UPC · Release
Chopin, Rachmaninoff, Liszt, Fauré, Ravel, Debussy, Bridge, Ireland, Walton, Kathryn Stott
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888751356221 is the Universal Product Code (UPC barcode) for the release “Kathryn Stott – The Complete Solo Recordings” by Chopin, Rachmaninoff, Liszt, Fauré, Ravel, Debussy, Bridge, Ireland, Walton, Kathryn Stott, released 2015-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 121 tracks, each with its own ISRC. Tracks include GBARU8700005.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 3 | Berceuse, Op. 57 | — | ||
| 4 | Fantasy in F minor, Op. 49 | — | ||
| 5 | Trois Ecossaises, Op. 72 No. 3 | — | ||
| 6 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 7 | Tarantelle in A flat major, Op. 43 | — | ||
| 8 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 9 | Contredanse in G flat major, B. 17 | — | ||
| 2-1 | Prelude, op. 23: No. 1 in F-sharp minor | — | ||
| 2-2 | Prelude, op 23: No. 2 in B-flat major | — | ||
| 2-3 | Prelude, op 23: No. 6 in E-flat major | — | ||
| 2-4 | Prelude, op 23: No. 5 in G minor | — | ||
| 2-5 | Prelude, op. 23: No. 4 in D major | — | ||
| 2-6 | Morceaux de Fantaisie, Op. 3: No. 2. Prelude in C Sharp Minor | — | ||
| 2-7 | Morceaux de Fantaisie, Op. 3: No. 3. Melodie in E Major | — | ||
| 2-8 | Morceaux de Fantaisie, Op. 3: No. 4. Polichinelle in F-Sharp Minor | — | ||
| 2-9 | Variations on a Theme of Corelli op. 42: Theme | — | ||
| 2-10 | Variations on a Theme of Corelli op. 42: No. 1 Poco Piu Mosso | — | ||
| 2-11 | Variations on a Theme of Corelli op. 42: No. 2 L'Istesso Tempo | — | ||
| 2-12 | Variations on a Theme of Corelli op. 42: No. 3 Tempo Di Minuetto | — | ||
| 2-13 | Variations on a Theme of Corelli op. 42: No. 4 Andante | — | ||
| 2-14 | Variations on a Theme of Corelli op. 42: No. 5 Allegro Ma Non Tanto | — | ||
| 2-15 | Variations on a Theme of Corelli op. 42: No. 6 L'Istesso Tempo | — | ||
| 2-16 | Variations on a Theme of Corelli op. 42: No. 7 Vivace | — | ||
| 2-17 | Variations on a Theme of Corelli op. 42: No. 8 Adagio Misterioso | — | ||
| 2-18 | Variations on a Theme of Corelli op. 42: No. 9 un Poco Piu Mosso | — | ||
| 2-19 | Variations on a Theme of Corelli op. 42: No. 10 Allegro Scherzando | — | ||
| 2-20 | Variations on a Theme of Corelli op. 42: No. 11 Allegro Vivace | — | ||
| 2-21 | Variations on a Theme of Corelli op. 42: No. 12 L'Istesso Tempo | — | ||
| 2-22 | Variations on a Theme of Corelli op. 42: No. 13 Agitato | — | ||
| 2-23 | Variations on a Theme of Corelli op. 42: Intermezzo | — | ||
| 2-24 | Variations on a Theme of Corelli op. 42: No. 14 Andante | — | ||
| 2-25 | Variations on a Theme of Corelli op. 42: No. 15 L'Istesso Tempo | — | ||
| 2-26 | Variations on a Theme of Corelli op. 42: No. 16 Allegro Vivace | — | ||
| 2-27 | Variations on a Theme of Corelli op. 42: No. 17 Meno Mosso | — | ||
| 2-28 | Variations on a Theme of Corelli op. 42: No. 18 Allegro Con Brio | — | ||
| 2-29 | Variations on a Theme of Corelli op. 42: No. 19 Piu Mosso, Agitato | — | ||
| 2-30 | Variations on a Theme of Corelli op. 42: No. 20 Piu Mosso | — | ||
| 2-31 | Variations on a Theme of Corelli op. 42: No. 21 Coda (Andante) | — | ||
| 2-32 | Kreilser Transcr. Rachmaninov: Liebesleid | — | ||
| 2-33 | Kreilser Transcr. Rachmaninov: Liebesfrued | — | ||
| 3-1 | Liebestraume No.1: Hohe Liebe | — | ||
| 3-2 | Liebestraume No.2: Gestorben war ich | — | ||
| 3-3 | Liebestraume No.3: O lieb, so lang du lieben kannst | — | ||
| 3-4 | Italie - Sonetto 47 (Pace non trovo) | — | ||
| 3-5 | Italie - Sonetto 104 (Benedetta sia'l giorno) | — | ||
| 3-6 | Italie - Sonetto 123 (I vidi in terra angeli costumi) | — | ||
| 3-7 | Il lamento | — | ||
| 3-8 | La leggierezza | — | ||
| 3-9 | Un sospiro | — | ||
| 4-1 | Impromptu no. 2 in F minor, op. 31 | — | ||
| 4-2 | Nocturne in E-flat major, op. 33 No. 1 | — | ||
| 4-3 | Trois romances sans paroles, op. 17 | — | ||
| 4-4 | Barcarolle no. 6 in D-flat major, op. 70 | — | ||
| 4-5 | Nocturne no. 6 in D-Flat major, op. 63 | — | ||
| 4-6 | Barcarolle no. 5 in F-sharp minor, op. 66 | — | ||
| 4-7 | Nocturne no. 4 in E-flat major, op. 36 | — | ||
| 4-8 | Barcarolle no. 4 in A-flat major, op. 44 | — | ||
| 4-9 | Impromptu no. 1 in E-flat major, op. 25 | — | ||
| 4-10 | Barcarolle no. 3 in A minor, op. 26 | — | ||
| 4-11 | Impromptu no. 3 in A-flat major, op. 34 | — | ||
| 5-1 | Barcarolle no. 2 in G major, op. 41 | — | ||
| 5-2 | Barcarolle no. 7 in D minor, op. 90 | — | ||
| 5-3 | Nocturne no. 9 in B minor, op. 97 | — | ||
| 5-4 | Nocturne no. 10 in E minor, op. 99 | — | ||
| 5-5 | Impromptu no. 6 in D-flat major, op. 86 | — | ||
| 5-6 | Barcarolle no. 12 in E-flat, op. 106 | — | ||
| 5-7 | Barcarolle no. 11 in G minor, op. 105 | — | ||
| 5-8 | Mazurka in B-flat major, op. 32 | — | ||
| 5-9 | Nocturne no. 11 in F-sharp minor, op. 104: No. 1 | — | ||
| 5-10 | Nocturne no. 8 in D-flat major, op. 84: No. 5 | — | ||
| 5-11 | Valse caprice no. 4 in A-flat, op. 62 | — | ||
| 6-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 6-2 | Le Tombeau de Couperin, M. 68: II. Fugue | — | ||
| 6-3 | Le Tombeau de Couperin, M. 68: II. Forlane | — | ||
| 6-4 | Le Tombeau de Couperin, M. 68: III. Rigaudon | — | ||
| 6-5 | Le Tombeau de Couperin, M. 68: IV. Menuet | — | ||
| 6-6 | Le Tombeau de Couperin, M. 68: V. Toccata | — | ||
| 6-7 | Jeux d'eau, M. 30 | — | ||
| 6-8 | Sonatine, M. 40:: I. "Modéré" | — | ||
| 6-9 | Sonatine, M. 40:: II. "Mouvement de menuet" | — | ||
| 6-10 | Sonatine, M. 40:: III. "Animé" | — | ||
| 6-11 | Pavane pour une infante défunte, M. 19 | — | ||
| 6-12 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 6-13 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 6-14 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 7-1 | L'Ise joyeuse | — | ||
| 7-2 | Ballade | — | ||
| 7-3 | Suite Bergamasque: I. Prelude | — | ||
| 7-4 | Suite Bergamasque: II. Menuet | — | ||
| 7-5 | Suite Bergamasque: III. Clair de lune | Kathryn Stott | — | |
| 7-6 | Suite Bergamasque: IV. Passepied | — | ||
| 7-7 | Deux Arabesques: I | — | ||
| 7-8 | Deux Arabesques: II | — | ||
| 7-9 | Rêverie | — | ||
| 7-10 | La plus que lente | — | ||
| 7-11 | Images pour piano - Livre I: I. Reflets dans l'eau | — | ||
| 7-12 | Images pour piano - Livre I: II. Hommage à Rameau | — | ||
| 7-13 | Images pour piano - Livre I: III. Mouvement | — | ||
| 8-1 | Capriccio No. 1 in A minor, H. 52 | — | ||
| 8-2 | 2 Solos for Piano, H. 54: I. A Sea Idyll in E major | — | ||
| 8-3 | 2 Solos for Piano, H. 54: II. Capriccio No. 2 in F-sharp major | — | ||
| 8-4 | Three Poems: II. Ecstasy | — | ||
| 8-5 | Vignettes de Marseille, H. 166: I. Carmelita | — | ||
| 8-6 | Vignettes de Marseille, H. 166: II. Nicolette | — | ||
| 8-7 | Vignettes de Marseille, H. 166: III. Zoraïda | — | ||
| 8-8 | Vignettes de Marseille, H. 166: IV. En Féte | — | ||
| 8-9 | The Hour Glass, Suite, H. 148: I. The Dusk | — | ||
| 8-10 | The Hour Glass, Suite, H. 148: II. The Dew Fairy | — | ||
| 8-11 | The Hour Glass, Suite, H. 148: III. The Midnight Tide | — | ||
| 8-12 | Sonata for Piano, H. 160: I. Lento Ma Non Troppo - Andante Ben Moderato - Allegro Energico | — | ||
| 8-13 | Sonata for Piano, H. 160: II. Andante Ben Moderato - Andante Espressivo - Lento E Calmato | — | ||
| 8-14 | Sonata for Piano, H. 160: III. Lento - Allegro Non Troppo | — | ||
| 9-1 | Piano Concerto in E Flat Major: I. In tempo moderato | — | ||
| 9-2 | Piano Concerto in E Flat Major: II. Lento espressivo - Allegro - cadenza | — | ||
| 9-3 | Piano Concerto in E-Flat Major: III. Allegretto giocoso - Meno mosso - Tempo I - Meno mosso - Piu tranquillo - Lento - Allegro vivace | — | ||
| 9-4 | Phantasm for Piano and Orchestra | — | ||
| 9-5 | Sinfonia Concertante for Orchestra with Piano: I. Maestoso - Allegro spiritoso - Poco meno mosso - Allegretto - Poco - A tempo dell'allegrettomeno mosso | — | ||
| 9-6 | Sinfonia Concertante for Orchestra with Piano: II. Andante commodo | — | ||
| 9-7 | Sinfonia Concertante for Orchestra with Piano: III. Allegro molto - molto maestoso - subito Allegro | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
888751356221 is a Universal Product Code (UPC) assigned to Kathryn Stott – The Complete Solo Recordings by Chopin, Rachmaninoff, Liszt, Fauré, Ravel, Debussy, Bridge, Ireland, Walton, Kathryn Stott. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 121 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888751356221 is the Universal Product Code (UPC barcode) for the release “Kathryn Stott – The Complete Solo Recordings” by Chopin, Rachmaninoff, Liszt, Fauré, Ravel, Debussy, Bridge, Ireland, Walton, Kathryn Stott, released 2015-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 121 tracks, each with its own ISRC. Tracks include GBARU8700005.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 3 | Berceuse, Op. 57 | — | ||
| 4 | Fantasy in F minor, Op. 49 | — | ||
| 5 | Trois Ecossaises, Op. 72 No. 3 | — | ||
| 6 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 7 | Tarantelle in A flat major, Op. 43 | — | ||
| 8 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 9 | Contredanse in G flat major, B. 17 | — | ||
| 2-1 | Prelude, op. 23: No. 1 in F-sharp minor | — | ||
| 2-2 | Prelude, op 23: No. 2 in B-flat major | — | ||
| 2-3 | Prelude, op 23: No. 6 in E-flat major | — | ||
| 2-4 | Prelude, op 23: No. 5 in G minor | — | ||
| 2-5 | Prelude, op. 23: No. 4 in D major | — | ||
| 2-6 | Morceaux de Fantaisie, Op. 3: No. 2. Prelude in C Sharp Minor | — | ||
| 2-7 | Morceaux de Fantaisie, Op. 3: No. 3. Melodie in E Major | — | ||
| 2-8 | Morceaux de Fantaisie, Op. 3: No. 4. Polichinelle in F-Sharp Minor | — | ||
| 2-9 | Variations on a Theme of Corelli op. 42: Theme | — | ||
| 2-10 | Variations on a Theme of Corelli op. 42: No. 1 Poco Piu Mosso | — | ||
| 2-11 | Variations on a Theme of Corelli op. 42: No. 2 L'Istesso Tempo | — | ||
| 2-12 | Variations on a Theme of Corelli op. 42: No. 3 Tempo Di Minuetto | — | ||
| 2-13 | Variations on a Theme of Corelli op. 42: No. 4 Andante | — | ||
| 2-14 | Variations on a Theme of Corelli op. 42: No. 5 Allegro Ma Non Tanto | — | ||
| 2-15 | Variations on a Theme of Corelli op. 42: No. 6 L'Istesso Tempo | — | ||
| 2-16 | Variations on a Theme of Corelli op. 42: No. 7 Vivace | — | ||
| 2-17 | Variations on a Theme of Corelli op. 42: No. 8 Adagio Misterioso | — | ||
| 2-18 | Variations on a Theme of Corelli op. 42: No. 9 un Poco Piu Mosso | — | ||
| 2-19 | Variations on a Theme of Corelli op. 42: No. 10 Allegro Scherzando | — | ||
| 2-20 | Variations on a Theme of Corelli op. 42: No. 11 Allegro Vivace | — | ||
| 2-21 | Variations on a Theme of Corelli op. 42: No. 12 L'Istesso Tempo | — | ||
| 2-22 | Variations on a Theme of Corelli op. 42: No. 13 Agitato | — | ||
| 2-23 | Variations on a Theme of Corelli op. 42: Intermezzo | — | ||
| 2-24 | Variations on a Theme of Corelli op. 42: No. 14 Andante | — | ||
| 2-25 | Variations on a Theme of Corelli op. 42: No. 15 L'Istesso Tempo | — | ||
| 2-26 | Variations on a Theme of Corelli op. 42: No. 16 Allegro Vivace | — | ||
| 2-27 | Variations on a Theme of Corelli op. 42: No. 17 Meno Mosso | — | ||
| 2-28 | Variations on a Theme of Corelli op. 42: No. 18 Allegro Con Brio | — | ||
| 2-29 | Variations on a Theme of Corelli op. 42: No. 19 Piu Mosso, Agitato | — | ||
| 2-30 | Variations on a Theme of Corelli op. 42: No. 20 Piu Mosso | — | ||
| 2-31 | Variations on a Theme of Corelli op. 42: No. 21 Coda (Andante) | — | ||
| 2-32 | Kreilser Transcr. Rachmaninov: Liebesleid | — | ||
| 2-33 | Kreilser Transcr. Rachmaninov: Liebesfrued | — | ||
| 3-1 | Liebestraume No.1: Hohe Liebe | — | ||
| 3-2 | Liebestraume No.2: Gestorben war ich | — | ||
| 3-3 | Liebestraume No.3: O lieb, so lang du lieben kannst | — | ||
| 3-4 | Italie - Sonetto 47 (Pace non trovo) | — | ||
| 3-5 | Italie - Sonetto 104 (Benedetta sia'l giorno) | — | ||
| 3-6 | Italie - Sonetto 123 (I vidi in terra angeli costumi) | — | ||
| 3-7 | Il lamento | — | ||
| 3-8 | La leggierezza | — | ||
| 3-9 | Un sospiro | — | ||
| 4-1 | Impromptu no. 2 in F minor, op. 31 | — | ||
| 4-2 | Nocturne in E-flat major, op. 33 No. 1 | — | ||
| 4-3 | Trois romances sans paroles, op. 17 | — | ||
| 4-4 | Barcarolle no. 6 in D-flat major, op. 70 | — | ||
| 4-5 | Nocturne no. 6 in D-Flat major, op. 63 | — | ||
| 4-6 | Barcarolle no. 5 in F-sharp minor, op. 66 | — | ||
| 4-7 | Nocturne no. 4 in E-flat major, op. 36 | — | ||
| 4-8 | Barcarolle no. 4 in A-flat major, op. 44 | — | ||
| 4-9 | Impromptu no. 1 in E-flat major, op. 25 | — | ||
| 4-10 | Barcarolle no. 3 in A minor, op. 26 | — | ||
| 4-11 | Impromptu no. 3 in A-flat major, op. 34 | — | ||
| 5-1 | Barcarolle no. 2 in G major, op. 41 | — | ||
| 5-2 | Barcarolle no. 7 in D minor, op. 90 | — | ||
| 5-3 | Nocturne no. 9 in B minor, op. 97 | — | ||
| 5-4 | Nocturne no. 10 in E minor, op. 99 | — | ||
| 5-5 | Impromptu no. 6 in D-flat major, op. 86 | — | ||
| 5-6 | Barcarolle no. 12 in E-flat, op. 106 | — | ||
| 5-7 | Barcarolle no. 11 in G minor, op. 105 | — | ||
| 5-8 | Mazurka in B-flat major, op. 32 | — | ||
| 5-9 | Nocturne no. 11 in F-sharp minor, op. 104: No. 1 | — | ||
| 5-10 | Nocturne no. 8 in D-flat major, op. 84: No. 5 | — | ||
| 5-11 | Valse caprice no. 4 in A-flat, op. 62 | — | ||
| 6-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 6-2 | Le Tombeau de Couperin, M. 68: II. Fugue | — | ||
| 6-3 | Le Tombeau de Couperin, M. 68: II. Forlane | — | ||
| 6-4 | Le Tombeau de Couperin, M. 68: III. Rigaudon | — | ||
| 6-5 | Le Tombeau de Couperin, M. 68: IV. Menuet | — | ||
| 6-6 | Le Tombeau de Couperin, M. 68: V. Toccata | — | ||
| 6-7 | Jeux d'eau, M. 30 | — | ||
| 6-8 | Sonatine, M. 40:: I. "Modéré" | — | ||
| 6-9 | Sonatine, M. 40:: II. "Mouvement de menuet" | — | ||
| 6-10 | Sonatine, M. 40:: III. "Animé" | — | ||
| 6-11 | Pavane pour une infante défunte, M. 19 | — | ||
| 6-12 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 6-13 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 6-14 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 7-1 | L'Ise joyeuse | — | ||
| 7-2 | Ballade | — | ||
| 7-3 | Suite Bergamasque: I. Prelude | — | ||
| 7-4 | Suite Bergamasque: II. Menuet | — | ||
| 7-5 | Suite Bergamasque: III. Clair de lune | Kathryn Stott | — | |
| 7-6 | Suite Bergamasque: IV. Passepied | — | ||
| 7-7 | Deux Arabesques: I | — | ||
| 7-8 | Deux Arabesques: II | — | ||
| 7-9 | Rêverie | — | ||
| 7-10 | La plus que lente | — | ||
| 7-11 | Images pour piano - Livre I: I. Reflets dans l'eau | — | ||
| 7-12 | Images pour piano - Livre I: II. Hommage à Rameau | — | ||
| 7-13 | Images pour piano - Livre I: III. Mouvement | — | ||
| 8-1 | Capriccio No. 1 in A minor, H. 52 | — | ||
| 8-2 | 2 Solos for Piano, H. 54: I. A Sea Idyll in E major | — | ||
| 8-3 | 2 Solos for Piano, H. 54: II. Capriccio No. 2 in F-sharp major | — | ||
| 8-4 | Three Poems: II. Ecstasy | — | ||
| 8-5 | Vignettes de Marseille, H. 166: I. Carmelita | — | ||
| 8-6 | Vignettes de Marseille, H. 166: II. Nicolette | — | ||
| 8-7 | Vignettes de Marseille, H. 166: III. Zoraïda | — | ||
| 8-8 | Vignettes de Marseille, H. 166: IV. En Féte | — | ||
| 8-9 | The Hour Glass, Suite, H. 148: I. The Dusk | — | ||
| 8-10 | The Hour Glass, Suite, H. 148: II. The Dew Fairy | — | ||
| 8-11 | The Hour Glass, Suite, H. 148: III. The Midnight Tide | — | ||
| 8-12 | Sonata for Piano, H. 160: I. Lento Ma Non Troppo - Andante Ben Moderato - Allegro Energico | — | ||
| 8-13 | Sonata for Piano, H. 160: II. Andante Ben Moderato - Andante Espressivo - Lento E Calmato | — | ||
| 8-14 | Sonata for Piano, H. 160: III. Lento - Allegro Non Troppo | — | ||
| 9-1 | Piano Concerto in E Flat Major: I. In tempo moderato | — | ||
| 9-2 | Piano Concerto in E Flat Major: II. Lento espressivo - Allegro - cadenza | — | ||
| 9-3 | Piano Concerto in E-Flat Major: III. Allegretto giocoso - Meno mosso - Tempo I - Meno mosso - Piu tranquillo - Lento - Allegro vivace | — | ||
| 9-4 | Phantasm for Piano and Orchestra | — | ||
| 9-5 | Sinfonia Concertante for Orchestra with Piano: I. Maestoso - Allegro spiritoso - Poco meno mosso - Allegretto - Poco - A tempo dell'allegrettomeno mosso | — | ||
| 9-6 | Sinfonia Concertante for Orchestra with Piano: II. Andante commodo | — | ||
| 9-7 | Sinfonia Concertante for Orchestra with Piano: III. Allegro molto - molto maestoso - subito Allegro | — |
