UPC · Album
Best of Oper
Various Artists
028947468820
22 tracksReleased 2003-01-01Deutsche Grammophon
Last verified:
028947468820 is the Universal Product Code (UPC barcode) for the release “Best of Oper” by Various Artists, released 2003-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include DEF056430603, DEF056430610, DEF056531205.
Format
0Number system
28947Manufacturer
46882Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBest of Oper
ISRC25 recordings
ISWC10 works
Track List (25)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | DEF056430603 |
| Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil'gen Hallen kennt« (Sarastro) | Franz Crass, Berliner Philharmoniker, Karl Böhm | DEF056430610 |
| Paillasse. "Recitar... Vesti la giubba" (Canio) | Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | DEF056531205 |
| Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | DEF056830108 |
| Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | DEF057130503 |
| Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | DEF057330311 |
| Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre” | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | DEF057730109 |
| Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm | DEF057730609 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | DEF057930800 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | DEF057930813 |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | DEF057930818 |
| Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | DEF058101280 |
| Aida: “Gloria all’Egitto” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | DEF058137809 |
| Aida: Triumphal Scene | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | DEF058137819 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | DEF058140110 |
| Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058230615 |
| Der Freischütz: Was gleicht wohl auf Erden | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058401670 |
| Il trovatore: Atto II. Aria: "Il balen del suo sorriso" | Giorgio Zancanaro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | DEF058430008 |
| Il trovatore: “Di quella pira” | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | DEF058430028 |
| Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | DEF058730608 |
| La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076240103 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | GBF079144133 |
| Tosca: Atto II. "Vissi d'arte" (Tosca) | Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507510625 |
| La bohème: Atto I. “Che gelida manina” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507719908 |
| Der fliegende Holländer: Chor der Matrosen "Steuermann! Laß die Wacht!" | Rundfunkchor Leipzig, Sächsische Staatskapelle Dresden, Silvio Varviso | NLA508802706 |
Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno)
Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm
Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil'gen Hallen kennt« (Sarastro)
Franz Crass, Berliner Philharmoniker, Karl Böhm
Paillasse. "Recitar... Vesti la giubba" (Canio)
Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro)
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Il barbiere di Siviglia: “Largo al factotum”
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren"
Kurt Moll, Staatskapelle Dresden, Karl Böhm
Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina)
Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
Rigoletto: Atto III. “La donna è mobile”
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
Aida: “Gloria all’Egitto”
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Aida: Triumphal Scene
Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Turandot. "Nessun dorma" (Calaf)
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Der Freischütz: Was gleicht wohl auf Erden
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Il trovatore: Atto II. Aria: "Il balen del suo sorriso"
Giorgio Zancanaro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Il trovatore: “Di quella pira”
Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Madama Butterfly: Atto II. “Un bel dì vedremo”
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici”
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)
Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
Tosca: Atto II. "Vissi d'arte" (Tosca)
Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
La bohème: Atto I. “Che gelida manina”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Der fliegende Holländer: Chor der Matrosen "Steuermann! Laß die Wacht!"
Rundfunkchor Leipzig, Sächsische Staatskapelle Dresden, Silvio Varviso
What other identifiers does this connect to?
Musical Works (ISWC)
People also ask
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What is UPC 028947468820?
028947468820 is a Universal Product Code (UPC) assigned to Best of Oper by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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