UPC · Release
Sir John Eliot Gardiner
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028947910442 is the Universal Product Code (UPC barcode) for the release “The John Eliot Gardiner Collection” by Sir John Eliot Gardiner, released 2013-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 230 tracks, each with its own ISRC. Tracks include DEF058139910, DEF058139911, DEF058139912.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | The Fairy Queen, Z.629, Act 1: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 3-2 | The Fairy Queen, Z.629, Act 1: Hornpipe | English Baroque Soloists, Sir John Eliot Gardiner | T-900.022.630-2 | |
| 3-3 | The Fairy Queen, Z.629, Act 1: Air | English Baroque Soloists, Sir John Eliot Gardiner | T-010.433.374-5 | |
| 3-4 | The Fairy Queen, Z.629, Act 1: Rondeau | English Baroque Soloists, Sir John Eliot Gardiner | T-900.076.903-9 | |
| 3-5 | The Fairy Queen, Z.629, Act 1: Overture | English Baroque Soloists, Sir John Eliot Gardiner | T-902.314.020-7 | |
| 3-6 | The Fairy Queen, Z.629, Act 1: Song in Two Parts: "Come, come, come, let us leave" | Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-7 | The Fairy Queen, Z.629, Act 1: Scene of the Drunken Poet: "Fill up the Bowl" | Judith Nelson, Elisabeth Priday, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-8 | The Fairy Queen, Z.629, Act 1: First Act Tune: Jig | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-9 | The Fairy Queen, Z.629, Act 2: Prelude...Come, all ye songsters of the sky | Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-10 | The Fairy Queen, Z.629, Act 2: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 3-11 | The Fairy Queen, Z.629, Act 2: Trio: "May the God of Wit inspire" | Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-12 | The Fairy Queen, Z.629, Act 2: Echo | English Baroque Soloists, Sir John Eliot Gardiner | T-205.044.740-7 | |
| 3-13 | The Fairy Queen, Z.629, Act 2: Chorus: "Now Joyn your Warbling Voices all" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-14 | The Fairy Queen, Z.629, Act 2: A Dance of Fairies | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-15 | The Fairy Queen, Z.629, Act 2: Song and Chorus: "Sing while we trip it on the Green" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-16 | The Fairy Queen, Z.629, Act 2: no. 14 "See, even Night herself is here" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-17 | The Fairy Queen, Z.629, Act 2: no. 15 "I am come to lock all fast" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-18 | The Fairy Queen, Z.629, Act 2: no. 16 "One charming night" | Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-19 | The Fairy Queen, Z.629, Act 2: no. 17 "Hush, no more" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-20 | The Fairy Queen, Z.629, Act 2: no. 18 Dance for the followers of night | English Baroque Soloists, Sir John Eliot Gardiner | T-926.155.164-8 | |
| 3-21 | The Fairy Queen, Z.629, Act 2: Second Act Tune: Air | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-22 | The Fairy Queen, Z.629, Act 3: A Song in Two Parts and Chorus: "If Love's a Sweet Passion" | Jennifer Smith, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-23 | The Fairy Queen, Z.629, Act 3: Overture: Symphony while the Swans come forward | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-24 | The Fairy Queen, Z.629, Act 3: Dance for the Fairies | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-25 | The Fairy Queen, Z.629, Act 3: Dance for the Green Men | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-26 | The Fairy Queen, Z.629, Act 3: Song: "Ye Gentle Spirits of the Air, appear" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-27 | The Fairy Queen, Z.629, Act 3: Dialog: "Now the Maids and the Men" | Timothy Penrose, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-28 | The Fairy Queen, Z.629, Act 3: Song: "When I have often heard" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-29 | The Fairy Queen, Z.629, Act 3: A Dance of Haymakers | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-30 | The Fairy Queen, Z.629, Act 3: Song and Chorus: "A Thousand Thousand ways we'll find" | Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-31 | The Fairy Queen, Z.629, Act 3: Third Act Tune: Hornpipe | English Baroque Soloists, Sir John Eliot Gardiner | T-902.314.028-5 | |
| 4-1 | The Fairy Queen, Z.629, Act 4: Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-2 | The Fairy Queen, Z.629, Act 4: no. 31 Solo & Chorus "Now the night" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 4-3 | The Fairy Queen, Z.629, Act 4: Duet: "Let the fifes, and the Clarions" | Timothy Penrose, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-4 | The Fairy Queen, Z.629, Act 4: Entry of Phoebus | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | The Fairy Queen, Z.629, Act 4: Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all" | Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 4-6 | The Fairy Queen, Z.629, Act 4: Song: "Thus the ever Grateful Spring" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | The Fairy Queen, Z.629, Act 4: Song: "Here's the Summer, Sprightly, Gay" | Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | The Fairy Queen, Z.629, Act 4: Song: "See my many Colour'd Fields" | Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | The Fairy Queen, Z.629, Act 4: Song and Chorus: "Now Winter comes Slowly" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | The Fairy Queen, Z.629, Act 4: Fourth Act Tune: Air | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | The Fairy Queen, Z.629, Act 5: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 4-12 | The Fairy Queen, Z.629, Act 5: Epithalamium: Thrice happy Lovers | Eiddwen Harrhy, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | The Fairy Queen, Z.629, Act 5: The Plaint | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | T-011.657.800-7 | |
| 4-14 | The Fairy Queen, Z.629, Act 5: Entry Dance | English Baroque Soloists, Sir John Eliot Gardiner | T-900.247.953-0 | |
| 4-15 | The Fairy Queen, Z.629, Act 5: Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-16 | Purcell: The Fairy Queen - Act 5: Thus The Gloomy World | — | ||
| 4-17 | Purcell: The Fairy Queen - Act 5: Thus Happy & Free | — | ||
| 4-18 | Purcell: The Fairy Queen - Act 5: Yes, Daphne, In Your Looks I Find | — | ||
| 4-19 | Purcell: The Fairy Queen - Act 5: Monkeys' Dance | — | ||
| 4-20 | Purcell: The Fairy Queen - Act 5: Hark How All Things | — | ||
| 4-21 | Purcell: The Fairy Queen - Act 5: Hark Now The Echoing Air | — | ||
| 4-22 | Purcell: The Fairy Queen - Act 5: Sure The Full God Of Marriage | — | ||
| 4-23 | Purcell: The Fairy Queen - Act 5: Prelude | — | ||
| 4-24 | Purcell: The Fairy Queen - Act 5: See, See, I Obey | — | ||
| 4-25 | Purcell: The Fairy Queen - Act 5: Turn Then Thine Eyes | — | ||
| 4-26 | Purcell: The Fairy Queen - Act 5: My Torch, Indeed | — | ||
| 4-27 | Purcell: The Fairy Queen - Act 5: They Shall Be As Happy | — | ||
| 4-28 | Purcell: The Fairy Queen - Act 5: Air | — | ||
| 4-29 | Purcell: The Fairy Queen - Act 5: They Shall Be As Happy | — | ||
| 4-30 | Purcell: The Fairy Queen - Act 5: Chaconne, Dance For Chinese Man & Woman | — | ||
| 9-1 | Jephtha: Act II, Scene 1. "Glad tidings of great joy to thee, dear Iphis" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Jephtha: Act II, Scene 1. "Cherub and Seraphim, unbodied forms" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-3 | Jephtha: Act II, Scene 1. "Up the dreadful steep ascending" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-4 | Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-5 | Jephtha: Act II, Scene 2. "Heav'n smiles once more on his repentant people" / "His mighty arm, with sudden blow" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-6 | Jephtha: Act II, Scene 3. "In glory high, in might serene" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-7 | Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-8 | Jephtha: Act II, Scene 3. "Welcome as the cheerful light" | Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-9 | Jephtha: Act II, Scene 3. "Horror! confusion!" / "Open thy marble jaws, O tomb" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-10 | Jephtha: Act II, Scene 3. "Why is my brother thus afflicted" | Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-11 | Jephtha: Act II, Scene 3. "First perish thou, and perish all the world!" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-12 | Jephtha: Act II, Scene 3. "If such thy cruel purpose" / "On me let blind mistaken zeal" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-13 | Jephtha: Act II, Scene 3. "O spare your daughter" | Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-14 | Jephtha: Act II, Scene 4. "Such news flies swift" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-15 | Jephtha: Act II, Scene 4. "Happy they! this vital breath" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-16 | Jephtha: Act II, Scene 4. "Deeper, and deeper still" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-17 | Jephtha: Act II, Scene 4. "How dark, O Lord, are Thy decrees!" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 14-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | — | ||
| 14-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 14-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-17 | Idomeneo, re di Creta K. 366: Appendix , Recitativo "Frettolosa e giuliva Elettra vien" / Recitativo "Sire, da arbace intensi" / Recitativo : "Chi ma del mio provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 15-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 15-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 15-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-12 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-15 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-1 | Op.72a - Ouvertuere "Leonore II" | — | ||
| 19-2 | Leonore, Op.72 / Act 1 - ..Twas in truth | — | ||
| 19-3 | Leonore, Op.72 / Act 1 - No.1 Arie: "O wär' ich schon mir dir vereint" | — | ||
| 19-4 | Leonore, Op.72 / Act 1 - Beharrlich bleibt auf dem Liebespfad | — | ||
| 19-5 | Leonore, Op.72 / Act 1 - No.2 Duett: "Jetzt, Schätzchen, jetzt sind wir allein" | — | ||
| 19-6 | Leonore, Op.72 / Act 1 - Der Kerkermeister, Rocco, der Vater | — | ||
| 19-7 | Leonore, Op.72 / Act 1 - No.3 Terzett: "Ein Mann ist bald genommen" | — | ||
| 19-8 | Leonore, Op.72 / Act 1 - Fidelio kam - und niemand weiss woher | — | ||
| 19-9 | Leonore, Op.72 / Act 1 - No.4 Quartett: "Mir ist so wunderbar" | — | ||
| 19-10 | Leonore, Op.72 / Act 1 - Gefuehl ist gut, doch Geld ist besser | — | ||
| 19-11 | Leonore, Op.72 / Act 1 - No.5 Arie: "Hat man nicht auch Gold beineben" | — | ||
| 19-12 | Leonore, Op.72 / Act 1 - Unantastbar klar birgt Leonores Brust | — | ||
| 19-13 | Leonore, Op.72 / Act 1 - No.6 Terzett: "Gut, Soehnchen, gut" | — | ||
| 19-14 | Leonore, Op.72 / Act 2 - No.7 Introduction | — | ||
| 19-15 | Leonore, Op.72 / Act 2 - Der Gouverneur ist da | — | ||
| 19-16 | Leonore, Op.72 / Act 2 - No.8 Arie mit Chor: "Ha! Welch ein Augenblick" | — | ||
| 19-17 | Leonore, Op.72 / Act 2 - Postiert eine Trompete auf dem Wachturm | — | ||
| 19-18 | Leonore, Op.72 / Act 2 - No.9 Duett: "Jetzt, Alter, hat es Eile!" | — | ||
| 19-19 | Leonore, Op.72 / Act 2 - Und Leonore begegnet Marzelline | — | ||
| 19-20 | Leonore, Op.72 / Act 2 - No.10 Duett: "Um in der Ehe froh zu leben" | — | ||
| 19-21 | Leonore, Op.72 / Act 2 - Die ernsten Steine des dumpfen Gemaeuers | — | ||
| 19-22 | Leonore, Op.72 / Act 2 - No.11 Rezitativ und Arie: "Ach, brich noch nicht, du mattes Herz!" - "Komm,Hoffnung,lass den letzten Stern" | — | ||
| 20-1 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. No.12 Finale: "O Welche Lust, In Freier Luft" | — | ||
| 20-2 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Rezitativ: "Entfertn Euch Jetzt! Nun Könnt Ihr eilen?...Nun Sprecht, Wie ging's?....Noch Heute, Noch Heute?" | — | ||
| 20-3 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Duet: "Wir Müssen Gleich Zu Werke Schreiten". Quartett: "Ach, Vater, Eilt!" | — | ||
| 20-4 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Arie: "Auf Euch Nur Will Ich Bauen" | — | ||
| 20-5 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Florestans Not Im Dunkel Tauber Einsamkeit | — | ||
| 20-6 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.13 Rezitativ: "Gott! Welch Dunkel hier!-In Des Lebens Frühlingstagen" | — | ||
| 20-7 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.14 Melodram Und Deett: "Wie Kalt Es Ist In Diesem Unterirdischen Gewölbe!" | — | ||
| 20-8 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Duett: "Nur Hurtig Fort, Nur Frisch Gegraben" | — | ||
| 20-9 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Dort In Der Tiefe | — | ||
| 20-10 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.15 Terzett: "Euch Werde Lohn In Bessern Welten" | — | ||
| 20-11 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Und Rocco Eilt | — | ||
| 20-12 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.16 Quartett: "Er Sterbe! Doch Er Soll Erst Wissen" | — | ||
| 20-13 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Oh Leonore! Alles Was Dein Mut Gewagt-Verloren! | — | ||
| 20-14 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Rezitativ Und Duett: I"Ch Kann Mich Noch Nicht fassen-O Namenlose Freude!" | — | ||
| 20-15 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.18 Finale: "Zur Rache! Zur Rache!" | — | ||
| 20-16 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. "O Gott! O Welch Ein Augenblick!" | — | ||
| 20-17 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. So Müssen Endlich Aufgeklärte | — | ||
| 20-18 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. "Doch Höre Erst, Du Bösewicht" | — | ||
| 20-19 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Dann Herrscht Allgemeine Freiheit Und Gleichheit Der Geister | — | ||
| 20-20 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Chor: "Nein, Nein, Nein! Er Ist Noch Nicht Genug Bestraft!" | — | ||
| 20-21 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Ein Höherer Geist Vom Himmel Gesandt | — | ||
| 20-22 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Rezitativ: "Der König Wird Denn Richter Sein!" | — | ||
| 20-23 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Wer Ein Holdes Weib Errungen | — | ||
| 20-24 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Appendix: Marsch In B-Flat Major | — | ||
| 23-1 | Requiem Für Mignon | William Dazeley, Knabenchor Hannover, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-2 | Nachtlied | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-3 | Das Paradies und die Peri: 1. Vor Edens Tor im Morgenprangen (Alt-Solo) | Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-4 | Das Paradies und die Peri: 2. Wie glücklich sie wandeln, die sel’gen Geister (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-5 | Das Paradies und die Peri: 3. Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms (Der Engel) | Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-6 | Das Paradies und die Peri: 4. Wo find’ ich sie? (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-7 | Das Paradies und die Peri: 5. So sann sie nach und schwang die Flügel (Tenor-Solo) | Neill Archer, Alexandra Coku, Bernarda Fink, Gerald Finley, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-8 | Das Paradies und die Peri: 6. Doch seine Ströme sind jetzt rot (Chor) | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-9 | Das Paradies und die Peri: 7. Und einsam steht (Tenor-Solo, Chor); Komm, kühner Held (Gazna); Du schlugst des Landes (Der Jüngling, Gazna) | Neill Archer, Cornelius Hauptmann, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-10 | Das Paradies und die Peri: 8. Weh, weh, weh, er fehlte das Ziel (Chor) | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-11 | Das Paradies und die Peri: 9. Die Peri sah das Mal (Tenor-Solo); Sei dies, mein Geschenk (Die Peri, Vokalquartett) | Neill Archer, Barbara Bonney, Alexandra Coku, Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-12 | Das Paradies und die Peri: 10. Die Peri tritt (Tenor-Solo); Gern grüssen wir, die so gegangen (Der Engel, Chor) | Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-13 | Das Paradies und die Peri: 11. Ihr erstes Himmelshoffen (Tenor-Solo); Hervor aus den Wässern (Chor, Die Peri) | Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-14 | Das Paradies und die Peri: 12. Fort streift von hier (Tenor-Solo); Für euren ersten Fall (Die Peri) | Barbara Bonney, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-15 | Das Paradies und die Peri: 13. Die Peri weint (Tenor-Solo, Vokalquartett) | Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-16 | Das Paradies und die Peri: 14. Im Waldesgrün am stillen See (Alt-Solo); Ach, einen Tropfen (Der Jüngling) | Neill Archer, Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-17 | Das Paradies und die Peri: 15. Verlassener Hüngling (Mezzosopran-Solo); Doch sieh, we naht (Tenor-Solo); Du hier? (Der Jüngling) | Neill Archer, Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-18 | Das Paradies und die Peri: 16. O lass mich von der Luft (Die Jungfrau); Sie wankt - sie sinkt (Tenor-Solo) | Alexandra Coku, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-19 | Das Paradies und die Peri: 17. Schlaf nun und ruhe in Träumen (Die Peri, Chor) | Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-1 | Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor) | Constanze Backes, Donna Deam, Katherine Fuge, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-2 | Das Paradies und die Peri: 19. Dem Sang von ferne (Tenor-Solo); Noch nicht! (Der Engel) | Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-3 | Das Paradies und die Peri: 20. Verstossen! Verschlossen aufs neu das Goldportal! (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-4 | Das Paradies und die Peri: 21. Jetzt sank des Abends goldner Schein (Bariton-Solo) | Gerald Finley, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-5 | Das Paradies und die Peri: 22. Und wie sie niederwärts (Tenor-Solo); Peri, ist’s wahr (Vokalquartett); Mit ihrer Schwestern (Bariton-Solo) | Donna Deam, Gerald Finley, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-6 | Das Paradies und die Peri: 23. Hinab zu jenem (Die Peri); Sie schwebt herab (Tenor-Solo); Doch horch (Mezzosopran-Solo) | Barbara Bonney, Bernarda Fink, Gerald Finley, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-7 | Das Paradies und die Peri: 24. O heil’ge Tränen inn’ger Reue (Vokalquartett, Chor) | Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-8 | Das Paradies und die Peri: 25. Es fällt ein Tropfen (Die Peri); Und sieh, demütig betend (Tenor-Solo, Chor) | Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-9 | Das Paradies und die Peri: Freud’, ew’ge Fruede; Wilkommen, wilkommen unter den Frommen! (Die Peri, Chor) | Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-10 | Symphony no. 4 in D minor, op. 120 (1841 Version): I. Andante con moto - Allegro di molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-11 | Symphony no. 4 in D minor, op. 120 (1841 Version): II. Romanza: Andante | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-12 | Symphony no. 4 in D minor, op. 120 (1841 Version): III. Scherzo: Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-13 | Symphony no. 4 in D minor, op. 120 (1841 Version): IV. Largo - Finale: Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 27-1 | Die Lustige Witwe: Act I. No. 1 "Verehrteste Damen und Herren" | — | ||
| 27-2 | Die Lustige Witwe: Act I. No. 1a "Camille, ich muß mit lhnen sprechen!" | — | ||
| 27-3 | Die Lustige Witwe: Act I. No. 2 "So kommen Sie! 's ist niemand hier!" | — | ||
| 27-4 | Die Lustige Witwe: Act I. No. 2 Dialog "Nun, Njegus, haben Sie meine Botschaft überbracht?" | — | ||
| 27-5 | Die Lustige Witwe: Act I. No. 2 "Achtung, meine Herren, die Glawari kommt!" / No. 3 "Bitte, meine Herr'n Hab' in Paris mich noch nicht ganz so akklimatisiert" | — | ||
| 27-6 | Die Lustige Witwe: Act I. No. 3a "Camille! Ja?" | — | ||
| 27-7 | Die Lustige Witwe: Act I. No. 4 "Also, Njegus, hier bin ich, und wo ist das Vaterland?" | — | ||
| 27-8 | Die Lustige Witwe: Act I. No. 4 "Ich habe schon die vierte Nacht nich geschlafen!" | — | ||
| 27-9 | Die Lustige Witwe: Act I. No. 4 "Ich bitte Sie, lieber Freund, es hat doch keinen Zwerk" / No. 5 "Ja, was? Ein trautes Zimmerlein" | — | ||
| 27-10 | Die Lustige Witwe: Act I. No. 5 "Also, lieber Graf, Sie sind mein Mann" / No. 6 "Damenwahl! Hört man rufen rings im Saal" | — | ||
| 27-11 | Die Lustige Witwe: Act II. No. 7 "Ich bitte, hier jetzt zu verweilen Es lebt' eine Vilja" | — | ||
| 27-12 | Die Lustige Witwe: Act II. No. 7 "Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein!" | — | ||
| 27-13 | Die Lustige Witwe: Act II. No. 8 "Heia, Mädel, aufgeschaut" | — | ||
| 27-14 | Die Lustige Witwe: Act II. No. 8 "Wir werden uns noch schlagen um die Witwe!" / No. 9 "Wie die Weiber man behandelt" | — | ||
| 27-15 | Die Lustige Witwe: Act II. No. 9 "Mein tapferer Reitersmann!" / No. 10 "So, wie die Dinge sich entwickeln" | — | ||
| 27-16 | Die Lustige Witwe: Act II. No. 10 "Nein, nein, nein" / No. 11 "Mein Freund! Vernunft! Wie eine Rosenknospe" | — | ||
| 27-17 | Die Lustige Witwe: Act II. No. 11 "Ah, die Baronin und Herr Rosillon" | — | ||
| 27-18 | Die Lustige Witwe: Act II. No. 12 "Ha! Ha! | — | ||
| 27-19 | Die Lustige Witwe: Act III. No. 12b "Also, also, also!" | — | ||
| 27-20 | Die Lustige Witwe: Act III. No. 13 Danse Scene | — | ||
| 27-21 | Die Lustige Witwe: Act III. No. 13 "Graf Danilowitsch..." / No. 14 "Ja, wir sind es, die Grisetten" | — | ||
| 27-22 | Die Lustige Witwe: Act III. No. 14 "Exzellenz, Exzellenz, Graf, eine Expreßdepesche!" | — | ||
| 27-23 | Die Lustige Witwe: Act III. No. 15 "Aber dort bin ich zu Hause..." | — | ||
| 27-24 | Die Lustige Witwe: Act III. No. 15 "Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!" | — | ||
| 27-25 | Die Lustige Witwe: Act III. No. 16 "Ja, das Studium der Weiber ist schwer" | — | ||
| 30-1 | Psalm XXIV for tenor, chorus, brass, timpani, harps and organ. La terre appartient à l'Eternel | — | ||
| 30-2 | Psalm CXXIX for chorus and orchestra. "Ils m'ont assez opprimé dès ma jeunesse" | — | ||
| 30-3 | Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) for tenor, chorus and orchestra | — | ||
| 30-4 | Psalm CXXX for contralto, tenor, chorus and orchestra. "Du fond de l'âbime" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: II. Dixit dominus | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: III. Nigra sum | Mark Tucker, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: IV. Laudate pueri | Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della beata Vergine: Pulchra es A 2 | Ann Monoyios, Marinella Pennicchi, Jakob Lindberg, David Miller, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: VI. Laetatus sum | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della beata Vergine: Duo seraphim A 3 | Sandro Naglia, Nigel Robson, Mark Tucker, Jakob Lindberg, David Miller, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della beata Vergine: Nisi Dominus A 10 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: IX. Audi coelum | Monteverdi Choir, Nigel Robson, Mark Tucker, Jakob Lindberg, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della beata Vergine: Lauda Jerusalem A 7 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" | Patrick Russill, London Oratory Junior Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: XII. Ave maris stella | Patrick Russill, Michael Chance, London Oratory Junior Choir, Monteverdi Choir, Nigel Robson, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci | Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci | Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | English Baroque Soloists, John Eliot Gardiner | T-010.437.719-6 |
| St. Matthew Passion, BWV 244: Teil I. Choral "Herzliebster Jesu, was hast du verbrochen" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. Aria (Alt) "Buss und Reu" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. Aria (Sopran) "Blute nur, du liebes Herz" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. "Ich will hier bei dir stehen" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. Aria (Tenor) "Ich will bei meinen Jesu wachen" - Chorus "So schlafen unsre Sünden ein" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. Recitativo (Bass) "Der Heiland fällt vor seinem Vater nieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 |
| St. Matthew Passion, BWV 244: Teil I. Aria (Bass) "Gerne will ich mich bequemen" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil I. Choral "Was mein Gott will, das g'scheh allzeit" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | English Baroque Soloists, Sir John Eliot Gardiner | T-101.607.667-6 |
| Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 |
| St. Matthew Passion, BWV 244: Teil II. Choral "Wie wunderbarlich ist doch diese Strafe" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Können Tränen meiner Wangen" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" | English Baroque Soloists, Sir John Eliot Gardiner | — |
| Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Overture / Menuet | English Baroque Soloists, Sir John Eliot Gardiner | T-914.289.828-0 |
| Jephtha: Act I, Scene 1. "It must be so: or these vile Ammonites" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 1. "Pour forth no more unheeded pray'rs" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 1. "No more to Ammon's god and king" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 2. "But Jephtha comes" | Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 2. "Virtue my soul shall still embrace" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 2. "'Twill be a painful separation, Jephtha" / "In gentle murmurs will I mourn" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 3. "Happy this embassy, my charming Iphis" / "Dull delay, in piercing anguish" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!" | Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 4. "What mean these doubtful fancies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 4. "O God, behold our sore distress" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 5. "Some dire event hangs o'er our heads" / "Scenes of horror, scenes of woe" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 6. "Say, my dear mother" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 6. "The smiling dawn of happy days" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 7. "Such, Jephtha, was the haughty king's reply" | Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act I, Scene 7. "When his loud voice in thunder spoke" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Hide thou thy hated beams, O sun" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Waft her, angels, through the skies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Ye sacred priests" / "Farewell, ye limpid springs and floods" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Doubtful fear and rev'rent awe" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Rise, Jephtha, and ye rev'rend priests" | Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Happy, Iphis shalt thou live" | Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "For ever blessed be Thy holy name" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 1. "Theme sublime of endless praise" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 2. "Let me congratulate this happy turn" / "Laud her, all ye virgin train" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 2. "O let me fold thee in a mother's arms" / "Sweet as sight to the blind" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine" | Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Jephtha: Act III, Scene 2. "Ye house of Gilead, with one voice" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| [applause] | English Baroque Soloists, Sir John Eliot Gardiner | T-072.571.419-1 |
| Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Rondo. Allegro assai | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: II. Andante | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | T-802.445.410-3 |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: III. Allegro vivace assai | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem: I. Requiem | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-923.239.666-6 |
| Requiem: IIa. Dies irae | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIb. Dies irae: Tuba mirum | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIc. Dies irae: Liber scriptus | Monteverdi Choir, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Messa da requiem: IIe. Dies irae: Quid sum miser | Luca Canonici, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIe. Dies irae: Rex tremendae | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIf. Dies irae: Recordare | Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIg. Dies irae: Ingemisco | Luca Canonici, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIh. Dies irae: Confutatis | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IIi. Dies irae: Lacrymosa | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: III. Offertorio | Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: IV. Sanctus | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: V. Agnus Dei | Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Requiem: VI. Lux aeterna | Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-910.952.061-8 |
| Requiem: VII. Libera me | Monteverdi Choir, Ľuba Orgonášová, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-329.460.025-8 |
| In the South (Alassio): Concert Overture, op. 50 | Wiener Philharmoniker, Sir John Eliot Gardiner | T-900.057.982-8 |
| Introduction and Allegro for Strings, op. 47 | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Sospiri: Adagio for Strings, Harp and Organ, op. 70 | Wiener Philharmoniker, Sir John Eliot Gardiner | T-011.613.873-8 |
| Variations on an Original Theme, op. 36 "Enigma": Theme (Andante) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (L'istesso tempo) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.-P. (Allegro) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Allegretto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (Allegro di molto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Moderato) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Andantino) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Presto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Allegretto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (Adagio) | Wiener Philharmoniker, Sir John Eliot Gardiner | T-010.115.427-1 |
| Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Allegretto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (Allegro di molto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Andante) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza *** (Moderato) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (Allegro - Presto) | Wiener Philharmoniker, Sir John Eliot Gardiner | — |
| Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | — |
| Symphony of Psalms: 1. Exaudi orationem meam | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — |
| Symphony of Psalms: 2. Expectans expectavi Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — |
| Symphony of Psalms: 3. Alleluia. Laudate Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947910442 is a Universal Product Code (UPC) assigned to The John Eliot Gardiner Collection by Sir John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 230 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947910442 is the Universal Product Code (UPC barcode) for the release “The John Eliot Gardiner Collection” by Sir John Eliot Gardiner, released 2013-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 230 tracks, each with its own ISRC. Tracks include DEF058139910, DEF058139911, DEF058139912.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | The Fairy Queen, Z.629, Act 1: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 3-2 | The Fairy Queen, Z.629, Act 1: Hornpipe | English Baroque Soloists, Sir John Eliot Gardiner | T-900.022.630-2 | |
| 3-3 | The Fairy Queen, Z.629, Act 1: Air | English Baroque Soloists, Sir John Eliot Gardiner | T-010.433.374-5 | |
| 3-4 | The Fairy Queen, Z.629, Act 1: Rondeau | English Baroque Soloists, Sir John Eliot Gardiner | T-900.076.903-9 | |
| 3-5 | The Fairy Queen, Z.629, Act 1: Overture | English Baroque Soloists, Sir John Eliot Gardiner | T-902.314.020-7 | |
| 3-6 | The Fairy Queen, Z.629, Act 1: Song in Two Parts: "Come, come, come, let us leave" | Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-7 | The Fairy Queen, Z.629, Act 1: Scene of the Drunken Poet: "Fill up the Bowl" | Judith Nelson, Elisabeth Priday, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-8 | The Fairy Queen, Z.629, Act 1: First Act Tune: Jig | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-9 | The Fairy Queen, Z.629, Act 2: Prelude...Come, all ye songsters of the sky | Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-10 | The Fairy Queen, Z.629, Act 2: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 3-11 | The Fairy Queen, Z.629, Act 2: Trio: "May the God of Wit inspire" | Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-12 | The Fairy Queen, Z.629, Act 2: Echo | English Baroque Soloists, Sir John Eliot Gardiner | T-205.044.740-7 | |
| 3-13 | The Fairy Queen, Z.629, Act 2: Chorus: "Now Joyn your Warbling Voices all" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-14 | The Fairy Queen, Z.629, Act 2: A Dance of Fairies | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-15 | The Fairy Queen, Z.629, Act 2: Song and Chorus: "Sing while we trip it on the Green" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-16 | The Fairy Queen, Z.629, Act 2: no. 14 "See, even Night herself is here" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-17 | The Fairy Queen, Z.629, Act 2: no. 15 "I am come to lock all fast" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-18 | The Fairy Queen, Z.629, Act 2: no. 16 "One charming night" | Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-19 | The Fairy Queen, Z.629, Act 2: no. 17 "Hush, no more" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-20 | The Fairy Queen, Z.629, Act 2: no. 18 Dance for the followers of night | English Baroque Soloists, Sir John Eliot Gardiner | T-926.155.164-8 | |
| 3-21 | The Fairy Queen, Z.629, Act 2: Second Act Tune: Air | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-22 | The Fairy Queen, Z.629, Act 3: A Song in Two Parts and Chorus: "If Love's a Sweet Passion" | Jennifer Smith, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-23 | The Fairy Queen, Z.629, Act 3: Overture: Symphony while the Swans come forward | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-24 | The Fairy Queen, Z.629, Act 3: Dance for the Fairies | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-25 | The Fairy Queen, Z.629, Act 3: Dance for the Green Men | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-26 | The Fairy Queen, Z.629, Act 3: Song: "Ye Gentle Spirits of the Air, appear" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-27 | The Fairy Queen, Z.629, Act 3: Dialog: "Now the Maids and the Men" | Timothy Penrose, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-28 | The Fairy Queen, Z.629, Act 3: Song: "When I have often heard" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-29 | The Fairy Queen, Z.629, Act 3: A Dance of Haymakers | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-30 | The Fairy Queen, Z.629, Act 3: Song and Chorus: "A Thousand Thousand ways we'll find" | Wynford Evans, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-31 | The Fairy Queen, Z.629, Act 3: Third Act Tune: Hornpipe | English Baroque Soloists, Sir John Eliot Gardiner | T-902.314.028-5 | |
| 4-1 | The Fairy Queen, Z.629, Act 4: Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-2 | The Fairy Queen, Z.629, Act 4: no. 31 Solo & Chorus "Now the night" | Judith Nelson, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 4-3 | The Fairy Queen, Z.629, Act 4: Duet: "Let the fifes, and the Clarions" | Timothy Penrose, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-4 | The Fairy Queen, Z.629, Act 4: Entry of Phoebus | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | The Fairy Queen, Z.629, Act 4: Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all" | Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 4-6 | The Fairy Queen, Z.629, Act 4: Song: "Thus the ever Grateful Spring" | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | The Fairy Queen, Z.629, Act 4: Song: "Here's the Summer, Sprightly, Gay" | Timothy Penrose, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | The Fairy Queen, Z.629, Act 4: Song: "See my many Colour'd Fields" | Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | The Fairy Queen, Z.629, Act 4: Song and Chorus: "Now Winter comes Slowly" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | The Fairy Queen, Z.629, Act 4: Fourth Act Tune: Air | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | The Fairy Queen, Z.629, Act 5: Prelude | English Baroque Soloists, Sir John Eliot Gardiner | T-011.355.807-8 | |
| 4-12 | The Fairy Queen, Z.629, Act 5: Epithalamium: Thrice happy Lovers | Eiddwen Harrhy, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | The Fairy Queen, Z.629, Act 5: The Plaint | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | T-011.657.800-7 | |
| 4-14 | The Fairy Queen, Z.629, Act 5: Entry Dance | English Baroque Soloists, Sir John Eliot Gardiner | T-900.247.953-0 | |
| 4-15 | The Fairy Queen, Z.629, Act 5: Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-16 | Purcell: The Fairy Queen - Act 5: Thus The Gloomy World | — | ||
| 4-17 | Purcell: The Fairy Queen - Act 5: Thus Happy & Free | — | ||
| 4-18 | Purcell: The Fairy Queen - Act 5: Yes, Daphne, In Your Looks I Find | — | ||
| 4-19 | Purcell: The Fairy Queen - Act 5: Monkeys' Dance | — | ||
| 4-20 | Purcell: The Fairy Queen - Act 5: Hark How All Things | — | ||
| 4-21 | Purcell: The Fairy Queen - Act 5: Hark Now The Echoing Air | — | ||
| 4-22 | Purcell: The Fairy Queen - Act 5: Sure The Full God Of Marriage | — | ||
| 4-23 | Purcell: The Fairy Queen - Act 5: Prelude | — | ||
| 4-24 | Purcell: The Fairy Queen - Act 5: See, See, I Obey | — | ||
| 4-25 | Purcell: The Fairy Queen - Act 5: Turn Then Thine Eyes | — | ||
| 4-26 | Purcell: The Fairy Queen - Act 5: My Torch, Indeed | — | ||
| 4-27 | Purcell: The Fairy Queen - Act 5: They Shall Be As Happy | — | ||
| 4-28 | Purcell: The Fairy Queen - Act 5: Air | — | ||
| 4-29 | Purcell: The Fairy Queen - Act 5: They Shall Be As Happy | — | ||
| 4-30 | Purcell: The Fairy Queen - Act 5: Chaconne, Dance For Chinese Man & Woman | — | ||
| 9-1 | Jephtha: Act II, Scene 1. "Glad tidings of great joy to thee, dear Iphis" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Jephtha: Act II, Scene 1. "Cherub and Seraphim, unbodied forms" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-3 | Jephtha: Act II, Scene 1. "Up the dreadful steep ascending" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-4 | Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-5 | Jephtha: Act II, Scene 2. "Heav'n smiles once more on his repentant people" / "His mighty arm, with sudden blow" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-6 | Jephtha: Act II, Scene 3. "In glory high, in might serene" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-7 | Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-8 | Jephtha: Act II, Scene 3. "Welcome as the cheerful light" | Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-9 | Jephtha: Act II, Scene 3. "Horror! confusion!" / "Open thy marble jaws, O tomb" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-10 | Jephtha: Act II, Scene 3. "Why is my brother thus afflicted" | Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-11 | Jephtha: Act II, Scene 3. "First perish thou, and perish all the world!" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-12 | Jephtha: Act II, Scene 3. "If such thy cruel purpose" / "On me let blind mistaken zeal" | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-13 | Jephtha: Act II, Scene 3. "O spare your daughter" | Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-14 | Jephtha: Act II, Scene 4. "Such news flies swift" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-15 | Jephtha: Act II, Scene 4. "Happy they! this vital breath" | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-16 | Jephtha: Act II, Scene 4. "Deeper, and deeper still" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-17 | Jephtha: Act II, Scene 4. "How dark, O Lord, are Thy decrees!" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 14-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | — | ||
| 14-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 14-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-17 | Idomeneo, re di Creta K. 366: Appendix , Recitativo "Frettolosa e giuliva Elettra vien" / Recitativo "Sire, da arbace intensi" / Recitativo : "Chi ma del mio provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 15-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 15-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 15-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-12 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-15 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-1 | Op.72a - Ouvertuere "Leonore II" | — | ||
| 19-2 | Leonore, Op.72 / Act 1 - ..Twas in truth | — | ||
| 19-3 | Leonore, Op.72 / Act 1 - No.1 Arie: "O wär' ich schon mir dir vereint" | — | ||
| 19-4 | Leonore, Op.72 / Act 1 - Beharrlich bleibt auf dem Liebespfad | — | ||
| 19-5 | Leonore, Op.72 / Act 1 - No.2 Duett: "Jetzt, Schätzchen, jetzt sind wir allein" | — | ||
| 19-6 | Leonore, Op.72 / Act 1 - Der Kerkermeister, Rocco, der Vater | — | ||
| 19-7 | Leonore, Op.72 / Act 1 - No.3 Terzett: "Ein Mann ist bald genommen" | — | ||
| 19-8 | Leonore, Op.72 / Act 1 - Fidelio kam - und niemand weiss woher | — | ||
| 19-9 | Leonore, Op.72 / Act 1 - No.4 Quartett: "Mir ist so wunderbar" | — | ||
| 19-10 | Leonore, Op.72 / Act 1 - Gefuehl ist gut, doch Geld ist besser | — | ||
| 19-11 | Leonore, Op.72 / Act 1 - No.5 Arie: "Hat man nicht auch Gold beineben" | — | ||
| 19-12 | Leonore, Op.72 / Act 1 - Unantastbar klar birgt Leonores Brust | — | ||
| 19-13 | Leonore, Op.72 / Act 1 - No.6 Terzett: "Gut, Soehnchen, gut" | — | ||
| 19-14 | Leonore, Op.72 / Act 2 - No.7 Introduction | — | ||
| 19-15 | Leonore, Op.72 / Act 2 - Der Gouverneur ist da | — | ||
| 19-16 | Leonore, Op.72 / Act 2 - No.8 Arie mit Chor: "Ha! Welch ein Augenblick" | — | ||
| 19-17 | Leonore, Op.72 / Act 2 - Postiert eine Trompete auf dem Wachturm | — | ||
| 19-18 | Leonore, Op.72 / Act 2 - No.9 Duett: "Jetzt, Alter, hat es Eile!" | — | ||
| 19-19 | Leonore, Op.72 / Act 2 - Und Leonore begegnet Marzelline | — | ||
| 19-20 | Leonore, Op.72 / Act 2 - No.10 Duett: "Um in der Ehe froh zu leben" | — | ||
| 19-21 | Leonore, Op.72 / Act 2 - Die ernsten Steine des dumpfen Gemaeuers | — | ||
| 19-22 | Leonore, Op.72 / Act 2 - No.11 Rezitativ und Arie: "Ach, brich noch nicht, du mattes Herz!" - "Komm,Hoffnung,lass den letzten Stern" | — | ||
| 20-1 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. No.12 Finale: "O Welche Lust, In Freier Luft" | — | ||
| 20-2 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Rezitativ: "Entfertn Euch Jetzt! Nun Könnt Ihr eilen?...Nun Sprecht, Wie ging's?....Noch Heute, Noch Heute?" | — | ||
| 20-3 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Duet: "Wir Müssen Gleich Zu Werke Schreiten". Quartett: "Ach, Vater, Eilt!" | — | ||
| 20-4 | Leonore (Der Triumph Der Ehelichen Liebe). Act 2. Arie: "Auf Euch Nur Will Ich Bauen" | — | ||
| 20-5 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Florestans Not Im Dunkel Tauber Einsamkeit | — | ||
| 20-6 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.13 Rezitativ: "Gott! Welch Dunkel hier!-In Des Lebens Frühlingstagen" | — | ||
| 20-7 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.14 Melodram Und Deett: "Wie Kalt Es Ist In Diesem Unterirdischen Gewölbe!" | — | ||
| 20-8 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Duett: "Nur Hurtig Fort, Nur Frisch Gegraben" | — | ||
| 20-9 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Dort In Der Tiefe | — | ||
| 20-10 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.15 Terzett: "Euch Werde Lohn In Bessern Welten" | — | ||
| 20-11 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Und Rocco Eilt | — | ||
| 20-12 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.16 Quartett: "Er Sterbe! Doch Er Soll Erst Wissen" | — | ||
| 20-13 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Oh Leonore! Alles Was Dein Mut Gewagt-Verloren! | — | ||
| 20-14 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Rezitativ Und Duett: I"Ch Kann Mich Noch Nicht fassen-O Namenlose Freude!" | — | ||
| 20-15 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. No.18 Finale: "Zur Rache! Zur Rache!" | — | ||
| 20-16 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. "O Gott! O Welch Ein Augenblick!" | — | ||
| 20-17 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. So Müssen Endlich Aufgeklärte | — | ||
| 20-18 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. "Doch Höre Erst, Du Bösewicht" | — | ||
| 20-19 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Dann Herrscht Allgemeine Freiheit Und Gleichheit Der Geister | — | ||
| 20-20 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Chor: "Nein, Nein, Nein! Er Ist Noch Nicht Genug Bestraft!" | — | ||
| 20-21 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Ein Höherer Geist Vom Himmel Gesandt | — | ||
| 20-22 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Rezitativ: "Der König Wird Denn Richter Sein!" | — | ||
| 20-23 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Wer Ein Holdes Weib Errungen | — | ||
| 20-24 | Leonore (Der Triumph Der Ehelichen Liebe). Act 3. Appendix: Marsch In B-Flat Major | — | ||
| 23-1 | Requiem Für Mignon | William Dazeley, Knabenchor Hannover, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-2 | Nachtlied | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-3 | Das Paradies und die Peri: 1. Vor Edens Tor im Morgenprangen (Alt-Solo) | Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-4 | Das Paradies und die Peri: 2. Wie glücklich sie wandeln, die sel’gen Geister (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-5 | Das Paradies und die Peri: 3. Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms (Der Engel) | Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-6 | Das Paradies und die Peri: 4. Wo find’ ich sie? (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-7 | Das Paradies und die Peri: 5. So sann sie nach und schwang die Flügel (Tenor-Solo) | Neill Archer, Alexandra Coku, Bernarda Fink, Gerald Finley, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-8 | Das Paradies und die Peri: 6. Doch seine Ströme sind jetzt rot (Chor) | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-9 | Das Paradies und die Peri: 7. Und einsam steht (Tenor-Solo, Chor); Komm, kühner Held (Gazna); Du schlugst des Landes (Der Jüngling, Gazna) | Neill Archer, Cornelius Hauptmann, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-10 | Das Paradies und die Peri: 8. Weh, weh, weh, er fehlte das Ziel (Chor) | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-11 | Das Paradies und die Peri: 9. Die Peri sah das Mal (Tenor-Solo); Sei dies, mein Geschenk (Die Peri, Vokalquartett) | Neill Archer, Barbara Bonney, Alexandra Coku, Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-12 | Das Paradies und die Peri: 10. Die Peri tritt (Tenor-Solo); Gern grüssen wir, die so gegangen (Der Engel, Chor) | Bernarda Fink, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-13 | Das Paradies und die Peri: 11. Ihr erstes Himmelshoffen (Tenor-Solo); Hervor aus den Wässern (Chor, Die Peri) | Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-14 | Das Paradies und die Peri: 12. Fort streift von hier (Tenor-Solo); Für euren ersten Fall (Die Peri) | Barbara Bonney, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-15 | Das Paradies und die Peri: 13. Die Peri weint (Tenor-Solo, Vokalquartett) | Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-16 | Das Paradies und die Peri: 14. Im Waldesgrün am stillen See (Alt-Solo); Ach, einen Tropfen (Der Jüngling) | Neill Archer, Bernarda Fink, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-17 | Das Paradies und die Peri: 15. Verlassener Hüngling (Mezzosopran-Solo); Doch sieh, we naht (Tenor-Solo); Du hier? (Der Jüngling) | Neill Archer, Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-18 | Das Paradies und die Peri: 16. O lass mich von der Luft (Die Jungfrau); Sie wankt - sie sinkt (Tenor-Solo) | Alexandra Coku, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 23-19 | Das Paradies und die Peri: 17. Schlaf nun und ruhe in Träumen (Die Peri, Chor) | Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-1 | Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor) | Constanze Backes, Donna Deam, Katherine Fuge, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-2 | Das Paradies und die Peri: 19. Dem Sang von ferne (Tenor-Solo); Noch nicht! (Der Engel) | Bernarda Fink, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-3 | Das Paradies und die Peri: 20. Verstossen! Verschlossen aufs neu das Goldportal! (Die Peri) | Barbara Bonney, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-4 | Das Paradies und die Peri: 21. Jetzt sank des Abends goldner Schein (Bariton-Solo) | Gerald Finley, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-5 | Das Paradies und die Peri: 22. Und wie sie niederwärts (Tenor-Solo); Peri, ist’s wahr (Vokalquartett); Mit ihrer Schwestern (Bariton-Solo) | Donna Deam, Gerald Finley, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-6 | Das Paradies und die Peri: 23. Hinab zu jenem (Die Peri); Sie schwebt herab (Tenor-Solo); Doch horch (Mezzosopran-Solo) | Barbara Bonney, Bernarda Fink, Gerald Finley, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-7 | Das Paradies und die Peri: 24. O heil’ge Tränen inn’ger Reue (Vokalquartett, Chor) | Neill Archer, Alexandra Coku, Bernarda Fink, Cornelius Hauptmann, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-8 | Das Paradies und die Peri: 25. Es fällt ein Tropfen (Die Peri); Und sieh, demütig betend (Tenor-Solo, Chor) | Barbara Bonney, Monteverdi Choir, Christoph Prégardien, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-9 | Das Paradies und die Peri: Freud’, ew’ge Fruede; Wilkommen, wilkommen unter den Frommen! (Die Peri, Chor) | Barbara Bonney, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-10 | Symphony no. 4 in D minor, op. 120 (1841 Version): I. Andante con moto - Allegro di molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-11 | Symphony no. 4 in D minor, op. 120 (1841 Version): II. Romanza: Andante | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-12 | Symphony no. 4 in D minor, op. 120 (1841 Version): III. Scherzo: Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 24-13 | Symphony no. 4 in D minor, op. 120 (1841 Version): IV. Largo - Finale: Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 27-1 | Die Lustige Witwe: Act I. No. 1 "Verehrteste Damen und Herren" | — | ||
| 27-2 | Die Lustige Witwe: Act I. No. 1a "Camille, ich muß mit lhnen sprechen!" | — | ||
| 27-3 | Die Lustige Witwe: Act I. No. 2 "So kommen Sie! 's ist niemand hier!" | — | ||
| 27-4 | Die Lustige Witwe: Act I. No. 2 Dialog "Nun, Njegus, haben Sie meine Botschaft überbracht?" | — | ||
| 27-5 | Die Lustige Witwe: Act I. No. 2 "Achtung, meine Herren, die Glawari kommt!" / No. 3 "Bitte, meine Herr'n Hab' in Paris mich noch nicht ganz so akklimatisiert" | — | ||
| 27-6 | Die Lustige Witwe: Act I. No. 3a "Camille! Ja?" | — | ||
| 27-7 | Die Lustige Witwe: Act I. No. 4 "Also, Njegus, hier bin ich, und wo ist das Vaterland?" | — | ||
| 27-8 | Die Lustige Witwe: Act I. No. 4 "Ich habe schon die vierte Nacht nich geschlafen!" | — | ||
| 27-9 | Die Lustige Witwe: Act I. No. 4 "Ich bitte Sie, lieber Freund, es hat doch keinen Zwerk" / No. 5 "Ja, was? Ein trautes Zimmerlein" | — | ||
| 27-10 | Die Lustige Witwe: Act I. No. 5 "Also, lieber Graf, Sie sind mein Mann" / No. 6 "Damenwahl! Hört man rufen rings im Saal" | — | ||
| 27-11 | Die Lustige Witwe: Act II. No. 7 "Ich bitte, hier jetzt zu verweilen Es lebt' eine Vilja" | — | ||
| 27-12 | Die Lustige Witwe: Act II. No. 7 "Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein!" | — | ||
| 27-13 | Die Lustige Witwe: Act II. No. 8 "Heia, Mädel, aufgeschaut" | — | ||
| 27-14 | Die Lustige Witwe: Act II. No. 8 "Wir werden uns noch schlagen um die Witwe!" / No. 9 "Wie die Weiber man behandelt" | — | ||
| 27-15 | Die Lustige Witwe: Act II. No. 9 "Mein tapferer Reitersmann!" / No. 10 "So, wie die Dinge sich entwickeln" | — | ||
| 27-16 | Die Lustige Witwe: Act II. No. 10 "Nein, nein, nein" / No. 11 "Mein Freund! Vernunft! Wie eine Rosenknospe" | — | ||
| 27-17 | Die Lustige Witwe: Act II. No. 11 "Ah, die Baronin und Herr Rosillon" | — | ||
| 27-18 | Die Lustige Witwe: Act II. No. 12 "Ha! Ha! | — | ||
| 27-19 | Die Lustige Witwe: Act III. No. 12b "Also, also, also!" | — | ||
| 27-20 | Die Lustige Witwe: Act III. No. 13 Danse Scene | — | ||
| 27-21 | Die Lustige Witwe: Act III. No. 13 "Graf Danilowitsch..." / No. 14 "Ja, wir sind es, die Grisetten" | — | ||
| 27-22 | Die Lustige Witwe: Act III. No. 14 "Exzellenz, Exzellenz, Graf, eine Expreßdepesche!" | — | ||
| 27-23 | Die Lustige Witwe: Act III. No. 15 "Aber dort bin ich zu Hause..." | — | ||
| 27-24 | Die Lustige Witwe: Act III. No. 15 "Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!" | — | ||
| 27-25 | Die Lustige Witwe: Act III. No. 16 "Ja, das Studium der Weiber ist schwer" | — | ||
| 30-1 | Psalm XXIV for tenor, chorus, brass, timpani, harps and organ. La terre appartient à l'Eternel | — | ||
| 30-2 | Psalm CXXIX for chorus and orchestra. "Ils m'ont assez opprimé dès ma jeunesse" | — | ||
| 30-3 | Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) for tenor, chorus and orchestra | — | ||
| 30-4 | Psalm CXXX for contralto, tenor, chorus and orchestra. "Du fond de l'âbime" | — |
