UPC · Release
The Greatest Hits
Wolfgang Amadeus Mozart
028947240921
31 tracksReleased 2002-01-01Decca
Last verified:
028947240921 is the Universal Product Code (UPC barcode) for the release “The Greatest Hits” by Wolfgang Amadeus Mozart, released 2002-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include NLA508720350, NLA507802439, NLA506800393.
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28947Manufacturer
24092Product
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Credit Chain
UPCThe Greatest Hits
ISRC23 recordings
ISWC13 works
Track List (31)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Allegro from Serenade in G. K 525 "Eine kleine Nachtmusik" | — | ||
| 2 | Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.525.648-8 | |
| 3 | Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | ||
| 4 | Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 5 | Serenade in B-flat major, K. 361 "Gran partita": 3. Adagio | Netherlands Wind Ensemble, Edo de Waart | — | |
| 6 | Ave verum corpus, K. 618 | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | T-323.252.117-0 | |
| 7 | Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Academy of St Martin-in-the-Fields, Sir Neville Marriner | T-902.876.200-7 | |
| 8 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 9 | Requiem in D minor, K 626 | Academy of St Martin in the Fields | T-905.386.342-6 | |
| 10 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | — | ||
| 11 | Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum | Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | — | ||
| 14 | Le nozze di Figaro, K. 492: Sinfonia | — | ||
| 15 | Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai" | José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Le nozze di Figaro, K. 492: Act II, Scene II. no. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Agnes Baltsa, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Die Entführung aus dem Serail, K. 384: Ouvertüre | Wiener Philharmoniker, Sir Georg Solti | T-003.013.959-3 | |
| 2-2 | Die Entführung aus dem Serail: No. 11 Arie: "Martern aller Arten" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 2-3 | Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 2-4 | Don Giovanni, K.527 / Act 1 : "Madamina, il catalogo è questo" | Simone Alaimo, Academy of St Martin in the Fields, Sir Neville Marriner | T-929.621.870-7 | |
| 2-5 | Don Giovanni: "Là ci darem la mano" | Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Die Zauberflöte, K. 620: Ouvertüre | Academy of St Martin in the Fields, Sir Neville Marriner | T-009.030.807-8 | |
| 2-8 | Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | — | ||
| 2-10 | Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | — | ||
| 2-11 | Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-12 | Pa-Pa-Pa-Pa-Pa-Pa Papagena! from The Magic Flute | — | ||
| 2-14 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 2-15 | Violin Concerto no. 3 in G major, K. 216: I. Allegro | Arthur Grumiaux, London Symphony Orchestra, Sir Colin Davis | — |
Allegro from Serenade in G. K 525 "Eine kleine Nachtmusik"
—
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
—
Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
Serenade in B-flat major, K. 361 "Gran partita": 3. Adagio
Netherlands Wind Ensemble, Edo de Waart
—
Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner
Academy of St Martin-in-the-Fields, Sir Neville Marriner
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"
—
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum
Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
—
Le nozze di Figaro, K. 492: Sinfonia
—
Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai"
José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
—
Le nozze di Figaro, K. 492: Act II, Scene II. no. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino)
Agnes Baltsa, Academy of St Martin in the Fields, Sir Neville Marriner
—
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail: No. 11 Arie: "Martern aller Arten"
Arleen Augér, Staatskapelle Dresden, Karl Böhm
—
Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren"
Kurt Moll, Staatskapelle Dresden, Karl Böhm
—
Simone Alaimo, Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni: "Là ci darem la mano"
Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner
—
Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto"
Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner
—
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
—
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
—
Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner
—
Pa-Pa-Pa-Pa-Pa-Pa Papagena! from The Magic Flute
—
Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro
Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
—
Violin Concerto no. 3 in G major, K. 216: I. Allegro
Arthur Grumiaux, London Symphony Orchestra, Sir Colin Davis
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: III. Rondeau. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — |
| Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai" | José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Le nozze di Figaro, K. 492: Act II, Scene II. no. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Agnes Baltsa, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.525.648-8 |
| Die Zauberflöte, K. 620: Ouvertüre | Academy of St Martin in the Fields, Sir Neville Marriner | T-903.529.769-9 |
| Don Giovanni: "Là ci darem la mano" | Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — |
Concerto for 2 Pianos and Orchestra in E-flat major, K 365: III. Rondeau. Allegro
Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
—
Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai"
José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
—
Le nozze di Figaro, K. 492: Act II, Scene II. no. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino)
Agnes Baltsa, Academy of St Martin in the Fields, Sir Neville Marriner
—
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni: "Là ci darem la mano"
Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner
—
Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto"
Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner
—
Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000083810359000000010668844900000001085483270000000108635957000000010866418400000001086940840000000108935343000000010893537800000001095351810000000109616459
+30 more
00000001102127420000000110633483000000011064091500000001109287400000000110928863000000011440352X000000011450698300000001145511860000000114617608000000011463785200000001147122500000000114738645000000011480250400000001149243410000000118842087000000011935215100000001194564790000000119550457000000012020191600000001209780120000000121174593000000012118116000000001212042970000000121275546000000012133668700000001214193350000000121695196000000012175579300000003986362280000000453084981
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What is UPC 028947240921?
028947240921 is a Universal Product Code (UPC) assigned to The Greatest Hits by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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