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Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis) album cover

ISRC

DEF058137831

Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)2

Song: Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)

Coro del Teatro alla Scala di MilanoNicolaï GhiaurovLucia Valentini TerraniOrchestra del Teatro alla Scala di MilanoClaudio Abbado
matched
Released 1983-01-01

Last verified:

DEF058137831 is the International Standard Recording Code (ISRC) for the recording "Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)" by Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9000653769.

Format

DECountry
F05Registrant
81Year (1981)
37831Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1981):
Last two digits of the reference year (1981). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)
ISWCAida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)

Musical Work (ISWC)

T9000653769Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)

MLC Song Code

A9483Y
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)" by Coro del Teatro alla Scala di Milano?
The ISRC for "Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)" by Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado is DEF058137831.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. DEF058137831 is the ISRC for this recording; T9000653769 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC DEF058137831?

DEF058137831 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Aida: Atto I. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)" by Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T9000653769, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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