UPC · Release
Leonard Bernstein: The Remastered Edition
Leonard Bernstein
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889854171421 is the Universal Product Code (UPC barcode) for the release “Leonard Bernstein: The Remastered Edition” by Leonard Bernstein, released 2017-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include USSM10112055, USSM10112056, USSM10112057.
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Credit Chain
Track List (14)
Additional database matches (221)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Something’s Coming | Larry Kert | T-070.136.715-8 |
| The Dance at the Gym | Orchestra | T-070.113.892-2 |
| Maria | Larry Kert | T-070.108.440-3 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| Tonight | Larry Kert, Carol Lawrence | T-901.072.962-1 |
| Gee, Officer Krupke! | Eddie Roll, Grover Dale, Hank Brunjes, Tony Mordente, David Winters | T-070.063.859-0 |
| I Feel Pretty | Carol Lawrence, Marilyn Cooper, Carmen Gutierrez, Elizabeth Taylor | T-070.902.843-2 |
| One Hand, One Heart | Larry Kert, Carol Lawrence | T-070.159.178-7 |
| Tonight (Quintet and Chorus) | Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy | T-070.125.208-5 |
| The Rumble | Orchestra | T-070.127.422-7 |
| Somewhere (Ballet) | Larry Kert, Carol Lawrence, Reri Grist | T-070.136.739-6 |
| Cool | Mickey Calin | T-070.025.960-4 |
| A Boy Like That / I Have a Love | Chita Rivera, Carol Lawrence | T-070.012.286-6 |
| Finale | Ensemble | T9065409270 |
| Prologue | Orchestra | T-070.166.807-6 |
| Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T0702091937 |
| Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — |
| Gaîté parisienne : VIII. Barcarolle | New York Philharmonic, Leonard Bernstein | T-909336964-3 |
| Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 |
| An American in Paris | New York Philharmonic, Leonard Bernstein | T0700011444 |
| Four Sea Interludes from “Peter Grimes”, op. 33a: I. Lento e tranquillo. “Dawn” | New York Philharmonic, Leonard Bernstein | — |
| Four Sea Interludes from “Peter Grimes”, op. 33a: II. Allegro spiritoso. “Sunday Morning” | New York Philharmonic, Leonard Bernstein | — |
| Four Sea Interludes from “Peter Grimes”, op. 33a: III. Andante comodo e rubato. “Moonlight” | New York Philharmonic, Leonard Bernstein | — |
| Four Sea Interludes from “Peter Grimes”, op. 33a: IV. Presto con fuoco - molto animato - largamente - tempo I. “Storm” | New York Philharmonic, Leonard Bernstein | — |
| On the Town: Some Other Time | Cris Alexander, Betty Comden, Adolph Green, Nancy Walker, New York Philharmonic, Leonard Bernstein | T-070.136.536-7 |
| Grand Canyon Suite: I. Sunrise | New York Philharmonic, Leonard Bernstein | — |
| Grand Canyon Suite: II. Painted Desert | New York Philharmonic, Leonard Bernstein | — |
| Grand Canyon Suite: III. On the Trail | New York Philharmonic, Leonard Bernstein | — |
| Grand Canyon Suite: IV. Sunset | New York Philharmonic, Leonard Bernstein | — |
| Grand Canyon Suite: V. Cloudburst | New York Philharmonic, Leonard Bernstein | — |
| The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto | New York Philharmonic, Leonard Bernstein | T3122077576 |
| The Bartered Bride: Overture | New York Philharmonic, Leonard Bernstein | T9138289073 |
| Carnival Overture, op. 92: Allegro - Andante con moto - Allegro | New York Philharmonic, Leonard Bernstein | — |
| Slavonic Dances no. 1 in C major, op. 46: Presto | New York Philharmonic, Leonard Bernstein | T3125270039 |
| Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro | New York Philharmonic, Leonard Bernstein | — |
| Finale | Ensemble | T0112559677 |
| Three Dances from The Bartered Bride: Polka | New York Philharmonic, Leonard Bernstein | — |
| Three Dances from The Bartered Bride: Furiant | New York Philharmonic, Leonard Bernstein | T0315336992 |
| Three Dances from The Bartered Bride: Dance of the Comedians | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — |
| Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 1, op. 46: I. Dawn | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 1, op. 46: II. The Death of Åse | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance | New York Philharmonic, Leonard Bernstein | T-928635589-3 |
| Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home | New York Philharmonic, Leonard Bernstein | — |
| Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song | New York Philharmonic, Leonard Bernstein | — |
| Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brilliante | Juilliard String Quartet, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in E‐flat major, op. 82: I. Molto moderato – Allegro moderato – Presto | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto – Un pochettino largamente – Largamente assai | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: I. Introduction | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: II. The Firebird and its Dance | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: III. Variation of the Firebird | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: IV. The Princesses’ Round | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: V. Infernal Dance of King Kashchei | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: VI. Lullaby | New York Philharmonic, Leonard Bernstein | — |
| Firebird Suite: VII. Finale | New York Philharmonic, Leonard Bernstein | T0730711440 |
| Romeo and Juliet Fantasy Overture | New York Philharmonic, Leonard Bernstein | — |
| L’Italiana in Algeri: Overture | New York Philharmonic, Leonard Bernstein | T3019725390 |
| Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T3064822711 |
| La scala di seta: Overture | New York Philharmonic, Leonard Bernstein | T3051576008 |
| La gazza ladra: Overture | New York Philharmonic, Leonard Bernstein | — |
| Semiramide: Overture | New York Philharmonic, Leonard Bernstein | — |
| Symphony No. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | New York Philharmonic, Leonard Bernstein | T9317172626 |
| Passacaglia from “Peter Grimes”, op. 33b | New York Philharmonic, Leonard Bernstein | — |
| Finale | Ensemble | T0701591787 |
| Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | New York Philharmonic, Leonard Bernstein | T3037926282 |
| Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | New York Philharmonic, Leonard Bernstein | T3084518918 |
| Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — |
| Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Philippe Entremont, New York Philharmonic, Leonard Bernstein | T-071.926.821-9 |
| El salón México | New York Philharmonic, Leonard Bernstein | T-070.133.985-6 |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | Glenn Gould, New York Philharmonic, Leonard Bernstein | — |
| Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | T0701367396 |
| Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | T0701391641 |
| Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — |
| Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — |
| Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — |
| Central Park in the Dark | New York Philharmonic, Seiji Ozawa, Maurice Peress | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | New York Philharmonic, Leonard Bernstein | T9022862562 |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": I. Vivace Assai | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": II. Allegretto | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": III. Menuetto, Trio | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": I. Allegro Spirito | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": II. Andante | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Zino Francescatti, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra, op. 14: I. Allegro | Isaac Stern, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra, op. 14: II. Andante | Isaac Stern, New York Philharmonic, Leonard Bernstein | — |
| Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | Isaac Stern, New York Philharmonic, Leonard Bernstein | — |
| Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — |
| Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — |
| Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — |
| Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — |
| Pohjola’s Daughter, op. 49 | New York Philharmonic, Leonard Bernstein | — |
| Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — |
| Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4) | John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T9024714861 |
| Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-070119642-0 |
| Night on Bald Mountain | Leonard Bernstein, New York Philharmonic | — |
| Overture "The Hebrides" ("Fingal's Cave"), op. 26: Allegro moderato - Animato in tempo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — |
| The Planets, op. 32: I. Mars, the Bringer of War. Allegro | New York Philharmonic, Leonard Bernstein | T3072786900 |
| The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I | New York Philharmonic, Leonard Bernstein | — |
| The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace | New York Philharmonic, Leonard Bernstein | T3188431569 |
| The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto | New York Philharmonic, Leonard Bernstein | T1012579096 |
| The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante | New York Philharmonic, Leonard Bernstein | — |
| The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo | New York Philharmonic, Leonard Bernstein | — |
| The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto | New York Philharmonic, Leonard Bernstein | — |
| Missa in tempore belli in C major, Hob. XXII:9: Dona nobis pacem. Allegro con spirito – Più presto | New York Philharmonic, Leonard Bernstein | — |
| On the Town: Carried Away | New York Philharmonic, Leonard Bernstein | — |
| Build My House | Marcia Henderson | — |
| The Plank | Boris Karloff | — |
| Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — |
| Candide: Act I. The Best of All Possible Worlds (Pangloss, Cunegonde, Candide, ensemble) | Barbara Cook, Robert Rounseville, Samuel Krachmalnick | T-070.011.011-7 |
| Candide: Act I. Oh, Happy We (Candide, Cunegonde) | Samuel Krachmalnick | T-070.158.261-7 |
| Candide: Act I. Glitter and Be Gay (Cunegonde) | Samuel Krachmalnick | T-070.064.357-7 |
| The Nutcracker: Suite, op. 71a: III. Valse des fleurs. Tempo di valse | New York Philharmonic, Leonard Bernstein | T3122077576 |
| Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — |
| Gaîté parisienne : VIII. Barcarolle | New York Philharmonic, Leonard Bernstein | T9068609381 |
| Something’s Coming | Larry Kert | T-070.136.715-8 |
| Something’s Coming | Larry Kert | T-070.136.715-8 |
| Something’s Coming | Larry Kert | T-070.136.715-8 |
| The Dance at the Gym | Orchestra | T-070.113.892-2 |
| The Dance at the Gym | Orchestra | T-070.113.892-2 |
| The Dance at the Gym | Orchestra | T-070.113.892-2 |
| Maria | Larry Kert | T-070.108.440-3 |
| Maria | Larry Kert | T-070.108.440-3 |
| Maria | Larry Kert | T-070.108.440-3 |
| Maria | Larry Kert | T-070.108.440-3 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 |
| Tonight | Larry Kert, Carol Lawrence | T-901.072.962-1 |
| Tonight | Larry Kert, Carol Lawrence | T-901.072.962-1 |
| Tonight | Larry Kert, Carol Lawrence | T-901.072.962-1 |
| Gee, Officer Krupke! | Eddie Roll, Grover Dale, Hank Brunjes, Tony Mordente, David Winters | T-070.063.859-0 |
| Gee, Officer Krupke! | Eddie Roll, Grover Dale, Hank Brunjes, Tony Mordente, David Winters | T-070.063.859-0 |
| Gee, Officer Krupke! | Eddie Roll, Grover Dale, Hank Brunjes, Tony Mordente, David Winters | T-070.063.859-0 |
| I Feel Pretty | Carol Lawrence, Marilyn Cooper, Carmen Gutierrez, Elizabeth Taylor | T-070.902.843-2 |
| I Feel Pretty | Carol Lawrence, Marilyn Cooper, Carmen Gutierrez, Elizabeth Taylor | T-070.902.843-2 |
| I Feel Pretty | Carol Lawrence, Marilyn Cooper, Carmen Gutierrez, Elizabeth Taylor | T-070.902.843-2 |
| One Hand, One Heart | Larry Kert, Carol Lawrence | T-070.159.178-7 |
| One Hand, One Heart | Larry Kert, Carol Lawrence | T-070.159.178-7 |
| One Hand, One Heart | Larry Kert, Carol Lawrence | T-070.159.178-7 |
| Tonight (Quintet and Chorus) | Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy | T-070.125.208-5 |
| Tonight (Quintet and Chorus) | Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy | T-070.125.208-5 |
| Tonight (Quintet and Chorus) | Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy | T-070.125.208-5 |
| Tonight (Quintet and Chorus) | Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy | T-070.125.208-5 |
| The Rumble | Orchestra | T-070.127.422-7 |
| The Rumble | Orchestra | T-070.127.422-7 |
| The Rumble | Orchestra | T-070.127.422-7 |
| Somewhere (Ballet) | Larry Kert, Carol Lawrence, Reri Grist | T-070.136.739-6 |
| Somewhere (Ballet) | Larry Kert, Carol Lawrence, Reri Grist | T-070.136.739-6 |
| Somewhere (Ballet) | Larry Kert, Carol Lawrence, Reri Grist | T-070.136.739-6 |
| Cool | Mickey Calin | T-070.025.960-4 |
| Cool | Mickey Calin | T-070.025.960-4 |
| Cool | Mickey Calin | T-070.025.960-4 |
| A Boy Like That / I Have a Love | Chita Rivera, Carol Lawrence | T-070.012.286-6 |
| A Boy Like That / I Have a Love | Chita Rivera, Carol Lawrence | T-070.012.286-6 |
| A Boy Like That / I Have a Love | Chita Rivera, Carol Lawrence | T-070.012.286-6 |
| Finale | Ensemble | T9065409270 |
| Prologue | Orchestra | T-070.166.807-6 |
| Prologue | Orchestra | T-070.166.807-6 |
| Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 |
| Rhapsody in Blue | Columbia Symphony Orchestra, Leonard Bernstein | T-010.244.926-2 |
| An American in Paris | New York Philharmonic, Leonard Bernstein | T0700011444 |
| Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | New York Philharmonic, Leonard Bernstein | T9317172626 |
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What is UPC 889854171421?
889854171421 is a Universal Product Code (UPC) assigned to Leonard Bernstein: The Remastered Edition by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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