
| 33-7 | 13 Preludes, op. 32 no. 6: Prelude in F minor | Arcadi Volodos | — | |
| 33-8 | Prelude in D minor, op. (posth.) | Arcadi Volodos | — | |
| 33-9 | Etude-Tableaux in C-sharp minor, op. 33 no. 6 (9) | Arcadi Volodos | T-915.735.004-4 | |
| 34-1 | Suite, op. 19: I. Canon. Allegro, poco scherzando | — | ||
| 34-2 | Suite, op. 19: II. Lied. Andantiono | — | ||
| 34-3 | Suite, op. 19: III. Album Leaf. Allegro moderato | — | ||
| 34-4 | Suite, op. 19: IV. Berceuse. Andante tranquillo | — | ||
| 34-5 | Suite, op. 19: V. Final. Poco maestoso - Allegro con moto | — | ||
| 34-6 | Le portrait de Daisy Hamilton, op. 140: 15. The Race. Allegro vivace | — | ||
| 34-7 | Le portrait de Daisy Hamilton, op. 140: 42. About the Snowman. Léger et gai | — | ||
| 34-8 | Le portrait de Daisy Hamilton, op. 140: 59. In Venise. Andante quasi adagio | — | ||
| 34-9 | Le portrait de Daisy Hamilton, op. 140: 27. By Car. Vite. | — | ||
| 34-10 | Le portrait de Daisy Hamilton, op. 140: 54. Humoristic Canon. Allegro vivo | — | ||
| 34-11 | Four French Sonatinas, op. 60 no. 1: I. Canons. Moderato tranquillo | — | ||
| 34-12 | Four French Sonatinas, op. 60 no. 1: II. Allegretto. Moderato con moto | — | ||
| 34-13 | Four French Sonatinas, op. 60 no. 1: III. Intermezzo. Molto moderato e scherzando | — | ||
| 34-14 | Four French Sonatinas, op. 60 no. 1: IV. In the Normandy Orchards. Allegro scherzando | — | ||
| 34-15 | Four French Sonatinas, op. 60 no. 2: I. Pastorale. Allegro moderato | — | ||
| 34-16 | Four French Sonatinas, op. 60 no. 2: II. The Beggars' Apotheosis. Molto moderato | — | ||
| 34-17 | Four French Sonatinas, op. 60 no. 2: III. Evening Song. Andante | — | ||
| 34-18 | Four French Sonatinas, op. 60 no. 2: IV. Menuet. Tempo di Minuetto | — | ||
| 34-19 | Four French Sonatinas, op. 60 no. 2: V. Final. Allegro con moto | — | ||
| 34-20 | Danses pour Ginger, op. 163: I. Bursting into Live. Allegro | — | ||
| 34-21 | Danses pour Ginger, op. 163: II. Slow Dance. Soutenu et très lié | — | ||
| 34-22 | Danses pour Ginger, op. 163: III. The Whirlwinds. Allegro agitato | — | ||
| 34-23 | Danses pour Ginger, op. 163: IV. The Dance beneath the Stars (based on a sequence from "Swing Time"). Lento dolcissimo | — | ||
| 34-24 | Danses pour Ginger, op. 163: V. Final - Apotheosis of the Dance. Moderato | — | ||
| 34-25 | Four French Sonatinas, op. 60 no. 3: I. Scherzando. Allegro moderato | — | ||
| 34-26 | Four French Sonatinas, op. 60 no. 3: II. Evening Song. Andante | — | ||
| 34-27 | Four French Sonatinas, op. 60 no. 3: III. Rondo Dance of the Wine Harvest. Allegro con moto | — | ||
| 34-28 | Four French Sonatinas, op. 60 no. 4: I. Romance. Andante con moto | — | ||
| 34-29 | Four French Sonatinas, op. 60 no. 4: II. Another Romance. Adagio | — | ||
| 34-30 | Four French Sonatinas, op. 60 no. 4: III. Final (homme to Mr Dumollet). Allegro | — | ||
| 34-31 | Suite, op. 6: I. Andantino | — | ||
| 34-32 | Suite, op. 6: II. Andantino con moto | — | ||
| 34-33 | Suite, op. 6: III. Andantino con moto quasi allegro | — | ||
| 34-34 | Suite, op. 6: IV. Andantino quasi allegretto | — | ||
| 35-1 | Violin Concerto in B minor, RV 386: I. Allegro ma poco | — | ||
| 35-2 | Violin Concerto in B minor, RV 386: II. Larghetto | — | ||
| 35-3 | Violin Concerto in B minor, RV 386: III. Allegro | — | ||
| 35-4 | Violin Concerto in D minor, RV 235: I. Allegro non molto | — | ||
| 35-5 | Violin Concerto in D minor, RV 235: II. Adagio | — | ||
| 35-6 | Violin Concerto in D minor, RV 235: III. Allegro | — | ||
| 35-7 | Violin Concerto in F major, RV 296: I. Allegro ma poco | — | ||
| 35-8 | Violin Concerto in F major, RV 296: II. Largo | — | ||
| 35-9 | Violin Concerto in F major, RV 296: III. Allegro | — | ||
| 35-10 | Violin Concerto in E-flat major, RV 258: I. Largo - Andante molto | — | ||
| 35-11 | Violin Concerto in E-flat major, RV 258: II. Largo | — | ||
| 35-12 | Violin Concerto in E-flat major, RV 258: III. Allegro | — | ||
| 35-13 | Violin Concerto in B minor, RV 389: I. Allegro poco | — | ||
| 35-14 | Violin Concerto in B minor, RV 389: II. Largo | — | ||
| 35-15 | Violin Concerto in B minor, RV 389: III. Allegro | — | ||
| 35-16 | Violin Concerto in E-flat major, RV 251: I. Allegro ma poco | — | ||
| 35-17 | Violin Concerto in E-flat major, RV 251: II. Largo | — | ||
| 35-18 | Violin Concerto in E-flat major, RV 251: III. Allegro | — | ||
| 36-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 36-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | — | ||
| 36-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 36-4 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 36-5 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio | — | ||
| 36-6 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 37-1 | Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran) | Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.386.342-6 | |
| 37-2 | Requiem in D minor, K. 626: II. Kyrie (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-070.093.418-4 | |
| 37-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-6 | Requiem in D minor, K. 626: III. Sequentia: Recordare (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | T-916.756.672-5 | |
| 37-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-900.137.873-0 | |
| 37-11 | Requiem in D minor, K. 626: V. Sanctus (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-12 | Requiem in D minor, K. 626: VI. Benedictus (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 37-14 | Requiem in D minor, K. 626: VIII. Communio: Lux aeterna (Chor, Sopran) | Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien | T-910.952.061-8 | |
| 38-1 | Suite en re: I. Prélude pour la violle et le théorbe | — | ||
| 38-2 | Suite en re: II. Folies | — | ||
| 38-3 | Suite en re: III. La bagatelle | — | ||
| 38-4 | Suite en sol: I. Prélude | — | ||
| 38-5 | Suite en sol: II. Caprice | — | ||
| 38-6 | Suite en sol: III. Allemande (& Double) | — | ||
| 38-7 | Suite en sol: IV. Courante | — | ||
| 38-8 | Suite en sol: V. Sarabande | — | ||
| 38-9 | Suite en sol: VI. Gigue la Chicane | — | ||
| 38-10 | Suite en sol: VII. Rondeau Louré | — | ||
| 38-11 | Suite en sol: VIII. Plainte | — | ||
| 38-12 | Suite en sol: IX. Menuet Fantasque & Double | — | ||
| 38-13 | Suite en sol: X. Le Moulinet | — | ||
| 38-14 | Suite en re de Robert de Visée: I. Prélude | — | ||
| 38-15 | Suite en re de Robert de Visée: II. Allemande | — | ||
| 38-16 | Suite en re de Robert de Visée: III. Aire | — | ||
| 38-17 | Suite en re de Robert de Visée: IV. Passacalle | — | ||
| 38-18 | Suite en re: I. Fantaisie | — | ||
| 38-19 | Suite en re: II. Allemande (& double) | — | ||
| 38-20 | Suite en re: III. Courante (& double) | — | ||
| 38-21 | Suite en re: IV. Sarabande (& double) | — | ||
| 38-22 | Suite en re: V. Gigue | — | ||
| 38-23 | Suite en re: VI. La paysane | — | ||
| 38-24 | Suite en re: VII. Chaconne | — | ||
| 38-25 | Sujet Diversitez: 20 couplets | — | ||
| 39-1 | Violin Concerto in D major, BV 243, op. 35a: I. Allegro moderato | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgards | — | |
| 39-2 | Violin Concerto in D major, BV 243, op. 35a: II. Quasi andante | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgards | — | |
| 39-3 | Violin Concerto in D major, BV 243, op. 35a: III. Allegro impetuoso | Frank Peter Zimmermann, Orchestra Sinfonica Nazionale della RAI, John Storgårds | — | |
| 39-4 | Second Sonata for Violin and Piano, op. 36a: I. Langsam | — | ||
| 39-5 | Second Sonata for Violin and Piano, op. 36a: II. Presto Attacca | — | ||
| 39-6 | Second Sonata for Violin and Piano, op. 36a: II. Andante. Piuttosta grave | — | ||
| 39-7 | Second Sonata for Violin and Piano, op. 36a: III. Andante con moto | — | ||
| 39-8 | Second Sonata for Violin and Piano, op. 36a: III. Poco più andante | — | ||
| 39-9 | Second Sonata for Violin and Piano, op. 36a: III. Alla marcia, vivace | — | ||
| 39-10 | Second Sonata for Violin and Piano, op. 36a: III. Lo stesso movimento | — | ||
| 39-11 | Second Sonata for Violin and Piano, op. 36a: III. Andante | — | ||
| 39-12 | Second Sonata for Violin and Piano, op. 36a: III. Tranquillo assai | — | ||
| 39-13 | Second Sonata for Violin and Piano, op. 36a: III. Allegro deciso. Un poco maestoso - Più lento | — | ||
| 40-1 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: I. Allegro | — | ||
| 40-2 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: II. Largo | — | ||
| 40-3 | Concerto for Violin, Strings & B.C. in G major, op. 3 no. 3, RV 310: III. Allegro | — | ||
| 40-4 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: I. Allegro con molto | — | ||
| 40-5 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: II. Larghetto | — | ||
| 40-6 | Concerto for Violin, Strings & B.C. in A Minor, op. 39 no. 2, RV 461: III. Allegro | — | ||
| 40-7 | Concerto for Oboe, Strings & B.C. in D minor: I. Andante e spiccato | — | ||
| 40-8 | Concerto for Oboe, Strings & B.C. in D minor: II. Adagio | — | ||
| 40-9 | Concerto for Oboe, Strings & B.C. in D minor: III. Presto | — | ||
| 40-10 | Concerto for Oboe and Strings in C major: I. Introduzione | — | ||
| 40-11 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 40-12 | Concerto for Oboe and Strings in C major: III. Siciliana | — | ||
| 40-13 | Concerto for Oboe and Strings in C major: IV. Allegro giusto | — | ||
| 40-14 | Concerto for Oboe and Strings in E-flat major: I. Risoluto allegro - Larghetto cantabile | — | ||
| 40-15 | Concerto for Oboe and Strings in E-flat major: II. Allegro Polonese | — | ||
| 40-16 | Concertino for English Horn and Orchestra in G major: I. Andante | — | ||
| 40-17 | Concertino for English Horn and Orchestra in G major: II. Variationes | — | ||
| 40-18 | Concertino for English Horn and Orchestra in G major: III. Allegro | — | ||
| 41-1 | Rokoko Variations, op. 33: I. Moderato quasi andante | — | ||
| 41-2 | Rokoko Variations, op. 33: II. Thema: Moderato semplice | — | ||
| 41-3 | Rokoko Variations, op. 33: III. Variation I: Tempo della Thema | — | ||
| 41-4 | Rokoko Variations, op. 33: IV. Variation II: Tempo della Thema | — | ||
| 41-5 | Rokoko Variations, op. 33: V. Variation III: Andante sostenuto | — | ||
| 41-6 | Rokoko Variations, op. 33: VI. Variation IV: Andante grazioso | — | ||
| 41-7 | Rokoko Variations, op. 33: VII. Variation V: Allegro moderato | — | ||
| 41-8 | Rokoko Variations, op. 33: VIII. Variation VI: Andante | — | ||
| 41-9 | Rokoko Variations, op. 33: IX. Variation VII e Coda: Allegro vivo | — | ||
| 41-10 | Andante cantabile, op. posth. | — | ||
| 41-11 | Pezzo Capriccioso, op. 62 | — | ||
| 41-12 | Nocturne | — | ||
| 41-13 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: I. Allegro non troppo | — | ||
| 41-14 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: II. Allegretto con moto | — | ||
| 41-15 | Concerto no. 1 for Violoncello and Orchestra in A minor, op. 33: III. Tempo primo | — | ||
| 41-16 | Pampeana no. 2: Rhapsody for Violoncello | — | ||
| 42-1 | Sonata in C major op. 5 no. 3: I. Adagio | — | ||
| 42-2 | Sonata in C major op. 5 no. 3: II. Allegro | — | ||
| 42-3 | Sonata in C major op. 5 no. 3: III. Adagio | — | ||
| 42-4 | Sonata in C major op. 5 no. 3: IV. Allegro | — | ||
| 42-5 | Sonata in C major op. 5 no. 3: V. Allegro | — | ||
| 42-6 | Sonata in D minor op. 1 no. 7: I. Grave | — | ||
| 42-7 | Sonata in D minor op. 1 no. 7: II. Allegro | — | ||
| 42-8 | Sonata in D minor op. 1 no. 7: III. Grave | — | ||
| 42-9 | Sonata in D minor op. 1 no. 7: IV. Giga (Allegro) | — | ||
| 42-10 | Sonata in B-flat major (original: F major), Parma no. 16: I. Allegro | — | ||
| 42-11 | Sonata in B-flat major (original: F major), Parma no. 16: II. Andante | — | ||
| 42-12 | Sonata in B-flat major (original: F major), Parma no. 16: III. Allegro | — | ||
| 42-13 | Sonata in G minor op. 5 no. 12 "La Follia": I. Adagio tutti | — | ||
| 42-14 | Sonata in G minor op. 5 no. 12 "La Follia": II. Allegro tutti | — | ||
| 42-15 | Sonata in G minor op. 5 no. 12 "La Follia": III. Adagio | — | ||
| 42-16 | Sonata in G minor op. 5 no. 12 "La Follia": IV. Vivace | — | ||
| 42-17 | Sonata in G minor op. 5 no. 12 "La Follia": V. Allegro | — | ||
| 42-18 | Sonata in G minor op. 5 no. 12 "La Follia": VI. Andante | — | ||
| 42-19 | Sonata in G minor op. 5 no. 12 "La Follia": VII. Allegro | — | ||
| 42-20 | Sonata in G minor op. 5 no. 12 "La Follia": VIII. Adagio | — | ||
| 42-21 | Sonata in G minor op. 5 no. 12 "La Follia": IX. Allegro tutti | — | ||
| 42-22 | Sonata in G minor op. 13 no. 6, RV 58: I. Vivace | — | ||
| 42-23 | Sonata in G minor op. 13 no. 6, RV 58: II. Allabreve (Fuga da Capella) | — | ||
| 42-24 | Sonata in G minor op. 13 no. 6, RV 58: III. Largo | — | ||
| 42-25 | Sonata in G minor op. 13 no. 6, RV 58: IV. Allegro ma non presto | — | ||
| 42-26 | Sonata in E minor op. 5 no. 8: I. Preludio (Largo) | — | ||
| 42-27 | Sonata in E minor op. 5 no. 8: II. Allemanda (Allegro) | — | ||
| 42-28 | Sonata in E minor op. 5 no. 8: III. Sarabanda (Largo) | — | ||
| 42-29 | Sonata in E minor op. 5 no. 8: IV. Giga (Allegro) | — | ||
| 42-30 | Sinfonia in C major (original: B-flat major), Parma no. 13: I. Allegro | — | ||
| 42-31 | Sinfonia in C major (original: B-flat major), Parma no. 13: II. Adagio | — | ||
| 42-32 | Sinfonia in C major (original: B-flat major), Parma no. 13: III. Allegro | — | ||
| 42-33 | Sonata in C minor: I. Adagio | — | ||
| 42-34 | Sonata in C minor: II. Presto | — | ||
| 42-35 | Sonata in C minor: III. Adagio | — | ||
| 42-36 | Sonata in C minor: IV. Giga (Allegro) | — | ||
| 43-1 | Miniatures: Mzkemsuri | — | ||
| 43-2 | Miniatures: Suliko | — | ||
| 43-3 | Miniatures: Lale | — | ||
| 43-4 | Miniatures: Indi-Mindi | — | ||
| 43-5 | Miniatures: Tzin Tzkaro | — | ||
| 43-6 | Miniatures: Satchidao | — | ||
| 43-7 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 43-8 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 43-9 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 44-1 | Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina. Allegro | — | ||
| 44-2 | Domine ad adiuvandum me festina, RV 593: II. Gloria Patri. Andante molto | — | ||
| 44-3 | Domine ad adiuvandum me festina, RV 593: III. Sicut erat. Andante - Allegro | — | ||
| 44-4 | Dixit Dominus, RV 807: I. Dixit Dominus. Allegro | — | ||
| 44-5 | Dixit Dominus, RV 807: II. Donec ponam. Largo | — | ||
| 44-6 | Dixit Dominus, RV 807: III. Virgam virtutis tuae. Andante molto | — | ||
| 44-7 | Dixit Dominus, RV 807: IV. Tecum principium. Allegro | — | ||
| 44-8 | Dixit Dominus, RV 807: V. Iuravit Dominus. Allegro molto | — | ||
| 44-9 | Dixit Dominus, RV 807: VI. Dominus a dextris tuis. Allegro | — | ||
| 44-10 | Dixit Dominus, RV 807: VII. Iudicabit in nationibus. Adagio - Presto | — | ||
| 44-11 | Dixit Dominus, RV 807: VIII. De torrente in via bibet. Andante | — | ||
| 44-12 | Dixit Dominus, RV 807: IX. Gloria Patri. Allegro | — | ||
| 44-13 | Dixit Dominus, RV 807: X. Sicut erat in principio. Allegro - più allegro - Presto | — | ||
| 44-14 | Laetatus sum, RV 607 | — | ||
| 44-15 | Nisi Dominus, RV 803: I. Nisi Dominus. Allegro | — | ||
| 44-16 | Nisi Dominus, RV 803: II. Nisi Dominus custodierit. Allegro | — | ||
| 44-17 | Nisi Dominus, RV 803: III. Vanum est vobis. Allegro | — | ||
| 44-18 | Nisi Dominus, RV 803: IV. Cum dederit. Andante | — | ||
| 44-19 | Nisi Dominus, RV 803: V. Sicut sagittae. Allegro | — | ||
| 44-20 | Nisi Dominus, RV 803: VI. Beatus vir | — | ||
| 44-21 | Nisi Dominus, RV 803: VII. Gloria Patri. Larghetto | — | ||
| 44-22 | Nisi Dominus, RV 803: VIII. Sicut erat in principio. Allegro | — | ||
| 44-23 | Lauda Jerusalem, RV 609 | — | ||
| 44-24 | Magnificat, RV 610: I. Magnificat. Adagio | — | ||
| 44-25 | Magnificat, RV 610: II. Et exultavit. Allegro | — | ||
| 44-26 | Magnificat, RV 610: III. Et misericordia. Andante molto | — | ||
| 44-27 | Magnificat, RV 610: IV. Fecit potentiam. Presto - V. Deposuit potente de sede | — | ||
| 44-28 | Magnificat, RV 610: VI. Esurientes implevit Bonis. Allegro | — | ||
| 44-29 | Magnificat, RV 610: VII. Suscepit Israel. Largo | — | ||
| 44-30 | Magnificat, RV 610: VIII. Sicut locutus est. Allegro ma poco | — | ||
| 44-31 | Magnificat, RV 610: IX. Gloria Patri. Largo - Allegro | — | ||
| 45-1 | Poro: Duetto: Caro amico amplesso! | — | ||
| 45-2 | Serse: Recitativo: Romilda infida | — | ||
| 45-3 | Serse: Duetto: Troppo oltraggi la mia fede | — | ||
| 45-4 | Admeto: Recitativo: Quivi, tra questi soltari orrori | — | ||
| 45-5 | Admeto: Aria: Ah, sì, morrò | — | ||
| 45-6 | Admeto: Duetto: Alma mia, dolce ristoro | — | ||
| 45-7 | Muzio Scevola: Duetto: Ma come amar? | — | ||
| 45-8 | Rodelinda: Aria: Ritorna, o caro e dolce mio tesoro | — | ||
| 45-9 | Rodelinda: Recitativo: Non ti bastò | — | ||
| 45-10 | Rodelinda: Duetto: lo t'abbraccio | — | ||
| 45-11 | Arminio: Ouverture | — | ||
| 45-12 | Arminio: Recitativo: Fuggi, mio dene | — | ||
| 45-13 | Arminio: Duetto: Il fuggir, cara mia vita | — | ||
| 45-14 | Arminio: Duetto: Ritorna nel cuore vezzosa | — | ||
| 45-15 | Arminio: Menuetto | — | ||
| 45-16 | Teseo: Recitativo: Parte Agilea, per venerar la Dea | — | ||
| 45-17 | Teseo: Aria: Ti credo, si, ben' mio | — | ||
| 45-18 | Teseo: Recitativo: Commanda, dunque, ò bella | — | ||
| 45-19 | Teseo: Aria: Ah! Cruda gelosia! | — | ||
| 45-20 | Teseo: Recitativo: Dunque all'affetto mio | — | ||
| 45-21 | Teseo: Duetto: Addio! Mio caro bene | — | ||
| 46-1 | Per non mi dir ch'io moia | — | ||
| 46-2 | Alma afflitta, che fai? | — | ||
| 46-3 | Ohimè, se tanto amate | — | ||
| 46-4 | Partite sopra La Romanesca | — | ||
| 46-5 | Era l'anima mia | — | ||
| 46-6 | O miseria d'amante | — | ||
| 46-7 | Mentre d'ampia voragine tonante | — | ||
| 46-8 | Moribondo mio pianto | — | ||
| 46-9 | Or che la notte | — | ||
| 46-10 | Voi volete ch'io mora | — | ||
| 46-11 | Langue al vostro languir | — | ||
| 46-12 | Come sian dolorose | — | ||
| 46-13 | Toccata Settima | — | ||
| 46-14 | Ah dolente partita | — | ||
| 46-15 | Chieci desir | — | ||
| 46-16 | Occhi, un tempo mia vita | — | ||
| 47-1 | Tannhäuser: Ouverture | — | ||
| 47-2 | Tannhäuser: Bacchanale | — | ||
| 47-3 | Lohengrin: Prelude to Act I | — | ||
| 47-4 | Lohengrin: Prelude to Act III | — | ||
| 47-5 | Die Walküre: The Ride of the Valkyries | — | ||
| 47-6 | Götterdämmerung: Siegfried's Rhine Journey | — | ||
| 47-7 | Götterdämmerung: Funeral March | — | ||
| 48-1 | QUINTET IN D MAJOR, TWV 44:1: I. SINFONIA | Concerto Melante, Reinhold Friedrich | — | |
| 48-2 | Sonata for Trumpet, 2 Violins, Viola & B.C. in D major TWV 44:1: II. Largo | — | ||
| 48-3 | Sonata for Trumpet, 2 Violins, Viola & B.C. in D major TWV 44:1: III. Vivace | — | ||
| 48-4 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: I. Cantabile | — | ||
| 48-5 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: II. Vivace | — | ||
| 48-6 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: III. Andante | — | ||
| 48-7 | Sonata for Violin, Viola da gamba & B.C. in A major, TWV 42:A104: IV. No Indication | — | ||
| 48-8 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: I. Affettuoso | — | ||
| 48-9 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: II. Allegro | — | ||
| 48-10 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: III. Grave | — | ||
| 48-11 | Sonata for 2 Violins, Viola & B.C. in A minor, TWV 42:a5: IV. Vivace | — | ||
| 48-12 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: I. Vivace | — | ||
| 48-13 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: II. Adagio | — | ||
| 48-14 | Sonata for Violin, Cello & B.C. in G major, TWV 42:G7: III. Allegro | — | ||
| 48-15 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: I. Tendrement | — | ||
| 48-16 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: II. Allegrement | — | ||
| 48-17 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: III. Chandon | — | ||
| 48-18 | Sonata for 2 Violins, & B.C. in B minor, TWV 42:h5: IV. Allegrement | — | ||
| 48-19 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: I. Allegro | — | ||
| 48-20 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: II. Adagio | — | ||
| 48-21 | Sonata for Violin, Viola & B.C. in D major, TWV 42:D11: III. Vivace | — | ||
| 48-22 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: I. Affettuoso | — | ||
| 48-23 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: II. Allegro / Affettuoso | — | ||
| 48-24 | Sonate for 2 Violins, 2 Viola, Cello & B.C. in A major, TWV 44:35: III. Allegro | — | ||
| 48-25 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: I. Adagio | — | ||
| 48-26 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: II. Allegro | — | ||
| 48-27 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: III. Adagio | — | ||
| 48-28 | Sonata for 2 Violins & B.C. in E minor, TWV 42:e12: IV. Presto | — | ||
| 48-29 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: I. Affettuoso | — | ||
| 48-30 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: II. Allegro / Adagio | — | ||
| 48-31 | Sonata for 2 Violins, Viola & Basso in A major, TWV 40:200: III. Vivace | — | ||
| 49-1 | Concerto in D major, Wq 13: I. Allegro | — | ||
| 49-2 | Concerto in D major, Wq 13: II. Un poco andante | — | ||
| 49-3 | Concerto in D major, Wq 13: III. Allegro assai | — | ||
| 49-4 | Pastorale in A minor, Wq deest: Moderato | — | ||
| 49-5 | Trio in F major, Wq 163: I. Un poco andante | — | ||
| 49-6 | Trio in F major, Wq 163: II. Allegretto | — | ||
| 49-7 | Trio in F major, Wq 163: III. Allegro | — | ||
| 49-8 | Concerto in E-flat major, Wq 35: I. Allegro ma non troppo | — | ||
| 49-9 | Concerto in E-flat major, Wq 35: II. Adagio sostenuto | — | ||
| 49-10 | Concerto in E-flat major, Wq 35: III. Allegro assai | — | ||
| 49-11 | Sonata in E Flat major, Wq 92/5: Andante | — | ||
| 50-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Wiener Philharmoniker, Christian Thielemann | T-001.444.317-4 | |
| 50-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Christian Thielemann | T-001.444.317-4 | |
| 50-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-7 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Christian Thielemann | — | |
| 50-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Christian Thielemann | — |
