UPC · Release
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The UPC for “Tonart Sekundarstufe II, Band 2 (Ausgabe 2024)” by [unknown] is 9783862276745. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. This release contains 188 tracks, each with its own ISRC. Tracks include DEB339352511, DEF065910580, DEF057530410.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alleluja (Osternacht) | — | ||
| 2 | Alleluja (Jubilus) | — | ||
| 3 | Credo | Jan Garbarek, The Hilliard Ensemble | T-011.560.128-9 | |
| 4 | Pange melos lacrimosum | — | ||
| 5 | Messe de Notre Dame, Kyrie | — | ||
| 6 | Quis dabit capiti meo aquam | — | ||
| 7 | Innsbruck, ich muss dich lassen | Regensburger Domspatzen, Domkapellmeister Professor Dr. Theobald Schrems | — | |
| 8 | Innsbruck, ich muss dich lassen (Jordi Savall) | — | ||
| 9 | Asumpta est Maria, Kyrie | — | ||
| 10 | Dolcissima mia vita | — | ||
| 11 | Der Gutzgauch auf dem Zaune sass | — | ||
| 12 | Kantate BWV 26, Schlusschor | — | ||
| 13 | Kantate BWV 26, Eroeffnungschor | — | ||
| 14 | Kantate BWV 26, So schnell ein rauschend Wasser fliesst | — | ||
| 15 | Kantate BWV 26, Die Freude wird zur Traurigkeit | — | ||
| 16 | Die Kunst der Fuge, Fuga a tre soggetti | — | ||
| 17 | Palmira, Lungi da me | — | ||
| 18 | Palmira, Lungi da me | — | ||
| 19 | Lied der Ursel (Playback) | — | ||
| 20 | Die Zauberfloete, Der Vogelfaenger bin ich ja | — | ||
| 21 | Die Zauberfloete, Der Hoelle Rache kocht in meinem Herzen | — | ||
| 22 | Cosi fan tutte, Ouvertuere | — | ||
| 23 | Cosi fan tutte, Come scoglio (Fiordiligi) | — | ||
| 24 | Cosi fan tutte, E-amore un ladroncello (Dorabella) | — | ||
| 25 | Cosi fan tutte, In uomini (Despina) | — | ||
| 26 | Cosi fan tutte, Vittoria, padroncini! (Despina) | — | ||
| 27 | Notenbeispiel 6, Come scoglio (Fiordiligi) | — | ||
| 28 | Notenbeispiel 7, È-amore un ladroncello (Dorabella) | — | ||
| 29 | Notenbeispiel 8, In uomini (Despina) | — | ||
| 30 | Notenbeispiel 9, Vittoria, padroncini! (Despina) | — | ||
| 31 | Notenbeispiele 6-9, Ensemble (Musicaeterna) | — | ||
| 32 | Der Koenig in Thule | — | ||
| 33 | Schaefers Klagelied | — | ||
| 34 | Liederkreis, op. 39: Im Walde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-802.365.389-7 | |
| 35 | In stiller Nacht | — | ||
| 36 | Ein feste Burg (Martin Agricola) | — | ||
| 37 | Sinfonie Nr. 5, Einleitung | — | ||
| 38 | Sinfonie Nr. 5, Var. I und II | — | ||
| 39 | Sinfonie Nr. 5, Fuge und Schluss | — | ||
| 40 | Les Huguenots, Ouvertuere | — | ||
| 41 | Les Huguenots, Ouvertuere (Ausschnitt) | — | ||
| 42 | Les Huguenots, Ah! Voyez, le ciel s'ouvre | — | ||
| 43 | Bataclan, Finale | — | ||
| 2-1 | Ein feste Burg (Jazz) | — | ||
| 2-2 | Ein feste Burg (Jazzkantate): Strophe 1 und 4 (Ausschnitte) | — | ||
| 2-3 | Ein feste Burg (Jazzkantate): Strophe 2 (Ausschnitt) | — | ||
| 2-4 | Ein feste Burg (Jazzkantate): Strophe 3 (Ausschnitt) | — | ||
| 2-5 | Malambo op. 7 | — | ||
| 2-6 | Estancia op. 8 | — | ||
| 2-7 | Haushamer Ländler (traditionell) | — | ||
| 2-8 | Haushamer Ländler (kommerziell) | — | ||
| 2-9 | Dubairische Tänze: 1. Satz (Anfang) | — | ||
| 2-10 | Dubairische Tänze: 5. Satz (Anfang) | — | ||
| 2-11 | Dubairische Tänze: Zwiefacher | — | ||
| 2-12 | Solo de Rabab | — | ||
| 2-13 | Komm, süßer Tod | — | ||
| 2-14 | Mannenberg Is Where It's Happening: Anfang | — | ||
| 2-15 | Mannenberg Is Where It's Happening: Schluss | — | ||
| 2-16 | Azzurro (Playback, Ausschnitt) | — | ||
| 2-17 | Azzurro | Adriano Celentano | T-005.000.857-5 | |
| 2-18 | Azzurro (Trio Elf) | — | ||
| 2-19 | Norwegian Wood (This Bird Has Flown) | The Beatles | T-010.433.936-7 | |
| 2-20 | Norwegian Wood (Playback) | — | ||
| 2-21 | Roundabout | — | ||
| 2-22 | Pictures at an Exhibition: Promenade No. 1 | Evgeny Kissin | — | |
| 2-23 | Promenade | Emerson, Lake & Palmer | T-800.323.843-6 | |
| 2-24 | Pictures at an Exhibition: Promenade I | Wiener Philharmoniker, Gustavo Dudamel | T-303.792.647-5 | |
| 2-25 | Walpurgisnacht | Schandmaul | T-800.167.846-3 | |
| 2-26 | Walpurgisnacht (Playback) | — | ||
| 2-27 | Victor io, salve | — | ||
| 2-28 | Orfeo ed Euridice (Messagera) | — | ||
| 2-29 | Orfeo ed Euridice (Ohi mè) | — | ||
| 2-30 | Organum quadruplum | — | ||
| 2-31 | Care lacrimae mie | — | ||
| 2-32 | Les Elemens, Le Chaos | — | ||
| 2-33 | Sinfonie Nr. 1 (Anfang) | — | ||
| 2-34 | Album für die Jugend Nr. 21 | — | ||
| 3-1 | Tristan und Isolde, Vorspiel (London Classical Players, Ausschnitt) | — | ||
| 3-2 | Tristan und Isolde, Vorspiel (Philadelphia Orchestra, Ausschnitt) | — | ||
| 3-3 | La Fanciulla del West, Ouvertüre | — | ||
| 3-4 | Kleine Dreigroschenmusik für Blasorchester, 1. Ouvertüre | — | ||
| 3-5 | Monolog | — | ||
| 3-6 | Neon (akustische Gitarre) | — | ||
| 3-7 | Neon (E-Gitarre) | — | ||
| 3-8 | Kompressionsarten 1) WAV 2) MP3 mit 48 kBits 3) MP3 mit 192 kBits (Lesson Learned) | — | ||
| 3-9 | Hymn to freedom (Studioaufnahme 1962) | — | ||
| 3-10 | Hymn to freedom (Livemitschnitt, 1998) | — | ||
| 3-11 | Nokturna Upright Piano | — | ||
| 3-12 | Drops of Love in an Ocean of Hate | — | ||
| 3-13 | Bodybeat Rohversion | — | ||
| 3-14 | Bodybeat gemischt | — | ||
| 3-15 | Bodybeat komprimiert | — | ||
| 3-16 | Bodybeat mit Raum/Hall | — | ||
| 3-17 | Over the Moon: Klangbildanalyse 1) Bass 2) Mitten 3) Höhen 4) Ausgewogenes Klangbild (Original) | — | ||
| 3-18 | Over the Moon (Original) | — | ||
| 3-19 | Jesus Blood Never Failed Me Yet | — | ||
| 3-20 | His Love Never Failed Me Yet | — | ||
| 3-21 | His Love Never Failed Me Yet (Playback) | — | ||
| 3-22 | Strawberry Fields | — | ||
| 3-23 | Revolution No. 9 | — | ||
| 3-24 | Hymnen 1) Ghana 2) China | — | ||
| 3-25 | Hymnen Deutschland (Abschnitt 1, Nationalhymne) | — | ||
| 3-26 | Hymnen Deutschland (Abschnitt 2, Zitat) | — | ||
| 3-27 | For Ann (rising) | — | ||
| 3-28 | Symphony no. 5 in C minor, op. 67: III. Allegro | MusicAeterna, Teodor Currentzis | — | |
| 3-29 | Beethoven X The AI Project, Scherzo | — | ||
| 3-30 | Autobahn (1991/2009) | — | ||
| 3-31 | Radioactivity (1991/2009) | — | ||
| 3-32 | Radioaktivität (2017) | — | ||
| 3-33 | Your Love (1986) | — | ||
| 3-34 | Ride on Time | — | ||
| 3-35 | Break My Soul | — | ||
| 3-36 | Never Stop | — | ||
| 3-37 | Invention 13, BWV 784 | — | ||
| 3-38 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Il giardino armonico | — | |
| 4-1 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 4-2 | Concerto RV 580 (L estro armonico op. 3,10): 1. Satz (Europa galante) | — | ||
| 4-3 | Concerto RV 580 (L estro armonico op. 3,10): 1. Satz (Emmy Verhey) | — | ||
| 4-4 | Suite in D-Dur Wassermusik: 1. Satz (Anfang) | — | ||
| 4-5 | Sinfonie Nr. 3: 4. Satz (Anfang) | — | ||
| 4-6 | Orchestersuite Nr. 3: 3. Satz (Anfang) | — | ||
| 4-7 | Gaillarde XV | — | ||
| 4-8 | Sinfonie Nr. 41, KV 551 | — | ||
| 4-9 | Fantasie in fis-Moll, Wq 67 | — | ||
| 4-10 | Sinfonie Nr. 9/2, 2.Satz | — | ||
| 4-11 | Sinfonie a 8, 1. Satz | — | ||
| 4-12 | Sinfonie Nr. 8: 1. Satz, Exposition | — | ||
| 4-13 | Sinfonie Nr. 8: 1. Satz, Durchfuehrung | — | ||
| 4-14 | Sinfonie Nr. 8: 1. Satz | — | ||
| 4-15 | Sonatine C-Dur | — | ||
| 4-16 | Streichquartett d-Moll Hob. III.76: 1. Satz, Exposition | — | ||
| 4-17 | Streichquartett d-Moll Hob. III.76: 1. Satz, Durchführung | — | ||
| 4-18 | Suite Nr. 4 in e-Moll, Gigue | — | ||
| 4-19 | Klavierkonzert B-Dur, KV 595: 3. Satz, Konzertflügel | — | ||
| 4-20 | Klavierkonzert B-Dur, KV 595: 3. Satz, Hammerklavier | — | ||
| 4-21 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 1 | — | ||
| 4-22 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 1 und 2 | — | ||
| 4-23 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 3 | — | ||
| 4-24 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 4 | — | ||
| 4-25 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 5 | — | ||
| 4-26 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 6 | — | ||
| 4-27 | Gebet einer Jungfrau | — | ||
| 4-28 | Arabeske | — | ||
| 4-29 | Feux follets | — | ||
| 4-30 | Theme et Etude op. 45, a-Moll: Notenbeispiel 1 | — | ||
| 4-31 | Theme et Etude op. 45, a-Moll: Notenbeispiel 3 | — | ||
| 4-32 | Theme et Etude op. 45, a-Moll: Notenbeispiel 4 | — | ||
| 4-33 | Lontano | — | ||
| 4-34 | Three Movements for Orchestra: 2. Satz (Anfang) | — | ||
| 4-35 | Romeo und Julia: Tanz der Ritter (Anfang) | — | ||
| 4-36 | 6 Stücke für Orchester op. 6, Nr. 1 | — | ||
| 4-37 | La mer, Jeux de vagues | — | ||
| 4-38 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 5-1 | Tannhäuser: Ouvertüre (Anfang, Pilgerchoral) | — | ||
| 5-2 | Tannhäuser: Ouvertüre (Ausschnitt Venusberg-Episode) | — | ||
| 5-3 | Serenade A-Dur op. 16, 2. Satz (Scherzo) | — | ||
| 5-4 | Sinfonie Nr 2 D-Dur, 1. Satz: Notenbeispiel 1 | — | ||
| 5-5 | Sinfonie Nr 2 D-Dur, 1. Satz: Notenbeispiel 2 | — | ||
| 5-6 | Sinfonie Nr 2 D-Dur, 1. Satz: Exposition | — | ||
| 5-7 | Préludes, Boek 1: VIII. La fille aux cheveux de lin | Pierre-Laurent Aimard | — | |
| 5-8 | Verklärte Nacht | — | ||
| 5-9 | Wozzeck: 1. Akt, Wir arme Leut (Ausschnitt) | — | ||
| 5-10 | Wozzeck: 3. Akt, Szene am Teich (Ausschnitt) | — | ||
| 5-11 | Sechs kleine Klavierstücke 19/VI | — | ||
| 5-12 | Quartett op. 22 (Anfang) | — | ||
| 5-13 | Quartett op. 22, 1. Satz | — | ||
| 5-14 | Risveglio di una citta | — | ||
| 5-15 | Ameriques | — | ||
| 5-16 | Divertimento | — | ||
| 5-17 | Concerto grosso Nr. 3, 1. Satz | — | ||
| 5-18 | Imaginery Landscape | — | ||
| 5-19 | Klavierstück XI: Beispiel 1 (Notengruppe 2) | — | ||
| 5-20 | Klavierstück XI: Beispiel 2 (Notengruppe 1) | — | ||
| 5-21 | Klavierstück XI: Beispiel 3 (Notengruppe 3 | — | ||
| 5-22 | Klavierstück XI: Beispiel 4 (Notengruppe 2 und 1) | — | ||
| 5-23 | Klavierstück XI: Beispiel 5 (Notengruppe 4) | — | ||
| 5-24 | Anaklasis | — | ||
| 5-25 | Lontano (Notenbeispiel 1) | — | ||
| 5-26 | Lontano (Notenbeispiel 2) | — | ||
| 5-27 | Come Out | — | ||
| 5-28 | Drumming | — | ||
| 5-29 | 12 Monkeys | — | ||
| 5-30 | Die Alte | — | ||
| 5-31 | Cantus Arcticus op. 61, 3. Satz: Loop | — | ||
| 5-32 | Cantus Arcticus op. 61, 3. Satz: Anfang, Notenbeispiel 1, 2, 3 | — | ||
| 5-33 | Cantus Arcticus op. 61, 3. Satz: Notenbeispiel 4 | — | ||
| 5-34 | Cantus Arcticus: Concerto for Birds and Orchestra: III. Swans Migrating | Helsinki Philharmonic Orchestra, Leif Segerstam | — | |
| 5-35 | Cantus Arcticus op. 61, 3. Satz (Rundfunksinfonieorchester Leipzig) | — |
Identifier Graph
9783862276745 is a Universal Product Code (UPC) assigned to Tonart Sekundarstufe II, Band 2 (Ausgabe 2024) by [unknown]. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 188 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Promenade | Emerson, Lake & Palmer | — |
Creative Contributors (ISNI)
The UPC for “Tonart Sekundarstufe II, Band 2 (Ausgabe 2024)” by [unknown] is 9783862276745. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. This release contains 188 tracks, each with its own ISRC. Tracks include DEB339352511, DEF065910580, DEF057530410.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alleluja (Osternacht) | — | ||
| 2 | Alleluja (Jubilus) | — | ||
| 3 | Credo | Jan Garbarek, The Hilliard Ensemble | T-011.560.128-9 | |
| 4 | Pange melos lacrimosum | — | ||
| 5 | Messe de Notre Dame, Kyrie | — | ||
| 6 | Quis dabit capiti meo aquam | — | ||
| 7 | Innsbruck, ich muss dich lassen | Regensburger Domspatzen, Domkapellmeister Professor Dr. Theobald Schrems | — | |
| 8 | Innsbruck, ich muss dich lassen (Jordi Savall) | — | ||
| 9 | Asumpta est Maria, Kyrie | — | ||
| 10 | Dolcissima mia vita | — | ||
| 11 | Der Gutzgauch auf dem Zaune sass | — | ||
| 12 | Kantate BWV 26, Schlusschor | — | ||
| 13 | Kantate BWV 26, Eroeffnungschor | — | ||
| 14 | Kantate BWV 26, So schnell ein rauschend Wasser fliesst | — | ||
| 15 | Kantate BWV 26, Die Freude wird zur Traurigkeit | — | ||
| 16 | Die Kunst der Fuge, Fuga a tre soggetti | — | ||
| 17 | Palmira, Lungi da me | — | ||
| 18 | Palmira, Lungi da me | — | ||
| 19 | Lied der Ursel (Playback) | — | ||
| 20 | Die Zauberfloete, Der Vogelfaenger bin ich ja | — | ||
| 21 | Die Zauberfloete, Der Hoelle Rache kocht in meinem Herzen | — | ||
| 22 | Cosi fan tutte, Ouvertuere | — | ||
| 23 | Cosi fan tutte, Come scoglio (Fiordiligi) | — | ||
| 24 | Cosi fan tutte, E-amore un ladroncello (Dorabella) | — | ||
| 25 | Cosi fan tutte, In uomini (Despina) | — | ||
| 26 | Cosi fan tutte, Vittoria, padroncini! (Despina) | — | ||
| 27 | Notenbeispiel 6, Come scoglio (Fiordiligi) | — | ||
| 28 | Notenbeispiel 7, È-amore un ladroncello (Dorabella) | — | ||
| 29 | Notenbeispiel 8, In uomini (Despina) | — | ||
| 30 | Notenbeispiel 9, Vittoria, padroncini! (Despina) | — | ||
| 31 | Notenbeispiele 6-9, Ensemble (Musicaeterna) | — | ||
| 32 | Der Koenig in Thule | — | ||
| 33 | Schaefers Klagelied | — | ||
| 34 | Liederkreis, op. 39: Im Walde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-802.365.389-7 | |
| 35 | In stiller Nacht | — | ||
| 36 | Ein feste Burg (Martin Agricola) | — | ||
| 37 | Sinfonie Nr. 5, Einleitung | — | ||
| 38 | Sinfonie Nr. 5, Var. I und II | — | ||
| 39 | Sinfonie Nr. 5, Fuge und Schluss | — | ||
| 40 | Les Huguenots, Ouvertuere | — | ||
| 41 | Les Huguenots, Ouvertuere (Ausschnitt) | — | ||
| 42 | Les Huguenots, Ah! Voyez, le ciel s'ouvre | — | ||
| 43 | Bataclan, Finale | — | ||
| 2-1 | Ein feste Burg (Jazz) | — | ||
| 2-2 | Ein feste Burg (Jazzkantate): Strophe 1 und 4 (Ausschnitte) | — | ||
| 2-3 | Ein feste Burg (Jazzkantate): Strophe 2 (Ausschnitt) | — | ||
| 2-4 | Ein feste Burg (Jazzkantate): Strophe 3 (Ausschnitt) | — | ||
| 2-5 | Malambo op. 7 | — | ||
| 2-6 | Estancia op. 8 | — | ||
| 2-7 | Haushamer Ländler (traditionell) | — | ||
| 2-8 | Haushamer Ländler (kommerziell) | — | ||
| 2-9 | Dubairische Tänze: 1. Satz (Anfang) | — | ||
| 2-10 | Dubairische Tänze: 5. Satz (Anfang) | — | ||
| 2-11 | Dubairische Tänze: Zwiefacher | — | ||
| 2-12 | Solo de Rabab | — | ||
| 2-13 | Komm, süßer Tod | — | ||
| 2-14 | Mannenberg Is Where It's Happening: Anfang | — | ||
| 2-15 | Mannenberg Is Where It's Happening: Schluss | — | ||
| 2-16 | Azzurro (Playback, Ausschnitt) | — | ||
| 2-17 | Azzurro | Adriano Celentano | T-005.000.857-5 | |
| 2-18 | Azzurro (Trio Elf) | — | ||
| 2-19 | Norwegian Wood (This Bird Has Flown) | The Beatles | T-010.433.936-7 | |
| 2-20 | Norwegian Wood (Playback) | — | ||
| 2-21 | Roundabout | — | ||
| 2-22 | Pictures at an Exhibition: Promenade No. 1 | Evgeny Kissin | — | |
| 2-23 | Promenade | Emerson, Lake & Palmer | T-800.323.843-6 | |
| 2-24 | Pictures at an Exhibition: Promenade I | Wiener Philharmoniker, Gustavo Dudamel | T-303.792.647-5 | |
| 2-25 | Walpurgisnacht | Schandmaul | T-800.167.846-3 | |
| 2-26 | Walpurgisnacht (Playback) | — | ||
| 2-27 | Victor io, salve | — | ||
| 2-28 | Orfeo ed Euridice (Messagera) | — | ||
| 2-29 | Orfeo ed Euridice (Ohi mè) | — | ||
| 2-30 | Organum quadruplum | — | ||
| 2-31 | Care lacrimae mie | — | ||
| 2-32 | Les Elemens, Le Chaos | — | ||
| 2-33 | Sinfonie Nr. 1 (Anfang) | — | ||
| 2-34 | Album für die Jugend Nr. 21 | — | ||
| 3-1 | Tristan und Isolde, Vorspiel (London Classical Players, Ausschnitt) | — | ||
| 3-2 | Tristan und Isolde, Vorspiel (Philadelphia Orchestra, Ausschnitt) | — | ||
| 3-3 | La Fanciulla del West, Ouvertüre | — | ||
| 3-4 | Kleine Dreigroschenmusik für Blasorchester, 1. Ouvertüre | — | ||
| 3-5 | Monolog | — | ||
| 3-6 | Neon (akustische Gitarre) | — | ||
| 3-7 | Neon (E-Gitarre) | — | ||
| 3-8 | Kompressionsarten 1) WAV 2) MP3 mit 48 kBits 3) MP3 mit 192 kBits (Lesson Learned) | — | ||
| 3-9 | Hymn to freedom (Studioaufnahme 1962) | — | ||
| 3-10 | Hymn to freedom (Livemitschnitt, 1998) | — | ||
| 3-11 | Nokturna Upright Piano | — | ||
| 3-12 | Drops of Love in an Ocean of Hate | — | ||
| 3-13 | Bodybeat Rohversion | — | ||
| 3-14 | Bodybeat gemischt | — | ||
| 3-15 | Bodybeat komprimiert | — | ||
| 3-16 | Bodybeat mit Raum/Hall | — | ||
| 3-17 | Over the Moon: Klangbildanalyse 1) Bass 2) Mitten 3) Höhen 4) Ausgewogenes Klangbild (Original) | — | ||
| 3-18 | Over the Moon (Original) | — | ||
| 3-19 | Jesus Blood Never Failed Me Yet | — | ||
| 3-20 | His Love Never Failed Me Yet | — | ||
| 3-21 | His Love Never Failed Me Yet (Playback) | — | ||
| 3-22 | Strawberry Fields | — | ||
| 3-23 | Revolution No. 9 | — | ||
| 3-24 | Hymnen 1) Ghana 2) China | — | ||
| 3-25 | Hymnen Deutschland (Abschnitt 1, Nationalhymne) | — | ||
| 3-26 | Hymnen Deutschland (Abschnitt 2, Zitat) | — | ||
| 3-27 | For Ann (rising) | — | ||
| 3-28 | Symphony no. 5 in C minor, op. 67: III. Allegro | MusicAeterna, Teodor Currentzis | — | |
| 3-29 | Beethoven X The AI Project, Scherzo | — | ||
| 3-30 | Autobahn (1991/2009) | — | ||
| 3-31 | Radioactivity (1991/2009) | — | ||
| 3-32 | Radioaktivität (2017) | — | ||
| 3-33 | Your Love (1986) | — | ||
| 3-34 | Ride on Time | — | ||
| 3-35 | Break My Soul | — | ||
| 3-36 | Never Stop | — | ||
| 3-37 | Invention 13, BWV 784 | — | ||
| 3-38 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Il giardino armonico | — | |
| 4-1 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 4-2 | Concerto RV 580 (L estro armonico op. 3,10): 1. Satz (Europa galante) | — | ||
| 4-3 | Concerto RV 580 (L estro armonico op. 3,10): 1. Satz (Emmy Verhey) | — | ||
| 4-4 | Suite in D-Dur Wassermusik: 1. Satz (Anfang) | — | ||
| 4-5 | Sinfonie Nr. 3: 4. Satz (Anfang) | — | ||
| 4-6 | Orchestersuite Nr. 3: 3. Satz (Anfang) | — | ||
| 4-7 | Gaillarde XV | — | ||
| 4-8 | Sinfonie Nr. 41, KV 551 | — | ||
| 4-9 | Fantasie in fis-Moll, Wq 67 | — | ||
| 4-10 | Sinfonie Nr. 9/2, 2.Satz | — | ||
| 4-11 | Sinfonie a 8, 1. Satz | — | ||
| 4-12 | Sinfonie Nr. 8: 1. Satz, Exposition | — | ||
| 4-13 | Sinfonie Nr. 8: 1. Satz, Durchfuehrung | — | ||
| 4-14 | Sinfonie Nr. 8: 1. Satz | — | ||
| 4-15 | Sonatine C-Dur | — | ||
| 4-16 | Streichquartett d-Moll Hob. III.76: 1. Satz, Exposition | — | ||
| 4-17 | Streichquartett d-Moll Hob. III.76: 1. Satz, Durchführung | — | ||
| 4-18 | Suite Nr. 4 in e-Moll, Gigue | — | ||
| 4-19 | Klavierkonzert B-Dur, KV 595: 3. Satz, Konzertflügel | — | ||
| 4-20 | Klavierkonzert B-Dur, KV 595: 3. Satz, Hammerklavier | — | ||
| 4-21 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 1 | — | ||
| 4-22 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 1 und 2 | — | ||
| 4-23 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 3 | — | ||
| 4-24 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 4 | — | ||
| 4-25 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 5 | — | ||
| 4-26 | Klavierkonzert B-Dur, KV 450: 3. Satz, Notenbeispiel 6 | — | ||
| 4-27 | Gebet einer Jungfrau | — | ||
| 4-28 | Arabeske | — | ||
| 4-29 | Feux follets | — | ||
| 4-30 | Theme et Etude op. 45, a-Moll: Notenbeispiel 1 | — | ||
| 4-31 | Theme et Etude op. 45, a-Moll: Notenbeispiel 3 | — | ||
| 4-32 | Theme et Etude op. 45, a-Moll: Notenbeispiel 4 | — | ||
| 4-33 | Lontano | — | ||
| 4-34 | Three Movements for Orchestra: 2. Satz (Anfang) | — | ||
| 4-35 | Romeo und Julia: Tanz der Ritter (Anfang) | — | ||
| 4-36 | 6 Stücke für Orchester op. 6, Nr. 1 | — | ||
| 4-37 | La mer, Jeux de vagues | — | ||
| 4-38 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 5-1 | Tannhäuser: Ouvertüre (Anfang, Pilgerchoral) | — | ||
| 5-2 | Tannhäuser: Ouvertüre (Ausschnitt Venusberg-Episode) | — | ||
| 5-3 | Serenade A-Dur op. 16, 2. Satz (Scherzo) | — | ||
| 5-4 | Sinfonie Nr 2 D-Dur, 1. Satz: Notenbeispiel 1 | — | ||
| 5-5 | Sinfonie Nr 2 D-Dur, 1. Satz: Notenbeispiel 2 | — | ||
| 5-6 | Sinfonie Nr 2 D-Dur, 1. Satz: Exposition | — | ||
| 5-7 | Préludes, Boek 1: VIII. La fille aux cheveux de lin | Pierre-Laurent Aimard | — | |
| 5-8 | Verklärte Nacht | — | ||
| 5-9 | Wozzeck: 1. Akt, Wir arme Leut (Ausschnitt) | — | ||
| 5-10 | Wozzeck: 3. Akt, Szene am Teich (Ausschnitt) | — | ||
| 5-11 | Sechs kleine Klavierstücke 19/VI | — | ||
| 5-12 | Quartett op. 22 (Anfang) | — | ||
| 5-13 | Quartett op. 22, 1. Satz | — | ||
| 5-14 | Risveglio di una citta | — | ||
| 5-15 | Ameriques | — | ||
| 5-16 | Divertimento | — | ||
| 5-17 | Concerto grosso Nr. 3, 1. Satz | — | ||
| 5-18 | Imaginery Landscape | — | ||
| 5-19 | Klavierstück XI: Beispiel 1 (Notengruppe 2) | — | ||
| 5-20 | Klavierstück XI: Beispiel 2 (Notengruppe 1) | — | ||
| 5-21 | Klavierstück XI: Beispiel 3 (Notengruppe 3 | — | ||
| 5-22 | Klavierstück XI: Beispiel 4 (Notengruppe 2 und 1) | — | ||
| 5-23 | Klavierstück XI: Beispiel 5 (Notengruppe 4) | — | ||
| 5-24 | Anaklasis | — | ||
| 5-25 | Lontano (Notenbeispiel 1) | — | ||
| 5-26 | Lontano (Notenbeispiel 2) | — | ||
| 5-27 | Come Out | — | ||
| 5-28 | Drumming | — | ||
| 5-29 | 12 Monkeys | — | ||
| 5-30 | Die Alte | — | ||
| 5-31 | Cantus Arcticus op. 61, 3. Satz: Loop | — | ||
| 5-32 | Cantus Arcticus op. 61, 3. Satz: Anfang, Notenbeispiel 1, 2, 3 | — | ||
| 5-33 | Cantus Arcticus op. 61, 3. Satz: Notenbeispiel 4 | — | ||
| 5-34 | Cantus Arcticus: Concerto for Birds and Orchestra: III. Swans Migrating | Helsinki Philharmonic Orchestra, Leif Segerstam | — | |
| 5-35 | Cantus Arcticus op. 61, 3. Satz (Rundfunksinfonieorchester Leipzig) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Promenade | Emerson, Lake & Palmer | — |
