UPC · Release
Britten
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028947853640 is the Universal Product Code (UPC barcode) for the release “The Complete Works” by Britten, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include GBF075840101, GBF075840102, GBF075840103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Paul Bunyan, op. 17: Introduction | — | ||
| 2 | Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth" | — | ||
| 3 | Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow" | — | ||
| 4 | Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree" | — | ||
| 5 | Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here" | — | ||
| 6 | Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong" | — | ||
| 7 | Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn" | — | ||
| 8 | Paul Bunyan, op. 17, Act 1: Bunyan's Greeting | — | ||
| 9 | Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks | — | ||
| 10 | Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden" | — | ||
| 11 | Paul Bunyan, op. 17, Act 1: Bunyan's Welcome | — | ||
| 12 | Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred" | — | ||
| 13 | Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea" | — | ||
| 14 | Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans" | — | ||
| 15 | Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life" | — | ||
| 16 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1) | — | ||
| 17 | Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr" | — | ||
| 18 | Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say" | — | ||
| 19 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2) | — | ||
| 20 | Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall" | — | ||
| 21 | Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow" | — | ||
| 22 | Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done" | — | ||
| 23 | Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces" | — | ||
| 24 | Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back" | — | ||
| 25 | Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick" | — | ||
| 26 | Paul Bunyan, op. 17, Act 1: Entrance Of Chorus | — | ||
| 27 | Paul Bunyan, op. 17, Act 1: Tiny's Entrance | — | ||
| 28 | Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing" | — | ||
| 29 | Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love" | — | ||
| 30 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3) | — | ||
| 2-1 | Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning | — | ||
| 2-2 | Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream" | — | ||
| 2-3 | Paul Bunyan, op. 17, Act 2: Bunyan's Warning | — | ||
| 2-4 | Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty | — | ||
| 2-5 | Paul Bunyan, op. 17, Act 2: Farmers' Exit | — | ||
| 2-6 | Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By" | — | ||
| 2-7 | Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?" | — | ||
| 2-8 | Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy" | — | ||
| 2-9 | Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?" | — | ||
| 2-10 | Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone" | — | ||
| 2-11 | Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice" | — | ||
| 2-12 | Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!" | — | ||
| 2-13 | Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled" | — | ||
| 2-14 | Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey" | — | ||
| 2-15 | Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave" | — | ||
| 2-16 | Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water" | — | ||
| 2-17 | Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far" | — | ||
| 2-18 | Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood" | — | ||
| 2-19 | Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You" | — | ||
| 2-20 | Paul Bunyan, op. 17, Act 2: Bunyan's Farewell | — | ||
| 2-21 | Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold" | — | ||
| 2-22 | Paul Bunyan, op. 17, Appendix: Overture | — | ||
| 2-23 | Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song | — | ||
| 2-24 | Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows | — | ||
| 3-1 | Peter Grimes, op. 33, Prologue: "Peter Grimes!" | David Kelly, Owen Brannigan, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-2 | Peter Grimes, op. 33, Prologue: "You sailed your boat" | Owen Brannigan, Peter Pears, Lauris Margaret Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-3 | Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!" | Owen Brannigan, David Kelly, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-4 | Peter Grimes, op. 33, Prologue: "The truth...the pity..." | Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-5 | Peter Grimes, op. 33, Prologue: Interlude I: On the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-6 | Peter Grimes, op. 33, Act 1: "Oh, hang at open doors" | Jean Watson, Raymond Nilsson, James Pease, John Lanigan, Marion Studholme, Iris Kells, Lauris Margaret Elms, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-7 | Peter Grimes, op. 33, Act 1: "Hi! give us a hand" | Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-8 | Peter Grimes, op. 33, Act 1: "I have to go from pub to pub" | David Kelly, Claire Watson, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-9 | Peter Grimes, op. 33, Act 1: "Let her among you" | Claire Watson, David Kelly, Lauris Margaret Elms, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-10 | Peter Grimes, op. 33, Act 1: "Look, the storm cone!" | James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-11 | Peter Grimes, op. 33, Act 1: "And do you prefer the storm" | James Pease, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-12 | Peter Grimes, op. 33, Act 1: "What harbour shelters peace" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-13 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-14 | Peter Grimes, op. 33, Act 1: "Past time to close!" | Jean Watson, Lauris Margaret Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-15 | Peter Grimes, op. 33, Act 1: "We live and let live" | James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-16 | Peter Grimes, op. 33, Act 1: "Have you heard?" | Geraint Evans, Jean Watson, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-17 | Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades" | Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-18 | Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing" | Geraint Evans, Jean Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-19 | Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over" | David Kelly, Geraint Evans, Claire Watson, Raymond Nilsson, Jean Watson, Marion Studholme, Iris Kells, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-20 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-21 | Peter Grimes, op. 33, Act 2: "Glitter of waves" | Claire Watson, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-22 | Peter Grimes, op. 33, Act 2: "Let this be a holiday" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-23 | Peter Grimes, op. 33, Act 2: "This unrelenting work" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-24 | Peter Grimes, op. 33, Act 2: "Fool to let it come to this!" | Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Margaret Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-25 | Peter Grimes, op. 33, Act 2: "What is it?" | Jean Watson, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, John Lanigan, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | T-010.324.046-5 | |
| 3-26 | Peter Grimes, op. 33, Act 2: "People!...No! I will speak!" | Raymond Nilsson, James Pease, John Lanigan, Jean Watson, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-1 | Peter Grimes, op. 33, Act 2: "We planned that their lives" | Claire Watson, John Lanigan, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, Jean Watson, James Pease, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | Peter Grimes, op. 33, Act 2: "Swallow! Shall we go" | John Lanigan, Owen Brannigan, James Pease, Lauris Margaret Elms, Marion Studholme, Iris Kells, David Kelly, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | Peter Grimes, op. 33, Act 2: "Now is gossip put on trial" | Lauris Margaret Elms, Raymond Nilsson, John Lanigan, Geraint Evans, Owen Brannigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | Peter Grimes, op. 33, Act 2: "From the gutter" | Marion Studholme, Iris Kells, Jean Watson, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | Peter Grimes, op. 33, Act 2: "Go there!" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | Peter Grimes, op. 33, Act 2: "Now!...Now!" | Raymond Nilsson, John Lanigan, Owen Brannigan, Geraint Evans, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?" | John Lanigan, Owen Brannigan, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | Peter Grimes, op. 33, Act 3: "Assign your prettiness to me" | Owen Brannigan, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | Peter Grimes, op. 33, Act 3: "Pah!" | Owen Brannigan, Geraint Evans, Lauris Margaret Elms, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | Peter Grimes, op. 33, Act 3: "Come along, Doctor!" | John Lanigan, Lauris Margaret Elms, Claire Watson, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | Peter Grimes, op. 33, Act 3: "Embroidery in childhood" | Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | Peter Grimes, op. 33, Act 3: "Mr.Swallow!" | Lauris Margaret Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | Peter Grimes, op. 33, Act 3: "Who holds himself apart" | Marion Studholme, Iris Kells, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | Peter Grimes, op. 33, Act 3: Interlude VI: Fog | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | Peter Grimes, op. 33, Act 3: "Grimes! Grimes!" | Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home" | Claire Watson, Peter Pears, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | Peter Grimes, op. 33, Act 3: "To those who pass the Borough" | Owen Brannigan, Jean Watson, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-2 | The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-3 | The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-4 | The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first" | John Shirley-Quirk, Bryan Drake, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-5 | The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball" | Bryan Drake, John Shirley-Quirk, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-6 | The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute" | Peter Pears, Bryan Drake, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 5-7 | The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!" | Benjamin Luxon, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 5-8 | The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-9 | The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait" | Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-10 | The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-11 | The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock" | Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-12 | The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-13 | The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep" | Heather Harper, Peter Pears, Benjamin Luxon, Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-1 | The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans" | Heather Harper, Peter Pears, John Shirley-Quirk, Jenny Hill, Elizabeth Bainbridge, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 6-2 | The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-3 | The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light" | Benjamin Luxon, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 6-4 | The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?" | Benjamin Luxon, Janet Baker, Peter Pears, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 6-5 | The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-6 | The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!" | Jenny Hill, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 6-7 | The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia" | Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-8 | The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year" | Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 6-9 | The Rape of Lucretia: Act II, Scene 2. "You were right" | Jenny Hill, Elizabeth Bainbridge, John Shirley-Quirk, Bryan Drake, English Chamber Orchestra, Benjamin Britten | T-061.609.021-1 | |
| 6-10 | The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!" | John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-11 | The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me" | Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 6-12 | The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall" | John Shirley-Quirk, Bryan Drake, Elizabeth Bainbridge, Jenny Hill, Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-13 | The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-1 | Albert Herring, op. 39, Act 1: Flor | — | ||
| 7-2 | Albert Herring, op. 39, Act 1: Doctor Jessop's midwife | — | ||
| 7-3 | Albert Herring, op. 39, Act 1: I hope we're not too early, Florence? | — | ||
| 7-4 | Albert Herring, op. 39, Act 1: Stuffy! | — | ||
| 7-5 | Albert Herring, op. 39, Act 1: Now then! Notebook, Florence! | — | ||
| 7-6 | Albert Herring, op. 39, Act 1: The first suggestion on my list | — | ||
| 7-7 | Albert Herring, op. 39, Act 1: Is this all you can bring? | — | ||
| 7-8 | Albert Herring, op. 39, Act 1: Beggin' your pardon | — | ||
| 7-9 | Albert Herring, op. 39, Act 1: Right! We'll have him! | — | ||
| 7-10 | Albert Herring, op. 39, Act 1: Interlude | — | ||
| 7-11 | Albert Herring, op. 39, Act 1: Bounce me high | — | ||
| 7-12 | Albert Herring, op. 39, Act 1: Shop! Hi! Albert! | — | ||
| 7-13 | Albert Herring, op. 39, Act 1: Tickling a trout | — | ||
| 7-14 | Albert Herring, op. 39, Act 1: Meet me at a quarter past eight | — | ||
| 7-15 | Albert Herring, op. 39, Act 1: He's much too busy | — | ||
| 7-16 | Albert Herring, op. 39, Act 1: Good morning, young man | — | ||
| 7-17 | Albert Herring, op. 39, Act 1: We bring great news to you | — | ||
| 7-18 | Albert Herring, op. 39, Act 2: Isn't he here? | — | ||
| 7-19 | Albert Herring, op. 39, Act 2: For three precious weeks | — | ||
| 7-20 | Albert Herring, op. 39, Act 2: Quickly! Quickly, come along! | — | ||
| 7-21 | Albert Herring, op. 39, Act 2: Here they are, dears! | — | ||
| 7-22 | Albert Herring, op. 39, Act 2: My flowers are few | — | ||
| 8-1 | Albert Herring, op. 39, Act 2: I'm full of happiness | — | ||
| 8-2 | Albert Herring, op. 39, Act 2: As representing the local Council | — | ||
| 8-3 | Albert Herring, op. 39, Act 2: My heart leaps up with joy | — | ||
| 8-4 | Albert Herring, op. 39, Act 2: Er | — | ||
| 8-5 | Albert Herring, op. 39, Act 2: Well tried, Albert! | — | ||
| 8-6 | Albert Herring, op. 39, Act 2: Interlude | — | ||
| 8-7 | Albert Herring, op. 39, Act 2: Albert the Good! | — | ||
| 8-8 | Albert Herring, op. 39, Act 2: You oughtn't to whistle! | — | ||
| 8-9 | Albert Herring, op. 39, Act 2: Heaven helps those who help themselves! | — | ||
| 8-10 | Albert Herring, op. 39, Act 3: Introduction | — | ||
| 8-11 | Albert Herring, op. 39, Act 3: Is she asleep? | — | ||
| 8-12 | Albert Herring, op. 39, Act 3: I'm hungry, I'm tired | — | ||
| 8-13 | Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse! | — | ||
| 8-14 | Albert Herring, op. 39, Act 3: Have you found him? | — | ||
| 8-15 | Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools! | — | ||
| 8-16 | Albert Herring, op. 39, Act 3: In the midst of life is death | — | ||
| 8-17 | Albert Herring, op. 39, Act 3: Albert! | — | ||
| 8-18 | Albert Herring, op. 39, Act 3: I'm sorry about that | — | ||
| 8-19 | Albert Herring, op. 39, Act 3: I can't remember everything | — | ||
| 8-20 | Albert Herring, op. 39, Act 3: Albert's come back to stay | — | ||
| 9-1 | Billy Budd, op. 50, Act 1: I am an old man who has experienced much | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 9-2 | Billy Budd, op. 50, Act 1: Pull, my bantams! | Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 9-3 | Billy Budd, op. 50, Act 1: Guard boat! Indomitable! | Nigel Rogers, Bryan Drake, John Shirley-Quirk, Delme Bryn-Jones, David Kelly, Michael Langdon, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 9-4 | Billy Budd, op. 50, Act 1: First man forward! | Michael Langdon, Gregory Dempsey, John Shirley-Quirk, Bryan Drake, Geoffrey Coleby, London Symphony Orchestra, Benjamin Britten | — | |
| 9-5 | Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir | Michael Langdon, Peter Glossop, John Shirley-Quirk, Bryan Drake, London Symphony Orchestra, Benjamin Britten | — | |
| 9-6 | Billy Budd, op. 50, Act 1: Billy Budd, king of the birds! | Peter Glossop, John Shirley-Quirk, Bryan Drake, David Kelly, Michael Langdon, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-7 | Billy Budd, op. 50, Act 1: I heard, your honour! | Michael Langdon, Robert Bowman, Henry Bush, London Symphony Orchestra, Benjamin Britten | — | |
| 9-8 | Billy Budd, op. 50, Act 1: Come along kid! Come along! | Benjamin Luxon, Robert Tear, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-9 | Billy Budd, op. 50, Act 1: Christ, the poor chap! | Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, London Symphony Orchestra, Benjamin Britten | — | |
| 9-10 | Billy Budd, op. 50, Act 1: What's that? What's those whistles? | Peter Glossop, David Bowman, Michael Langdon, Eric Garrett, Norman Lumsden, Delme Bryn-Jones, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 9-11 | Billy Budd, op. 50, Act 1: Starry Vere we call him | David Bowman, Peter Glossop, Gregory Dempsey, Owen Brannigan, Delme Bryn-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-12 | Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn | Peter Pears, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 9-13 | Billy Budd, op. 50, Act 1: Gentlemen, the King! | Peter Pears, Bryan Drake, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 9-14 | Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 9-15 | Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one | John Shirley-Quirk, Peter Pears, Bryan Drake, Henry Bush, David Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-16 | Billy Budd, op. 50, Act 1: Blow, blow, blow | David Bowman, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-17 | Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa | David Bowman, Gregory Dempsey, Peter Glossop, Owen Brannigan, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-18 | Billy Budd, op. 50, Act 1: Hi! You a... a... a... | Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, Robert Bowman, Michael Langdon, James Newby, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-19 | Billy Budd, op. 50, Act 1: Over the water...Handsomely done | Michael Langdon, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-20 | Billy Budd, op. 50, Act 1: Come here. Remember your promise | Michael Langdon, Robert Tear, London Symphony Orchestra, Benjamin Britten | — | |
| 9-21 | Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd! | Robert Tear, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 9-22 | Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you | Peter Glossop, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 10-1 | Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn | Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 10-2 | Billy Budd, op. 50, Act 2: With great regret I must disturb your honour | Michael Langdon, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-3 | Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow | Nigel Rogers, Delme Bryn-Jones, Bryan Drake, John Shirley-Quirk, David Kelly, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 10-4 | Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em | John Shirley-Quirk, David Bowman, Gregory Dempsey, Peter Glossop, Owen Brannigan, Bryan Drake, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-5 | Billy Budd, op. 50, Act 2: There you are again, Master-at-arms | Peter Pears, Michael Langdon, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 10-6 | Billy Budd, op. 50, Act 2: O this cursed mist | Peter Pears, John Shirley-Quirk, David Kelly, Bryan Drake, London Symphony Orchestra, Benjamin Britten | — | |
| 10-7 | Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware! | Peter Pears, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-8 | Billy Budd, op. 50, Act 2: Master-at-arms and foretopman | Peter Pears, Michael Langdon, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-9 | Billy Budd, op. 50, Act 2: God o' mercy! Here, help me! | Peter Pears, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 10-10 | Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed | Peter Pears, John Shirley-Quirk, Bryan Drake, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 10-11 | Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere | John Shirley-Quirk, Peter Pears, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-12 | Billy Budd, op. 50, Act 2: Poor fellow, who could save him? | John Shirley-Quirk, David Kelly, Bryan Drake, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-13 | Billy Budd, op. 50, Act 2: I accept their verdict | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-14 | Billy Budd, op. 50, Act 2: Look! Through the port | Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-15 | Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend | Owen Brannigan, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-16 | Billy Budd, op. 50, Act 2: And farewell to ye | Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-17 | Billy Budd, op. 50, Act 2: Interlude | London Symphony Orchestra, Benjamin Britten | — | |
| 10-18 | Billy Budd, op. 50, Act 2: According to the articles of War | John Shirley-Quirk, Peter Glossop, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10-19 | Billy Budd, op. 50, Act 2: Down all hands! And see that they do | John Shirley-Quirk, Bryan Drake, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 10-20 | Billy Budd, op. 50, Act 2: We committed his body to the deep | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 11-1 | Gloriana: Act I - Scene 1: 1. Prelude | Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-2 | Gloriana: Act I - Scene 1: 2. The Tornament | Christopher Cornall, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-3 | Gloriana: Act I - Scene 1: 3. Recitative & Fight | Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-4 | Gloriana: Act I - Scene 1: 4. Entrance of the Queen | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-5 | Gloriana: Act I - Scene 1: 5. Recitative | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-6 | Gloriana: Act I - Scene 1: 6. The two Lords' Explanation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-7 | Gloriana: Act I - Scene 1: 7. Raleigh's Song | Richard van Allan, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-8 | Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-9 | Gloriana: Act I - Scene 1: 9. Recitative & Final March | Richard van Allan, Josephine Barstow, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-10 | Gloriana: Act I - Scene 2: 1. Prelude & Dialogue | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-11 | Gloriana: Act I - Scene 2: 2. The Queen's Song | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-12 | Gloriana: Act I - Scene 2: 3. Cecil's Song of Government | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-13 | Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry | Josephine Barstow, Dominic Gill, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-14 | Gloriana: Act I - Scene 2: 5. First Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-15 | Gloriana: Act I - Scene 2: 6. Second Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-16 | Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-17 | Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-18 | Gloriana: Act II - Scene 1: 1. Prelude & Welcome | Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, John Shirley-Quirk, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-19 | Gloriana: Act II - Scene 1: 2. The Masque | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-20 | Gloriana: Act II - Scene 1: 3. Finale | John Mark Ainsley, Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, John Shirley-Quirk, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-21 | Gloriana: Act II - Scene 2: 1. Prelude & Song | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-22 | Gloriana: Act II - Scene 2: 2. Duet | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-23 | Gloriana: Act II - Scene 2: 3. Double Duet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-24 | Gloriana: Act II - Scene 2: 4. Quartet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-1 | Gloriana: Act II - Scene 3: 1. Pavane | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-2 | Gloriana: Act II - Scene 3: 2. Conversation | Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-3 | Gloriana: Act II - Scene 3: 3. Galliard | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-4 | Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance | Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-5 | Gloriana: Act II - Scene 3: 5. Lavolta | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-6 | Gloriana: Act II - Scene 3: 6. Conversation | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-7 | Gloriana: Act II - Scene 3: 7. Morris dance | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-8 | Gloriana: Act II - Scene 3: 8. Recitative | Della Jones, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-9 | Gloriana: Act II - Scene 3: 9. The Queen's Burlesque | Josephine Barstow, Della Jones, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-10 | Gloriana: Act II - Scene 3: 10. Quartet | Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-11 | Gloriana: Act II - Scene 3: 11. March | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-12 | Gloriana: Act II - Scene 3: 12. The Queen's Announcement | Richard van Allan, Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-13 | Gloriana: Act II - Scene 3: 13. Ensemble | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Alan Opie, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-14 | Gloriana: Act II - Scene 3: 14. Coranto | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-15 | Gloriana: Act III - Scene 1: 1. Prelude & Chatter | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-16 | Gloriana: Act III - Scene 1: 2. Essex's Intrusion | Chorus of the Welsh National Opera, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-17 | Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex | Josephine Barstow, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-18 | Gloriana: Act III - Scene 1: 4. The Dressing-Table Song | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-19 | Gloriana: Act III - Scene 1: 5. The Entrance of Cecil | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-20 | Gloriana: Act III - Scene 1: 6. Cecil's Report | Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-21 | Gloriana: Act III - Scene 1: 7. Discussion | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-22 | Gloriana: Act III - Scene 1: 8. The Queen's Decision | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-23 | Gloriana: Act III - Scene 2: Ballad - Rondo | Chorus of the Welsh National Opera, James Miller-Coburn, Monmouth School Choir, Bryn Terfel, Willard White, Jenevora Williams, Tom Finucane, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-24 | Gloriana: Act III - Scene 3: 1. Prelude & Verdict | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-25 | Gloriana: Act III - Scene 3: 2. Cecil's Warning | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-26 | Gloriana: Act III - Scene 3: 3. The Queen's Dilemma | Richard van Allan, Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-27 | Gloriana: Act III - Scene 3: 4. Trio | Della Jones, Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-28 | Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading | Josephine Barstow, Della Jones, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-29 | Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading | Josephine Barstow, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-30 | Gloriana: Act III - Scene 3: 7. Epilogue | Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 13-1 | The Turn of the Screw: Prologue (The Prologue) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-2 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-3 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | T-010.162.705-7 | |
| 13-4 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-5 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-6 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-7 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-8 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-9 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-1 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-2 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-3 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-4 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-5 | The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-6 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | Joan Cross, Olive Dyer, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-7 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-8 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 15-1 | A Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-2 | A Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight" | Alfred Deller, Elizabeth Harwood, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-3 | A Midsummer Night's Dream: Act I. "Well, go thy way" | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 15-4 | A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | T-911.431.565-0 | |
| 15-5 | A Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not" | Alfred Deller, Thomas Hemsley, Heather Harper, London Symphony Orchestra, Benjamin Britten | — | |
| 15-6 | A Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 15-7 | A Midsummer Night's Dream: Act I. "Is all our company here?" | Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 15-8 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-9 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-10 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-11 | A Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-12 | A Midsummer Night's Dream: Act I. "You spotted snakes" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-13 | A Midsummer Night's Dream: Act I. "What thou seest when thou dost wake" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 15-14 | A Midsummer Night's Dream: Act II. Introduction | London Symphony Orchestra, Benjamin Britten | — | |
| 15-15 | A Midsummer Night's Dream: Act II. "Are we all met?" | Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 15-16 | A Midsummer Night's Dream: Act II. "I see their knavery" | Owen Brannigan, Elizabeth Harwood, John Pryor, Richard Dakin, Ian Wodehouse, Gordon Clark, London Symphony Orchestra, Benjamin Britten | — | |
| 15-17 | A Midsummer Night's Dream: Act II. "Be kind and courteous" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-18 | A Midsummer Night's Dream: Act II. "Hail, mortal, hail!" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-19 | A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music" | Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-20 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-1 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-2 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-3 | A Midsummer Night's Dream: Act II. "This is thy negligence..." | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-4 | A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-5 | A Midsummer Night's Dream: Act II. "On the ground, sleep sound" | Choir of Downside School, Purley, Emanuel School Wandsworth, Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 16-6 | A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin" | Alfred Deller, Elizabeth Harwood, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-7 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-8 | A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 16-9 | A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 16-10 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-11 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-12 | A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show" | Norman Lumsden, Heather Harper, Thomas Hemsley, London Symphony Orchestra, Benjamin Britten | — | |
| 16-13 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-14 | A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Owen Brannigan, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-15 | A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-16 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-17 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley-Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-18 | A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-19 | A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Kenneth MacDonald, John Shirley-Quirk, Peter Pears, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | T-922.026.755-0 | |
| 16-20 | A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask" | John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-21 | A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Alfred Deller, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 17-1 | Owen Wingrave, op. 85: Act 1. Prelude | English Chamber Orchestra, Benjamin Britten | — | |
| 17-2 | Owen Wingrave, op. 85: Act 1. You've got your maps there? | John Shirley-Quirk, Nigel Douglas, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-3 | Owen Wingrave, op. 85: Act 1. At last it's out | Benjamin Luxon, Sylvia Fisher, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 17-4 | Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle | Nigel Douglas, Heather Harper, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-5 | Owen Wingrave, op. 85: Act 1. Oh, how unforeseen | Jennifer Vyvyan, Janet Baker, Sylvia Fisher, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-6 | Owen Wingrave, op. 85: Act 1. Sirrah! How dare you! | Peter Pears, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, English Chamber Orchestra, Benjamin Britten | — | |
| 17-7 | Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come | Heather Harper, John Shirley-Quirk, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 17-8 | Owen Wingrave, op. 85: Act 1. May God bless the Queen | Peter Pears, Heather Harper, Sylvia Fisher, Janet Baker, Nigel Douglas, John Shirley-Quirk, Benjamin Luxon, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 18-1 | Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born | Peter Pears, Benjamin Luxon, John Shirley-Quirk, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 18-2 | Owen Wingrave, op. 85: Act 2. I envy you, this fine old house | Nigel Douglas, Jennifer Vyvyan, Heather Harper, John Shirley-Quirk, Sylvia Fisher, Benjamin Luxon, Janet Baker, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 18-3 | Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe! | John Shirley-Quirk, Peter Pears, Janet Baker, Sylvia Fisher, Nigel Douglas, Benjamin Luxon, Jennifer Vyvyan, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 18-4 | Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played | Benjamin Luxon, Sylvia Fisher, Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-5 | Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks | Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 18-6 | Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do? | Janet Baker, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 18-7 | Owen Wingrave, op. 85: Act 2. Is that you, Coyle? | Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-8 | Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere | John Shirley-Quirk, Nigel Douglas, Heather Harper, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, Peter Pears, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19-1 | Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-2 | Death in Venice: Act 1, Scene 1. "Who's that? A foreigner" (Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 19-3 | Death in Venice: Act 1, Scene 2. "Hey there, hey there" (Youths) | John Shirley-Quirk, Peter Pears, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-4 | Death in Venice: Act 1, Scene 2. "Serenissima… Low-lying clouds" (Youths, Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 19-5 | Death in Venice: Act 1, Scene 2. Overture "Venice" | English Chamber Orchestra, Steuart Bedford | — | |
| 19-6 | Death in Venice: Act 1, Scene 3. "Ah Serenissima!" (Aschenbach) | Peter Pears, John Shirley-Quirk, Michael Bauer, Kenneth Bowen, English Chamber Orchestra, Steuart Bedford | — | |
| 19-7 | Death in Venice: Act 1, Scene 3. "Mysterious gondola" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-8 | Death in Venice: Act 1, Scene 4. "We are delighted to greet the Signore" (Hotel Manager) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-9 | Death in Venice: Act 1, Scene 4. "Was I wrong to come" (Aschenbach) | Neville Williams, Peter Pears, Iris Saunders, Anne Wilkens, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis, Kenneth Bowen, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-10 | Death in Venice: Act 1, Scene 5. "There is indeed in every artist's nature" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 19-11 | Death in Venice: Act 1, Scene 5. (Children's games)… "Adziù! Adziù!" (Chorus) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-12 | Death in Venice: Act 1, Scene 6. "Aou'! Stagando, aou'!" (Gondolier) | John Shirley-Quirk, Robert Carpenter Turner, Sheila Brand, Stephen James Adams, Anne Wilkens, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-13 | Death in Venice: Act 1, Scene 6. "Naturally, Signore, I understand" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, Ronald Murdock, Michael Bauer, English Chamber Orchestra, Steuart Bedford | — | |
| 19-14 | Death in Venice: Act 1, Scene 7. "Here I will stay, here dedicate my days" (Aschenbach) | Neville Williams, Peter Pears, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 19-15 | Death in Venice: Act 1, Scene 7. "First the race!" (Chorus) | Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 19-16 | Death in Venice: Act 1, Scene 7. "The boy, Tadzio, shall inspire me" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-1 | Death in Venice: Act 2. "So it has come to this" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-2 | Death in Venice: Act 2, Scene 8. "Guardate, Signore!" (Hotel Barber) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-3 | Death in Venice: Act 2, Scene 9. "Do I detect a scent?" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Stephen James Adams, Stuart Harling, Sheila Brand, Robert Carpenter Turner, Anne Wilkens, Anna Vincent, English Chamber Orchestra, Steuart Bedford | — | |
| 20-4 | Death in Venice: Act 2, Scene 9. "Careful search now leads me to them" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Keith Jones, English Chamber Orchestra, Steuart Bedford | — | |
| 20-5 | Death in Venice: Act 2, Scene 10. "This way for the players, Signori!" (Hotel Porter) | Neville Williams, Kenneth Bowen, Stuart Harling, Penelope McKay, John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-6 | Death in Venice: Act 2, Scene 10. "Fiorir rose in mezo al giasso" (Leader of the players) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-7 | Death in Venice: Act 2, Scene 11. "One moment if you please" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-8 | Death in Venice: Act 2, Scene 11. "In these last years" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-9 | Death in Venice: Act 2, Scene 12. "So it is true, true" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-10 | Death in Venice: Act 2, Scene 13. "Receive the stranger god" (Voice of Dionysus) | John Shirley-Quirk, James Bowman, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-11 | Death in Venice: Act 2, Scene 14. (The empty beach)… "Do what you will with me!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-12 | Death in Venice: Act 2, Scene 15. "Yes! A very wise decision" (Hotel Barber) | John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 20-13 | Death in Venice: Act 2, Scene 16. "Hurrah for the Piazza" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 20-14 | Death in Venice: Act 2, Scene 16. "Chaos, chaos and sickness" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-15 | Death in Venice: Act 2, Scene 17. "The wind still blows from the land" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-16 | Death in Venice: Act 2, Scene 17. (On the beach)… "Ah, no!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 21-1 | The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry | — | ||
| 21-2 | The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture | — | ||
| 21-3 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life | — | ||
| 21-4 | The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind | — | ||
| 21-5 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear | — | ||
| 21-6 | The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade | — | ||
| 21-7 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore | — | ||
| 21-8 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre | — | ||
| 21-9 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut | — | ||
| 21-10 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice | — | ||
| 21-11 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed... | — | ||
| 21-12 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed | — | ||
| 21-13 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir | — | ||
| 21-14 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe | — | ||
| 21-15 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say | — | ||
| 21-16 | The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free | — | ||
| 21-17 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast | — | ||
| 21-18 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part! | — | ||
| 21-19 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees | — | ||
| 21-20 | The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass" | — | ||
| 21-21 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road | — | ||
| 21-22 | The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares | — | ||
| 21-23 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season | — | ||
| 21-24 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing | — | ||
| 21-25 | The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall | — | ||
| 22-1 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more | — | ||
| 22-2 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat | — | ||
| 22-3 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors | — | ||
| 22-4 | The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass | — | ||
| 22-5 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy | — | ||
| 22-6 | The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age | — | ||
| 22-7 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir? | — | ||
| 22-8 | The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow | — | ||
| 22-9 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be... | — | ||
| 22-10 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease... | — | ||
| 22-11 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt? | — | ||
| 22-12 | The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide | — | ||
| 22-13 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning | — | ||
| 22-14 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar... | — | ||
| 22-15 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath! | — | ||
| 22-16 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship | — | ||
| 22-17 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes... | — | ||
| 22-18 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends | — | ||
| 22-19 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we... | — | ||
| 22-20 | The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth | — | ||
| 22-21 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff | — | ||
| 22-22 | The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love | — | ||
| 22-23 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets | — | ||
| 22-24 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow | — | ||
| 22-25 | The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband | — | ||
| 22-26 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me | — | ||
| 22-27 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears | — | ||
| 22-28 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up | — | ||
| 22-29 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great | — | ||
| 22-30 | The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared | — | ||
| 22-31 | The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case | — | ||
| 22-32 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged! | — | ||
| 22-33 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk | — | ||
| 23-1 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-2 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-3 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-4 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-5 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 23-6 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-7 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-8 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-9 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 23-10 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 23-11 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 23-12 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country | — | ||
| 23-13 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy | — | ||
| 23-14 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea | — | ||
| 23-15 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck | — | ||
| 24-1 | Curlew River, op. 71: "Te lúcis ante términum" | — | ||
| 24-2 | Curlew River, op. 71: "I am the ferryman" | — | ||
| 24-3 | Curlew River, op. 71: "I come from the Westland" | — | ||
| 24-4 | Curlew River, op. 71: "But first may I ask you" | — | ||
| 24-5 | Curlew River, op. 71: "Clear as a sky without a cloud" | — | ||
| 24-6 | Curlew River, op. 71: "Near the Black Mountains there I dwelt" | — | ||
| 24-7 | Curlew River, op. 71: "A thousand leagues may sunder" | — | ||
| 24-8 | Curlew River, op. 71: "Ignorant man!" | — | ||
| 24-9 | Curlew River, op. 71: "I beg your pardon, living in this famous place" | — | ||
| 24-10 | Curlew River, op. 71: "Curlew River, smoothly flowing" | — | ||
| 24-11 | Curlew River, op. 71: "Today is an important day" | — | ||
| 24-12 | Curlew River, op. 71: "Look! While you were listening to my story" | — | ||
| 24-13 | Curlew River, op. 71: "Ferryman, tell me, when did it happen" | — | ||
| 24-14 | Curlew River, op. 71: "Hoping, I wander'd on" | — | ||
| 24-15 | Curlew River, op. 71: "He whose life was full of promise" | — | ||
| 24-16 | Curlew River, op. 71: "The moon has risen" | — | ||
| 24-17 | Curlew River, op. 71: "Go your way in peace, mother" | — | ||
| 24-18 | Curlew River, op. 71: "Good souls, we have shown you here" | — | ||
| 25-1 | The Burning Fiery Furnace, op. 77: Salus aeterna | — | ||
| 25-2 | The Burning Fiery Furnace, op. 77: Good people, in His holy name | — | ||
| 25-3 | The Burning Fiery Furnace, op. 77: By the Royal Command | — | ||
| 25-4 | The Burning Fiery Furnace, op. 77: Adept in magic | — | ||
| 25-5 | The Burning Fiery Furnace, op. 77: The waters of Babylon | — | ||
| 25-6 | The Burning Fiery Furnace, op. 77: Sirs, what is this? | — | ||
| 25-7 | The Burning Fiery Furnace, op. 77: We do not lack enemies | — | ||
| 25-8 | The Burning Fiery Furnace, op. 77: By the Royal Decree | — | ||
| 25-9 | The Burning Fiery Furnace, op. 77: Procession | — | ||
| 25-10 | The Burning Fiery Furnace, op. 77: Merodak! Lord of creation | — | ||
| 25-11 | The Burning Fiery Furnace, op. 77: Bring them here before my Majesty | — | ||
| 25-12 | The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar | — | ||
| 25-13 | The Burning Fiery Furnace, op. 77: O all ye works of the Lord | — | ||
| 25-14 | The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego | — | ||
| 25-15 | The Burning Fiery Furnace, op. 77: O ye Winter and Summer | — | ||
| 25-16 | The Burning Fiery Furnace, op. 77: Good people, we have shown you here | — | ||
| 26-1 | The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere | — | ||
| 26-2 | The Prodigal Son: Third Parable for Church Performance: Ah you people | — | ||
| 26-3 | The Prodigal Son: Third Parable for Church Performance: The ceremony | — | ||
| 26-4 | The Prodigal Son: Third Parable for Church Performance: I am father to you all | — | ||
| 26-5 | The Prodigal Son: Third Parable for Church Performance: Forgive my asking you | — | ||
| 26-6 | The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you? | — | ||
| 26-7 | The Prodigal Son: Third Parable for Church Performance: Take your due portion | — | ||
| 26-8 | The Prodigal Son: Third Parable for Church Performance: Go, if you must go | — | ||
| 26-9 | The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger! | — | ||
| 26-10 | The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey | — | ||
| 26-11 | The Prodigal Son: Third Parable for Church Performance: Nights are days | — | ||
| 26-12 | The Prodigal Son: Third Parable for Church Performance: You have gambled and lost | — | ||
| 26-13 | The Prodigal Son: Third Parable for Church Performance: Now | — | ||
| 26-14 | The Prodigal Son: Third Parable for Church Performance: With joy I sowed | — | ||
| 26-15 | The Prodigal Son: Third Parable for Church Performance: My son | — | ||
| 26-16 | The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord | — | ||
| 26-17 | The Prodigal Son: Third Parable for Church Performance: My children, you have seen | — | ||
| 27-1 | The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep! | Benjamin Britten | — | |
| 27-2 | The Little Sweep (Let's make an opera), op. 45: Sweep this chimney | Benjamin Britten | — | |
| 27-3 | The Little Sweep (Let's make an opera), op. 45: Now, little white boy! | Benjamin Britten | — | |
| 27-4 | The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free! | Benjamin Britten | — | |
| 27-5 | The Little Sweep (Let's make an opera), op. 45: Is he wounded? | Benjamin Britten | — | |
| 27-6 | The Little Sweep (Let's make an opera), op. 45: Sooty tracks | Benjamin Britten | — | |
| 27-7 | The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy | Benjamin Britten | — | |
| 27-8 | The Little Sweep (Let's make an opera), op. 45: The kettles are singing | Benjamin Britten | — | |
| 27-9 | The Little Sweep (Let's make an opera), op. 45: O why do you weep | Benjamin Britten | — | |
| 27-10 | The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards! | Benjamin Britten | — | |
| 27-11 | The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed! | Benjamin Britten | — | |
| 27-12 | The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky | Benjamin Britten | — | |
| 27-13 | The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away | Benjamin Britten | — | |
| 27-14 | The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather | Benjamin Britten | — | |
| 27-15 | The Little Sweep (Let's make an opera), op. 45: Ready, Alfred? | Benjamin Britten | — | |
| 27-16 | The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing | Benjamin Britten | — | |
| 27-17 | The Children's Crusade, op. 82 | Mark Emney, John Wojciechowski, Stephen Daniels, Raymond Hares, Barnaby Jago, Graham Preston, Wandsworth School Boys’ Choir, Benjamin Britten | — | |
| 28-1 | The Prince of the Pagodas, op. 57: Act 1. Prelude | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-2 | The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-3 | The Prince of the Pagodas, op. 57: Act 1. The Emperor – March | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-4 | The Prince of the Pagodas, op. 57: Act 1. Gavotte | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-5 | The Prince of the Pagodas, op. 57: Act 1. The Four Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-6 | The Prince of the Pagodas, op. 57: Act 1. The King of the North | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-7 | The Prince of the Pagodas, op. 57: Act 1. The King of the East | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-8 | The Prince of the Pagodas, op. 57: Act 1. The King of the West | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-9 | The Prince of the Pagodas, op. 57: Act 1. The King of the South | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-10 | The Prince of the Pagodas, op. 57: Act 1. Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-11 | The Prince of the Pagodas, op. 57: Act 1. Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-12 | The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-13 | The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-14 | The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-15 | The Prince of the Pagodas, op. 57: Act 1. The Four Frogs | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-16 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-17 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-18 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-19 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-20 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-21 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-22 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-1 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-2 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-3 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-4 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-5 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-6 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-7 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-8 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-9 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-10 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-11 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-12 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-13 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-14 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-15 | Plymouth Town | — | ||
| 30-1 | Night Mail: Title Music | — | ||
| 30-2 | Night Mail: Percussion Sequence | — | ||
| 30-3 | Night Mail: End Sequence | — | ||
| 30-4 | The Tocher (Rossini Suite): I. Allegro Brillante | — | ||
| 30-5 | The Tocher (Rossini Suite): II. Allegretto | — | ||
| 30-6 | The Tocher (Rossini Suite): III. Allegretto | — | ||
| 30-7 | The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato | — | ||
| 30-8 | The Tocher (Rossini Suite): V. Allegro Con Brio | — | ||
| 30-9 | The King's Stamp, Part 1: Allegro Molto Alla Marcia | — | ||
| 30-10 | The King's Stamp, Part 1: Allegro: Opening Door | — | ||
| 30-11 | The King's Stamp, Part 1: Allegretto: Messenger Boy | — | ||
| 30-12 | The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works | — | ||
| 30-13 | The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts | — | ||
| 30-14 | The King's Stamp, Part 2: Minuet: Andante Lento | — | ||
| 30-15 | The King's Stamp, Part 2: Allegretto: Train Sequence | — | ||
| 30-16 | The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill | — | ||
| 30-17 | The King's Stamp, Part 2: Allegro | — | ||
| 30-18 | The King's Stamp, Part 2: Allegro Moderato alla Marcia | — | ||
| 30-19 | Negroes: Music from GPO Film: Allegro appassionato | — | ||
| 30-20 | Negroes: Music from GPO Film: II. Allegro | — | ||
| 30-21 | Negroes: Music from GPO Film: III. Allegro ritmico | — | ||
| 30-22 | Negroes: Music from GPO Film: IV. Andante con moto | — | ||
| 30-23 | Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters" | — | ||
| 30-24 | Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe" | — | ||
| 30-25 | Negroes: Music from GPO Film: VI. Andante con molto moto | — | ||
| 30-26 | Negroes: Music from GPO Film: VII. Allegro ritmico | — | ||
| 30-27 | The Way To The Sea: Introduction | — | ||
| 30-28 | The Way To The Sea: Romans | — | ||
| 30-29 | The Way To The Sea: Alfred | — | ||
| 30-30 | The Way To The Sea: "There Is, At This Point Of The Haven" | — | ||
| 30-31 | The Way To The Sea: "The Eighteenth Century" | — | ||
| 30-32 | The Way To The Sea: "Nelson Has Gone" | — | ||
| 30-33 | The Way To The Sea: "169 Trains A Week" | — | ||
| 30-34 | The Way To The Sea: "The Line Waits" | — | ||
| 30-35 | The Way To The Sea: "Here Is A Harbour" | — | ||
| 30-36 | The Way To The Sea: "We Seek A Spectacle" | — | ||
| 30-37 | The Way To The Sea: Allegro molto: alla marcia | — | ||
| 30-38 | Telegrams | — | ||
| 30-39 | Peace Of Britain | — | ||
| 30-40 | Men Behind The Meters: Title Music | — | ||
| 30-41 | Men Behind The Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls" | — | ||
| 30-42 | Men Behind The Meters: Allegro Moderato: 1935 Sequence | — | ||
| 30-43 | Coal Face: I. Andante: "A Sterile Landscape" | — | ||
| 30-44 | Coal Face: II. "Coal Mining Is the Basic Industry Of Britain" | — | ||
| 30-45 | Coal Face: III. Andante: "The Chief Coal-Producing Centres" | — | ||
| 30-46 | Coal Face: IV. "Yorkshire and Lancashire" | — | ||
| 30-47 | Coal Face: V. Moderato: "The Temp'rature Often Reaches" | — | ||
| 30-48 | Coal Face: VI. Andante: "The Seven and a Half Hour Shift" | — | ||
| 30-49 | Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M." | — | ||
| 30-50 | Coal Face: VIII. Allegro ma non troppo: "In Many Pits" | — | ||
| 30-51 | Coal Face: IX. Allegro molto: "The Shift Is Finished" | — | ||
| 30-52 | Coal Face: X. "Making Up Coal Trains" | — | ||
| 30-53 | Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry" | — | ||
| 30-54 | Coal Face: 1II. Andante: "There Are the Miners" | — | ||
| 30-55 | When You're Feeling Like Expressing Your Affection | — | ||
| 31-1 | Love From A Stranger, Love From A tranger: I. Title Music | — | ||
| 31-2 | Love From A Stranger, Love From A tranger: II. Traffic Music | — | ||
| 31-3 | Love From A Stranger, Love From A tranger: III. Brighton | — | ||
| 31-4 | Love From A Stranger, Love From A tranger: IV. Love Music | — | ||
| 31-5 | Love From A Stranger, Love From A tranger: V. Channel Crossing | — | ||
| 31-6 | Love From A Stranger, Love From A tranger: VI. End Titles | — | ||
| 31-7 | Johnson Over Jordan (Suite): Overture | — | ||
| 31-8 | Johnson Over Jordan (Suite): Introduction | — | ||
| 31-9 | Johnson Over Jordan (Suite): Incinerators' Ballet | — | ||
| 31-10 | Johnson Over Jordan (Suite): The Spider and the Fly | — | ||
| 31-11 | Johnson Over Jordan (Suite): Approach of Death | — | ||
| 31-12 | Johnson Over Jordan (Suite): End Music | — | ||
| 31-13 | The Rescue Of Penelope, Part 1: Eight Years Have Passed | — | ||
| 31-14 | The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes | — | ||
| 31-15 | The Rescue Of Penelope, Part 1: Worse Still, The Island | — | ||
| 31-16 | The Rescue Of Penelope, Part 1: Children Have Died Of Want | — | ||
| 31-17 | The Rescue Of Penelope, Part 1: Yet Some Trust in An End | — | ||
| 31-18 | The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope | — | ||
| 31-19 | The Rescue Of Penelope, Part 1: Long Suffering Odysseus | — | ||
| 31-20 | The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods | — | ||
| 31-21 | The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night | — | ||
| 31-22 | The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus | — | ||
| 31-23 | The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden | — | ||
| 31-24 | The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall! | — | ||
| 31-25 | The Rescue Of Penelope, Part 2: There It Is Before You | — | ||
| 31-26 | The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca | — | ||
| 31-27 | The Rescue Of Penelope, Part 2: Telemachus, Be Swift! | — | ||
| 31-28 | The Rescue Of Penelope, Part 2: Now There Is Silence | — | ||
| 32-1 | The Company Of Heaven: I. Chaos | — | ||
| 32-2 | The Company Of Heaven: II. The Morning Stars | — | ||
| 32-3 | The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary | — | ||
| 32-4 | The Company Of Heaven: IV. Christ, The Fair Glory | — | ||
| 32-5 | The Company Of Heaven: V. War in Heaven | — | ||
| 32-6 | The Company Of Heaven: VI. Heaven Is Here | — | ||
| 32-7 | The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires | — | ||
| 32-8 | The Company Of Heaven: VIII. Funeral March For A Boy | — | ||
| 32-9 | The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High | — | ||
| 32-10 | The Company Of Heaven: X. There Came Out Also At This Time | — | ||
| 32-11 | The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones | — | ||
| 32-12 | The Sword in The Stone | — | ||
| 32-13 | Russian Funeral: march for brass and percussion (1936) | — | ||
| 32-14 | Fanfare: 'The Eagle has Two Heads' | — | ||
| 32-15 | On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick) | — | ||
| 32-16 | This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick) | — | ||
| 33-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 33-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 33-7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 33-16 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-17 | War Requiem, op. 66, Libera me: Libera me, Domine | — | ||
| 33-18 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 33-19 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 34-1 | Spring Symphony, op. 44: I. Introduction: Shine out | — | ||
| 34-2 | Spring Symphony, op. 44: II. The merry cuckoo | — | ||
| 34-3 | Spring Symphony, for soprano, alto, tenor, boys’ chorus, chorus & orchestra, op. 44: III Spring, the sweet spring | Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 34-4 | Spring Symphony, op. 44: IV. The driving boy | — | ||
| 34-5 | Spring Symphony, op. 44: V. The morning star | — | ||
| 34-6 | Spring Symphony, op. 44: VI. Welcome Maids of Honour | — | ||
| 34-7 | Spring Symphony, op. 44: VII. Waters above! | — | ||
| 34-8 | Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed | — | ||
| 34-9 | Spring Symphony, op. 44: IX. When will my May come | — | ||
| 34-10 | Spring Symphony, op. 44: X. Fair and fair | — | ||
| 34-11 | Spring Symphony, op. 44: 1I. Sound the flute! | — | ||
| 34-12 | Spring Symphony, op. 44: 1II. Finale: London, to thee I do present | — | ||
| 34-13 | Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-14 | Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus | Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-15 | Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora | Peter Pears, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-16 | Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-17 | Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives.. | Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-18 | Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-19 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | — | ||
| 34-20 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | — | ||
| 34-21 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | — | ||
| 35-1 | Saint Nicolas, op. 42: Introduction | — | ||
| 35-2 | Saint Nicolas, op. 42: The birth of Nicolas | — | ||
| 35-3 | Saint Nicolas, op. 42: Nicolas devotes himself to God | — | ||
| 35-4 | Saint Nicolas, op. 42: He journeys to Palestine | — | ||
| 35-5 | Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop | — | ||
| 35-6 | Saint Nicolas, op. 42: Nicolas from prison | — | ||
| 35-7 | Saint Nicolas, op. 42: Nicolas and the Pickled Boys | — | ||
| 35-8 | Saint Nicolas, op. 42: His piety and marvellous works | — | ||
| 35-9 | Saint Nicolas, op. 42: The death of Nicolas | — | ||
| 35-10 | 5 Flower Songs, op. 47: I. To Daffodils | Elizabethan Singers, Louis Halsey | T-900.010.001-6 | |
| 35-11 | 5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months | Elizabethan Singers, Louis Halsey | T-900.012.611-4 | |
| 35-12 | 5 Flower Songs, op. 47: III. Marsh Flowers | Elizabethan Singers, Louis Halsey | — | |
| 35-13 | 5 Flower Songs, op. 47: IV. The Evening Primrose | Elizabethan Singers, Louis Halsey | T-900.011.825-2 | |
| 35-14 | 5 Flower Songs, op. 47: V. Ballad of Green Broom | Elizabethan Singers, Louis Halsey | T-010.164.285-6 | |
| 35-15 | Cantata Misericordium, op. 69 | — | ||
| 36-1 | A Boy Was Born, op. 3: "A boy was born (theme)" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-2 | A Boy Was Born, op. 3: Variation I. "Lullay, Jesu" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-3 | A Boy Was Born, op. 3: Variation II. "Herod" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-4 | A Boy Was Born, op. 3: Variation III. "Jesu, as Thou art our Saviour" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-5 | A Boy Was Born, op. 3: Variation IV. "The three kings" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-6 | A Boy Was Born, op. 3: Variation V. "In the bleak mid-winter" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-7 | A Boy Was Born, op. 3: Variation VI. Finale "Noel!" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-8 | Corpus Christi Carol | — | ||
| 36-9 | A Wealden Trio: Christmas Song of the Women | — | ||
| 36-10 | The Sycamore Tree | — | ||
| 36-11 | A Shepherd's Carol (1944) | — | ||
| 36-12 | Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity | — | ||
| 36-13 | Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song | — | ||
| 36-14 | Christ's Nativity: Christmas Suite For Chorus: Preparations | — | ||
| 36-15 | Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp | — | ||
| 36-16 | Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut | — | ||
| 36-17 | A Ceremony of Carols, op.28: Procession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-18 | A Ceremony of Carols, op.28: Wolcum Yole! | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-19 | A Ceremony of Carols, op.28: There Is No Rose | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-20 | A Ceremony of Carols, op.28: That Youngë Child | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-21 | A Ceremony of Carols, op.28: Balulalow | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-22 | A Ceremony of Carols, op.28: As Dew in Aprille | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-23 | A Ceremony of Carols, op.28: This Little Babe | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-24 | A Ceremony of Carols, op.28: Interlude | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-25 | A Ceremony of Carols, op.28: In Freezing Winter Night | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-26 | A Ceremony of Carols, op.28: Spring Carol | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-27 | A Ceremony of Carols, op.28: Deo Gracias - Adam Lay Ibounden | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-28 | A Ceremony of Carols, op.28: Recession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-29 | The Holly and the Ivy: Coll.-sharp, arr. Britten | — | ||
| 37-1 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 37-2 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 37-3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 37-4 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 37-5 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 37-6 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 37-7 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 37-8 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 37-9 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 37-10 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 37-11 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 37-12 | Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon) | — | ||
| 37-13 | Psalm 150 for voices & orchestra, op. 67 | Boys of Downside School, Purley, Benjamin Britten | — | |
| 37-14 | Three Two-Part Songs (1932): I. The Ride-by-Nights | — | ||
| 37-15 | Three Two-Part Songs (1932): 2 The Rainbow | — | ||
| 37-16 | Three Two-Part Songs (1932): III. The Ship Of Rio | — | ||
| 37-17 | 2 Two-Part Songs: I. I Lov'd a Lass | The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey | — | |
| 37-18 | 2 Two-Part Songs: II. Lift Boy | The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey | — | |
| 37-19 | The Birds | — | ||
| 37-20 | A Hymn to the Virgin | The Choir of St John’s College, Cambridge, George Guest | T-900.010.952-4 | |
| 37-21 | Jubilate Deo in E-flat | — | ||
| 37-22 | Te Deum in C (1934) | — | ||
| 37-23 | Advance Democracy | — | ||
| 37-24 | Deus in Adjutorium Meum (Psalm 70) | — | ||
| 37-25 | AMDG: Heaven-Haven | — | ||
| 37-26 | AMDG: O deus, ego amo te | — | ||
| 37-27 | AMDG: Rosa Mystica | — | ||
| 37-28 | AMDG: The Soldier | — | ||
| 37-29 | AMDG: Prayer II | — | ||
| 37-30 | AMDG: God's Grandeur | — | ||
| 37-31 | AMDG: Prayer I | — | ||
| 38-1 | Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues | — | ||
| 38-2 | Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey | — | ||
| 38-3 | Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour | — | ||
| 38-4 | Rejoice in the Lamb, op. 30: For the flowers are great blessings | — | ||
| 38-5 | Rejoice in the Lamb, op. 30: For I am under the same accusation | — | ||
| 38-6 | Rejoice in the Lamb, op. 30: For H is a spirit | — | ||
| 38-7 | The Ballad of Little Musgrave and Lady Barnard | — | ||
| 38-8 | Chorale (after an old French carol) | — | ||
| 38-9 | Festival Te Deum, op. 32 (1944) | — | ||
| 38-10 | A Wedding Anthem, op. 46 | — | ||
| 38-11 | A Hymn to St. Peter op. 56a | — | ||
| 38-12 | Antiphon, op. 56b | — | ||
| 38-13 | Missa brevis, op. 63: I. Kyrie eleison | — | ||
| 38-14 | Missa brevis, op. 63: II. Gloria in excelsis Deo | — | ||
| 38-15 | Missa brevis, op. 63: III. Sanctus...Benedictus | — | ||
| 38-16 | Missa brevis, op. 63: IV. Agnus Dei | — | ||
| 39-1 | Jubilate Deo in C (1961) | — | ||
| 39-2 | Venite Exultemus Domino | — | ||
| 39-3 | A Hymn of St. Columba, 'Regis regum rectissimi' | — | ||
| 39-4 | God Save The Queen: Arr. Benjamin Britten | — | ||
| 39-5 | Voices For Today | — | ||
| 39-6 | Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn | — | ||
| 39-7 | Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod | — | ||
| 39-8 | Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come | — | ||
| 39-9 | Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night | — | ||
| 39-10 | Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can | — | ||
| 39-11 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol | — | ||
| 39-12 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By | — | ||
| 39-13 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death | — | ||
| 39-14 | Welcome Ode, op. 95 | — | ||
| 39-15 | Praise We Great Men: "Praise We Great Men" | — | ||
| 39-16 | Praise We Great Men: "Praise We The Just" | — | ||
| 39-17 | Praise We Great Men: Coda | — | ||
| 40-1 | Quatre Chansons Françaises: I. Les Nuits de Juin | — | ||
| 40-2 | Quatre Chansons Françaises: II. Sagesse | — | ||
| 40-3 | Quatre Chansons Françaises: III. L'Enfance | — | ||
| 40-4 | Quatre Chansons Françaises: IV. Chanson d'Automne | — | ||
| 40-5 | Now Sleeps the Crimson Petal | — | ||
| 40-6 | Our Hunting Fathers, op. 8: I. Prologue | — | ||
| 40-7 | Our Hunting Fathers, op. 8: II. Rats Away! | — | ||
| 40-8 | Our Hunting Fathers, op. 8: III. Messalina | — | ||
| 40-9 | Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) | — | ||
| 40-10 | Our Hunting Fathers, op. 8: V. Epilogue & Funeral March | — | ||
| 40-11 | Ballad Of Heroes, op. 14: I. Funeral March | — | ||
| 40-12 | Ballad Of Heroes, op. 14: II. Scherzo | — | ||
| 40-13 | Ballad Of Heroes, op. 14: III. Recitative & Choral | — | ||
| 40-14 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 40-15 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-16 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-17 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-18 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-19 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-20 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-21 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 41-1 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-2 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-3 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-4 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-5 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-6 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-7 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-8 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-9 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-10 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-11 | Les Illuminations, op. 18: Phrase | — | ||
| 41-12 | Les Illuminations, op. 18: Aube | — | ||
| 41-13 | Les Illuminations, op. 18: A Une Raison | — | ||
| 41-14 | Nocturne, op. 60: I. "On A Poet's Lips I Slept" | — | ||
| 41-15 | Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep" | — | ||
| 41-16 | Nocturne, op. 60: III. "Encintured With A Twine Of Leaves" | — | ||
| 41-17 | Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting" | — | ||
| 41-18 | Nocturne, op. 60: V. "But That Night When On My Bed I Lay" | — | ||
| 41-19 | Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths" | — | ||
| 41-20 | Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?" | — | ||
| 41-21 | Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See" | — | ||
| 41-22 | Phaedra, Op. 93: In May, in brilliant Athens | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 41-23 | Phaedra, Op. 93: Oh Gods of wrath | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 41-24 | Phaedra, Op. 93: My time's too short, your highness | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 42-1 | Canticle I: My Beloved Is Mine | Peter Pears, Benjamin Britten | — | |
| 42-2 | Canticle II: Abraham and Isaac | Peter Pears, John Hahessy, Benjamin Britten | — | |
| 42-3 | Canticle III: Still Falls the Rain | Peter Pears, Barry Tuckwell, Benjamin Britten | — | |
| 42-4 | Canticle IV: Journey of the Magi | James Bowman, Peter Pears, John Shirley-Quirk, Benjamin Britten | — | |
| 42-5 | Canticle V: The Death of Saint Narcissus | Peter Pears, Osian Ellis | — | |
| 42-6 | A Birthday Hansel, op. 89 | Peter Pears, Osian Ellis | — | |
| 42-7 | Sweeter than roses: Ed. Britten | James Bowman, Benjamin Britten | — | |
| 43-1 | The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire" | — | ||
| 43-2 | The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare | — | ||
| 43-3 | The Heart Of The Matter: III. Song: "We Are the Darkness" | — | ||
| 43-4 | The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth" | — | ||
| 43-5 | The Heart Of The Matter: V. Canticle III: "Still Falls the Rain" | — | ||
| 43-6 | The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall" | — | ||
| 43-7 | The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark" | — | ||
| 43-8 | Tit For Tat: I. A song of enchantment | — | ||
| 43-9 | Tit For Tat: II. Autumn | — | ||
| 43-10 | Tit For Tat: III. Silver | — | ||
| 43-11 | Tit For Tat: IV. Vigil | — | ||
| 43-12 | Tit For Tat: V. Tit for tat | — | ||
| 43-13 | On this island, op. 11: I. Let the Florid Music Praise! | — | ||
| 43-14 | On this island, op. 11: II. Now the Leaves Are Falling Fast | — | ||
| 43-15 | On this island, op. 11: III. Seascape | — | ||
| 43-16 | On this island, op. 11: IV. Nocturne | — | ||
| 43-17 | On this island, op. 11: V. As It Is, Plenty | — | ||
| 43-18 | Four Cabaret Songs: Calypso | — | ||
| 43-19 | Four Cabaret Songs: O Tell Me the Truth About Love | — | ||
| 43-20 | Four Cabaret Songs: Johnny | — | ||
| 43-21 | Four Cabaret Songs: Funeral Blues | — | ||
| 43-22 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | Peter Pears, Benjamin Britten | — | |
| 43-23 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | Peter Pears, Benjamin Britten | — | |
| 43-24 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | Peter Pears, Benjamin Britten | — | |
| 43-25 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | Peter Pears, Benjamin Britten | — | |
| 43-26 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | Peter Pears, Benjamin Britten | — | |
| 43-27 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | Peter Pears, Benjamin Britten | — | |
| 43-28 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | Peter Pears, Benjamin Britten | — | |
| 44-1 | The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule! | Peter Pears, Benjamin Britten | — | |
| 44-2 | The Holy Sonnets of John Donne, Op. 35: Batter my heart | Peter Pears, Benjamin Britten | — | |
| 44-3 | The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares | Peter Pears, Benjamin Britten | — | |
| 44-4 | The Holy Sonnets of John Donne, Op. 35: Oh, to vex me | Peter Pears, Benjamin Britten | — | |
| 44-5 | The Holy Sonnets of John Donne, Op. 35: What if this present | Peter Pears, Benjamin Britten | — | |
| 44-6 | The Holy Sonnets of John Donne, Op. 35: Since she whom I loved | Peter Pears, Benjamin Britten | — | |
| 44-7 | The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners | Peter Pears, Benjamin Britten | — | |
| 44-8 | The Holy Sonnets of John Donne, Op. 35: Thou hast made me | Peter Pears, Benjamin Britten | — | |
| 44-9 | The Holy Sonnets of John Donne, Op. 35: Death be not proud | Peter Pears, Benjamin Britten | — | |
| 44-10 | A Charm of Lullabies, op. 41: I. Cradle Song | Pamela Bowden, Peter Gellhorn | — | |
| 44-11 | A Charm of Lullabies, op. 41: II. The Highland Bales | Pamela Bowden, Peter Gellhorn | — | |
| 44-12 | A Charm of Lullabies, op. 41: III. Sephestia's Lullaby | Pamela Bowden, Peter Gellhorn | — | |
| 44-13 | A Charm of Lullabies, op. 41: IV. A Charm | Pamela Bowden, Peter Gellhorn | — | |
| 44-14 | A Charm of Lullabies, op. 41: V. The Nurse's Song | Pamela Bowden, Peter Gellhorn | — | |
| 44-15 | Winter Words, op. 52: At day‐close in November | Peter Pears, Benjamin Britten | — | |
| 44-16 | Winter Words, op. 52: Midnight on the Great Western | Peter Pears, Benjamin Britten | — | |
| 44-17 | Winter Words, op. 52: Wagtail and baby | Peter Pears, Benjamin Britten | — | |
| 44-18 | Winter Words, op. 52: The little old table | Peter Pears, Benjamin Britten | — | |
| 44-19 | Winter Words, op. 52: The choirmaster’s burial | Peter Pears, Benjamin Britten | — | |
| 44-20 | Winter Words, op. 52: Proud songsters | Peter Pears, Benjamin Britten | — | |
| 44-21 | Winter Words, op. 52: At the railway station, Upway | Peter Pears, Benjamin Britten | — | |
| 44-22 | Winter Words, op. 52: Before life and after | Peter Pears, Benjamin Britten | — | |
| 44-23 | If It's Ever Spring Again | — | ||
| 44-24 | The Children and Sir Nameless | — | ||
| 44-25 | Songs From The Chinese, op. 58: I. The Big Chariot | — | ||
| 44-26 | Songs From The Chinese, op. 58: II. The Old Lute | — | ||
| 44-27 | Songs From The Chinese, op. 58: III. The Autumn Wind | — | ||
| 44-28 | Songs From The Chinese, op. 58: IV. The Herd-Boy | — | ||
| 44-29 | Songs From The Chinese, op. 58: V. Depression | — | ||
| 44-30 | Songs From The Chinese, op. 58: VI. Dance Song | — | ||
| 45-1 | 6 Hölderlin Fragments, op. 61: I. Menschenbeifall | Peter Pears, Benjamin Britten | — | |
| 45-2 | 6 Hölderlin Fragments, op. 61: II. Die Heimat | Peter Pears, Benjamin Britten | — | |
| 45-3 | 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades | Peter Pears, Benjamin Britten | — | |
| 45-4 | 6 Hölderlin Fragments, op. 61: IV. Die Jugend | Peter Pears, Benjamin Britten | — | |
| 45-5 | 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens | Peter Pears, Benjamin Britten | — | |
| 45-6 | 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens | Peter Pears, Benjamin Britten | — | |
| 45-7 | Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London | — | ||
| 45-8 | Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper | — | ||
| 45-9 | Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree | — | ||
| 45-10 | Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger | — | ||
| 45-11 | Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly | — | ||
| 45-12 | Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower | — | ||
| 45-13 | Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn | — | ||
| 45-14 | The Poet's Echo, op. 76: I. Echo ("Ekho") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-15 | The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-16 | The Poet's Echo, op. 76: III. Angel ("Angel") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-17 | The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-18 | The Poet's Echo, op. 76: V. Epigram (Epigramma) | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-19 | The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-20 | Who Are These Children?, op. 84: I. A Riddle (The Earth) | — | ||
| 45-21 | Who Are These Children?, op. 84: II. A Laddie's Sang | — | ||
| 45-22 | Who Are These Children?, op. 84: III. Nightmare | — | ||
| 45-23 | Who Are These Children?, op. 84: IV. Black Day | — | ||
| 45-24 | Who Are These Children?, op. 84: V. Bed-time | — | ||
| 45-25 | Who Are These Children?, op. 84: VI. Slaughter | — | ||
| 45-26 | Who Are These Children?, op. 84: VII. Riddle (The Child You Were) | — | ||
| 45-27 | Who Are These Children?, op. 84: VIII. The Larky Lad | — | ||
| 45-28 | Who Are These Children?, op. 84: IX. Who are these children? | — | ||
| 45-29 | Who Are These Children?, op. 84: X. Supper | — | ||
| 45-30 | Who Are These Children?, op. 84: 1I. The Children | — | ||
| 45-31 | Who Are These Children?, op. 84: 1II. The Auld Aik | — | ||
| 45-32 | Dawtie's Devotion | — | ||
| 45-33 | The Gully | — | ||
| 45-34 | Tradition | — | ||
| 46-1 | Beware! | — | ||
| 46-2 | O That I Had Ne'er Been Married | — | ||
| 46-3 | Epitaph: The Clerk | — | ||
| 46-4 | Of A' the Airts the Wind Can Blaw | — | ||
| 46-5 | A Dirge | — | ||
| 46-6 | Prithee | — | ||
| 46-7 | The Joy Of Grief | — | ||
| 46-8 | Virtue in Deeds Not Words | — | ||
| 46-9 | From "Lucy" | — | ||
| 46-10 | Dans les Bois | — | ||
| 46-11 | Lilian | — | ||
| 46-12 | Diaphenia | — | ||
| 46-13 | The Owl | — | ||
| 46-14 | Witches' Song | — | ||
| 46-15 | O Why Did E're My Thought Aspire | — | ||
| 46-16 | Chamber Music V | — | ||
| 46-17 | Song: Take O Take Those Lips Away | — | ||
| 46-18 | Two Ballads For Two Voices & Piano: I. Mother Comfort | — | ||
| 46-19 | Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow | — | ||
| 46-20 | A Poison Tree | — | ||
| 46-21 | Not Even Summer Yet | — | ||
| 46-22 | The Red Cockatoo | — | ||
| 46-23 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back | — | ||
| 46-24 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land | — | ||
| 46-25 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down | — | ||
| 46-26 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes | — | ||
| 46-27 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind? | — | ||
| 46-28 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow | — | ||
| 46-29 | Wild With Passion | — | ||
| 46-30 | If Thou Wilt Ease Thine Heart | — | ||
| 46-31 | Cradle Song ("Sleep, My Darling, Sleep") | — | ||
| 46-32 | Birthday Song For Erwin | — | ||
| 46-33 | Um Mitternacht | — | ||
| 46-34 | The Bitter Withy | — | ||
| 46-35 | King Herod and the Cock | — | ||
| 46-36 | Fancie | — | ||
| 46-37 | The Oxen | — | ||
| 46-38 | May | — | ||
| 46-39 | The Twelve Apostles | — | ||
| 47-1 | The Foggy Foggy Dew: Arr. Benjamin Britten | Peter Pears, Benjamin Britten | — | |
| 47-3 | Tom Bowling: Arr. Britten | Peter Pears, Benjamin Britten | — | |
| 47-4 | The Lincolnshire Poacher | Peter Pears, Benjamin Britten | — | |
| 47-5 | A Brisk Young Widow: Arr. Britten | Peter Pears, Benjamin Britten | — | |
| 47-6 | O Waly Waly | Peter Pears, Benjamin Britten | — | |
| 47-7 | Sweet Polly Oliver | Peter Pears, Benjamin Britten | — | |
| 47-10 | The Ash Grove | Peter Pears, Benjamin Britten | — | |
| 47-11 | Come You Not From Newcastle | Peter Pears, Benjamin Britten | — | |
| 47-12 | Le Roi S En Va-T En Chasse | Peter Pears, Benjamin Britten | — | |
| 47-13 | La Belle est au jardin d'amour | Peter Pears, Benjamin Britten | — | |
| 47-14 | The Minstrel Boy | Peter Pears, Benjamin Britten | T-902.765.259-1 | |
| 47-15 | How Sweet The Answer | Peter Pears, Benjamin Britten | — | |
| 47-18 | Oft in The Stilly Night | Peter Pears, Benjamin Britten | — | |
| 47-19 | The Miller Of Dee | Peter Pears, Benjamin Britten | — | |
| 47-20 | Ca The Yowes | Peter Pears, Benjamin Britten | — | |
| 47-22 | The Sally Gardens: Arr. Britten | — | ||
| 47-23 | Little Sir William: Arr. Britten | — | ||
| 47-24 | Oliver Cromwell | — | ||
| 47-25 | Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten | — | ||
| 47-26 | There's None To Soothe: Arr. Britten | — | ||
| 47-27 | Il est quelqu'un sur terre: Arr. Britten | — | ||
| 47-28 | Folk Song Arrangemens (British Isles): O can ye sew cushions? | — | ||
| 47-29 | The Trees They Grow So High: arr. Britten | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| An American Overture, op. 27 | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.093.572-8 |
| Songs From "Friday Afternoons", op. 7: Fishing song | John Hahessy, Benjamin Britten | — |
| Serenade for Tenor, Horn, & Strings, Op. 31: I. Prologue | Dennis Brain | T-001.637.104-2 |
| Serenade for Tenor, Horn, & Strings, Op. 31: II. Pastoral | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | T-011.194.966-6 |
| Serenade for Tenor, Horn, & Strings, Op. 31: III. Nocturne | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn, & Strings, Op. 31: IV. Elegy | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn, & Strings, Op. 31: V. Dirge | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn, & Strings, Op. 31: VI. Hymn | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | — |
| Serenade for Tenor, Horn, & Strings, Op. 31: VII. Sonnet | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | T-900.147.897-3 |
| Serenade for Tenor, Horn, & Strings, Op. 31: VIII. Epilogue | Dennis Brain | T-000.842.760-8 |
| Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947853640 is a Universal Product Code (UPC) assigned to The Complete Works by Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947853640 is the Universal Product Code (UPC barcode) for the release “The Complete Works” by Britten, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include GBF075840101, GBF075840102, GBF075840103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Paul Bunyan, op. 17: Introduction | — | ||
| 2 | Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth" | — | ||
| 3 | Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow" | — | ||
| 4 | Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree" | — | ||
| 5 | Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here" | — | ||
| 6 | Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong" | — | ||
| 7 | Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn" | — | ||
| 8 | Paul Bunyan, op. 17, Act 1: Bunyan's Greeting | — | ||
| 9 | Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks | — | ||
| 10 | Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden" | — | ||
| 11 | Paul Bunyan, op. 17, Act 1: Bunyan's Welcome | — | ||
| 12 | Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred" | — | ||
| 13 | Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea" | — | ||
| 14 | Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans" | — | ||
| 15 | Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life" | — | ||
| 16 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1) | — | ||
| 17 | Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr" | — | ||
| 18 | Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say" | — | ||
| 19 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2) | — | ||
| 20 | Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall" | — | ||
| 21 | Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow" | — | ||
| 22 | Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done" | — | ||
| 23 | Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces" | — | ||
| 24 | Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back" | — | ||
| 25 | Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick" | — | ||
| 26 | Paul Bunyan, op. 17, Act 1: Entrance Of Chorus | — | ||
| 27 | Paul Bunyan, op. 17, Act 1: Tiny's Entrance | — | ||
| 28 | Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing" | — | ||
| 29 | Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love" | — | ||
| 30 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3) | — | ||
| 2-1 | Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning | — | ||
| 2-2 | Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream" | — | ||
| 2-3 | Paul Bunyan, op. 17, Act 2: Bunyan's Warning | — | ||
| 2-4 | Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty | — | ||
| 2-5 | Paul Bunyan, op. 17, Act 2: Farmers' Exit | — | ||
| 2-6 | Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By" | — | ||
| 2-7 | Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?" | — | ||
| 2-8 | Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy" | — | ||
| 2-9 | Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?" | — | ||
| 2-10 | Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone" | — | ||
| 2-11 | Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice" | — | ||
| 2-12 | Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!" | — | ||
| 2-13 | Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled" | — | ||
| 2-14 | Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey" | — | ||
| 2-15 | Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave" | — | ||
| 2-16 | Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water" | — | ||
| 2-17 | Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far" | — | ||
| 2-18 | Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood" | — | ||
| 2-19 | Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You" | — | ||
| 2-20 | Paul Bunyan, op. 17, Act 2: Bunyan's Farewell | — | ||
| 2-21 | Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold" | — | ||
| 2-22 | Paul Bunyan, op. 17, Appendix: Overture | — | ||
| 2-23 | Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song | — | ||
| 2-24 | Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows | — | ||
| 3-1 | Peter Grimes, op. 33, Prologue: "Peter Grimes!" | David Kelly, Owen Brannigan, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-2 | Peter Grimes, op. 33, Prologue: "You sailed your boat" | Owen Brannigan, Peter Pears, Lauris Margaret Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-3 | Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!" | Owen Brannigan, David Kelly, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-4 | Peter Grimes, op. 33, Prologue: "The truth...the pity..." | Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-5 | Peter Grimes, op. 33, Prologue: Interlude I: On the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-6 | Peter Grimes, op. 33, Act 1: "Oh, hang at open doors" | Jean Watson, Raymond Nilsson, James Pease, John Lanigan, Marion Studholme, Iris Kells, Lauris Margaret Elms, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-7 | Peter Grimes, op. 33, Act 1: "Hi! give us a hand" | Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-8 | Peter Grimes, op. 33, Act 1: "I have to go from pub to pub" | David Kelly, Claire Watson, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-9 | Peter Grimes, op. 33, Act 1: "Let her among you" | Claire Watson, David Kelly, Lauris Margaret Elms, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-10 | Peter Grimes, op. 33, Act 1: "Look, the storm cone!" | James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-11 | Peter Grimes, op. 33, Act 1: "And do you prefer the storm" | James Pease, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-12 | Peter Grimes, op. 33, Act 1: "What harbour shelters peace" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-13 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-14 | Peter Grimes, op. 33, Act 1: "Past time to close!" | Jean Watson, Lauris Margaret Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-15 | Peter Grimes, op. 33, Act 1: "We live and let live" | James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-16 | Peter Grimes, op. 33, Act 1: "Have you heard?" | Geraint Evans, Jean Watson, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-17 | Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades" | Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-18 | Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing" | Geraint Evans, Jean Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-19 | Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over" | David Kelly, Geraint Evans, Claire Watson, Raymond Nilsson, Jean Watson, Marion Studholme, Iris Kells, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-20 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-21 | Peter Grimes, op. 33, Act 2: "Glitter of waves" | Claire Watson, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-22 | Peter Grimes, op. 33, Act 2: "Let this be a holiday" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-23 | Peter Grimes, op. 33, Act 2: "This unrelenting work" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-24 | Peter Grimes, op. 33, Act 2: "Fool to let it come to this!" | Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Margaret Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-25 | Peter Grimes, op. 33, Act 2: "What is it?" | Jean Watson, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, John Lanigan, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | T-010.324.046-5 | |
| 3-26 | Peter Grimes, op. 33, Act 2: "People!...No! I will speak!" | Raymond Nilsson, James Pease, John Lanigan, Jean Watson, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-1 | Peter Grimes, op. 33, Act 2: "We planned that their lives" | Claire Watson, John Lanigan, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, Jean Watson, James Pease, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | Peter Grimes, op. 33, Act 2: "Swallow! Shall we go" | John Lanigan, Owen Brannigan, James Pease, Lauris Margaret Elms, Marion Studholme, Iris Kells, David Kelly, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | Peter Grimes, op. 33, Act 2: "Now is gossip put on trial" | Lauris Margaret Elms, Raymond Nilsson, John Lanigan, Geraint Evans, Owen Brannigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | Peter Grimes, op. 33, Act 2: "From the gutter" | Marion Studholme, Iris Kells, Jean Watson, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | Peter Grimes, op. 33, Act 2: "Go there!" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | Peter Grimes, op. 33, Act 2: "Now!...Now!" | Raymond Nilsson, John Lanigan, Owen Brannigan, Geraint Evans, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?" | John Lanigan, Owen Brannigan, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | Peter Grimes, op. 33, Act 3: "Assign your prettiness to me" | Owen Brannigan, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | Peter Grimes, op. 33, Act 3: "Pah!" | Owen Brannigan, Geraint Evans, Lauris Margaret Elms, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | Peter Grimes, op. 33, Act 3: "Come along, Doctor!" | John Lanigan, Lauris Margaret Elms, Claire Watson, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | Peter Grimes, op. 33, Act 3: "Embroidery in childhood" | Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | Peter Grimes, op. 33, Act 3: "Mr.Swallow!" | Lauris Margaret Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | Peter Grimes, op. 33, Act 3: "Who holds himself apart" | Marion Studholme, Iris Kells, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | Peter Grimes, op. 33, Act 3: Interlude VI: Fog | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | Peter Grimes, op. 33, Act 3: "Grimes! Grimes!" | Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home" | Claire Watson, Peter Pears, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | Peter Grimes, op. 33, Act 3: "To those who pass the Borough" | Owen Brannigan, Jean Watson, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-2 | The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-3 | The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-4 | The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first" | John Shirley-Quirk, Bryan Drake, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-5 | The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball" | Bryan Drake, John Shirley-Quirk, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-6 | The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute" | Peter Pears, Bryan Drake, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 5-7 | The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!" | Benjamin Luxon, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 5-8 | The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-9 | The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait" | Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-10 | The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-11 | The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock" | Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-12 | The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women" | Heather Harper, Janet Baker, Elizabeth Bainbridge, Jenny Hill, English Chamber Orchestra, Benjamin Britten | — | |
| 5-13 | The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep" | Heather Harper, Peter Pears, Benjamin Luxon, Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-1 | The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans" | Heather Harper, Peter Pears, John Shirley-Quirk, Jenny Hill, Elizabeth Bainbridge, Bryan Drake, English Chamber Orchestra, Benjamin Britten | — | |
| 6-2 | The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-3 | The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light" | Benjamin Luxon, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 6-4 | The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?" | Benjamin Luxon, Janet Baker, Peter Pears, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 6-5 | The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-6 | The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!" | Jenny Hill, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 6-7 | The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia" | Elizabeth Bainbridge, Jenny Hill, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-8 | The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year" | Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Benjamin Britten | — | |
| 6-9 | The Rape of Lucretia: Act II, Scene 2. "You were right" | Jenny Hill, Elizabeth Bainbridge, John Shirley-Quirk, Bryan Drake, English Chamber Orchestra, Benjamin Britten | T-061.609.021-1 | |
| 6-10 | The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!" | John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 6-11 | The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me" | Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 6-12 | The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall" | John Shirley-Quirk, Bryan Drake, Elizabeth Bainbridge, Jenny Hill, Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-13 | The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?" | Heather Harper, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-1 | Albert Herring, op. 39, Act 1: Flor | — | ||
| 7-2 | Albert Herring, op. 39, Act 1: Doctor Jessop's midwife | — | ||
| 7-3 | Albert Herring, op. 39, Act 1: I hope we're not too early, Florence? | — | ||
| 7-4 | Albert Herring, op. 39, Act 1: Stuffy! | — | ||
| 7-5 | Albert Herring, op. 39, Act 1: Now then! Notebook, Florence! | — | ||
| 7-6 | Albert Herring, op. 39, Act 1: The first suggestion on my list | — | ||
| 7-7 | Albert Herring, op. 39, Act 1: Is this all you can bring? | — | ||
| 7-8 | Albert Herring, op. 39, Act 1: Beggin' your pardon | — | ||
| 7-9 | Albert Herring, op. 39, Act 1: Right! We'll have him! | — | ||
| 7-10 | Albert Herring, op. 39, Act 1: Interlude | — | ||
| 7-11 | Albert Herring, op. 39, Act 1: Bounce me high | — | ||
| 7-12 | Albert Herring, op. 39, Act 1: Shop! Hi! Albert! | — | ||
| 7-13 | Albert Herring, op. 39, Act 1: Tickling a trout | — | ||
| 7-14 | Albert Herring, op. 39, Act 1: Meet me at a quarter past eight | — | ||
| 7-15 | Albert Herring, op. 39, Act 1: He's much too busy | — | ||
| 7-16 | Albert Herring, op. 39, Act 1: Good morning, young man | — | ||
| 7-17 | Albert Herring, op. 39, Act 1: We bring great news to you | — | ||
| 7-18 | Albert Herring, op. 39, Act 2: Isn't he here? | — | ||
| 7-19 | Albert Herring, op. 39, Act 2: For three precious weeks | — | ||
| 7-20 | Albert Herring, op. 39, Act 2: Quickly! Quickly, come along! | — | ||
| 7-21 | Albert Herring, op. 39, Act 2: Here they are, dears! | — | ||
| 7-22 | Albert Herring, op. 39, Act 2: My flowers are few | — | ||
| 8-1 | Albert Herring, op. 39, Act 2: I'm full of happiness | — | ||
| 8-2 | Albert Herring, op. 39, Act 2: As representing the local Council | — | ||
| 8-3 | Albert Herring, op. 39, Act 2: My heart leaps up with joy | — | ||
| 8-4 | Albert Herring, op. 39, Act 2: Er | — | ||
| 8-5 | Albert Herring, op. 39, Act 2: Well tried, Albert! | — | ||
| 8-6 | Albert Herring, op. 39, Act 2: Interlude | — | ||
| 8-7 | Albert Herring, op. 39, Act 2: Albert the Good! | — | ||
| 8-8 | Albert Herring, op. 39, Act 2: You oughtn't to whistle! | — | ||
| 8-9 | Albert Herring, op. 39, Act 2: Heaven helps those who help themselves! | — | ||
| 8-10 | Albert Herring, op. 39, Act 3: Introduction | — | ||
| 8-11 | Albert Herring, op. 39, Act 3: Is she asleep? | — | ||
| 8-12 | Albert Herring, op. 39, Act 3: I'm hungry, I'm tired | — | ||
| 8-13 | Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse! | — | ||
| 8-14 | Albert Herring, op. 39, Act 3: Have you found him? | — | ||
| 8-15 | Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools! | — | ||
| 8-16 | Albert Herring, op. 39, Act 3: In the midst of life is death | — | ||
| 8-17 | Albert Herring, op. 39, Act 3: Albert! | — | ||
| 8-18 | Albert Herring, op. 39, Act 3: I'm sorry about that | — | ||
| 8-19 | Albert Herring, op. 39, Act 3: I can't remember everything | — | ||
| 8-20 | Albert Herring, op. 39, Act 3: Albert's come back to stay | — | ||
| 9-1 | Billy Budd, op. 50, Act 1: I am an old man who has experienced much | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 9-2 | Billy Budd, op. 50, Act 1: Pull, my bantams! | Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 9-3 | Billy Budd, op. 50, Act 1: Guard boat! Indomitable! | Nigel Rogers, Bryan Drake, John Shirley-Quirk, Delme Bryn-Jones, David Kelly, Michael Langdon, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 9-4 | Billy Budd, op. 50, Act 1: First man forward! | Michael Langdon, Gregory Dempsey, John Shirley-Quirk, Bryan Drake, Geoffrey Coleby, London Symphony Orchestra, Benjamin Britten | — | |
| 9-5 | Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir | Michael Langdon, Peter Glossop, John Shirley-Quirk, Bryan Drake, London Symphony Orchestra, Benjamin Britten | — | |
| 9-6 | Billy Budd, op. 50, Act 1: Billy Budd, king of the birds! | Peter Glossop, John Shirley-Quirk, Bryan Drake, David Kelly, Michael Langdon, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-7 | Billy Budd, op. 50, Act 1: I heard, your honour! | Michael Langdon, Robert Bowman, Henry Bush, London Symphony Orchestra, Benjamin Britten | — | |
| 9-8 | Billy Budd, op. 50, Act 1: Come along kid! Come along! | Benjamin Luxon, Robert Tear, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-9 | Billy Budd, op. 50, Act 1: Christ, the poor chap! | Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, London Symphony Orchestra, Benjamin Britten | — | |
| 9-10 | Billy Budd, op. 50, Act 1: What's that? What's those whistles? | Peter Glossop, David Bowman, Michael Langdon, Eric Garrett, Norman Lumsden, Delme Bryn-Jones, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 9-11 | Billy Budd, op. 50, Act 1: Starry Vere we call him | David Bowman, Peter Glossop, Gregory Dempsey, Owen Brannigan, Delme Bryn-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-12 | Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn | Peter Pears, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 9-13 | Billy Budd, op. 50, Act 1: Gentlemen, the King! | Peter Pears, Bryan Drake, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 9-14 | Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 9-15 | Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one | John Shirley-Quirk, Peter Pears, Bryan Drake, Henry Bush, David Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-16 | Billy Budd, op. 50, Act 1: Blow, blow, blow | David Bowman, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-17 | Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa | David Bowman, Gregory Dempsey, Peter Glossop, Owen Brannigan, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-18 | Billy Budd, op. 50, Act 1: Hi! You a... a... a... | Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, Robert Bowman, Michael Langdon, James Newby, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-19 | Billy Budd, op. 50, Act 1: Over the water...Handsomely done | Michael Langdon, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-20 | Billy Budd, op. 50, Act 1: Come here. Remember your promise | Michael Langdon, Robert Tear, London Symphony Orchestra, Benjamin Britten | — | |
| 9-21 | Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd! | Robert Tear, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 9-22 | Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you | Peter Glossop, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 10-1 | Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn | Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 10-2 | Billy Budd, op. 50, Act 2: With great regret I must disturb your honour | Michael Langdon, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-3 | Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow | Nigel Rogers, Delme Bryn-Jones, Bryan Drake, John Shirley-Quirk, David Kelly, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 10-4 | Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em | John Shirley-Quirk, David Bowman, Gregory Dempsey, Peter Glossop, Owen Brannigan, Bryan Drake, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-5 | Billy Budd, op. 50, Act 2: There you are again, Master-at-arms | Peter Pears, Michael Langdon, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 10-6 | Billy Budd, op. 50, Act 2: O this cursed mist | Peter Pears, John Shirley-Quirk, David Kelly, Bryan Drake, London Symphony Orchestra, Benjamin Britten | — | |
| 10-7 | Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware! | Peter Pears, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-8 | Billy Budd, op. 50, Act 2: Master-at-arms and foretopman | Peter Pears, Michael Langdon, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-9 | Billy Budd, op. 50, Act 2: God o' mercy! Here, help me! | Peter Pears, James Newby, London Symphony Orchestra, Benjamin Britten | — | |
| 10-10 | Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed | Peter Pears, John Shirley-Quirk, Bryan Drake, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 10-11 | Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere | John Shirley-Quirk, Peter Pears, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-12 | Billy Budd, op. 50, Act 2: Poor fellow, who could save him? | John Shirley-Quirk, David Kelly, Bryan Drake, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-13 | Billy Budd, op. 50, Act 2: I accept their verdict | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 10-14 | Billy Budd, op. 50, Act 2: Look! Through the port | Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-15 | Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend | Owen Brannigan, Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-16 | Billy Budd, op. 50, Act 2: And farewell to ye | Peter Glossop, London Symphony Orchestra, Benjamin Britten | — | |
| 10-17 | Billy Budd, op. 50, Act 2: Interlude | London Symphony Orchestra, Benjamin Britten | — | |
| 10-18 | Billy Budd, op. 50, Act 2: According to the articles of War | John Shirley-Quirk, Peter Glossop, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10-19 | Billy Budd, op. 50, Act 2: Down all hands! And see that they do | John Shirley-Quirk, Bryan Drake, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 10-20 | Billy Budd, op. 50, Act 2: We committed his body to the deep | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 11-1 | Gloriana: Act I - Scene 1: 1. Prelude | Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-2 | Gloriana: Act I - Scene 1: 2. The Tornament | Christopher Cornall, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-3 | Gloriana: Act I - Scene 1: 3. Recitative & Fight | Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-4 | Gloriana: Act I - Scene 1: 4. Entrance of the Queen | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-5 | Gloriana: Act I - Scene 1: 5. Recitative | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-6 | Gloriana: Act I - Scene 1: 6. The two Lords' Explanation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-7 | Gloriana: Act I - Scene 1: 7. Raleigh's Song | Richard van Allan, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-8 | Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-9 | Gloriana: Act I - Scene 1: 9. Recitative & Final March | Richard van Allan, Josephine Barstow, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-10 | Gloriana: Act I - Scene 2: 1. Prelude & Dialogue | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-11 | Gloriana: Act I - Scene 2: 2. The Queen's Song | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-12 | Gloriana: Act I - Scene 2: 3. Cecil's Song of Government | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-13 | Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry | Josephine Barstow, Dominic Gill, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-14 | Gloriana: Act I - Scene 2: 5. First Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-15 | Gloriana: Act I - Scene 2: 6. Second Lute Song | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-16 | Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex | Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-17 | Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-18 | Gloriana: Act II - Scene 1: 1. Prelude & Welcome | Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, John Shirley-Quirk, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-19 | Gloriana: Act II - Scene 1: 2. The Masque | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-20 | Gloriana: Act II - Scene 1: 3. Finale | John Mark Ainsley, Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, John Shirley-Quirk, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-21 | Gloriana: Act II - Scene 2: 1. Prelude & Song | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-22 | Gloriana: Act II - Scene 2: 2. Duet | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-23 | Gloriana: Act II - Scene 2: 3. Double Duet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 11-24 | Gloriana: Act II - Scene 2: 4. Quartet | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-1 | Gloriana: Act II - Scene 3: 1. Pavane | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-2 | Gloriana: Act II - Scene 3: 2. Conversation | Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-3 | Gloriana: Act II - Scene 3: 3. Galliard | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-4 | Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance | Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-5 | Gloriana: Act II - Scene 3: 5. Lavolta | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-6 | Gloriana: Act II - Scene 3: 6. Conversation | Josephine Barstow, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-7 | Gloriana: Act II - Scene 3: 7. Morris dance | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-8 | Gloriana: Act II - Scene 3: 8. Recitative | Della Jones, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-9 | Gloriana: Act II - Scene 3: 9. The Queen's Burlesque | Josephine Barstow, Della Jones, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-10 | Gloriana: Act II - Scene 3: 10. Quartet | Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-11 | Gloriana: Act II - Scene 3: 11. March | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-12 | Gloriana: Act II - Scene 3: 12. The Queen's Announcement | Richard van Allan, Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-13 | Gloriana: Act II - Scene 3: 13. Ensemble | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Alan Opie, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-14 | Gloriana: Act II - Scene 3: 14. Coranto | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-15 | Gloriana: Act III - Scene 1: 1. Prelude & Chatter | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-16 | Gloriana: Act III - Scene 1: 2. Essex's Intrusion | Chorus of the Welsh National Opera, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-17 | Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex | Josephine Barstow, Philip Langridge, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-18 | Gloriana: Act III - Scene 1: 4. The Dressing-Table Song | Chorus of the Welsh National Opera, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-19 | Gloriana: Act III - Scene 1: 5. The Entrance of Cecil | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-20 | Gloriana: Act III - Scene 1: 6. Cecil's Report | Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-21 | Gloriana: Act III - Scene 1: 7. Discussion | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-22 | Gloriana: Act III - Scene 1: 8. The Queen's Decision | Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-23 | Gloriana: Act III - Scene 2: Ballad - Rondo | Chorus of the Welsh National Opera, James Miller-Coburn, Monmouth School Choir, Bryn Terfel, Willard White, Jenevora Williams, Tom Finucane, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-24 | Gloriana: Act III - Scene 3: 1. Prelude & Verdict | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-25 | Gloriana: Act III - Scene 3: 2. Cecil's Warning | Josephine Barstow, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-26 | Gloriana: Act III - Scene 3: 3. The Queen's Dilemma | Richard van Allan, Josephine Barstow, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-27 | Gloriana: Act III - Scene 3: 4. Trio | Della Jones, Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-28 | Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading | Josephine Barstow, Della Jones, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-29 | Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading | Josephine Barstow, Yvonne Kenny, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 12-30 | Gloriana: Act III - Scene 3: 7. Epilogue | Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Alan Opie, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 13-1 | The Turn of the Screw: Prologue (The Prologue) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-2 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-3 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | T-010.162.705-7 | |
| 13-4 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-5 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-6 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-7 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-8 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 13-9 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-1 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | Arda Mandikian, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-2 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | Joan Cross, Olive Dyer, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-3 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-4 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-5 | The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | Peter Pears, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-6 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | Joan Cross, Olive Dyer, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-7 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 14-8 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — | |
| 15-1 | A Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-2 | A Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight" | Alfred Deller, Elizabeth Harwood, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-3 | A Midsummer Night's Dream: Act I. "Well, go thy way" | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 15-4 | A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | T-911.431.565-0 | |
| 15-5 | A Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not" | Alfred Deller, Thomas Hemsley, Heather Harper, London Symphony Orchestra, Benjamin Britten | — | |
| 15-6 | A Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 15-7 | A Midsummer Night's Dream: Act I. "Is all our company here?" | Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 15-8 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-9 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-10 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 15-11 | A Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-12 | A Midsummer Night's Dream: Act I. "You spotted snakes" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Emanuel School Wandsworth, Boys’ Choir, Choir of Downside School, Purley, London Symphony Orchestra, Benjamin Britten | — | |
| 15-13 | A Midsummer Night's Dream: Act I. "What thou seest when thou dost wake" | Alfred Deller, London Symphony Orchestra, Benjamin Britten | — | |
| 15-14 | A Midsummer Night's Dream: Act II. Introduction | London Symphony Orchestra, Benjamin Britten | — | |
| 15-15 | A Midsummer Night's Dream: Act II. "Are we all met?" | Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 15-16 | A Midsummer Night's Dream: Act II. "I see their knavery" | Owen Brannigan, Elizabeth Harwood, John Pryor, Richard Dakin, Ian Wodehouse, Gordon Clark, London Symphony Orchestra, Benjamin Britten | — | |
| 15-17 | A Midsummer Night's Dream: Act II. "Be kind and courteous" | Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-18 | A Midsummer Night's Dream: Act II. "Hail, mortal, hail!" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-19 | A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music" | Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 15-20 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-1 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-2 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-3 | A Midsummer Night's Dream: Act II. "This is thy negligence..." | Alfred Deller, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-4 | A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-5 | A Midsummer Night's Dream: Act II. "On the ground, sleep sound" | Choir of Downside School, Purley, Emanuel School Wandsworth, Boys’ Choir, London Symphony Orchestra, Benjamin Britten | — | |
| 16-6 | A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin" | Alfred Deller, Elizabeth Harwood, Stephen Terry, London Symphony Orchestra, Benjamin Britten | — | |
| 16-7 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-8 | A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Owen Brannigan, London Symphony Orchestra, Benjamin Britten | — | |
| 16-9 | A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten | — | |
| 16-10 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-11 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-12 | A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show" | Norman Lumsden, Heather Harper, Thomas Hemsley, London Symphony Orchestra, Benjamin Britten | — | |
| 16-13 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-14 | A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Owen Brannigan, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-15 | A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-16 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-17 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley-Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | — | |
| 16-18 | A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-19 | A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Kenneth MacDonald, John Shirley-Quirk, Peter Pears, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | T-922.026.755-0 | |
| 16-20 | A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask" | John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 16-21 | A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Alfred Deller, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | — | |
| 17-1 | Owen Wingrave, op. 85: Act 1. Prelude | English Chamber Orchestra, Benjamin Britten | — | |
| 17-2 | Owen Wingrave, op. 85: Act 1. You've got your maps there? | John Shirley-Quirk, Nigel Douglas, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-3 | Owen Wingrave, op. 85: Act 1. At last it's out | Benjamin Luxon, Sylvia Fisher, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 17-4 | Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle | Nigel Douglas, Heather Harper, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-5 | Owen Wingrave, op. 85: Act 1. Oh, how unforeseen | Jennifer Vyvyan, Janet Baker, Sylvia Fisher, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 17-6 | Owen Wingrave, op. 85: Act 1. Sirrah! How dare you! | Peter Pears, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, English Chamber Orchestra, Benjamin Britten | — | |
| 17-7 | Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come | Heather Harper, John Shirley-Quirk, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 17-8 | Owen Wingrave, op. 85: Act 1. May God bless the Queen | Peter Pears, Heather Harper, Sylvia Fisher, Janet Baker, Nigel Douglas, John Shirley-Quirk, Benjamin Luxon, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 18-1 | Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born | Peter Pears, Benjamin Luxon, John Shirley-Quirk, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 18-2 | Owen Wingrave, op. 85: Act 2. I envy you, this fine old house | Nigel Douglas, Jennifer Vyvyan, Heather Harper, John Shirley-Quirk, Sylvia Fisher, Benjamin Luxon, Janet Baker, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 18-3 | Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe! | John Shirley-Quirk, Peter Pears, Janet Baker, Sylvia Fisher, Nigel Douglas, Benjamin Luxon, Jennifer Vyvyan, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 18-4 | Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played | Benjamin Luxon, Sylvia Fisher, Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-5 | Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks | Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 18-6 | Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do? | Janet Baker, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 18-7 | Owen Wingrave, op. 85: Act 2. Is that you, Coyle? | Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-8 | Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere | John Shirley-Quirk, Nigel Douglas, Heather Harper, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, Peter Pears, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19-1 | Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-2 | Death in Venice: Act 1, Scene 1. "Who's that? A foreigner" (Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 19-3 | Death in Venice: Act 1, Scene 2. "Hey there, hey there" (Youths) | John Shirley-Quirk, Peter Pears, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-4 | Death in Venice: Act 1, Scene 2. "Serenissima… Low-lying clouds" (Youths, Aschenbach) | Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 19-5 | Death in Venice: Act 1, Scene 2. Overture "Venice" | English Chamber Orchestra, Steuart Bedford | — | |
| 19-6 | Death in Venice: Act 1, Scene 3. "Ah Serenissima!" (Aschenbach) | Peter Pears, John Shirley-Quirk, Michael Bauer, Kenneth Bowen, English Chamber Orchestra, Steuart Bedford | — | |
| 19-7 | Death in Venice: Act 1, Scene 3. "Mysterious gondola" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-8 | Death in Venice: Act 1, Scene 4. "We are delighted to greet the Signore" (Hotel Manager) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-9 | Death in Venice: Act 1, Scene 4. "Was I wrong to come" (Aschenbach) | Neville Williams, Peter Pears, Iris Saunders, Anne Wilkens, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis, Kenneth Bowen, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-10 | Death in Venice: Act 1, Scene 5. "There is indeed in every artist's nature" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 19-11 | Death in Venice: Act 1, Scene 5. (Children's games)… "Adziù! Adziù!" (Chorus) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 19-12 | Death in Venice: Act 1, Scene 6. "Aou'! Stagando, aou'!" (Gondolier) | John Shirley-Quirk, Robert Carpenter Turner, Sheila Brand, Stephen James Adams, Anne Wilkens, Stuart Harling, English Chamber Orchestra, Steuart Bedford | — | |
| 19-13 | Death in Venice: Act 1, Scene 6. "Naturally, Signore, I understand" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, Ronald Murdock, Michael Bauer, English Chamber Orchestra, Steuart Bedford | — | |
| 19-14 | Death in Venice: Act 1, Scene 7. "Here I will stay, here dedicate my days" (Aschenbach) | Neville Williams, Peter Pears, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 19-15 | Death in Venice: Act 1, Scene 7. "First the race!" (Chorus) | Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford | — | |
| 19-16 | Death in Venice: Act 1, Scene 7. "The boy, Tadzio, shall inspire me" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-1 | Death in Venice: Act 2. "So it has come to this" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-2 | Death in Venice: Act 2, Scene 8. "Guardate, Signore!" (Hotel Barber) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-3 | Death in Venice: Act 2, Scene 9. "Do I detect a scent?" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Stephen James Adams, Stuart Harling, Sheila Brand, Robert Carpenter Turner, Anne Wilkens, Anna Vincent, English Chamber Orchestra, Steuart Bedford | — | |
| 20-4 | Death in Venice: Act 2, Scene 9. "Careful search now leads me to them" (Aschenbach) | Peter Pears, Ronald Murdock, Michael Bauer, Keith Jones, English Chamber Orchestra, Steuart Bedford | — | |
| 20-5 | Death in Venice: Act 2, Scene 10. "This way for the players, Signori!" (Hotel Porter) | Neville Williams, Kenneth Bowen, Stuart Harling, Penelope McKay, John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-6 | Death in Venice: Act 2, Scene 10. "Fiorir rose in mezo al giasso" (Leader of the players) | John Shirley-Quirk, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-7 | Death in Venice: Act 2, Scene 11. "One moment if you please" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-8 | Death in Venice: Act 2, Scene 11. "In these last years" (English Clerk) | Peter Leeming, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-9 | Death in Venice: Act 2, Scene 12. "So it is true, true" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-10 | Death in Venice: Act 2, Scene 13. "Receive the stranger god" (Voice of Dionysus) | John Shirley-Quirk, James Bowman, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-11 | Death in Venice: Act 2, Scene 14. (The empty beach)… "Do what you will with me!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-12 | Death in Venice: Act 2, Scene 15. "Yes! A very wise decision" (Hotel Barber) | John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford | — | |
| 20-13 | Death in Venice: Act 2, Scene 16. "Hurrah for the Piazza" (Aschenbach) | Peter Pears, Iris Saunders, English Chamber Orchestra, Steuart Bedford | — | |
| 20-14 | Death in Venice: Act 2, Scene 16. "Chaos, chaos and sickness" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-15 | Death in Venice: Act 2, Scene 17. "The wind still blows from the land" (Hotel Manager) | John Shirley-Quirk, Kenneth Bowen, Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 20-16 | Death in Venice: Act 2, Scene 17. (On the beach)… "Ah, no!" (Aschenbach) | Peter Pears, English Chamber Orchestra, Steuart Bedford | — | |
| 21-1 | The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry | — | ||
| 21-2 | The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture | — | ||
| 21-3 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life | — | ||
| 21-4 | The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind | — | ||
| 21-5 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear | — | ||
| 21-6 | The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade | — | ||
| 21-7 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore | — | ||
| 21-8 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre | — | ||
| 21-9 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut | — | ||
| 21-10 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice | — | ||
| 21-11 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed... | — | ||
| 21-12 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed | — | ||
| 21-13 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir | — | ||
| 21-14 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe | — | ||
| 21-15 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say | — | ||
| 21-16 | The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free | — | ||
| 21-17 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast | — | ||
| 21-18 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part! | — | ||
| 21-19 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees | — | ||
| 21-20 | The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass" | — | ||
| 21-21 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road | — | ||
| 21-22 | The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares | — | ||
| 21-23 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season | — | ||
| 21-24 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing | — | ||
| 21-25 | The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall | — | ||
| 22-1 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more | — | ||
| 22-2 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat | — | ||
| 22-3 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors | — | ||
| 22-4 | The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass | — | ||
| 22-5 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy | — | ||
| 22-6 | The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age | — | ||
| 22-7 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir? | — | ||
| 22-8 | The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow | — | ||
| 22-9 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be... | — | ||
| 22-10 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease... | — | ||
| 22-11 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt? | — | ||
| 22-12 | The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide | — | ||
| 22-13 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning | — | ||
| 22-14 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar... | — | ||
| 22-15 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath! | — | ||
| 22-16 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship | — | ||
| 22-17 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes... | — | ||
| 22-18 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends | — | ||
| 22-19 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we... | — | ||
| 22-20 | The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth | — | ||
| 22-21 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff | — | ||
| 22-22 | The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love | — | ||
| 22-23 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets | — | ||
| 22-24 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow | — | ||
| 22-25 | The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband | — | ||
| 22-26 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me | — | ||
| 22-27 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears | — | ||
| 22-28 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up | — | ||
| 22-29 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great | — | ||
| 22-30 | The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared | — | ||
| 22-31 | The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case | — | ||
| 22-32 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged! | — | ||
| 22-33 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk | — | ||
| 23-1 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-2 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-3 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-4 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-5 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 23-6 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-7 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-8 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 23-9 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 23-10 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 23-11 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 23-12 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country | — | ||
| 23-13 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy | — | ||
| 23-14 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea | — | ||
| 23-15 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck | — | ||
| 24-1 | Curlew River, op. 71: "Te lúcis ante términum" | — | ||
| 24-2 | Curlew River, op. 71: "I am the ferryman" | — | ||
| 24-3 | Curlew River, op. 71: "I come from the Westland" | — | ||
| 24-4 | Curlew River, op. 71: "But first may I ask you" | — | ||
| 24-5 | Curlew River, op. 71: "Clear as a sky without a cloud" | — | ||
| 24-6 | Curlew River, op. 71: "Near the Black Mountains there I dwelt" | — | ||
| 24-7 | Curlew River, op. 71: "A thousand leagues may sunder" | — | ||
| 24-8 | Curlew River, op. 71: "Ignorant man!" | — | ||
| 24-9 | Curlew River, op. 71: "I beg your pardon, living in this famous place" | — | ||
| 24-10 | Curlew River, op. 71: "Curlew River, smoothly flowing" | — | ||
| 24-11 | Curlew River, op. 71: "Today is an important day" | — | ||
| 24-12 | Curlew River, op. 71: "Look! While you were listening to my story" | — | ||
| 24-13 | Curlew River, op. 71: "Ferryman, tell me, when did it happen" | — | ||
| 24-14 | Curlew River, op. 71: "Hoping, I wander'd on" | — | ||
| 24-15 | Curlew River, op. 71: "He whose life was full of promise" | — | ||
| 24-16 | Curlew River, op. 71: "The moon has risen" | — | ||
| 24-17 | Curlew River, op. 71: "Go your way in peace, mother" | — | ||
| 24-18 | Curlew River, op. 71: "Good souls, we have shown you here" | — | ||
| 25-1 | The Burning Fiery Furnace, op. 77: Salus aeterna | — | ||
| 25-2 | The Burning Fiery Furnace, op. 77: Good people, in His holy name | — | ||
| 25-3 | The Burning Fiery Furnace, op. 77: By the Royal Command | — | ||
| 25-4 | The Burning Fiery Furnace, op. 77: Adept in magic | — | ||
| 25-5 | The Burning Fiery Furnace, op. 77: The waters of Babylon | — | ||
| 25-6 | The Burning Fiery Furnace, op. 77: Sirs, what is this? | — | ||
| 25-7 | The Burning Fiery Furnace, op. 77: We do not lack enemies | — | ||
| 25-8 | The Burning Fiery Furnace, op. 77: By the Royal Decree | — | ||
| 25-9 | The Burning Fiery Furnace, op. 77: Procession | — | ||
| 25-10 | The Burning Fiery Furnace, op. 77: Merodak! Lord of creation | — | ||
| 25-11 | The Burning Fiery Furnace, op. 77: Bring them here before my Majesty | — | ||
| 25-12 | The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar | — | ||
| 25-13 | The Burning Fiery Furnace, op. 77: O all ye works of the Lord | — | ||
| 25-14 | The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego | — | ||
| 25-15 | The Burning Fiery Furnace, op. 77: O ye Winter and Summer | — | ||
| 25-16 | The Burning Fiery Furnace, op. 77: Good people, we have shown you here | — | ||
| 26-1 | The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere | — | ||
| 26-2 | The Prodigal Son: Third Parable for Church Performance: Ah you people | — | ||
| 26-3 | The Prodigal Son: Third Parable for Church Performance: The ceremony | — | ||
| 26-4 | The Prodigal Son: Third Parable for Church Performance: I am father to you all | — | ||
| 26-5 | The Prodigal Son: Third Parable for Church Performance: Forgive my asking you | — | ||
| 26-6 | The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you? | — | ||
| 26-7 | The Prodigal Son: Third Parable for Church Performance: Take your due portion | — | ||
| 26-8 | The Prodigal Son: Third Parable for Church Performance: Go, if you must go | — | ||
| 26-9 | The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger! | — | ||
| 26-10 | The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey | — | ||
| 26-11 | The Prodigal Son: Third Parable for Church Performance: Nights are days | — | ||
| 26-12 | The Prodigal Son: Third Parable for Church Performance: You have gambled and lost | — | ||
| 26-13 | The Prodigal Son: Third Parable for Church Performance: Now | — | ||
| 26-14 | The Prodigal Son: Third Parable for Church Performance: With joy I sowed | — | ||
| 26-15 | The Prodigal Son: Third Parable for Church Performance: My son | — | ||
| 26-16 | The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord | — | ||
| 26-17 | The Prodigal Son: Third Parable for Church Performance: My children, you have seen | — | ||
| 27-1 | The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep! | Benjamin Britten | — | |
| 27-2 | The Little Sweep (Let's make an opera), op. 45: Sweep this chimney | Benjamin Britten | — | |
| 27-3 | The Little Sweep (Let's make an opera), op. 45: Now, little white boy! | Benjamin Britten | — | |
| 27-4 | The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free! | Benjamin Britten | — | |
| 27-5 | The Little Sweep (Let's make an opera), op. 45: Is he wounded? | Benjamin Britten | — | |
| 27-6 | The Little Sweep (Let's make an opera), op. 45: Sooty tracks | Benjamin Britten | — | |
| 27-7 | The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy | Benjamin Britten | — | |
| 27-8 | The Little Sweep (Let's make an opera), op. 45: The kettles are singing | Benjamin Britten | — | |
| 27-9 | The Little Sweep (Let's make an opera), op. 45: O why do you weep | Benjamin Britten | — | |
| 27-10 | The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards! | Benjamin Britten | — | |
| 27-11 | The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed! | Benjamin Britten | — | |
| 27-12 | The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky | Benjamin Britten | — | |
| 27-13 | The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away | Benjamin Britten | — | |
| 27-14 | The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather | Benjamin Britten | — | |
| 27-15 | The Little Sweep (Let's make an opera), op. 45: Ready, Alfred? | Benjamin Britten | — | |
| 27-16 | The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing | Benjamin Britten | — | |
| 27-17 | The Children's Crusade, op. 82 | Mark Emney, John Wojciechowski, Stephen Daniels, Raymond Hares, Barnaby Jago, Graham Preston, Wandsworth School Boys’ Choir, Benjamin Britten | — | |
| 28-1 | The Prince of the Pagodas, op. 57: Act 1. Prelude | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-2 | The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-3 | The Prince of the Pagodas, op. 57: Act 1. The Emperor – March | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-4 | The Prince of the Pagodas, op. 57: Act 1. Gavotte | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-5 | The Prince of the Pagodas, op. 57: Act 1. The Four Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-6 | The Prince of the Pagodas, op. 57: Act 1. The King of the North | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-7 | The Prince of the Pagodas, op. 57: Act 1. The King of the East | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-8 | The Prince of the Pagodas, op. 57: Act 1. The King of the West | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-9 | The Prince of the Pagodas, op. 57: Act 1. The King of the South | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-10 | The Prince of the Pagodas, op. 57: Act 1. Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-11 | The Prince of the Pagodas, op. 57: Act 1. Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-12 | The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-13 | The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-14 | The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-15 | The Prince of the Pagodas, op. 57: Act 1. The Four Frogs | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-16 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-17 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-18 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-19 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-20 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-21 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 28-22 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-1 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-2 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-3 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-4 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-5 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-6 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-7 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-8 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-9 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-10 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-11 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-12 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-13 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-14 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 29-15 | Plymouth Town | — | ||
| 30-1 | Night Mail: Title Music | — | ||
| 30-2 | Night Mail: Percussion Sequence | — | ||
| 30-3 | Night Mail: End Sequence | — | ||
| 30-4 | The Tocher (Rossini Suite): I. Allegro Brillante | — | ||
| 30-5 | The Tocher (Rossini Suite): II. Allegretto | — | ||
| 30-6 | The Tocher (Rossini Suite): III. Allegretto | — | ||
| 30-7 | The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato | — | ||
| 30-8 | The Tocher (Rossini Suite): V. Allegro Con Brio | — | ||
| 30-9 | The King's Stamp, Part 1: Allegro Molto Alla Marcia | — | ||
| 30-10 | The King's Stamp, Part 1: Allegro: Opening Door | — | ||
| 30-11 | The King's Stamp, Part 1: Allegretto: Messenger Boy | — | ||
| 30-12 | The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works | — | ||
| 30-13 | The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts | — | ||
| 30-14 | The King's Stamp, Part 2: Minuet: Andante Lento | — | ||
| 30-15 | The King's Stamp, Part 2: Allegretto: Train Sequence | — | ||
| 30-16 | The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill | — | ||
| 30-17 | The King's Stamp, Part 2: Allegro | — | ||
| 30-18 | The King's Stamp, Part 2: Allegro Moderato alla Marcia | — | ||
| 30-19 | Negroes: Music from GPO Film: Allegro appassionato | — | ||
| 30-20 | Negroes: Music from GPO Film: II. Allegro | — | ||
| 30-21 | Negroes: Music from GPO Film: III. Allegro ritmico | — | ||
| 30-22 | Negroes: Music from GPO Film: IV. Andante con moto | — | ||
| 30-23 | Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters" | — | ||
| 30-24 | Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe" | — | ||
| 30-25 | Negroes: Music from GPO Film: VI. Andante con molto moto | — | ||
| 30-26 | Negroes: Music from GPO Film: VII. Allegro ritmico | — | ||
| 30-27 | The Way To The Sea: Introduction | — | ||
| 30-28 | The Way To The Sea: Romans | — | ||
| 30-29 | The Way To The Sea: Alfred | — | ||
| 30-30 | The Way To The Sea: "There Is, At This Point Of The Haven" | — | ||
| 30-31 | The Way To The Sea: "The Eighteenth Century" | — | ||
| 30-32 | The Way To The Sea: "Nelson Has Gone" | — | ||
| 30-33 | The Way To The Sea: "169 Trains A Week" | — | ||
| 30-34 | The Way To The Sea: "The Line Waits" | — | ||
| 30-35 | The Way To The Sea: "Here Is A Harbour" | — | ||
| 30-36 | The Way To The Sea: "We Seek A Spectacle" | — | ||
| 30-37 | The Way To The Sea: Allegro molto: alla marcia | — | ||
| 30-38 | Telegrams | — | ||
| 30-39 | Peace Of Britain | — | ||
| 30-40 | Men Behind The Meters: Title Music | — | ||
| 30-41 | Men Behind The Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls" | — | ||
| 30-42 | Men Behind The Meters: Allegro Moderato: 1935 Sequence | — | ||
| 30-43 | Coal Face: I. Andante: "A Sterile Landscape" | — | ||
| 30-44 | Coal Face: II. "Coal Mining Is the Basic Industry Of Britain" | — | ||
| 30-45 | Coal Face: III. Andante: "The Chief Coal-Producing Centres" | — | ||
| 30-46 | Coal Face: IV. "Yorkshire and Lancashire" | — | ||
| 30-47 | Coal Face: V. Moderato: "The Temp'rature Often Reaches" | — | ||
| 30-48 | Coal Face: VI. Andante: "The Seven and a Half Hour Shift" | — | ||
| 30-49 | Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M." | — | ||
| 30-50 | Coal Face: VIII. Allegro ma non troppo: "In Many Pits" | — | ||
| 30-51 | Coal Face: IX. Allegro molto: "The Shift Is Finished" | — | ||
| 30-52 | Coal Face: X. "Making Up Coal Trains" | — | ||
| 30-53 | Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry" | — | ||
| 30-54 | Coal Face: 1II. Andante: "There Are the Miners" | — | ||
| 30-55 | When You're Feeling Like Expressing Your Affection | — | ||
| 31-1 | Love From A Stranger, Love From A tranger: I. Title Music | — | ||
| 31-2 | Love From A Stranger, Love From A tranger: II. Traffic Music | — | ||
| 31-3 | Love From A Stranger, Love From A tranger: III. Brighton | — | ||
| 31-4 | Love From A Stranger, Love From A tranger: IV. Love Music | — | ||
| 31-5 | Love From A Stranger, Love From A tranger: V. Channel Crossing | — | ||
| 31-6 | Love From A Stranger, Love From A tranger: VI. End Titles | — | ||
| 31-7 | Johnson Over Jordan (Suite): Overture | — | ||
| 31-8 | Johnson Over Jordan (Suite): Introduction | — | ||
| 31-9 | Johnson Over Jordan (Suite): Incinerators' Ballet | — | ||
| 31-10 | Johnson Over Jordan (Suite): The Spider and the Fly | — | ||
| 31-11 | Johnson Over Jordan (Suite): Approach of Death | — | ||
| 31-12 | Johnson Over Jordan (Suite): End Music | — | ||
| 31-13 | The Rescue Of Penelope, Part 1: Eight Years Have Passed | — | ||
| 31-14 | The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes | — | ||
| 31-15 | The Rescue Of Penelope, Part 1: Worse Still, The Island | — | ||
| 31-16 | The Rescue Of Penelope, Part 1: Children Have Died Of Want | — | ||
| 31-17 | The Rescue Of Penelope, Part 1: Yet Some Trust in An End | — | ||
| 31-18 | The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope | — | ||
| 31-19 | The Rescue Of Penelope, Part 1: Long Suffering Odysseus | — | ||
| 31-20 | The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods | — | ||
| 31-21 | The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night | — | ||
| 31-22 | The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus | — | ||
| 31-23 | The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden | — | ||
| 31-24 | The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall! | — | ||
| 31-25 | The Rescue Of Penelope, Part 2: There It Is Before You | — | ||
| 31-26 | The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca | — | ||
| 31-27 | The Rescue Of Penelope, Part 2: Telemachus, Be Swift! | — | ||
| 31-28 | The Rescue Of Penelope, Part 2: Now There Is Silence | — | ||
| 32-1 | The Company Of Heaven: I. Chaos | — | ||
| 32-2 | The Company Of Heaven: II. The Morning Stars | — | ||
| 32-3 | The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary | — | ||
| 32-4 | The Company Of Heaven: IV. Christ, The Fair Glory | — | ||
| 32-5 | The Company Of Heaven: V. War in Heaven | — | ||
| 32-6 | The Company Of Heaven: VI. Heaven Is Here | — | ||
| 32-7 | The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires | — | ||
| 32-8 | The Company Of Heaven: VIII. Funeral March For A Boy | — | ||
| 32-9 | The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High | — | ||
| 32-10 | The Company Of Heaven: X. There Came Out Also At This Time | — | ||
| 32-11 | The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones | — | ||
| 32-12 | The Sword in The Stone | — | ||
| 32-13 | Russian Funeral: march for brass and percussion (1936) | — | ||
| 32-14 | Fanfare: 'The Eagle has Two Heads' | — | ||
| 32-15 | On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick) | — | ||
| 32-16 | This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick) | — | ||
| 33-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 33-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 33-7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 33-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 33-15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 33-16 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 33-17 | War Requiem, op. 66, Libera me: Libera me, Domine | — | ||
| 33-18 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 33-19 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 34-1 | Spring Symphony, op. 44: I. Introduction: Shine out | — | ||
| 34-2 | Spring Symphony, op. 44: II. The merry cuckoo | — | ||
| 34-3 | Spring Symphony, for soprano, alto, tenor, boys’ chorus, chorus & orchestra, op. 44: III Spring, the sweet spring | Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 34-4 | Spring Symphony, op. 44: IV. The driving boy | — | ||
| 34-5 | Spring Symphony, op. 44: V. The morning star | — | ||
| 34-6 | Spring Symphony, op. 44: VI. Welcome Maids of Honour | — | ||
| 34-7 | Spring Symphony, op. 44: VII. Waters above! | — | ||
| 34-8 | Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed | — | ||
| 34-9 | Spring Symphony, op. 44: IX. When will my May come | — | ||
| 34-10 | Spring Symphony, op. 44: X. Fair and fair | — | ||
| 34-11 | Spring Symphony, op. 44: 1I. Sound the flute! | — | ||
| 34-12 | Spring Symphony, op. 44: 1II. Finale: London, to thee I do present | — | ||
| 34-13 | Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-14 | Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus | Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-15 | Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora | Peter Pears, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-16 | Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-17 | Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives.. | Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-18 | Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 34-19 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | — | ||
| 34-20 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | — | ||
| 34-21 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | — | ||
| 35-1 | Saint Nicolas, op. 42: Introduction | — | ||
| 35-2 | Saint Nicolas, op. 42: The birth of Nicolas | — | ||
| 35-3 | Saint Nicolas, op. 42: Nicolas devotes himself to God | — | ||
| 35-4 | Saint Nicolas, op. 42: He journeys to Palestine | — | ||
| 35-5 | Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop | — | ||
| 35-6 | Saint Nicolas, op. 42: Nicolas from prison | — | ||
| 35-7 | Saint Nicolas, op. 42: Nicolas and the Pickled Boys | — | ||
| 35-8 | Saint Nicolas, op. 42: His piety and marvellous works | — | ||
| 35-9 | Saint Nicolas, op. 42: The death of Nicolas | — | ||
| 35-10 | 5 Flower Songs, op. 47: I. To Daffodils | Elizabethan Singers, Louis Halsey | T-900.010.001-6 | |
| 35-11 | 5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months | Elizabethan Singers, Louis Halsey | T-900.012.611-4 | |
| 35-12 | 5 Flower Songs, op. 47: III. Marsh Flowers | Elizabethan Singers, Louis Halsey | — | |
| 35-13 | 5 Flower Songs, op. 47: IV. The Evening Primrose | Elizabethan Singers, Louis Halsey | T-900.011.825-2 | |
| 35-14 | 5 Flower Songs, op. 47: V. Ballad of Green Broom | Elizabethan Singers, Louis Halsey | T-010.164.285-6 | |
| 35-15 | Cantata Misericordium, op. 69 | — | ||
| 36-1 | A Boy Was Born, op. 3: "A boy was born (theme)" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-2 | A Boy Was Born, op. 3: Variation I. "Lullay, Jesu" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-3 | A Boy Was Born, op. 3: Variation II. "Herod" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-4 | A Boy Was Born, op. 3: Variation III. "Jesu, as Thou art our Saviour" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-5 | A Boy Was Born, op. 3: Variation IV. "The three kings" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-6 | A Boy Was Born, op. 3: Variation V. "In the bleak mid-winter" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-7 | A Boy Was Born, op. 3: Variation VI. Finale "Noel!" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 36-8 | Corpus Christi Carol | — | ||
| 36-9 | A Wealden Trio: Christmas Song of the Women | — | ||
| 36-10 | The Sycamore Tree | — | ||
| 36-11 | A Shepherd's Carol (1944) | — | ||
| 36-12 | Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity | — | ||
| 36-13 | Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song | — | ||
| 36-14 | Christ's Nativity: Christmas Suite For Chorus: Preparations | — | ||
| 36-15 | Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp | — | ||
| 36-16 | Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut | — | ||
| 36-17 | A Ceremony of Carols, op.28: Procession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-18 | A Ceremony of Carols, op.28: Wolcum Yole! | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-19 | A Ceremony of Carols, op.28: There Is No Rose | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-20 | A Ceremony of Carols, op.28: That Youngë Child | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-21 | A Ceremony of Carols, op.28: Balulalow | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-22 | A Ceremony of Carols, op.28: As Dew in Aprille | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-23 | A Ceremony of Carols, op.28: This Little Babe | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-24 | A Ceremony of Carols, op.28: Interlude | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-25 | A Ceremony of Carols, op.28: In Freezing Winter Night | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-26 | A Ceremony of Carols, op.28: Spring Carol | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-27 | A Ceremony of Carols, op.28: Deo Gracias - Adam Lay Ibounden | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-28 | A Ceremony of Carols, op.28: Recession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 36-29 | The Holly and the Ivy: Coll.-sharp, arr. Britten | — | ||
| 37-1 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 37-2 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 37-3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 37-4 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 37-5 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 37-6 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 37-7 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 37-8 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 37-9 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 37-10 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 37-11 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 37-12 | Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon) | — | ||
| 37-13 | Psalm 150 for voices & orchestra, op. 67 | Boys of Downside School, Purley, Benjamin Britten | — | |
| 37-14 | Three Two-Part Songs (1932): I. The Ride-by-Nights | — | ||
| 37-15 | Three Two-Part Songs (1932): 2 The Rainbow | — | ||
| 37-16 | Three Two-Part Songs (1932): III. The Ship Of Rio | — | ||
| 37-17 | 2 Two-Part Songs: I. I Lov'd a Lass | The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey | — | |
| 37-18 | 2 Two-Part Songs: II. Lift Boy | The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey | — | |
| 37-19 | The Birds | — | ||
| 37-20 | A Hymn to the Virgin | The Choir of St John’s College, Cambridge, George Guest | T-900.010.952-4 | |
| 37-21 | Jubilate Deo in E-flat | — | ||
| 37-22 | Te Deum in C (1934) | — | ||
| 37-23 | Advance Democracy | — | ||
| 37-24 | Deus in Adjutorium Meum (Psalm 70) | — | ||
| 37-25 | AMDG: Heaven-Haven | — | ||
| 37-26 | AMDG: O deus, ego amo te | — | ||
| 37-27 | AMDG: Rosa Mystica | — | ||
| 37-28 | AMDG: The Soldier | — | ||
| 37-29 | AMDG: Prayer II | — | ||
| 37-30 | AMDG: God's Grandeur | — | ||
| 37-31 | AMDG: Prayer I | — | ||
| 38-1 | Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues | — | ||
| 38-2 | Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey | — | ||
| 38-3 | Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour | — | ||
| 38-4 | Rejoice in the Lamb, op. 30: For the flowers are great blessings | — | ||
| 38-5 | Rejoice in the Lamb, op. 30: For I am under the same accusation | — | ||
| 38-6 | Rejoice in the Lamb, op. 30: For H is a spirit | — | ||
| 38-7 | The Ballad of Little Musgrave and Lady Barnard | — | ||
| 38-8 | Chorale (after an old French carol) | — | ||
| 38-9 | Festival Te Deum, op. 32 (1944) | — | ||
| 38-10 | A Wedding Anthem, op. 46 | — | ||
| 38-11 | A Hymn to St. Peter op. 56a | — | ||
| 38-12 | Antiphon, op. 56b | — | ||
| 38-13 | Missa brevis, op. 63: I. Kyrie eleison | — | ||
| 38-14 | Missa brevis, op. 63: II. Gloria in excelsis Deo | — | ||
| 38-15 | Missa brevis, op. 63: III. Sanctus...Benedictus | — | ||
| 38-16 | Missa brevis, op. 63: IV. Agnus Dei | — | ||
| 39-1 | Jubilate Deo in C (1961) | — | ||
| 39-2 | Venite Exultemus Domino | — | ||
| 39-3 | A Hymn of St. Columba, 'Regis regum rectissimi' | — | ||
| 39-4 | God Save The Queen: Arr. Benjamin Britten | — | ||
| 39-5 | Voices For Today | — | ||
| 39-6 | Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn | — | ||
| 39-7 | Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod | — | ||
| 39-8 | Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come | — | ||
| 39-9 | Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night | — | ||
| 39-10 | Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can | — | ||
| 39-11 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol | — | ||
| 39-12 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By | — | ||
| 39-13 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death | — | ||
| 39-14 | Welcome Ode, op. 95 | — | ||
| 39-15 | Praise We Great Men: "Praise We Great Men" | — | ||
| 39-16 | Praise We Great Men: "Praise We The Just" | — | ||
| 39-17 | Praise We Great Men: Coda | — | ||
| 40-1 | Quatre Chansons Françaises: I. Les Nuits de Juin | — | ||
| 40-2 | Quatre Chansons Françaises: II. Sagesse | — | ||
| 40-3 | Quatre Chansons Françaises: III. L'Enfance | — | ||
| 40-4 | Quatre Chansons Françaises: IV. Chanson d'Automne | — | ||
| 40-5 | Now Sleeps the Crimson Petal | — | ||
| 40-6 | Our Hunting Fathers, op. 8: I. Prologue | — | ||
| 40-7 | Our Hunting Fathers, op. 8: II. Rats Away! | — | ||
| 40-8 | Our Hunting Fathers, op. 8: III. Messalina | — | ||
| 40-9 | Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) | — | ||
| 40-10 | Our Hunting Fathers, op. 8: V. Epilogue & Funeral March | — | ||
| 40-11 | Ballad Of Heroes, op. 14: I. Funeral March | — | ||
| 40-12 | Ballad Of Heroes, op. 14: II. Scherzo | — | ||
| 40-13 | Ballad Of Heroes, op. 14: III. Recitative & Choral | — | ||
| 40-14 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 40-15 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-16 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-17 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-18 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-19 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-20 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 40-21 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 41-1 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-2 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-3 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-4 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-5 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-6 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-7 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-8 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-9 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-10 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 41-11 | Les Illuminations, op. 18: Phrase | — | ||
| 41-12 | Les Illuminations, op. 18: Aube | — | ||
| 41-13 | Les Illuminations, op. 18: A Une Raison | — | ||
| 41-14 | Nocturne, op. 60: I. "On A Poet's Lips I Slept" | — | ||
| 41-15 | Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep" | — | ||
| 41-16 | Nocturne, op. 60: III. "Encintured With A Twine Of Leaves" | — | ||
| 41-17 | Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting" | — | ||
| 41-18 | Nocturne, op. 60: V. "But That Night When On My Bed I Lay" | — | ||
| 41-19 | Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths" | — | ||
| 41-20 | Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?" | — | ||
| 41-21 | Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See" | — | ||
| 41-22 | Phaedra, Op. 93: In May, in brilliant Athens | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 41-23 | Phaedra, Op. 93: Oh Gods of wrath | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 41-24 | Phaedra, Op. 93: My time's too short, your highness | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 42-1 | Canticle I: My Beloved Is Mine | Peter Pears, Benjamin Britten | — | |
| 42-2 | Canticle II: Abraham and Isaac | Peter Pears, John Hahessy, Benjamin Britten | — | |
| 42-3 | Canticle III: Still Falls the Rain | Peter Pears, Barry Tuckwell, Benjamin Britten | — | |
| 42-4 | Canticle IV: Journey of the Magi | James Bowman, Peter Pears, John Shirley-Quirk, Benjamin Britten | — | |
| 42-5 | Canticle V: The Death of Saint Narcissus | Peter Pears, Osian Ellis | — | |
| 42-6 | A Birthday Hansel, op. 89 | Peter Pears, Osian Ellis | — | |
| 42-7 | Sweeter than roses: Ed. Britten | James Bowman, Benjamin Britten | — | |
| 43-1 | The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire" | — | ||
| 43-2 | The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare | — | ||
| 43-3 | The Heart Of The Matter: III. Song: "We Are the Darkness" | — | ||
| 43-4 | The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth" | — | ||
| 43-5 | The Heart Of The Matter: V. Canticle III: "Still Falls the Rain" | — | ||
| 43-6 | The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall" | — | ||
| 43-7 | The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark" | — | ||
| 43-8 | Tit For Tat: I. A song of enchantment | — | ||
| 43-9 | Tit For Tat: II. Autumn | — | ||
| 43-10 | Tit For Tat: III. Silver | — | ||
| 43-11 | Tit For Tat: IV. Vigil | — | ||
| 43-12 | Tit For Tat: V. Tit for tat | — | ||
| 43-13 | On this island, op. 11: I. Let the Florid Music Praise! | — | ||
| 43-14 | On this island, op. 11: II. Now the Leaves Are Falling Fast | — | ||
| 43-15 | On this island, op. 11: III. Seascape | — | ||
| 43-16 | On this island, op. 11: IV. Nocturne | — | ||
| 43-17 | On this island, op. 11: V. As It Is, Plenty | — | ||
| 43-18 | Four Cabaret Songs: Calypso | — | ||
| 43-19 | Four Cabaret Songs: O Tell Me the Truth About Love | — | ||
| 43-20 | Four Cabaret Songs: Johnny | — | ||
| 43-21 | Four Cabaret Songs: Funeral Blues | — | ||
| 43-22 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | Peter Pears, Benjamin Britten | — | |
| 43-23 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | Peter Pears, Benjamin Britten | — | |
| 43-24 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | Peter Pears, Benjamin Britten | — | |
| 43-25 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | Peter Pears, Benjamin Britten | — | |
| 43-26 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | Peter Pears, Benjamin Britten | — | |
| 43-27 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | Peter Pears, Benjamin Britten | — | |
| 43-28 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | Peter Pears, Benjamin Britten | — | |
| 44-1 | The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule! | Peter Pears, Benjamin Britten | — | |
| 44-2 | The Holy Sonnets of John Donne, Op. 35: Batter my heart | Peter Pears, Benjamin Britten | — | |
| 44-3 | The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares | Peter Pears, Benjamin Britten | — | |
| 44-4 | The Holy Sonnets of John Donne, Op. 35: Oh, to vex me | Peter Pears, Benjamin Britten | — | |
| 44-5 | The Holy Sonnets of John Donne, Op. 35: What if this present | Peter Pears, Benjamin Britten | — | |
| 44-6 | The Holy Sonnets of John Donne, Op. 35: Since she whom I loved | Peter Pears, Benjamin Britten | — | |
| 44-7 | The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners | Peter Pears, Benjamin Britten | — | |
| 44-8 | The Holy Sonnets of John Donne, Op. 35: Thou hast made me | Peter Pears, Benjamin Britten | — | |
| 44-9 | The Holy Sonnets of John Donne, Op. 35: Death be not proud | Peter Pears, Benjamin Britten | — | |
| 44-10 | A Charm of Lullabies, op. 41: I. Cradle Song | Pamela Bowden, Peter Gellhorn | — | |
| 44-11 | A Charm of Lullabies, op. 41: II. The Highland Bales | Pamela Bowden, Peter Gellhorn | — | |
| 44-12 | A Charm of Lullabies, op. 41: III. Sephestia's Lullaby | Pamela Bowden, Peter Gellhorn | — | |
| 44-13 | A Charm of Lullabies, op. 41: IV. A Charm | Pamela Bowden, Peter Gellhorn | — | |
| 44-14 | A Charm of Lullabies, op. 41: V. The Nurse's Song | Pamela Bowden, Peter Gellhorn | — | |
| 44-15 | Winter Words, op. 52: At day‐close in November | Peter Pears, Benjamin Britten | — | |
| 44-16 | Winter Words, op. 52: Midnight on the Great Western | Peter Pears, Benjamin Britten | — | |
| 44-17 | Winter Words, op. 52: Wagtail and baby | Peter Pears, Benjamin Britten | — | |
| 44-18 | Winter Words, op. 52: The little old table | Peter Pears, Benjamin Britten | — | |
| 44-19 | Winter Words, op. 52: The choirmaster’s burial | Peter Pears, Benjamin Britten | — | |
| 44-20 | Winter Words, op. 52: Proud songsters | Peter Pears, Benjamin Britten | — | |
| 44-21 | Winter Words, op. 52: At the railway station, Upway | Peter Pears, Benjamin Britten | — | |
| 44-22 | Winter Words, op. 52: Before life and after | Peter Pears, Benjamin Britten | — | |
| 44-23 | If It's Ever Spring Again | — | ||
| 44-24 | The Children and Sir Nameless | — | ||
| 44-25 | Songs From The Chinese, op. 58: I. The Big Chariot | — | ||
| 44-26 | Songs From The Chinese, op. 58: II. The Old Lute | — | ||
| 44-27 | Songs From The Chinese, op. 58: III. The Autumn Wind | — | ||
| 44-28 | Songs From The Chinese, op. 58: IV. The Herd-Boy | — | ||
| 44-29 | Songs From The Chinese, op. 58: V. Depression | — | ||
| 44-30 | Songs From The Chinese, op. 58: VI. Dance Song | — | ||
| 45-1 | 6 Hölderlin Fragments, op. 61: I. Menschenbeifall | Peter Pears, Benjamin Britten | — | |
| 45-2 | 6 Hölderlin Fragments, op. 61: II. Die Heimat | Peter Pears, Benjamin Britten | — | |
| 45-3 | 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades | Peter Pears, Benjamin Britten | — | |
| 45-4 | 6 Hölderlin Fragments, op. 61: IV. Die Jugend | Peter Pears, Benjamin Britten | — | |
| 45-5 | 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens | Peter Pears, Benjamin Britten | — | |
| 45-6 | 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens | Peter Pears, Benjamin Britten | — | |
| 45-7 | Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London | — | ||
| 45-8 | Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper | — | ||
| 45-9 | Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree | — | ||
| 45-10 | Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger | — | ||
| 45-11 | Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly | — | ||
| 45-12 | Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower | — | ||
| 45-13 | Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn | — | ||
| 45-14 | The Poet's Echo, op. 76: I. Echo ("Ekho") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-15 | The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-16 | The Poet's Echo, op. 76: III. Angel ("Angel") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-17 | The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-18 | The Poet's Echo, op. 76: V. Epigram (Epigramma) | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-19 | The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 45-20 | Who Are These Children?, op. 84: I. A Riddle (The Earth) | — | ||
| 45-21 | Who Are These Children?, op. 84: II. A Laddie's Sang | — | ||
| 45-22 | Who Are These Children?, op. 84: III. Nightmare | — | ||
| 45-23 | Who Are These Children?, op. 84: IV. Black Day | — | ||
| 45-24 | Who Are These Children?, op. 84: V. Bed-time | — | ||
| 45-25 | Who Are These Children?, op. 84: VI. Slaughter | — | ||
| 45-26 | Who Are These Children?, op. 84: VII. Riddle (The Child You Were) | — | ||
| 45-27 | Who Are These Children?, op. 84: VIII. The Larky Lad | — | ||
| 45-28 | Who Are These Children?, op. 84: IX. Who are these children? | — | ||
| 45-29 | Who Are These Children?, op. 84: X. Supper | — | ||
| 45-30 | Who Are These Children?, op. 84: 1I. The Children | — | ||
| 45-31 | Who Are These Children?, op. 84: 1II. The Auld Aik | — | ||
| 45-32 | Dawtie's Devotion | — | ||
| 45-33 | The Gully | — | ||
| 45-34 | Tradition | — | ||
| 46-1 | Beware! | — | ||
| 46-2 | O That I Had Ne'er Been Married | — | ||
| 46-3 | Epitaph: The Clerk | — | ||
| 46-4 | Of A' the Airts the Wind Can Blaw | — | ||
| 46-5 | A Dirge | — | ||
| 46-6 | Prithee | — | ||
| 46-7 | The Joy Of Grief | — | ||
| 46-8 | Virtue in Deeds Not Words | — | ||
| 46-9 | From "Lucy" | — | ||
| 46-10 | Dans les Bois | — | ||
| 46-11 | Lilian | — | ||
| 46-12 | Diaphenia | — | ||
| 46-13 | The Owl | — | ||
| 46-14 | Witches' Song | — | ||
| 46-15 | O Why Did E're My Thought Aspire | — | ||
| 46-16 | Chamber Music V | — | ||
| 46-17 | Song: Take O Take Those Lips Away | — | ||
| 46-18 | Two Ballads For Two Voices & Piano: I. Mother Comfort | — | ||
| 46-19 | Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow | — | ||
| 46-20 | A Poison Tree | — | ||
| 46-21 | Not Even Summer Yet | — | ||
| 46-22 | The Red Cockatoo | — | ||
| 46-23 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back | — | ||
| 46-24 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land | — | ||
| 46-25 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down | — | ||
| 46-26 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes | — | ||
| 46-27 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind? | — | ||
| 46-28 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow | — | ||
| 46-29 | Wild With Passion | — | ||
| 46-30 | If Thou Wilt Ease Thine Heart | — | ||
| 46-31 | Cradle Song ("Sleep, My Darling, Sleep") | — | ||
| 46-32 | Birthday Song For Erwin | — | ||
| 46-33 | Um Mitternacht | — | ||
| 46-34 | The Bitter Withy | — | ||
| 46-35 | King Herod and the Cock | — | ||
| 46-36 | Fancie | — | ||
| 46-37 | The Oxen | — | ||
| 46-38 | May | — | ||
| 46-39 | The Twelve Apostles | — | ||
| 47-1 | The Foggy Foggy Dew: Arr. Benjamin Britten | Peter Pears, Benjamin Britten | — | |
| 47-3 | Tom Bowling: Arr. Britten | Peter Pears, Benjamin Britten | — | |
| 47-4 | The Lincolnshire Poacher | Peter Pears, Benjamin Britten | — | |
| 47-5 | A Brisk Young Widow: Arr. Britten | Peter Pears, Benjamin Britten | — | |
| 47-6 | O Waly Waly | Peter Pears, Benjamin Britten | — | |
| 47-7 | Sweet Polly Oliver | Peter Pears, Benjamin Britten | — | |
| 47-10 | The Ash Grove | Peter Pears, Benjamin Britten | — | |
| 47-11 | Come You Not From Newcastle | Peter Pears, Benjamin Britten | — | |
| 47-12 | Le Roi S En Va-T En Chasse | Peter Pears, Benjamin Britten | — | |
| 47-13 | La Belle est au jardin d'amour | Peter Pears, Benjamin Britten | — | |
| 47-14 | The Minstrel Boy | Peter Pears, Benjamin Britten | T-902.765.259-1 | |
| 47-15 | How Sweet The Answer | Peter Pears, Benjamin Britten | — | |
| 47-18 | Oft in The Stilly Night | Peter Pears, Benjamin Britten | — | |
| 47-19 | The Miller Of Dee | Peter Pears, Benjamin Britten | — | |
| 47-20 | Ca The Yowes | Peter Pears, Benjamin Britten | — | |
| 47-22 | The Sally Gardens: Arr. Britten | — | ||
| 47-23 | Little Sir William: Arr. Britten | — | ||
| 47-24 | Oliver Cromwell | — | ||
| 47-25 | Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten | — | ||
| 47-26 | There's None To Soothe: Arr. Britten | — | ||
| 47-27 | Il est quelqu'un sur terre: Arr. Britten | — | ||
| 47-28 | Folk Song Arrangemens (British Isles): O can ye sew cushions? | — | ||
| 47-29 | The Trees They Grow So High: arr. Britten | — |
