UPC · Release
100 Chefs-d’œuvre de la musique classique
Various Artists
028944287790
21 tracksReleased 2006-01-01Deutsche Grammophon
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028944287790 is the Universal Product Code (UPC barcode) for the release “100 Chefs-d’œuvre de la musique classique” by Various Artists, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include DEF055600010, DEF057230313, DEF056100240.
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UPC100 Chefs-d’œuvre de la musique classique
ISRC21 recordings
ISWC70 works
IPI2 songwriters
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — | |
| 3-2 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 3-3 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 3-4 | Le Beau Danube bleu, valse (excerpt) | Berliner Philharmoniker, Herbert von Karajan | T-060096554-5 | |
| 3-5 | Étude Op. 10, No. 3 "Tristesse" | Tamás Vásáry | T-039190232-1 | |
| 3-6 | Cantate BWV 147, Choral "Jésus que ma joie demeure" | Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter | T-905.387.081-8 | |
| 3-7 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T9157147950 | |
| 3-8 | Aida: Coro e marcia trionfale “Gloria all’Egitto” | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T3105271914 | |
| 3-9 | L'Amour sorcier, Danse rituelle du feu (excerpt) | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T0414890633 | |
| 3-10 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 3-11 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0044400863 | |
| 3-12 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 3-13 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983162734-0 | |
| 3-14 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T9050639775 | |
| 3-15 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304254199-7 | |
| 3-16 | Le Coucou | Trevor Pinnock | — | |
| 3-17 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902571014-9 | |
| 3-18 | Gianni Schicchi "O mio babbino caro" | Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters | T9012225013 | |
| 3-19 | Vocalise | Berliner Philharmoniker, Lorin Maazel | T-900222366-7 | |
| 3-20 | Scènes de la forêt, L'Oiseau prophète | Wilhelm Kempff | — | |
| 3-21 | Samson et Dalila "Mon cœur s'ouvre à ta voix" | Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | — |
Toccata und Fuge D-moll, BWV 565: II. Fuge
Helmut Walcha
—
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Deutsches Symphonie-Orchester Berlin, Lorin Maazel
Suite bergamesque, Clair de lune
Tamás Vásáry
—
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto
Daniel Barenboim
—
Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm
Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra
Le Coucou
Trevor Pinnock
—
Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters
Scènes de la forêt, L'Oiseau prophète
Wilhelm Kempff
—
Samson et Dalila "Mon cœur s'ouvre à ta voix"
Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János
—
Additional database matches (96)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| L'Arlésienne: Prélude (Orchestre symphonique de Bamberg feat. conductor: Ferdinand Leitner) | Bamberger Symphoniker, Ferdinand Leitner | — |
| Die Zauberflöte, K. 620: Akt II. “Der Hölle Rache kocht in meinem Herze” | Rita Streich, RIAS-Sinfonie-Orchester Berlin, Ferenc Fricsay | T9182451178 |
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T9094070072 |
| Symphonie n°5 : "Allegro con brio" | Berliner Philharmoniker, Lorin Maazel | T0395852080 |
| Concerto pour piano et orchestre no. 2 : Moderato (extrait) | Sviatoslav Richter, Orkiestra Symfoniczna Filharmonii Narodowej, Stanisław Wisłocki | — |
| Symphonie no. 40, K. 550 : Molto Allegro (extrait) | Wiener Symphoniker, Ferenc Fricsay | T-312542381-2 |
| La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — |
| Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801025525-2 |
| Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — |
| Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914248874-2 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T0101948713 |
| Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | — |
| Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | T-910759449-0 |
| Symphonie Nr. 3 F-Dur op. 90: 4. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Nocturne in E-flat major, op. 9 no. 2 | Tamás Vásáry | T3165780605 |
| Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 | Tamás Vásáry | T-911517582-1 |
| Suite de casse noisette : "Valse des fleurs" | Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt” | Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm | — |
| Valse triste, op. 44 | Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings and Organ in G minor (excerpt) | Festival Strings Lucerne, Rudolf Baumgartner | T-005001197-6 |
| Piano Sonata in A major, K. 331: II. Menuetto - Trio | Christoph Eschenbach | — |
| Piano Sonata in A major, K. 331: III. Alla Turca. Allegretto | Christoph Eschenbach | T-912655618-1 |
| Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800639771-4 |
| Concierto de Aranjuez | Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso | T0414890611 |
| Symphonie no. 9 « Ode à la joie » (extrait) | Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | T-318676528-2 |
| Asturias (excerpt) | Narciso Yepes | — |
| Tritsch-Tratsch-Polka, op. 214 | Wiener Philharmoniker, Karl Böhm | T-901154623-9 |
| La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T1040806311 |
| Symphony no. 5 in C-sharp minor: 4. Adagietto (Sehr langsam) | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T8006524682 |
| The Sleeping Beauty Suite, op. 66a: V. Valse: Allegro (Tempo di Valse) | Berliner Philharmoniker, Herbert von Karajan | T-312426938-7 |
| Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — |
| Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait) | Berliner Philharmoniker, Rafael Kubelík | — |
| La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — |
| Sérénade, K. 525 « Une petite musique de nuit » : Allegro (extrait) | Berliner Philharmoniker, Karl Böhm | — |
| Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321421851-2 |
| Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003006377-4 |
| Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003013767-7 |
| Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — |
| Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro | Lazar Berman, Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro | Lazar Berman, Berliner Philharmoniker, Herbert von Karajan | T0101948451 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Helmuth Froschauer, Wiener Singverein, Rudolf Scholz, Berliner Philharmoniker, Herbert von Karajan | — |
| The Well-Tempered Clavier, Book I: Prelude & Fugue no. 1 in C major, BWV 846: Praeludium | Wilhelm Kempff | T-910.415.372-2 |
| Ave Maria | Gundula Janowitz, Irwin Gage | — |
| L'Apprenti sorcier (Orchestre de Paris feat. conductor: Daniel Barenboïm) | Orchestre de Paris, Daniel Barenboim | T0030055845 |
| Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T3056256481 |
| Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | Arturo Benedetti Michelangeli | — |
| Kinderszenen op. 15: 7. Träumerei | Daniel Barenboim | T9093450896 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318237508-8 |
| Orphée aux enfers : Cancan | Wiener Philharmoniker, Lorin Maazel | T-071088112-1 |
| Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
| Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — |
| Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005000838-2 |
| Greensleeves | Göran Söllscher | — |
| Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | Berliner Philharmoniker, Herbert von Karajan | T-011778125-5 |
| Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — |
| Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007163471-3 |
| Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | — |
| Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | T-306395786-4 |
| Die Walküre: Walkürenritt | Orchestre de Paris, Daniel Barenboim | T0011484926 |
| Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011174209-6 |
| Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | — |
| Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T0100658794 |
| Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T9187040137 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Peer Gynt: Au matin | Göteborgs Symfoniker, Neeme Järvi | — |
| Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T3147286093 |
| Flute and Harp Concerto in C major, K 299: II. Andantino | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-911534020-0 |
| Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — |
| Romance aus "Jeux Interdits" | Narciso Yepes | T-929588677-0 |
| Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001283021-5 |
| Wiegenlied, op. 49 no. 4 | Anne Sofie von Otter, Bengt Forsberg | T-301695245-3 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T9109327573 |
| Rhapsody in Blue (version pour Jazz Band) | Chicago Symphony Orchestra, James Levine | T0701265373 |
| Un américain à Paris (Frank Campbell-Watson) | Chicago Symphony Orchestra, James Levine | T0700011444 |
| Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308092565-7 |
| Hungarian Dance no. 5 | NDR Elbphilharmonie Orchester, Sir John Eliot Gardiner | T-329366800-1 |
| Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T9181328041 |
| Gymnopédie no. 1 | Jean-Marc Luisada | — |
| España | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T9023057901 |
| Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — |
| Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0116544843 |
| Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 |
| Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 |
L'Arlésienne: Prélude (Orchestre symphonique de Bamberg feat. conductor: Ferdinand Leitner)
Bamberger Symphoniker, Ferdinand Leitner
—
Rita Streich, RIAS-Sinfonie-Orchester Berlin, Ferenc Fricsay
Berliner Philharmoniker, Lorin Maazel
Concerto pour piano et orchestre no. 2 : Moderato (extrait)
Sviatoslav Richter, Orkiestra Symfoniczna Filharmonii Narodowej, Stanisław Wisłocki
—
Wiener Symphoniker, Ferenc Fricsay
La Damnation de Faust: Première partie. Scène 3
Richard Verreau, Orchestre Lamoureux, Igor Markevitch
—
Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter
Géza Anda, Camerata Academica des Salzburger Mozarteums
Water Music: Alla Hornpipe
Berliner Philharmoniker, Rafael Kubelík
—
Berliner Philharmoniker, Rafael Kubelík
Symphonie Nr. 3 F-Dur op. 90: 4. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto
Berliner Philharmoniker, Herbert von Karajan
—
Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Wilhelm Kempff
—
Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Wilhelm Kempff
—
Tamás Vásáry
Suite de casse noisette : "Valse des fleurs"
Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
—
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
—
Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt”
Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
—
Valse triste, op. 44
Berliner Philharmoniker, Herbert von Karajan
—
Festival Strings Lucerne, Rudolf Baumgartner
Piano Sonata in A major, K. 331: II. Menuetto - Trio
Christoph Eschenbach
—
Christoph Eschenbach
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso
Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm
Asturias (excerpt)
Narciso Yepes
—
Wiener Philharmoniker, Karl Böhm
Boston Symphony Orchestra, Rafael Kubelík
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Berliner Philharmoniker, Herbert von Karajan
Prélude à l'après-midi d'un faune
Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait)
Berliner Philharmoniker, Rafael Kubelík
—
La Légende du tsar Saltan : "Le Vol du bourdon"
Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch
—
Sérénade, K. 525 « Une petite musique de nuit » : Allegro (extrait)
Berliner Philharmoniker, Karl Böhm
—
Boston Symphony Orchestra, Seiji Ozawa
Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa
Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella)
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro
Lazar Berman, Berliner Philharmoniker, Herbert von Karajan
—
Lazar Berman, Berliner Philharmoniker, Herbert von Karajan
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
Helmuth Froschauer, Wiener Singverein, Rudolf Scholz, Berliner Philharmoniker, Herbert von Karajan
—
Wilhelm Kempff
Ave Maria
Gundula Janowitz, Irwin Gage
—
Orchestre de Paris, Daniel Barenboim
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif
Arturo Benedetti Michelangeli
—
Daniel Barenboim
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Wiener Philharmoniker, Lorin Maazel
Radetzky‐Marsch, op. 228
Berliner Philharmoniker, Herbert von Karajan
—
Canon et gigue en ré majeur : "Canon"
Musica Antiqua Köln, Reinhard Goebel
—
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
—
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Greensleeves
Göran Söllscher
—
Berliner Philharmoniker, Herbert von Karajan
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Wiener Philharmoniker, Lorin Maazel
Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
—
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
Orchestre de Paris, Daniel Barenboim
The English Concert, Trevor Pinnock
Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
—
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Peer Gynt: Au matin
Göteborgs Symfoniker, Neeme Järvi
—
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra
Dido and Aeneas: When I am laid into earth
Anne Sofie von Otter, The English Concert, Trevor Pinnock
—
Narciso Yepes
Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi
Anne Sofie von Otter, Bengt Forsberg
Messa da requiem : Dies irae
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
—
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
Chicago Symphony Orchestra, James Levine
Chicago Symphony Orchestra, James Levine
Orchestre de l’Opéra Bastille, Myung-Whun Chung
NDR Elbphilharmonie Orchester, Sir John Eliot Gardiner
Orpheus Chamber Orchestra
Gymnopédie no. 1
Jean-Marc Luisada
—
España
Wiener Philharmoniker, Sir John Eliot Gardiner
—
Les Musiciens du Louvre, Marc Minkowski
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter
Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter
What other identifiers does this connect to?
Musical Works (ISWC)
T-801.025.525-2T-801025525-2T-905.387.081-8T-905387081-8T-910.415.372-2T-910415372-2T-914.248.874-2T-914248874-2T-914729240-8T-915711225-9
+60 more
T0011484926T0012830215T0030055845T0030063774T0030137677T0035067436T0044400863T0050008382T0050011976T0071634713T0100658794T0101948451T0101948713T0111742096T0116544843T0117781255T0391902321T0395852080T0414890611T0414890633T0600965545T0700011444T0701265373T0710881121T1040806311T3016952453T3042541997T3056256481T3063957864T3080925657T3105271914T3124269387T3125423812T3147286093T3165780605T3182375088T3186765282T3214218512T3293668001T8006397714T8006524682T9002223667T9011546239T9012225013T9021874099T9023057901T9025710149T9093450896T9094070072T9107594490T9109327573T9115175821T9115340200T9126556181T9157147950T9181328041T9182451178T9187040137T9295886770T9831627340
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002303428X000000005516408900000000551953950000000055196558000000005553689000000000558929830000000059484397000000006301528600000000724915160000000073638129
+40 more
000000007365417X0000000078395656000000008125575000000000817696980000000081855123000000008356208400000000836489610000000083981094000000010557684000000001066174480000000107965612000000010860227400000001086344790000000108635957000000010865363700000001087856050000000108823501000000010882351X00000001088546310000000108886588000000010909486500000001091108880000000109160981000000010917819600000001091921900000000109207006000000010921023X0000000109300489000000010935013600000001093586720000000109372335000000010940538700000001094168010000000109426524000000010944213700000001094423050000000109447560000000010946531200000001101108420000000110164760
Identifier Graph
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What is UPC 028944287790?
028944287790 is a Universal Product Code (UPC) assigned to 100 Chefs-d’œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm