UPC · Album

The John Eliot Gardiner Collection

Sir John Eliot Gardiner

028947910442
501 tracksReleased 2013-01-01Deutsche Grammophon

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028947910442 is the Universal Product Code (UPC barcode) for the release The John Eliot Gardiner Collection by Sir John Eliot Gardiner, released 2013-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 501 tracks, each with its own ISRC. Tracks include DEF058139901, DEF058139903, DEF058139904.

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Credit Chain

UPCThe John Eliot Gardiner Collection
ISRC245 recordings
ISWC40 works
IPI1 songwriter

Track List (245)

The Fairy Queen, Z.629, Act 5: Symphony
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Scene of the Drunken Poet: "Fill up the Bowl"
Judith Nelson, Elisabeth Priday, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 1: First Act Tune: Jig
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Overture
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: no. 17 "Hush, no more"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 3: Dialog: "Now the Maids and the Men"
Timothy Penrose, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 5: The Plaint
Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Prelude
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Hornpipe
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Air
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Rondeau
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 1: Song in Two Parts: "Come, come, come, let us leave"
Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Prelude...Come, all ye songsters of the sky
Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Prelude
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Trio: "May the God of Wit inspire"
Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Echo
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Chorus: "Now Joyn your Warbling Voices all"
English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 2: A Dance of Fairies
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Song and Chorus: "Sing while we trip it on the Green"
Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 2: no. 14 "See, even Night herself is here"
Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: no. 15 "I am come to lock all fast"
Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: no. 16 "One charming night"
Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: no. 18 Dance for the followers of night
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 2: Second Act Tune: Air
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: A Song in Two Parts and Chorus: "If Love's a Sweet Passion"
Jennifer Smith, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 3: Overture: Symphony while the Swans come forward
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: Dance for the Fairies
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: Dance for the Green Men
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: Song: "Ye Gentle Spirits of the Air, appear"
Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: Song: "When I have often heard"
Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: A Dance of Haymakers
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 3: Song and Chorus: "A Thousand Thousand ways we'll find"
Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 3: Third Act Tune: Hornpipe
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Symphony
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: no. 31 Solo & Chorus "Now the night"
Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 4: Duet: "Let the fifes, and the Clarions"
Timothy Penrose, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Entry of Phoebus
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all"
Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
The Fairy Queen, Z.629, Act 4: Song: "Thus the ever Grateful Spring"
Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Song: "Here's the Summer, Sprightly, Gay"
Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Song: "See my many Colour'd Fields"
Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Song and Chorus: "Now Winter comes Slowly"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 4: Fourth Act Tune: Air
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 5: Prelude
English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 5: Epithalamium: Thrice happy Lovers
Eiddwen Harrhy, English Baroque Soloists, Sir John Eliot Gardiner
The Fairy Queen, Z.629, Act 5: Entry Dance
English Baroque Soloists, Sir John Eliot Gardiner
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Rondo. Allegro assai
English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro
Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance
English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson
Concerto for Piano and Orchestra no. 21 in C major, K. 467: I. Allegro
Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner
Concerto for Piano and Orchestra no. 21 in C major, K. 467: II. Andante
Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner
Concerto for Piano and Orchestra no. 21 in C major, K. 467: III. Allegro vivace assai
Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig«
English Baroque Soloists, John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Choral "Herzliebster Jesu, was hast du verbrochen"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Aria (Alt) "Buss und Reu"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Aria (Sopran) "Blute nur, du liebes Herz"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. "Ich will hier bei dir stehen"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Aria (Tenor) "Ich will bei meinen Jesu wachen" - Chorus "So schlafen unsre Sünden ein"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Aria (Bass) "Gerne will ich mich bequemen"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Choral "Was mein Gott will, das g'scheh allzeit"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott'
English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil II. Choral "Wie wunderbarlich ist doch diese Strafe"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Können Tränen meiner Wangen"
English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein"
English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
St. Matthew Passion, BWV 244: Teil I. Recitativo (Bass) "Der Heiland fällt vor seinem Vater nieder"
English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht"
English Baroque Soloists, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum
Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: II. Dixit dominus
Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: III. Nigra sum
Mark Tucker, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: IV. Laudate pueri
Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della beata Vergine: Pulchra es A 2
Ann Monoyios, Marinella Pennicchi, Jakob Lindberg, David Miller, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: VI. Laetatus sum
Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della beata Vergine: Duo seraphim A 3
Sandro Naglia, Nigel Robson, Mark Tucker, Jakob Lindberg, David Miller, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della beata Vergine: Nisi Dominus A 10
Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: IX. Audi coelum
Monteverdi Choir, Nigel Robson, Mark Tucker, Jakob Lindberg, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della beata Vergine: Lauda Jerusalem A 7
Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria"
Patrick Russill, London Oratory Junior Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: XII. Ave maris stella
Patrick Russill, Michael Chance, London Oratory Junior Choir, Monteverdi Choir, Nigel Robson, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci
Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci
Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Ouverture
English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo)
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno"
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia)
Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar"
Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia)
Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante)
Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene"
Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno"
Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite"
Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante)
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia
English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro)
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo)
Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace)
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo)
Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò"
Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra)
Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra)
Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra)
Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo"
Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?"
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo"
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra)
Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace)
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace)
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote)
Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia
English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta K. 366: Appendix , Recitativo "Frettolosa e giuliva Elettra vien" / Recitativo "Sire, da arbace intensi" / Recitativo : "Chi ma del mio provò"
Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence"
Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre"
Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante)
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote)
Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote)
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce)
Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace"
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo)
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo)
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir
Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro)
English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?"
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version)
Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version)
Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner
Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!"
Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Schickelgruber
Anne Sofie von Otter, Bengt Forsberg
Symphony no. 4 in D minor, op. 120 (1841 Version): I. Andante con moto - Allegro di molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 4 in D minor, op. 120 (1841 Version): II. Romanza: Andante
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 4 in D minor, op. 120 (1841 Version): III. Scherzo: Presto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 4 in D minor, op. 120 (1841 Version): IV. Largo - Finale: Allegro vivace
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem Für Mignon
William Dazeley, Knabenchor Hannover, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Nachtlied
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 1. Vor Edens Tor im Morgenprangen (Alt-Solo)
Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 2. Wie glücklich sie wandeln, die sel’gen Geister (Die Peri)
Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 3. Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms (Der Engel)
Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 4. Wo find’ ich sie? (Die Peri)
Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 5. So sann sie nach und schwang die Flügel (Tenor-Solo)
Neill Archer, Alexandra Coku, Bernarda Fink, Gerald Finley, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 6. Doch seine Ströme sind jetzt rot (Chor)
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 7. Und einsam steht (Tenor-Solo, Chor); Komm, kühner Held (Gazna); Du schlugst des Landes (Der Jüngling, Gazna)
Neill Archer, Cornelius Hauptmann, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 8. Weh, weh, weh, er fehlte das Ziel (Chor)
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 9. Die Peri sah das Mal (Tenor-Solo); Sei dies, mein Geschenk (Die Peri, Vokalquartett)
Neill Archer, Barbara Bonney, Alexandra Coku, Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 10. Die Peri tritt (Tenor-Solo); Gern grüssen wir, die so gegangen (Der Engel, Chor)
Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 11. Ihr erstes Himmelshoffen (Tenor-Solo); Hervor aus den Wässern (Chor, Die Peri)
Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 12. Fort streift von hier (Tenor-Solo); Für euren ersten Fall (Die Peri)
Barbara Bonney, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 13. Die Peri weint (Tenor-Solo, Vokalquartett)
Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 14. Im Waldesgrün am stillen See (Alt-Solo); Ach, einen Tropfen (Der Jüngling)
Neill Archer, Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 15. Verlassener Hüngling (Mezzosopran-Solo); Doch sieh, we naht (Tenor-Solo); Du hier? (Der Jüngling)
Neill Archer, Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 16. O lass mich von der Luft (Die Jungfrau); Sie wankt - sie sinkt (Tenor-Solo)
Alexandra Coku, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 17. Schlaf nun und ruhe in Träumen (Die Peri, Chor)
Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)
Constanze Backes, Donna Deam, Katherine Fuge, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 19. Dem Sang von ferne (Tenor-Solo); Noch nicht! (Der Engel)
Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 20. Verstossen! Verschlossen aufs neu das Goldportal! (Die Peri)
Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 21. Jetzt sank des Abends goldner Schein (Bariton-Solo)
Gerald Finley, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 22. Und wie sie niederwärts (Tenor-Solo); Peri, ist’s wahr (Vokalquartett); Mit ihrer Schwestern (Bariton-Solo)
Donna Deam, Gerald Finley, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 23. Hinab zu jenem (Die Peri); Sie schwebt herab (Tenor-Solo); Doch horch (Mezzosopran-Solo)
Barbara Bonney, Bernarda Fink, Gerald Finley, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 24. O heil’ge Tränen inn’ger Reue (Vokalquartett, Chor)
Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: 25. Es fällt ein Tropfen (Die Peri); Und sieh, demütig betend (Tenor-Solo, Chor)
Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Das Paradies und die Peri: Freud’, ew’ge Fruede; Wilkommen, wilkommen unter den Frommen! (Die Peri, Chor)
Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
In the South (Alassio): Concert Overture, op. 50
Wiener Philharmoniker, Sir John Eliot Gardiner
Introduction and Allegro for Strings, op. 47
Wiener Philharmoniker, Sir John Eliot Gardiner
Sospiri: Adagio for Strings, Harp and Organ, op. 70
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": Theme (Andante)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (L'istesso tempo)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.-P. (Allegro)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Allegretto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (Allegro di molto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Moderato)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Andantino)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Presto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Allegretto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (Adagio)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Allegretto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (Allegro di molto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Andante)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza *** (Moderato)
Wiener Philharmoniker, Sir John Eliot Gardiner
Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (Allegro - Presto)
Wiener Philharmoniker, Sir John Eliot Gardiner
Symphony of Psalms: 1. Exaudi orationem meam
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
Symphony of Psalms: 2. Expectans expectavi Dominum
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
Symphony of Psalms: 3. Alleluia. Laudate Dominum
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
Jephtha: Overture / Menuet
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "It must be so: or these vile Ammonites"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "Pour forth no more unheeded pray'rs"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "No more to Ammon's god and king"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "But Jephtha comes"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "Virtue my soul shall still embrace"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "'Twill be a painful separation, Jephtha" / "In gentle murmurs will I mourn"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "Happy this embassy, my charming Iphis" / "Dull delay, in piercing anguish"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!"
Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 4. "What mean these doubtful fancies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 4. "O God, behold our sore distress"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 5. "Some dire event hangs o'er our heads" / "Scenes of horror, scenes of woe"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Glad tidings of great joy to thee, dear Iphis"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Cherub and Seraphim, unbodied forms"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Up the dreadful steep ascending"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 2. "Heav'n smiles once more on his repentant people" / "His mighty arm, with sudden blow"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "In glory high, in might serene"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Welcome as the cheerful light"
Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Horror! confusion!" / "Open thy marble jaws, O tomb"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Why is my brother thus afflicted"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "First perish thou, and perish all the world!"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "If such thy cruel purpose" / "On me let blind mistaken zeal"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "O spare your daughter"
Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Such news flies swift"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Happy they! this vital breath"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Deeper, and deeper still"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "How dark, O Lord, are Thy decrees!"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Hide thou thy hated beams, O sun"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Ye sacred priests" / "Farewell, ye limpid springs and floods"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Doubtful fear and rev'rent awe"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. Symphony
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Rise, Jephtha, and ye rev'rend priests"
Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Happy, Iphis shalt thou live"
Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "For ever blessed be Thy holy name"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Theme sublime of endless praise"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "Let me congratulate this happy turn" / "Laud her, all ye virgin train"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "O let me fold thee in a mother's arms" / "Sweet as sight to the blind"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine"
Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "Ye house of Gilead, with one voice"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
[applause]
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "Say, my dear mother"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "The smiling dawn of happy days"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 7. "Such, Jephtha, was the haughty king's reply"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 7. "When his loud voice in thunder spoke"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Requiem: I. Requiem
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIa. Dies irae
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIb. Dies irae: Tuba mirum
Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIc. Dies irae: Liber scriptus
Monteverdi Choir, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Messa da requiem: IIe. Dies irae: Quid sum miser
Luca Canonici, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIe. Dies irae: Rex tremendae
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIf. Dies irae: Recordare
Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIg. Dies irae: Ingemisco
Luca Canonici, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIh. Dies irae: Confutatis
Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIi. Dies irae: Lacrymosa
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: III. Offertorio
Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IV. Sanctus
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: V. Agnus Dei
Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: VI. Lux aeterna
Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: VII. Libera me
Monteverdi Choir, Ľuba Orgonášová, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner

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What is UPC 028947910442?
UPC 028947910442 is the Universal Product Code (barcode) for "The John Eliot Gardiner Collection" by Sir John Eliot Gardiner, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947910442?
UPC 028947910442 contains 501 tracks, each with its own ISRC.
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What is UPC 028947910442?

028947910442 is a Universal Product Code (UPC) assigned to The John Eliot Gardiner Collection by Sir John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 501 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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