UPC · Release
Operamania
Various Artists
028944412024
95 tracksReleased 1994-01-01London Records
Last verified:
028944412024 is the Universal Product Code (UPC barcode) for the release “Operamania” by Various Artists, released 1994-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include GBF075811260, GBF076710230, GBF075840216.
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Credit Chain
UPCOperamania
ISRC95 recordings
ISWC30 works
IPI2 songwriters
Track List (95)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Giuseppe di Stefano, Orchestra dell’Accademia di Santa Cecilia, Franco Patanè | T-005.000.838-2 | |
| 2 | Carmen : Habanera « L'amour est un oiseau rebelle » | Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis | T-926.805.123-6 | |
| 3 | Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T-922.043.218-8 | |
| 4 | La Bohéme: “Sì, mi chiamano Mimi” | Maria Chiara, Vienna Volksoper Orchestra, Nello Santi | — | |
| 5 | Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 6 | Faust : Chœur des soldats « Gloire immortelle de nos aïeux » | Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | T-904.688.955-8 | |
| 7 | Rigoletto: “Gualtier Maldè” … “Caro nome” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | T-913.242.186-4 | |
| 8 | Manon Lescaut: “Donna non vidi mai” | José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | T-905.040.058-3 | |
| 9 | Le nozze di Figaro: “Voi che sapete” | Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész | — | |
| 10 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900.095.253-4 | |
| 11 | Carmen : Acte III. « Je dis que rien ne m’épouvante » | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 12 | Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro) | Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 13 | Louise : « Depuis le jour » | Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge | — | |
| 14 | Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin) | Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | — | |
| 15 | Cavalleria rusticana: Intermezzo sinfonico | Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | T-307.525.888-3 | |
| 16 | Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni | T-900.065.376-9 | |
| 17 | Un ballo in maschera: Atto III. “Saper vorreste” | Kathleen Battle, National Philharmonic Orchestra, Sir Georg Solti | — | |
| 18 | La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T-900.011.159-1 | |
| 2-1 | Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901.222.501-3 | |
| 2-2 | Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | T-900.021.750-5 | |
| 2-3 | Die Meistersinger von Nürnberg, WWV 96: Prize Song: Morgenlich leuchtend | James King, Vienna Opera Orchestra, Dietfried Bernet | — | |
| 2-4 | O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T-010.055.280-4 | |
| 2-5 | Lohengrin: Prélude (Act III) and Chœur nuptial/Bridal Chorus | Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | — | |
| 2-6 | Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — | |
| 2-7 | Le Nozze di Figaro: Atto II. “Porgi amor” | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | T-306.482.540-3 | |
| 2-8 | Tosca: “E lucevan le stelle” | Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel | T-910.067.947-8 | |
| 2-9 | La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | T-900.088.183-4 | |
| 2-10 | Il Trovatore: Act III, Scene I. "Squilli, echeggi la tromba guerriera" | Nicolaï Ghiaurov, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | T-928.635.584-8 | |
| 2-11 | "Che farò senza Euridice?" da Orfeo ed Euridice | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | T-307.756.442-8 | |
| 2-12 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | T-900.134.078-9 | |
| 2-13 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 2-14 | Le nozze di Figaro: “Dove sono” | Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-15 | Tosca: “Recondita armonia” | Franco Corelli, Alfredo Mariotti | — | |
| 2-16 | Norma: “Mira, o Norma” | Montserrat Caballé, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | T-031.601.295-9 | |
| 2-17 | Rigoletto: “Zitti, zitti” | Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | — | |
| 2-18 | Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — | |
| 3-1 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin | — | |
| 3-2 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 3-3 | Le nozze di Figaro: “Deh vieni, non tardar” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | T-001.424.370-9 | |
| 3-4 | Le nozze di Figaro, K. 492: Act I. "Non più andrai" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — | |
| 3-5 | Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902.525.648-8 | |
| 3-6 | Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir » | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — | |
| 3-7 | Les Pêcheurs de perles : « Au fond du temple saint » | Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit | T-071.725.425-5 | |
| 3-8 | La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — | |
| 3-9 | La fanciulla del West: “Ch’ella mi creda libero” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 3-10 | Pagliacci: “Don, din, don” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli | — | |
| 3-11 | Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928.635.458-3 | |
| 3-12 | Le nozze di Figaro: “Sull'aria” | Mirella Freni, Renata Scotto, National Philharmonic Orchestra, Leone Magiera | — | |
| 3-13 | Die Hochzeit des Figaro: Erster Akt: Se vuol ballare | Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | T-900.134.079-0 | |
| 3-14 | Tosca: “Vissi d’arte” | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | T-900.162.132-5 | |
| 3-15 | La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T-900.798.614-3 | |
| 3-16 | La traviata: “Un dì felice” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | T-309.041.381-9 | |
| 3-17 | La Gioconda: “Cielo e mar” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 3-18 | I puritani: “Son vergin vezzosa” | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | T-801.744.062-0 | |
| 3-19 | Don Pasquale: Atto III. “Che interminabile andirivieni!” (Tutti, Donne, Uomini) | Chor des Wiener Opernhauses, Orchester der Wiener Staatsoper, István Kertész | — | |
| 3-20 | Carmen: Chanson du Toréador | Chœur du Grand Théâtre de Genève, Tom Krause, Orchestre de la Suisse Romande, Thomas Schippers | — | |
| 4-1 | Die Walküre: The Ride of the Valkyries | Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti | T-902.771.445-0 | |
| 4-2 | Tannhäuser: „O du, mein holder Abendstern” | Tom Krause, Vienna Opera Orchestra, Argeo Quadri | — | |
| 4-3 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 4-4 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 4-5 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 4-6 | L'elisir d'amore: “Una furtiva lagrima” | Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | — | |
| 4-7 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — | |
| 4-8 | Aida: Atto IV. “O terra, addio” | Coro del Teatro dell’Opera di Roma, Rita Gorr, Leontyne Price, Jon Vickers, Orchestra del Teatro dell’Opera di Roma, Luigi Ricci, Sir Georg Solti | T-900.065.376-9 | |
| 4-9 | Adriana Lecouvreur: Atto I. “La dolcissima effigie” | Renata Tebaldi, Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | — | |
| 4-10 | La traviata: “Sempre libera” | Pilar Lorengar, Orchestra of the Deutsche Oper, Berlin, Lorin Maazel | — | |
| 4-11 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 | |
| 4-12 | Martha: “M’apparì tutt’amor” | Luciano Pavarotti, New Philharmonia Orchestra, Richard Bonynge | T-913.933.210-8 | |
| 4-13 | La fille du régiment : « La, la, la … Chacun le sait » | Chorus of the Royal Opera House, Covent Garden, Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 4-14 | Carmen : « Les voici, les voici ! » | John Alldis Chorus, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 4-15 | Don Giovanni, K. 527: Act I. "Fin ch'han dal vino" | Tom Krause, Wiener Haydn-Orchester, István Kertész | T-306.481.937-6 | |
| 4-16 | Die Zauberflöte: No. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | T-918.245.117-8 | |
| 4-17 | Die Walküre: Incantation du feu / Magic Fire Music | Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 4-18 | Der Rosenkavalier: „Hab' mir's gelobt” | Régine Crespin, Helen Donath, Yvonne Minton, Vienna State Opera Orchestra, Sir Georg Solti | — | |
| 4-19 | Tristan und Isolde: Act III. Aria "Mild und leise" (Isolde) | Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 5-1 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912.866.624-0 | |
| 5-2 | Una voce poco fa from "The Barber of Seville" | Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 5-3 | Il Trovatore: Anvil Chorus | London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-4 | Don Giovanni: “Deh! Vieni alla finestra” | Gabriel Bacquier, English Chamber Orchestra, Richard Bonynge | T-306.483.075-3 | |
| 5-5 | La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | T-071.251.577-9 | |
| 5-6 | Die Fledermaus: „Mein Herr Marquis” | Hilde Güden, Vienna State Opera Orchestra, Robert Stolz | — | |
| 5-7 | Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — | |
| 5-8 | Norma: Act I. Cavatina "Casta Diva" (Norma) | Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | T-910.760.630-4 | |
| 5-9 | Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — | |
| 5-10 | Aida: Marche triomphale / Grand March & Ballet | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | — | |
| 5-11 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070.182.950-6 | |
| 5-12 | La bohème: Atto IV. “O Mimi, tu più non torni” | Ettore Bastianini, Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 5-13 | Turandot: “Signore, ascolta!” | Maria Chiara, Orchestra of the Vienna Volksoper, Nello Santi | T-005.000.838-2 | |
| 5-14 | Faust : « Alerte ! Alerte ! … Anges purs » | Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — | |
| 5-15 | Carmen : Acte I. Seguidilla. « Près des remparts de Séville » | Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers | — | |
| 5-16 | L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 5-17 | Adriana Lecouvreur: Atto I. “Ecco, respiro appena...Io son l'umile ancella” | Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede | — | |
| 5-18 | Le nozze di Figaro: “Contessa perdono …” | Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 5-19 | La Cenerentola: Non più mesta | Cecilia Bartoli, Teatro Comunale di Modena Orchestra, Riccardo Chailly | — | |
| 5-20 | Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | — |
Giuseppe di Stefano, Orchestra dell’Accademia di Santa Cecilia, Franco Patanè
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
La Bohéme: “Sì, mi chiamano Mimi”
Maria Chiara, Vienna Volksoper Orchestra, Nello Santi
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
Le nozze di Figaro: “Voi che sapete”
Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész
—
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
—
Louise : « Depuis le jour »
Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
—
Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni
Un ballo in maschera: Atto III. “Saper vorreste”
Kathleen Battle, National Philharmonic Orchestra, Sir Georg Solti
—
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Die Meistersinger von Nürnberg, WWV 96: Prize Song: Morgenlich leuchtend
James King, Vienna Opera Orchestra, Dietfried Bernet
—
Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè
Lohengrin: Prélude (Act III) and Chœur nuptial/Bridal Chorus
Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti
—
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
—
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
Nicolaï Ghiaurov, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel
La bohème: Atto I. “O soave fanciulla” (Rodolfo)
Ettore Bastianini, Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
—
Le nozze di Figaro: “Dove sono”
Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan
—
Tosca: “Recondita armonia”
Franco Corelli, Alfredo Mariotti
—
Montserrat Caballé, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
Rigoletto: “Zitti, zitti”
Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
—
Rigoletto: “Bella figlia dell'amore”
Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin
—
Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge
Cecilia Bartoli, Wiener Kammerorchester, György Fischer
Le nozze di Figaro, K. 492: Act I. "Non più andrai"
Tom Krause, Wiener Haydn-Orchester, István Kertész
—
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir »
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit
La Wally: “Ebben? Ne andrò lontana”
Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva
—
La fanciulla del West: “Ch’ella mi creda libero”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Pagliacci: “Don, din, don”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Le nozze di Figaro: “Sull'aria”
Mirella Freni, Renata Scotto, National Philharmonic Orchestra, Leone Magiera
—
Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti
Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge
La Gioconda: “Cielo e mar”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Don Pasquale: Atto III. “Che interminabile andirivieni!” (Tutti, Donne, Uomini)
Chor des Wiener Opernhauses, Orchester der Wiener Staatsoper, István Kertész
—
Carmen: Chanson du Toréador
Chœur du Grand Théâtre de Genève, Tom Krause, Orchestre de la Suisse Romande, Thomas Schippers
—
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
Tannhäuser: „O du, mein holder Abendstern”
Tom Krause, Vienna Opera Orchestra, Argeo Quadri
—
Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
L'elisir d'amore: “Una furtiva lagrima”
Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli
—
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
—
Coro del Teatro dell’Opera di Roma, Rita Gorr, Leontyne Price, Jon Vickers, Orchestra del Teatro dell’Opera di Roma, Luigi Ricci, Sir Georg Solti
Adriana Lecouvreur: Atto I. “La dolcissima effigie”
Renata Tebaldi, Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
—
La traviata: “Sempre libera”
Pilar Lorengar, Orchestra of the Deutsche Oper, Berlin, Lorin Maazel
—
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
Luciano Pavarotti, New Philharmonia Orchestra, Richard Bonynge
La fille du régiment : « La, la, la … Chacun le sait »
Chorus of the Royal Opera House, Covent Garden, Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
—
Carmen : « Les voici, les voici ! »
John Alldis Chorus, London Philharmonic Orchestra, Sir Georg Solti
—
Tom Krause, Wiener Haydn-Orchester, István Kertész
Sumi Jo, Wiener Philharmoniker, Sir Georg Solti
Die Walküre: Incantation du feu / Magic Fire Music
Hans Hotter, Wiener Philharmoniker, Sir Georg Solti
—
Der Rosenkavalier: „Hab' mir's gelobt”
Régine Crespin, Helen Donath, Yvonne Minton, Vienna State Opera Orchestra, Sir Georg Solti
—
Tristan und Isolde: Act III. Aria "Mild und leise" (Isolde)
Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Una voce poco fa from "The Barber of Seville"
Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson
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Il Trovatore: Anvil Chorus
London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge
—
Gabriel Bacquier, English Chamber Orchestra, Richard Bonynge
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
Die Fledermaus: „Mein Herr Marquis”
Hilde Güden, Vienna State Opera Orchestra, Robert Stolz
—
Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja"
Tom Krause, Wiener Haydn-Orchester, István Kertész
—
Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
Aida: Marche triomphale / Grand March & Ballet
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
—
Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
La bohème: Atto IV. “O Mimi, tu più non torni”
Ettore Bastianini, Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
—
Maria Chiara, Orchestra of the Vienna Volksoper, Nello Santi
Faust : « Alerte ! Alerte ! … Anges purs »
Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
—
Carmen : Acte I. Seguidilla. « Près des remparts de Séville »
Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers
—
L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Adriana Lecouvreur: Atto I. “Ecco, respiro appena...Io son l'umile ancella”
Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede
—
Le nozze di Figaro: “Contessa perdono …”
Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
La Cenerentola: Non più mesta
Cecilia Bartoli, Teatro Comunale di Modena Orchestra, Riccardo Chailly
—
Il trovatore: Atto III, scena 2. “Di quella pira”
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
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Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | T-928.635.584-8 |
| Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T-070.109.772-4 |
| Carmen : Acte I. Seguidilla. « Près des remparts de Séville » | Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers | — |
| La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922.850.296-3 |
| Rigoletto: “Bella figlia dell’amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Carmen : Acte I. Seguidilla. « Près des remparts de Séville »
Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers
—
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Rigoletto: “Bella figlia dell’amore”
Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge
—
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-005.000.838-2T-011.275.282-5T-070.182.950-6T-071.153.499-4T-306.482.540-3T-309.041.381-9T-310.774.658-3T-900.011.159-1T-900.021.750-5T-900.088.183-4
+20 more
T-900.095.253-4T-901.222.501-3T-902.525.648-8T-902.771.445-0T-905.040.058-3T-905.683.692-1T-912.866.624-0T-913.242.186-4T-913.242.186-4T-913.933.210-8T-918.245.117-8T-922.850.296-3T-926.805.123-6T-928.635.458-3T-928.635.584-8T-001.424.370-9T-005.000.838-2T-010.055.280-4T-011.275.282-5T-031.601.295-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059479598000000006097350X0000000062728591000000006304490900000000736576290000000073662284000000007689380300000000782282840000000078387285000000007977851X
+20 more
00000000808379430000000081232954000000008169243200000000818187870000000081830276000000008188387X00000000834914310000000083593219000000008365519200000000836826330000000084081282000000010568289700000001066174480000000106703426000000010728122900000001086022740000000108653645000000010866418400000001087102160000000108769963
Identifier Graph
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What is UPC 028944412024?
028944412024 is a Universal Product Code (UPC) assigned to Operamania by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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