UPC · Release
Various Artists
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028944287790 is the Universal Product Code (UPC barcode) for the release “100 Chefs-d’œuvre de la musique classique” by Various Artists, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include DEF058300101, DEF056002672, DEF057400535.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007.163.471-3 | |
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 | |
| 3 | Sérénade, K. 525 « Une petite musique de nuit » : Allegro (extrait) | Berliner Philharmoniker, Karl Böhm | — | |
| 4 | Peer Gynt: Au matin | Göteborgs Symfoniker, Neeme Järvi | — | |
| 5 | Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait) | Berliner Philharmoniker, Rafael Kubelík | — | |
| 6 | Kinderszenen op. 15: 7. Träumerei | Daniel Barenboim | T-909.345.089-6 | |
| 7 | Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 8 | Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | — | |
| 9 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — | |
| 10 | Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — | |
| 11 | Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12 | Orphée aux enfers : Cancan | Wiener Philharmoniker, Lorin Maazel | T-071.088.112-1 | |
| 13 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T-918.132.804-1 | |
| 14 | Hungarian Dance no. 5 | NDR Elbphilharmonie Orchester, Sir John Eliot Gardiner | T-329.366.800-1 | |
| 15 | La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T-104.080.631-1 | |
| 16 | Symphonie Nr. 3 F-Dur op. 90: 4. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 17 | España | Wiener Philharmoniker, Sir John Eliot Gardiner | — | |
| 18 | Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321.421.851-2 | |
| 19 | Un américain à Paris (Frank Campbell-Watson) | Chicago Symphony Orchestra, James Levine | T-070.001.144-4 | |
| 20 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 2-1 | Symphonie n°5 : "Allegro con brio" | Berliner Philharmoniker, Lorin Maazel | T-039.585.208-0 | |
| 2-2 | Suite de casse noisette : "Valse des fleurs" | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 2-4 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001.283.021-5 | |
| 2-5 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 2-6 | Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Concierto de Aranjuez | Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso | T-041.489.061-1 | |
| 2-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Helmuth Froschauer, Wiener Singverein, Rudolf Scholz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-918.704.013-7 | |
| 2-10 | Wiegenlied, op. 49 no. 4 | Anne Sofie von Otter, Bengt Forsberg | T-301.695.245-3 | |
| 2-11 | Les Contes d'Hoffmann : Barcarolle | — | ||
| 2-12 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 2-13 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-14 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 2-15 | La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — | |
| 2-16 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 2-17 | Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | — | |
| 2-18 | The Well-Tempered Clavier, Book I: Prelude & Fugue no. 1 in C major, BWV 846: Praeludium | Wilhelm Kempff | T-910.415.372-2 | |
| 2-19 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 | |
| 2-20 | Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — | |
| 3-1 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — | |
| 3-2 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 3-3 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 3-4 | Le Beau Danube bleu, valse (excerpt) | Berliner Philharmoniker, Herbert von Karajan | T-060.096.554-5 | |
| 3-5 | Étude Op. 10, No. 3 "Tristesse" | Tamás Vásáry | T-039.190.232-1 | |
| 3-6 | Cantate BWV 147, Choral "Jésus que ma joie demeure" | Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter | T-905.387.081-8 | |
| 3-7 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 3-8 | Aida: Coro e marcia trionfale “Gloria all’Egitto” | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T-310.527.191-4 | |
| 3-9 | L'Amour sorcier, Danse rituelle du feu (excerpt) | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T-041.489.063-3 | |
| 3-10 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 3-11 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T-004.440.086-3 | |
| 3-12 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 3-13 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983.162.734-0 | |
| 3-14 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T-905.063.977-5 | |
| 3-15 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 3-16 | Le Coucou | Trevor Pinnock | — | |
| 3-17 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 | |
| 3-18 | Gianni Schicchi "O mio babbino caro" | Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters | T-901.222.501-3 | |
| 3-19 | Vocalise | Berliner Philharmoniker, Lorin Maazel | T-900.222.366-7 | |
| 3-20 | Scènes de la forêt, L'Oiseau prophète | Wilhelm Kempff | — | |
| 3-21 | Samson et Dalila "Mon cœur s'ouvre à ta voix" | Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | — | |
| 4-1 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 4-2 | Concerto pour piano et orchestre no. 2 : Moderato (extrait) | Sviatoslav Richter, Orkiestra Symfoniczna Filharmonii Narodowej, Stanisław Wisłocki | — | |
| 4-3 | Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-4 | Nocturne in E-flat major, op. 9 no. 2 | Tamás Vásáry | T-316.578.060-5 | |
| 4-5 | Adagio for Strings and Organ in G minor (excerpt) | Festival Strings Lucerne, Rudolf Baumgartner | T-005.001.197-6 | |
| 4-6 | The Sleeping Beauty Suite, op. 66a: V. Valse: Allegro (Tempo di Valse) | Berliner Philharmoniker, Herbert von Karajan | T-312.426.938-7 | |
| 4-7 | Symphonie no. 40, K. 550 : Molto Allegro (extrait) | Wiener Symphoniker, Ferenc Fricsay | T-312.542.381-2 | |
| 4-8 | Romance aus "Jeux Interdits" | Narciso Yepes | T-929.588.677-0 | |
| 4-9 | Ave Maria | Gundula Janowitz, Irwin Gage | — | |
| 4-10 | Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801.025.525-2 | |
| 4-11 | Valse triste, op. 44 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-12 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | Berliner Philharmoniker, Herbert von Karajan | T-011.778.125-5 | |
| 4-13 | Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | Arturo Benedetti Michelangeli | — | |
| 4-14 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 4-15 | Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011.174.209-6 | |
| 4-16 | Tritsch-Tratsch-Polka, op. 214 | Wiener Philharmoniker, Karl Böhm | T-901.154.623-9 | |
| 4-17 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 4-19 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 4-20 | Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003.013.767-7 | |
| 4-21 | Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt” | Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm | — | |
| 5-1 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 5-2 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 5-3 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro | Lazar Berman, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 5 in C-sharp minor: 4. Adagietto (Sehr langsam) | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-800.652.468-2 | |
| 5-5 | Piano Sonata in A major, K. 331: II. Menuetto - Trio | Christoph Eschenbach | — | |
| 5-6 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 5-7 | Die Zauberflöte, K. 620: Akt II. “Der Hölle Rache kocht in meinem Herze” | Rita Streich, RIAS-Sinfonie-Orchester Berlin, Ferenc Fricsay | T-918.245.117-8 | |
| 5-8 | Asturias (excerpt) | Narciso Yepes | — | |
| 5-9 | Gymnopédie no. 1 | Jean-Marc Luisada | — | |
| 5-10 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 5-11 | Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 | Tamás Vásáry | T-911.517.582-1 | |
| 5-12 | L'Arlésienne: Prélude (Orchestre symphonique de Bamberg feat. conductor: Ferdinand Leitner) | Bamberger Symphoniker, Ferdinand Leitner | — | |
| 5-13 | Die Walküre: Walkürenritt | Orchestre de Paris, Daniel Barenboim | T-001.148.492-6 | |
| 5-14 | L'Apprenti sorcier (Orchestre de Paris feat. conductor: Daniel Barenboïm) | Orchestre de Paris, Daniel Barenboim | T-003.005.584-5 | |
| 5-15 | Greensleeves | Göran Söllscher | — | |
| 5-16 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 5-17 | Flute and Harp Concerto in C major, K 299: II. Andantino | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-911.534.020-0 | |
| 5-18 | Symphonie no. 9 « Ode à la joie » (extrait) | Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | T-318.676.528-2 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T-909.407.007-2 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | T-910.759.449-0 |
| Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Piano Sonata in A major, K. 331: III. Alla Turca. Allegretto | Christoph Eschenbach | T-912.655.618-1 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro | Lazar Berman, Berliner Philharmoniker, Herbert von Karajan | T-010.194.845-1 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | T-306.395.786-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028944287790 is a Universal Product Code (UPC) assigned to 100 Chefs-d’œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028944287790 is the Universal Product Code (UPC barcode) for the release “100 Chefs-d’œuvre de la musique classique” by Various Artists, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include DEF058300101, DEF056002672, DEF057400535.
