UPC · Release
Claudio Abbado, London Symphony Orchestra
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The UPC for “Claudio Abbado & London Symphony Orchestra: Complete Deutsche Grammophon and Decca Recordings” by Claudio Abbado, London Symphony Orchestra is 0028948395897. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-03-05. This release contains 504 tracks, each with its own ISRC. Tracks include DEF058203881, DEF058203882, DEF058203883.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Miraculous Mandarin, op. 19: Beginning | London Symphony Orchestra, Claudio Abbado | T-920.035.883-4 | |
| 2 | The Miraculous Mandarin, op. 19: The Curtain Rises | London Symphony Orchestra, Claudio Abbado | — | |
| 3 | The Miraculous Mandarin, op. 19: First Seduction Game: The Shabby Old Rake | London Symphony Orchestra, Claudio Abbado | — | |
| 4 | The Miraculous Mandarin, op. 19: Second Seduction Game | London Symphony Orchestra, Claudio Abbado | — | |
| 5 | The Miraculous Mandarin, op. 19: The Shy Youth Appears at the Door | London Symphony Orchestra, Claudio Abbado | — | |
| 6 | The Miraculous Mandarin, op. 19: Third Seduction Game | London Symphony Orchestra, Claudio Abbado | — | |
| 7 | The Miraculous Mandarin, op. 19: The Mandarin Enters - Encounter With the Girl | London Symphony Orchestra, Claudio Abbado | — | |
| 8 | The Miraculous Mandarin, op. 19: The Girl's Dance | London Symphony Orchestra, Claudio Abbado | T-900.052.312-6 | |
| 9 | The Miraculous Mandarin, op. 19: She Flees From Him; He Chases Her Wildly | London Symphony Orchestra, Claudio Abbado | — | |
| 10 | The Miraculous Mandarin, op. 19: The Mandarin Stumbles, But Catches the Girl; They Fight. The Tramps Leap Out, Seize the Mandarin, Rob Him and Suffocate Him With Pillows | London Symphony Orchestra, Claudio Abbado | — | |
| 11 | The Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Disappears. The Tramps Drag Him Out, One Stabs Him Three Times. He Almost Collapses, But Draws Himself Up and Leaps at the Girl | London Symphony Orchestra, Claudio Abbado | — | |
| 12 | The Miraculous Mandarin, op. 19: The Drag the Mandarin to the Centre of the Room and Hang Him on a Lamp Hook. The Lamp Falls to the Floor - Goes Out. The Mandarin's Body Begins to Glow. | London Symphony Orchestra, Claudio Abbado | — | |
| 13 | The Miraculous Mandarin, op. 19: The Tramps Take Him Down. He Falls to the Floor and at Once Leaps at the Girl. They Embrace | London Symphony Orchestra, Claudio Abbado | — | |
| 14 | The Miraculous Mandarin, op. 19: His Longing Stilled, the Mandarin's Wounds Begin to Bleed; He Becomes Weaker and Dies | London Symphony Orchestra, Claudio Abbado | — | |
| 15 | Two Portraits, op. 5: 1. One Ideal. Andante | Shlomo Mintz, London Symphony Orchestra, Claudio Abbado | T-007.183.639-9 | |
| 16 | Two Portraits, op. 5: II. One Grotesque | Shlomo Mintz, London Symphony Orchestra, Claudio Abbado | T-007.183.639-9 | |
| 2-1 | Lulu-Suite: I. Rondo. Andante (Introduzione) - Hymne. Sostenuto | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-2 | Lulu-Suite: II. Ostinato. Allegro | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-3 | Lulu-Suite: III. Lied der Lulu. Comodo | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-4 | Lulu-Suite: IV. Variationen. Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito a tempo moderato | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-5 | Lulu-Suite: V. Adagio. Sostenuto - Lento - Grave | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-6 | Piece for Orchestra, op. 6 no. 1: Präludium. Langsam | London Symphony Orchestra, Claudio Abbado | — | |
| 2-7 | Piece for Orchestra, op. 6 no. 2: Reigen. Anfangs etwas zögernd - Leicht beschwingt | London Symphony Orchestra, Claudio Abbado | — | |
| 2-8 | Piece for Orchestra, op. 6 no. 3: Marsch. Mässiges Marschtempo | London Symphony Orchestra, Claudio Abbado | — | |
| 2-9 | Altenberg Lieder, op. 4: No. 1. Seele, wie bist du schöner | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-10 | Altenberg Lieder, op. 4: No. 2. Sahst du nach dem Gewitterregen den Wald | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-11 | Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-12 | Altenberg Lieder, op. 4: No. 4. Nichts ist gekommen | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 2-13 | Altenberg Lieder, op. 4: No. 5. Hier ist Friede | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 3-1 | L'Arlésienne Suite no. 1: Prélude. Allegro deciso (Tempo di marcia) - Andantino - Andante molto | London Symphony Orchestra, Claudio Abbado | T-900.143.514-9 | |
| 3-2 | L'Arlésienne Suite no. 1: Minuetto. Allegro giocoso | London Symphony Orchestra, Claudio Abbado | T-010.194.862-2 | |
| 3-3 | L'Arlésienne Suite no. 1: Adagietto. Adagio | London Symphony Orchestra, Claudio Abbado | T-910.448.362-7 | |
| 3-4 | L'Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino - Tempo I | London Symphony Orchestra, Claudio Abbado | — | |
| 3-5 | L'Arlésienne Suite no. 2: Pastorale. Andante sostenuto assai - Andantino - Tempo I | London Symphony Orchestra, Claudio Abbado | T-071.478.968-0 | |
| 3-6 | L'Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 3-7 | L'Arlésienne Suite no. 2: Menuet. Andantino quasi allegretto | London Symphony Orchestra, Claudio Abbado | T-310.225.113-4 | |
| 3-8 | L'Arlésienne Suite no. 2: Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso | London Symphony Orchestra, Claudio Abbado | T-010.194.866-6 | |
| 3-9 | Carmen Suite No. 1, WD 31: Overture (Prelude) (Allegro giocoso) | — | ||
| 3-10 | Carmen Suite No. 1, WD 31: Entracte (between Act I & II) (Allegro moderato) | — | ||
| 3-11 | Carmen Suite No. 1, WD 31: Entracte (between Act II & III) (Andantino quasi allegretto) | — | ||
| 3-12 | Carmen Suite No. 1, WD 31: Act 3: Entr'acte (Allegro vivo) | — | ||
| 4-1 | Carmen, WD 31: Overture (Prelude) | London Symphony Orchestra, Claudio Abbado | T-031.673.380-8 | |
| 4-2 | Carmen : Acte I, Nº 1. Introduction « Sur la place chacun passe » (Les Soldats, Moralès) | Patrick Criswell, John McCarthy, Ambrosian Singers, Stuart Harling, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-3 | Carmen : Acte I. « Regardez donc cette petite » (Moralès, Les Soldats, Micaëla) | Patrick Criswell, John McCarthy, Ambrosian Singers, Ileana Cotrubaș, Stuart Harling, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-4 | Carmen : Acte I, Nº 2. Marche et Chœur des Gamins « Avec la garde montante » (Chœur des Gamins) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-5 | Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José) | Plácido Domingo, Stuart Harling, Robert Lloyd, London Symphony Orchestra, Claudio Abbado | — | |
| 4-6 | Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins) | Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-7 | CARMEN, ACT I: DIALOGUE. DITES-MOI, BRIGADIER | CLAUDIO ABBADO LONDON SYMPHONY ORCHESTRA ROBERT LLOYD PLÁCIDO DOMINGO, GEORGES BIZET,ROBERT LLOYD,PLÁCIDO DOMINGO,LONDON SYMPHONY ORCHESTRA,CLAUDIO ABBADO | — | |
| 4-8 | Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné” | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-9 | Carmen : Acte I. « Mais nous ne voyons pas la Carmencita. » (Les Soldats, Les Jeunes Gens) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-10 | Carmen : Acte I. « Quand je vous aimerai ? » / Nº 4: Havanaise « L’amour est un oiseau rebelle » (Carmen, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-11 | Carmen : Acte I, Nº 5. Scène « Carmen, sur tes pas, nous nous pressons tous » (Les Jeunes Gens, Les Cigarières, Don José) | Patrick Criswell, John McCarthy, Ambrosian Singers, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-12 | Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / Nº 6: Duo « Parle‐moi de ma mère ! » (Don José, Micaëla) | Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 4-13 | Carmen : Acte I. « Votre mère avec moi sortait de la chapelle » (Micaëla, Don José) | Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 4-14 | Carmen : Acte I. « Ma mère, je la vois… » (Don José, Micaëla) | Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 4-15 | Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga) | Ileana Cotrubaș, Plácido Domingo, Robert Lloyd, London Symphony Orchestra, Claudio Abbado | — | |
| 4-16 | Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats) | Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-17 | Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José) | Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-18 | Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 4-19 | Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen) | Teresa Berganza, Plácido Domingo, Robert Lloyd, London Symphony Orchestra, Claudio Abbado | — | |
| 4-20 | Carmen : Acte I. Entr’acte | London Symphony Orchestra, Claudio Abbado | — | |
| 4-21 | Carmen : Acte II, Nº 11. Chanson « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita) | Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | T-922.166.713-6 | |
| 4-22 | Carmen : Acte II. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Andrès, Mercédès, Carmen) | Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | — | |
| 4-23 | Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-24 | Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Robert Lloyd, George Main, Sherrill Milnes, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 4-25 | Carmen : Acte II. Quintette « Nous avons en tête une affaire » | Teresa Berganza, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, London Symphony Orchestra, Claudio Abbado | — | |
| 4-26 | Carmen : Acte II, Nº 15. Chanson « Amoureuse…ce n’est pas une raison » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / « Halte‐là ! Qui va là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen) | Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, London Symphony Orchestra, Claudio Abbado | — | |
| 5-1 | Carmen : Acte II, Nº 16. Duo « Je vais danser en votre honneur » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 5-2 | Carmen : Acte II. Air de la fleur « La Fleur que tu m’avais jetée » (Don José) | Plácido Domingo, London Symphony Orchestra, Claudio Abbado | T-928.635.311-5 | |
| 5-3 | Carmen : Acte II. « Non ! Tu ne m’aimes pas ! » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 5-4 | Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Robert Lloyd, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-5 | Carmen : Acte II. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, Les Bohémiens, Les Bohémiennes) | Patrick Criswell, John McCarthy, Ambrosian Singers, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-6 | Carmen : Acte II. Entr’acte (entre Acte II & III) | London Symphony Orchestra, Claudio Abbado | — | |
| 5-7 | Carmen : Acte III, Nº 18. Introduction « Ecoute, compagnon, écoute » (Les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-8 | Carmen : Acte III. « Halte ! Nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen) | Teresa Berganza, Plácido Domingo, Geoffrey Pogson, Gordon Sandison, London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Carmen : Acte III, Nº 19. Trio « Mêlons ! » « Mêlons ! » « Coupons ! » (Frasquita, Mercédès) | Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | — | |
| 5-10 | Carmen : Acte III. Air des cartes « Carreau, pique … la mort ! » (Carmen) | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-324.536.672-3 | |
| 5-11 | Carmen : Acte III. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen) | Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | — | |
| 5-12 | Carmen : Acte III. « Eh bien, j’avais raison. » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José) | Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison | — | |
| 5-13 | Carmen : Acte III, Nº 20. Morceau d’ensemble « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaïre, Remendado) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Alicia Nafé, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-14 | Carmen : Acte III. « Nous y sommes » (Le Guide, Micaëla) | Ileana Cotrubaș, Jean Lainé | — | |
| 5-15 | Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla) | Ileana Cotrubaș, London Symphony Orchestra, Claudio Abbado | — | |
| 5-16 | Carmen : Acte III. « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nº 22. Duo « Je suis Escamillo, toréro de Grenade. » (Escamillo, Don José) | Ileana Cotrubaș, Plácido Domingo, Sherrill Milnes, London Symphony Orchestra, Claudio Abbado | — | |
| 5-17 | Carmen : Acte III, Nº 23. Finale « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, Les Contrebandiers, Les Contrebandières) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Sherrill Milnes, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-18 | Carmen : Acte III. « Halte ! Quelqu’un est là qui cherche à se cacher. » (Remendado, Carmen, Dancaïre, Don José, Micaëla, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, Sherrill Milnes, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-19 | Carmen : Acte III. Entr’acte | London Symphony Orchestra, Claudio Abbado | T-010.248.557-3 | |
| 5-20 | Carmen : Acte III, Nº 24. Chœur « À deux cuartos » (Des Marchandes, Des Marchands, Un Soldat, Andrès, Un Bohémien) | Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Leslie Fyson, Jean Lainé, Shirley Minty, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-21 | Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-22 | Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 5-23 | Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 6-1 | Symphonie Nr. 4 e-Moll op. 98: 1. Allegro non troppo | London Symphony Orchestra, Claudio Abbado | T-902.764.002-4 | |
| 6-2 | Symphonie Nr. 4 e-Moll op. 98: 2. Andante moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 6-3 | Symphonie Nr. 4 e-Moll op. 98: 3. Allegro giocoso – Poco meno presto – Tempo I | London Symphony Orchestra, Claudio Abbado | — | |
| 6-4 | Symphonie Nr. 4 e-Moll op. 98: 4. Allegro energico e passionato – Più Allegro | London Symphony Orchestra, Claudio Abbado | T-902.764.002-4 | |
| 6-5 | Tragic Overture, op. 81 | — | ||
| 7-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 7-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308.381.369-4 | |
| 7-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 7-4 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 7-5 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 7-6 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — | |
| 8-1 | La damoiselle élue, L. 62: Beginning | London Symphony Orchestra, Claudio Abbado | T-920.035.883-4 | |
| 8-2 | La damoiselle élue, L 62: Chœur : « La Damoiselle élue s’appuyait » (chœur, une récitante) | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 8-3 | La damoiselle élue, L 62: La Damoiselle : « Je voudrais qu’il fût déjà près de moi » | Maria Ewing, London Symphony Orchestra, Claudio Abbado | — | |
| 8-4 | La damoiselle élue, L 62: Chœur : « La lumière tressaillit … » (chœur, une récitante) | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 8-5 | Prélude à l’après-midi d’un faune, L 86: Très modéré | Peter Lloyd, London Symphony Orchestra, Claudio Abbado | — | |
| 8-6 | Images pour orchestre Nᵒ 2 « Ibéria », L 122: 1. Par les rues et par les chemins. Assez animé | London Symphony Orchestra, Claudio Abbado | — | |
| 8-7 | Images pour orchestre Nᵒ 2 « Ibéria », L 122: 2. Les Parfums de la nuit. Lent et rêveur | London Symphony Orchestra, Claudio Abbado | — | |
| 8-8 | Images pour orchestre Nᵒ 2 « Ibéria », L 122: 3. Le matin d’un jour de fête. Dans un rythme de marche lointaine, alerte et joyeuse | London Symphony Orchestra, Claudio Abbado | — | |
| 9-1 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 9-2 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato - Lebhaft | London Symphony Orchestra, Claudio Abbado | — | |
| 9-3 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 9-4 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: VI. Marsch | London Symphony Orchestra, Claudio Abbado | — | |
| 9-5 | Sinfonietta: 1. Allegretto - Allegro - Maestoso | London Symphony Orchestra, Claudio Abbado | T-900.952.974-2 | |
| 9-6 | Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | London Symphony Orchestra, Claudio Abbado | — | |
| 9-7 | Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 9-8 | Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo | London Symphony Orchestra, Claudio Abbado | — | |
| 9-9 | Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | London Symphony Orchestra, Claudio Abbado | — | |
| 9-10 | Romeo and Juliet, Suite no. 2, op. 64b no. 1: The Montagues and Capulets | London Symphony Orchestra, Claudio Abbado | — | |
| 9-11 | Romeo and Juliet, Suite no. 3, op. 101 no. 16: Morning Dance | London Symphony Orchestra, Claudio Abbado | — | |
| 9-12 | Romeo and Juliet, Ballet, op. 64 no. 5: The Quarrrel | London Symphony Orchestra, Claudio Abbado | — | |
| 9-13 | Romeo and Juliet, Ballet, op. 64 no. 6: The Fight | London Symphony Orchestra, Claudio Abbado | T-003.506.743-6 | |
| 9-14 | Romeo and Juliet, Ballet, op. 64 no. 25: Dance with Mandolins | London Symphony Orchestra, Claudio Abbado | — | |
| 9-15 | Romeo and Juliet, Suite no. 2, op. 64b no. 4: Dance | London Symphony Orchestra, Claudio Abbado | — | |
| 9-16 | Romeo and Juliet, Suite no. 3, op. 101 no. 19: Aubade (Morning Serenade) | London Symphony Orchestra, Claudio Abbado | — | |
| 9-17 | Romeo and Juliet, Suite no. 2, op. 64b no. 6: Dance of the Maids from the Antilles | London Symphony Orchestra, Claudio Abbado | — | |
| 9-18 | Romeo and Juliet, Suite no. 1, op. 64a no. 7: Death of Tybalt | London Symphony Orchestra, Claudio Abbado | — | |
| 10-1 | Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | London Symphony Orchestra, Claudio Abbado | — | |
| 10-2 | Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo | London Symphony Orchestra, Claudio Abbado | — | |
| 10-3 | Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio | London Symphony Orchestra, Claudio Abbado | — | |
| 10-4 | Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 10-5 | Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 10-6 | Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto | London Symphony Orchestra, Claudio Abbado | T-303.792.628-2 | |
| 10-7 | Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 10-8 | Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto | London Symphony Orchestra, Claudio Abbado | T-308.451.891-8 | |
| 11-1 | Symphony No. 1 in C minor, Op. 11, MWV N13: I. Allegro de molto | — | ||
| 11-2 | Symphony No. 1 in C minor, Op. 11, MWV N13: II. Andante | — | ||
| 11-3 | Symphony No. 1 in C minor, Op. 11, MWV N13: III. Menuetto. Allegro molto | — | ||
| 11-4 | Symphony No. 1 in C minor, Op. 11, MWV N13: IV. Allegro con fuoco | — | ||
| 11-5 | Scherzo in G minor from Octet, Op. 20, MWV R20: III. Scherzo - Sempre pianissimo e leggiero | — | ||
| 11-6 | A Midsummer Night's Dream Overture, Op. 21, MWV P3 | — | ||
| 11-7 | The Hebrides Overture, Op. 26, MWV P7 "Fingal's Cave" | — | ||
| 11-8 | Calm Sea and Prosperous Voyage, Op. 27, MWV P5 | — | ||
| 12-1 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-2 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-3 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-4 | Symphony No. 2 in B-flat major, Op. 52, MWV A18 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn" | — | ||
| 12-5 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-6 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-7 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-8 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-9 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-10 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-11 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-12 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-13 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 12-14 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 13-1 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 13-2 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 13-3 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 13-4 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 13-5 | The Fair Melusine, Op. 32, MWV P12 | — | ||
| 13-6 | Trumpet Overture, Op. 101, MWV P2 | — | ||
| 13-7 | Ruy Blas, Op. 95, MWV P15 | — | ||
| 14-1 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 14-2 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 14-3 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 14-4 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 14-5 | Symphony No. 5 in D minor, Op. 107, MWV N15 "Reformation": I. Andante - Allegro con fuoco | — | ||
| 14-6 | Symphony No. 5 in D minor, Op. 107, MWV N15 "Reformation": II. Allegro vivace | — | ||
| 14-7 | Symphony No. 5 in D minor, Op. 107, MWV N15 "Reformation": III. Andante | — | ||
| 14-8 | Symphony No. 5 in D minor, Op. 107, MWV N15 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott". Andante con moto - Allegro maestoso | — | ||
| 14-9 | Overture for Wind Instruments, Op. 24, MWV P1 | — | ||
| 15-1 | Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | London Symphony Orchestra, Claudio Abbado | T-003.035.132-6 | |
| 15-2 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 15-3 | Symphony no. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 15-4 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 15-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 15-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 15-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 15-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Symphony Orchestra, Claudio Abbado | T-003.035.132-6 | |
| 16-1 | Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 1. Allegro aperto (kadenz: Mozart) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 16-2 | Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 2. Andante (kadenz: Mozart) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 16-3 | Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 3. Rondeau. Tempo di Menuetto (kadenz: Mozart) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 16-4 | Piano Concerto no. 12 in A, KV 414: I. Allegro | London Symphony Orchestra, Rudolf Serkin, Claudio Abbado | T-011.422.353-8 | |
| 16-5 | Piano Concerto no. 12 in A, KV 414: II. Andante | London Symphony Orchestra, Rudolf Serkin, Claudio Abbado | — | |
| 16-6 | Piano Concerto no. 12 in A, KV 414: III. Rondeau. Allegretto | London Symphony Orchestra, Rudolf Serkin, Claudio Abbado | — | |
| 17-1 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jenamy": I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 17-2 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jenamy": II. Andantino | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 17-3 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 17-4 | Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-071.070.336-8 | |
| 17-5 | Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 17-6 | Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-902.774.400-9 | |
| 18-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 18-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 18-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 18-4 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-070.161.055-0 | |
| 18-5 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 18-6 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Primo tempo | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 19-1 | Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 1. Allegro vivace | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 19-2 | Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 2. Andante un poco sostenuto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 19-3 | Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 3. Allegro vivace | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 19-4 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 19-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-926.819.124-8 | |
| 19-6 | Piano Concerto no. 24 in C minor, K. 491: III. (Allegretto) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-1 | Concerto for Piano no. 25 in C major, K. 503: II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-2 | Concerto for Piano no. 25 in C major, K. 503: II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-3 | Concerto for Piano no. 25 in C major, K. 503: III. Allegretto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-4 | Piano Concerto no. 19 in F, KV 459: I. Allegro vivace | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-5 | Piano Concerto no. 19 in F, KV 459: II. Allegretto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 20-6 | Piano Concerto no. 19 in F, KV 459: II. Allegretto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 21-1 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 21-2 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 21-3 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 21-4 | Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 21-5 | Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 21-6 | Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 22-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 22-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 22-3 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 22-4 | Piano Concerto no. 23 in A, K. 488: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 22-5 | Piano Concerto no. 23 in A, K. 488: II. Adagio | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-915.711.586-1 | |
| 22-6 | Piano Concerto no. 23 in A, K. 488: III. Allegro assai | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 23-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto | London Symphony Orchestra, Claudio Abbado | T-920.064.650-0 | |
| 23-2 | Pictures at an Exhibition: 1. Gnomus. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 23-3 | Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza | London Symphony Orchestra, Claudio Abbado | T-900.140.545-4 | |
| 23-4 | Pictures at an Exhibition: 2. Il vecchio castello. Andante | London Symphony Orchestra, Claudio Abbado | — | |
| 23-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesante | London Symphony Orchestra, Claudio Abbado | — | |
| 23-6 | Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso | London Symphony Orchestra, Claudio Abbado | — | |
| 23-7 | Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante | London Symphony Orchestra, Claudio Abbado | — | |
| 23-8 | Pictures at an Exhibition: Promenade. Tranquillo | London Symphony Orchestra, Claudio Abbado | T-902.633.719-9 | |
| 23-9 | Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero | London Symphony Orchestra, Claudio Abbado | — | |
| 23-10 | Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante | London Symphony Orchestra, Claudio Abbado | — | |
| 23-11 | Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando | London Symphony Orchestra, Claudio Abbado | — | |
| 23-12 | Pictures at an Exhibition: VIII. Catacombae. Sepulchrum Romanum - Cum mortuis in lingua mortua | London Symphony Orchestra, Claudio Abbado | — | |
| 23-13 | Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto | London Symphony Orchestra, Claudio Abbado | — | |
| 23-14 | Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza | London Symphony Orchestra, Claudio Abbado | — | |
| 24-1 | Stabat Mater: Duetto. Grave. "Stabat Mater dolorosa" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 24-2 | Stabat Mater: Aria (Soprano). Andante amoroso. "Cuius animam gementem" | Margaret Marshall, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-925.590.388-9 | |
| 24-3 | Stabat Mater: Duetto. Larghetto. "O quam tristis et afflicta" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-925.590.391-4 | |
| 24-4 | Stabat Mater: Aria (Contralto). Allegro. "Quae moerebat et dolebat" | Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 24-5 | Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 24-6 | Stabat Mater: Aria (Soprano). A tempo giusto. "Vidit suum dulcem natum" | Margaret Marshall, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 24-7 | Stabat Mater: Aria (Contralto). Andantino. "Eia, Mater, fons amoris" | Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 24-8 | Stabat Mater: Duetto. Allegro. "Fac, ut ardeat cor meum" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 24-9 | Stabat Mater: Duetto. A tempo giusto. "Sancta Mater, istud agas" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 24-10 | Stabat Mater: Aria (Contralto). Largo. "Fac, ut portem Christi mortem" | Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-925.590.390-3 | |
| 24-11 | Stabat Mater: Duetto. Allegro (ma non troppo). "Inflammatus et accensus" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 24-12 | Stabat Mater: Duetto. Largo assai – Presto assai. "Quando corpus morietur" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 25-1 | Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro | London Symphony Orchestra, Claudio Abbado | T-070.160.313-5 | |
| 25-2 | Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto | London Symphony Orchestra, Claudio Abbado | — | |
| 25-3 | Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 25-4 | Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 25-5 | Symphony no. 3 in C minor, op. 44: 1. Moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 25-6 | Symphony no. 3 in C minor, op. 44: 2. Andante | London Symphony Orchestra, Claudio Abbado | — | |
| 25-7 | Symphony no. 3 in C minor, op. 44: 3. Allegro agitato | London Symphony Orchestra, Claudio Abbado | — | |
| 25-8 | Symphony no. 3 in C minor, op. 44: 4. Andante mosso - Allegro agitato | London Symphony Orchestra, Claudio Abbado | — | |
| 25-9 | Ballet Suite “Chout”, op. 21b: 1. The Buffoon and His Wife | London Symphony Orchestra, Claudio Abbado | — | |
| 25-10 | Ballet Suite “Chout”, op. 21b: 2. Dance of the Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 25-11 | Ballet Suite “Chout”, op. 21b: 3. Fugue. The Buffoons Kill Their Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 25-12 | Ballet Suite “Chout”, op. 21b: 4. Dance of the Buffoons' Daughters | London Symphony Orchestra, Claudio Abbado | — | |
| 25-13 | Ballet Suite “Chout”, op. 21b: 5. In the Merchant's Bedroom | London Symphony Orchestra, Claudio Abbado | — | |
| 25-14 | Ballet Suite “Chout”, op. 21b: 6. The Young Wife Becomes a Goat | London Symphony Orchestra, Claudio Abbado | — | |
| 25-15 | Ballet Suite “Chout”, op. 21b: 7. Fifth Entr'acte and the Goat's Burial | London Symphony Orchestra, Claudio Abbado | — | |
| 25-16 | Ballet Suite “Chout”, op. 21b: 8. The Buffoon and the Merchant Quarrel | London Symphony Orchestra, Claudio Abbado | — | |
| 25-17 | Ballet Suite “Chout”, op. 21b: 9. Final Dance | London Symphony Orchestra, Claudio Abbado | — | |
| 26-1 | Alexander Nevsky, op. 78: I. Russia under the Mongol Yoke | London Symphony Orchestra, Claudio Abbado | — | |
| 26-2 | Alexander Nevsky, op. 78: II. Song about Alexander Nevsky | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 26-3 | Alexander Nevsky, op. 78: III. The Crusaders in Pskov | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 26-4 | Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 26-5 | Alexander Nevsky, op. 78: V. The Battle on the Ice | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 26-6 | Alexander Nevsky, op. 78: VI. The Field of the Dead | Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | — | |
| 26-7 | Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 27-1 | Boléro, M. 81: Tempo di bolero moderato assai | London Symphony Orchestra, Claudio Abbado | T-003.006.377-4 | |
| 27-2 | Rapsodie espagnole, M. 54: 1. Prélude à la nuit. Très modéré | London Symphony Orchestra, Claudio Abbado | T-003.015.127-9 | |
| 27-3 | Rapsodie espagnole, M. 54: 2. Malagueña. Assez vif | London Symphony Orchestra, Claudio Abbado | T-003.015.127-9 | |
| 27-4 | Rapsodie espagnole: III. Habanera. Assez lent e d'un rythme las | London Symphony Orchestra, Claudio Abbado | T-003.015.127-9 | |
| 27-5 | Rapsodie espagnole, M. 54: 4. Feria. Assez animé | London Symphony Orchestra, Claudio Abbado | T-003.015.127-9 | |
| 27-6 | Ma mère l'Oye, M. 60: Prélude. Très lent | London Symphony Orchestra, Claudio Abbado | — | |
| 27-7 | Ma mère l'Oye, M. 60: 1ᵉʳ TABLEAU : Danse du rouet et scène. Allegro | London Symphony Orchestra, Claudio Abbado | T-305.194.387-0 | |
| 27-8 | Ma mère l'Oye, M. 60: 2ᵉ TABLEAU : Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré | London Symphony Orchestra, Claudio Abbado | — | |
| 27-9 | Ma mère l'Oye, M. 60: 3ᵉ TABLEAU : Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | London Symphony Orchestra, Claudio Abbado | — | |
| 27-10 | Ma mère l'Oye, M. 60: 4ᵉ TABLEAU : Petit Poucet. Très modéré | London Symphony Orchestra, Claudio Abbado | T-931.938.780-9 | |
| 27-11 | Ma mère l'Oye, M. 60: 5ᵉ TABLEAU : Laideronnette, impératrice des pagodes. Mouvement de marche - Allegro - Très modéré | London Symphony Orchestra, Claudio Abbado | T-004.018.862-2 | |
| 27-12 | Ma mère l'Oye, M. 60: APOTHÉOSE : Le jardin féerique. Lent et grave | London Symphony Orchestra, Claudio Abbado | T-305.194.399-4 | |
| 27-13 | Pavane pour une infante défunte, M. 19: Lent | London Symphony Orchestra, Claudio Abbado | T-003.013.767-7 | |
| 28-1 | Daphnis et Chloé, M. 57: Première partie. 1a. Introduction | London Symphony Orchestra, Claudio Abbado | T-004.014.574-1 | |
| 28-2 | Daphnis et Chloé, M. 57: Première partie. 1b. Danse religieuse | London Symphony Orchestra, Claudio Abbado | T-004.014.574-1 | |
| 28-3 | Daphnis et Chloé, M. 57: Première partie. 1c. [Fig. 10] Tout au fond | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-4 | Daphnis et Chloé, M. 57: Première partie. 1d. Danse des jeunes filles | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-5 | Daphnis et Chloé, M. 57: Première partie. 1e. A ce moment, elle est entraînée dans la danse des jeunes gens | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-6 | Daphnis et Chloé, M. 57: Première partie. 2a. Danse générale | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-7 | Daphnis et Chloé, M. 57: Première partie. 2b. Vif - Plus modéré / 3. Danse grotesque de Dorcon | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-8 | Daphnis et Chloé, M. 57: Première partie. 4a. Danse légère et gracieuse de Daphnis | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-9 | Daphnis et Chloé, M. 57: Première partie. 4b. Lent - Moins lent - Très libre | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-10 | Daphnis et Chloé, M. 57: Première partie. 5a. Danse de Lycéion | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-11 | Daphnis et Chloé, M. 57: Première partie. 5b. Entrée des pirates | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-12 | Daphnis et Chloé, M. 57: Première partie. 5c. Modéré | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-13 | Daphnis et Chloé, M. 57: Première partie. 6. Nocturne. Danse lente et mystérieuse des Nymphes | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-14 | Daphnis et Chloé, M. 57: Deuxième partie. 7. Introduction | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-15 | Daphnis et Chloé, M. 57: Deuxième partie. 8a. Danse guerrière | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-16 | Daphnis et Chloé, M. 57: Deuxième partie. 8b Un peu moins animé | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-17 | Daphnis et Chloé, M. 57: Deuxième partie. 8c Bryaxis ordonne / 9a. Danse suppliante de Chloé | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-18 | Daphnis et Chloé, M. 57: Deuxième partie. 9b. Assez animé | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-19 | Daphnis et Chloé, M. 57: Deuxième partie. 9c. Lent - Modéré | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-20 | Daphnis et Chloé, M. 57: Troisième partie. 10a. Leve du jour “Daybreak” | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-21 | Daphnis et Chloé, M. 57: Troisième partie. 10b. Le vieux berger | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-22 | Daphnis et Chloé, M. 57: Troisième partie. 11a. Pantomime (Les amours de Pan et Syrinx) | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-23 | Daphnis et Chloé, M. 57: Troisième partie. 11b. Lent - Animé - Lent - Animé | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-24 | Daphnis et Chloé, M. 57: Troisième partie. 12. Danse générale (Bacchanale) | London Symphony Orchestra, Claudio Abbado | T-003.008.231-5 | |
| 28-25 | Valses nobles et sentimentales, M. 61: I. Modéré, très franc | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-26 | Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-27 | Valses nobles et sentimentales, M. 61: III. Modéré | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-28 | Valses nobles et sentimentales, M. 61: IV. Assez animé | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-29 | Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-30 | Valses nobles et sentimentales, M. 61: VI. Assez vif | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-31 | Valses nobles et sentimentales, M. 61: VII. Moins vif | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 28-32 | Valses nobles et sentimentales, M. 61: VIII. Épilogue, lent | London Symphony Orchestra, Claudio Abbado | T-003.017.935-1 | |
| 29-1 | Le Tombeau de Couperin, M. 68a: 2. Forlane. Allegretto | London Symphony Orchestra, Claudio Abbado | — | |
| 29-2 | Le Tombeau de Couperin, M. 68a: 2. Forlane. Allegretto | London Symphony Orchestra, Claudio Abbado | — | |
| 29-3 | Le Tombeau de Couperin, M. 68a: 2. Forlane. Allegretto | London Symphony Orchestra, Claudio Abbado | — | |
| 29-4 | Le Tombeau de Couperin, M. 68a: 4. Rigaudon. Assez vif | London Symphony Orchestra, Claudio Abbado | T-071.365.694-0 | |
| 29-5 | Alborada del gracioso, M. 43/4: Assez vif | London Symphony Orchestra, Claudio Abbado | T-338.342.512-1 | |
| 29-6 | Shéhérazade, Ouverture de féerie, M. 17: Modéré | London Symphony Orchestra, Claudio Abbado | T-003.015.891-8 | |
| 29-7 | Menuet antique, M. 7: Maestoso | London Symphony Orchestra, Claudio Abbado | — | |
| 29-8 | Une barque sur l'océan, M. 433: Très souple de rythme | London Symphony Orchestra, Claudio Abbado | T-338.342.541-6 | |
| 29-9 | Fanfare for the Ballet “L’éventail de Jeanne”: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T-906.860.938-1 | |
| 29-10 | La Valse, M. 72: Mouvement de valse viennoise | London Symphony Orchestra, Claudio Abbado | T-003.017.882-5 | |
| 30-1 | Piano Concerto in G major, M. 83: I. Allegramente | — | ||
| 30-2 | Piano Concerto in G major, M. 83: II. Adagio assai | — | ||
| 30-3 | Piano Concerto in G major, M. 83: III. Presto | — | ||
| 30-4 | Piano Concerto for the Left Hand in D major, M. 82 | — | ||
| 30-5 | Tzigane, Concert Rhapsody, M. 76a | — | ||
| 30-6 | Shéhérazade, M. 41: I. Asie | — | ||
| 30-7 | Shéhérazade, M. 41: II. La flûte enchantée | — | ||
| 30-8 | Shéhérazade, M. 41: III. L'indifférent | — | ||
| 31-1 | Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306.482.271-1 | |
| 31-2 | La Cenerentola: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 31-3 | La gazza ladra: Overture | — | ||
| 31-4 | L'italiana in Algeri: Overture | London Symphony Orchestra, Claudio Abbado | T-301.972.539-0 | |
| 31-5 | Signor Bruschino: Overture | — | ||
| 31-6 | L’assedio di Corinto: Overture | — | ||
| 32-1 | Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306.482.271-1 | |
| 32-2 | Il barbiere di Siviglia: Atto I. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, conte) | John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Renato Cesari, London Symphony Orchestra, Claudio Abbado | — | |
| 32-3 | Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) | Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 32-4 | Il biviglia: Atto I. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo) | Luigi Alva, Teresa Berganza, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 32-5 | Il barbiere di Siviglia: Atto I. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” … “Nella stanza convien dir” (conte, Figaro) | Luigi Alva, Teresa Berganza, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 32-6 | Il barbiere di Siviglia: Atto I. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte) | Luigi Alva, Hermann Prey, London Symphony Orchestra, Claudio Abbado | — | |
| 32-7 | Il barbiere di Siviglia: Atto I. N. 5 Cavatina: “Una voce poco fa … Io sono docile” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio) | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 32-8 | Il barbiere di Siviglia: Atto I. N. 6 Aria: “La calunnia è un venticello” (Basilio) / Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina) | Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 32-9 | Il barbiere di Sanni?” (Rosina, Figaro) / Recitativo: “Ora mi sento meglio” (Rosina, Bartolo) | Teresa Berganza, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 32-10 | Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) | Enzo Dara, London Symphony Orchestra, Claudio Abbado | — | |
| 33-1 | Il barbiere di Siviglia: Atto I, Recitativo: “Finora in questa camera” (Berta, conte) / N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina, Berta, Figaro, Basilio, ufficiale) | Luigi Alva, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-2 | Il barbiere di Siviglia: Atto I. N. 9 Finale I: “Alto là! Che cosa accadde” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro) | John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, Luigi Roni, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-3 | Il barbiere di Siviglia: Atto I. Stretta del finale I: “Ma signor ”… “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro, ufficiale) | John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, Luigi Roni, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-4 | Il barbiere di Siviglia: Atto II. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina) | Luigi Alva, Teresa Berganza, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-5 | Il barbiere di Siviglia: Atto II. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo “Bella voce! Bravissima!” (conte, Rosina, Bartolo) | Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-6 | Il barbiere di Siviglia: Atto II. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte) | Luigi Alva, Teresa Berganza, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-7 | Il barbiere di Siviglia: Atto II, N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo) / Recitativo: “Che vecchio sospettoso!” (Berta) | Luigi Alva, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-8 | Il barbiere di Siviglia: Atto II. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina) | Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-9 | Il barbiere di Siviglia: Atto II. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina) | Luigi Alva, Teresa Berganza, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-10 | Il barbiere di Siviglia: Atto II. N. 16 Terzetto: “Ah! qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Bartolo, ufficiale, coro) | Luigi Alva, Teresa Berganza, Enzo Dara, Paolo Montarsolo, Hermann Prey, Luigi Roni, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 33-11 | Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti) | Luigi Alva, Teresa Berganza, Renato Cesari, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 34-1 | La Cenerentola: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 34-2 | La Cenerentola: Atto I. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe) | Margherita Guglielmi, Laura Zannini, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 34-3 | La Cenerentola: Atto I. Introduzione: “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro) | Teresa Berganza, Margherita Guglielmi, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 34-4 | La Cenerentola: Atto I. Introduzione: “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro) | Teresa Berganza, Margherita Guglielmi, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-5 | La Cenerentola: Atto I. Recitativo: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola) | Teresa Berganza, Margherita Guglielmi, Scottish Opera Chorus, Laura Zannini, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 34-6 | La Cenerentola: Atto I. Cavatina: “Miei rampolli femminini” (Magnifico) | Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 34-7 | La Cenerentola: Atto I. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico) | Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-8 | La Cenerentola: Atto I. Scena: “Tutto è deserto” (Ramiro, Cenerentola) | Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 34-9 | La Cenerentola: Atto I. Duetto: “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe) | Luigi Alva, Teresa Berganza, Margherita Guglielmi, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-10 | La Cenerentola: Atto I. Recitativo: “Non so che dir” (Ramiro, Magnifico) | Luigi Alva, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 34-11 | La Cenerentola: Atto I. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro) | Luigi Alva, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-12 | La Cenerentola: Atto I. Recitativo: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-13 | La Cenerentola: Atto I. Quintetto: “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro) | Luigi Alva, Teresa Berganza, Renato Capecchi, Paolo Montarsolo, Ugo Trama, London Symphony Orchestra, Claudio Abbado | — | |
| 34-14 | La Cenerentola: Atto I. Recitativo: “Sì, tutto cangerà” (Alidoro, Cenerentola) | Teresa Berganza, Ugo Trama, London Symphony Orchestra, Claudio Abbado | — | |
| 34-15 | La Cenerentola: Atto I. Aria: “Là del ciel nell'arcano profondo” (Alidoro) | Ugo Trama, London Symphony Orchestra, Claudio Abbado | — | |
| 34-16 | La Cenerentola: Atto I. Recitativo: “Ma bravo, bravo” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe) | Luigi Alva, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 34-17 | La Cenerentola: Atto I. Coro: “Conciossiacosacché trenta botti già gustò” … Aria: “Intendente? Direttor?” (Magnifico, coro) | Paolo Montarsolo, Scottish Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 35-1 | La Cenerentola: Atto I. Finale I Duetto: “Zitto, zitto: piano piano” … “Principino, dove siete?” … “Venga, inoltri” (Ramiro, Dandini, Tisbe, Clorinda, coro, Alidoro) | Luigi Alva, Renato Capecchi, Margherita Guglielmi, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 35-2 | La Cenerentola: Atto I. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 35-3 | La Cenerentola: Atto I. Finale I “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 35-4 | La Cenerentola: Atto II. Recitativo: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) | Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 35-5 | La Cenerentola: Atto II. Aria: “Sia qualunque delle figlie” (Magnifico) | Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 35-6 | La Cenerentola: Atto II. Recitativo: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro) | Luigi Alva, Teresa Berganza, Renato Capecchi, Ugo Trama, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 35-7 | La Cenerentola: Atto II. Recitativo: “E allor … se non ti spiaccio” (Ramiro, Alidoro) | Luigi Alva, Ugo Trama, London Symphony Orchestra, Claudio Abbado | — | |
| 35-8 | La Cenerentola: Atto II. Aria: “Sì, ritrovarla io giuro” (Ramiro, coro) | Luigi Alva, Scottish Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 35-9 | La Cenerentola: Atto II. Recitativo: “Ma dunque io son un ex?” (Dandini, Magnifico) | Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 35-10 | La Cenerentola: Atto II. Duetto: “Un segreto d'importanza” (Dandini, Magnifico) | Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 35-11 | La Cenerentola: Atto II. Canzone: “Una volta c'era un re” (Cenerentola) | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-304.872.410-9 | |
| 35-12 | La Cenerentola: Atto II. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) | Teresa Berganza, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 35-13 | La Cenerentola: Atto II. Temporale | London Symphony Orchestra, Claudio Abbado | T-031.702.708-9 | |
| 35-14 | La Cenerentola: Atto II. Recitativo: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 35-15 | La Cenerentola: Atto II. Sestetto: “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 35-16 | La Cenerentola: Atto II. Sestetto: “Donna sciocca, alma di fango” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola) | Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 35-17 | La Cenerentola: Atto II. Recitativo: “Giusto ciel, ti ringrazio!” (Alidoro) | Ugo Trama, London Symphony Orchestra, Claudio Abbado | — | |
| 35-18 | La Cenerentola: Atto II. Finale II Coro: “Della fortuna instabile” | Scottish Opera Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 35-19 | La Cenerentola: Atto II. Finale II Scena: “Sposa” … “Signor, perdona” (Ramiro, Cenerentola, Magnifico) | Luigi Alva, Teresa Berganza, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | — | |
| 35-20 | La Cenerentola: Atto II. Finale II Rondò: “Nacqui all'affanno” (Cenerentola, tutti) | Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Laura Zannini, London Symphony Orchestra, Claudio Abbado | — | |
| 36-1 | Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 36-2 | Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 36-3 | Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace | Alfred Brendel, London Symphony Orchestra, Claudio Abbado | — | |
| 36-4 | "Konzertstück" in F minor for Piano and Orchestra, op. 79: Larghetto Affettuoso - Allegro Passionato | — | ||
| 36-5 | "Konzertstück" in F minor for Piano and Orchestra, op. 79: Adagio - Tempo di Marcia - Più Mosso | — | ||
| 37-1 | Don Juan, Op. 20, TrV 156 | — | ||
| 37-2 | Till Eulenpiegels Lustige Streiche, Op. 28, TrV 171 | — | ||
| 37-3 | Tod Und Verklärung, Op. 24, TrV 158 | — | ||
| 38-1 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Introduction | London Symphony Orchestra, Claudio Abbado | T-070.257.887-7 | |
| 38-2 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes) | London Symphony Orchestra, Claudio Abbado | — | |
| 38-3 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeu du rapt | London Symphony Orchestra, Claudio Abbado | — | |
| 38-4 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Rondes printanières | London Symphony Orchestra, Claudio Abbado | T-070.257.887-7 | |
| 38-5 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeux des cités rivales / Cortège du Sage - Adoration de la terre - Le Sage | London Symphony Orchestra, Claudio Abbado | — | |
| 38-6 | Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Danse de la terre | London Symphony Orchestra, Claudio Abbado | T-070.257.887-7 | |
| 38-7 | Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Introduction | London Symphony Orchestra, Claudio Abbado | — | |
| 38-8 | Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Cercles mystérieux des adolescentes | London Symphony Orchestra, Claudio Abbado | — | |
| 38-9 | Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Glorification de l'elue / Evocation des ancêtres | London Symphony Orchestra, Claudio Abbado | — | |
| 38-10 | Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Action rituelle des ancêtres | London Symphony Orchestra, Claudio Abbado | T-070.257.887-7 | |
| 38-11 | Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Danse sacrale (L'Élue) | London Symphony Orchestra, Claudio Abbado | — | |
| 38-12 | L'Oiseau de feu : Introduction - L'Oiseau de feu et sa danse | London Symphony Orchestra, Claudio Abbado | — | |
| 38-13 | L'Oiseau de feu : Variation de l'oiseau de feu | London Symphony Orchestra, Claudio Abbado | — | |
| 38-14 | L'Oiseau de feu : Ronde des princesses | London Symphony Orchestra, Claudio Abbado | — | |
| 38-15 | L'Oiseau de feu : Danse infernale du roi Kachtcheï | London Symphony Orchestra, Claudio Abbado | — | |
| 38-16 | L'Oiseau de feu : Berceuse | London Symphony Orchestra, Claudio Abbado | — | |
| 38-17 | L'Oiseau de feu : Final | London Symphony Orchestra, Claudio Abbado | T-073.071.144-0 | |
| 38-18 | Jeu de cartes : Première donne | London Symphony Orchestra, Claudio Abbado | — | |
| 38-19 | Jeu de cartes : Deuxième donne | London Symphony Orchestra, Claudio Abbado | — | |
| 38-20 | Jeu de cartes : Troisième donne | London Symphony Orchestra, Claudio Abbado | — | |
| 39-1 | Pétrouchka : Scene I. Fête populaire de la semaine grasse - Le tour de passe-passe | London Symphony Orchestra, Claudio Abbado | — | |
| 39-2 | Pétrouchka : Scene I. Danse russe | London Symphony Orchestra, Claudio Abbado | — | |
| 39-3 | Pétrouchka : Scene II. Chez Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 39-4 | Pétrouchka : Scene III. Chez le Maure - Danse de la Ballerine | London Symphony Orchestra, Claudio Abbado | — | |
| 39-5 | Pétrouchka : Scene III. Valse: La Ballerine et le Maure - Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 39-6 | Pétrouchka : Scene IV. Fête populaire de la semaine grasse (vers le soir) | London Symphony Orchestra, Claudio Abbado | — | |
| 39-7 | Pétrouchka : Scene IV. Danse de nounous | London Symphony Orchestra, Claudio Abbado | — | |
| 39-8 | Pétrouchka : Scene IV. L'Ours et un paysan | London Symphony Orchestra, Claudio Abbado | — | |
| 39-9 | Pétrouchka : Scene IV. Un marchand fêtard avec deux tziganes | London Symphony Orchestra, Claudio Abbado | — | |
| 39-10 | Pétrouchka : Scene IV. Danse de cochers et des palefreniers | London Symphony Orchestra, Claudio Abbado | — | |
| 39-11 | Pétrouchka : Scene IV. Les Déguisés | London Symphony Orchestra, Claudio Abbado | — | |
| 39-12 | Pétrouchka : Scene IV. La Rixe: Le Maure et Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 39-13 | Pétrouchka : Scene IV. Mort de Pétrushka | London Symphony Orchestra, Claudio Abbado | — | |
| 39-14 | Pétrouchka : Scene IV. La Police et le charlatan | London Symphony Orchestra, Claudio Abbado | — | |
| 39-15 | Pétrouchka : Scene IV. Apparition du double de Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 39-16 | Pulcinella: I. Ouverture: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 39-17 | Pulcinella: II. Serenata: Larghetto | Ryland Davies, London Symphony Orchestra, Claudio Abbado | — | |
| 39-18 | Pulcinella: III. Scherzino: Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 39-19 | Pulcinella: Poco più vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 39-20 | Pulcinella: IV. Allegro | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 39-21 | Pulcinella: V. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 39-22 | Pulcinella: VI. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 39-23 | Pulcinella: VII. Allegretto | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 39-24 | Pulcinella: VIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 39-25 | Pulcinella: IX. Allegro (alla breve) | John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 39-26 | Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 39-27 | Pulcinella: XI. Allegro - alla breve | London Symphony Orchestra, Claudio Abbado | — | |
| 39-28 | Pulcinella: XII. Tarantella | London Symphony Orchestra, Claudio Abbado | — | |
| 39-29 | Pulcinella: XIII. Andantino | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 39-30 | Pulcinella: XIV. Allegro | London Symphony Orchestra, Claudio Abbado | T-922.067.243-5 | |
| 39-31 | Pulcinella: XV. Gavotta con due variazioni | London Symphony Orchestra, Claudio Abbado | — | |
| 39-32 | Pulcinella: XVI. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 39-33 | Pulcinella: XVII. Tempo di minuetto | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 39-34 | Pulcinella: XVIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 40-1 | Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima | London Symphony Orchestra, Claudio Abbado | — | |
| 40-2 | Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | London Symphony Orchestra, Claudio Abbado | — | |
| 40-3 | Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato | — | ||
| 40-4 | Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | London Symphony Orchestra, Claudio Abbado | — | |
| 41-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Ivo Pogorelich, London Symphony Orchestra, Claudio Abbado | T-010.194.845-1 | |
| 41-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I | Ivo Pogorelich, London Symphony Orchestra, Claudio Abbado | — | |
| 41-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Ivo Pogorelich, London Symphony Orchestra, Claudio Abbado | — | |
| 42-1 | Nabucco: “Gli arredi festivi” … “Sperate, o figli” (coro, Zaccaria, Ismaele) | The Ambrosian Singers, Leslie Fyson, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — | |
| 42-2 | Nabucco: “Va, pensiero, sull'ali dorate” … “Oh, chi piange?” (coro, Zaccaria) | John McCarthy, Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | T-902.574.141-7 | |
| 42-3 | Macbeth: “Chi v'impose unirvi a noi?” … “Come dal ciel precipita” (coro, Banco) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — | |
| 42-4 | I vespri siciliani: “O patria … O tu, Palermo” (Procida) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — | |
| 42-5 | Simon Boccanegra: “A te l'estremo addio … Il lacerato spirito” (Fiesco) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — | |
| 43-1 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 43-2 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 2. Largo | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-801.397.798-6 | |
| 43-3 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 3. Allegro. Danza pastorale | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 43-4 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 1. Allegro non molto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 43-5 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 2. Adagio - Presto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 43-6 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 3. Presto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-902.717.414-7 | |
| 43-7 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 1. Allegro | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 43-8 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 2. Adagio molto | Gidon Kremer, London Symphony Orchestra, Claudio Abbado | — | |
| 43-9 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 3. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.836.120-8 | |
| 43-10 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 1. Allegro non molto | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 43-11 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 2. Largo | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-801.397.798-6 | |
| 43-12 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 3. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.836.120-8 | |
| 44-1 | Te Deum, op. 22, H. 118: Te Deum (Hymne) Allegro moderato | — | ||
| 44-2 | Te Deum, op. 22, H. 118: Tibi omnes (Hymne) Andantino | — | ||
| 44-3 | Te Deum, op. 22, H. 118: Dignare (Prière) Moderato quasi andantino | — | ||
| 44-4 | Te Deum, op. 22, H. 118: Christe, rex gloriæ (Hymne) Allegro non troppo | — | ||
| 44-5 | Te Deum, op. 22, H. 118: Te ergo quæsumus (Prière) Andantino quasi adagio | — | ||
| 44-6 | Te Deum, op. 22, H. 118: Judex crederis (Hymne et prière) Allegretto un poco maestoso | — | ||
| 45-1 | Rinaldo, op. 50: »Zu dem Strande! Zu der Barke!« (chorus) - »O lasst mich einen Augenblick noch hier!« (Rinaldo) - | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-2 | Rinaldo, op. 50: Poco adagio - »Stell her der goldnen Tage« (Rinaldo) - »Sachte kommt! und kommt verbunden« (chorus, Rinaldo) - In tempo - Allegro - »Aber Alles verkündet« (Rinaldo) - | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-3 | Rinaldo, op. 50: »Nein! nicht länger ist zu säumen!« - Allegro non troppo (chorus) - Poco sostenuto - »Weh, was seh' ich, welch ein Bild!« (Rinaldo, chorus) - | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-4 | Rinaldo, op. 50: Allegretto non troppo - »Zurück nur! zurücke« (chorus) - | The Ambrosian Singers, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-5 | Rinaldo, op. 50: Andante con moto e poco agitato - »Zum zweiten Male seh' ich erscheinen« (Rinaldo, chorus) - | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-6 | Rinaldo, op. 50: Allegro con fuoco - »Und umgewandelt seh' ich die Holde« (Rinaldo, chorus) - »Schon sind sie erhöret« (chorus, Rinaldo) | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-7 | Rinaldo, op. 50: Auf dem Meere. Final Chorus: »Segel schwellen! Grüne Wellen« - »Das erfrischet« | The Ambrosian Singers, James King, Philharmonia Orchestra, Claudio Abbado | — | |
| 45-8 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf Stätte zu ruhn« - Adagio | The Ambrosian Singers, Philharmonia Orchestra, Claudio Abbado | T-322.185.896-0 | |
| 46-1 | Symphony no. 2 in C minor, op. 17, TH 25 "Ukrainian": I. Andante sostenuto - Allegro vivo | — | ||
| 46-2 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | New Philharmonia Orchestra, Claudio Abbado | — | |
| 46-3 | Symphony no. 2 in C minor, op. 17, TH 25 "Ukrainian": III. Scherzo. Allegro molto vivace | — | ||
| 46-4 | Symphony no. 2 in C minor, op. 17, TH 25 "Ukrainian": IV. Finale. Moderato assai - Allegro vivo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il barbiere di Siviglia: Atto I. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte) | Luigi Alva, Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0028948395897 is a Universal Product Code (UPC) assigned to Claudio Abbado & London Symphony Orchestra: Complete Deutsche Grammophon and Decca Recordings by Claudio Abbado, London Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 504 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Claudio Abbado & London Symphony Orchestra: Complete Deutsche Grammophon and Decca Recordings” by Claudio Abbado, London Symphony Orchestra is 0028948395897. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-03-05. This release contains 504 tracks, each with its own ISRC. Tracks include DEF058203881, DEF058203882, DEF058203883.
