UPC · Release
Masterworks: The Original Jackets Collection
Johann Sebastian Bach
028947910435
36 tracksReleased 2013-01-01Deutsche Grammophon
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028947910435 is the Universal Product Code (UPC barcode) for the release “Masterworks: The Original Jackets Collection” by Johann Sebastian Bach, released 2013-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEF058730101, DEF058730126, DEF058730127.
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28947Manufacturer
91043Product
5Check digit
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Credit Chain
UPCMasterworks: The Original Jackets Collection
ISRC36 recordings
ISWC91 works
IPI2 songwriters
Track List (36)
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 3. Recitativo (Alto): "Nun wird mein liebster Bräutigam"
English Baroque Soloists, John Eliot Gardiner
—
Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Olaf Bär, English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 9. Choral: "Ach mein herzliebes Jesulein"
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 14. Recitativo (Basso): "Was Gott dem Abraham verheißen"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 18. Recitativo (Basso): "So geht denn hin"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 22. Recitativo (Basso): "So recht, ihr Engel, jauchzt und singet"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 27. Recitativo (Basso): "Er hat sein Volk getröst'"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 31. Aria (Alto): "Schließe, mein Herze, dies selige Wunder"
English Baroque Soloists, John Eliot Gardiner
—
Christmas Oratorio, BWV 248: no. 32. Recitativo (Alto): "Ja, ja, mein Herz soll es bewahren"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Additional database matches (502)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — |
| Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — |
| 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — |
| Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — |
| Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T9094070083 |
| Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — |
| Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — |
| Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — |
| Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — |
| Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T9094070083 |
| Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T9094070083 |
| Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T9253839144 |
| Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T9253839144 |
| Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — |
| Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — |
| Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T9094070083 |
| Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — |
| Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — |
| Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — |
| Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — |
| Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T9094070083 |
| Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — |
| Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T3099013233 |
| Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — |
| Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — |
| Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — |
| Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T9094070083 |
| Mass in B minor: I. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-070093418-4 |
| Mass in B Minor: XVI. Chor: Et incarnatus est | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T3064831949 |
| Mass in B Minor: XVII. Chor: Crucifixus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T9033570024 |
| Mass in B Minor: XVIII. Chor: Et resurrexit | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XIX. Arie: Et in Spiritum sanctum | Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | T9158661144 |
| Mass in B Minor: XXV. Chor: Osanna in excelsis (2) | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XXVI. Arie: Agnus Dei | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T3025161557 |
| Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T0500517769 |
| Mass in B Minor: XXIV. Arie: Benedictus, qui venit | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T0502831777 |
| Mass in B minor: II Duett: Christe eleison | Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B minor: III. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T0700934184 |
| Mass in B minor: VI. Arie: Laudamus te | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T0709129521 |
| Mass in B minor: VII. Chor: Gratias agimus tibi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T9214088763 |
| Mass in B minor: X. Arie: Qui sedes ad dextram Patris | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XIII. Chor: Credo in unum Deum | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XIV. Chor: Credo in unum Deum / Patrem omnipotentem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XV. Duett / Et in unum Dominum | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T9001473229 |
| Mass in B Minor: XXII. Chor: Sanctus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T9220012931 |
| Mass in B Minor: XXIII. Chor: Osanna in excelsis | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B minor: IV. Chor: Gloria in excelsis Deo | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T3064831983 |
| Mass in B minor: V. Chor: Et in terra pax | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B minor: VIII. Duett: Domine Deus | Maria Stader, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T0030100196 |
| Mass in B minor: IX. Chor: Qui tollis peccata mundi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B minor: XI. Arie: Quoniam tu solus sanctus | Kieth Engen, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B minor: XII. Chor: Cum Sancto Spiritu | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XX. Chor: Confiteor unum baptisma | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Mass in B Minor: XXI. Chor: Et expecto resurrectionem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | — |
| Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus" | Münchener Bach-Orchester, Karl Richter | — |
| Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes" | Münchener Bach-Orchester, Karl Richter | — |
| Magnificat, BWV 243: XII. Chor "Gloria Patri" | Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Prelude and Fugue in B minor, BWV 544: I. Prelude | Karl Richter | T9180637290 |
| Prelude and Fugue in B minor, BWV 544: II. Fugue | Karl Richter | — |
| Prelude and Fugue in A minor, BWV 543: I. Prelude | Karl Richter | — |
| Prelude and Fugue in A minor, BWV 543: II. Fugue | Karl Richter | T3099013233 |
| Partita in A minor for Solo Flute, BWV 1013: 1. Allemande | Aurèle Nicolet | — |
| Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia | Münchener Bach-Orchester, Karl Richter | — |
| Flute Sonata in B minor, BWV 1030: 3. Presto (Allegro) | Aurèle Nicolet, Karl Richter | — |
| Flute Sonata in E-flat major, BWV 1031: 1. Allegro moderato | Aurèle Nicolet, Karl Richter | — |
| Flute Sonata in A major, BWV 1032: 3. Allegro | Aurèle Nicolet, Karl Richter | — |
| Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T0419179342 |
| Toccata & Fugue in D minor, BWV 538 "Dorian": I. Toccata | Karl Richter | T9180637290 |
| Toccata & Fugue in D minor, BWV 538 "Dorian": II. Fugue | Karl Richter | — |
| Choral, BWV 768 "Sei Gegrüßet, Jesu Gütig" | Karl Richter | — |
| Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia | Karl Richter | T9177322031 |
| Passacaglia and Fugue in C minor, BWV 582: II. Fugue | Karl Richter | — |
| Ouverture No. 2 in B minor, BWV 1067: I. Ouverture | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-702622103-6 |
| Ouverture No. 2 in B minor, BWV 1067: II. Rondeau | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — |
| Ouverture No. 2 in B minor, BWV 1067: III. Sarabande | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — |
| Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — |
| Ouverture No. 2 in B minor, BWV 1067: V. Polonaise | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — |
| Ouverture No. 2 in B minor, BWV 1067: VI. Menuet | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T0116544843 |
| Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T0116544843 |
| Ouverture No. 1, BWV 1066: I. Ouverture | The English Concert, Trevor Pinnock | T7026221036 |
| Ouverture No. 1 in C major, BWV 1066: II. Courante | The English Concert, Trevor Pinnock | T3099013233 |
| Ouverture No. 1 in C major, BWV 1066: III. Gavotte I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 1 in C major, BWV 1066: IV. Forlane | The English Concert, Trevor Pinnock | — |
| Ouverture No. 1 in C major, BWV 1066: V. Menuet I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 1 in C major, BWV 1066: VI. Bourree I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 1 in C major, BWV 1066: VII. Passepied I/II | The English Concert, Trevor Pinnock | — |
| Suite no. 3 in D, BWV 1068: II. Air | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-914.248.874-2 |
| Ouverture No. 3 in D major, BWV 1068: I. Ouverture | The English Concert, Trevor Pinnock | T7026221036 |
| Ouverture No. 3 in D major, BWV 1068: III. Gavotte I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 3 in D major, BWV 1068: IV. Bourree | The English Concert, Trevor Pinnock | — |
| Ouverture No. 3 in D major, BWV 1068: V. Gigue | The English Concert, Trevor Pinnock | — |
| O Jesulein süß, BWV 493 | Peter Schreier, Karl Richter | — |
| Ich steh’ an deiner Krippen hier, BWV 469 | Peter Schreier, Karl Richter | — |
| Kompt Wieder Aus Der Finstern Gruft, BWV 480 | Peter Schreier, Karl Richter | — |
| Der Tag ist hin, die Sonne gehet nieder, BWV 447 | Peter Schreier, Karl Richter | — |
| Ein feste Burg ist unser Gott Kantate BWV 80: Ein feste Burg ist unser Gott | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Ein feste Burg ist unser Gott Kantate BWV 80: Ein feste Burg ist unser Gott | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — |
| Toccata in C minor, BWV 911 | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: I. Sinfonia | Martha Argerich | T9035144162 |
| Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | T3099013233 |
| Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: V. Rondeau | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: VI. Capriccio | Martha Argerich | T9094070083 |
| English Suite no. 2 in A minor, BWV 807: I. Prélude | Martha Argerich | T0701610550 |
| English Suite no. 2 in A minor, BWV 807: II. Allemande | Martha Argerich | — |
| English Suite no. 2 in A minor, BWV 807: III. Courante | Martha Argerich | — |
| English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Martha Argerich | — |
| English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II | Martha Argerich | — |
| English Suite no. 2 in A minor, BWV 807: VI. Gigue | Martha Argerich | — |
| Ouverture No. 4 in D major, BWV 1069: I. Ouverture | The English Concert, Trevor Pinnock | T7026221036 |
| Ouverture No. 4, BWV 1069: II. Bourree I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 4 in D major, BWV 1069: III. Gavotte | The English Concert, Trevor Pinnock | — |
| Ouverture No. 4 in D major, BWV 1069: IV. Menuet I/II | The English Concert, Trevor Pinnock | — |
| Ouverture No. 4 in D major, BWV 1069: V. Rejouissance | The English Concert, Trevor Pinnock | — |
| Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — |
| Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — |
| Italienisches Konzert F-dur, BWV 971: Allegro | Trevor Pinnock | T0612964847 |
| Italienisches Konzert F-dur, BWV 971: Andante | Trevor Pinnock | T9216455311 |
| Italienisches Konzert F-dur, BWV 971: Presto | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Aria | Trevor Pinnock | T9027611398 |
| Goldberg-Variationen, BWV 988: Variatio I. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio II. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio III. a 1 Clav. Canone all’ Unisuono | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio IV. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio V. a 1 ô vero 2 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio VI. a 1 Clav. Canone alla Seconda | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio VII. a 1 ô vero 2 Clav. al tempo di Giga | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio VIII. a 2 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio IX. Canone alla Terza. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio X. Fughetta a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XI. a 2 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XII. Canone alla Quarta. a 1 Clav. | Trevor Pinnock | T3117603046 |
| Goldberg-Variationen, BWV 988: Variatio XIII. a 2 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XIV. a 2 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XV. Canone alla Quinta. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XVI. Ouverture. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XVII. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XVIII. Canone alla Sexta. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XIX. a 1 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XX. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXI. Canone alla Settima. a 1 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXII. a 1 Clav. alla breve | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXIII. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXIV. Canone all'Ottava. a 1 Clav. | Trevor Pinnock | T9021286884 |
| Goldberg-Variationen, BWV 988: Variatio XXV. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXVI. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXVII. Canone alla Nona. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXVIII. a 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXIX. a 1 ô vero 2 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Variatio XXX. Quodlibet. a 1 Clav. | Trevor Pinnock | — |
| Goldberg-Variationen, BWV 988: Aria da Capo | Trevor Pinnock | — |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: I. Allegro | The English Concert, Trevor Pinnock | T0701610550 |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: II. Adagio | The English Concert, Trevor Pinnock | T3099013233 |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: III. Allegro | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for Harpsichord and Strings in E major, BWV 1053: I. (No tempo indication) | The English Concert, Trevor Pinnock | T0710866720 |
| Concerto for Harpsichord and Strings in E major, BWV 1053: II. Siciliano | The English Concert, Trevor Pinnock | T3295169681 |
| Concerto for Harpsichord and Strings in E major, BWV 1053: III. Allegro | The English Concert, Trevor Pinnock | — |
| Concerto for Harpsichord and Strings in D major, BWV 1054: I. (No tempo indication) | The English Concert, Trevor Pinnock | T0701610550 |
| Concerto for Harpsichord and Strings in D major, BWV 1054: II. Adagio e piano sempre | The English Concert, Trevor Pinnock | — |
| Concerto for Harpsichord and Strings in D major, BWV 1054: III. Allegro | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for Harpsichord and Strings in A major, BWV 1055: I. Allegro | The English Concert, Trevor Pinnock | T0710866720 |
| Concerto for Harpsichord and Strings in A major, BWV 1055: II. Larghetto | The English Concert, Trevor Pinnock | T3099013233 |
| Concerto for Harpsichord and Strings in A major, BWV 1055: III. Allegro ma non tanto | The English Concert, Trevor Pinnock | — |
| Concerto for Harpsichord and Strings in G minor, BWV 1058: I. (No tempo indication) | The English Concert, Trevor Pinnock | T0701610550 |
| Concerto for Harpsichord and Strings in G minor, BWV 1058: II. Andante | The English Concert, Trevor Pinnock | T3099013233 |
| Concerto for Harpsichord and Strings in G minor, BWV 1058: III. Allegro assai | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV 1057: I. (No tempo indication) | The English Concert, Trevor Pinnock | T0114223538 |
| Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV 1057: II. Andante | The English Concert, Trevor Pinnock | — |
| Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV 1057: III. Allegro assai | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for Harpsichord and Strings in F minor, BWV 1056: II. Largo | The English Concert, Trevor Pinnock | T3099013233 |
| Concerto for Harpsichord and Strings in F minor, BWV 1056: I. (No tempo indication) | The English Concert, Trevor Pinnock | T0710866720 |
| Concerto for Harpsichord and Strings in F minor, BWV 1056: III. Presto | The English Concert, Trevor Pinnock | — |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. (No tempo indication) | The English Concert, Trevor Pinnock | T-306395786-4 |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo | The English Concert, Trevor Pinnock | — |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro | The English Concert, Trevor Pinnock | T-306395786-4 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: I. Allegro | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: II. Adagio | The English Concert, Trevor Pinnock | T-802445410-3 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: III. Allegro | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: I. (No tempo indication) | The English Concert, Trevor Pinnock | T3063957864 |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: II. Alla Siciliana | The English Concert, Trevor Pinnock | — |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: III. Allegro | The English Concert, Trevor Pinnock | T3063957864 |
| Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T8017248395 |
| Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T3186765282 |
| Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T3186765282 |
| Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T0701603135 |
| Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T8001847979 |
| Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T3186765282 |
| Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — |
| Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T3186765282 |
| Suite in G minor, BWV 996: IV. Sarabande | Göran Söllscher | — |
| Suite in G minor, BWV 996: I. Praeludio. Passagio - Presto | Göran Söllscher | — |
| Suite in G minor, BWV 996: II. Allemande | Göran Söllscher | T3108055030 |
| Suite in G minor, BWV 996: III. Courante | Göran Söllscher | T9216005300 |
| Suite in G minor, BWV 996: IV. Sarabande | Göran Söllscher | T3108059963 |
| Suite in G minor, BWV 996: V. Bourrée | Göran Söllscher | T3108055029 |
| Suite in G minor, BWV 996: VI. Gigue | Göran Söllscher | T3108059952 |
| Suite in C minor, BWV 997: III. Sarabande | Göran Söllscher | — |
| Suite in C minor, BWV 997: I. Preludio | Göran Söllscher | T0419179342 |
| Suite in C minor, BWV 997: II. Fuga | Göran Söllscher | — |
| Suite in C minor, BWV 997: III. Sarabande | Göran Söllscher | — |
| Suite in C minor, BWV 997: IV. Gigue. Double | Göran Söllscher | — |
| Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060R: I. Allegro | David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert | T3063957864 |
| Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060R: II. Adagio | David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert | T8024454103 |
| Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060R: III. Allegro | David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert | T-306395786-4 |
| Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055R: I. | Trevor Pinnock, David Reichenberg, The English Concert | T3135394882 |
| Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055R: II. Larghetto | Trevor Pinnock, David Reichenberg, The English Concert | — |
| Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055R: III. Allegro ma non tanto | Trevor Pinnock, David Reichenberg, The English Concert | T-910.415.380-2 |
| Partita No.4 in D, BWV 828- I. Ouverture | Trevor Pinnock | T7026221036 |
| Partita No.4 in D, BWV 828- II. Allemande | Trevor Pinnock | — |
| Partita No.4 in D, BWV 828- III. Courante | Trevor Pinnock | — |
| Partita No.4 in D, BWV 828- IV. Aria | Trevor Pinnock | T9053803842 |
| Partita No.4 in D, BWV 828- V. Sarabande | Trevor Pinnock | — |
| Partita No.4 in D, BWV 828- VI. Menuet | Trevor Pinnock | — |
| Partita No.4 in D, BWV 828- VII. Gigue | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- I. Praeambulum | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- II. Allemande | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- III. Corrente | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- IV. Sarabande | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- V. Tempo di Minuetto | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- VI. Passepied | Trevor Pinnock | — |
| Partita No.5 in G, BWV 829- VII. Gigue | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- I. Toccata | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- II. Allemanda | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- III. Corrente | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- IV. Air | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- V. Sarabande | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- VI. Tempo di Gavotta | Trevor Pinnock | — |
| Partita No.6 in e, BWV 830- VII. Gigue | Trevor Pinnock | — |
| Suite in G minor, BWV 995: Preludio | Göran Söllscher | — |
| Suite in G minor, BWV 995: Preludio | Göran Söllscher | — |
| Suite in G minor, BWV 995: Courante | Göran Söllscher | — |
| Suite in G minor, BWV 995: IV. Sarabande | Göran Söllscher | — |
| Suite in G minor, BWV 995: Gavotte I / Gavotte II en Rondeau | Göran Söllscher | — |
| Suite in G minor, BWV 995: Gigue | Göran Söllscher | — |
| Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio | Martha Argerich, Mischa Maisky | T-001439586-8 |
| Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Martha Argerich, Mischa Maisky | — |
| Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: III. Andante | Martha Argerich, Mischa Maisky | T-902685622-4 |
| Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato | Martha Argerich, Mischa Maisky | — |
| Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: I. Adagio | Martha Argerich, Mischa Maisky | T-001439586-8 |
| Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — |
| Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: III. Andante | Martha Argerich, Mischa Maisky | T-902685622-4 |
| Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro | Martha Argerich, Mischa Maisky | — |
| Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace | Martha Argerich, Mischa Maisky | — |
| Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: II. Adagio | Martha Argerich, Mischa Maisky | T-001439586-8 |
| Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: III. Allegro | Martha Argerich, Mischa Maisky | T-914323864-6 |
| English Suite No. 2 in A minor, BWV 807: I. Prélude | Ivo Pogorelich | T-070160313-5 |
| English Suite No. 2 in A minor, BWV 807: II. Allemande | Ivo Pogorelich | — |
| English Suite No. 2 in A minor, BWV 807: III. Courante | Ivo Pogorelich | — |
| English Suite No. 2 in A minor, BWV 807: IV. Sarabande | Ivo Pogorelich | — |
| English Suite No. 2 in A minor, BWV 807: V. Bourrée I & II | Ivo Pogorelich | — |
| English Suite No. 2 in A minor, BWV 807: VI. Gigue | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: I. Prélude | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: II. Allemande | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: III. Courante | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: IV. Sarabande | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: V. Gavotte I & II | Ivo Pogorelich | — |
| English Suite No. 3 in G minor, BWV 808: VI. Gigue | Ivo Pogorelich | — |
| Johannes-Passion, BWV 245: Erster Teil: 1. Chor: Herr, Unser Herrscher, Dessen Ruhm | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Erster Teil: 3. Choral: O Große Lieb | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Erster Teil: 7. Arie (Altus): Von Den Stricken Meiner Sünden | Michael Chance, Valerie Darke, Anthony Robson, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Erster Teil: 11. Choral: Wer Hat Dich So Geschlagen | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Erster Teil: 13. Arie (Tenor): Ach, Mein Sinn, Wo Willt Du Endlich Hin | Neill Archer, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 15. Choral: Christus, Der Uns Selig Macht | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 17. Choral: Ach Grosser König, Gross Zu Allen Zeiten | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 19. Arioso (Bass): Betrachte, Mein Seel | Cornelius Hauptmann, Pavlo Beznosiuk, Roy Goodman, Jakob Lindberg, English Baroque Soloists, John Eliot Gardiner | T0503272147 |
| Johannes-Passion, BWV 245: Zweiter Teil: 20. Arie (Tenor): Erwäge, Wie Sein Blutgefärbter Rücken | Rufus Müller, Pavlo Beznosiuk, Richard Campbell, Roy Goodman, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral: Durch Dein Gefängnis, Gottes Sohn | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 24. Arie (Bass) - Chor: Eilt Ihr Angefochtnen Seelen / Wohin? | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | T0503272147 |
| Johannes-Passion, BWV 245: Zweiter Teil: 26. Choral: In Meines Herzens Grunde | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 30. Arie (Altus): Es Ist Vollbracht | Michael Chance, Cornelius Hauptmann, Richard Campbell, English Baroque Soloists, John Eliot Gardiner | T-915.681.108-4 |
| Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 34. Arioso (Tenor I): Mein Herz, Indem Die Ganze Welt | Neill Archer, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 35. Arie (Sopran): Zerfliesse, Mein Herze | Nancy Argenta, Lisa Beznosiuk, Richard Earle, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 37. Choral: O Hilf, Christe, Gottes Sohn | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Johannes-Passion, BWV 245: Zweiter Teil: 39. Chor: Ruht Wohl, Ihr Heiligen Gebeine | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | T-915.682.948-0 |
| Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral: Ach Herr, Lass Dein Lieb Engelein | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 39. Aria (Soprano, Echo Soprano): "Flößt, mein Heiland, flößt dein Namen" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 41. Aria (Tenore): "Ich will nur dir zu Ehren leben" | English Baroque Soloists, John Eliot Gardiner | T-070024961-1 |
| Christmas Oratorio, BWV 248: no. 46. Choral: "Dein Glanz all Finsternis verzehrt" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 47. Aria (Basso): "Erleucht auch meine finstre Sinnen" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 59. Choral: "Ich steh an deiner Krippen hier" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 62. Aria (Tenore): "Nun mögt ihr stolzen Feinde schrecken" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 64. Choral: "Nun seid ihr wohl gerochen" | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | T0502788557 |
| Christmas Oratorio, BWV 248: no. 51. Terzetto (Soprano, Alto, Tenore): "Ach, wenn wird die Zeit erscheinen" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: Part V, No. 43 Chorus »Ehre sei dir, Gott, gesungen« | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 36. Coro: "Fallt mit Danken, fallt mit Loben" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 37. Evangelista: "Und da acht Tage um waren" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 38. Recitativo (Basso): "Immanuel, o süßes Wort" / Arioso (Soprani, Basso): "Jesu, du mein liebstes Leben" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 40. Recitativo (Basso): "Wohlan, dein Name soll allein" / Choral (Soprani): "Jesu, meine Freud und Wonne" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 42. Choral: "Jesus richte mein Beginnen" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 44. Evangelista: "Da Jesu geboren war zu Bethlehem" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 45. Coro: "Wo is der neugeborene König der Jüden" / Recitativo (Alto): "Sucht ihn in meiner Brust" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 48. Evangelista: "Da das der König Herodes hörte" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 49. Recitativo (Alto): "Warum wollt ihr erschrecken" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 50. Evangelista: "Und ließ versammlen alle Hohepriester" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 52. Recitativo (Alto): "Mein Liebster herrschet schon" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 53. Choral: "Zwar ist solche Herzensstube" | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 54. Coro: "Herr, wenn die stolzen Feinde schnauben" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 55. Evangelista: "Da berief Herodes die Weisen heimlish" / Herodes: "Ziehet hin und forschet fleißig" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 56. Recitativo (Soprano): "Du Falscher, suche nur den Herrn zu fällen" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 57. Aria (Soprano): "Nur ein Wink von seinen Händen" | English Baroque Soloists, John Eliot Gardiner | — |
| Christmas Oratorio, BWV 248: no. 58. Evangelista: "Als sie nun den König gehöret hatten" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 60. Evangelista: "Und Gott befahl ihnen im Traum" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 61. Recitativo (Tenore): "So geht! Genug, mein Schatz geht nicht von hier" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Christmas Oratorio, BWV 248: no. 63. Recitativo (Soprano, Alto, Tenore, Basso): "Was will der Höllen Schrecken nun" | English Baroque Soloists, John Eliot Gardiner | T0700249611 |
| Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909243105-5 |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Simon Preston | T9053818738 |
| Toccata & Fugue in D minor, BWV 565: II. Fugue | Simon Preston | T9220461110 |
| Fantasia in G major "Pièce d'orgue", BWV 572: I. Très Vitement | Simon Preston | — |
| Fantasia in G major "Pièce d'orgue", BWV 572: II. Gravement | Simon Preston | T9094070072 |
| Fantasia in G major "Pièce d'orgue", BWV 572: III. Lentement | Simon Preston | — |
| Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 1. Nel Canone All'Ottava | Simon Preston | — |
| Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 2. Alio Modo, Nel Canone Alla Quinta | Simon Preston | — |
| Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 3. Canone All Settima | Simon Preston | — |
| Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 4. Per Augmentationem, Nel Canone All'Ottava | Simon Preston | — |
| Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 5. L'altra Sorte, del Canone Al Rovescio | Simon Preston | — |
| Prelude and Fugue in D major, BWV 532: I. Prelude | Simon Preston | T-800348254-1 |
| Prelude and Fugue in D major, BWV 532: II. Fugue | Simon Preston | T-902286488-6 |
| Pastorale in F major "Pastorella", BWV 590: I. In F major | Simon Preston | — |
| Pastorale in F major "Pastorella", BWV 590: II. In C major | Simon Preston | — |
| Pastorale in F major "Pastorella", BWV 590: III. In C minor | Simon Preston | T9211895873 |
| Pastorale in F major "Pastorella", BWV 590: IV. In F major | Simon Preston | — |
| Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno | Simon Preston | T9220461110 |
| Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno | Simon Preston | T9220461110 |
| Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Messe h-moll, BWV 232 No. 23: Benedictus, Qui Venit In Nomine Domini | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | T0502831777 |
| Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Messe h-moll, BWV 232, No. 5: Laudamus Te | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | T0030100196 |
| Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | — |
| Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Chorale (tenors) "Zion hört die Wächter singen" | Monteverdi Choir, Anthony Rolfe Johnson, Shlomo Mintz, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Recitative (tenor) "Er kommt, er kommt, der Bräut'gam kommt" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Wann kömmst du, mein Heil?" | Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!" | Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Wachet auf, ruft uns die Stimme BWV 140: Chorale "Gloria sei dirgesungen" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-905.387.081-8 |
| Herz und Mund und Tat und Leben BWV 147: Chorus "Herz und Mund und Tat und Leben" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-915.683.038-5 |
| Herz und Mund und Tat und Leben BWV 147: Recitative (tenor) "Gebenedeiter Mund!" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben, BWV 147: Aria 'Schäme dich, o Seele, nicht' | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Recitative (bass) "Verstockung kann Gewaltige verblenden" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn" | Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe" | Ruth Holton, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Aria (tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Recitative (countertenor) "Der höchsten Allmacht Wunderhand" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Nun komm, der Heiden Heiland II, BWV 62: No. 1 Chorus: »Nun komm, der Heiden Heiland« | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | — |
| Partita no. 1 in B‐flat major, BWV 825: I. Praeludium | Maria João Pires | T-800572279-3 |
| Partita no. 1 in B‐flat major, BWV 825: II. Allemande | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: III. Corrente | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: IV. Sarabande | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: V. Menuet I | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: VI. Menuet II | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: Menuet I da capo | Maria João Pires | — |
| Partita no. 1 in B‐flat major, BWV 825: VIII. Gigue | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: I. Prelude | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: II. Allemande | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: III. Courante | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: IV. Sarabande | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: V. Les agrements de la meme Sarabande | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: VI. Gavotte I alternativement | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: VII. Gavotte II ou la Musette | Maria João Pires | T-919842195-3 |
| English Suite no. 3 in G minor, BWV 808: VIII. Gavotte I da capo | Maria João Pires | — |
| English Suite no. 3 in G minor, BWV 808: IX. Gigue | Maria João Pires | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Maria João Pires | — |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Maria João Pires | T-900237672-9 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Maria João Pires | — |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Maria João Pires | — |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Maria João Pires | — |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Maria João Pires | — |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: I. Allegro | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-011422353-8 |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T0014395868 |
| Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306395786-4 |
| Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: I. Vivace | Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | — |
| Concerto for Two Violins in D minor, BWV 1043: Largo ma non tanto | Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | — |
| Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: III. Allegro | Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | — |
| Mattheuspassie: Aria "Erbarme dich" | Magdalena Kožená, Gabrieli Players, Paul McCreesh | T1016076676 |
| St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben" | Deborah York, Paul McCreesh, Gabrieli Consort & Players | — |
| St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder" | Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh | — |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. Allegro moderato | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-902685630-4 |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: II. Andante | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | — |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: III. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T3063957864 |
| Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: I. Allegro | Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T0114223538 |
| Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: II. Adagio | Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T0715795348 |
| Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: III. Allegro | Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | — |
| Brandenburg Concerto №4 in G major, BWV 1049: I. Allegro | Giuliano Carmignola, Michala Petri, Nikola Tarasov, Orchestra Mozart, Claudio Abbado | T-914325765-2 |
| The Art of Fugue, BWV 1080: Contrapunctus 1 | Pierre-Laurent Aimard | T3241613689 |
| The Art of Fugue, BWV 1080: Contrapunctus 2 | Pierre-Laurent Aimard | T3099013233 |
| The Art of Fugue, BWV 1080: Contrapunctus 3 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 4 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 5 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Style Francese | Pierre-Laurent Aimard | T3209647127 |
| The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 10 a 4 alla Decima | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus 11 a 4 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus inversus 12.1 a 4 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus inversus 12.2 a 4 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus inversus 13.1 a 3 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus inversus 13.2 a 3 | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Canon alla Ottava | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto all Terza | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu | Pierre-Laurent Aimard | — |
| The Art of Fugue, BWV 1080: Contrapunctus XIV (Fuga a 3 Soggetti) | Pierre-Laurent Aimard | T0315524903 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: I. Præludium | Maurizio Pollini | T-910415372-2 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: II. Fuga | Maurizio Pollini | T3256038714 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: I. Præludium | Maurizio Pollini | T3159641137 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: II. Fuga | Maurizio Pollini | T9138210705 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: II. Fuga | Maurizio Pollini | T0116965015 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: I. Præludium | Maurizio Pollini | T8006736251 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: I. Præludium | Maurizio Pollini | T9220460106 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: II. Fuga | Maurizio Pollini | T9220461110 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: I. Præludium | Maurizio Pollini | T9220460106 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: II. Fuga | Maurizio Pollini | T9220460106 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: I. Præludium | Maurizio Pollini | T9220460106 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 11 in F major, BWV 856: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book 1: Prelude no. 11 in F major, BWV 856/1 | Johann Sebastian Bach | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 12 in F minor, BWV 857: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book 1: Prelude no. 12 in F minor, BWV 857/1 | Johann Sebastian Bach | T3209644504 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: II. Fuga | Maurizio Pollini | T3294124662 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: II. Fuga | Maurizio Pollini | T3294124662 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: II. Fuga | Maurizio Pollini | T3294124662 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: I. Præludium | Maurizio Pollini | T9220460106 |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: II. Fuga | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: I. Præludium | Maurizio Pollini | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: II. Fuga | Maurizio Pollini | — |
| Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" | Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood | — |
| Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-905.387.081-8 |
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Cello Suite no. 1 in G major, BWV 1007: III. Courante
Pierre Fournier
—
무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande]
Pierre Fournier
—
Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II
Pierre Fournier
—
Pierre Fournier
Cello Suite no. 2 in D minor, BWV 1008: I. Prelude
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: III. Courante
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II
Pierre Fournier
—
Pierre Fournier
Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II
Pierre Fournier
—
Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II
Pierre Fournier
—
Pierre Fournier
Cello Suite no. 3 in C major, BWV 1009: I. Prelude
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: III. Courante
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II
Pierre Fournier
—
Pierre Fournier
Cello Suite no. 6 in D major, BWV 1012: I. Prelude
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: III. Courante
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande
Pierre Fournier
—
Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II
Pierre Fournier
—
Pierre Fournier
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Mass in B Minor: XVIII. Chor: Et resurrexit
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
Mass in B Minor: XXV. Chor: Osanna in excelsis (2)
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
Mass in B minor: II Duett: Christe eleison
Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter
—
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Mass in B minor: X. Arie: Qui sedes ad dextram Patris
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
—
Mass in B Minor: XIII. Chor: Credo in unum Deum
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Mass in B Minor: XIV. Chor: Credo in unum Deum / Patrem omnipotentem
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Mass in B Minor: XXIII. Chor: Osanna in excelsis
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Mass in B minor: V. Chor: Et in terra pax
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Maria Stader, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
Mass in B minor: IX. Chor: Qui tollis peccata mundi
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Mass in B minor: XI. Arie: Quoniam tu solus sanctus
Kieth Engen, Münchener Bach-Orchester, Karl Richter
—
Mass in B minor: XII. Chor: Cum Sancto Spiritu
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Mass in B Minor: XX. Chor: Confiteor unum baptisma
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Mass in B Minor: XXI. Chor: Et expecto resurrectionem
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Magnificat in D major, BWV 243: Chorus: "Magnificat"
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
—
Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus"
Münchener Bach-Orchester, Karl Richter
—
Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes"
Münchener Bach-Orchester, Karl Richter
—
Magnificat, BWV 243: XII. Chor "Gloria Patri"
Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn"
Theo Adam, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht"
Theo Adam, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht"
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin"
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
—
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Prelude and Fugue in B minor, BWV 544: II. Fugue
Karl Richter
—
Prelude and Fugue in A minor, BWV 543: I. Prelude
Karl Richter
—
Partita in A minor for Solo Flute, BWV 1013: 1. Allemande
Aurèle Nicolet
—
Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia
Münchener Bach-Orchester, Karl Richter
—
Flute Sonata in B minor, BWV 1030: 3. Presto (Allegro)
Aurèle Nicolet, Karl Richter
—
Flute Sonata in E-flat major, BWV 1031: 1. Allegro moderato
Aurèle Nicolet, Karl Richter
—
Flute Sonata in A major, BWV 1032: 3. Allegro
Aurèle Nicolet, Karl Richter
—
Nathan Milstein
Toccata & Fugue in D minor, BWV 538 "Dorian": II. Fugue
Karl Richter
—
Choral, BWV 768 "Sei Gegrüßet, Jesu Gütig"
Karl Richter
—
Passacaglia and Fugue in C minor, BWV 582: II. Fugue
Karl Richter
—
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
Ouverture No. 2 in B minor, BWV 1067: II. Rondeau
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
—
Ouverture No. 2 in B minor, BWV 1067: III. Sarabande
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
—
Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
—
Ouverture No. 2 in B minor, BWV 1067: V. Polonaise
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
—
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Ouverture No. 1 in C major, BWV 1066: III. Gavotte I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 1 in C major, BWV 1066: IV. Forlane
The English Concert, Trevor Pinnock
—
Ouverture No. 1 in C major, BWV 1066: V. Menuet I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 1 in C major, BWV 1066: VI. Bourree I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 1 in C major, BWV 1066: VII. Passepied I/II
The English Concert, Trevor Pinnock
—
Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
The English Concert, Trevor Pinnock
Ouverture No. 3 in D major, BWV 1068: III. Gavotte I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 3 in D major, BWV 1068: IV. Bourree
The English Concert, Trevor Pinnock
—
Ouverture No. 3 in D major, BWV 1068: V. Gigue
The English Concert, Trevor Pinnock
—
O Jesulein süß, BWV 493
Peter Schreier, Karl Richter
—
Ich steh’ an deiner Krippen hier, BWV 469
Peter Schreier, Karl Richter
—
Kompt Wieder Aus Der Finstern Gruft, BWV 480
Peter Schreier, Karl Richter
—
Der Tag ist hin, die Sonne gehet nieder, BWV 447
Peter Schreier, Karl Richter
—
Ein feste Burg ist unser Gott Kantate BWV 80: Ein feste Burg ist unser Gott
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Ein feste Burg ist unser Gott Kantate BWV 80: Ein feste Burg ist unser Gott
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Toccata in C minor, BWV 911
Martha Argerich
—
Martha Argerich
Martha Argerich
Partita no. 2 in C minor, BWV 826: III. Courante
Martha Argerich
—
Partita no. 2 in C minor, BWV 826: IV. Sarabande
Martha Argerich
—
Partita no. 2 in C minor, BWV 826: V. Rondeau
Martha Argerich
—
Martha Argerich
English Suite no. 2 in A minor, BWV 807: II. Allemande
Martha Argerich
—
English Suite no. 2 in A minor, BWV 807: III. Courante
Martha Argerich
—
English Suite no. 2 in A minor, BWV 807: IV. Sarabande
Martha Argerich
—
English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II
Martha Argerich
—
English Suite no. 2 in A minor, BWV 807: VI. Gigue
Martha Argerich
—
The English Concert, Trevor Pinnock
Ouverture No. 4, BWV 1069: II. Bourree I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 4 in D major, BWV 1069: III. Gavotte
The English Concert, Trevor Pinnock
—
Ouverture No. 4 in D major, BWV 1069: IV. Menuet I/II
The English Concert, Trevor Pinnock
—
Ouverture No. 4 in D major, BWV 1069: V. Rejouissance
The English Concert, Trevor Pinnock
—
Musical Offering, BWV 1079: I. Ricercar a 3
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: II. Canon perpetuus a 2
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: III. Canon a 2 violini in unisono
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VI. Canon a 2 per tonos
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: IX. Canon perpetuus
Musica Antiqua Köln, Reinhard Goebel
—
Trevor Pinnock
Trevor Pinnock
Italienisches Konzert F-dur, BWV 971: Presto
Trevor Pinnock
—
Trevor Pinnock
Goldberg-Variationen, BWV 988: Variatio XVII. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XIX. a 1 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XX. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXI. Canone alla Settima. a 1 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXII. a 1 Clav. alla breve
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXIII. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXV. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXVI. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXVII. Canone alla Nona. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXVIII. a 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXIX. a 1 ô vero 2 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Variatio XXX. Quodlibet. a 1 Clav.
Trevor Pinnock
—
Goldberg-Variationen, BWV 988: Aria da Capo
Trevor Pinnock
—
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in E major, BWV 1053: III. Allegro
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in D major, BWV 1054: II. Adagio e piano sempre
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in A major, BWV 1055: III. Allegro ma non tanto
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Concerto for Harpsichord, 2 Recorders and Strings in F major, BWV 1057: II. Andante
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in F minor, BWV 1056: III. Presto
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: II. Alla Siciliana
The English Concert, Trevor Pinnock
—
The English Concert, Trevor Pinnock
Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo)
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Suite in G minor, BWV 996: IV. Sarabande
Göran Söllscher
—
Suite in G minor, BWV 996: I. Praeludio. Passagio - Presto
Göran Söllscher
—
Göran Söllscher
Göran Söllscher
Göran Söllscher
Göran Söllscher
Göran Söllscher
Suite in C minor, BWV 997: III. Sarabande
Göran Söllscher
—
Göran Söllscher
Suite in C minor, BWV 997: II. Fuga
Göran Söllscher
—
Suite in C minor, BWV 997: III. Sarabande
Göran Söllscher
—
Suite in C minor, BWV 997: IV. Gigue. Double
Göran Söllscher
—
David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert
David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert
David Reichenberg, Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, David Reichenberg, The English Concert
Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055R: II. Larghetto
Trevor Pinnock, David Reichenberg, The English Concert
—
Trevor Pinnock, David Reichenberg, The English Concert
Trevor Pinnock
Partita No.4 in D, BWV 828- II. Allemande
Trevor Pinnock
—
Partita No.4 in D, BWV 828- III. Courante
Trevor Pinnock
—
Trevor Pinnock
Partita No.4 in D, BWV 828- V. Sarabande
Trevor Pinnock
—
Partita No.4 in D, BWV 828- VI. Menuet
Trevor Pinnock
—
Partita No.4 in D, BWV 828- VII. Gigue
Trevor Pinnock
—
Partita No.5 in G, BWV 829- I. Praeambulum
Trevor Pinnock
—
Partita No.5 in G, BWV 829- II. Allemande
Trevor Pinnock
—
Partita No.5 in G, BWV 829- III. Corrente
Trevor Pinnock
—
Partita No.5 in G, BWV 829- IV. Sarabande
Trevor Pinnock
—
Partita No.5 in G, BWV 829- V. Tempo di Minuetto
Trevor Pinnock
—
Partita No.5 in G, BWV 829- VI. Passepied
Trevor Pinnock
—
Partita No.5 in G, BWV 829- VII. Gigue
Trevor Pinnock
—
Partita No.6 in e, BWV 830- I. Toccata
Trevor Pinnock
—
Partita No.6 in e, BWV 830- II. Allemanda
Trevor Pinnock
—
Partita No.6 in e, BWV 830- III. Corrente
Trevor Pinnock
—
Partita No.6 in e, BWV 830- IV. Air
Trevor Pinnock
—
Partita No.6 in e, BWV 830- V. Sarabande
Trevor Pinnock
—
Partita No.6 in e, BWV 830- VI. Tempo di Gavotta
Trevor Pinnock
—
Partita No.6 in e, BWV 830- VII. Gigue
Trevor Pinnock
—
Suite in G minor, BWV 995: Preludio
Göran Söllscher
—
Suite in G minor, BWV 995: Preludio
Göran Söllscher
—
Suite in G minor, BWV 995: Courante
Göran Söllscher
—
Suite in G minor, BWV 995: IV. Sarabande
Göran Söllscher
—
Suite in G minor, BWV 995: Gavotte I / Gavotte II en Rondeau
Göran Söllscher
—
Suite in G minor, BWV 995: Gigue
Göran Söllscher
—
Martha Argerich, Mischa Maisky
Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto
Martha Argerich, Mischa Maisky
—
Martha Argerich, Mischa Maisky
Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato
Martha Argerich, Mischa Maisky
—
Martha Argerich, Mischa Maisky
Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro
Martha Argerich, Mischa Maisky
—
Martha Argerich, Mischa Maisky
Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro
Martha Argerich, Mischa Maisky
—
Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace
Martha Argerich, Mischa Maisky
—
Martha Argerich, Mischa Maisky
Martha Argerich, Mischa Maisky
English Suite No. 2 in A minor, BWV 807: II. Allemande
Ivo Pogorelich
—
English Suite No. 2 in A minor, BWV 807: III. Courante
Ivo Pogorelich
—
English Suite No. 2 in A minor, BWV 807: IV. Sarabande
Ivo Pogorelich
—
English Suite No. 2 in A minor, BWV 807: V. Bourrée I & II
Ivo Pogorelich
—
English Suite No. 2 in A minor, BWV 807: VI. Gigue
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: I. Prélude
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: II. Allemande
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: III. Courante
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: IV. Sarabande
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: V. Gavotte I & II
Ivo Pogorelich
—
English Suite No. 3 in G minor, BWV 808: VI. Gigue
Ivo Pogorelich
—
Johannes-Passion, BWV 245: Erster Teil: 1. Chor: Herr, Unser Herrscher, Dessen Ruhm
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Erster Teil: 3. Choral: O Große Lieb
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Erster Teil: 7. Arie (Altus): Von Den Stricken Meiner Sünden
Michael Chance, Valerie Darke, Anthony Robson, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Erster Teil: 11. Choral: Wer Hat Dich So Geschlagen
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Erster Teil: 13. Arie (Tenor): Ach, Mein Sinn, Wo Willt Du Endlich Hin
Neill Archer, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 15. Choral: Christus, Der Uns Selig Macht
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 17. Choral: Ach Grosser König, Gross Zu Allen Zeiten
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Cornelius Hauptmann, Pavlo Beznosiuk, Roy Goodman, Jakob Lindberg, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 20. Arie (Tenor): Erwäge, Wie Sein Blutgefärbter Rücken
Rufus Müller, Pavlo Beznosiuk, Richard Campbell, Roy Goodman, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral: Durch Dein Gefängnis, Gottes Sohn
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 26. Choral: In Meines Herzens Grunde
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Michael Chance, Cornelius Hauptmann, Richard Campbell, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot
Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 34. Arioso (Tenor I): Mein Herz, Indem Die Ganze Welt
Neill Archer, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 35. Arie (Sopran): Zerfliesse, Mein Herze
Nancy Argenta, Lisa Beznosiuk, Richard Earle, English Baroque Soloists, John Eliot Gardiner
—
Johannes-Passion, BWV 245: Zweiter Teil: 37. Choral: O Hilf, Christe, Gottes Sohn
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral: Ach Herr, Lass Dein Lieb Engelein
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 38. Recitativo (Basso): "Immanuel, o süßes Wort" / Arioso (Soprani, Basso): "Jesu, du mein liebstes Leben"
English Baroque Soloists, John Eliot Gardiner
—
Christmas Oratorio, BWV 248: no. 40. Recitativo (Basso): "Wohlan, dein Name soll allein" / Choral (Soprani): "Jesu, meine Freud und Wonne"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 45. Coro: "Wo is der neugeborene König der Jüden" / Recitativo (Alto): "Sucht ihn in meiner Brust"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 49. Recitativo (Alto): "Warum wollt ihr erschrecken"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 52. Recitativo (Alto): "Mein Liebster herrschet schon"
English Baroque Soloists, John Eliot Gardiner
—
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Christmas Oratorio, BWV 248: no. 56. Recitativo (Soprano): "Du Falscher, suche nur den Herrn zu fällen"
English Baroque Soloists, John Eliot Gardiner
—
Christmas Oratorio, BWV 248: no. 57. Aria (Soprano): "Nur ein Wink von seinen Händen"
English Baroque Soloists, John Eliot Gardiner
—
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
English Baroque Soloists, John Eliot Gardiner
Simon Preston
Fantasia in G major "Pièce d'orgue", BWV 572: I. Très Vitement
Simon Preston
—
Fantasia in G major "Pièce d'orgue", BWV 572: III. Lentement
Simon Preston
—
Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 1. Nel Canone All'Ottava
Simon Preston
—
Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 2. Alio Modo, Nel Canone Alla Quinta
Simon Preston
—
Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 3. Canone All Settima
Simon Preston
—
Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 4. Per Augmentationem, Nel Canone All'Ottava
Simon Preston
—
Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 5. L'altra Sorte, del Canone Al Rovescio
Simon Preston
—
Pastorale in F major "Pastorella", BWV 590: I. In F major
Simon Preston
—
Pastorale in F major "Pastorella", BWV 590: II. In C major
Simon Preston
—
Pastorale in F major "Pastorella", BWV 590: IV. In F major
Simon Preston
—
Simon Preston
Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
—
Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Chorale (tenors) "Zion hört die Wächter singen"
Monteverdi Choir, Anthony Rolfe Johnson, Shlomo Mintz, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Recitative (tenor) "Er kommt, er kommt, der Bräut'gam kommt"
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Wann kömmst du, mein Heil?"
Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!"
Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Wachet auf, ruft uns die Stimme BWV 140: Chorale "Gloria sei dirgesungen"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Herz und Mund und Tat und Leben BWV 147: Recitative (tenor) "Gebenedeiter Mund!"
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben, BWV 147: Aria 'Schäme dich, o Seele, nicht'
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Recitative (bass) "Verstockung kann Gewaltige verblenden"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn"
Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe"
Ruth Holton, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Aria (tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne"
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Recitative (countertenor) "Der höchsten Allmacht Wunderhand"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
—
Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
—
Nun komm, der Heiden Heiland II, BWV 62: No. 1 Chorus: »Nun komm, der Heiden Heiland«
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
—
Partita no. 1 in B‐flat major, BWV 825: II. Allemande
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: III. Corrente
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: IV. Sarabande
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: V. Menuet I
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: VI. Menuet II
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: Menuet I da capo
Maria João Pires
—
Partita no. 1 in B‐flat major, BWV 825: VIII. Gigue
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: I. Prelude
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: II. Allemande
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: III. Courante
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: IV. Sarabande
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: V. Les agrements de la meme Sarabande
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: VI. Gavotte I alternativement
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: VIII. Gavotte I da capo
Maria João Pires
—
English Suite no. 3 in G minor, BWV 808: IX. Gigue
Maria João Pires
—
French Suite no. 2 in C minor, BWV 813: I. Allemande
Maria João Pires
—
French Suite no. 2 in C minor, BWV 813: III. Sarabande
Maria João Pires
—
French Suite no. 2 in C minor, BWV 813: IV. Air
Maria João Pires
—
French Suite no. 2 in C minor, BWV 813: V. Menuet
Maria João Pires
—
French Suite no. 2 in C minor, BWV 813: VI. Gigue
Maria João Pires
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: I. Vivace
Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane
—
Concerto for Two Violins in D minor, BWV 1043: Largo ma non tanto
Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane
—
Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: III. Allegro
Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane
—
Magdalena Kožená, Gabrieli Players, Paul McCreesh
St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben"
Deborah York, Paul McCreesh, Gabrieli Consort & Players
—
St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"
Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Concerto for Violin, Strings and Continuo in A minor, BWV 1041: II. Andante
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: III. Allegro
Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
—
Giuliano Carmignola, Michala Petri, Nikola Tarasov, Orchestra Mozart, Claudio Abbado
Pierre-Laurent Aimard
Pierre-Laurent Aimard
The Art of Fugue, BWV 1080: Contrapunctus 3
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 4
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 5
Pierre-Laurent Aimard
—
Pierre-Laurent Aimard
The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 8 a 3
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 10 a 4 alla Decima
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus 11 a 4
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus inversus 12.1 a 4
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus inversus 12.2 a 4
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus inversus 13.1 a 3
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Contrapunctus inversus 13.2 a 3
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Canon alla Ottava
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto all Terza
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta
Pierre-Laurent Aimard
—
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu
Pierre-Laurent Aimard
—
Pierre-Laurent Aimard
Maurizio Pollini
Maurizio Pollini
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: I. Præludium
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: I. Præludium
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: II. Fuga
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: II. Fuga
Maurizio Pollini
—
Maurizio Pollini
Maurizio Pollini
Maurizio Pollini
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: II. Fuga
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 11 in F major, BWV 856: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book 1: Prelude no. 11 in F major, BWV 856/1
Johann Sebastian Bach
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 12 in F minor, BWV 857: I. Præludium
Maurizio Pollini
—
Johann Sebastian Bach
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: I. Præludium
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: I. Præludium
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: I. Præludium
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: II. Fuga
Maurizio Pollini
—
Maurizio Pollini
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: II. Fuga
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: I. Præludium
Maurizio Pollini
—
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: II. Fuga
Maurizio Pollini
—
Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße"
Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood
—
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
What other identifiers does this connect to?
Musical Works (ISWC)
T-905.387.081-8T-905386501-3T-905387081-8T-909.243.105-5T-910.415.372-2T-910.415.380-2T-910415372-2T-910415380-2T-914.248.874-2T-914248874-2
+81 more
T-915.681.108-4T-915.682.948-0T-915.683.038-5T-915681108-4T-915682948-0T-915683038-5T-915711225-9T0014395868T0030100196T0114223538T0116544843T0116965015T0315524903T0419179342T0500517769T0502788557T0502831777T0503272147T0612964847T0700249611T0700934184T0701603135T0701610550T0709129521T0710866720T0715795348T1016076676T3025161557T3063957864T3064831949T3064831983T3099013233T3108055029T3108055030T3108059952T3108059963T3117603046T3135394882T3159641137T3186765282T3209644504T3209647127T3241613689T3294124662T3295169681T7026221036T8001847979T8003482541T8005722793T8006736251T8017248395T8023729901T8024454103T9001473229T9002376729T9021286884T9022864886T9026856224T9026856304T9027611398T9033570024T9035144162T9053803842T9053818738T9094070072T9094070083T9138210705T9143238646T9143257652T9158661144T9177322031T9180637290T9198421953T9211895873T9214088763T9216005300T9216455311T9220012931T9220460106T9220461110T9253839144
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002540498500000000551305160000000055134736000000005515558800000000551917570000000055192290000000005553104500000000595914910000000063027420000000006310721X
+40 more
0000000078380331000000007839168X0000000078392340000000007839301X000000007839721300000000784924480000000080076021000000008218396300000000835991350000000090771001000000009609606X0000000106703477000000010720415100000001072963750000000107911729000000010799427X000000010865363700000001088235010000000108919319000000010893534300000001090110460000000109094865000000010914415600000001092070060000000109215604000000010935013600000001093737760000000109374314000000010937470100000001096809440000000109957923000000010996437300000001100701150000000110177457000000011021306700000001102319940000000110327013000000011042598300000001106003070000000110657856
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What is UPC 028947910435?
028947910435 is a Universal Product Code (UPC) assigned to Masterworks: The Original Jackets Collection by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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