ISWC · Musical Work

T-011348376-3

Get Outta My Dreams, Get Into My Car

4 recordings

Last verified:

T-011348376-3 is the International Standard Musical Work Code (ISWC) for the musical composition "Get Outta My Dreams, Get Into My Car". ISWCs are ISO 15707 identifiers managed by CISAC; they identify the underlying song — its melody, lyrics, and arrangement — rather than any single recording. One composition can have many recordings (ISRCs). This work has 4 known recordings (ISRCs) indexed on Credits.fm.

Format

TPrefix
011348376Work number
3Check digit
Prefix:
"T" = musical work; "W" = work in progress.
Work number:
9-digit unique work number assigned by CISAC.
Check digit:
ISO 7064 Mod 11-2 check digit that validates the rest of the code.

Credit Chain

ISRC4 recordings
ISWCGet Outta My Dreams, Get Into My Car

Previously known as

T-070068216-1

What other identifiers does this connect to?

Releases (UPC)

003562742862300422882416520012414127129012414127129012414849526042281696923056775847029060075334717106007535422930602488512336
+127 more
07432130385200724386667120077779033225078221967914077779033249076160949046079892822427078221849524082876747602508122716432408898548999290888751479029088985356002808887516586220889854486129094635330922190758807720190759693223194399851128194398882321019075889642707243485740221965876271261965884222253351475340618400140826812840014061503574007192590827400719353246840071926268784007193534455460136501632146013650163524988006722330498802410951949880241054674988024115428501370512222450144696933405014797893689501446969328950137051653205014797671935501370512224850139294410885013705106828501370510552450173101107205051083104807505127505902150997473995275099749250865099926468525509975127632650997985828245099969886324570970310017260075390937960075393496860021408615216007538800506024984387326543787036216543787212296543780458206543786144226543787227216543786217276543787114286984585703216984585618246984589039216984585512216984584197296984584147246984585602237041990011723724352027729724385249822724382752929724382707424731455539523731455518023473145648392473323342050397446599714267865180425268287661402248287662380208287670441258711211301474871294450185887121954127748712687808061871782554032288644478230288644383056188644776150288644442457888644833194088644776147288644940737888697123412188697906892688697962962288697323082488697582402188697792732488697696932588697818972188697488012788765472642188843063282088985363482888985473752888985313022188883738082988875054132188985370082088985356512288985403972188875006212393155896778289314744008224932638200069093997462971289399746118829
SourcesMusicBrainzCISAC2 sources

Verified on

Identifier Graph

ISWCGet Outta My Dr…ISRCGBAHK9700111ISRCGBARL1201513ISRCNLXV41600023ISRCDKABA0007602

People also ask

What is ISWC T-011348376-3?
ISWC T-011348376-3 identifies the musical composition "Get Outta My Dreams, Get Into My Car". ISWCs are defined by ISO 15707 and managed by CISAC to uniquely identify the underlying song — the melody, lyrics, and arrangement.
How many recordings use ISWC T-011348376-3?
ISWC T-011348376-3 has 4 recordings (ISRCs) associated with it. Each recording is a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.
How is an ISWC different from an ISRC?
An ISWC identifies a musical work (the underlying composition — melody, lyrics, arrangement). An ISRC identifies a specific sound recording of that work. One ISWC can have many ISRCs — for example, the original recording, a remix, a live version, and a cover would each have their own ISRC but share the same ISWC.

What is ISWC T-011348376-3?

T-011348376-3 is an International Standard Musical Work Code (ISWC) that uniquely identifies the musical composition "Get Outta My Dreams, Get Into My Car". ISWCs are defined by ISO 15707 and managed by CISAC. Unlike ISRCs which identify recordings, an ISWC identifies the underlying song — the melody, lyrics, and arrangement.

This work has 4 recordings (ISRCs) associated with it. Each recording represents a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.

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