UPC · Album

111 More Classic Tracks

Various Artists

028947792352
111 tracksReleased 2010-01-01Deutsche Grammophon

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028947792352 is the Universal Product Code (UPC barcode) for the release 111 More Classic Tracks by Various Artists, released 2010-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF051102030, DEF052102010, DEF052802110.

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0Number system
28947Manufacturer
79235Product
2Check digit
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Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
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Credit Chain

UPC111 More Classic Tracks
ISRC121 recordings
ISWC50 works
IPI10 songwriters

Track List (121)

Boris Godounov, Act IV. "Proshchay, Moy Syn (Death of Boris)"
Feodor Chaliapin
Zueignung, Op. 10 No. 1
Heinrich Schlusnus, Richard Strauss
Die Walküre: Act III. Walkürenritt
[unknown]
Rosamunde, D. 797: No. 9. Ballet Music 2. Andantino
Berliner Philharmoniker, Wilhelm Furtwängler
Peer Gynt, op.23: "Der Winter mag scheiden" (Solveig's Song)
Erna Berger, Staatskapelle Berlin, Leo Blech
Zigeunerweisen, Op. 20
[unknown]
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I
Berliner Philharmoniker, Victor de Sabata
Cantata "Christ lag in Todesbanden", BWV 4: VI. Versus 5: "Hier ist das rechte Osterlamm"
Dietrich Fischer-Dieskau, Maria Jung, Bach Festival Orchestra 1950, Fritz Lehmann
Ragtime Bass in C-sharp minor
Földes Andor
Berceuse sur le nom de Gabriel Fauré
Jean Antonietti, Johanna Martzy
Water Music Suite No. 1 in F, HWV 348: 15. Air
[unknown]
Czech Dances Tance II: 2. Slepicka in B-flat major (moderato)
Stefan Askenase
Ruy Blas Overture, Op. 95
[unknown]
Stabat Mater: 2. Aria. Allegretto maestoso. "Cujus animam gementem" (tenore)
Ernst Haefliger, RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay
Symphony No. 10 in E minor, Op. 93: II. Allegro
Česká filharmonie, Karel Ančerl
Sonatine, M. 40: 2. Mouvement de menuet
Monique Haas
8 Fantasiestücke, op. 12: II. Aufschwung
Sviatoslav Richter
Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117)
Maria Stader, RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Gustav König
Das Veilchen, K. 476
Irmgard Seefried, Erik Werba
Symphony no. 92 in G major, Hob. I:92 "Oxford": IV. Finale: Presto
Berliner Philharmoniker, Hans Rosbaud
Variations and Fugue on a Theme by Händel, Op. 24: Theme - Variations 1-4
[unknown]
Navarra op. 33 for 2 Violins and Orchestra
David Oistrakh, Igor Oistrakh, Gewandhausorchester Leipzig, Franz Konwitschny
Egmont, Op. 84: I. Overture
[unknown]
La Bohème: Atto II. “Quando m’en vo”
Rita Streich, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer
La bohème: Atto I. “O soave fanciulla”
Pierrette Alarie, Léopold Simoneau, Radio-Symphonie-Orchester Berlin, Lee Schaenen
Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio
Clara Haskil
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky
Mandoline
Gérard Souzay, Dalton Baldwin
Tritsch-Tratsch-Polka, op. 214 (arr. Fr. Schimak)
Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
Konzert für Harfe mit Begleitung des Orchesters e-moll, Op.182: 2. Adagio
Nicanor Zabaleta, Berliner Philharmoniker, Ernst Märzendorfer
La traviata: Act I, Brindisi. "Libiamo ne' lieti calcic" (Alfredo)
Coro del Teatro alla Scala di Milano, Gianni Raimondi, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Antonino Votto
Circus-Polka für einen jungen Elefanten
Berliner Philharmoniker, Rafael Kubelík
Grünes Gras / Kalinka
Don Kosaken Chor
Ein deutsches Requiem: IV. Wie lieblich sind deine Wohnungen
Berliner Philharmoniker, Wiener Singverein, Herbert von Karajan
Étude Op. 10, No. 3 "Tristesse"
Tamás Vásáry
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus
Radio-Symphonie-Orchester Berlin, Lorin Maazel
Locus iste, WAB 23
Chor des Bayerischen Rundfunks, Eugen Jochum
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
An die Musik, op. 88 no. 4, D. 547
Fritz Wunderlich, Hubert Giesen
Vado, ma dove? o Dei!, K. 583
Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher
2 Etudes de Concert, S. 145: no. 1 Waldesrauschen
Géza Anda
Concerto for Piano and Orchestra in G major, M. 83: 3. Presto
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Concerto for Piano and Orchestra in G major, M. 83: 3. Presto
Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Hora staccato
Jean-Claude Ambrosini, Christian Ferras
Sinfonia in D major, Wq. 183 no. 1: 3. Presto
Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
The Tale of Tsar Saltan: The Flight of the Bumble-Bee
Lamar Crowson, Pierre Fournier
Harpsichord Sonata K.525, F major - Allegro
Ralph Kirkpatrick
Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman)
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 3. Rondo: Tempo di menuetto) - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Partita no. 3 E-dur, BWV 1006: I. Preludio
Nathan Milstein
Drumming: Part IV (excerpt)
[unknown]
Qui es promesses de fortune
James Bowman, Charles Brett, David Munrow, Early Music Consort of London
Fantasia no. 7 in D minor, op. 116: Capriccio. Allegro agitato
Emil Gilels
Siete canciones populares españolas: V. Nana
Teresa Berganza, Narciso Yepes
Variations for piano, Op. 27: I. Sehr mässig - II. Sehr schnell - III. Ruhig, fliessend
Maurizio Pollini
Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto–Andante moderato
Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro
Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto–Andante moderato
Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
La traviata: Atto III. Preludio
Bayerisches Staatsorchester, Carlos Kleiber
Carmen : Acte III. Entr’acte
London Symphony Orchestra, Claudio Abbado
Sonate à la Marésienne: V. Très vivement
Musica Antiqua Köln, Reinhard Goebel
Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons
Berliner Philharmoniker, Mstislav Rostropovich
6 Gesänge, op. 3: 1. Liebestreu
Jessye Norman, Daniel Barenboim
Antiche danze ed arie, suite III: Anonymus: Italiana
Boston Symphony Orchestra, Seiji Ozawa
Tosca: Atto I. “Recondita Armonia”
José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan
Slawischer Tanz, Op. 46 No. 7 c-Moll
Alfons & Aloys Kontarsky
String Quartet No. 3 in D major, Op. 44 No. 1: II. Menuetto. Un poco allegretto
Melos Quartett
Concerto No. 2 in F major, BWV 1047: II. Andante
The English Concert, Trevor Pinnock
Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Daniel Barenboim
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Daniel Barenboim
Der Freischütz: Was gleicht wohl auf Erden
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
Ballade no. 3 in A‐flat major, op. 47
Krystian Zimerman
Lieder, op.62: "Herr Pfarrer hat zwei Fraeulchen" Book II No. 4 (Poem: Die Pfarrjuengferchen)
Brigitte Fassbaender, Cord Garben
Piano Sonata No. 30 in E major, Op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I
Rudolf Serkin
Moment Musical in F minor, Op. 94 No. 3
Vladimir Horowitz
Moments musicaux, D 780: No. 5 F-moll: Allegro vivace
Maria João Pires
Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto
Hagen Quartett
Porgy and Bess Suite: "Oh, I Got Plenty O' Nuttin'"
[unknown]
La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine”
John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine
La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti”
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Berceuse for Violin and Orchestra in D major, op. 16
Anne-Sophie Mutter, Wiener Philharmoniker, James Levine
Schickelgruber
Anne Sofie von Otter, Bengt Forsberg
Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé
The Cleveland Orchestra, Pierre Boulez
Violin Sonata in A: I. Allegro moderato
Augustin Dumay, Maria João Pires
Carmina Burana: III. Cour d’Amours: 21. In trutina
Barbara Bonney, Wiener Philharmoniker, André Previn
Don Giovanni: “Deh vieni alla finestra”
Bryn Terfel, Metropolitan Opera Orchestra, James Levine
Die lustige Witwe: Act III. Duett "Lippen schweigen"
Bo Skovhus, Cheryl Studer, Wiener Philharmoniker, Sir John Eliot Gardiner
Palestrina: Vorspiel zum I. Akt: Ruhig (andante)
Orchester der Deutschen Oper Berlin, Christian Thielemann
Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
La Vierge: Scene 4: The Assumption - Dernier sommeil de la Vierge
Leo Winland, Göteborgs Symfoniker, Neeme Järvi
Clarinet Concerto in A major, K. 622: II. Adagio
Michael Collins, Russian National Orchestra, Mikhail Pletnev
Allegretto (Polka) for String Quartet
Emerson String Quartet
Allegretto (Polka) for String Quartet
Emerson String Quartet
Trois Mélodies, Op.7: Après un rêve
Daria Hovora, Mischa Maisky
Le prophète: Act III. Roi du ciel
Ben Heppner, London Voices, London Symphony Orchestra, Myung-Whun Chung
Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon)
James Galway, London Symphony Orchestra, Klauspeter Seibel
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile
Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev
Ayre: II. Una madre comió asado (A Mother Roasted her Child)
Dawn Upshaw, The Andalucian Dogs
Mass in C minor, K. 427 "Grosse Messe": Gloria: Laudamus Te
[unknown]
Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
Truls Mørk, Hélène Grimaud
Die Schöne Müllerin, D. 795: I. Das Wandern
Thomas Quasthoff, Justus Zeyen
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino)
Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle
Luisa Fernanda: Act III: No. 13 Duet "¡Cállate, corazón! iDuèrmete y calla!" (Luisa Fernanda, Javier)
Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti
Luisa Fernanda: Act III: No. 13 Duet "¡Cállate, corazón! iDuèrmete y calla!" (Luisa Fernanda, Javier)
Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
Elīna Garanča, Staatskapelle Dresden, Fabio Luisi
Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
Te lo juro yo
Plácido Domingo, José María Gallardo del Rey, Orquesta de la Comunidad de Madrid, Miguel Roa
Concerto in a Minor for 2 Violins, Strings, and Continuo, R.523 2. Largo
Giuliano Carmignola, Viktoria Mullova, Venice Baroque Orchestra, Andrea Marcon
“West Side Story” Symphonic Dances: IV. Mambo
Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel
Faust: Act II. "Le veau d'or"
René Pape, Sebastian Weigle, Sächsische Staatskapelle Dresden, Chor der Staatsoper Dresden
Piano Sonata No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto
Rafał Blechacz
Piano Sonata no. 2 in B‐flat minor, op. 35: IV Finale presto
Yuja Wang
Tambourin
Daniel Hope
Waltz in D-flat major, op. 64 no. 1 "Minute": Molto vivace
Alice Sara Ott
Fine Knacks for Ladies
Sting, Edin Karamazov

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What is UPC 028947792352?
UPC 028947792352 is the Universal Product Code (barcode) for "111 More Classic Tracks" by Various Artists, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947792352?
UPC 028947792352 contains 111 tracks, each with its own ISRC.
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What is UPC 028947792352?

028947792352 is a Universal Product Code (UPC) assigned to 111 More Classic Tracks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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