UPC · Release
Sämtliche Symphonien
Gustav Mahler, Chicago Symphony Orchestra, London Symphony Orchestra, Concertgebouw Orchestra, Sir Georg Solti
001406357084
43 tracksReleased 1986-01-01
Last verified:
001406357084 is the Universal Product Code (UPC barcode) for the release “Sämtliche Symphonien” by Gustav Mahler, Chicago Symphony Orchestra, London Symphony Orchestra, Concertgebouw Orchestra, Sir Georg Solti, released 1986-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include GBF078110841, GBF078110842, GBF078110843.
Format
0Number system
01406Manufacturer
35708Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSämtliche Symphonien
ISRC24 recordings
ISWC8 works
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie Nr. 3 in d-moll: 1. Satz. Kräftig | London Symphony Orchestra, Sir Georg Solti | — | |
| 2 | Symphony no. 3: 2nd Movement: Tempo di Menuetto | London Symphony Orchestra, Georg Solti | — | |
| 3 | Symphony no. 3: 3rd Movement: Comodo | London Symphony Orchestra, Georg Solti | T-902.748.588-7 | |
| 4 | Symphony no. 3: 4th Movement: Sehr Langsam | Helen Watts, London Symphony Orchestra, Georg Solti | — | |
| 2-1 | Symphony no. 3: 5th Movement: Lustig Im Tempo Und Keck Im Ausdruck | Helen Watts, Boys From Wandsworth School, Ambrosian Chorus, John McCarthy, London Symphony Orchestra, Georg Solti | — | |
| 2-2 | Symphony no. 3: 6th Movement: Langsam | London Symphony Orchestra, Georg Solti | — | |
| 2-3 | Symphony no. 1 in D major: I. Langsam, schleppend | London Symphony Orchestra, Georg Solti | T-909.573.284-6 | |
| 2-4 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | London Symphony Orchestra, Georg Solti | T-928.635.616-9 | |
| 2-5 | Symphonie Nr. 1 in D-Dur 'Der Titan': 3. Satz. Feierlich und 4. Satz. Stürmisch bewegt | — | ||
| 3-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | London Symphony Orchestra, Georg Solti | — | |
| 3-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | London Symphony Orchestra, Georg Solti | — | |
| 3-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo: In ruhig fließender Bewegung | London Symphony Orchestra, Georg Solti | — | |
| 3-4 | Symphonie Nr. 2 in c-moll 'Auferstehung': 4. Satz. 'Urlicht' - 5. Satz. Im Tempo des Scherzos | — | ||
| 4-1 | Symphonie Nr. 2 in c-moll 'Auferstehung': 5. Satz. Im Tempo des Scherzos (Rest) | — | ||
| 4-2 | Symphonie Nr. 9 in D-Dur: 1. Satz. Andante comodo | — | ||
| 4-3 | Symphonie Nr. 9 in D-Dur: 1. Satz. Andante comodo (Rest) | — | ||
| 4-4 | Symphonie Nr. 9 in D-Dur: 2. Satz. Im Tempo eines gemächlichen Ländlers | — | ||
| 4-5 | Symphonie Nr. 9 in D-Dur: 3. Satz. Rondo | — | ||
| 5-1 | Symphonie Nr. 9 in D-Dur: 4. Satz. Adagio | — | ||
| 5-2 | Symphonie Nr. 4 in G-Dur: 1. Satz. Bedächtig, nicht eilen | — | ||
| 5-3 | Symphonie Nr. 4 in G-Dur: 2 Satz. In gemächlicher Bewegung ohne Hast | — | ||
| 5-4 | Symphonie Nr. 4 in G-Dur: 3. Satz. Ruhevoll | — | ||
| 5-5 | Symphonie Nr. 4 in G-Dur: 4. Satz. Sehr behaglich | — | ||
| 6-1 | Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 1. Hymnus | — | ||
| 6-2 | Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Schluss-Szene aus dem zweiten Teil von Goethes 'Faust'. Waldung, sie schwankt heran | — | ||
| 6-3 | Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Schluss-Szene aus dem zweiten Teil von Goethes 'Faust'. Waldung, sie schwankt heran (Fortsetzung) | — | ||
| 6-4 | Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Uns bleibt ein Erdenrest | — | ||
| 7-1 | Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Blicket auf, all' reuig Zarten! | — | ||
| 7-2 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | Chicago Symphony Orchestra, Georg Solti | — | |
| 7-3 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 7-4 | Symphony no. 6 in A minor: III. Andante | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 8-1 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato | Chicago Symphony Orchestra, Georg Solti | T-318.676.528-2 | |
| 8-2 | Symphony No. 7: I. Langsam — Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-3 | Symphony No. 7: II. Nachtmusik I: Allegro moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-1 | Symphony No. 7: III. Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-2 | Symphony No. 7: IV. Nachtmusik II: Andante amoroso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-3 | Symphony No. 7: V. Rondo-Finale | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-1 | Symphony no. 5: I. Trauermarsch | Chicago Symphony Orchestra, Sir Georg Solti | T-926.359.926-4 | |
| 10-2 | Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-3 | Symphonie Nr. 5 in cis-moll: Scherzo | — | ||
| 10-4 | Symphonie Nr. 5 in cis-moll: Scherzo (Rest) | — | ||
| 10-5 | Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T-800.652.468-2 | |
| 10-6 | Symphony No. 5: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — |
Symphonie Nr. 3 in d-moll: 1. Satz. Kräftig
London Symphony Orchestra, Sir Georg Solti
—
Symphony no. 3: 2nd Movement: Tempo di Menuetto
London Symphony Orchestra, Georg Solti
—
Symphony no. 3: 4th Movement: Sehr Langsam
Helen Watts, London Symphony Orchestra, Georg Solti
—
Symphony no. 3: 5th Movement: Lustig Im Tempo Und Keck Im Ausdruck
Helen Watts, Boys From Wandsworth School, Ambrosian Chorus, John McCarthy, London Symphony Orchestra, Georg Solti
—
Symphony no. 3: 6th Movement: Langsam
London Symphony Orchestra, Georg Solti
—
London Symphony Orchestra, Georg Solti
London Symphony Orchestra, Georg Solti
Symphonie Nr. 1 in D-Dur 'Der Titan': 3. Satz. Feierlich und 4. Satz. Stürmisch bewegt
—
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
London Symphony Orchestra, Georg Solti
—
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen
London Symphony Orchestra, Georg Solti
—
Symphony no. 2 in C minor “Resurrection”: III. Scherzo: In ruhig fließender Bewegung
London Symphony Orchestra, Georg Solti
—
Symphonie Nr. 2 in c-moll 'Auferstehung': 4. Satz. 'Urlicht' - 5. Satz. Im Tempo des Scherzos
—
Symphonie Nr. 2 in c-moll 'Auferstehung': 5. Satz. Im Tempo des Scherzos (Rest)
—
Symphonie Nr. 9 in D-Dur: 1. Satz. Andante comodo
—
Symphonie Nr. 9 in D-Dur: 1. Satz. Andante comodo (Rest)
—
Symphonie Nr. 9 in D-Dur: 2. Satz. Im Tempo eines gemächlichen Ländlers
—
Symphonie Nr. 9 in D-Dur: 3. Satz. Rondo
—
Symphonie Nr. 9 in D-Dur: 4. Satz. Adagio
—
Symphonie Nr. 4 in G-Dur: 1. Satz. Bedächtig, nicht eilen
—
Symphonie Nr. 4 in G-Dur: 2 Satz. In gemächlicher Bewegung ohne Hast
—
Symphonie Nr. 4 in G-Dur: 3. Satz. Ruhevoll
—
Symphonie Nr. 4 in G-Dur: 4. Satz. Sehr behaglich
—
Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 1. Hymnus
—
Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Schluss-Szene aus dem zweiten Teil von Goethes 'Faust'. Waldung, sie schwankt heran
—
Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Schluss-Szene aus dem zweiten Teil von Goethes 'Faust'. Waldung, sie schwankt heran (Fortsetzung)
—
Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Uns bleibt ein Erdenrest
—
Symphonie Nr. 8 in Es-Dur 'Symphonie der Tausend': Teil 2. Blicket auf, all' reuig Zarten!
—
Symphony no. 6 in A minor: I. Allegro energico, ma non troppo
Chicago Symphony Orchestra, Georg Solti
—
Chicago Symphony Orchestra, Georg Solti
Chicago Symphony Orchestra, Georg Solti
Symphony No. 7: I. Langsam — Allegro
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: II. Nachtmusik I: Allegro moderato
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: III. Scherzo
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: IV. Nachtmusik II: Andante amoroso
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: V. Rondo-Finale
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphonie Nr. 5 in cis-moll: Scherzo
—
Symphonie Nr. 5 in cis-moll: Scherzo (Rest)
—
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 5: V. Rondo-Finale: Allegro
Chicago Symphony Orchestra, Sir Georg Solti
—
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What is UPC 001406357084?
001406357084 is a Universal Product Code (UPC) assigned to Sämtliche Symphonien by Gustav Mahler, Chicago Symphony Orchestra, London Symphony Orchestra, Concertgebouw Orchestra, Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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