UPC · Release
Various Artists
Last verified:
028947792352 is the Universal Product Code (UPC barcode) for the release “111 More Classic Tracks” by Various Artists, released 2010-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include DEF057730115, DEF055503042, DEF056604160.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen : Acte III. Entr’acte | London Symphony Orchestra, Claudio Abbado | T-010.248.557-3 | |
| 2 | Symphony No. 10 in E minor, Op. 93: II. Allegro | Česká filharmonie, Karel Ančerl | — | |
| 3 | 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — | |
| 4 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 5 | Czech Dances Tance II: 2. Slepicka in B-flat major (moderato) | Stefan Askenase | — | |
| 6 | Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — | |
| 7 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 8 | Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — | |
| 9 | Siete canciones populares españolas: V. Nana | Teresa Berganza, Narciso Yepes | T-921.432.652-0 | |
| 10 | Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 11 | Peer Gynt, op.23: "Der Winter mag scheiden" (Solveig's Song) | Erna Berger, Staatskapelle Berlin, Leo Blech | — | |
| 12 | Piano Sonata No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | Rafał Blechacz | — | |
| 13 | Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — | |
| 14 | Carmina Burana: III. Cour d’Amours: 21. In trutina | Barbara Bonney, Wiener Philharmoniker, André Previn | — | |
| 16 | Tosca: Atto I. “Recondita Armonia” | José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | — | |
| 17 | Concerto in a Minor for 2 Violins, Strings, and Continuo, R.523 2. Largo | Giuliano Carmignola, Viktoria Mullova, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 18 | Boris Godounov, Act IV. "Proshchay, Moy Syn (Death of Boris)" | Feodor Chaliapin | — | |
| 2-1 | Clarinet Concerto in A major, K. 622: II. Adagio | Michael Collins, Russian National Orchestra, Mikhail Pletnev | — | |
| 2-2 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I | Berliner Philharmoniker, Victor de Sabata | — | |
| 2-3 | Te lo juro yo | Plácido Domingo, José María Gallardo del Rey, Orquesta de la Comunidad de Madrid, Miguel Roa | T-041.001.112-9 | |
| 2-4 | Grünes Gras / Kalinka | Don Kosaken Chor | — | |
| 2-5 | “West Side Story” Symphonic Dances: IV. Mambo | Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel | T-070.113.892-2 | |
| 2-6 | Allegretto (Polka) for String Quartet | Emerson String Quartet | — | |
| 2-7 | Hora staccato | Jean-Claude Ambrosini, Christian Ferras | T-300.517.625-6 | |
| 2-8 | Lieder, op.62: "Herr Pfarrer hat zwei Fraeulchen" Book II No. 4 (Poem: Die Pfarrjuengferchen) | Brigitte Fassbaender, Cord Garben | — | |
| 2-9 | Cantata "Christ lag in Todesbanden", BWV 4: VI. Versus 5: "Hier ist das rechte Osterlamm" | Dietrich Fischer-Dieskau, Maria Jung, Bach Festival Orchestra 1950, Fritz Lehmann | — | |
| 2-10 | Violin Sonata in A: I. Allegro moderato | Augustin Dumay, Maria João Pires | T-312.207.822-8 | |
| 2-11 | Ragtime Bass in C-sharp minor | Földes Andor | — | |
| 2-12 | The Tale of Tsar Saltan: The Flight of the Bumble-Bee | Lamar Crowson, Pierre Fournier | T-902.799.920-8 | |
| 2-13 | Tritsch-Tratsch-Polka, op. 214 (arr. Fr. Schimak) | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-901.154.623-9 | |
| 2-14 | Rosamunde, D. 797: No. 9. Ballet Music 2. Andantino | Berliner Philharmoniker, Wilhelm Furtwängler | T-902.750.555-1 | |
| 2-15 | Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente” | Elīna Garanča, Staatskapelle Dresden, Fabio Luisi | T-905.380.384-2 | |
| 2-16 | Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 2-17 | Fantasia no. 7 in D minor, op. 116: Capriccio. Allegro agitato | Emil Gilels | — | |
| 2-18 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 | |
| 2-19 | Ayre: II. Una madre comió asado (A Mother Roasted her Child) | Dawn Upshaw, The Andalucian Dogs | T-072.330.959-8 | |
| 2-20 | Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon) | James Galway, London Symphony Orchestra, Klauspeter Seibel | T-901.290.365-0 | |
| 3-1 | Sonate à la Marésienne: V. Très vivement | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto | Truls Mørk, Hélène Grimaud | — | |
| 3-3 | Stabat Mater: 2. Aria. Allegretto maestoso. "Cujus animam gementem" (tenore) | Ernst Haefliger, RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay | T-801.799.562-0 | |
| 3-4 | Sonatine, M. 40: 2. Mouvement de menuet | Monique Haas | T-003.016.390-6 | |
| 3-5 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto | Hagen Quartett | T-329.454.787-4 | |
| 3-6 | Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 3-7 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio | Clara Haskil | — | |
| 3-8 | Le prophète: Act III. Roi du ciel | Ben Heppner, London Voices, London Symphony Orchestra, Myung-Whun Chung | T-003.014.325-9 | |
| 3-9 | Tambourin | Daniel Hope | T-306.437.018-5 | |
| 3-10 | Moment Musical in F minor, Op. 94 No. 3 | Vladimir Horowitz | — | |
| 3-11 | Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — | |
| 3-12 | La Vierge: Scene 4: The Assumption - Dernier sommeil de la Vierge | Leo Winland, Göteborgs Symfoniker, Neeme Järvi | T-003.008.352-3 | |
| 3-13 | Locus iste, WAB 23 | Chor des Bayerischen Rundfunks, Eugen Jochum | — | |
| 3-14 | Variations and Fugue on a Theme by Händel, Op. 24: Theme - Variations 1-4 | [unknown] | T-329.395.032-6 | |
| 3-15 | Harpsichord Sonata K.525, F major - Allegro | Ralph Kirkpatrick | — | |
| 3-16 | Ein deutsches Requiem: IV. Wie lieblich sind deine Wohnungen | Berliner Philharmoniker, Wiener Singverein, Herbert von Karajan | — | |
| 3-17 | Die Walküre: Act III. Walkürenritt | [unknown] | T-902.771.445-0 | |
| 4-1 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 4-2 | Slawischer Tanz, Op. 46 No. 7 c-Moll | Alfons & Aloys Kontarsky | — | |
| 4-3 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T-915.310.099-3 | |
| 4-4 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 4-5 | Circus-Polka für einen jungen Elefanten | Berliner Philharmoniker, Rafael Kubelík | — | |
| 4-6 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | T-902.858.745-3 | |
| 4-7 | Water Music Suite No. 1 in F, HWV 348: 15. Air | [unknown] | — | |
| 4-8 | Ruy Blas Overture, Op. 95 | [unknown] | — | |
| 4-9 | Porgy and Bess Suite: "Oh, I Got Plenty O' Nuttin'" | [unknown] | T-070.138.240-2 | |
| 4-10 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 4-11 | Trois Mélodies, Op.7: Après un rêve | Daria Hovora, Mischa Maisky | T-072.591.783-8 | |
| 4-12 | Egmont, Op. 84: I. Overture | [unknown] | — | |
| 4-13 | Berceuse sur le nom de Gabriel Fauré | Jean Antonietti, Johanna Martzy | — | |
| 4-14 | Mass in C minor, K. 427 "Grosse Messe": Gloria: Laudamus Te | [unknown] | T-070.912.952-1 | |
| 4-15 | String Quartet No. 3 in D major, Op. 44 No. 1: II. Menuetto. Un poco allegretto | Melos Quartett | — | |
| 4-16 | Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T-041.917.934-2 | |
| 4-17 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — | |
| 5-1 | Berceuse for Violin and Orchestra in D major, op. 16 | Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | — | |
| 5-2 | Qui es promesses de fortune | James Bowman, Charles Brett, David Munrow, Early Music Consort of London | — | |
| 5-3 | Luisa Fernanda: Act III: No. 13 Duet "¡Cállate, corazón! iDuèrmete y calla!" (Luisa Fernanda, Javier) | Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | T-041.489.090-6 | |
| 5-4 | 6 Gesänge, op. 3: 1. Liebestreu | Jessye Norman, Daniel Barenboim | — | |
| 5-5 | Navarra op. 33 for 2 Violins and Orchestra | David Oistrakh, Igor Oistrakh, Gewandhausorchester Leipzig, Franz Konwitschny | — | |
| 5-6 | Waltz in D-flat major, op. 64 no. 1 "Minute": Molto vivace | Alice Sara Ott | T-901.799.609-7 | |
| 5-7 | Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-8 | Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5-9 | Faust: Act II. "Le veau d'or" | René Pape, Sebastian Weigle, Sächsische Staatskapelle Dresden, Chor der Staatsoper Dresden | — | |
| 5-10 | La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — | |
| 5-11 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 5-12 | Moments musicaux, D 780: No. 5 F-moll: Allegro vivace | Maria João Pires | — | |
| 5-13 | Variations for piano, Op. 27: I. Sehr mässig - II. Sehr schnell - III. Ruhig, fliessend | Maurizio Pollini | — | |
| 5-14 | Zigeunerweisen, Op. 20 | [unknown] | — | |
| 5-15 | Die Schöne Müllerin, D. 795: I. Das Wandern | Thomas Quasthoff, Justus Zeyen | — | |
| 5-16 | Drumming: Part IV (excerpt) | [unknown] | — | |
| 5-17 | Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 | |
| 5-18 | 8 Fantasiestücke, op. 12: II. Aufschwung | Sviatoslav Richter | — | |
| 5-19 | Symphony no. 92 in G major, Hob. I:92 "Oxford": IV. Finale: Presto | Berliner Philharmoniker, Hans Rosbaud | T-318.676.528-2 | |
| 5-20 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 6-1 | Das Veilchen, K. 476 | Irmgard Seefried, Erik Werba | — | |
| 6-2 | La traviata: Act I, Brindisi. "Libiamo ne' lieti calcic" (Alfredo) | Coro del Teatro alla Scala di Milano, Gianni Raimondi, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 6-3 | Piano Sonata No. 30 in E major, Op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Rudolf Serkin | — | |
| 6-4 | Zueignung, Op. 10 No. 1 | Heinrich Schlusnus, Richard Strauss | — | |
| 6-5 | La bohème: Atto I. “O soave fanciulla” | Pierrette Alarie, Léopold Simoneau, Radio-Symphonie-Orchester Berlin, Lee Schaenen | — | |
| 6-6 | Der Freischütz: Was gleicht wohl auf Erden | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-7 | Mandoline | Gérard Souzay, Dalton Baldwin | — | |
| 6-8 | Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Maria Stader, RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Gustav König | — | |
| 6-9 | Fine Knacks for Ladies | Sting, Edin Karamazov | — | |
| 6-10 | La Bohème: Atto II. “Quando m’en vo” | Rita Streich, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer | — | |
| 6-11 | Die lustige Witwe: Act III. Duett "Lippen schweigen" | Bo Skovhus, Cheryl Studer, Wiener Philharmoniker, Sir John Eliot Gardiner | — | |
| 6-12 | Don Giovanni: “Deh vieni alla finestra” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T-306.483.075-3 | |
| 6-13 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 6-14 | Étude Op. 10, No. 3 "Tristesse" | Tamás Vásáry | T-039.190.232-1 | |
| 6-15 | Piano Sonata no. 2 in B‐flat minor, op. 35: IV Finale presto | Yuja Wang | T-309.554.578-7 | |
| 6-16 | An die Musik, op. 88 no. 4, D. 547 | Fritz Wunderlich, Hubert Giesen | T-910.203.464-0 | |
| 6-17 | Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto–Andante moderato | Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro | T-041.489.061-1 | |
| 6-18 | Konzert für Harfe mit Begleitung des Orchesters e-moll, Op.182: 2. Adagio | Nicanor Zabaleta, Berliner Philharmoniker, Ernst Märzendorfer | — | |
| 6-19 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Piano and Orchestra in G major, M. 83: 3. Presto | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-305.199.295-7 |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 3. Rondo: Tempo di menuetto) - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto–Andante moderato | Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro | — |
| La traviata: Atto III. Preludio | Bayerisches Staatsorchester, Carlos Kleiber | T-900.798.614-3 |
| Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert | T-306.395.786-4 |
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | T-001.397.158-8 |
| La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti” | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 |
| Allegretto (Polka) for String Quartet | Emerson String Quartet | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947792352 is a Universal Product Code (UPC) assigned to 111 More Classic Tracks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947792352 is the Universal Product Code (UPC barcode) for the release “111 More Classic Tracks” by Various Artists, released 2010-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include DEF057730115, DEF055503042, DEF056604160.
