ISRC
Recitative and Aria for Contralto and Orchestra, KV 255 "Ombra felice!"..."Io ti lascio"
Song: Recitativo and Aria for Contralto and Orchestra in F major, K. 255: "Ombra felice! ... Io ti lascio, e questo addio"
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GBF078110270 is the International Standard Recording Code (ISRC) for the recording “Recitative and Aria for Contralto and Orchestra, KV 255 "Ombra felice!"..."Io ti lascio"” by Teresa Berganza, Wiener Kammerorchester, György Fischer, released 1997-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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GBF078110270 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Recitative and Aria for Contralto and Orchestra, KV 255 "Ombra felice!"..."Io ti lascio"” by Teresa Berganza, Wiener Kammerorchester, György Fischer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Robert Lloyd, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
DEF057730148Cecilia Bartoli, Wiener Kammerorchester, György Fischer
GBF079310566Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
DEF057730143Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, London Symphony Orchestra, Claudio Abbado
DEF057730145GBF078110270 is the International Standard Recording Code (ISRC) for the recording “Recitative and Aria for Contralto and Orchestra, KV 255 "Ombra felice!"..."Io ti lascio"” by Teresa Berganza, Wiener Kammerorchester, György Fischer, released 1997-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
