UPC · Release
Various Artists
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00028948321766 is the Universal Product Code (UPC barcode) for the release “Baroque Gold: 50 Great Tracks” by Various Artists, released 2017-06-16. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBF079042711, GBF078210181, GBF078210182.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trumpet Voluntary (The Prince of Denmark’s March) | Peter Hurford, Michael Laird Brass Ensemble | T0117386772 |
| 2 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 4 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro pastorale | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 5 | Rinaldo, HWV 7a: “Lascia ch’io pianga” | Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | T-911383839-4 |
| 6 | Prelude and Fugue in C major (WTK, Book I, no. 1), BWV 846 | Kenneth Gilbert | — |
| 7 | Music for the Royal Fireworks, Suite HWV 351: I. Ouverture | Academy of Ancient Music, Christopher Hogwood | — |
| 8 | Music for the Royal Fireworks, Suite HWV 351: II. Bourrée | Academy of Ancient Music, Christopher Hogwood | — |
| 9 | Music for the Royal Fireworks, Suite HWV 351: III. La paix | Academy of Ancient Music, Christopher Hogwood | T9043787402 |
| 10 | Music for the Royal Fireworks, Suite HWV 351: IV. La réjouissance | Academy of Ancient Music, Christopher Hogwood | — |
| 11 | Music for the Royal Fireworks, Suite HWV 351: V. Menuet I-II | Academy of Ancient Music, Christopher Hogwood | — |
| 12 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909243105-5 |
| 13 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Simon Preston | T9220461110 |
| 14 | Concerto for Lute, 2 Violins and Continuo in D major, RV. 93: II. Largo | Tom Finucane, New London Consort, Philip Pickett | T9116400056 |
| 15 | Samson HWV 57: Act 3: "Let the bright seraphim" | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | — |
| 17 | Suite no. 1 in G major: Prélude | Lynn Harrell | — |
| 18 | Dido and Aeneas: Act III. “When I Am Laid in Earth” (Dido’s Lament) | Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | T3064832179 |
| 19 | L'Orfeo: Toccata | His Majestys Sagbutts and Cornetts, English Baroque Soloists, Sir John Eliot Gardiner | T-702928999-6 |
| 20 | The Fairy Queen, Z.629, Act 4: Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — |
| 21 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 22 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio e piano - Presto e forte | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 23 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 24 | Canon and Gigue in D major, P. 37 | Academy of Ancient Music, Christopher Hogwood | T9201517604 |
| 25 | Adagio for Strings and Organ in G minor | Maria Teresa Garatti, I Musici | T0050011976 |
| 26 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | — |
| 27 | Concerto no. 2 in F major, BWV 1047: I. Allegro | New London Consort, Philip Pickett | T8014111059 |
| 28 | Concerto no. 2 in F major, BWV 1047: II. Andante | New London Consort, Philip Pickett | — |
| 29 | Concerto no. 2 in F major, BWV 1047: III. Allegro assai | New London Consort, Philip Pickett | T3063957864 |
| 30 | Sonata in G Minor (Devil’s Trill) III. Andante/Allegro | Nicola Benedetti, Christian Curnyn, Thomas Dunford, Catherine Rimer | — |
| 31 | Dorilla in Tempe, RV 709: "Dell'aura al sussurrar" | Cecilia Bartoli, Arnold Schoenberg Chor, Il Giardino Armonico, Giovanni Antonini | T0115726049 |
| 32 | Menuett G-dur, BWV Anh. 114 / Menuett G-moll, BWV Anh. 115 | Gustav Leonhardt | — |
| 33 | Concerto grosso, op. 6 no. 8 "Fatto per la notte di natale": VI. Allegro - Pastorale (Largo) | Academy of Ancient Music, Christopher Hogwood | T0013227401 |
| 34 | La Sonnerie de Sainte-Geneviève du mont de Paris | Christophe Coin, Monica Huggett, Academy of Ancient Music, Christopher Hogwood | — |
| 35 | Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011174209-6 |
| 36 | Le quattro stagioni, op. 8: Concerto no. 3 in F major, RV 293 "L'autunno": I. Ballo e canto de villanelli: Allegro | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 37 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 38 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 39 | Harpsichord Concerto in D minor, BWV 1052: I. Allegro | Christophe Rousset, Academy of Ancient Music, Christopher Hogwood | T0701603135 |
| 40 | Stabat Mater: I. Stabat Mater | James Bowman, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-905680072-7 |
| 41 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Christopher Hogwood, The Academy of Ancient Music | T-914.248.874-2 |
| 42 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | T3063957864 |
| 43 | Organ Concerto no. 6 in B-flat major, op. 4 no. 6 HWV 294: I. Andante - Allegro | Accademia Bizantina, Ottavio Dantone | — |
| 44 | Serse: Atto I, Scena I. “Ombra mai fu” (Serse) | Cecilia Bartoli, Il giardino armonico, Giovanni Antonini | T-308021303-8 |
| 45 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| 46 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria (Da Capo) | Christophe Rousset | T8018069847 |
| 47 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 48 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 49 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| 50 | Messiah, HWV 56: "And the Glory of the Lord" | Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | T0710716190 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Simon Preston | T9053818738 |
| Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Orfeo ed Euridice, "Dance of the Blessed Spirits" | Insula Orchestra, Laurence Equilbey | — |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | T3071751021 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | T9116400056 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro pastorale | Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | T9219609946 |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio e piano - Presto e forte | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | John Holloway, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| Le quattro stagioni, op. 8: Concerto no. 3 in F major, RV 293 "L'autunno": I. Ballo e canto de villanelli: Allegro | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | T9116400045 |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | — |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Alison Bury, Nigel North, Academy of Ancient Music, Christopher Hogwood | T9028361208 |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | T3071751725 |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | T8013977986 |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | T3071751816 |
| Harpsichord Concerto in D minor, BWV 1052: I. Allegro | Christophe Rousset, Academy of Ancient Music, Christopher Hogwood | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
00028948321766 is a Universal Product Code (UPC) assigned to Baroque Gold: 50 Great Tracks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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