UPC · Release
Benjamin Britten
Last verified:
The UPC for “The Performer: Complete Decca Recordings” by Benjamin Britten is 028947856726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 450 tracks, each with its own ISRC. Tracks include GBF077141701, GBF077141702, GBF077141703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2 | St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus) | Gwynne Howell, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3 | St. John Passion, BWV 245: Part I, III. Chorus "O generous love!" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 4 | St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus) | Gwynne Howell, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5 | St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | T-070.186.016-3 | |
| 6 | St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist) | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7 | St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison" | Alfreda Hodgson, English Chamber Orchestra, Benjamin Britten | T-906.712.582-0 | |
| 8 | St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist) | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 9 | St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also" | Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 10 | St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent) | Gwynne Howell, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 11 | St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist) | Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 12 | St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound" | Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 13 | St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight" | Robert Tear, English Chamber Orchestra, Benjamin Britten | — | |
| 14 | St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 15 | St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 16 | St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus) | Gwynne Howell, Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 17 | St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven" | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 18 | St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus) | Gwynne Howell, Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19 | St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul" | John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 20 | St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body" | Robert Tear, English Chamber Orchestra, Benjamin Britten | — | |
| 2-1 | St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al. | Gwynne Howell, Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-2 | St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-3 | St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al. | Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-4 | St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus) | John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-5 | St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al. | Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-6 | St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-7 | St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al. | Gwynne Howell, Peter Pears, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-8 | St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-9 | St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative) | Gwynne Howell, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 2-10 | St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al. | Alfreda Hodgson, English Chamber Orchestra, Benjamin Britten | T-915.681.108-4 | |
| 2-11 | St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale) | John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-12 | St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative) | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 2-13 | St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso) | Robert Tear, English Chamber Orchestra, Benjamin Britten | — | |
| 2-14 | St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria) | Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 2-15 | St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative) | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 2-16 | St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 2-17 | St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative) | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 2-18 | St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | T-915.682.948-0 | |
| 2-19 | St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale) | Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 3-1 | Süßer Trost, mein Jesus kommt, Cantata BWV 151: I. Aria: Süßer Trost, mein Jesu kommt | Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 3-2 | Süßer Trost, mein Jesus kommt, Cantata BWV 151: II. Recitativo: Erfreue dich, mein Herz | John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 3-3 | Süßer Trost, mein Jesus kommt, Cantata BWV 151: III. Aria: in Jesu Demut kann ich Trost | Helen Watts, English Chamber Orchestra, Benjamin Britten | — | |
| 3-4 | Süßer Trost, mein Jesus kommt, Cantata BWV 151: IV. Recitativo: Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-5 | Süßer Trost, mein Jesus kommt, Cantata BWV 151: V. Choral: Heut' schleusst er wieder auf die Tür | Wandsworth School Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 3-6 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: I. "Herr, deine Augen sehen nach dem Glauben" | Aldeburgh Festival Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 3-7 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: II. "Wo ist das Ebenbild" | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 3-8 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: III. "Weh, der Seele" | Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 3-9 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: IV. "Verachtest du den Reichtum seiner Gnade" | Aldeburgh Festival Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 3-10 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: V. "Erschrecke doch" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 3-11 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VI. "Beim Warten ist Gefahr" | Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 3-12 | Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VII. "Heut lebst du, heut bekehre dich" | Aldeburgh Festival Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 3-13 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 3-14 | Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio | English Chamber Orchestra, Benjamin Britten | T-001.439.586-8 | |
| 3-15 | Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 3-16 | Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1 | English Chamber Orchestra, Benjamin Britten | — | |
| 3-17 | Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2 | English Chamber Orchestra, Benjamin Britten | — | |
| 3-18 | Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro | English Chamber Orchestra, Benjamin Britten | T-801.411.105-9 | |
| 3-19 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 3-20 | Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai | English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 4-1 | Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 4-2 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | English Chamber Orchestra, Benjamin Britten | T-902.717.414-7 | |
| 4-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 4-4 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 4-5 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | English Chamber Orchestra, Benjamin Britten | — | |
| 4-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | English Chamber Orchestra, Benjamin Britten | T-011.422.353-8 | |
| 4-7 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | English Chamber Orchestra, Benjamin Britten | — | |
| 4-8 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 4-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | English Chamber Orchestra, Benjamin Britten | T-800.184.797-9 | |
| 4-10 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo | English Chamber Orchestra, Benjamin Britten | — | |
| 4-11 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 5-1 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony | English Chamber Orchestra, Benjamin Britten | T-011.803.601-3 | |
| 5-2 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" | Jennifer Vyvyan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-3 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance" | James Bowman, Charles Brett, English Chamber Orchestra, Benjamin Britten | — | |
| 5-4 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 5-5 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" | Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-6 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring" | Mary Wells, English Chamber Orchestra, Benjamin Britten | — | |
| 5-7 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay" | James Bowman, English Chamber Orchestra, Benjamin Britten | — | |
| 5-8 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields" | Ian Partridge, English Chamber Orchestra, Benjamin Britten | — | |
| 5-9 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly" | John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 5-10 | The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" | Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-11 | The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky" | Charles Brett, English Chamber Orchestra, Benjamin Britten | — | |
| 5-12 | The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire" | Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-13 | The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all" | Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-14 | The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then" | Owen Brannigan, Jennifer Vyvyan, Mary Wells, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-15 | The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" | Norma Burrowes, English Chamber Orchestra, Benjamin Britten | — | |
| 5-16 | The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" | Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 5-17 | The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" | James Bowman, English Chamber Orchestra, Benjamin Britten | — | |
| 5-18 | The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" | John Shirley-Quirk, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 5-19 | The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" | English Chamber Orchestra, Benjamin Britten | T-926.155.164-8 | |
| 6-1 | The Fairy Queen, Z. 629: Part III "The sweet passion": Overture | English Chamber Orchestra, Benjamin Britten | T-902.314.020-7 | |
| 6-2 | The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion" | Peter Pears, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 6-3 | The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" | Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | T-011.803.601-3 | |
| 6-4 | The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay" | Alfreda Hodgson, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 6-5 | The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 3: A Dance Of Haymakers | English Chamber Orchestra, Benjamin Britten | — | |
| 6-6 | The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways" | James Bowman, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 6-7 | The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 3: Hornpipe and Rondeau | English Chamber Orchestra, Benjamin Britten | — | |
| 6-8 | The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 4: Symphony | English Chamber Orchestra, Benjamin Britten | — | |
| 6-9 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air" | Jennifer Vyvyan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 6-10 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage" | Mary Wells, Alfreda Hodgson, Alfreda Hodgson, English Chamber Orchestra, Benjamin Britten | — | |
| 6-11 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey" | Owen Brannigan, English Chamber Orchestra, Benjamin Britten | — | |
| 6-12 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes" | Jennifer Vyvyan, Mary Wells, English Chamber Orchestra, Benjamin Britten | — | |
| 6-13 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy" | Jennifer Vyvyan, Mary Wells, James Bowman, Peter Pears, John Shirley-Quirk, Owen Brannigan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 6-14 | The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 4: Chaconne | English Chamber Orchestra, Benjamin Britten | — | |
| 6-15 | The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy" | Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | — | |
| 6-16 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Symphony: Canzona | English Chamber Orchestra, Benjamin Britten | — | |
| 6-17 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival | Heather Harper, Josephine Veasey, James Bowman, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 6-18 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Britain now thy cares beguile | Heather Harper, Josephine Veasey, English Chamber Orchestra, Benjamin Britten | — | |
| 6-19 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival | Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-20 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): 'Tis sacred, bid the trumpet cease | Peter Pears, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-21 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Let sullen discord smile | Josephine Veasey, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-22 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Crown the altar, deck the shrine | Josephine Veasey, English Chamber Orchestra, Benjamin Britten | — | |
| 6-23 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Expected spring at last is come | John Shirley-Quirk, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-24 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): April who till now has mourn'd | James Bowman, English Chamber Orchestra, Benjamin Britten | — | |
| 6-25 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Departing thus you'll hear him say | James Bowman, English Chamber Orchestra, Benjamin Britten | — | |
| 6-26 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Happy realm beyond expressing | James Bowman, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 6-27 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): While for a righteous cause he arms | John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 6-28 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Return fond Muse, the thoughts of war | James Bowman, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-29 | Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Kindly treat Maria's Day | Heather Harper, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 6-30 | Chacony in G minor for Strings | English Chamber Orchestra, Benjamin Britten | T-929.553.122-5 | |
| 7-1 | Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": I. Allegro assai | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 7-2 | Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": II. Adagio | Aldeburgh Festival Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 7-3 | Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": III. Menuet (Allegretto) | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 7-4 | Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": IV. Finale (Presto: Adagio) | Aldeburgh Festival Orchestra, Benjamin Britten | T-318.676.528-2 | |
| 7-5 | Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": I. Allegro di molto | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 7-6 | Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": II. Adagio, ma semplicemente | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 7-7 | Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": III. Menuetto | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 7-8 | Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": IV. Finale (Presto) | Aldeburgh Festival Orchestra, Benjamin Britten | T-318.676.528-2 | |
| 7-9 | Cello Concerto in C, H.VIIb, no. 1: I. Moderato | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.685.630-4 | |
| 7-10 | Cello Concerto in C, H.VIIb, no. 1: II. Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 7-11 | Cello Concerto in C, H.VIIb, no. 1: III. Finale. Allegro molto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.717.414-7 | |
| 8-1 | Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio | English Chamber Orchestra, Benjamin Britten | — | |
| 8-2 | Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante | English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 8-3 | Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio | English Chamber Orchestra, Benjamin Britten | — | |
| 8-4 | Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 8-5 | Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso | English Chamber Orchestra, Benjamin Britten | — | |
| 8-6 | Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio | English Chamber Orchestra, Benjamin Britten | — | |
| 8-7 | Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto | English Chamber Orchestra, Benjamin Britten | — | |
| 8-8 | Symphony No. 29 in A major, K. 201: I. Allegro moderato | English Chamber Orchestra, Benjamin Britten | — | |
| 8-9 | Symphony No. 29 in A major, K. 201: II. Andante | English Chamber Orchestra, Benjamin Britten | T-902.876.200-7 | |
| 8-10 | Symphony No. 29 in A major, K. 201: III. Menuetto e Trio | English Chamber Orchestra, Benjamin Britten | — | |
| 8-11 | Symphony No. 29 in A major, K. 201: IV. Allegro con spirito | English Chamber Orchestra, Benjamin Britten | T-911.221.915-5 | |
| 9-1 | Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 9-2 | Symphony No. 40 in G minor, K. 550 "Great": II. Andante | English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 9-3 | Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto | English Chamber Orchestra, Benjamin Britten | — | |
| 9-4 | Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai | English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 9-5 | Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro | English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 9-6 | Symphony No. 38 in D major, K. 504 "Prague": II. Andante | English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 9-7 | Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto | English Chamber Orchestra, Benjamin Britten | — | |
| 10-1 | Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 10-2 | Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile | English Chamber Orchestra, Benjamin Britten | — | |
| 10-3 | Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto) | English Chamber Orchestra, Benjamin Britten | — | |
| 10-4 | Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 10-5 | Symphony no. 39 in E-Flat major, K. 543: I. Adagio: Allegro | English Chamber Orchestra, Benjamin Britten | — | |
| 10-6 | Symphony no. 39 in E-Flat major, K. 543: II. Andante con moto | English Chamber Orchestra, Benjamin Britten | — | |
| 10-7 | Symphony no. 39 in E-Flat major, K. 543: III. Menuetto (Allegretto) | English Chamber Orchestra, Benjamin Britten | T-928.635.622-7 | |
| 10-8 | Symphony no. 39 in E-Flat major, K. 543: IV. Finale (Allegro) | English Chamber Orchestra, Benjamin Britten | T-928.635.622-7 | |
| 10-9 | Si mostra la sorte, K. 209 | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 10-10 | Per pietà, non ricercate, K. 420 | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 11-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | Benjamin Britten, Aldeburgh Festival Orchestra | T-011.422.353-8 | |
| 11-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | Benjamin Britten, Aldeburgh Festival Orchestra | — | |
| 11-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto) | Benjamin Britten, Aldeburgh Festival Orchestra | — | |
| 11-4 | Sonata in C major, K. 521: 1. Allegro | Benjamin Britten, Sviatoslav Richter | T-011.422.353-8 | |
| 11-5 | Sonata in C major, K. 521: 2. Andante | Benjamin Britten, Sviatoslav Richter | — | |
| 11-6 | Sonata in C major, K. 521: 3. Allegretto | Benjamin Britten, Sviatoslav Richter | — | |
| 11-7 | Sonata in D major, K. 448: 1. Allegro con spirito | Benjamin Britten, Sviatoslav Richter | T-911.221.915-5 | |
| 11-8 | Sonata in D major, K. 448: 2. Andante | Benjamin Britten, Sviatoslav Richter | T-312.439.084-3 | |
| 11-9 | Sonata in D major, K. 448: 3. Allegro molto | Benjamin Britten, Sviatoslav Richter | — | |
| 12-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 12-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 12-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 12-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 12-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 12-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 13-1 | Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato | English Chamber Orchestra, Benjamin Britten | — | |
| 13-2 | Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto | English Chamber Orchestra, Benjamin Britten | — | |
| 13-3 | Sonata for Arpeggione and Piano, D. 821: I. Allegro moderato | Mstislav Rostropovich, Benjamin Britten | — | |
| 13-4 | Sonata for Arpeggione and Piano, D. 821: II. Adagio | Mstislav Rostropovich, Benjamin Britten | T-802.445.410-3 | |
| 13-5 | Sonata for Arpeggione and Piano, D. 821: III. Allegretto | Mstislav Rostropovich, Benjamin Britten | T-312.439.096-7 | |
| 13-6 | Andantino varié, D. 823: Thema | Benjamin Britten, Sviatoslav Richter | — | |
| 13-7 | Andantino varié, D. 823: Variation 1 | Benjamin Britten, Sviatoslav Richter | T-921.242.859-6 | |
| 13-8 | Andantino varié, D. 823: Variation 2 | Benjamin Britten, Sviatoslav Richter | — | |
| 13-9 | Andantino varié, D. 823: Variation 3 | Benjamin Britten, Sviatoslav Richter | — | |
| 13-10 | Andantino varié, D. 823: Variation 4 | Benjamin Britten, Sviatoslav Richter | — | |
| 13-11 | En blanc et noir: 1. Avec emportement | Benjamin Britten, Sviatoslav Richter | — | |
| 13-12 | En blanc et noir: 2. Lent. Sombre | Benjamin Britten, Sviatoslav Richter | — | |
| 13-13 | En blanc et noir: 3. Scherzando | Benjamin Britten, Sviatoslav Richter | — | |
| 14-1 | Fantasy in F minor, D. 940: Allegro molto moderato - | Benjamin Britten, Sviatoslav Richter | — | |
| 14-2 | Fantasy in F minor, D. 940: Largo - | Benjamin Britten, Sviatoslav Richter | T-106.670.525-5 | |
| 14-3 | Fantasy in F minor, D. 940: Allegro vivace - | Benjamin Britten, Sviatoslav Richter | — | |
| 14-4 | Fantasy in F minor, D. 940: Tempo I | Benjamin Britten, Sviatoslav Richter | — | |
| 14-5 | Variations in A-flat major, D. 813: Tema: Allegretto | Benjamin Britten, Sviatoslav Richter | — | |
| 14-6 | Variations in A-flat major, D. 813: Variation I | Benjamin Britten, Sviatoslav Richter | T-921.242.859-6 | |
| 14-7 | Variations in A-flat major, D. 813: Variation II | Benjamin Britten, Sviatoslav Richter | — | |
| 14-8 | Variations in A-flat major, D. 813: Variation III: Un poco più lento | Benjamin Britten, Sviatoslav Richter | — | |
| 14-9 | Variations in A-flat major, D. 813: Variation IV: Tempo I | Benjamin Britten, Sviatoslav Richter | — | |
| 14-10 | Variations in A-flat major, D. 813: Variation V | Benjamin Britten, Sviatoslav Richter | T-921.242.859-6 | |
| 14-11 | Variations in A-flat major, D. 813: Variation VI: Maestoso | Benjamin Britten, Sviatoslav Richter | T-912.658.196-2 | |
| 14-12 | Variations in A-flat major, D. 813: Variation VII: Più lento | Benjamin Britten, Sviatoslav Richter | T-932.014.724-8 | |
| 14-13 | Variations in A-flat major, D. 813: Variation VIII: Allegro moderato | Benjamin Britten, Sviatoslav Richter | T-921.242.859-6 | |
| 14-14 | Grand Duo in C major, D. 812: I. Allegro moderato | Benjamin Britten, Sviatoslav Richter | — | |
| 14-15 | Grand Duo in C major, D. 812: II. Andante | Benjamin Britten, Sviatoslav Richter | — | |
| 14-16 | Grand Duo in C major, D. 812: III. Scherzo: Allegro vivace | Benjamin Britten, Sviatoslav Richter | — | |
| 14-17 | Grand Duo in C major, D. 812: IV. Allegro vivace | Benjamin Britten, Sviatoslav Richter | — | |
| 15-1 | Winterreise, D. 911: Gute Nacht | Peter Pears, Benjamin Britten | — | |
| 15-2 | Winterreise, D. 911: Die Wetterfahne | Peter Pears, Benjamin Britten | — | |
| 15-3 | Winterreise, D. 911: Gefrorene Tränen | Peter Pears, Benjamin Britten | — | |
| 15-4 | Winterreise, D. 911: Erstarrung | Peter Pears, Benjamin Britten | — | |
| 15-5 | Winterreise, D. 911: Der Lindenbaum | Peter Pears, Benjamin Britten | — | |
| 15-6 | Winterreise, D. 911: Wasserflut | Peter Pears, Benjamin Britten | — | |
| 15-7 | Winterreise, D. 911: Auf dem Flusse | Peter Pears, Benjamin Britten | — | |
| 15-8 | Winterreise, D. 911: Rückblick | Peter Pears, Benjamin Britten | — | |
| 15-9 | Winterreise, D. 911: Irrlicht | Peter Pears, Benjamin Britten | — | |
| 15-10 | Winterreise, D. 911: Rast | Peter Pears, Benjamin Britten | — | |
| 15-11 | Winterreise, D. 911: Frühlingstraum | Peter Pears, Benjamin Britten | — | |
| 15-12 | Winterreise, D. 911: Einsamkeit | Peter Pears, Benjamin Britten | — | |
| 15-13 | Winterreise, D. 911: Die Post | Peter Pears, Benjamin Britten | — | |
| 15-14 | Winterreise, D. 911: Der greise Kopf | Peter Pears, Benjamin Britten | — | |
| 15-15 | Winterreise, D. 911: Die Krähe | Peter Pears, Benjamin Britten | — | |
| 15-16 | Winterreise, D. 911: Letzte Hoffnung | Peter Pears, Benjamin Britten | — | |
| 15-17 | Winterreise, D. 911: Im Dorfe | Peter Pears, Benjamin Britten | — | |
| 15-18 | Winterreise, D. 911: Der stürmische Morgen | Peter Pears, Benjamin Britten | — | |
| 15-19 | Winterreise, D. 911: Täuschung | Peter Pears, Benjamin Britten | — | |
| 15-20 | Winterreise, D. 911: Der Wegweiser | Peter Pears, Benjamin Britten | — | |
| 15-21 | Winterreise, D. 911: Das Wirtshaus | Peter Pears, Benjamin Britten | — | |
| 15-22 | Winterreise, D. 911: Mut! | Peter Pears, Benjamin Britten | — | |
| 15-23 | Winterreise, D. 911: Die Nebensonnen | Peter Pears, Benjamin Britten | — | |
| 15-24 | Winterreise, D. 911: Der Leiermann | Peter Pears, Benjamin Britten | T-009.051.406-9 | |
| 16-1 | Die schöne Müllerin, op. 25, D.795: I. Das Wandern | Peter Pears, Benjamin Britten | — | |
| 16-2 | Die schöne Müllerin, op. 25, D.795: II. Wohin? | Peter Pears, Benjamin Britten | — | |
| 16-3 | Die schöne Müllerin, op. 25, D.795: III. Halt! | Peter Pears, Benjamin Britten | — | |
| 16-4 | Die schöne Müllerin, op. 25, D.795: IV. Danksagung an den Bach | Peter Pears, Benjamin Britten | — | |
| 16-5 | Die schöne Müllerin, op. 25, D.795: V. Am Feierabend | Peter Pears, Benjamin Britten | — | |
| 16-6 | Die schöne Müllerin, op. 25, D.795: VI. Der Neugierige | Peter Pears, Benjamin Britten | — | |
| 16-7 | Die schöne Müllerin, op. 25, D.795: VII. Ungeduld | Peter Pears, Benjamin Britten | — | |
| 16-8 | Die schöne Müllerin, op. 25, D.795: VIII. Morgengruß | Peter Pears, Benjamin Britten | — | |
| 16-9 | Die schöne Müllerin, op. 25, D.795: IX. Des Müllers Blumen | Peter Pears, Benjamin Britten | — | |
| 16-10 | Die schöne Müllerin, op. 25, D.795: X. Tränenregen | Peter Pears, Benjamin Britten | — | |
| 16-11 | Die schöne Müllerin, op. 25, D.795: 1I. Mein! | Peter Pears, Benjamin Britten | — | |
| 16-12 | Die schöne Müllerin, op. 25, D.795: 1II. Pause | Peter Pears, Benjamin Britten | — | |
| 16-13 | Die schöne Müllerin, op. 25, D.795: 1III. Mit dem grünen Lautenbande | Peter Pears, Benjamin Britten | — | |
| 16-14 | Die schöne Müllerin, op. 25, D.795: 1IV. Der Jäger | Peter Pears, Benjamin Britten | — | |
| 16-15 | Die schöne Müllerin, op. 25, D.795: 1V. Eifersucht und Stolz | Peter Pears, Benjamin Britten | — | |
| 16-16 | Die schöne Müllerin, op. 25, D.795: 1VI. Die liebe Farbe | Peter Pears, Benjamin Britten | — | |
| 16-17 | Die schöne Müllerin, op. 25, D.795: 1VII. Die böse Farbe | Peter Pears, Benjamin Britten | — | |
| 16-18 | Die schöne Müllerin, op. 25, D.795: 1VIII. Trockne Blumen | Peter Pears, Benjamin Britten | — | |
| 16-19 | Die schöne Müllerin, op. 25, D.795: 1IX. Der Müller und der Bach | Peter Pears, Benjamin Britten | — | |
| 16-20 | Die schöne Müllerin, op. 25, D.795: 20. Des Baches Wiegenlied | Peter Pears, Benjamin Britten | — | |
| 16-21 | Schwanengesang, D. 957: Die Taubenpost, D. 965a | Peter Pears, Benjamin Britten | — | |
| 16-22 | Der Einsame, op. 41, D.800 | Peter Pears, Benjamin Britten | — | |
| 16-23 | An die Laute, D. 905 (op. 81/2) | Peter Pears, Benjamin Britten | — | |
| 17-1 | Dichterliebe, op. 48: I. Im wunderschönen Monat Mai | Peter Pears, Benjamin Britten | T-912.151.106-6 | |
| 17-2 | Dichterliebe, op. 48: II. Aus meinen Tränen sprießen | Peter Pears, Benjamin Britten | — | |
| 17-3 | Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne | Peter Pears, Benjamin Britten | — | |
| 17-4 | Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh' | Peter Pears, Benjamin Britten | — | |
| 17-5 | Dichterliebe, op. 48: V. Ich will meine Seele tauchen | Peter Pears, Benjamin Britten | — | |
| 17-6 | Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome | Peter Pears, Benjamin Britten | — | |
| 17-7 | Dichterliebe, op. 48: VII. Ich grolle nicht | Peter Pears, Benjamin Britten | — | |
| 17-8 | Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen | Peter Pears, Benjamin Britten | — | |
| 17-9 | Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen | Peter Pears, Benjamin Britten | — | |
| 17-10 | Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen | Peter Pears, Benjamin Britten | — | |
| 17-11 | Dichterliebe, op. 48: 1I. Ein Jüngling liebt ein Mädchen | Peter Pears, Benjamin Britten | — | |
| 17-12 | Dichterliebe, op. 48: 1II. Am leuchtenden Sommermorgen | Peter Pears, Benjamin Britten | — | |
| 17-13 | Dichterliebe, op. 48: 1III. Ich hab' im Traum geweinet | Peter Pears, Benjamin Britten | — | |
| 17-14 | Dichterliebe, op. 48: 1IV. Allnächtlich im Traume seh' ich dich | Peter Pears, Benjamin Britten | — | |
| 17-15 | Dichterliebe, op. 48: 1V. Aus alten Märchen winkt es | Peter Pears, Benjamin Britten | — | |
| 17-16 | Dichterliebe, op. 48: 1VI. Die alten, bösen Lieder | Peter Pears, Benjamin Britten | — | |
| 17-17 | Im Frühling, op. 101/1, D.882 | Peter Pears, Benjamin Britten | — | |
| 17-18 | Auf dem Wasser zu singen, op. 72, D.774 | Peter Pears, Benjamin Britten | — | |
| 17-19 | Nachtstück, D.672 | Peter Pears, Benjamin Britten | — | |
| 17-20 | An die Entfernte, D.765 | Peter Pears, Benjamin Britten | — | |
| 17-21 | Lachen und Weinen, D.777, op. 59/4 | Peter Pears, Benjamin Britten | — | |
| 17-22 | Abendstern, D806 | Peter Pears, Benjamin Britten | — | |
| 17-23 | Schwanengesang, D. 957: Das Fischermädchen | Peter Pears, Benjamin Britten | T-910.521.150-5 | |
| 17-24 | Sprache der Liebe, D. 410 | Peter Pears, Benjamin Britten | — | |
| 17-25 | Der Einsame, op. 41, D.800 | Peter Pears, Benjamin Britten | — | |
| 17-26 | Der Geistertanz, D. 116 | Peter Pears, Benjamin Britten | — | |
| 17-27 | Atys, D585 | Peter Pears, Benjamin Britten | — | |
| 17-28 | Auflösung, D.807 | Peter Pears, Benjamin Britten | — | |
| 17-29 | Nacht und Träume, op. 43 no. 2, D. 827 | Peter Pears, Benjamin Britten | — | |
| 18-1 | Szenen aus Goethes Faust: Ouvertüre | English Chamber Orchestra, Benjamin Britten | T-003.013.959-3 | |
| 18-2 | Szenen aus Goethes Faust: Erste Abteilung. Du kanntest mich, O kleiner Engel | Meriel Dickinson, Dietrich Fischer-Dieskau, Elizabeth Harwood, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-3 | Szenen aus Goethes Faust: Erste Abteilung. Ach neige, du Schmerzenreiche | Elizabeth Harwood, English Chamber Orchestra, Benjamin Britten | — | |
| 18-4 | Szenen aus Goethes Faust: Erste Abteilung. Wie anders, Gretchen, war dir's | Aldeburgh Festival Singers, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 18-5 | Szenen aus Goethes Faust: Zweite Abteilung. Die ihr dies Haupt umschwebt im luft'gem Kreise | Aldeburgh Festival Singers, Margaret Cable, John Elwes, Jenny Hill, Neil Jenkins, John Noble, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 18-6 | Szenen aus Goethes Faust: Zweite Abteilung. Des Lebens Pulse schlagen frisch-lebendig | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 18-7 | Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel | Meriel Dickinson, Felicity Palmer, Pauline Stevens, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 18-8 | Szenen aus Goethes Faust: Zweite Abteilung. Vier sah ich kommen | Dietrich Fischer-Dieskau, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 18-9 | Szenen aus Goethes Faust: Zweite Abteilung. Die Nacht scheint tiefer tief hereinzudringen | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 18-10 | Szenen aus Goethes Faust: Zweite Abteilung. Herbei! herbei! Herein! herein! | Dietrich Fischer-Dieskau, John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 18-11 | Szenen aus Goethes Faust: Zweite Abteilung. Ein Sumpf zieht am Gebirge hin | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 18-12 | Szenen aus Goethes Faust: Zweite Abteilung. Ihn sättigt keine Lust | Aldeburgh Festival Singers, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 19-1 | Szenen aus Goethes Faust: Dritte Abteilung. Waldung, sie schwankt heran | Aldeburgh Festival Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 19-2 | Szenen aus Goethes Faust: Dritte Abteilung. Ewiger Wonnebrand | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 19-3 | Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen | Robert Lloyd, John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19-4 | Szenen aus Goethes Faust: Dritte Abteilung. Gerettet ist das edle Glied | Aldeburgh Festival Singers, Jennifer Vyvyan, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19-5 | Szenen aus Goethes Faust: Dritte Abteilung. Hier ist die Aussicht frei | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 19-6 | Szenen aus Goethes Faust: Dritte Abteilung. Dir, der Unberührbaren | Meriel Dickinson, Dietrich Fischer-Dieskau, Elizabeth Harwood, Alfreda Hodgson, Felicity Palmer, Pauline Stevens, English Chamber Orchestra, Benjamin Britten | — | |
| 19-7 | Szenen aus Goethes Faust: Dritte Abteilung. Alles Vergängliche ist nur ein Gleichnis | Aldeburgh Festival Singers, Dietrich Fischer-Dieskau, Elizabeth Harrison, Felicity Palmer, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 19-8 | Fünf Stücke im Volkston, op. 102: I. Mit Humor | Mstislav Rostropovich, Benjamin Britten | — | |
| 19-9 | Fünf Stücke im Volkston, op. 102: II. Langsam | Mstislav Rostropovich, Benjamin Britten | — | |
| 19-10 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell | Mstislav Rostropovich, Benjamin Britten | — | |
| 19-11 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Mstislav Rostropovich, Benjamin Britten | — | |
| 19-12 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Mstislav Rostropovich, Benjamin Britten | — | |
| 20-1 | Summer Night On The River | English Chamber Orchestra, Benjamin Britten | — | |
| 20-2 | Two Aquarelles: I. Lento, ma non troppo | English Chamber Orchestra, Benjamin Britten | — | |
| 20-3 | Two Aquarelles: Gaily, but not too quick | English Chamber Orchestra, Benjamin Britten | — | |
| 20-4 | "Sir Roger de Coverley" for String Orchestra | English Chamber Orchestra, Benjamin Britten | — | |
| 20-5 | Introduction and Allegro for Strings, op. 47 | English Chamber Orchestra, Benjamin Britten | — | |
| 20-6 | The Dream of Gerontius: Prelude | London Symphony Orchestra, Benjamin Britten | T-924.891.810-7 | |
| 20-7 | The Dream of Gerontius: Jesu, Maria, I am near to death... | Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 20-8 | The Dream of Gerontius: Rouse thee, my fainting soul... | Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 20-9 | The Dream of Gerontius: Sanctis fortis, Sanctus Deus.... | Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 20-10 | The Dream of Gerontius: Profiscere, anima Christiana... | Choir of King’s College, Cambridge, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 21-1 | The Dream of Gerontius: I went to sleep.... | Yvonne Minton, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 21-2 | The Dream of Gerontius: It is a member of that family.... | Yvonne Minton, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 21-3 | The Dream of Gerontius: But hark! Upon my sense comes a fierce hubbub... | Peter Pears, Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, London Symphony Orchestra, Benjamin Britten | — | |
| 21-4 | The Dream of Gerontius: I see not those false spirits... | Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 21-5 | The Dream of Gerontius: But hark! A grand mysterious harmony | Peter Pears, Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, London Symphony Orchestra, Benjamin Britten | — | |
| 21-6 | The Dream of Gerontius: Thy judgement now is near.... | Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten | — | |
| 21-7 | The Dream of Gerontius: I go before my Judge... | Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 21-8 | The Dream of Gerontius: Softly and gently.... | Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, London Symphony Orchestra, Benjamin Britten | — | |
| 22-1 | Cello Sonata, op. 40: I. Allegro non troppo | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-2 | Cello Sonata, op. 40: II. Allegro | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-3 | Cello Sonata, op. 40: III. Largo | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-4 | Cello Sonata, op. 40: IV. Allegro | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-5 | 7 Poems of Alexander Blok, op. 127: I. Pesnya Ofelii (Ophelia's Song) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-6 | 7 Poems of Alexander Blok, op. 127: II. Gamayun, ptitsa veshchaya (Hamayun, the Prophetic Bird) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-7 | 7 Poems of Alexander Blok, op. 127: III. My byli vmeste (We were together) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-8 | 7 Poems of Alexander Blok, op. 127: IV. Gorod spit (The City is Asleep) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-9 | 7 Poems of Alexander Blok, op. 127: V. Burya (The Storm) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-10 | 7 Poems of Alexander Blok, op. 127: VI. Tayniye znaki (Secret Signs) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-11 | 7 Poems of Alexander Blok, op. 127: VII. Muzyka (Music) | Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich | — | |
| 22-12 | Pohádka, JW 7/5: I. Con moto | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-13 | Pohádka, JW 7/5: II. Con moto | Benjamin Britten, Mstislav Rostropovich | — | |
| 22-14 | Pohádka, JW 7/5: III. Allegro | Benjamin Britten, Mstislav Rostropovich | T-902.717.414-7 | |
| 23-1 | On Wenlock Edge: On Wenlock Edge | Peter Pears, Benjamin Britten, Zorian Quartet | — | |
| 23-2 | On Wenlock Edge: From far, from eve and morning | Peter Pears, Benjamin Britten, Zorian Quartet | — | |
| 23-3 | On Wenlock Edge: Is my team ploughing? | Peter Pears, Benjamin Britten, Zorian Quartet | T-010.462.614-3 | |
| 23-4 | On Wenlock Edge: Oh, when I was in love with you | Peter Pears, Benjamin Britten, Zorian Quartet | — | |
| 23-5 | On Wenlock Edge: Bredon Hill | Peter Pears, Benjamin Britten, Zorian Quartet | — | |
| 23-6 | On Wenlock Edge: Clun | Peter Pears, Benjamin Britten, Zorian Quartet | — | |
| 23-7 | Phantasie for Piano Quartet in F-sharp minor, H. 94 | Norbert Brainin, Benjamin Britten, Martin Lovett, Peter Schidlof | — | |
| 23-8 | Sonata For Cello And Piano: I. Allegro ben moderato | Benjamin Britten, Mstislav Rostropovich | — | |
| 23-9 | Sonata For Cello And Piano: II. Allegro ma non troppo: Molto allegro e agitato | Benjamin Britten, Mstislav Rostropovich | — | |
| 23-10 | Sonata for Cello and Piano: I. Prologue | Benjamin Britten, Mstislav Rostropovich | — | |
| 23-11 | Sonata for Cello and Piano: II. Sérénade | Benjamin Britten, Mstislav Rostropovich | — | |
| 23-12 | Sonata for Cello and Piano: III. Finale | Benjamin Britten, Mstislav Rostropovich | — | |
| 24-1 | Shepherd's Hey | English Chamber Orchestra, Benjamin Britten | — | |
| 24-2 | Willow Willow | Peter Pears, English Chamber Orchestra, Members, Benjamin Britten | — | |
| 24-3 | I'm Seventeen Come Sunday | Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 24-4 | Bold William Taylor | John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 24-5 | There was a pig went out to dig | Ambrosian Singers | — | |
| 24-6 | My Robin is to the Greenwood Gone | English Chamber Orchestra, Members, Benjamin Britten | — | |
| 24-7 | Lord Maxwell's Goodnight | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 24-8 | The Duke of Marlborough: Fanfare | English Chamber Orchestra, Members, Benjamin Britten | — | |
| 24-9 | Let's dance gay in green meadow | Viola Tunnard, Benjamin Britten | — | |
| 24-10 | Scotch Strathspey and Reel | Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 24-11 | The Pretty Maid milkin' her cow | Peter Pears, Benjamin Britten | — | |
| 24-12 | Lisbon | English Chamber Orchestra, Members, Benjamin Britten | — | |
| 24-13 | The Lost Lady Found | Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 24-14 | Shallow Brown | John Shirley-Quirk, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 24-15 | Sweeter than roses: Ed. Britten | James Bowman, Benjamin Britten | — | |
| 24-16 | Sailor's Song: Hob.XXVIa:31 (1794/95) | Peter Pears, Benjamin Britten | — | |
| 24-17 | The Wanderer | Peter Pears, Benjamin Britten | — | |
| 24-18 | Sympathy, H.XXVIa:33 | Peter Pears, Benjamin Britten | — | |
| 24-19 | She Never Told her Love: Hob.XXVIa:34 (1794/95) | Peter Pears, Benjamin Britten | — | |
| 24-20 | Piercing Eyes, H.XXVIa:35 | Peter Pears, Benjamin Britten | — | |
| 24-21 | Content, H.XXVIa:36 | Peter Pears, Benjamin Britten | — | |
| 25-1 | Humbert Wolfe Songs: Persephone | Peter Pears, Benjamin Britten | T-900.010.215-8 | |
| 25-2 | Humbert Wolfe Songs: Things Lovelier | Peter Pears, Benjamin Britten | T-900.011.562-8 | |
| 25-3 | Humbert Wolfe Songs: Now in these Fairylands | Peter Pears, Benjamin Britten | T-902.771.991-1 | |
| 25-4 | Humbert Wolfe Songs: A Little Music | Peter Pears, Benjamin Britten | T-900.011.524-2 | |
| 25-5 | Humbert Wolfe Songs: The Thought | Peter Pears, Benjamin Britten | T-900.008.978-1 | |
| 25-6 | Humbert Wolfe Songs: The Floral Bandit | Peter Pears, Benjamin Britten | T-900.009.261-5 | |
| 25-7 | Humbert Wolfe Songs: Envoi | Peter Pears, Benjamin Britten | T-900.009.239-7 | |
| 25-8 | Humbert Wolfe Songs: The Dream City | Peter Pears, Benjamin Britten | — | |
| 25-9 | Humbert Wolfe Songs: Journey End | Peter Pears, Benjamin Britten | — | |
| 25-10 | Humbert Wolfe Songs: In the Street of Lost Time | Peter Pears, Benjamin Britten | T-900.009.238-6 | |
| 25-11 | Humbert Wolfe Songs: Rhyme | Peter Pears, Benjamin Britten | T-900.009.055-1 | |
| 25-12 | Humbert Wolfe Songs: Betelgeuse | Peter Pears, Benjamin Britten | T-900.011.525-3 | |
| 25-13 | ’Tis but a week | Peter Pears, Benjamin Britten | — | |
| 25-14 | Goldenhair | Peter Pears, Benjamin Britten | — | |
| 25-15 | When you are old | Peter Pears, Benjamin Britten | T-900.057.687-4 | |
| 25-16 | So perverse | Peter Pears, Benjamin Britten | — | |
| 25-17 | Journey's end | Peter Pears, Benjamin Britten | T-900.011.751-1 | |
| 25-18 | Go not, happy day | Peter Pears, Benjamin Britten | — | |
| 25-19 | Love went a-riding | Peter Pears, Benjamin Britten | — | |
| 25-20 | A Shropshire Lad: Is my team ploughing? | Peter Pears, Benjamin Britten | T-010.462.614-3 | |
| 25-21 | In youth is pleasure | Peter Pears, Benjamin Britten | — | |
| 25-22 | Yarmouth Fair | Peter Pears, Benjamin Britten | — | |
| 25-23 | The Land of Lost Content: The Lent lily | Peter Pears, Benjamin Britten | T-010.448.378-4 | |
| 25-24 | The Land of Lost Content: Ladslove | Peter Pears, Benjamin Britten | T-900.067.909-4 | |
| 25-25 | The Land of Lost Content: Goal & Wicket | Peter Pears, Benjamin Britten | — | |
| 25-26 | The Land of Lost Content: The vain desire | Peter Pears, Benjamin Britten | T-010.171.559-6 | |
| 25-27 | The Land of Lost Content: The encounter | Peter Pears, Benjamin Britten | — | |
| 25-28 | The Land of Lost Content: Epilogue | Peter Pears, Benjamin Britten | T-010.455.217-1 | |
| 25-29 | The Trellis | Peter Pears, Benjamin Britten | T-900.011.842-3 | |
| 25-30 | Love and Friendship | Peter Pears, Benjamin Britten | T-900.010.572-6 | |
| 25-31 | Friendship in Misfortune | Peter Pears, Benjamin Britten | T-900.011.239-0 | |
| 25-32 | The One Hope | Peter Pears, Benjamin Britten | T-909.344.562-6 | |
| 25-33 | I have twelve oxen | Peter Pears, Benjamin Britten | — | |
| 25-34 | How love came in | Peter Pears, Benjamin Britten | — | |
| 25-35 | Three Chinese Lyrics: Herd Boy's song | Peter Pears, Benjamin Britten | — | |
| 25-36 | Three Chinese Lyrics: Fishing | Peter Pears, Benjamin Britten | — | |
| 25-37 | Three Chinese Lyrics: Pedlar of spells | Peter Pears, Benjamin Britten | — | |
| 25-38 | Songs for Ariel: Come unto these yellow sands | Peter Pears, Benjamin Britten | — | |
| 25-39 | Songs for Ariel: Full fathom five | Peter Pears, Benjamin Britten | — | |
| 25-40 | Songs for Ariel: Where the bee sucks | Peter Pears, Benjamin Britten | — | |
| 26-1 | Ganymed, D. 544 (op. 19/3) | Peter Pears, Benjamin Britten | — | |
| 26-2 | Du liebst mich nicht, op. 59/1, D.756 | Peter Pears, Benjamin Britten | — | |
| 26-3 | Lachen und Weinen, D.777, op. 59/4 | Peter Pears, Benjamin Britten | — | |
| 26-4 | Der Einsame, op. 41, D.800 | Peter Pears, Benjamin Britten | — | |
| 26-5 | Du bist die Ruh, D776 | Peter Pears, Benjamin Britten | — | |
| 26-6 | Der Musensohn, D.764 (op. 92/1) | Peter Pears, Benjamin Britten | — | |
| 26-7 | Der zürnenden Diana, D 707 | Peter Pears, Benjamin Britten | — | |
| 26-8 | Sprache der Liebe, D. 410 | Peter Pears, Benjamin Britten | — | |
| 26-9 | Gesange Des Harfners 1: Wer Sich Der Einsamkeit Ergibt D478 | Peter Pears, Benjamin Britten | — | |
| 26-10 | Der Musensohn, D.764 (op. 92/1) | Peter Pears, Benjamin Britten | — | |
| 26-11 | Du bist die Ruh, D776 | Peter Pears, Benjamin Britten | — | |
| 26-12 | Geheimes, D.719 | Peter Pears, Benjamin Britten | — | |
| 26-13 | Schwanengesang, D. 957: Die Stadt | Peter Pears, Benjamin Britten | — | |
| 26-14 | Harfenspieler 3, D. 480: Wer nie sein Brot mit Tränen aß | Peter Pears, Benjamin Britten | — | |
| 26-15 | Dass sie hier gewesen D 775 | Peter Pears, Benjamin Britten | — | |
| 26-16 | Der zürnenden Diana, D 707 | Peter Pears, Benjamin Britten | — | |
| 26-17 | Ganymed, D. 544 (op. 19/3) | Peter Pears, Benjamin Britten | T-800.758.671-3 | |
| 26-18 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Theme (Byrd) | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-19 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 1 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-20 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 2 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-21 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 3 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-22 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-23 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 5 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-24 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 6 | Aldeburgh Festival Orchestra, Benjamin Britten | — | |
| 26-25 | Gloriana, op. 53, Act 1 Scene 1: Fanfare | English Chamber Orchestra, Benjamin Britten | — | |
| 26-26 | God Save The Queen: Arr. Benjamin Britten | Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten | — | |
| 27-1 | Ode for Saint Cecilia's Day, HWV76: Overture | English Chamber Orchestra, Benjamin Britten | — | |
| 27-2 | Ode for Saint Cecilia's Day, HWV76: "From Harmony, From Heav'nly Harmony...When Nature Underneath A Heap" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 27-3 | Ode for Saint Cecilia's Day, HWV76: "From Harmony, From Heav'nly Harmony" | Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten | — | |
| 27-4 | Ode for Saint Cecilia's Day, HWV76: "What Passion Cannot Music Raise and Quell" | Heather Harper, Keith Harvey, English Chamber Orchestra, Benjamin Britten | — | |
| 27-5 | Ode for Saint Cecilia's Day, HWV76: "The Trumpet's Loud Clangour" | Peter Pears, Philip Jones, English Chamber Orchestra, Benjamin Britten | — | |
| 27-6 | Ode for Saint Cecilia's Day, HWV76: March | English Chamber Orchestra, Benjamin Britten | T-061.793.179-9 | |
| 27-7 | Ode for Saint Cecilia's Day, HWV76: "But Bright Cecilia" | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 27-8 | Ode for Saint Cecilia's Day, HWV76: "As From Pow'r of Sacred Lays" | Heather Harper, Keith Harvey, Richard Adeney, Philip Jones, Julian Bream, Philip Ledger, Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten | — | |
| 27-9 | Così fan tutte, K. 588: Overture | London Symphony Orchestra, Benjamin Britten | T-902.763.968-5 | |
| 27-10 | Si mostra la sorte, K. 209 | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 27-11 | Per pietà, non ricercate, K. 420 | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 27-12 | Maurerische Trauermusik in C minor, 'Masonic Funeral Music' K477/K479a | London Symphony Orchestra, Benjamin Britten | — | |
| 27-13 | Symphony no. 40 in G minor, K. 550: 1. Molto allegro | London Symphony Orchestra, Benjamin Britten | T-003.035.132-6 | |
| 27-14 | Symphony no. 40 in G minor, K. 550: 2. Andante | London Symphony Orchestra, Benjamin Britten | — | |
| 27-15 | Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio | London Symphony Orchestra, Benjamin Britten | — | |
| 27-16 | Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai) | London Symphony Orchestra, Benjamin Britten | T-306.395.786-4 |
Identifier Graph
028947856726 is a Universal Product Code (UPC) assigned to The Performer: Complete Decca Recordings by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 450 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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Creative Contributors (ISNI)
The UPC for “The Performer: Complete Decca Recordings” by Benjamin Britten is 028947856726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 450 tracks, each with its own ISRC. Tracks include GBF077141701, GBF077141702, GBF077141703.
