UPC · Release
Benjamin Britten, Steuart Bedford, Charles Mackerras
Last verified:
The UPC for “Britten Conducts Britten: Operas II: A Midsummer Night's Dream / The Rape of Lucretia / The Turn of the Screw / Bedford: Death in Venice / Mackerras: Gloriana” by Benjamin Britten, Steuart Bedford, Charles Mackerras is 028947560296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Decca. This release contains 173 tracks, each with its own ISRC. Tracks include GBF076640401, GBF076640402, GBF076640403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 2 | A Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight" | Alfred Deller, Elizabeth Harwood, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 3 | A Midsummer Night's Dream: Act I. "Well, go thy way" | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 4 | A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | T-911.431.565-0 | |
| 5 | A Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not" | Alfred Deller, Thomas Hemsley, Heather Harper, London Symphony Orchestra, Benjamin Britten | — | |
| 6 | A Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 7 | A Midsummer Night's Dream: Act I. "Is all our company here?" | Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 8 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 9 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 10 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 11 | A Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 12 | A Midsummer Night's Dream: Act I. "You spotted snakes" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 13 | A Midsummer Night's Dream: Act I. "What thou seest when thou dost wake" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 14 | A Midsummer Night's Dream: Act II. Introduction | London Symphony Orchestra, Benjamin Britten | — | |
| 15 | A Midsummer Night's Dream: Act II. "Are we all met?" | Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16 | A Midsummer Night's Dream: Act II. "I see their knavery" | Owen Brannigan, Elizabeth Harwood, John Pryor, Richard Dakin, Ian Wodehouse, Gordon Clark, London Symphony Orchestra, Benjamin Britten | — | |
| 17 | A Midsummer Night's Dream: Act II. "Be kind and courteous" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 18 | A Midsummer Night's Dream: Act II. "Hail, mortal, hail!" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 19 | A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music" | Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 20 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-1 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-2 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-3 | A Midsummer Night's Dream: Act II. "This is thy negligence..." | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-4 | A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-5 | A Midsummer Night's Dream: Act II. "On the ground, sleep sound" | Choir of Downside School, Purley, Emanuel School Wandsworth, Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 2-6 | A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin" | Alfred Deller, Elizabeth Harwood, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-7 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-8 | A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 2-9 | A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 2-10 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-11 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-12 | A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show" | Norman Lumsden, Heather Harper, Thomas Hemsley, London Symphony Orchestra, Benjamin Britten | — | |
| 2-13 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-14 | A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Owen Brannigan, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-15 | A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-16 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-17 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley-Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-18 | A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-19 | A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Kenneth MacDonald, John Shirley-Quirk, Peter Pears, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | T-922.026.755-0 | |
| 2-20 | A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask" | John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-21 | A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Alfred Deller, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 3-1 | Phaedra, Op. 93: In May, in brilliant Athens | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-2 | Phaedra, Op. 93: Oh Gods of wrath | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-3 | Phaedra, Op. 93: My time's too short, your highness | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-4 | The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-5 | The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-6 | The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-7 | The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first" | John Shirley-Quirk, Bryan Drake, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-8 | The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball" | Bryan Drake, John Shirley-Quirk, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-9 | The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute" | Peter Pears, Bryan Drake, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 3-10 | The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!" | Benjamin Luxon, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 3-11 | The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-12 | The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait" | Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-13 | The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-14 | The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock" | Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-15 | The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-16 | The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep" | Heather Harper, Peter Pears, Benjamin Luxon, Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-1 | The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans" | Heather Harper, Peter Pears, John Shirley-Quirk, Jenny Hill, Elizabeth Bainbridge, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 4-2 | The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-3 | The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light" | Benjamin Luxon, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 4-4 | The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?" | Benjamin Luxon, Janet Baker, Peter Pears, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 4-5 | The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-6 | The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!" | Jenny Hill, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 4-7 | The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia" | Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-8 | The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year" | Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 4-9 | The Rape of Lucretia: Act II, Scene 2. "You were right" | Jenny Hill, Elizabeth Bainbridge, John Shirley-Quirk, Bryan Drake, English Chamber Orchestra, Benjamin Britten | T-061.609.021-1 | |
| 4-10 | The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!" | John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-11 | The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me" | Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 4-12 | The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall" | John Shirley-Quirk, Bryan Drake, Elizabeth Bainbridge, Jenny Hill, Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-13 | The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-1 | The Turn of the Screw: Prologue (The Prologue) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-2 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-3 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | T-010.162.705-7 | |
| 5-4 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-5 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-6 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-7 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-8 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-9 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-1 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-2 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-3 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-4 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-5 | The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-6 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | Joan Cross, Olive Dyer, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-7 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-8 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 7-1 | Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-2 | Death in Venice: Act 1, Scene 1. "Who's that? A foreigner" (Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 7-3 | Death in Venice: Act 1, Scene 2. "Hey there, hey there" (Youths) | John Shirley-Quirk, Peter Pears, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-4 | Death in Venice: Act 1, Scene 2. "Serenissima… Low-lying clouds" (Youths, Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 7-5 | Death in Venice: Act 1, Scene 2. Overture "Venice" | English Chamber Orchestra, Steuart Bedford | — | |
| 7-6 | Death in Venice: Act 1, Scene 3. "Ah Serenissima!" (Aschenbach) | Peter Pears, John Shirley-Quirk, Michael Bauer, Kenneth Bowen, English Chamber Orchestra, Steuart Bedford | — | |
| 7-7 | Death in Venice: Act 1, Scene 3. "Mysterious gondola" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-8 | Death in Venice: Act 1, Scene 4. "We are delighted to greet the Signore" (Hotel Manager) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-9 | Death in Venice: Act 1, Scene 4. "Was I wrong to come" (Aschenbach) | Neville Williams, Peter Pears, Iris Saunders, Anne Wilkens, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis, Kenneth Bowen, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-10 | Death in Venice: Act 1, Scene 5. "There is indeed in every artist's nature" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 7-11 | Death in Venice: Act 1, Scene 5. (Children's games)… "Adziù! Adziù!" (Chorus) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-12 | Death in Venice: Act 1, Scene 6. "Aou'! Stagando, aou'!" (Gondolier) | John Shirley-Quirk, Robert Carpenter Turner, Sheila Brand, Stephen James Adams, Anne Wilkens, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-13 | Death in Venice: Act 1, Scene 6. "Naturally, Signore, I understand" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, Ronald Murdock, Michael Bauer, English Chamber Orchestra, Steuart Bedford | — | |
| 7-14 | Death in Venice: Act 1, Scene 7. "Here I will stay, here dedicate my days" (Aschenbach) | Neville Williams, Peter Pears, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 8-1 | Death in Venice: Act 1, Scene 7. "First the race!" (Chorus) | Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 8-2 | Death in Venice: Act 1, Scene 7. "The boy, Tadzio, shall inspire me" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-3 | Death in Venice: Act 2. "So it has come to this" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-4 | Death in Venice: Act 2, Scene 8. "Guardate, Signore!" (Hotel Barber) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-5 | Death in Venice: Act 2, Scene 9. "Do I detect a scent?" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Stephen James Adams, Stuart Harling, Sheila Brand, Robert Carpenter Turner, Anne Wilkens, Anna Vincent, English Chamber Orchestra, Steuart Bedford | — | |
| 8-6 | Death in Venice: Act 2, Scene 9. "Careful search now leads me to them" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Keith Jones, English Chamber Orchestra, Steuart Bedford | — | |
| 8-7 | Death in Venice: Act 2, Scene 10. "This way for the players, Signori!" (Hotel Porter) | Neville Williams, Kenneth Bowen, Stuart Harling, Penelope McKay, John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-8 | Death in Venice: Act 2, Scene 10. "Fiorir rose in mezo al giasso" (Leader of the players) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-9 | Death in Venice: Act 2, Scene 11. "One moment if you please" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-10 | Death in Venice: Act 2, Scene 11. "In these last years" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-11 | Death in Venice: Act 2, Scene 12. "So it is true, true" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-12 | Death in Venice: Act 2, Scene 13. "Receive the stranger god" (Voice of Dionysus) | John Shirley-Quirk, James Bowman, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-13 | Death in Venice: Act 2, Scene 14. (The empty beach)… "Do what you will with me!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-14 | Death in Venice: Act 2, Scene 15. "Yes! A very wise decision" (Hotel Barber) | John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 8-15 | Death in Venice: Act 2, Scene 16. "Hurrah for the Piazza" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 8-16 | Death in Venice: Act 2, Scene 16. "Chaos, chaos and sickness" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-17 | Death in Venice: Act 2, Scene 17. "The wind still blows from the land" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-18 | Death in Venice: Act 2, Scene 17. (On the beach)… "Ah, no!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 9-1 | Gloriana: Act I - Scene 1: 1. Prelude | Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-2 | Gloriana: Act I - Scene 1: 2. The Tornament | Christopher Cornall, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-3 | Gloriana: Act I - Scene 1: 3. Recitative & Fight | Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-4 | Gloriana: Act I - Scene 1: 4. Entrance of the Queen | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-5 | Gloriana: Act I - Scene 1: 5. Recitative | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-6 | Gloriana: Act I - Scene 1: 6. The two Lords' Explanation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-7 | Gloriana: Act I - Scene 1: 7. Raleigh's Song | Richard van Allan, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-8 | Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-9 | Gloriana: Act I - Scene 1: 9. Recitative & Final March | Richard van Allan, Josephine Barstow, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-10 | Gloriana: Act I - Scene 2: 1. Prelude & Dialogue | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-11 | Gloriana: Act I - Scene 2: 2. The Queen's Song | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-12 | Gloriana: Act I - Scene 2: 3. Cecil's Song of Government | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-13 | Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry | Josephine Barstow, Dominic Gill, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-14 | Gloriana: Act I - Scene 2: 5. First Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-15 | Gloriana: Act I - Scene 2: 6. Second Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-16 | Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-17 | Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-18 | Gloriana: Act II - Scene 1: 1. Prelude & Welcome | Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, John Shirley-Quirk, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-19 | Gloriana: Act II - Scene 1: 2. The Masque | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-20 | Gloriana: Act II - Scene 1: 3. Finale | John Mark Ainsley, Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, John Shirley-Quirk, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-21 | Gloriana: Act II - Scene 2: 1. Prelude & Song | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-22 | Gloriana: Act II - Scene 2: 2. Duet | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-23 | Gloriana: Act II - Scene 2: 3. Double Duet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-24 | Gloriana: Act II - Scene 2: 4. Quartet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-1 | Gloriana: Act II - Scene 3: 1. Pavane | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-2 | Gloriana: Act II - Scene 3: 2. Conversation | Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-3 | Gloriana: Act II - Scene 3: 3. Galliard | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-4 | Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance | Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-5 | Gloriana: Act II - Scene 3: 5. Lavolta | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-6 | Gloriana: Act II - Scene 3: 6. Conversation | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-7 | Gloriana: Act II - Scene 3: 7. Morris dance | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-8 | Gloriana: Act II - Scene 3: 8. Recitative | Della Jones, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-9 | Gloriana: Act II - Scene 3: 9. The Queen's Burlesque | Josephine Barstow, Della Jones, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-10 | Gloriana: Act II - Scene 3: 10. Quartet | Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-11 | Gloriana: Act II - Scene 3: 11. March | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-12 | Gloriana: Act II - Scene 3: 12. The Queen's Announcement | Richard van Allan, Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-13 | Gloriana: Act II - Scene 3: 13. Ensemble | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Alan Opie, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-14 | Gloriana: Act II - Scene 3: 14. Coranto | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-15 | Gloriana: Act III - Scene 1: 1. Prelude & Chatter | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-16 | Gloriana: Act III - Scene 1: 2. Essex's Intrusion | Chorus of the Welsh National Opera, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-17 | Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex | Josephine Barstow, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-18 | Gloriana: Act III - Scene 1: 4. The Dressing-Table Song | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-19 | Gloriana: Act III - Scene 1: 5. The Entrance of Cecil | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-20 | Gloriana: Act III - Scene 1: 6. Cecil's Report | Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-21 | Gloriana: Act III - Scene 1: 7. Discussion | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-22 | Gloriana: Act III - Scene 1: 8. The Queen's Decision | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-23 | Gloriana: Act III - Scene 2: Ballad - Rondo | Chorus of the Welsh National Opera, James Miller-Coburn, Monmouth School Choir, Bryn Terfel, Willard White, Jenevora Williams, Tom Finucane, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-24 | Gloriana: Act III - Scene 3: 1. Prelude & Verdict | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-25 | Gloriana: Act III - Scene 3: 2. Cecil's Warning | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-26 | Gloriana: Act III - Scene 3: 3. The Queen's Dilemma | Richard van Allan, Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-27 | Gloriana: Act III - Scene 3: 4. Trio | Della Jones, Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-28 | Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading | Josephine Barstow, Della Jones, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-29 | Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading | Josephine Barstow, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-30 | Gloriana: Act III - Scene 3: 7. Epilogue | Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — |
Musical Works (ISWC)
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028947560296 is a Universal Product Code (UPC) assigned to Britten Conducts Britten: Operas II: A Midsummer Night's Dream / The Rape of Lucretia / The Turn of the Screw / Bedford: Death in Venice / Mackerras: Gloriana by Benjamin Britten, Steuart Bedford, Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 173 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Britten Conducts Britten: Operas II: A Midsummer Night's Dream / The Rape of Lucretia / The Turn of the Screw / Bedford: Death in Venice / Mackerras: Gloriana” by Benjamin Britten, Steuart Bedford, Charles Mackerras is 028947560296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Decca. This release contains 173 tracks, each with its own ISRC. Tracks include GBF076640401, GBF076640402, GBF076640403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 2 | A Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight" | Alfred Deller, Elizabeth Harwood, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 3 | A Midsummer Night's Dream: Act I. "Well, go thy way" | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 4 | A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | T-911.431.565-0 | |
| 5 | A Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not" | Alfred Deller, Thomas Hemsley, Heather Harper, London Symphony Orchestra, Benjamin Britten | — | |
| 6 | A Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 7 | A Midsummer Night's Dream: Act I. "Is all our company here?" | Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 8 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 9 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 10 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 11 | A Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 12 | A Midsummer Night's Dream: Act I. "You spotted snakes" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 13 | A Midsummer Night's Dream: Act I. "What thou seest when thou dost wake" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 14 | A Midsummer Night's Dream: Act II. Introduction | London Symphony Orchestra, Benjamin Britten | — | |
| 15 | A Midsummer Night's Dream: Act II. "Are we all met?" | Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16 | A Midsummer Night's Dream: Act II. "I see their knavery" | Owen Brannigan, Elizabeth Harwood, John Pryor, Richard Dakin, Ian Wodehouse, Gordon Clark, London Symphony Orchestra, Benjamin Britten | — | |
| 17 | A Midsummer Night's Dream: Act II. "Be kind and courteous" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 18 | A Midsummer Night's Dream: Act II. "Hail, mortal, hail!" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 19 | A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music" | Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 20 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-1 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-2 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-3 | A Midsummer Night's Dream: Act II. "This is thy negligence..." | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-4 | A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-5 | A Midsummer Night's Dream: Act II. "On the ground, sleep sound" | Choir of Downside School, Purley, Emanuel School Wandsworth, Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 2-6 | A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin" | Alfred Deller, Elizabeth Harwood, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 2-7 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-8 | A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 2-9 | A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 2-10 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-11 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-12 | A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show" | Norman Lumsden, Heather Harper, Thomas Hemsley, London Symphony Orchestra, Benjamin Britten | — | |
| 2-13 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-14 | A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Owen Brannigan, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-15 | A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-16 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-17 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley-Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 2-18 | A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-19 | A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Kenneth MacDonald, John Shirley-Quirk, Peter Pears, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | T-922.026.755-0 | |
| 2-20 | A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask" | John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 2-21 | A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Alfred Deller, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 3-1 | Phaedra, Op. 93: In May, in brilliant Athens | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-2 | Phaedra, Op. 93: Oh Gods of wrath | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-3 | Phaedra, Op. 93: My time's too short, your highness | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 3-4 | The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-5 | The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-6 | The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-7 | The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first" | John Shirley-Quirk, Bryan Drake, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-8 | The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball" | Bryan Drake, John Shirley-Quirk, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-9 | The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute" | Peter Pears, Bryan Drake, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 3-10 | The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!" | Benjamin Luxon, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 3-11 | The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-12 | The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait" | Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-13 | The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-14 | The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock" | Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-15 | The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 3-16 | The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep" | Heather Harper, Peter Pears, Benjamin Luxon, Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-1 | The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans" | Heather Harper, Peter Pears, John Shirley-Quirk, Jenny Hill, Elizabeth Bainbridge, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 4-2 | The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-3 | The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light" | Benjamin Luxon, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 4-4 | The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?" | Benjamin Luxon, Janet Baker, Peter Pears, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 4-5 | The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-6 | The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!" | Jenny Hill, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 4-7 | The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia" | Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-8 | The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year" | Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 4-9 | The Rape of Lucretia: Act II, Scene 2. "You were right" | Jenny Hill, Elizabeth Bainbridge, John Shirley-Quirk, Bryan Drake, English Chamber Orchestra, Benjamin Britten | T-061.609.021-1 | |
| 4-10 | The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!" | John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 4-11 | The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me" | Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 4-12 | The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall" | John Shirley-Quirk, Bryan Drake, Elizabeth Bainbridge, Jenny Hill, Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-13 | The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-1 | The Turn of the Screw: Prologue (The Prologue) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-2 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-3 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | T-010.162.705-7 | |
| 5-4 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-5 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-6 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-7 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-8 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 5-9 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-1 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-2 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-3 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-4 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-5 | The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-6 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | Joan Cross, Olive Dyer, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-7 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 6-8 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 7-1 | Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-2 | Death in Venice: Act 1, Scene 1. "Who's that? A foreigner" (Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 7-3 | Death in Venice: Act 1, Scene 2. "Hey there, hey there" (Youths) | John Shirley-Quirk, Peter Pears, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-4 | Death in Venice: Act 1, Scene 2. "Serenissima… Low-lying clouds" (Youths, Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 7-5 | Death in Venice: Act 1, Scene 2. Overture "Venice" | English Chamber Orchestra, Steuart Bedford | — | |
| 7-6 | Death in Venice: Act 1, Scene 3. "Ah Serenissima!" (Aschenbach) | Peter Pears, John Shirley-Quirk, Michael Bauer, Kenneth Bowen, English Chamber Orchestra, Steuart Bedford | — | |
| 7-7 | Death in Venice: Act 1, Scene 3. "Mysterious gondola" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-8 | Death in Venice: Act 1, Scene 4. "We are delighted to greet the Signore" (Hotel Manager) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-9 | Death in Venice: Act 1, Scene 4. "Was I wrong to come" (Aschenbach) | Neville Williams, Peter Pears, Iris Saunders, Anne Wilkens, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis, Kenneth Bowen, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-10 | Death in Venice: Act 1, Scene 5. "There is indeed in every artist's nature" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 7-11 | Death in Venice: Act 1, Scene 5. (Children's games)… "Adziù! Adziù!" (Chorus) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 7-12 | Death in Venice: Act 1, Scene 6. "Aou'! Stagando, aou'!" (Gondolier) | John Shirley-Quirk, Robert Carpenter Turner, Sheila Brand, Stephen James Adams, Anne Wilkens, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 7-13 | Death in Venice: Act 1, Scene 6. "Naturally, Signore, I understand" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, Ronald Murdock, Michael Bauer, English Chamber Orchestra, Steuart Bedford | — | |
| 7-14 | Death in Venice: Act 1, Scene 7. "Here I will stay, here dedicate my days" (Aschenbach) | Neville Williams, Peter Pears, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 8-1 | Death in Venice: Act 1, Scene 7. "First the race!" (Chorus) | Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 8-2 | Death in Venice: Act 1, Scene 7. "The boy, Tadzio, shall inspire me" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-3 | Death in Venice: Act 2. "So it has come to this" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-4 | Death in Venice: Act 2, Scene 8. "Guardate, Signore!" (Hotel Barber) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-5 | Death in Venice: Act 2, Scene 9. "Do I detect a scent?" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Stephen James Adams, Stuart Harling, Sheila Brand, Robert Carpenter Turner, Anne Wilkens, Anna Vincent, English Chamber Orchestra, Steuart Bedford | — | |
| 8-6 | Death in Venice: Act 2, Scene 9. "Careful search now leads me to them" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Keith Jones, English Chamber Orchestra, Steuart Bedford | — | |
| 8-7 | Death in Venice: Act 2, Scene 10. "This way for the players, Signori!" (Hotel Porter) | Neville Williams, Kenneth Bowen, Stuart Harling, Penelope McKay, John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-8 | Death in Venice: Act 2, Scene 10. "Fiorir rose in mezo al giasso" (Leader of the players) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-9 | Death in Venice: Act 2, Scene 11. "One moment if you please" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-10 | Death in Venice: Act 2, Scene 11. "In these last years" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-11 | Death in Venice: Act 2, Scene 12. "So it is true, true" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-12 | Death in Venice: Act 2, Scene 13. "Receive the stranger god" (Voice of Dionysus) | John Shirley-Quirk, James Bowman, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-13 | Death in Venice: Act 2, Scene 14. (The empty beach)… "Do what you will with me!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-14 | Death in Venice: Act 2, Scene 15. "Yes! A very wise decision" (Hotel Barber) | John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 8-15 | Death in Venice: Act 2, Scene 16. "Hurrah for the Piazza" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 8-16 | Death in Venice: Act 2, Scene 16. "Chaos, chaos and sickness" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-17 | Death in Venice: Act 2, Scene 17. "The wind still blows from the land" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 8-18 | Death in Venice: Act 2, Scene 17. (On the beach)… "Ah, no!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 9-1 | Gloriana: Act I - Scene 1: 1. Prelude | Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-2 | Gloriana: Act I - Scene 1: 2. The Tornament | Christopher Cornall, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-3 | Gloriana: Act I - Scene 1: 3. Recitative & Fight | Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-4 | Gloriana: Act I - Scene 1: 4. Entrance of the Queen | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-5 | Gloriana: Act I - Scene 1: 5. Recitative | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-6 | Gloriana: Act I - Scene 1: 6. The two Lords' Explanation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-7 | Gloriana: Act I - Scene 1: 7. Raleigh's Song | Richard van Allan, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-8 | Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-9 | Gloriana: Act I - Scene 1: 9. Recitative & Final March | Richard van Allan, Josephine Barstow, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-10 | Gloriana: Act I - Scene 2: 1. Prelude & Dialogue | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-11 | Gloriana: Act I - Scene 2: 2. The Queen's Song | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-12 | Gloriana: Act I - Scene 2: 3. Cecil's Song of Government | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-13 | Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry | Josephine Barstow, Dominic Gill, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-14 | Gloriana: Act I - Scene 2: 5. First Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-15 | Gloriana: Act I - Scene 2: 6. Second Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-16 | Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-17 | Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-18 | Gloriana: Act II - Scene 1: 1. Prelude & Welcome | Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, John Shirley-Quirk, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-19 | Gloriana: Act II - Scene 1: 2. The Masque | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-20 | Gloriana: Act II - Scene 1: 3. Finale | John Mark Ainsley, Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, John Shirley-Quirk, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-21 | Gloriana: Act II - Scene 2: 1. Prelude & Song | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-22 | Gloriana: Act II - Scene 2: 2. Duet | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-23 | Gloriana: Act II - Scene 2: 3. Double Duet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 9-24 | Gloriana: Act II - Scene 2: 4. Quartet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-1 | Gloriana: Act II - Scene 3: 1. Pavane | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-2 | Gloriana: Act II - Scene 3: 2. Conversation | Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-3 | Gloriana: Act II - Scene 3: 3. Galliard | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-4 | Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance | Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-5 | Gloriana: Act II - Scene 3: 5. Lavolta | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-6 | Gloriana: Act II - Scene 3: 6. Conversation | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-7 | Gloriana: Act II - Scene 3: 7. Morris dance | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-8 | Gloriana: Act II - Scene 3: 8. Recitative | Della Jones, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-9 | Gloriana: Act II - Scene 3: 9. The Queen's Burlesque | Josephine Barstow, Della Jones, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-10 | Gloriana: Act II - Scene 3: 10. Quartet | Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-11 | Gloriana: Act II - Scene 3: 11. March | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-12 | Gloriana: Act II - Scene 3: 12. The Queen's Announcement | Richard van Allan, Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-13 | Gloriana: Act II - Scene 3: 13. Ensemble | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Alan Opie, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-14 | Gloriana: Act II - Scene 3: 14. Coranto | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-15 | Gloriana: Act III - Scene 1: 1. Prelude & Chatter | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-16 | Gloriana: Act III - Scene 1: 2. Essex's Intrusion | Chorus of the Welsh National Opera, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-17 | Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex | Josephine Barstow, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-18 | Gloriana: Act III - Scene 1: 4. The Dressing-Table Song | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-19 | Gloriana: Act III - Scene 1: 5. The Entrance of Cecil | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-20 | Gloriana: Act III - Scene 1: 6. Cecil's Report | Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-21 | Gloriana: Act III - Scene 1: 7. Discussion | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-22 | Gloriana: Act III - Scene 1: 8. The Queen's Decision | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-23 | Gloriana: Act III - Scene 2: Ballad - Rondo | Chorus of the Welsh National Opera, James Miller-Coburn, Monmouth School Choir, Bryn Terfel, Willard White, Jenevora Williams, Tom Finucane, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-24 | Gloriana: Act III - Scene 3: 1. Prelude & Verdict | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-25 | Gloriana: Act III - Scene 3: 2. Cecil's Warning | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-26 | Gloriana: Act III - Scene 3: 3. The Queen's Dilemma | Richard van Allan, Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-27 | Gloriana: Act III - Scene 3: 4. Trio | Della Jones, Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-28 | Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading | Josephine Barstow, Della Jones, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-29 | Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading | Josephine Barstow, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 10-30 | Gloriana: Act III - Scene 3: 7. Epilogue | Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — |
