UPC · Release
Various Artists
Last verified:
The UPC for “Ultimate Classical Chill Out: The Essential Masterpieces” by Various Artists is 028947580799. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Decca. This release contains 71 tracks, each with its own ISRC. Tracks include GBF077010720, GBF077710310, GBF076911390.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite bergamasque: III. Clair de lune | London Philharmonic Orchestra, Bernard Herrmann | T-011.772.202-7 |
| 2 | Nocturne no. 2 in E-flat, op. 9 no. 2 | Joseph Cooper | T-900.088.923-6 |
| 3 | Lyric Pieces, op. 54: IV. Notturno | London Symphony Orchestra, Stanley Black | — |
| 4 | Dream Children - two pieces for small orchestra, op. 43 | New Symphony Orchestra of London, Raymond Agoult | — |
| 5 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | — |
| 6 | La Navaraisse: Nocturne | London Symphony Orchestra, Richard Bonynge | — |
| 7 | String Quartet no. 2 in D: III. Notturno | Royal Philharmonic Orchestra, Stanley Black | — |
| 8 | Nocturne no. 15 in F minor, op. 55 no. 1 | Ilana Vered | T-321.286.787-9 |
| 9 | Much Ado About Nothing - Incidental Music: Intermezzo (Garden Scene) | Josef Sakonov, London Festival Orchestra | — |
| 10 | La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — |
| 11 | Notturno, op. 54 no. 4 | Alicia de Larrocha | — |
| 12 | A Midsummer Night's Dream, op. 61: no. 7 Notturno | Philharmonia Orchestra, Rafael Frühbeck de Burgos | — |
| 13 | Pavane, op. 50 | London Philharmonic Orchestra, Bernard Herrmann | T-909.340.218-7 |
| 2-1 | Water Music Suite in D major, HWV 349: II. Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-2 | Water Music Suite in F major, HWV 348: V. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-002.596.658-8 |
| 2-3 | Water Music Suite in G major, HWV 350: III. Gigue | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-4 | Images, premier livre : I. Reflets dans l’eau | Pascal Rogé | — |
| 2-5 | Lagunen-Walzer (Lagoon Waltz), op. 411 | Wiener Philharmoniker, Willi Boskovsky | — |
| 2-6 | Jeux d'eau | Pascal Rogé | T-003.011.149-9 |
| 2-7 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.640.005-6 |
| 2-8 | La Moldava (La mia patria) | [unknown] | T-902.653.600-5 |
| 2-9 | Prelude in D‐flat major, op. 28 no. 15 “Raindrop” | Vladimir Ashkenazy | T-930.539.353-7 |
| 2-10 | Die Forelle, D. 550 | Varda Nishry | — |
| 2-11 | Swan Lake: Act II: no. 13e: Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante) | National Philharmonic Orchestra, Richard Bonynge | — |
| 2-12 | Two Aquarelles: Gaily, but not too quick | English Chamber Orchestra, Benjamin Britten | — |
| 2-13 | Auf dem Wasser zu singen, S. 558 no. 2 | Jorge Bolet | — |
| 2-14 | An der schönen blauen Donau, op. 314 with chorus | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Willi Boskovsky | T-902.100.912-1 |
| 3-1 | Fantasia on Greensleeves | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3-2 | Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 |
| 3-3 | Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — |
| 3-4 | Piano Quintet in A major, Op. 114, D 667, "The Trout": IV. Theme and Variations | András Schiff, Lukas Hagen, Veronika Hagen, Clemens Hagen, Alois Posch | T-912.869.950-3 |
| 3-5 | Suite pastorale: 1. Idylle | Orchestre de la Suisse Romande, Ernest Ansermet | — |
| 3-6 | To a Wild Rose & To a Water Lilly | Joseph Cooper | T-336.669.129-0 |
| 3-7 | Two Nordic Melodies, op. 63: II. Cowkeeper's tune and country dance | National Philharmonic Orchestra, Willi Boskovsky | — |
| 3-8 | Scènes alsaciennes: III. Sous les tilleuls | National Philharmonic Orchestra, Richard Bonynge | — |
| 3-9 | Prélude à l’après-midi d’un faune | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — |
| 3-10 | To a Water-lily, op. 51 no. 6 | Joseph Cooper | — |
| 3-11 | Rosamunde, D. 797: Shepherd's Melody | Wiener Philharmoniker, Karl Münchinger | — |
| 3-12 | Rosamunde, D. 797: Chorus of Shepherds "Hier auf den Fluren..." | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — |
| 3-13 | Geschichten aus dem Wienerwald, op. 325 | Anton Karas, Wiener Philharmoniker, Willi Boskovsky | T-071.432.204-9 |
| 4-1 | Romeo and Juliet, Fantasy Overture: Love Theme (excerpt) | Vienna Philharmonic Orchestra, Herbert von Karajan | T-011.346.619-5 |
| 4-2 | Liebesfreud | Erich Gruenberg, Philharmonia Orchestra, Elgar Howarth | — |
| 4-3 | The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 4-4 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 |
| 4-5 | La Damnation de Faust, op. 24: Part 4, Scène 15. Romance "D'amour l'ardente flamme" | Frederica von Stade, Chicago Symphony Orchestra, Sir Georg Solti | — |
| 4-6 | Romeo and Juliet Suite no. 1, op. 64bis: 6. Romeo and Juliet | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.506.743-6 |
| 4-7 | Salut D’amour, op. 12 | Kyung Wha Chung, Phillip Moll | T-900.035.228-3 |
| 4-8 | Extase | London Symphony Orchestra, Leopold Stokowski | — |
| 4-9 | Chants d'Auvergne: Deuxième Série: Pastourelle | English Chamber Orchestra, Jeffrey Tate, Kiri Te Kanawa | T-004.013.305-8 |
| 4-10 | Spartacus: Adagio of Spartacus and Phrygia | Wiener Philharmoniker, Aram Khachaturian | — |
| 4-11 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T-902.795.527-7 |
| 4-12 | Liebesleid | Fritz Kreisler | — |
| 4-13 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — |
| 4-14 | Roméo et Juliette, op. 17: Part 3. Scène d'amour | Wiener Philharmoniker, Lorin Maazel | T-101.112.665-9 |
| 5-1 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 |
| 5-2 | Serenata notturna in D, K. 239: II. Minuetto & Trio | Academy of St Martin in the Fields, Neville Marriner | — |
| 5-3 | Serenade for Strings in E, op. 22: IV. Larghetto | London Philharmonic Orchestra, Christopher Hogwood | — |
| 5-4 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Vladimir Ashkenazy | — |
| 5-5 | Serenade for strings in E-flat, op. 6: 3. Adagio | Los Angeles Chamber Orchestra, Sir Neville Marriner | T-913.940.388-6 |
| 5-6 | Béatrice et Bénédict: Act 1. "Vous soupirez, madame?" - "Nuit paisible et sereine!" | April Cantelo, Helen Watts, London Symphony Orchestra, Sir Colin Davis | — |
| 5-7 | 24 Préludes, op. 28: Prelude, op. 28 no. 7 | Marisa Robles | — |
| 5-8 | Mazurka no. 5 in B-flat, op. 7 no. 1 | Marisa Robles | — |
| 5-9 | String Quartet in F major, op. 3 no. 5: Andante cantabile | Stuttgarter Kammerorchester, Karl Münchinger | — |
| 5-10 | Dreaming | Alan Feinberg | T-010.777.676-0 |
| 5-11 | Concerto grosso in G minor, op. 6, no. 6: Musette | Stuttgarter Kammerorchester, Karl Münchinger | — |
| 5-12 | Recuerdos de la Alhambra | Eduardo Fernández | — |
| 5-13 | Hänsel und Gretel: Akt II. „Abends will ich schlafen gehn” (Evening Prayer) | Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | T-801.033.888-3 |
| 5-14 | Serenade no. 2 in A major, op. 16: IV. Quasi menuetto | London Symphony Orchestra, István Kertész | — |
| 5-15 | Czech Suite, op. 39: 4. Romanza (Andante con moto) | Detroit Symphony Orchestra, Antal Doráti | — |
| 5-16 | Chanson de la Nuit | Marisa Robles | T-070.024.397-5 |
| 5-17 | Chants d'Auvergne: 12. Brezairola | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Mein Vaterland (Má vlast): II. Die Moldau | Israel Philharmonic Orchestra, Walter Weller | — |
| The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947580799 is a Universal Product Code (UPC) assigned to Ultimate Classical Chill Out: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Ultimate Classical Chill Out: The Essential Masterpieces” by Various Artists is 028947580799. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Decca. This release contains 71 tracks, each with its own ISRC. Tracks include GBF077010720, GBF077710310, GBF076911390.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite bergamasque: III. Clair de lune | London Philharmonic Orchestra, Bernard Herrmann | T-011.772.202-7 |
| 2 | Nocturne no. 2 in E-flat, op. 9 no. 2 | Joseph Cooper | T-900.088.923-6 |
| 3 | Lyric Pieces, op. 54: IV. Notturno | London Symphony Orchestra, Stanley Black | — |
| 4 | Dream Children - two pieces for small orchestra, op. 43 | New Symphony Orchestra of London, Raymond Agoult | — |
| 5 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | — |
| 6 | La Navaraisse: Nocturne | London Symphony Orchestra, Richard Bonynge | — |
| 7 | String Quartet no. 2 in D: III. Notturno | Royal Philharmonic Orchestra, Stanley Black | — |
| 8 | Nocturne no. 15 in F minor, op. 55 no. 1 | Ilana Vered | T-321.286.787-9 |
| 9 | Much Ado About Nothing - Incidental Music: Intermezzo (Garden Scene) | Josef Sakonov, London Festival Orchestra | — |
| 10 | La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — |
| 11 | Notturno, op. 54 no. 4 | Alicia de Larrocha | — |
| 12 | A Midsummer Night's Dream, op. 61: no. 7 Notturno | Philharmonia Orchestra, Rafael Frühbeck de Burgos | — |
| 13 | Pavane, op. 50 | London Philharmonic Orchestra, Bernard Herrmann | T-909.340.218-7 |
| 2-1 | Water Music Suite in D major, HWV 349: II. Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-2 | Water Music Suite in F major, HWV 348: V. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-002.596.658-8 |
| 2-3 | Water Music Suite in G major, HWV 350: III. Gigue | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-4 | Images, premier livre : I. Reflets dans l’eau | Pascal Rogé | — |
| 2-5 | Lagunen-Walzer (Lagoon Waltz), op. 411 | Wiener Philharmoniker, Willi Boskovsky | — |
| 2-6 | Jeux d'eau | Pascal Rogé | T-003.011.149-9 |
| 2-7 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.640.005-6 |
| 2-8 | La Moldava (La mia patria) | [unknown] | T-902.653.600-5 |
| 2-9 | Prelude in D‐flat major, op. 28 no. 15 “Raindrop” | Vladimir Ashkenazy | T-930.539.353-7 |
| 2-10 | Die Forelle, D. 550 | Varda Nishry | — |
| 2-11 | Swan Lake: Act II: no. 13e: Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante) | National Philharmonic Orchestra, Richard Bonynge | — |
| 2-12 | Two Aquarelles: Gaily, but not too quick | English Chamber Orchestra, Benjamin Britten | — |
| 2-13 | Auf dem Wasser zu singen, S. 558 no. 2 | Jorge Bolet | — |
| 2-14 | An der schönen blauen Donau, op. 314 with chorus | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Willi Boskovsky | T-902.100.912-1 |
| 3-1 | Fantasia on Greensleeves | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3-2 | Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 |
| 3-3 | Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — |
| 3-4 | Piano Quintet in A major, Op. 114, D 667, "The Trout": IV. Theme and Variations | András Schiff, Lukas Hagen, Veronika Hagen, Clemens Hagen, Alois Posch | T-912.869.950-3 |
| 3-5 | Suite pastorale: 1. Idylle | Orchestre de la Suisse Romande, Ernest Ansermet | — |
| 3-6 | To a Wild Rose & To a Water Lilly | Joseph Cooper | T-336.669.129-0 |
| 3-7 | Two Nordic Melodies, op. 63: II. Cowkeeper's tune and country dance | National Philharmonic Orchestra, Willi Boskovsky | — |
| 3-8 | Scènes alsaciennes: III. Sous les tilleuls | National Philharmonic Orchestra, Richard Bonynge | — |
| 3-9 | Prélude à l’après-midi d’un faune | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — |
| 3-10 | To a Water-lily, op. 51 no. 6 | Joseph Cooper | — |
| 3-11 | Rosamunde, D. 797: Shepherd's Melody | Wiener Philharmoniker, Karl Münchinger | — |
| 3-12 | Rosamunde, D. 797: Chorus of Shepherds "Hier auf den Fluren..." | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — |
| 3-13 | Geschichten aus dem Wienerwald, op. 325 | Anton Karas, Wiener Philharmoniker, Willi Boskovsky | T-071.432.204-9 |
| 4-1 | Romeo and Juliet, Fantasy Overture: Love Theme (excerpt) | Vienna Philharmonic Orchestra, Herbert von Karajan | T-011.346.619-5 |
| 4-2 | Liebesfreud | Erich Gruenberg, Philharmonia Orchestra, Elgar Howarth | — |
| 4-3 | The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 4-4 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 |
| 4-5 | La Damnation de Faust, op. 24: Part 4, Scène 15. Romance "D'amour l'ardente flamme" | Frederica von Stade, Chicago Symphony Orchestra, Sir Georg Solti | — |
| 4-6 | Romeo and Juliet Suite no. 1, op. 64bis: 6. Romeo and Juliet | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.506.743-6 |
| 4-7 | Salut D’amour, op. 12 | Kyung Wha Chung, Phillip Moll | T-900.035.228-3 |
| 4-8 | Extase | London Symphony Orchestra, Leopold Stokowski | — |
| 4-9 | Chants d'Auvergne: Deuxième Série: Pastourelle | English Chamber Orchestra, Jeffrey Tate, Kiri Te Kanawa | T-004.013.305-8 |
| 4-10 | Spartacus: Adagio of Spartacus and Phrygia | Wiener Philharmoniker, Aram Khachaturian | — |
| 4-11 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T-902.795.527-7 |
| 4-12 | Liebesleid | Fritz Kreisler | — |
| 4-13 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — |
| 4-14 | Roméo et Juliette, op. 17: Part 3. Scène d'amour | Wiener Philharmoniker, Lorin Maazel | T-101.112.665-9 |
| 5-1 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 |
| 5-2 | Serenata notturna in D, K. 239: II. Minuetto & Trio | Academy of St Martin in the Fields, Neville Marriner | — |
| 5-3 | Serenade for Strings in E, op. 22: IV. Larghetto | London Philharmonic Orchestra, Christopher Hogwood | — |
| 5-4 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Vladimir Ashkenazy | — |
| 5-5 | Serenade for strings in E-flat, op. 6: 3. Adagio | Los Angeles Chamber Orchestra, Sir Neville Marriner | T-913.940.388-6 |
| 5-6 | Béatrice et Bénédict: Act 1. "Vous soupirez, madame?" - "Nuit paisible et sereine!" | April Cantelo, Helen Watts, London Symphony Orchestra, Sir Colin Davis | — |
| 5-7 | 24 Préludes, op. 28: Prelude, op. 28 no. 7 | Marisa Robles | — |
| 5-8 | Mazurka no. 5 in B-flat, op. 7 no. 1 | Marisa Robles | — |
| 5-9 | String Quartet in F major, op. 3 no. 5: Andante cantabile | Stuttgarter Kammerorchester, Karl Münchinger | — |
| 5-10 | Dreaming | Alan Feinberg | T-010.777.676-0 |
| 5-11 | Concerto grosso in G minor, op. 6, no. 6: Musette | Stuttgarter Kammerorchester, Karl Münchinger | — |
| 5-12 | Recuerdos de la Alhambra | Eduardo Fernández | — |
| 5-13 | Hänsel und Gretel: Akt II. „Abends will ich schlafen gehn” (Evening Prayer) | Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | T-801.033.888-3 |
| 5-14 | Serenade no. 2 in A major, op. 16: IV. Quasi menuetto | London Symphony Orchestra, István Kertész | — |
| 5-15 | Czech Suite, op. 39: 4. Romanza (Andante con moto) | Detroit Symphony Orchestra, Antal Doráti | — |
| 5-16 | Chanson de la Nuit | Marisa Robles | T-070.024.397-5 |
| 5-17 | Chants d'Auvergne: 12. Brezairola | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Mein Vaterland (Má vlast): II. Die Moldau | Israel Philharmonic Orchestra, Walter Weller | — |
| The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
