UPC · Release
Complete Edition Vol. 12: Arias, Lieder etc,
Wolfgang Amadeus Mozart
00028946488027
150 tracksReleased 2000-01-01
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00028946488027 is the Universal Product Code (UPC barcode) for the release “Complete Edition Vol. 12: Arias, Lieder etc,” by Wolfgang Amadeus Mozart, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 150 tracks, each with its own ISRC. Tracks include DEF057902060, DEF058104250, DEF057902070.
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UPCComplete Edition Vol. 12: Arias, Lieder etc,
ISRC150 recordings
ISWC11 works
IPI1 songwriter
Track List (150)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | MOZART: VA, DAL FUROR PORTATA, K.21 | Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2 | Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele" | Hanna Schwarz, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3 | Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: "Or che il dover m'astringe" / "Tali e cotanti sono" | Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4 | Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: "A Berenice e Vologeso sposi" / "Sol nascente in questo giorno" | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 5 | Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 6 | PER PIETÀ, BELL' IDOL MIO | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | T-300.578.275-8 | |
| 7 | Fra cento affanni, K .88 | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 8 | Recitative for Soprano and Orchestra in B-flat major, K. 73d / KV 79: "O temerario Arbace!" / "Per quel paterno ampesso" | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 9 | Recitative for Soprano and Orchestra in B-flat major, K. 73e / KV 77: "Misero me!" / "Misero pargoletto" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-1 | Se ardire, e speranza, K. 82 | Lilian Sukis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-2 | Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-3 | Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro "Non curo l'affetto" | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-4 | Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte" | Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-5 | Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai "Con ossequio, con rispetto" | Claes-Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-6 | Concert Arias - Voi avete un cor fedele, K.217 | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-7 | Recitativo for Contralto and Orchestra in F major, K. 255: Andante "Ombra felice!" Aria for Contralto and Orchestra in F major, K. 255: "Io ti lascio, e questo addio" | Hanna Schwarz, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-8 | CLARICE CARA MIA SPOSA, K.256 | Claes‐Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-9 | Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto "Ah, lo previdi!" "Ah, t'invola agl'occhi miei" "Deh, non varcar quell'onda" | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-10 | Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" "Non sò d'onde viene" | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 2-11 | Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi" | Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-1 | Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-2 | Recitative for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia" "Io non chiedo, eterni Dei" | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-3 | Recitavo for Soprano & Orchestra in F major, K. 368: I. "Ma che vi fece" "Sperai vicino il lido" | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-4 | Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son? L'aure del Tebro" "Ah! non son io che parlo" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-5 | Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni" "Or che il cielo a me ti rende" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-6 | Nehmt meinen Dank, hir holden Gönner | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-7 | Mia speranza adorata... Ah, non sai qual pena, K.416 | Edita Gruberová, Mozarteum-Orchester Salzburg, Leopold Hager | — | |
| 3-8 | Vorrei spiegarvi, oh Dio, K.418 | Edita Gruberová, Mozarteum-Orchester Salzburg, Leopold Hager | T-924.224.904-3 | |
| 3-9 | Aria for Soprano & Orchestra in C major, K. 419: "No, che non sei capace" | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-10 | MOZART: PER PIETÀ, NON RICERCATE, K.420 | Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 3-11 | Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci" | Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-1 | Recitative for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Adagio - andante ostecon moto - allegro risoluto - andante sostenuto "Misero! O sogno" / Aria for Tenor and Orchestra in E-flat major, K. 425b / KV 431: "Aura, che intorno spiri" | Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-2 | Recitative for Soprano, Piano and Orchestra in E-flat major, K. 505: Andantino - andante "Ch'io mi scordi di te?" / Aria for Soprano, Piano and Orchestra in E-flat major, K. 505: Rondo. Andante "Non temer, amato bene" | Edith Mathis, Leopold Hager, Mozarteum Orchester Salzburg | — | |
| 4-3 | Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene" | Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-4 | MENTRE TI LASCIO, OH FIGLIA, K.513 | Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-5 | Recitative for Soprano and Orchestra in C major, K. 528: Andante "Bella mia fiamma, addio!" / Aria for Soprano and Orchestra in C major, K. 528: Andante - allegro "Resta, oh cara!" | Lilian Sukis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-6 | Ah se in ciel, benigne stelle, K. 538 | Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-7 | German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein" | Walter Berry, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-8 | Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | Walter Berry, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-9 | ALMA GRANDE E NOBIL CORE, K.578 | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-10 | CHI SA, CHI SA QUAL SIA, K.582 | Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-11 | Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto "Vado, ma dove? oh Dei!" | Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-12 | MOZART: PER QUESTA BELLA MANO, K.612 | Walter Berry, Alois Posch, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 4-13 | Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" | Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager | — | |
| 5-2 | Aria "Cara la dolce fiamma", K. 293e | Julie Kaufmann, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 5-3 | Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" / Aria for Soprano and Orchestra in E-flat major, K. 294: Andante sostenuto - allegro agitato - primo tempo "Non sò d'onde viene" | Julie Kaufmann, Klaus von Wildermann, Münchner Rundfunkorchester, Jörg‐Peter Weigle | — | |
| 5-5 | Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl" | Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle | — | |
| 5-6 | Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato" | Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle | — | |
| 5-7 | Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen" | Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis | — | |
| 5-8 | Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen" | Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | — | |
| 5-9 | Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio" | Julie Kaufmann, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 5-10 | MOZART: SCHON LACHT DER HOLDE FRÜHLING, K.580 (COMPL. BY E. SMITH) | Academy of St Martin in the Fields, Sir Colin Davis | — | |
| 6-3 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) | Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-4 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) | Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-5 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) | Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-6 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia) | Elzbieta Szmytka, Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio) | Iris Vermillion, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 6-9 | Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto ascoltai… Non temer, amato bene" | Peter Schreier, Peter Mirring, Staatskapelle Dresden | — | |
| 6-10 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia) / Duet for Soprano and Tenor in A major, K. 489: "Spiegarti no poss'io" | Edith Mathis, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 6-11 | Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben" | Stuart Burrows, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | — | |
| 7-1 | Le nozze di Figaro, K. 492: "Ehi, Sor paggio" "Non più andrai" | Bryn Terfel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-3 | Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" | Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle | — | |
| 7-4 | Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto "Per queste tue manine" (Soprano, Bass) | Eva Lind, Anton Scharinger, Dresdner Philharmonie, Jörg‐Peter Weigle | — | |
| 7-5 | Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) "Rivolgete a lui lo sguardo" (Guglielmo) | Anton Scharinger, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg‐Peter Weigle | — | |
| 7-6 | Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (Tenor) "O Calpe! dir donnert's am Fuße" | Hans Peter Blochwitz, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 7-7 | Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): "Del gran regno delle amazzoni" | Hans Peter Blochwitz, Anton Scharinger, René Pape, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 7-8 | Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" | Hans Peter Blochwitz, Julie Kaufmann, Anton Scharinger, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 7-9 | Aria for Quartetto and Orchestra in E-flat major, K. 479: Allegro - allegro assai - più stretto (Soprano, Tenor, 2 Basses) "Dite almeno, in che mancai" | Julie Kaufmann, Hans Peter Blochwitz, Anton Scharinger, René Pape, Münchner Rundfunkorchester, Jörg-Peter Weigle | — | |
| 7-10 | Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile, questo danaro" | Eva Lind, Hans Peter Blochwitz, Anton Scharinger, Dresdner Philharmonie, Jörg-Peter Weigle | — | |
| 7-11 | La Libertà a Nice: Canzonetta "Grazie agl'inganni tuoi" in B-flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (Soprano, Tenor, Bass) "Grazie agl'inganni tuoi" | Julie Kaufmann, Hans Peter Blochwitz, Anton Scharinger, Rudolf Jansen | — | |
| 7-12 | Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu" | Hans Peter Blochwitz, Rudolf Jansen | — | |
| 7-13 | Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" | Julie Kaufmann, Hans Peter Blochwitz, Peter Schreier, Anton Scharinger, Rudolf Jansen | T-900.078.632-3 | |
| 7-14 | Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen" | Eva Lind, Anton Scharinger, Dresdner Philharmonie, Jörg‐Peter Weigle | — | |
| 8-1 | Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348: Canon. "V'amo di core teneramente" | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-2 | Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. "Lieber Freistädtler, lieber Gaulimauli" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-3 | Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-4 | DIFFICILE LECTU MIHI MARS | Chorus Viennensis | T-918.701.701-2 | |
| 8-5 | MOZART: O DU ESELHAFTER PEIERL!, K.559A | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-6 | SIE IST DAHIN, K. 229/K. 382A | Chorus Viennensis | — | |
| 8-7 | Canon for 2 Voices in 1 in C major, K. 382b / KV 230: Canon. "Selig, selig" | Chorus Viennensis, Guido Mancusi | — | |
| 8-8 | Canon (arranged for 4 Clarinets) in A major, K. 73i | Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens | — | |
| 8-9 | Double Canon for 4 Voices in 2 in F major, K. 515b / KV 228: Canon. "Ach! zu kurz ist unsers Lebens Lauf" | Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-10 | CARO BELL'IDOL MIO, K.562 | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-11 | Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 1 "Canone a tre soprani": Canon. (3 Sopranos) / Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 2 "Canone a tre soprani": Canon. (3 Sopranos) | Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens | — | |
| 8-12 | 5 Canons in F major, K. deest Nos. 1-5 / Canon in F, K. 508a, No. 3 in F major | Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens | — | |
| 8-13 | MOZART: WO DER PERLENDE WEIN IM GLASE BLINKT, K.347/K.382F | Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-14 | HEITERKEIT UND LEICHTES BLUT, K.507 | Chorus Viennensis, Guido Mancusi | — | |
| 8-15 | AUF DAS WOHL ALLER FREUNDE, K.508 | Chorus Viennensis | — | |
| 8-16 | G'RECHTELT'S ENK, K.556 | Chorus Viennensis, Uwe Christian Harrer | T-321.626.063-4 | |
| 8-17 | Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Leck mich im Arsch" "Laßt uns froh sein" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-18 | Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Nichts labt mich mehr als Wein" "Leck mir den Arsch fein recht schön sauber" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-19 | Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-20 | Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox" | Chorus Viennensis, Uwe Christian Harrer | — | |
| 8-21 | "Interval" Canons Nos. 6-10 in F, K. deest - Canons Nos. 4-6 in F, K. 508a Nos. 4-6 | Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens | — | |
| 8-22 | 4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios" | Chorus Viennensis, Guido Mancusi | — | |
| 8-23 | 4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino" | Chorus Viennensis | — | |
| 8-24 | 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine" | Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-25 | 4 Riddle Canons No. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest "Ter voce ciemus. Voce ter insonuit": Canon. "Thebana bella cantus / Troiana cantat" | Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-26 | Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon | Andreas Röhn, Franz Schessl, Antonius Spiller, Wen-Sinn Yang | — | |
| 8-27 | Canon for 3 in 1 in C major, K. 508A / KV deest: Canon | Andreas Röhn, Franz Schessl, Wen-Sinn Yang | T-070.129.653-8 | |
| 8-28 | LACRIMOSO SON'IO, K.555 | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-29 | MOZART: NASCOSO È IL MIO SOL, K.557 | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-30 | 4 Canons in F, K. deest Nos 11-14 | Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens | — | |
| 8-31 | Instrumental Canon in B-flat, K. 562a | Karl-Heinz Steffens, Werner Mittelbach, Reinhold Helbich, Joachim Olszewski | — | |
| 8-32 | Instrumental Canon in F | Karl-Heinz Steffens, Werner Mittelbach, Reinhold Helbich, Joachim Olszewski | — | |
| 8-33 | Canon for 4 (or 5) Voices in 1 in G major, K. 73k / KV 89: Canon ad unisonum. (5 Sopranos) "Kyrie" | Damenchor des Concertus Vocalis, Guido Mancusi | T-070.093.418-4 | |
| 8-34 | Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria" | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 8-35 | Canon for 3 Voices in 1 in C major, K. 553: Allegro. "Alleluia" | Damenchor des Concertus Vocalis, Guido Mancusi | — | |
| 9-1 | An die Freude, KV 53/47e | Elly Ameling, Dalton Baldwin | — | |
| 9-2 | «Wie unglücklich bin ich nit», KV 147/125g | Elly Ameling, Dalton Baldwin | — | |
| 9-3 | An die Freundschaft, KV 148/125h | Elly Ameling, Dalton Baldwin | — | |
| 9-4 | Die großmütige Gelassenheit, KV 149/125d | Elly Ameling, Dalton Baldwin | — | |
| 9-5 | Geheime Liebe, KV 150/125e | Elly Ameling, Dalton Baldwin | — | |
| 9-6 | Die Zufrie im niedrigen Stande, KV 151/125f | Elly Ameling, Dalton Baldwin | — | |
| 9-7 | «Ridente la calma», KV 152/210a | Elly Ameling, Dalton Baldwin | — | |
| 9-8 | «Oiseaux, si tous les ans», KV 307/284d | Elly Ameling, Dalton Baldwin | — | |
| 9-9 | «Dans un bois solitaire», KV 308/295b | Elly Ameling, Dalton Baldwin | — | |
| 9-10 | O Gottes Lamm, K. 343i | Elly Ameling, Dalton Baldwin | — | |
| 9-11 | Als aus Ägypten, K. 343ii | Elly Ameling, Dalton Baldwin | — | |
| 9-12 | Die Zufriedenheit, KV 349/367a | Elly Ameling, Benny Ludemann | — | |
| 9-13 | «Komm, liebe Zither, komm», KV 351/367b | Elly Ameling, Benny Ludemann | — | |
| 9-14 | «Ich würd auf meinem Pfad», KV 390/340c | Elly Ameling, Dalton Baldwin | — | |
| 9-15 | «Sei du mein Trost», KV 391/340b | Elly Ameling, Dalton Baldwin | — | |
| 9-16 | «Verdankt sei es dem Glanz der Großen», KV 392/340a | Elly Ameling, Dalton Baldwin | — | |
| 9-17 | Warnung, KV 433/416c | Elly Ameling, Dalton Baldwin | — | |
| 9-18 | Gesellenreise, KV 468 | Elly Ameling, Dalton Baldwin | — | |
| 9-19 | Der Zauberer, KV 472 | Elly Ameling, Dalton Baldwin | — | |
| 9-20 | Die Zufriedenheit, KV 473 | Elly Ameling, Dalton Baldwin | — | |
| 9-21 | Die betrogene Welt, KV 474 | Elly Ameling, Dalton Baldwin | — | |
| 10-1 | Das Veilchen, KV 476 | Elly Ameling, Dalton Baldwin | — | |
| 10-2 | Lied der Freiheit, KV 506 | Elly Ameling, Dalton Baldwin | — | |
| 10-3 | Die Alte, KV 517 | Elly Ameling, Dalton Baldwin | — | |
| 10-4 | Die Verschweigung, KV 518 | Elly Ameling, Dalton Baldwin | — | |
| 10-5 | Das Lied der Trennung, KV 519 | Elly Ameling, Dalton Baldwin | — | |
| 10-6 | Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, KV 520 | Elly Ameling, Dalton Baldwin | T-909.380.893-6 | |
| 10-7 | Abendempfindung an Laura, KV 523 | Elly Ameling, Dalton Baldwin | T-900.133.381-9 | |
| 10-8 | An Chloe, KV 524 | Elly Ameling, Dalton Baldwin | — | |
| 10-9 | Des kleinen Friedrichs Geburtstag, KV 529 | Elly Ameling, Dalton Baldwin | — | |
| 10-10 | Das Traumbild, KV 530 | Elly Ameling, Dalton Baldwin | — | |
| 10-11 | Die kleine Spinnerin, KV 531 | Elly Ameling, Dalton Baldwin | — | |
| 10-12 | «Un moto di gioia», KV 579 | Elly Ameling, Dalton Baldwin | — | |
| 10-13 | Sehnsucht nach dem Frühling, KV 596 | Elly Ameling, Dalton Baldwin | T-009.134.603-0 | |
| 10-14 | Der Frühling, KV 597 | Elly Ameling, Dalton Baldwin | — | |
| 10-15 | Das Kinderspiel, KV 598 | Elly Ameling, Dalton Baldwin | — | |
| 10-16 | «Due pupille amabili», KV 439 | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | — | |
| 10-17 | «Se lontan, ben mio, tu sei», KV 438 | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | — | |
| 10-18 | «Ecco quel fiero istante», KV 436 | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | — | |
| 10-19 | «Mi lagnerò tacendo», KV 437 | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | — | |
| 10-20 | «Luci care, luci belle», KV 346/439a | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | — | |
| 10-21 | «Più non si trovano», KV 549 | Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | T-307.000.568-0 |
MOZART: VA, DAL FUROR PORTATA, K.21
Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele"
Hanna Schwarz, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: "Or che il dover m'astringe" / "Tali e cotanti sono"
Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: "A Berenice e Vologeso sposi" / "Sol nascente in questo giorno"
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Fra cento affanni, K .88
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in B-flat major, K. 73d / KV 79: "O temerario Arbace!" / "Per quel paterno ampesso"
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in B-flat major, K. 73e / KV 77: "Misero me!" / "Misero pargoletto"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Se ardire, e speranza, K. 82
Lilian Sukis, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro "Non curo l'affetto"
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte"
Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai "Con ossequio, con rispetto"
Claes-Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager
—
Concert Arias - Voi avete un cor fedele, K.217
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitativo for Contralto and Orchestra in F major, K. 255: Andante "Ombra felice!" Aria for Contralto and Orchestra in F major, K. 255: "Io ti lascio, e questo addio"
Hanna Schwarz, Mozarteum Orchester Salzburg, Leopold Hager
—
CLARICE CARA MIA SPOSA, K.256
Claes‐Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto "Ah, lo previdi!" "Ah, t'invola agl'occhi miei" "Deh, non varcar quell'onda"
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" "Non sò d'onde viene"
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi"
Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi"
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia" "Io non chiedo, eterni Dei"
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitavo for Soprano & Orchestra in F major, K. 368: I. "Ma che vi fece" "Sperai vicino il lido"
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son? L'aure del Tebro" "Ah! non son io che parlo"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni" "Or che il cielo a me ti rende"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
Nehmt meinen Dank, hir holden Gönner
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Mia speranza adorata... Ah, non sai qual pena, K.416
Edita Gruberová, Mozarteum-Orchester Salzburg, Leopold Hager
—
Edita Gruberová, Mozarteum-Orchester Salzburg, Leopold Hager
Aria for Soprano & Orchestra in C major, K. 419: "No, che non sei capace"
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
MOZART: PER PIETÀ, NON RICERCATE, K.420
Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"
Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Adagio - andante ostecon moto - allegro risoluto - andante sostenuto "Misero! O sogno" / Aria for Tenor and Orchestra in E-flat major, K. 425b / KV 431: "Aura, che intorno spiri"
Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano, Piano and Orchestra in E-flat major, K. 505: Andantino - andante "Ch'io mi scordi di te?" / Aria for Soprano, Piano and Orchestra in E-flat major, K. 505: Rondo. Andante "Non temer, amato bene"
Edith Mathis, Leopold Hager, Mozarteum Orchester Salzburg
—
Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene"
Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
—
MENTRE TI LASCIO, OH FIGLIA, K.513
Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
—
Recitative for Soprano and Orchestra in C major, K. 528: Andante "Bella mia fiamma, addio!" / Aria for Soprano and Orchestra in C major, K. 528: Andante - allegro "Resta, oh cara!"
Lilian Sukis, Mozarteum Orchester Salzburg, Leopold Hager
—
Ah se in ciel, benigne stelle, K. 538
Edita Gruberová, Mozarteum Orchester Salzburg, Leopold Hager
—
German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein"
Walter Berry, Mozarteum Orchester Salzburg, Leopold Hager
—
Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano"
Walter Berry, Mozarteum Orchester Salzburg, Leopold Hager
—
ALMA GRANDE E NOBIL CORE, K.578
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
CHI SA, CHI SA QUAL SIA, K.582
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto "Vado, ma dove? oh Dei!"
Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
—
MOZART: PER QUESTA BELLA MANO, K.612
Walter Berry, Alois Posch, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio"
Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
—
Aria "Cara la dolce fiamma", K. 293e
Julie Kaufmann, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" / Aria for Soprano and Orchestra in E-flat major, K. 294: Andante sostenuto - allegro agitato - primo tempo "Non sò d'onde viene"
Julie Kaufmann, Klaus von Wildermann, Münchner Rundfunkorchester, Jörg‐Peter Weigle
—
Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl"
Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle
—
Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato"
Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle
—
Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen"
Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis
—
Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"
Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis
—
Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio"
Julie Kaufmann, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
MOZART: SCHON LACHT DER HOLDE FRÜHLING, K.580 (COMPL. BY E. SMITH)
Academy of St Martin in the Fields, Sir Colin Davis
—
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner
—
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner
—
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner
—
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
Elzbieta Szmytka, Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner
—
Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
Iris Vermillion, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto ascoltai… Non temer, amato bene"
Peter Schreier, Peter Mirring, Staatskapelle Dresden
—
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia) / Duet for Soprano and Tenor in A major, K. 489: "Spiegarti no poss'io"
Edith Mathis, Peter Schreier, Staatskapelle Dresden, Karl Böhm
—
Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben"
Stuart Burrows, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
—
Le nozze di Figaro, K. 492: "Ehi, Sor paggio" "Non più andrai"
Bryn Terfel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"
Eva Lind, Dresdner Philharmonie, Jörg-Peter Weigle
—
Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto "Per queste tue manine" (Soprano, Bass)
Eva Lind, Anton Scharinger, Dresdner Philharmonie, Jörg‐Peter Weigle
—
Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) "Rivolgete a lui lo sguardo" (Guglielmo)
Anton Scharinger, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg‐Peter Weigle
—
Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (Tenor) "O Calpe! dir donnert's am Fuße"
Hans Peter Blochwitz, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): "Del gran regno delle amazzoni"
Hans Peter Blochwitz, Anton Scharinger, René Pape, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"
Hans Peter Blochwitz, Julie Kaufmann, Anton Scharinger, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Aria for Quartetto and Orchestra in E-flat major, K. 479: Allegro - allegro assai - più stretto (Soprano, Tenor, 2 Basses) "Dite almeno, in che mancai"
Julie Kaufmann, Hans Peter Blochwitz, Anton Scharinger, René Pape, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile, questo danaro"
Eva Lind, Hans Peter Blochwitz, Anton Scharinger, Dresdner Philharmonie, Jörg-Peter Weigle
—
La Libertà a Nice: Canzonetta "Grazie agl'inganni tuoi" in B-flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (Soprano, Tenor, Bass) "Grazie agl'inganni tuoi"
Julie Kaufmann, Hans Peter Blochwitz, Anton Scharinger, Rudolf Jansen
—
Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu"
Hans Peter Blochwitz, Rudolf Jansen
—
Julie Kaufmann, Hans Peter Blochwitz, Peter Schreier, Anton Scharinger, Rudolf Jansen
Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"
Eva Lind, Anton Scharinger, Dresdner Philharmonie, Jörg‐Peter Weigle
—
Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348: Canon. "V'amo di core teneramente"
Damenchor des Concertus Vocalis, Guido Mancusi
—
Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. "Lieber Freistädtler, lieber Gaulimauli"
Chorus Viennensis, Uwe Christian Harrer
—
Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz"
Chorus Viennensis, Uwe Christian Harrer
—
MOZART: O DU ESELHAFTER PEIERL!, K.559A
Chorus Viennensis, Uwe Christian Harrer
—
SIE IST DAHIN, K. 229/K. 382A
Chorus Viennensis
—
Canon for 2 Voices in 1 in C major, K. 382b / KV 230: Canon. "Selig, selig"
Chorus Viennensis, Guido Mancusi
—
Canon (arranged for 4 Clarinets) in A major, K. 73i
Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens
—
Double Canon for 4 Voices in 2 in F major, K. 515b / KV 228: Canon. "Ach! zu kurz ist unsers Lebens Lauf"
Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi
—
CARO BELL'IDOL MIO, K.562
Damenchor des Concertus Vocalis, Guido Mancusi
—
Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 1 "Canone a tre soprani": Canon. (3 Sopranos) / Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 2 "Canone a tre soprani": Canon. (3 Sopranos)
Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens
—
5 Canons in F major, K. deest Nos. 1-5 / Canon in F, K. 508a, No. 3 in F major
Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens
—
MOZART: WO DER PERLENDE WEIN IM GLASE BLINKT, K.347/K.382F
Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi
—
HEITERKEIT UND LEICHTES BLUT, K.507
Chorus Viennensis, Guido Mancusi
—
AUF DAS WOHL ALLER FREUNDE, K.508
Chorus Viennensis
—
Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Leck mich im Arsch" "Laßt uns froh sein"
Chorus Viennensis, Uwe Christian Harrer
—
Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Nichts labt mich mehr als Wein" "Leck mir den Arsch fein recht schön sauber"
Chorus Viennensis, Uwe Christian Harrer
—
Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
Chorus Viennensis, Uwe Christian Harrer
—
Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"
Chorus Viennensis, Uwe Christian Harrer
—
"Interval" Canons Nos. 6-10 in F, K. deest - Canons Nos. 4-6 in F, K. 508a Nos. 4-6
Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens
—
4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios"
Chorus Viennensis, Guido Mancusi
—
4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino"
Chorus Viennensis
—
4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine"
Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi
—
4 Riddle Canons No. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest "Ter voce ciemus. Voce ter insonuit": Canon. "Thebana bella cantus / Troiana cantat"
Chorus Viennensis, Damenchor des Concertus Vocalis, Guido Mancusi
—
Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon
Andreas Röhn, Franz Schessl, Antonius Spiller, Wen-Sinn Yang
—
Andreas Röhn, Franz Schessl, Wen-Sinn Yang
LACRIMOSO SON'IO, K.555
Damenchor des Concertus Vocalis, Guido Mancusi
—
MOZART: NASCOSO È IL MIO SOL, K.557
Damenchor des Concertus Vocalis, Guido Mancusi
—
4 Canons in F, K. deest Nos 11-14
Reinhold Helbich, Werner Mittelbach, Joachim Olszewski, Karl-Heinz Steffens
—
Instrumental Canon in B-flat, K. 562a
Karl-Heinz Steffens, Werner Mittelbach, Reinhold Helbich, Joachim Olszewski
—
Instrumental Canon in F
Karl-Heinz Steffens, Werner Mittelbach, Reinhold Helbich, Joachim Olszewski
—
Damenchor des Concertus Vocalis, Guido Mancusi
Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria"
Damenchor des Concertus Vocalis, Guido Mancusi
—
Canon for 3 Voices in 1 in C major, K. 553: Allegro. "Alleluia"
Damenchor des Concertus Vocalis, Guido Mancusi
—
An die Freude, KV 53/47e
Elly Ameling, Dalton Baldwin
—
«Wie unglücklich bin ich nit», KV 147/125g
Elly Ameling, Dalton Baldwin
—
An die Freundschaft, KV 148/125h
Elly Ameling, Dalton Baldwin
—
Die großmütige Gelassenheit, KV 149/125d
Elly Ameling, Dalton Baldwin
—
Geheime Liebe, KV 150/125e
Elly Ameling, Dalton Baldwin
—
Die Zufrie im niedrigen Stande, KV 151/125f
Elly Ameling, Dalton Baldwin
—
«Ridente la calma», KV 152/210a
Elly Ameling, Dalton Baldwin
—
«Oiseaux, si tous les ans», KV 307/284d
Elly Ameling, Dalton Baldwin
—
«Dans un bois solitaire», KV 308/295b
Elly Ameling, Dalton Baldwin
—
O Gottes Lamm, K. 343i
Elly Ameling, Dalton Baldwin
—
Als aus Ägypten, K. 343ii
Elly Ameling, Dalton Baldwin
—
Die Zufriedenheit, KV 349/367a
Elly Ameling, Benny Ludemann
—
«Komm, liebe Zither, komm», KV 351/367b
Elly Ameling, Benny Ludemann
—
«Ich würd auf meinem Pfad», KV 390/340c
Elly Ameling, Dalton Baldwin
—
«Sei du mein Trost», KV 391/340b
Elly Ameling, Dalton Baldwin
—
«Verdankt sei es dem Glanz der Großen», KV 392/340a
Elly Ameling, Dalton Baldwin
—
Warnung, KV 433/416c
Elly Ameling, Dalton Baldwin
—
Gesellenreise, KV 468
Elly Ameling, Dalton Baldwin
—
Der Zauberer, KV 472
Elly Ameling, Dalton Baldwin
—
Die Zufriedenheit, KV 473
Elly Ameling, Dalton Baldwin
—
Die betrogene Welt, KV 474
Elly Ameling, Dalton Baldwin
—
Das Veilchen, KV 476
Elly Ameling, Dalton Baldwin
—
Lied der Freiheit, KV 506
Elly Ameling, Dalton Baldwin
—
Die Alte, KV 517
Elly Ameling, Dalton Baldwin
—
Die Verschweigung, KV 518
Elly Ameling, Dalton Baldwin
—
Das Lied der Trennung, KV 519
Elly Ameling, Dalton Baldwin
—
Elly Ameling, Dalton Baldwin
An Chloe, KV 524
Elly Ameling, Dalton Baldwin
—
Des kleinen Friedrichs Geburtstag, KV 529
Elly Ameling, Dalton Baldwin
—
Das Traumbild, KV 530
Elly Ameling, Dalton Baldwin
—
Die kleine Spinnerin, KV 531
Elly Ameling, Dalton Baldwin
—
«Un moto di gioia», KV 579
Elly Ameling, Dalton Baldwin
—
Der Frühling, KV 597
Elly Ameling, Dalton Baldwin
—
Das Kinderspiel, KV 598
Elly Ameling, Dalton Baldwin
—
«Due pupille amabili», KV 439
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
—
«Se lontan, ben mio, tu sei», KV 438
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
—
«Ecco quel fiero istante», KV 436
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
—
«Mi lagnerò tacendo», KV 437
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
—
«Luci care, luci belle», KV 346/439a
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
—
Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Aria for Soprano and Orchestra in E-flat major, K. 73p / KV 83: Adagio - allegretto - tempo primo "Se tutti i mali miei" | Julie Kaufmann, Klaus von Wildermann, Münchner Rundfunkorchester, Jörg-Peter Weigle | — |
| Aria for Tenor and Orchestra in B-flat major, K. 295: Adagio - allegretto - primo tempo "Se al labbro mio non credi" | Hans Peter Blochwitz, Dresdner Philharmonie, Jörg-Peter Weigle | — |
| La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso - andante - allegro - adagio - andante - allegro "Guarda la donna in viso" (Fracasso) | Hans Peter Blochwitz, Dresden Philharmonic Orchestra, Jörg-Peter Weigle | — |
| La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta) | Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate) | Gunnar Guðbjörnsson, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | Julie Kaufmann, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg‐Peter Weigle | — |
Aria for Soprano and Orchestra in E-flat major, K. 73p / KV 83: Adagio - allegretto - tempo primo "Se tutti i mali miei"
Julie Kaufmann, Klaus von Wildermann, Münchner Rundfunkorchester, Jörg-Peter Weigle
—
Aria for Tenor and Orchestra in B-flat major, K. 295: Adagio - allegretto - primo tempo "Se al labbro mio non credi"
Hans Peter Blochwitz, Dresdner Philharmonie, Jörg-Peter Weigle
—
La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso - andante - allegro - adagio - andante - allegro "Guarda la donna in viso" (Fracasso)
Hans Peter Blochwitz, Dresden Philharmonic Orchestra, Jörg-Peter Weigle
—
La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta)
Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner
—
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
Gunnar Guðbjörnsson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora"
Julie Kaufmann, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg‐Peter Weigle
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000282538870000000055145451000000005551486X0000000063099424000000006309947500000000805067650000000080795982000000008087008100000000809694360000000081116101
+39 more
000000008161024900000000818366510000000082465573000000009120976600000001066884490000000106717684000000010815796700000001085483270000000108635957000000010867498000000001086940840000000108694148000000010920127X000000010941560600000001096459620000000110301008000000011031762400000001104708560000000110928863000000011440352X0000000114505999000000011461760800000001147868230000000114884706000000011490456X0000000116279753000000011765580200000001188420870000000119422113000000011945647900000001211745930000000121260336000000012259563X00000001226023340000000122772309000000013187100X000000035703337500000003990050220000000405542001
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What is UPC 00028946488027?
00028946488027 is a Universal Product Code (UPC) assigned to Complete Edition Vol. 12: Arias, Lieder etc, by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 150 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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