UPC · Release
Carmen / L’Arlésienne suites / Symphony in C
Georges Bizet, Domingo, Carreras, Berganza, Abbado, Giulini
028946912126
29 tracksReleased 2000-01-01Deutsche Grammophon
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028946912126 is the Universal Product Code (UPC barcode) for the release “Carmen / L’Arlésienne suites / Symphony in C” by Georges Bizet, Domingo, Carreras, Berganza, Abbado, Giulini, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include DEF057730101, DEF057730103, DEF057730104.
Format
0Number system
28946Manufacturer
91212Product
6Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCCarmen / L’Arlésienne suites / Symphony in C
ISRC24 recordings
ISWC14 works
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen, WD 31: Overture (Prelude) | London Symphony Orchestra, Claudio Abbado | T-031.673.380-8 | |
| 2 | Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné” | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 3 | Carmen, Act I Scene 5: Mais nous ne voyons pas la Camencita | — | ||
| 4 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 5 | Carmen, Act I Scene 6: Parle-moi de ma mère! | — | ||
| 6 | Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 7 | Carmen : Acte II, Nº 11. Chanson « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita) | Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | T-922.166.713-6 | |
| 8 | Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre” | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 9 | Carmen : Acte II. Air de la fleur « La Fleur que tu m’avais jetée » (Don José) | Plácido Domingo, London Symphony Orchestra, Claudio Abbado | T-928.635.311-5 | |
| 10 | Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla) | Ileana Cotrubaș, London Symphony Orchestra, Claudio Abbado | — | |
| 11 | Carmen, Act III Scene 6: Je suis Escamillo, torero de Grenade | — | ||
| 12 | Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 13 | Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 14 | Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 2-1 | L'Arlésienne Suite no. 1: Prélude. Allegro deciso (Tempo di marcia) - Andantino - Andante molto | London Symphony Orchestra, Claudio Abbado | T-900.143.514-9 | |
| 2-2 | L'Arlésienne Suite no. 1: Minuetto. Allegro giocoso | London Symphony Orchestra, Claudio Abbado | T-010.194.862-2 | |
| 2-3 | L'Arlésienne Suite no. 1: Adagietto. Adagio | London Symphony Orchestra, Claudio Abbado | T-910.448.362-7 | |
| 2-4 | L'Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino - Tempo I | London Symphony Orchestra, Claudio Abbado | — | |
| 2-5 | L'Arlésienne Suite no. 2: Pastorale. Andante sostenuto assai - Andantino - Tempo I | London Symphony Orchestra, Claudio Abbado | T-071.478.968-0 | |
| 2-6 | L'Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 2-7 | L'Arlésienne Suite no. 2: Menuet. Andantino quasi allegretto | London Symphony Orchestra, Claudio Abbado | T-310.225.113-4 | |
| 2-8 | L'Arlésienne Suite no. 2: Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso | London Symphony Orchestra, Claudio Abbado | T-010.194.866-6 | |
| 2-9 | Agnus Dei | — | ||
| 2-10 | Symphonie no. 1 en ut majeur: I. Allegro vivo | Orchestre National de France, Jean Martinon | T-070.160.313-5 | |
| 2-11 | Symphonie no. 1 en ut majeur: II. Andante - Adagio | Orchestre National de France, Jean Martinon | — | |
| 2-12 | Symphonie no. 1 en ut majeur: III. Scherzo - Allegro vivace | Orchestre National de France, Jean Martinon | — | |
| 2-13 | Symphony No. 1 in C major "Roma": IV. Finale: Allegro vivace | — | ||
| 2-14 | Les Pêheurs de perles: “Je crois entendre encore” | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-702.424.573-8 | |
| 2-15 | Les Pêcheurs de perles: « Au fond du temple saint » | Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit | T-071.725.425-5 |
Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné”
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Carmen, Act I Scene 5: Mais nous ne voyons pas la Camencita
—
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Carmen, Act I Scene 6: Parle-moi de ma mère!
—
Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José)
Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
—
Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Plácido Domingo, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla)
Ileana Cotrubaș, London Symphony Orchestra, Claudio Abbado
—
Carmen, Act III Scene 6: Je suis Escamillo, torero de Grenade
—
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
London Symphony Orchestra, Claudio Abbado
London Symphony Orchestra, Claudio Abbado
L'Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino - Tempo I
London Symphony Orchestra, Claudio Abbado
—
London Symphony Orchestra, Claudio Abbado
L'Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato
London Symphony Orchestra, Claudio Abbado
—
London Symphony Orchestra, Claudio Abbado
London Symphony Orchestra, Claudio Abbado
Agnus Dei
—
Orchestre National de France, Jean Martinon
Symphonie no. 1 en ut majeur: II. Andante - Adagio
Orchestre National de France, Jean Martinon
—
Symphonie no. 1 en ut majeur: III. Scherzo - Allegro vivace
Orchestre National de France, Jean Martinon
—
Symphony No. 1 in C major "Roma": IV. Finale: Allegro vivace
—
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | T-928.635.313-7 |
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
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What is UPC 028946912126?
028946912126 is a Universal Product Code (UPC) assigned to Carmen / L’Arlésienne suites / Symphony in C by Georges Bizet, Domingo, Carreras, Berganza, Abbado, Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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