UPC · Release
Seiji Ozawa
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00028947823582 is the Universal Product Code (UPC barcode) for the release “Anniversary” by Seiji Ozawa, released 2010-08-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include NLA509608501, NLA509608502, NLA509608503.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 8-1 | Fanfare pour L'Orchestre Philarmonique de Vienne | Wiener Philharmoniker, Seiji Ozawa | T-801.916.720-6 | |
| 8-2 | Une Symphonie Alpestre: Nacht | Wiener Philharmoniker, Seiji Ozawa | T9130954846 | |
| 8-3 | Une Symphonie Alpestre: Sonnenaufgang | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-4 | Une Symphonie Alpestre: Der Anstieg | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-5 | Une Symphonie Alpestre: Eintritt in Den Wald | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-6 | Une Symphonie Alpestre: Wanderung Neben Den Bache | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-7 | Une Symphonie Alpestre: Am Wasserfall | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-8 | Une Symphonie Alpestre: Erscheinung | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-9 | Une Symphonie Alpestre: Auf Blumingen Wiesen | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-10 | Une Symphonie Alpestre: Auf Der Alm | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-11 | Une Symphonie Alpestre: Durch Dickicht Und Gestrupp Auf Irrwegen | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-12 | Une Symphonie Alpestre: Auf Dem Gletscher | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-13 | Une Symphonie Alpestre: Gefahrvolle Augenblicke | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-14 | Une Symphonie Alpestre: Auf Dem Gipfel | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-15 | Une Symphonie Alpestre: Vision | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-16 | Une Symphonie Alpestre: Nebel Steigen Auf | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-17 | Une Symphonie Alpestre: Die Sonne Verdustert Sich Allmahlich | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-18 | Une Symphonie Alpestre: Elegie | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-19 | Une Symphonie Alpestre: Stille Vor Dem Sturm | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-20 | Une Symphonie Alpestre: Gewitter Und Sturm, Abstieg | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-21 | Une Symphonie Alpestre: Sonnenuntergang | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-22 | Une Symphonie Alpestre: Ausklang | Wiener Philharmoniker, Seiji Ozawa | — | |
| 8-24 | Entrée Solennelle des Chevaliers de l'Ordre de Saint-Jean | Wiener Philharmoniker, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Une Symphonie Alpestre: Nacht | Wiener Philharmoniker, Seiji Ozawa | T9130954846 |
| Symphonic Dances from West Side Story: Prologue (Allegro moderato) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: “Somewhere” (Adagio) | San Francisco Symphony, Seiji Ozawa | T0701367396 |
| Symphonic Dances from West Side Story: Scherzo (Vivace leggiero) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: Mambo (Presto) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: Meeting Scene | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: “Cool” (Allegretto) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: Rumble (Molto allegro) | San Francisco Symphony, Seiji Ozawa | T0701391641 |
| Symphonic Dances from West Side Story: Finale (Adagio) | San Francisco Symphony, Seiji Ozawa | T-070139164-1 |
| Romeo and Juliet Fantasy Overture | San Francisco Symphony, Seiji Ozawa | T9050318008 |
| Romeo und Julia: I. Die Montagues und Capulets (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Romeo und Julia: IV. Tanz (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Romeo und Julia: VII. Romeo am Grabe Julias (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Romeo und Julia: VI. Tanz der Mädchen von den Antillen (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Romeo und Julia: VII. Tybalts Tod (op. 64a) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Romeo und Julia: III. Teil: Liebesszene (Ausschnitt) | San Francisco Symphony Orchestra, Seiji Ozawa | — |
| Gloria: I. Gloria | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: II. Laudamus te | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: III. Domine Deus | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-003010019-6 |
| Gloria: IV. Domine Fili unigenite | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: V. Domine Deus, Agnus Dei | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: VI. Qui sedes ad dexteram Patris | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Berliner Philharmoniker, Seiji Ozawa | — |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I | Berliner Philharmoniker, Seiji Ozawa | — |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | — |
| Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | Berliner Philharmoniker, Seiji Ozawa | — |
| Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T-070126537-3 |
| Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T0030078728 |
| Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T0030078728 |
| Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| Concert champêtre, FP 49 : III. Finale, Presto très gai | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| 1812 Overture, op. 49 | Berliner Philharmoniker, Seiji Ozawa | — |
| Music for Strings, Percussion & Celesta: I. Andante tranquillo | Saito Kinen Orchestra, Seiji Ozawa | — |
| Music for Strings, Percussion & Celesta: II. Allegro | Saito Kinen Orchestra, Seiji Ozawa | — |
| Music for Strings, Percussion & Celesta: III. Adagio | Saito Kinen Orchestra, Seiji Ozawa | — |
| Music for Strings, Percussion & Celesta: IV. Allegro molto | Saito Kinen Orchestra, Seiji Ozawa | — |
| Concerto for Orchestra: I. Introduzione: Andante non troppo - Allegro vivace | Saito Kinen Orchestra, Seiji Ozawa | — |
| Concerto for Orchestra: II. Giuoco delle coppie: Allegretto scherzando | Saito Kinen Orchestra, Seiji Ozawa | — |
| Concerto for Orchestra: III. Elegia: Andante non troppo | Saito Kinen Orchestra, Seiji Ozawa | — |
| Concerto for Orchestra: IV. Intermezzo interrotto: Allegretto | Saito Kinen Orchestra, Seiji Ozawa | — |
| Concerto for Orchestra: V. Finale: Pesante - Presto | Saito Kinen Orchestra, Seiji Ozawa | — |
| Pavane Pour Une Infante Défunte | Saito Kinen Orchestra, Seiji Ozawa | T0030137677 |
| Symphonie fantastique op. 14: I. Rêveries - Passions: Largo - Allegro agitato e appassionato assai | Saito Kinen Orchestra, Seiji Ozawa | — |
| Symphonie fantastique op. 14: II. Un bal: Valse. Allegro non troppo | Saito Kinen Orchestra, Seiji Ozawa | — |
| Symphonie fantastique op. 14: III. Scène aux champs: Adagio | Saito Kinen Orchestra, Seiji Ozawa | — |
| Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo | Saito Kinen Orchestra, Seiji Ozawa | — |
| Symphonie fantastique op. 14: V. Songe d'une nuit de Sabbat - Dies Irae - Ronde du Sabbat. Dies Irae et Ronde du Sabbat ensemble: Larghetto - Allegro | Saito Kinen Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: I. Allegro maestoso | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: II. Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: III. In ruhig fliessender bewegung | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht | Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: V. Sehr langsam und gedehnt | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n") | Marilyn Horne, Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — |
| Der fliegende Holländer: Overture | Berliner Philharmoniker, Seiji Ozawa | — |
| Lohengrin: Prelude to Act I | Berliner Philharmoniker, Seiji Ozawa | — |
| Die Meistersinger von Nürnberg: Prelude to Act I | Berliner Philharmoniker, Seiji Ozawa | — |
| Tannhäuser: Overture | Berliner Philharmoniker, Seiji Ozawa | — |
| Tristan und Isolde: Prelude | Berliner Philharmoniker, Seiji Ozawa | — |
| Tristan und Isolde: Liebestod | Berliner Philharmoniker, Seiji Ozawa | T0071634713 |
| Toccata and Fugue in D-minor, BWV 565 (Stokowski) | Boston Symphony Orchestra, Seiji Ozawa | T-922331926-4 |
| Musikalisches Opfer, BWV 1079 (Webern) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Partita in D-minor, BWV 1004 (Hideo Saito) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Vom Himmel hoch, BWV 769 (Stravinsky); Choral | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Var. I In canone all 'ottava | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Var. II Alio modo in canone alle quinta | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Var. III In canone alla settima | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Var. IV In canone all 'ottava per augmentationem | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Var. V L'altra sorte del canone al rovescio | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Prelude and Fugue in E-flat major, BWV 552 (Schoenberg) | Boston Symphony Orchestra, Seiji Ozawa | T-922046111-0 |
| Requiem | Saito Kinen Orchestra, Seiji Ozawa | T9011362100 |
| Ceremonial, an Autumn Ode | Saito Kinen Orchestra, Seiji Ozawa | — |
| Scheherazade, op. 35: I. The Sea and Sinbad's Ship. Largo e maestoso - Allegro non troppo | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — |
| Scheherazade, op. 35: II. The Tale of the Kalendar Prince. Lento - Andante | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — |
| Scheherazade, op. 35: III. The Young Prince and The Young Princess. Andantino quasi allegretto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — |
| Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - Shipwreck on a Rock surmounted by a Bronze Warrior - Conclusion. Allegro molto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — |
| Russian Easter Overture | Wiener Philharmoniker, Seiji Ozawa | — |
| Air for Flute Solo | Aurèle Nicolet | — |
| Family Tree: Once Upon a Time | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | T9014655051 |
| Family Tree: Grandpa | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | — |
| Family Tree: Grandma | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | — |
| Family Tree: Dad | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | — |
| Family Tree: Mom | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | T9148461136 |
| Family Tree: A Distant Place | Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa | — |
| My Way of Life - In Memory of Michael Vyner: I was once asked | Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| My Way of Life - In Memory of Michael Vyner: To a discerning eye | Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| My Way of Life - In Memory of Michael Vyner: A human being has its own way of life | Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| My Way of Life - In Memory of Michael Vyner: It is not time that passes on | Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
00028947823582 is a Universal Product Code (UPC) assigned to Anniversary by Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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