UPC · Release
Anna Moffo
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The UPC for “Anna Moffo: The Complete RCA Recital Albums” by Anna Moffo is 888750322326. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: RCA Red Seal. This release contains 157 tracks, each with its own ISRC. Tracks include USBC19606508, USBC19606510, USBC16600133.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Faust : Acte III. Air des bijoux (Jewel Song) (Marguerite) | — | ||
| 2 | La bohème: Atto I. “Mi chiamano Mimì” (Mimì) | — | ||
| 3 | Dinorah : Acte II. « Ombre légère » (Shadow Song) (Dinorah) | — | ||
| 4 | Carmen : Acte III. « Je dis que rien ne m’épouvante » (Micaela’s Air) (Micaela) | — | ||
| 5 | Semiramide: Atto I. “Bel raggio lusinghier” (Semiramide) | — | ||
| 6 | Turandot: Atto I. “Signore, ascolta” (Liù) | — | ||
| 7 | Turandot: Atto III. “Tu che di gel sei cinta” (Liù) | — | ||
| 8 | Lakmé : Acte II. Air des clochettes (Bell Song) (Lakmé, Nilankantha) | — | ||
| 2-1 | Sweethearts (from “Sweethearts”) | — | ||
| 2-2 | A Kiss in the Dark (from “Orange Blossoms”) | — | ||
| 2-3 | Lover, Come Back to Me (from “The New Moon”) | — | ||
| 2-4 | You Are Love (from “Show Boat”) | — | ||
| 2-5 | Indian Love Call (from “Rose Marie”) | — | ||
| 2-6 | Ah! Sweet Mystery of Life (from “Naughty Marietta”) | — | ||
| 2-7 | Yours Is My Heart Alone (from “The Land of Smiles”) | — | ||
| 2-8 | I’ll See You Again (from “Bitter Sweet”) | — | ||
| 2-9 | My Hero (from “The Chocolate Soldier”) | — | ||
| 2-10 | One Alone (from “The Desert Song”) | — | ||
| 2-11 | Some Day (from “The Vagabond King”) | — | ||
| 2-12 | Will You Remember (Sweetheart) (from “Maytime”) | — | ||
| 3-1 | I vespri siciliani: “Mercè, dilette amiche” | — | ||
| 3-2 | Ernani: “Ernani, involami” | — | ||
| 3-3 | Aida: “O patria mia” | — | ||
| 3-4 | Il trovatore: “D’amor sull’ali rosee” | — | ||
| 3-5 | Giovanna d’Arco: “O ben s’addice questo torbido cielo” | — | ||
| 3-6 | Otello: “Salce! Salce!” (Willow Song) … “Ave Maria” | — | ||
| 3-7 | Un ballo in maschera: “Morrò, ma prima in grazia” | — | ||
| 3-8 | Simon Boccanegra: “Come in quest’ora bruna” | — | ||
| 4-1 | Manon : Acte I. « Eh ! J’imagine » | — | ||
| 4-2 | Manon : Acte I. « Je suis encore toute étourdie » | — | ||
| 4-3 | Manon : Acte I. « Regardez‐moi bien dans les yeux ! » | — | ||
| 4-4 | Manon : Acte I. « Ne bronchez pas » | — | ||
| 4-5 | Manon : Acte I. « Voyons, Manon, plus de chimères » | — | ||
| 4-6 | Manon : Acte I. « Quelqu’un » … « J’ai marqué l’heure du départ » | — | ||
| 4-7 | Manon : Acte I. « Nous vivrons à Paris » | — | ||
| 4-8 | Manon : Acte II. « Allons ! il le faut » | — | ||
| 4-9 | Manon : Acte II. « Adieu, notre petite table » | — | ||
| 4-10 | Manon : Acte II. « Enfin, Manon » … « En fermant les yeux » | — | ||
| 4-11 | Manon : Acte III. Gavotte: « Obéissons quand leur voix appelle » | — | ||
| 4-12 | Manon : Acte III. « Je suis seul ! » | — | ||
| 4-13 | Manon : Acte III. « Ah ! fuyez, douce image » | — | ||
| 4-14 | Manon : Acte III. « Toi ! Vous ! … Oui, c’est moi ! » | — | ||
| 4-15 | Manon : Acte III. « N’est‐ce plus ma main que cette main presse ? » | — | ||
| 4-16 | Manon : Acte V. « Ah ! Des Grieux » … « O Manon ! » | — | ||
| 4-17 | Le Portrait de Manon : « L’amour, toujours l’amour maudit ! » | — | ||
| 4-18 | Le Portrait de Manon : « On se serait assis sur le gazon » | — | ||
| 5-1 | Manon Lescaut: Atto I. “Cortese damigella” | — | ||
| 5-2 | Manon Lescaut: Atto I. “Donna non vidi mai” | — | ||
| 5-3 | Manon Lescaut: Atto I. “Vedete? Io son fedele” | — | ||
| 5-4 | Manon Lescaut: Atto II. “Dispettosetto questo riccio!” | — | ||
| 5-5 | Manon Lescaut: Atto II. “In quelle trine morbide” | — | ||
| 5-6 | Manon Lescaut: Atto II. “Oh, sarò la più bella!” | — | ||
| 5-7 | Manon Lescaut: Atto II. “Taci, taci, tu il cor mi frangi!” | — | ||
| 5-8 | Manon Lescaut: Atto II. “Ah! Affe madamigella” | — | ||
| 5-9 | Manon Lescaut: Atto II. “Senti, di qui partiamo” | — | ||
| 5-10 | Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” | — | ||
| 5-11 | Manon Lescaut: Atto III. “Il passo m’aprite” | — | ||
| 5-12 | Manon Lescaut: Atto III. “No! Pazzo son!” | — | ||
| 6-1 | Die Fledermaus: Overture | — | ||
| 6-2 | Die Fledermaus: Act I. “Though honesty is said to be the policy that’s best” | — | ||
| 6-3 | Die Fledermaus: Act I. “Calamity, Catastrophe” | — | ||
| 6-4 | Die Fledermaus: Act I. “Alfred! – Here we are, just you and I” | — | ||
| 6-5 | Die Fledermaus: Act I. “Propriety, propriety” | — | ||
| 6-6 | Die Fledermaus: Act II. “More often than not … Chacun à son goût” | — | ||
| 6-7 | Die Fledermaus: Act II. “Look at how I look” (Adele’s Laughing Song) | — | ||
| 6-8 | Die Fledermaus: Act II. “Echoes of Hungary!” (Czárdás) | — | ||
| 6-9 | Die Fledermaus: Act II. “Champagne is so romancing, tra la la la” | — | ||
| 6-10 | Die Fledermaus: Act II. “Oh, mon ami, we’ll meet again” | — | ||
| 6-11 | Die Fledermaus: Act II. “Happiness, here’s to health and happiness” | — | ||
| 6-12 | Die Fledermaus: Act II. “A waltz, let’s have a waltz” | — | ||
| 6-13 | Die Fledermaus: Act III. “Oh, for the life of an actress” | — | ||
| 6-14 | Die Fledermaus: Act III. “I’m very fond of elderberry wine and sherry” | — | ||
| 7-1 | One Night of Love: “One Night of Love” | — | ||
| 7-2 | Love Me Tonight: “Lover” | — | ||
| 7-3 | Carousel: “If I Loved You” | — | ||
| 7-4 | Naughty Marietta: “Italian Street Song” | — | ||
| 7-5 | Mlle. Modiste: “Kiss Me Again” | — | ||
| 7-6 | The Merry Widow: “Vilia” | — | ||
| 7-7 | The Boys From Syracuse: “Falling in Love With Love” | — | ||
| 7-8 | The King Steps Out: “Stars in My Eyes” | — | ||
| 7-9 | Song of Norway: “Strange Music” | — | ||
| 7-10 | Bittersweet: “I’ll See You Again” | — | ||
| 7-11 | The Kissing Bandit: “Love Is Where You Find It” | — | ||
| 7-12 | The Cocoanuts: “Always” | — | ||
| 8-1 | Songs of the Auvergne: L'Antouèno | — | ||
| 8-2 | Songs of the Auvergne: Pastourelle | — | ||
| 8-3 | Songs of the Auvergne: L'aïo de Rotso | — | ||
| 8-4 | Songs of the Auvergne: Baïlèro | — | ||
| 8-5 | Songs of the Auvergne: Passo pel prat | — | ||
| 8-6 | Songs of the Auvergne: Malurous qu'o uno fenno | — | ||
| 8-7 | Songs of the Auvergne: Brezairola | — | ||
| 8-8 | Bachianas Brasileiras no. 5: Aria (cantilena) | Anna Moffo, American Symphony Orchestra | T-905.380.384-2 | |
| 8-9 | Bachianas Brasileiras No. 5: Dansa (Martelo) | — | ||
| 8-10 | Vocalise, op. 34 no 14 | Anna Moffo, American Symphony Orchestra, Leopold Stokowski | T-900.222.366-7 | |
| 9-1 | Cinq poèmes de Baudelaire, L. 64, CD 70 : I. Le Balcon | — | ||
| 9-2 | Cinq poèmes de Baudelaire, L. 64, CD 70 : II. Harmonie du soir | — | ||
| 9-3 | Cinq poèmes de Baudelaire, L. 64, CD 70 : III. Le Jet d’eau | — | ||
| 9-4 | Cinq poèmes de Baudelaire, L. 64, CD 70 : IV. Recueillement | — | ||
| 9-5 | Cinq poèmes de Baudelaire, L. 64, CD 70 : V. La Mort des amants | — | ||
| 9-6 | Fêtes galantes, L. 80, CD 86 : I. En sourdine | — | ||
| 9-7 | Fêtes galantes, L. 80, CD 86 : II. Fantoches | — | ||
| 9-8 | Fêtes galantes, L. 80, CD 86 : III. Clair de lune | — | ||
| 9-9 | Romance, L. 52, CD 56, mélodie pour voix et piano « Voici que le printemps » | — | ||
| 9-10 | Romance, L. 79, CD 65, mélodie pour voix et piano « L’Âme évaporée et souffrante » | — | ||
| 9-11 | Mandoline, L. 29, CD 43, mélodie pour voix et piano « Les Donneurs de sérénades » | — | ||
| 9-12 | Chansons de Bilitis, L. 90 : I. La Flûte de Pan | — | ||
| 9-13 | Chansons de Bilitis, L. 90 : II. Le Chevelure | — | ||
| 9-14 | Chansons de Bilitis, L. 90 : III. Le Tombeau des Naiades | — | ||
| 10-1 | La Fille du régiment : Acte I. « Chacun le sait, chacun le dit » (Marie) | — | ||
| 10-2 | La Damnation de Faust, op. 24 : Part IV, scène 15. « D’amour l’ardente flamme » | — | ||
| 10-3 | Hérodiade : « Il est doux, il est bon » | — | ||
| 10-4 | Hamlet : Acte IV. « À vous jeux, mes amis… » (Ophéile) | — | ||
| 10-5 | Les Pêcheurs de perles : Acte I. « Ô Dieu Brahma » (Leila, Chœur) | — | ||
| 10-6 | Robert le Diable : Acte IV. « Robert, toi que j’aime » (Isabelle) | — | ||
| 10-7 | Romeo et Juliette : Acte I. « Je veux vivre dans le rêve » (Juliette) | — | ||
| 10-8 | Werther : Acte III. « Ces lettres !… ces letres !… je les relis sans cesse ! » (Charlotte) | — | ||
| 10-9 | Louise : Acte III, scène 1. « Depuis le jour, où je me suis donnée » (Louise) | — | ||
| 11-1 | Orfeo ed Euridice: “Qual vita e questa mai” | — | ||
| 11-2 | Orfeo ed Euridice: “Che fiero momento!” | — | ||
| 11-3 | Orfeo ed Euridice: “Avvezza al contento” | — | ||
| 11-4 | Orfeo ed Euridice: “Che fiero momento!” | — | ||
| 11-5 | La serva padrona: Atto I. “Stizzoso, mio stizzoso” | — | ||
| 11-6 | La serva padrona: Atto II. “A Serpina penserete” | — | ||
| 11-7 | Lucia di Lammermoor: Atto I, scena 2: “Ancor non giunse!” | — | ||
| 11-8 | Lucia di Lammermoor: Atto I, scena 2: “Regnava nel silenzio” | — | ||
| 11-9 | Lucia di Lammermoor: Atto I, scena 2: “Quando, rapito in estasi” | — | ||
| 11-10 | Lucia di Lammermoor: Atto III, scena 2: “Eccola!: Il dolce suono” | — | ||
| 11-11 | Lucia di Lammermoor: Atto III, scena 2: “Ohimè! Sorge il tremendo fantasma” | — | ||
| 11-12 | Lucia di Lammermoor: Atto III, scena 2: “Ardon gl’incensi” | — | ||
| 11-13 | Lucia di Lammermoor: Atto III, scena 2: “S’avanza Enrico!” | — | ||
| 11-14 | Lucia di Lammermoor: Atto III, scena 2: “Spargi d’amaro pianto” | — | ||
| 11-15 | Luisa Miller: Atto I, scena 1: “Lo vidi, è’l primo palpito” | — | ||
| 11-16 | Rigoletto: Atto I: “Gualtier Maldé, caro nome” | — | ||
| 11-17 | La traviata: Atto I: “È strano, è strano!” … “Ah, fors’è lui” | — | ||
| 11-18 | La traviata: Atto I: “Follie! Follie! Delirio vano” | — | ||
| 11-19 | La traviata: Atto I: “Sempre libera” | — | ||
| 11-20 | La traviata: Atto III: “Teneste la promessa” | — | ||
| 11-21 | La traviata: Atto III: “Addio del passato” | — | ||
| 11-22 | La Bohème: “Sì. Mi chiamano Mimì” | — | ||
| 11-23 | La rondine: Atto I. “Chi il bel sogno di Doretta” | Sylvia Brigham-Dimiziani, Franca Mattiucci, Anna Moffo, Virginia De Notaristefani, Piero de Palma, Graziella Sciutti, Orchestra della RCA Italiana, Francesco Molinari-Pradelli | — | |
| 12-1 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” | — | ||
| 12-2 | Madama Butterfly: Atto I. “Ah! dolce notte, quante stelle” | — | ||
| 12-3 | La Bohème: Atto I. “O soave fanciulla” | — | ||
| 12-4 | Manon Lescaut: Atto II. “Oh, sarò la più bella!” | — | ||
| 12-5 | Manon Lescaut: Atto II. “Taci, taci, tu il cor mi frangi!” | — | ||
| 12-6 | Lucia di Lammermoor: Atto I, scena 2. “Sulla tomba che rinserra” | — | ||
| 12-7 | Lucia di Lammermoor: Atto I, scena 2. “Qui di sposa eterna fede” | — | ||
| 12-8 | La Traviata: Atto III. “Parigi, o cara” | — | ||
| 12-9 | Rigoletto: Atto III. “Giovanna, ho dei rimorsi” | — | ||
| 12-10 | Rigoletto: Atto III. “È il sol dell’anima” | — | ||
| 12-11 | Manon : Acte III. « Toi ! Vous ! » … « Oui, c’est moi ! » | — | ||
| 12-12 | Manon : Acte III. « N’est‐ce plus ma main que cette main presse ? » | — | ||
| 12-13 | Luisa Miller: Atto III. “Ah! L’ultima preghiera” | — | ||
| 12-14 | La Traviata: Atto I. “Un dì felice eterea” | — | ||
| 12-15 | La Rondine: “Che caldo! Che sete!” | — | ||
| 12-16 | La Rondine: “Perché mai cercate di saper” | — | ||
| 12-17 | La Rondine: “Zitti! Non disturbiamoli!” | — |
Identifier Graph
888750322326 is a Universal Product Code (UPC) assigned to Anna Moffo: The Complete RCA Recital Albums by Anna Moffo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 157 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Anna Moffo: The Complete RCA Recital Albums” by Anna Moffo is 888750322326. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: RCA Red Seal. This release contains 157 tracks, each with its own ISRC. Tracks include USBC19606508, USBC19606510, USBC16600133.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Faust : Acte III. Air des bijoux (Jewel Song) (Marguerite) | — | ||
| 2 | La bohème: Atto I. “Mi chiamano Mimì” (Mimì) | — | ||
| 3 | Dinorah : Acte II. « Ombre légère » (Shadow Song) (Dinorah) | — | ||
| 4 | Carmen : Acte III. « Je dis que rien ne m’épouvante » (Micaela’s Air) (Micaela) | — | ||
| 5 | Semiramide: Atto I. “Bel raggio lusinghier” (Semiramide) | — | ||
| 6 | Turandot: Atto I. “Signore, ascolta” (Liù) | — | ||
| 7 | Turandot: Atto III. “Tu che di gel sei cinta” (Liù) | — | ||
| 8 | Lakmé : Acte II. Air des clochettes (Bell Song) (Lakmé, Nilankantha) | — | ||
| 2-1 | Sweethearts (from “Sweethearts”) | — | ||
| 2-2 | A Kiss in the Dark (from “Orange Blossoms”) | — | ||
| 2-3 | Lover, Come Back to Me (from “The New Moon”) | — | ||
| 2-4 | You Are Love (from “Show Boat”) | — | ||
| 2-5 | Indian Love Call (from “Rose Marie”) | — | ||
| 2-6 | Ah! Sweet Mystery of Life (from “Naughty Marietta”) | — | ||
| 2-7 | Yours Is My Heart Alone (from “The Land of Smiles”) | — | ||
| 2-8 | I’ll See You Again (from “Bitter Sweet”) | — | ||
| 2-9 | My Hero (from “The Chocolate Soldier”) | — | ||
| 2-10 | One Alone (from “The Desert Song”) | — | ||
| 2-11 | Some Day (from “The Vagabond King”) | — | ||
| 2-12 | Will You Remember (Sweetheart) (from “Maytime”) | — | ||
| 3-1 | I vespri siciliani: “Mercè, dilette amiche” | — | ||
| 3-2 | Ernani: “Ernani, involami” | — | ||
| 3-3 | Aida: “O patria mia” | — | ||
| 3-4 | Il trovatore: “D’amor sull’ali rosee” | — | ||
| 3-5 | Giovanna d’Arco: “O ben s’addice questo torbido cielo” | — | ||
| 3-6 | Otello: “Salce! Salce!” (Willow Song) … “Ave Maria” | — | ||
| 3-7 | Un ballo in maschera: “Morrò, ma prima in grazia” | — | ||
| 3-8 | Simon Boccanegra: “Come in quest’ora bruna” | — | ||
| 4-1 | Manon : Acte I. « Eh ! J’imagine » | — | ||
| 4-2 | Manon : Acte I. « Je suis encore toute étourdie » | — | ||
| 4-3 | Manon : Acte I. « Regardez‐moi bien dans les yeux ! » | — | ||
| 4-4 | Manon : Acte I. « Ne bronchez pas » | — | ||
| 4-5 | Manon : Acte I. « Voyons, Manon, plus de chimères » | — | ||
| 4-6 | Manon : Acte I. « Quelqu’un » … « J’ai marqué l’heure du départ » | — | ||
| 4-7 | Manon : Acte I. « Nous vivrons à Paris » | — | ||
| 4-8 | Manon : Acte II. « Allons ! il le faut » | — | ||
| 4-9 | Manon : Acte II. « Adieu, notre petite table » | — | ||
| 4-10 | Manon : Acte II. « Enfin, Manon » … « En fermant les yeux » | — | ||
| 4-11 | Manon : Acte III. Gavotte: « Obéissons quand leur voix appelle » | — | ||
| 4-12 | Manon : Acte III. « Je suis seul ! » | — | ||
| 4-13 | Manon : Acte III. « Ah ! fuyez, douce image » | — | ||
| 4-14 | Manon : Acte III. « Toi ! Vous ! … Oui, c’est moi ! » | — | ||
| 4-15 | Manon : Acte III. « N’est‐ce plus ma main que cette main presse ? » | — | ||
| 4-16 | Manon : Acte V. « Ah ! Des Grieux » … « O Manon ! » | — | ||
| 4-17 | Le Portrait de Manon : « L’amour, toujours l’amour maudit ! » | — | ||
| 4-18 | Le Portrait de Manon : « On se serait assis sur le gazon » | — | ||
| 5-1 | Manon Lescaut: Atto I. “Cortese damigella” | — | ||
| 5-2 | Manon Lescaut: Atto I. “Donna non vidi mai” | — | ||
| 5-3 | Manon Lescaut: Atto I. “Vedete? Io son fedele” | — | ||
| 5-4 | Manon Lescaut: Atto II. “Dispettosetto questo riccio!” | — | ||
| 5-5 | Manon Lescaut: Atto II. “In quelle trine morbide” | — | ||
| 5-6 | Manon Lescaut: Atto II. “Oh, sarò la più bella!” | — | ||
| 5-7 | Manon Lescaut: Atto II. “Taci, taci, tu il cor mi frangi!” | — | ||
| 5-8 | Manon Lescaut: Atto II. “Ah! Affe madamigella” | — | ||
| 5-9 | Manon Lescaut: Atto II. “Senti, di qui partiamo” | — | ||
| 5-10 | Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” | — | ||
| 5-11 | Manon Lescaut: Atto III. “Il passo m’aprite” | — | ||
| 5-12 | Manon Lescaut: Atto III. “No! Pazzo son!” | — | ||
| 6-1 | Die Fledermaus: Overture | — | ||
| 6-2 | Die Fledermaus: Act I. “Though honesty is said to be the policy that’s best” | — | ||
| 6-3 | Die Fledermaus: Act I. “Calamity, Catastrophe” | — | ||
| 6-4 | Die Fledermaus: Act I. “Alfred! – Here we are, just you and I” | — | ||
| 6-5 | Die Fledermaus: Act I. “Propriety, propriety” | — | ||
| 6-6 | Die Fledermaus: Act II. “More often than not … Chacun à son goût” | — | ||
| 6-7 | Die Fledermaus: Act II. “Look at how I look” (Adele’s Laughing Song) | — | ||
| 6-8 | Die Fledermaus: Act II. “Echoes of Hungary!” (Czárdás) | — | ||
| 6-9 | Die Fledermaus: Act II. “Champagne is so romancing, tra la la la” | — | ||
| 6-10 | Die Fledermaus: Act II. “Oh, mon ami, we’ll meet again” | — | ||
| 6-11 | Die Fledermaus: Act II. “Happiness, here’s to health and happiness” | — | ||
| 6-12 | Die Fledermaus: Act II. “A waltz, let’s have a waltz” | — | ||
| 6-13 | Die Fledermaus: Act III. “Oh, for the life of an actress” | — | ||
| 6-14 | Die Fledermaus: Act III. “I’m very fond of elderberry wine and sherry” | — | ||
| 7-1 | One Night of Love: “One Night of Love” | — | ||
| 7-2 | Love Me Tonight: “Lover” | — | ||
| 7-3 | Carousel: “If I Loved You” | — | ||
| 7-4 | Naughty Marietta: “Italian Street Song” | — | ||
| 7-5 | Mlle. Modiste: “Kiss Me Again” | — | ||
| 7-6 | The Merry Widow: “Vilia” | — | ||
| 7-7 | The Boys From Syracuse: “Falling in Love With Love” | — | ||
| 7-8 | The King Steps Out: “Stars in My Eyes” | — | ||
| 7-9 | Song of Norway: “Strange Music” | — | ||
| 7-10 | Bittersweet: “I’ll See You Again” | — | ||
| 7-11 | The Kissing Bandit: “Love Is Where You Find It” | — | ||
| 7-12 | The Cocoanuts: “Always” | — | ||
| 8-1 | Songs of the Auvergne: L'Antouèno | — | ||
| 8-2 | Songs of the Auvergne: Pastourelle | — | ||
| 8-3 | Songs of the Auvergne: L'aïo de Rotso | — | ||
| 8-4 | Songs of the Auvergne: Baïlèro | — | ||
| 8-5 | Songs of the Auvergne: Passo pel prat | — | ||
| 8-6 | Songs of the Auvergne: Malurous qu'o uno fenno | — | ||
| 8-7 | Songs of the Auvergne: Brezairola | — | ||
| 8-8 | Bachianas Brasileiras no. 5: Aria (cantilena) | Anna Moffo, American Symphony Orchestra | T-905.380.384-2 | |
| 8-9 | Bachianas Brasileiras No. 5: Dansa (Martelo) | — | ||
| 8-10 | Vocalise, op. 34 no 14 | Anna Moffo, American Symphony Orchestra, Leopold Stokowski | T-900.222.366-7 | |
| 9-1 | Cinq poèmes de Baudelaire, L. 64, CD 70 : I. Le Balcon | — | ||
| 9-2 | Cinq poèmes de Baudelaire, L. 64, CD 70 : II. Harmonie du soir | — | ||
| 9-3 | Cinq poèmes de Baudelaire, L. 64, CD 70 : III. Le Jet d’eau | — | ||
| 9-4 | Cinq poèmes de Baudelaire, L. 64, CD 70 : IV. Recueillement | — | ||
| 9-5 | Cinq poèmes de Baudelaire, L. 64, CD 70 : V. La Mort des amants | — | ||
| 9-6 | Fêtes galantes, L. 80, CD 86 : I. En sourdine | — | ||
| 9-7 | Fêtes galantes, L. 80, CD 86 : II. Fantoches | — | ||
| 9-8 | Fêtes galantes, L. 80, CD 86 : III. Clair de lune | — | ||
| 9-9 | Romance, L. 52, CD 56, mélodie pour voix et piano « Voici que le printemps » | — | ||
| 9-10 | Romance, L. 79, CD 65, mélodie pour voix et piano « L’Âme évaporée et souffrante » | — | ||
| 9-11 | Mandoline, L. 29, CD 43, mélodie pour voix et piano « Les Donneurs de sérénades » | — | ||
| 9-12 | Chansons de Bilitis, L. 90 : I. La Flûte de Pan | — | ||
| 9-13 | Chansons de Bilitis, L. 90 : II. Le Chevelure | — | ||
| 9-14 | Chansons de Bilitis, L. 90 : III. Le Tombeau des Naiades | — | ||
| 10-1 | La Fille du régiment : Acte I. « Chacun le sait, chacun le dit » (Marie) | — | ||
| 10-2 | La Damnation de Faust, op. 24 : Part IV, scène 15. « D’amour l’ardente flamme » | — | ||
| 10-3 | Hérodiade : « Il est doux, il est bon » | — | ||
| 10-4 | Hamlet : Acte IV. « À vous jeux, mes amis… » (Ophéile) | — | ||
| 10-5 | Les Pêcheurs de perles : Acte I. « Ô Dieu Brahma » (Leila, Chœur) | — | ||
| 10-6 | Robert le Diable : Acte IV. « Robert, toi que j’aime » (Isabelle) | — | ||
| 10-7 | Romeo et Juliette : Acte I. « Je veux vivre dans le rêve » (Juliette) | — | ||
| 10-8 | Werther : Acte III. « Ces lettres !… ces letres !… je les relis sans cesse ! » (Charlotte) | — | ||
| 10-9 | Louise : Acte III, scène 1. « Depuis le jour, où je me suis donnée » (Louise) | — | ||
| 11-1 | Orfeo ed Euridice: “Qual vita e questa mai” | — | ||
| 11-2 | Orfeo ed Euridice: “Che fiero momento!” | — | ||
| 11-3 | Orfeo ed Euridice: “Avvezza al contento” | — | ||
| 11-4 | Orfeo ed Euridice: “Che fiero momento!” | — | ||
| 11-5 | La serva padrona: Atto I. “Stizzoso, mio stizzoso” | — | ||
| 11-6 | La serva padrona: Atto II. “A Serpina penserete” | — | ||
| 11-7 | Lucia di Lammermoor: Atto I, scena 2: “Ancor non giunse!” | — | ||
| 11-8 | Lucia di Lammermoor: Atto I, scena 2: “Regnava nel silenzio” | — | ||
| 11-9 | Lucia di Lammermoor: Atto I, scena 2: “Quando, rapito in estasi” | — | ||
| 11-10 | Lucia di Lammermoor: Atto III, scena 2: “Eccola!: Il dolce suono” | — | ||
| 11-11 | Lucia di Lammermoor: Atto III, scena 2: “Ohimè! Sorge il tremendo fantasma” | — | ||
| 11-12 | Lucia di Lammermoor: Atto III, scena 2: “Ardon gl’incensi” | — | ||
| 11-13 | Lucia di Lammermoor: Atto III, scena 2: “S’avanza Enrico!” | — | ||
| 11-14 | Lucia di Lammermoor: Atto III, scena 2: “Spargi d’amaro pianto” | — | ||
| 11-15 | Luisa Miller: Atto I, scena 1: “Lo vidi, è’l primo palpito” | — | ||
| 11-16 | Rigoletto: Atto I: “Gualtier Maldé, caro nome” | — | ||
| 11-17 | La traviata: Atto I: “È strano, è strano!” … “Ah, fors’è lui” | — | ||
| 11-18 | La traviata: Atto I: “Follie! Follie! Delirio vano” | — | ||
| 11-19 | La traviata: Atto I: “Sempre libera” | — | ||
| 11-20 | La traviata: Atto III: “Teneste la promessa” | — | ||
| 11-21 | La traviata: Atto III: “Addio del passato” | — | ||
| 11-22 | La Bohème: “Sì. Mi chiamano Mimì” | — | ||
| 11-23 | La rondine: Atto I. “Chi il bel sogno di Doretta” | Sylvia Brigham-Dimiziani, Franca Mattiucci, Anna Moffo, Virginia De Notaristefani, Piero de Palma, Graziella Sciutti, Orchestra della RCA Italiana, Francesco Molinari-Pradelli | — | |
| 12-1 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” | — | ||
| 12-2 | Madama Butterfly: Atto I. “Ah! dolce notte, quante stelle” | — | ||
| 12-3 | La Bohème: Atto I. “O soave fanciulla” | — | ||
| 12-4 | Manon Lescaut: Atto II. “Oh, sarò la più bella!” | — | ||
| 12-5 | Manon Lescaut: Atto II. “Taci, taci, tu il cor mi frangi!” | — | ||
| 12-6 | Lucia di Lammermoor: Atto I, scena 2. “Sulla tomba che rinserra” | — | ||
| 12-7 | Lucia di Lammermoor: Atto I, scena 2. “Qui di sposa eterna fede” | — | ||
| 12-8 | La Traviata: Atto III. “Parigi, o cara” | — | ||
| 12-9 | Rigoletto: Atto III. “Giovanna, ho dei rimorsi” | — | ||
| 12-10 | Rigoletto: Atto III. “È il sol dell’anima” | — | ||
| 12-11 | Manon : Acte III. « Toi ! Vous ! » … « Oui, c’est moi ! » | — | ||
| 12-12 | Manon : Acte III. « N’est‐ce plus ma main que cette main presse ? » | — | ||
| 12-13 | Luisa Miller: Atto III. “Ah! L’ultima preghiera” | — | ||
| 12-14 | La Traviata: Atto I. “Un dì felice eterea” | — | ||
| 12-15 | La Rondine: “Che caldo! Che sete!” | — | ||
| 12-16 | La Rondine: “Perché mai cercate di saper” | — | ||
| 12-17 | La Rondine: “Zitti! Non disturbiamoli!” | — |
