UPC · Release
Various Artists
Last verified:
028947923008 is the Universal Product Code (UPC barcode) for the release “The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach” by Various Artists, released 2013-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 397 tracks, each with its own ISRC. Tracks include DEF059731601, DEF059731608, DEF059731610.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnus liber organi: Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit) | — | ||
| 2 | Magnus liber organi: Feast of St. Stephen: Sederunt principes - Adiuva me, Domine (à 4) (Gradual) | — | ||
| 3 | Magnus liber organi: Feast of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya) | — | ||
| 4 | Magnus liber organi: Feast of St. Stephen: Video celos apertos (Communion) | — | ||
| 5 | Tant doucement | Orlando Consort | — | |
| 6 | Je puis trop bien | Orlando Consort | — | |
| 7 | En amer a douce vie | Orlando Consort | T-311.079.845-9 | |
| 8 | He ! Dame de valour | Orlando Consort | — | |
| 9 | Ma fin est mon commencement | Orlando Consort | T-001.333.242-7 | |
| 10 | De toutes flours | Orlando Consort | T-003.014.024-9 | |
| 2-1 | Nuper rosaum flores | Pomerium, Alexander Blachly | — | |
| 2-2 | Alma redemptoris mater II | Pomerium, Alexander Blachly | — | |
| 2-3 | Letabundus | Pomerium, Alexander Blachly | — | |
| 2-4 | Ecclesie militantis | Pomerium, Alexander Blachly | — | |
| 2-5 | Inviolata, integra, et casta es Maria (à 5) | Orlando Consort | — | |
| 2-6 | Ut Phoebi radiis (à 4) | Orlando Consort | — | |
| 2-7 | De profundis clamavi (à 5) | Orlando Consort | — | |
| 2-8 | O Virgo virginum (à 6) | Orlando Consort | — | |
| 2-9 | La déploration de Johannes Ockeghem: Nymphes des boys (à 5) | Orlando Consort | — | |
| 2-10 | Huc me sydereo (à 5) / Plangent eum (à 5) | Orlando Consort | — | |
| 2-11 | Motetti de la Corona, libro tertio: Praeter rerum seriem | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-1 | Piva | — | ||
| 3-2 | Music for Shawms and Sackbuts: Palle, Palle | — | ||
| 3-3 | Music for Shawms and Sackbuts: Ne più bella di queste | — | ||
| 3-4 | Music for Shawms and Sackbuts: La mi la sol | — | ||
| 3-5 | Music for Recorders: Pass’e mezo ditto il Romano | — | ||
| 3-6 | Music for Recorders: Moschetta | — | ||
| 3-7 | Music for Recorders: Bandera | — | ||
| 3-8 | Music for Flutes, Harp, Lute and Bagpipes: La Parma | — | ||
| 3-9 | Music for Flutes, Harp, Lute and Bagpipes: Un sonar de piva un fachinesco (Lirum Bililirum) | — | ||
| 3-10 | Regem Archangelorum | — | ||
| 3-11 | Alma, che scarca dal corporeo velo | — | ||
| 3-12 | Music for Crumhorns, Cittern and Percussion: Aldì, dolce ben mio | — | ||
| 3-13 | Music for Crumhorns, Cittern and Percussion: Bona via faccia barca (Venetiana) | — | ||
| 3-14 | Music for Crumhorns, Cittern and Percussion: Gentil madonna, del mio cor padrona | — | ||
| 3-15 | Donna, quando pietosa | — | ||
| 3-16 | El travagliato | — | ||
| 3-17 | La gamba in basso e soprano | — | ||
| 3-18 | Amor è foco e ghiaccio | — | ||
| 3-19 | Putta nera ballo furlano | — | ||
| 3-20 | All’arm’ all’arm | — | ||
| 3-21 | Com’al primo apparir | — | ||
| 3-22 | Sonata “La facca” | — | ||
| 3-23 | Canzona “Istrina” | — | ||
| 3-24 | Sonata “La fontana” | — | ||
| 3-25 | Canzona “Licori” | — | ||
| 3-26 | Suite of Dances: La morte de la pagione (pavane) – La traditora (gagliarda) | — | ||
| 3-27 | Suite of Dances: Bel fiore | — | ||
| 3-28 | Suite of Dances: La rocha el fuso (gagliarda) – El desperato (saltarello) – La lavandara (gagliarda) | — | ||
| 4-1 | Spem in alium | — | ||
| 4-2 | Mass for Three Voices: Kyrie | — | ||
| 4-3 | Mass for Three Voices: Gloria | — | ||
| 4-4 | Mass for Three Voices: Credo | — | ||
| 4-5 | Mass for Three Voices: Sanctus – Benedictus | — | ||
| 4-6 | Mass for Three Voices: Agnus Dei | — | ||
| 4-7 | Gardanum: O magnum mysterium | — | ||
| 4-8 | Missa Papae Marcelli: Kyrie | — | ||
| 4-9 | Missa Papae Marcelli: Gloria | — | ||
| 4-10 | Missa Papae Marcelli: Credo | — | ||
| 4-11 | Missa Papae Marcelli: Sanctus | — | ||
| 4-12 | Missa Papae Marcelli: Benedictus – Hosanna | — | ||
| 4-13 | Missa Papae Marcelli: Agnus Dei I – II | — | ||
| 4-14 | Miserere | Choir of Westminster Abbey, Simon Preston | T-900.079.512-0 | |
| 5-1 | Il quarto libro de madrigali (1603): Sfogava con le stelle | — | ||
| 5-2 | Il quarto libro de madrigali (1603): Si ch’io vorrei morire | — | ||
| 5-3 | Lamento d’Arianna | — | ||
| 5-4 | Dolcissimo uscignuolo | — | ||
| 5-5 | Ecco mormorar l’onde | — | ||
| 5-6 | Quinto Libro dei Madrigali (1605): 9. Ch’io t’ami | — | ||
| 5-7 | Il quarto libro de madrigali (1603): Non piu guerra pietate | — | ||
| 5-8 | S’andasse amor a caccia | — | ||
| 5-9 | Vespro della Beata Vergine: Duo seraphim a 3 | — | ||
| 5-10 | Magnificat: 1. Magnificat anima mea | — | ||
| 5-11 | Magnificat: 2. Et exultavit | — | ||
| 5-12 | Magnificat: 3. Quia respexit | — | ||
| 5-13 | Magnificat: 4. Quia fecit mihi magna | — | ||
| 5-14 | Magnificat: 5. Et misericordia | — | ||
| 5-15 | Magnificat: 6. Fecit potentiam | — | ||
| 5-16 | Magnificat: 7. Deposuit potentes de sede | — | ||
| 5-17 | Magnificat: 8. Esurientes implevit bonis | — | ||
| 5-18 | Magnificat: 9. Suscepit Israel | — | ||
| 5-19 | Magnificat: 10. Sicut locutus est | — | ||
| 5-20 | Magnificat: 11. Gloria Patri | — | ||
| 5-21 | Magnificat: 12. Sicut erat in principio | — | ||
| 6-1 | O bone Jesu, fili Mariae, SWV 471 | — | ||
| 6-2 | Sonata in G major, BuxWV 271 | — | ||
| 6-3 | Sonata in B‐flat major, BuxWV 273: Sonata. Ciaccona – Adagio – Allegro – Adagio – Allegro | — | ||
| 6-4 | Sonata in B‐flat major, BuxWV 273: Allemande | — | ||
| 6-5 | Sonata in B‐flat major, BuxWV 273: Courante | — | ||
| 6-6 | Sonata in B‐flat major, BuxWV 273: Sarabande | — | ||
| 6-7 | Sonata B-dur, BuxWV 273: Gigue | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-8 | Sonata in C major, BuxWV 266 | — | ||
| 6-9 | Partie (suite) in G major: Sonatina | — | ||
| 6-10 | Partie (suite) in G major: Allemande | — | ||
| 6-11 | Partie (suite) in G major: Gavotte | — | ||
| 6-12 | Partie (suite) in G major: Courante | — | ||
| 6-13 | Partie (suite) in G major: Aria | — | ||
| 6-14 | Partie (suite) in G major: Sarabande | — | ||
| 6-15 | Partie (suite) in G major: Gigue | — | ||
| 6-16 | Partie (suite) in G major: Finale. Adagio | — | ||
| 6-17 | Partie (suite) in E Minor: Sonata. Adagio – Aria | — | ||
| 6-18 | Partie (suite) in E Minor: Courante | — | ||
| 6-19 | Partie (suite) in E Minor: Aria | — | ||
| 6-20 | Partie (suite) in E Minor: Ciaccona | — | ||
| 6-21 | Aria con variazioni in A major | — | ||
| 6-22 | Canon And Gigue in D major: 1. Canon (Excerpt) | — | ||
| 6-23 | Canon And Gigue in D major: 2. Gigue | — | ||
| 7-1 | Dido and Æneas: Overture | — | ||
| 7-2 | Dido and Æneas: Act I. “Ah! Belinda”/“Grief increases”/“When monarchs unite” | — | ||
| 7-3 | Dido and Æneas: Act I. “See, your royal guest appears”/“Cupid only throws.” | — | ||
| 7-4 | Dido and Æneas: “If not for mine”/“Pursue thy conquest, Love” | — | ||
| 7-5 | Dido and Æneas: Act II. “Prelude for.”/“Harms our.”/“The Queen”/“Ho,ho,ho” | — | ||
| 7-6 | Dido and Æneas: “Ruinnd ere”/“Ho,ho,ho”/“But ere.”/“In our deep.” | — | ||
| 7-7 | Dido and Æneas: Act II. “Behold, upon my bending spear”/“Haste, haste to town” | — | ||
| 7-8 | Dido and Æneas: Act III. “Thy hand, Belinda”/“When I am laid in earth” | — | ||
| 7-9 | The Fairy Queen: Act I. Overture | — | ||
| 7-10 | The Fairy Queen: Act I. Scene of the Drunken Poet: “Fill up the Bowl” | — | ||
| 7-11 | The Fairy Queen: Act II. No. 17 “Hush, no more” | — | ||
| 7-12 | The Fairy Queen: Act III. Dialog: “Now the Maids and the Men” | — | ||
| 7-13 | The Fairy Queen: Act V. The Plaint | — | ||
| 7-14 | The Fairy Queen: Act V. Monkey’s Dance | — | ||
| 7-15 | The Fairy Queen: Act V. Hark! The Ech’ing Air | — | ||
| 7-16 | Te Deum Laudamus and Jubilate Deo in D, Z232: Te Deum Laudamus | — | ||
| 7-17 | Te Deum Laudamus and Jubilate Deo in D, Z232: Jubilate Deo | — | ||
| 8-1 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-2 | Te Deum, H. 146: Te Deum laudamus | Russel Smythe, Les Musiciens du Louvre, Marc Minkowski | T-031.661.210-8 | |
| 8-3 | Te Deum, H. 146: Te aeternum Patrem | Patrick Henckens, Éric Huchet, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-4 | Te Deum, H. 146: Te per orbem terrarum | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-5 | Te Deum, H. 146: Tu devicto mortis aculeo | Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-6 | Te Deum, H. 146: Te ergo quaesumus | Annick Massis, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-7 | Te Deum, H. 146: Aeterna fac cum Sanctis tuis | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-8 | Te Deum, H. 146: Dignare, Domine, die isto | Russel Smythe, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-9 | Te Deum, H. 146: Fiat misericordia tua, Domine, super nos | Russel Smythe, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-10 | Te Deum, H. 146: In te, Domine, speravi | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-11 | Zaïs: Overture | — | ||
| 8-12 | Castor et Pollux: Scène funèbre | — | ||
| 8-13 | Les fêtes d’Hébé, Act II: Air tendre | — | ||
| 8-14 | Dardanus, Prologue: Premier Tambourin / Deuxième Tambourin | — | ||
| 8-15 | Le temple de la gloire: Air tendre pour les Muses | — | ||
| 8-16 | Les Boréades, Act I: Contredanse | — | ||
| 8-17 | La Naissance d’Osiris: Air gracieux | — | ||
| 8-18 | Les Boréades, Act IV: Gavottes pour les Heures et les Zéphirs | — | ||
| 8-19 | Platée [ou Junon jalouse]: Orage | — | ||
| 8-20 | Les Boréades, Act V: Prélude | — | ||
| 8-21 | 6 Concerts transcrits en sextuor / 6e concert: 1. La poule | — | ||
| 8-22 | Les fêtes d’Hébé, Act III: Musette tendre en rondeau, Tambourin en rondeau | — | ||
| 8-23 | Hippolyte et Aricie, Act III: Ritournelle | — | ||
| 8-24 | Naïs, Prologue: Rigaudons | — | ||
| 8-25 | Les indes galantes, Act IX: Danse des sauvages | — | ||
| 8-26 | Les Boréades, Act IV: Entrée de Polymnie | — | ||
| 8-27 | Les indes galantes, Act IX: Chaconne | — | ||
| 9-1 | Concerto in A major for Two Violins in Scordatura and Continuo: I. Affetuoso | — | ||
| 9-2 | Concerto in A major for Two Violins in Scordatura and Continuo: II. Vivace | — | ||
| 9-3 | Concerto in A major for Two Violins in Scordatura and Continuo: III. Aria | — | ||
| 9-4 | Concerto in A major for Two Violins in Scordatura and Continuo: IV. Bourrée | — | ||
| 9-5 | Concerto in D major for 4 Violins without Continuo: I. Adagio | — | ||
| 9-6 | Concerto in D major for 4 Violins without Continuo: II. Allegro | — | ||
| 9-7 | Concerto in D major for 4 Violins without Continuo: III. Grave | — | ||
| 9-8 | Concerto in D major for 4 Violins without Continuo: IV. Allegro | — | ||
| 9-9 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: I. () | — | ||
| 9-10 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: II. Allegro | — | ||
| 9-11 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: III. Dolce | — | ||
| 9-12 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: IV. Allegro | — | ||
| 9-13 | Concerto in G minor for Recorder, Violins and Basso Continuo: I. (Allegro) | — | ||
| 9-14 | Concerto in G minor for Recorder, Violins and Basso Continuo: II. Siciliana | — | ||
| 9-15 | Concerto in G minor for Recorder, Violins and Basso Continuo: III. Bourrée | — | ||
| 9-16 | Concerto in G minor for Recorder, Violins and Basso Continuo: IV. Menuett | — | ||
| 9-17 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: I. Grave | — | ||
| 9-18 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: II. Allegro | — | ||
| 9-19 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: III. Largo e staccato | — | ||
| 9-20 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: IV. Allegro | — | ||
| 9-21 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: I. Largo | — | ||
| 9-22 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: II. Allegro | — | ||
| 9-23 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: III. Largo | — | ||
| 9-24 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: IV. Presto | — | ||
| 10-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 10-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 10-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 10-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 10-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 10-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 10-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 10-13 | Gloria, RV 589: Gloria in excelsis Deo | The English Concert Choir, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock | T-307.614.694-2 | |
| 10-14 | Gloria, RV 589: Et in terra pax hominibus | The English Concert, The English Concert Choir, Trevor Pinnock | T-913.016.866-0 | |
| 10-15 | Gloria, RV 589: Laudamus te | Nancy Argenta, Ingrid Attrot, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-16 | Gloria, RV 589: Gratias agimus tibi | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-17 | Gloria, RV 589: Propter magnam gloriam tuam | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-18 | Gloria, RV 589: Domine Deus, Rex caelestis | Nancy Argenta, David Reichenberg, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-19 | Gloria, RV 589: Domine Fili unigenite | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-20 | Gloria, RV 589: Domine Deus, Agnus Dei | Catherine Denley, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-21 | Gloria, RV 589: Qui tollis peccata mundi | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-22 | Gloria, RV 589: Qui sedes ad dexteram Patris | Catherine Denley, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-23 | Gloria, RV 589: Quoniam tu solus sanctus | David Reichenberg, Crispian Steele-Perkins, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-24 | Gloria, RV 589: Cum Sancto Spritu | David Reichenberg, Crispian Steele-Perkins, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 11-1 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-2 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-3 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-4 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 11-5 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | Reinhard Goebel, Musica Antiqua Köln | T-307.292.927-8 | |
| 11-6 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-070.160.313-5 | |
| 11-7 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 11-8 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-9 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-10 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-11 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-12 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 12-1 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Aria | Ralph Kirkpatrick | — | |
| 12-2 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 1 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-3 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 2 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-4 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 3 Canone all’Unisono a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-5 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 4 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-6 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 5 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-7 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 6 Canone alla Seconda a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-8 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 7 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-9 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 8 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-10 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 9 Canone alla Terza a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-11 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 10 Fughetta a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-12 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 11 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-13 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 12 Canone alla Quarta | Ralph Kirkpatrick | T-311.760.304-6 | |
| 12-14 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 13 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-15 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 14 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-16 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 15 Canone alla Quinta in moto contrario | Ralph Kirkpatrick | — | |
| 12-17 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 16 Ouverture a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-18 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 17 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-19 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 18 Canone alla Sesta a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-20 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 19 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-21 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 20 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-22 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 21 Canone alla Settima | Ralph Kirkpatrick | — | |
| 12-23 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 22 Alla breve a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-24 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 23 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-25 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 24 Canone all’Ottava a 1 Clav. | Ralph Kirkpatrick | T-902.128.688-4 | |
| 12-26 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 25 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-27 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 26 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-28 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 27 Canone alla Nona | Ralph Kirkpatrick | — | |
| 12-29 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 28 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-30 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 29 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-31 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 30 Quodlibet a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-32 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Aria | Ralph Kirkpatrick | — | |
| 12-33 | Fantasia in C minor, BWV 906 | — | ||
| 12-34 | Italian Concerto in F major, BWV 971: I. Allegro | — | ||
| 12-35 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 12-36 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 12-37 | Fantasia and Fugue in A minor, BWV 904: Fantasia | — | ||
| 12-38 | Fantasia and Fugue in A minor, BWV 904: Fuga | — | ||
| 13-1 | Toccata und Fuge d-Moll, BWV 565 | Ton Koopman | T-909.243.105-5 | |
| 13-3 | Fantasie in G major, BWV 572 | Ton Koopman | — | |
| 13-4 | Canzona in D minor, BWV 588 | Ton Koopman | — | |
| 13-5 | Toccata & Fuge in F major, BWV 540: Toccata | — | ||
| 13-6 | Toccata & Fuge in F major, BWV 540: Fuge | — | ||
| 13-7 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 645: Wachet auf, ruft uns die Stimme | Ton Koopman | T-031.722.033-9 | |
| 13-8 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 646: Wo soll ich fliehen hin | Ton Koopman | — | |
| 13-9 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 647: Wer nur den lieben Gott lässt walten | Ton Koopman | — | |
| 13-10 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 648: Meine Seele erhebet den Herren | Ton Koopman | — | |
| 13-11 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ | Ton Koopman | — | |
| 13-12 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 650: Kommst du nun, Jesu, vom Himmel herunter | Ton Koopman | — | |
| 13-13 | Passacaglia & Fuge in C minor, BWV 582: Passacaglia | — | ||
| 13-14 | Passacaglia & Fuge in C minor, BWV 582: Fuge | — | ||
| 14-1 | St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | English Baroque Soloists, John Eliot Gardiner | T-010.437.719-6 | |
| 14-2 | St. Matthew Passion, BWV 244: Teil I. Choral "Herzliebster Jesu, was hast du verbrochen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | St. Matthew Passion, BWV 244: Teil I. Aria (Alt) "Buss und Reu" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | St. Matthew Passion, BWV 244: Teil I. Aria (Sopran) "Blute nur, du liebes Herz" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-5 | St. Matthew Passion, BWV 244: Teil I. "Ich will hier bei dir stehen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | St. Matthew Passion, BWV 244: Teil I. Aria (Tenor) "Ich will bei meinen Jesu wachen" - Chorus "So schlafen unsre Sünden ein" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-7 | St. Matthew Passion, BWV 244: Teil I. Recitativo (Bass) "Der Heiland fällt vor seinem Vater nieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 | |
| 14-8 | St. Matthew Passion, BWV 244: Teil I. Aria (Bass) "Gerne will ich mich bequemen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-9 | St. Matthew Passion, BWV 244: Teil I. Choral "Was mein Gott will, das g'scheh allzeit" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | English Baroque Soloists, Sir John Eliot Gardiner | T-101.607.667-6 | |
| 14-11 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 | |
| 14-12 | St. Matthew Passion, BWV 244: Teil II. Choral "Wie wunderbarlich ist doch diese Strafe" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-13 | St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Können Tränen meiner Wangen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-15 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-16 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | — | |
| 15-2 | Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-3 | Magnificat in D major, BWV 243: III. Quia respexit / IV. Omnes generationes | — | ||
| 15-4 | Magnificat in D major, BWV 243: V. Aria (bass): “Quia fecit mihi magna” | — | ||
| 15-5 | Magnificat in D major, BWV 243: VI. Aria (duet: alto, tenor): “Et misericordia” | — | ||
| 15-6 | Magnificat in D major, BWV 243: VII. Chorus: “Fecit potentiam” | — | ||
| 15-7 | Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-8 | Magnificat in D major, BWV 243: IX. Aria (alto): “Esurientes implevit bonis” | — | ||
| 15-9 | Magnificat in D major, BWV 243: X. Chorus: Suscepit Israel | — | ||
| 15-10 | Magnificat in D major, BWV 243: XI. Chorus: “Sicut locutus est” | — | ||
| 15-11 | Magnificat, BWV 243: XII. Chor "Gloria Patri" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-12 | Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" | Münchener Bach-Chor, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-13 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-14 | Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" | Dietrich Fischer-Dieskau, Edith Mathis, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-15 | Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" | Peter Schreier, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-16 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" | Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-17 | Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" | Dietrich Fischer-Dieskau, Münchener Bach-Chor, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-18 | Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" | Münchener Bach-Chor, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-19 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 15-20 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 15-21 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — | |
| 15-22 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — | |
| 15-23 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — | |
| 15-24 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — | |
| 15-25 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 16-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 16-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 16-3 | Music for the Royal Fireworks, HWV 351: III. La paix | — | ||
| 16-4 | Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | The English Concert, Trevor Pinnock | T-001.191.264-3 | |
| 16-5 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 16-6 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 16-7 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: I. Allegro | — | ||
| 16-8 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: II. Largo – Adagio | — | ||
| 16-9 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: II. Allegro – Adagio | — | ||
| 16-10 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: IV. Andante ma non presto | — | ||
| 16-11 | Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011.174.209-6 | |
| 16-12 | Belshazzar, HWV 61: Overture | — | ||
| 16-13 | Alceste, HWV 45, act I: Grand Entrée: Maestoso | — | ||
| 16-14 | Saul, HWV 53: I. Allegro | — | ||
| 16-15 | Saul, HWV 53: II. Larghetto – Adagio | — | ||
| 16-16 | Saul, HWV 53: III. Allegro | — | ||
| 16-17 | Saul, HWV 53: IV. Andante larghetto | — | ||
| 16-18 | Samson, HWV 57: I. Andante – Adagio | — | ||
| 16-19 | Samson, HWV 57: II. Allegro | — | ||
| 16-20 | Samson, HWV 57: II. Menuetto | — | ||
| 17-1 | Harp Concerto in B‐flat major, HWV 294: I. Andante allegro | Ursula Holliger, The English Concert, Trevor Pinnock | — | |
| 17-2 | Harp Concerto in B‐flat major, HWV 294: II. Larghetto – Adagio | Ursula Holliger, The English Concert, Trevor Pinnock | — | |
| 17-3 | Harp Concerto in B‐flat major, HWV 294: III. Allegro moderato | Ursula Holliger, The English Concert, Trevor Pinnock | T-931.717.540-9 | |
| 17-4 | Organ Concerto in F major, HWV 295: III. Larghetto | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-5 | Organ Concerto no. 13 in F, HWV 295 "Cuckoo and the Nightingale": II. Allegro | Simon Preston, The English Concert, Trevor Pinnock | T-915.520.107-3 | |
| 17-6 | Organ Concerto in F major, HWV 295: I. Larghetto | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-7 | Organ Concerto in F major, HWV 295: IV. Allegro | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-8 | Oboe Concerto no. 3 in G minor, HWV 287: I. Grave | — | ||
| 17-9 | Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro | — | ||
| 17-10 | Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) | — | ||
| 17-11 | Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro | — | ||
| 17-12 | Concerto a Due Cori No. 2: I. Pomposo | The English Concert, Trevor Pinnock | — | |
| 17-13 | Concerto a due cori No. 2: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 17-14 | Concerto a due cori No. 2: III. A tempo giusto | The English Concert, Trevor Pinnock | — | |
| 17-15 | Concerto a due cori No. 2: IV. Largo | The English Concert, Trevor Pinnock | — | |
| 17-16 | Concerto a due cori No. 2: V. Allegro ma non troppo | The English Concert, Trevor Pinnock | — | |
| 17-17 | Concerto a due cori No. 2: VI. A tempo ordinario | The English Concert, Trevor Pinnock | — | |
| 18-1 | Messiah, HWV 56, part I: Symphony | — | ||
| 18-2 | Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted” | Howard Crook, The English Concert, Trevor Pinnock | T-906.831.104-6 | |
| 18-3 | Messiah, HWV 56, part I: 3. Chorus: “And The Glory Of The Lord” | — | ||
| 18-4 | Messiah, HWV 56, part I: 5. Air: “But who may abide the day of his coming” | — | ||
| 18-5 | Messiah, HWV 56, part I: 6. Chorus: “And He shall purify the sons of Levi” | — | ||
| 18-6 | Messiah, HWV 56, part I: 8. “O thou that tellest good tidings to Zion” | — | ||
| 18-7 | Messiah, HWV 56: XIII. Pifa (Pastoral Symphony) | The English Concert, Trevor Pinnock | — | |
| 18-8 | Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion” | Arleen Augér, The English Concert, Trevor Pinnock | — | |
| 18-9 | Messiah, HWV 56, part II: 22. Chorus: “Surely He hath borne our griefs” | — | ||
| 18-10 | Messiah, HWV 56, part II: 23. Chorus: “And with His stripes we are healed” | — | ||
| 18-11 | Messiah, HWV 56, part II: 24. Chorus: “All we like sheep have gone astray” | — | ||
| 18-12 | Messiah, HWV 56, part II: 27. Accompagnato: “Thy rebuke hath broken His heart” | — | ||
| 18-13 | Messiah, HWV 56, part II: 28. Arioso: “Behold and see” | — | ||
| 18-14 | Messiah, HWV 56, part II: 33. Chorus: “Let all the angels of God” | — | ||
| 18-15 | Messiah, HWV 56, part II: 35. Chorus: “The Lord gave the word” | — | ||
| 18-16 | Messiah, HWV 56, part II: 38. Air: “Why do the nations so furiously rage together?” | — | ||
| 18-17 | Messiah, HWV 56, part II: 41. Air: “Thou shalt break them” | — | ||
| 18-18 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 18-19 | Messiah, HWV 56, part III: 43. Air: “I know that my Redeemer liveth” | — | ||
| 18-20 | Messiah, HWV 56, part III: 50. Air: “If God be for us” | — | ||
| 18-21 | Messiah, HWV 56, part III: 51. Chorus: “Worthy is the Lamb. Amen” | — | ||
| 19-1 | Sonata in C major, K 502 | — | ||
| 19-2 | Sonata in C major, K 460 | — | ||
| 19-3 | Sonata in C major, K 461 | — | ||
| 19-4 | Sonata in D minor, K 516 | — | ||
| 19-5 | Sonata in D minor, K 517 | — | ||
| 19-6 | Sonata in D major, K 478 | — | ||
| 19-7 | Sonata in D major, K 479 | — | ||
| 19-8 | Sonata in F major, K 518 | — | ||
| 19-9 | Sonata in F minor, K 519 | — | ||
| 19-10 | Sonata in G minor, K 546 | — | ||
| 19-11 | Sonata in G major, K 547 | — | ||
| 19-12 | Sonata in B‐flat major, K 529 | — | ||
| 19-13 | Sonata in B‐flat major, K 544 | — | ||
| 19-14 | Sonata in B‐flat major, K 545 | — | ||
| 20-1 | Sinfonia in G major, Wq 182 no. 1: I. Allegro di molto | — | ||
| 20-2 | Sinfonia in G major, Wq 182 no. 1: II. Poco adagio | — | ||
| 20-3 | Sinfonia in G major, Wq 182 no. 1: III. Presto | — | ||
| 20-4 | Sinfonia in B‐flat major, Wq 182 no. 2: I. Allegro di molto | — | ||
| 20-5 | Sinfonia in B‐flat major, Wq 182 no. 2: II. Poco adagio | — | ||
| 20-6 | Sinfonia in B‐flat major, Wq 182 no. 2: III. Presto | — | ||
| 20-7 | Sinfonia in C major, Wq 182 no. 3: I. Allegro assai | — | ||
| 20-8 | Sinfonia in C major, Wq 182 no. 3: II. Adagio | — | ||
| 20-9 | Sinfonia in C major, Wq 182 no. 3: III. Allegretto | — | ||
| 20-10 | Sinfonia in A major, Wq 182 no. 4: I. Allegro ma non troppo | — | ||
| 20-11 | Sinfonia in A major, Wq 182 no. 4: II. Largo ma inocentemente | — | ||
| 20-12 | Sinfonia in A major, Wq 182 no. 4: III. Allegro assai | — | ||
| 20-13 | Sinfonia in B minor Wq 182 no. 5: I. Allegretto | — | ||
| 20-14 | Sinfonia in B minor Wq 182 no. 5: II. Larghetto | — | ||
| 20-15 | Sinfonia in B minor Wq 182 no. 5: III. Presto | — | ||
| 20-16 | Sinfonia in E major Wq 182 no. 6: I. Allegro di molto | — | ||
| 20-17 | Sinfonia in E major Wq 182 no. 6: II. Poco andante | — | ||
| 20-18 | Sinfonia in E major Wq 182 no. 6: III. Allegro spiritoso | — | ||
| 20-19 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: I. Allegro | — | ||
| 20-20 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: II. andantino | — | ||
| 20-21 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: III. Allegro assai | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Ton Koopman | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947923008 is a Universal Product Code (UPC) assigned to The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 397 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947923008 is the Universal Product Code (UPC barcode) for the release “The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach” by Various Artists, released 2013-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 397 tracks, each with its own ISRC. Tracks include DEF059731601, DEF059731608, DEF059731610.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnus liber organi: Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit) | — | ||
| 2 | Magnus liber organi: Feast of St. Stephen: Sederunt principes - Adiuva me, Domine (à 4) (Gradual) | — | ||
| 3 | Magnus liber organi: Feast of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya) | — | ||
| 4 | Magnus liber organi: Feast of St. Stephen: Video celos apertos (Communion) | — | ||
| 5 | Tant doucement | Orlando Consort | — | |
| 6 | Je puis trop bien | Orlando Consort | — | |
| 7 | En amer a douce vie | Orlando Consort | T-311.079.845-9 | |
| 8 | He ! Dame de valour | Orlando Consort | — | |
| 9 | Ma fin est mon commencement | Orlando Consort | T-001.333.242-7 | |
| 10 | De toutes flours | Orlando Consort | T-003.014.024-9 | |
| 2-1 | Nuper rosaum flores | Pomerium, Alexander Blachly | — | |
| 2-2 | Alma redemptoris mater II | Pomerium, Alexander Blachly | — | |
| 2-3 | Letabundus | Pomerium, Alexander Blachly | — | |
| 2-4 | Ecclesie militantis | Pomerium, Alexander Blachly | — | |
| 2-5 | Inviolata, integra, et casta es Maria (à 5) | Orlando Consort | — | |
| 2-6 | Ut Phoebi radiis (à 4) | Orlando Consort | — | |
| 2-7 | De profundis clamavi (à 5) | Orlando Consort | — | |
| 2-8 | O Virgo virginum (à 6) | Orlando Consort | — | |
| 2-9 | La déploration de Johannes Ockeghem: Nymphes des boys (à 5) | Orlando Consort | — | |
| 2-10 | Huc me sydereo (à 5) / Plangent eum (à 5) | Orlando Consort | — | |
| 2-11 | Motetti de la Corona, libro tertio: Praeter rerum seriem | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-1 | Piva | — | ||
| 3-2 | Music for Shawms and Sackbuts: Palle, Palle | — | ||
| 3-3 | Music for Shawms and Sackbuts: Ne più bella di queste | — | ||
| 3-4 | Music for Shawms and Sackbuts: La mi la sol | — | ||
| 3-5 | Music for Recorders: Pass’e mezo ditto il Romano | — | ||
| 3-6 | Music for Recorders: Moschetta | — | ||
| 3-7 | Music for Recorders: Bandera | — | ||
| 3-8 | Music for Flutes, Harp, Lute and Bagpipes: La Parma | — | ||
| 3-9 | Music for Flutes, Harp, Lute and Bagpipes: Un sonar de piva un fachinesco (Lirum Bililirum) | — | ||
| 3-10 | Regem Archangelorum | — | ||
| 3-11 | Alma, che scarca dal corporeo velo | — | ||
| 3-12 | Music for Crumhorns, Cittern and Percussion: Aldì, dolce ben mio | — | ||
| 3-13 | Music for Crumhorns, Cittern and Percussion: Bona via faccia barca (Venetiana) | — | ||
| 3-14 | Music for Crumhorns, Cittern and Percussion: Gentil madonna, del mio cor padrona | — | ||
| 3-15 | Donna, quando pietosa | — | ||
| 3-16 | El travagliato | — | ||
| 3-17 | La gamba in basso e soprano | — | ||
| 3-18 | Amor è foco e ghiaccio | — | ||
| 3-19 | Putta nera ballo furlano | — | ||
| 3-20 | All’arm’ all’arm | — | ||
| 3-21 | Com’al primo apparir | — | ||
| 3-22 | Sonata “La facca” | — | ||
| 3-23 | Canzona “Istrina” | — | ||
| 3-24 | Sonata “La fontana” | — | ||
| 3-25 | Canzona “Licori” | — | ||
| 3-26 | Suite of Dances: La morte de la pagione (pavane) – La traditora (gagliarda) | — | ||
| 3-27 | Suite of Dances: Bel fiore | — | ||
| 3-28 | Suite of Dances: La rocha el fuso (gagliarda) – El desperato (saltarello) – La lavandara (gagliarda) | — | ||
| 4-1 | Spem in alium | — | ||
| 4-2 | Mass for Three Voices: Kyrie | — | ||
| 4-3 | Mass for Three Voices: Gloria | — | ||
| 4-4 | Mass for Three Voices: Credo | — | ||
| 4-5 | Mass for Three Voices: Sanctus – Benedictus | — | ||
| 4-6 | Mass for Three Voices: Agnus Dei | — | ||
| 4-7 | Gardanum: O magnum mysterium | — | ||
| 4-8 | Missa Papae Marcelli: Kyrie | — | ||
| 4-9 | Missa Papae Marcelli: Gloria | — | ||
| 4-10 | Missa Papae Marcelli: Credo | — | ||
| 4-11 | Missa Papae Marcelli: Sanctus | — | ||
| 4-12 | Missa Papae Marcelli: Benedictus – Hosanna | — | ||
| 4-13 | Missa Papae Marcelli: Agnus Dei I – II | — | ||
| 4-14 | Miserere | Choir of Westminster Abbey, Simon Preston | T-900.079.512-0 | |
| 5-1 | Il quarto libro de madrigali (1603): Sfogava con le stelle | — | ||
| 5-2 | Il quarto libro de madrigali (1603): Si ch’io vorrei morire | — | ||
| 5-3 | Lamento d’Arianna | — | ||
| 5-4 | Dolcissimo uscignuolo | — | ||
| 5-5 | Ecco mormorar l’onde | — | ||
| 5-6 | Quinto Libro dei Madrigali (1605): 9. Ch’io t’ami | — | ||
| 5-7 | Il quarto libro de madrigali (1603): Non piu guerra pietate | — | ||
| 5-8 | S’andasse amor a caccia | — | ||
| 5-9 | Vespro della Beata Vergine: Duo seraphim a 3 | — | ||
| 5-10 | Magnificat: 1. Magnificat anima mea | — | ||
| 5-11 | Magnificat: 2. Et exultavit | — | ||
| 5-12 | Magnificat: 3. Quia respexit | — | ||
| 5-13 | Magnificat: 4. Quia fecit mihi magna | — | ||
| 5-14 | Magnificat: 5. Et misericordia | — | ||
| 5-15 | Magnificat: 6. Fecit potentiam | — | ||
| 5-16 | Magnificat: 7. Deposuit potentes de sede | — | ||
| 5-17 | Magnificat: 8. Esurientes implevit bonis | — | ||
| 5-18 | Magnificat: 9. Suscepit Israel | — | ||
| 5-19 | Magnificat: 10. Sicut locutus est | — | ||
| 5-20 | Magnificat: 11. Gloria Patri | — | ||
| 5-21 | Magnificat: 12. Sicut erat in principio | — | ||
| 6-1 | O bone Jesu, fili Mariae, SWV 471 | — | ||
| 6-2 | Sonata in G major, BuxWV 271 | — | ||
| 6-3 | Sonata in B‐flat major, BuxWV 273: Sonata. Ciaccona – Adagio – Allegro – Adagio – Allegro | — | ||
| 6-4 | Sonata in B‐flat major, BuxWV 273: Allemande | — | ||
| 6-5 | Sonata in B‐flat major, BuxWV 273: Courante | — | ||
| 6-6 | Sonata in B‐flat major, BuxWV 273: Sarabande | — | ||
| 6-7 | Sonata B-dur, BuxWV 273: Gigue | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-8 | Sonata in C major, BuxWV 266 | — | ||
| 6-9 | Partie (suite) in G major: Sonatina | — | ||
| 6-10 | Partie (suite) in G major: Allemande | — | ||
| 6-11 | Partie (suite) in G major: Gavotte | — | ||
| 6-12 | Partie (suite) in G major: Courante | — | ||
| 6-13 | Partie (suite) in G major: Aria | — | ||
| 6-14 | Partie (suite) in G major: Sarabande | — | ||
| 6-15 | Partie (suite) in G major: Gigue | — | ||
| 6-16 | Partie (suite) in G major: Finale. Adagio | — | ||
| 6-17 | Partie (suite) in E Minor: Sonata. Adagio – Aria | — | ||
| 6-18 | Partie (suite) in E Minor: Courante | — | ||
| 6-19 | Partie (suite) in E Minor: Aria | — | ||
| 6-20 | Partie (suite) in E Minor: Ciaccona | — | ||
| 6-21 | Aria con variazioni in A major | — | ||
| 6-22 | Canon And Gigue in D major: 1. Canon (Excerpt) | — | ||
| 6-23 | Canon And Gigue in D major: 2. Gigue | — | ||
| 7-1 | Dido and Æneas: Overture | — | ||
| 7-2 | Dido and Æneas: Act I. “Ah! Belinda”/“Grief increases”/“When monarchs unite” | — | ||
| 7-3 | Dido and Æneas: Act I. “See, your royal guest appears”/“Cupid only throws.” | — | ||
| 7-4 | Dido and Æneas: “If not for mine”/“Pursue thy conquest, Love” | — | ||
| 7-5 | Dido and Æneas: Act II. “Prelude for.”/“Harms our.”/“The Queen”/“Ho,ho,ho” | — | ||
| 7-6 | Dido and Æneas: “Ruinnd ere”/“Ho,ho,ho”/“But ere.”/“In our deep.” | — | ||
| 7-7 | Dido and Æneas: Act II. “Behold, upon my bending spear”/“Haste, haste to town” | — | ||
| 7-8 | Dido and Æneas: Act III. “Thy hand, Belinda”/“When I am laid in earth” | — | ||
| 7-9 | The Fairy Queen: Act I. Overture | — | ||
| 7-10 | The Fairy Queen: Act I. Scene of the Drunken Poet: “Fill up the Bowl” | — | ||
| 7-11 | The Fairy Queen: Act II. No. 17 “Hush, no more” | — | ||
| 7-12 | The Fairy Queen: Act III. Dialog: “Now the Maids and the Men” | — | ||
| 7-13 | The Fairy Queen: Act V. The Plaint | — | ||
| 7-14 | The Fairy Queen: Act V. Monkey’s Dance | — | ||
| 7-15 | The Fairy Queen: Act V. Hark! The Ech’ing Air | — | ||
| 7-16 | Te Deum Laudamus and Jubilate Deo in D, Z232: Te Deum Laudamus | — | ||
| 7-17 | Te Deum Laudamus and Jubilate Deo in D, Z232: Jubilate Deo | — | ||
| 8-1 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-2 | Te Deum, H. 146: Te Deum laudamus | Russel Smythe, Les Musiciens du Louvre, Marc Minkowski | T-031.661.210-8 | |
| 8-3 | Te Deum, H. 146: Te aeternum Patrem | Patrick Henckens, Éric Huchet, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-4 | Te Deum, H. 146: Te per orbem terrarum | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-5 | Te Deum, H. 146: Tu devicto mortis aculeo | Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-6 | Te Deum, H. 146: Te ergo quaesumus | Annick Massis, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-7 | Te Deum, H. 146: Aeterna fac cum Sanctis tuis | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-8 | Te Deum, H. 146: Dignare, Domine, die isto | Russel Smythe, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-9 | Te Deum, H. 146: Fiat misericordia tua, Domine, super nos | Russel Smythe, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-10 | Te Deum, H. 146: In te, Domine, speravi | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 8-11 | Zaïs: Overture | — | ||
| 8-12 | Castor et Pollux: Scène funèbre | — | ||
| 8-13 | Les fêtes d’Hébé, Act II: Air tendre | — | ||
| 8-14 | Dardanus, Prologue: Premier Tambourin / Deuxième Tambourin | — | ||
| 8-15 | Le temple de la gloire: Air tendre pour les Muses | — | ||
| 8-16 | Les Boréades, Act I: Contredanse | — | ||
| 8-17 | La Naissance d’Osiris: Air gracieux | — | ||
| 8-18 | Les Boréades, Act IV: Gavottes pour les Heures et les Zéphirs | — | ||
| 8-19 | Platée [ou Junon jalouse]: Orage | — | ||
| 8-20 | Les Boréades, Act V: Prélude | — | ||
| 8-21 | 6 Concerts transcrits en sextuor / 6e concert: 1. La poule | — | ||
| 8-22 | Les fêtes d’Hébé, Act III: Musette tendre en rondeau, Tambourin en rondeau | — | ||
| 8-23 | Hippolyte et Aricie, Act III: Ritournelle | — | ||
| 8-24 | Naïs, Prologue: Rigaudons | — | ||
| 8-25 | Les indes galantes, Act IX: Danse des sauvages | — | ||
| 8-26 | Les Boréades, Act IV: Entrée de Polymnie | — | ||
| 8-27 | Les indes galantes, Act IX: Chaconne | — | ||
| 9-1 | Concerto in A major for Two Violins in Scordatura and Continuo: I. Affetuoso | — | ||
| 9-2 | Concerto in A major for Two Violins in Scordatura and Continuo: II. Vivace | — | ||
| 9-3 | Concerto in A major for Two Violins in Scordatura and Continuo: III. Aria | — | ||
| 9-4 | Concerto in A major for Two Violins in Scordatura and Continuo: IV. Bourrée | — | ||
| 9-5 | Concerto in D major for 4 Violins without Continuo: I. Adagio | — | ||
| 9-6 | Concerto in D major for 4 Violins without Continuo: II. Allegro | — | ||
| 9-7 | Concerto in D major for 4 Violins without Continuo: III. Grave | — | ||
| 9-8 | Concerto in D major for 4 Violins without Continuo: IV. Allegro | — | ||
| 9-9 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: I. () | — | ||
| 9-10 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: II. Allegro | — | ||
| 9-11 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: III. Dolce | — | ||
| 9-12 | Concerto in A minor for Recorder, Viola da gamba, Strings and Continuo: IV. Allegro | — | ||
| 9-13 | Concerto in G minor for Recorder, Violins and Basso Continuo: I. (Allegro) | — | ||
| 9-14 | Concerto in G minor for Recorder, Violins and Basso Continuo: II. Siciliana | — | ||
| 9-15 | Concerto in G minor for Recorder, Violins and Basso Continuo: III. Bourrée | — | ||
| 9-16 | Concerto in G minor for Recorder, Violins and Basso Continuo: IV. Menuett | — | ||
| 9-17 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: I. Grave | — | ||
| 9-18 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: II. Allegro | — | ||
| 9-19 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: III. Largo e staccato | — | ||
| 9-20 | Sonata (Concerto) in C major for 4 Violins without Basso Continuo: IV. Allegro | — | ||
| 9-21 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: I. Largo | — | ||
| 9-22 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: II. Allegro | — | ||
| 9-23 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: III. Largo | — | ||
| 9-24 | Concerto in E minor for Recorder, Transverse Flute, Strings and Continuo: IV. Presto | — | ||
| 10-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 10-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 10-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 10-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 10-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 10-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 10-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 10-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 10-13 | Gloria, RV 589: Gloria in excelsis Deo | The English Concert Choir, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock | T-307.614.694-2 | |
| 10-14 | Gloria, RV 589: Et in terra pax hominibus | The English Concert, The English Concert Choir, Trevor Pinnock | T-913.016.866-0 | |
| 10-15 | Gloria, RV 589: Laudamus te | Nancy Argenta, Ingrid Attrot, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-16 | Gloria, RV 589: Gratias agimus tibi | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-17 | Gloria, RV 589: Propter magnam gloriam tuam | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-18 | Gloria, RV 589: Domine Deus, Rex caelestis | Nancy Argenta, David Reichenberg, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-19 | Gloria, RV 589: Domine Fili unigenite | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-20 | Gloria, RV 589: Domine Deus, Agnus Dei | Catherine Denley, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-21 | Gloria, RV 589: Qui tollis peccata mundi | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-22 | Gloria, RV 589: Qui sedes ad dexteram Patris | Catherine Denley, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-23 | Gloria, RV 589: Quoniam tu solus sanctus | David Reichenberg, Crispian Steele-Perkins, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 10-24 | Gloria, RV 589: Cum Sancto Spritu | David Reichenberg, Crispian Steele-Perkins, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 11-1 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-2 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-3 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-4 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 11-5 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | Reinhard Goebel, Musica Antiqua Köln | T-307.292.927-8 | |
| 11-6 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-070.160.313-5 | |
| 11-7 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 11-8 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-9 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-10 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-11 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-12 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 12-1 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Aria | Ralph Kirkpatrick | — | |
| 12-2 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 1 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-3 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 2 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-4 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 3 Canone all’Unisono a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-5 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 4 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-6 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 5 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-7 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 6 Canone alla Seconda a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-8 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 7 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-9 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 8 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-10 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 9 Canone alla Terza a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-11 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 10 Fughetta a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-12 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 11 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-13 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 12 Canone alla Quarta | Ralph Kirkpatrick | T-311.760.304-6 | |
| 12-14 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 13 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-15 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 14 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-16 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 15 Canone alla Quinta in moto contrario | Ralph Kirkpatrick | — | |
| 12-17 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 16 Ouverture a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-18 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 17 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-19 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 18 Canone alla Sesta a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-20 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 19 a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-21 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 20 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-22 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 21 Canone alla Settima | Ralph Kirkpatrick | — | |
| 12-23 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 22 Alla breve a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-24 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 23 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-25 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 24 Canone all’Ottava a 1 Clav. | Ralph Kirkpatrick | T-902.128.688-4 | |
| 12-26 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 25 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-27 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 26 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-28 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 27 Canone alla Nona | Ralph Kirkpatrick | — | |
| 12-29 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 28 a 2 Clav. | Ralph Kirkpatrick | — | |
| 12-30 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 29 a 1 ovvero 2 Clav. | Ralph Kirkpatrick | — | |
| 12-31 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Var. 30 Quodlibet a 1 Clav. | Ralph Kirkpatrick | — | |
| 12-32 | Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations”: Aria | Ralph Kirkpatrick | — | |
| 12-33 | Fantasia in C minor, BWV 906 | — | ||
| 12-34 | Italian Concerto in F major, BWV 971: I. Allegro | — | ||
| 12-35 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 12-36 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 12-37 | Fantasia and Fugue in A minor, BWV 904: Fantasia | — | ||
| 12-38 | Fantasia and Fugue in A minor, BWV 904: Fuga | — | ||
| 13-1 | Toccata und Fuge d-Moll, BWV 565 | Ton Koopman | T-909.243.105-5 | |
| 13-3 | Fantasie in G major, BWV 572 | Ton Koopman | — | |
| 13-4 | Canzona in D minor, BWV 588 | Ton Koopman | — | |
| 13-5 | Toccata & Fuge in F major, BWV 540: Toccata | — | ||
| 13-6 | Toccata & Fuge in F major, BWV 540: Fuge | — | ||
| 13-7 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 645: Wachet auf, ruft uns die Stimme | Ton Koopman | T-031.722.033-9 | |
| 13-8 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 646: Wo soll ich fliehen hin | Ton Koopman | — | |
| 13-9 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 647: Wer nur den lieben Gott lässt walten | Ton Koopman | — | |
| 13-10 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 648: Meine Seele erhebet den Herren | Ton Koopman | — | |
| 13-11 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ | Ton Koopman | — | |
| 13-12 | 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 650: Kommst du nun, Jesu, vom Himmel herunter | Ton Koopman | — | |
| 13-13 | Passacaglia & Fuge in C minor, BWV 582: Passacaglia | — | ||
| 13-14 | Passacaglia & Fuge in C minor, BWV 582: Fuge | — | ||
| 14-1 | St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | English Baroque Soloists, John Eliot Gardiner | T-010.437.719-6 | |
| 14-2 | St. Matthew Passion, BWV 244: Teil I. Choral "Herzliebster Jesu, was hast du verbrochen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | St. Matthew Passion, BWV 244: Teil I. Aria (Alt) "Buss und Reu" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | St. Matthew Passion, BWV 244: Teil I. Aria (Sopran) "Blute nur, du liebes Herz" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-5 | St. Matthew Passion, BWV 244: Teil I. "Ich will hier bei dir stehen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | St. Matthew Passion, BWV 244: Teil I. Aria (Tenor) "Ich will bei meinen Jesu wachen" - Chorus "So schlafen unsre Sünden ein" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-7 | St. Matthew Passion, BWV 244: Teil I. Recitativo (Bass) "Der Heiland fällt vor seinem Vater nieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 | |
| 14-8 | St. Matthew Passion, BWV 244: Teil I. Aria (Bass) "Gerne will ich mich bequemen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-9 | St. Matthew Passion, BWV 244: Teil I. Choral "Was mein Gott will, das g'scheh allzeit" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | English Baroque Soloists, Sir John Eliot Gardiner | T-101.607.667-6 | |
| 14-11 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 | |
| 14-12 | St. Matthew Passion, BWV 244: Teil II. Choral "Wie wunderbarlich ist doch diese Strafe" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-13 | St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Können Tränen meiner Wangen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-15 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-16 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | — | |
| 15-2 | Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-3 | Magnificat in D major, BWV 243: III. Quia respexit / IV. Omnes generationes | — | ||
| 15-4 | Magnificat in D major, BWV 243: V. Aria (bass): “Quia fecit mihi magna” | — | ||
| 15-5 | Magnificat in D major, BWV 243: VI. Aria (duet: alto, tenor): “Et misericordia” | — | ||
| 15-6 | Magnificat in D major, BWV 243: VII. Chorus: “Fecit potentiam” | — | ||
| 15-7 | Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-8 | Magnificat in D major, BWV 243: IX. Aria (alto): “Esurientes implevit bonis” | — | ||
| 15-9 | Magnificat in D major, BWV 243: X. Chorus: Suscepit Israel | — | ||
| 15-10 | Magnificat in D major, BWV 243: XI. Chorus: “Sicut locutus est” | — | ||
| 15-11 | Magnificat, BWV 243: XII. Chor "Gloria Patri" | Münchener Bach-Orchester, Karl Richter | — | |
| 15-12 | Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" | Münchener Bach-Chor, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-13 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-14 | Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" | Dietrich Fischer-Dieskau, Edith Mathis, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-15 | Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" | Peter Schreier, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-16 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" | Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-17 | Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" | Dietrich Fischer-Dieskau, Münchener Bach-Chor, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter | — | |
| 15-18 | Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" | Münchener Bach-Chor, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — | |
| 15-19 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 15-20 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 15-21 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — | |
| 15-22 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht" | Theo Adam, Münchener Bach-Orchester, Karl Richter | — | |
| 15-23 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — | |
| 15-24 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — | |
| 15-25 | Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 16-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 16-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 16-3 | Music for the Royal Fireworks, HWV 351: III. La paix | — | ||
| 16-4 | Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | The English Concert, Trevor Pinnock | T-001.191.264-3 | |
| 16-5 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 16-6 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 16-7 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: I. Allegro | — | ||
| 16-8 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: II. Largo – Adagio | — | ||
| 16-9 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: II. Allegro – Adagio | — | ||
| 16-10 | Concerto grosso in C major “Alexander’s Feast”, HWV 318: IV. Andante ma non presto | — | ||
| 16-11 | Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011.174.209-6 | |
| 16-12 | Belshazzar, HWV 61: Overture | — | ||
| 16-13 | Alceste, HWV 45, act I: Grand Entrée: Maestoso | — | ||
| 16-14 | Saul, HWV 53: I. Allegro | — | ||
| 16-15 | Saul, HWV 53: II. Larghetto – Adagio | — | ||
| 16-16 | Saul, HWV 53: III. Allegro | — | ||
| 16-17 | Saul, HWV 53: IV. Andante larghetto | — | ||
| 16-18 | Samson, HWV 57: I. Andante – Adagio | — | ||
| 16-19 | Samson, HWV 57: II. Allegro | — | ||
| 16-20 | Samson, HWV 57: II. Menuetto | — | ||
| 17-1 | Harp Concerto in B‐flat major, HWV 294: I. Andante allegro | Ursula Holliger, The English Concert, Trevor Pinnock | — | |
| 17-2 | Harp Concerto in B‐flat major, HWV 294: II. Larghetto – Adagio | Ursula Holliger, The English Concert, Trevor Pinnock | — | |
| 17-3 | Harp Concerto in B‐flat major, HWV 294: III. Allegro moderato | Ursula Holliger, The English Concert, Trevor Pinnock | T-931.717.540-9 | |
| 17-4 | Organ Concerto in F major, HWV 295: III. Larghetto | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-5 | Organ Concerto no. 13 in F, HWV 295 "Cuckoo and the Nightingale": II. Allegro | Simon Preston, The English Concert, Trevor Pinnock | T-915.520.107-3 | |
| 17-6 | Organ Concerto in F major, HWV 295: I. Larghetto | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-7 | Organ Concerto in F major, HWV 295: IV. Allegro | Trevor Pinnock, Simon Preston, The English Concert | — | |
| 17-8 | Oboe Concerto no. 3 in G minor, HWV 287: I. Grave | — | ||
| 17-9 | Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro | — | ||
| 17-10 | Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) | — | ||
| 17-11 | Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro | — | ||
| 17-12 | Concerto a Due Cori No. 2: I. Pomposo | The English Concert, Trevor Pinnock | — | |
| 17-13 | Concerto a due cori No. 2: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 17-14 | Concerto a due cori No. 2: III. A tempo giusto | The English Concert, Trevor Pinnock | — | |
| 17-15 | Concerto a due cori No. 2: IV. Largo | The English Concert, Trevor Pinnock | — | |
| 17-16 | Concerto a due cori No. 2: V. Allegro ma non troppo | The English Concert, Trevor Pinnock | — | |
| 17-17 | Concerto a due cori No. 2: VI. A tempo ordinario | The English Concert, Trevor Pinnock | — | |
| 18-1 | Messiah, HWV 56, part I: Symphony | — | ||
| 18-2 | Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted” | Howard Crook, The English Concert, Trevor Pinnock | T-906.831.104-6 | |
| 18-3 | Messiah, HWV 56, part I: 3. Chorus: “And The Glory Of The Lord” | — | ||
| 18-4 | Messiah, HWV 56, part I: 5. Air: “But who may abide the day of his coming” | — | ||
| 18-5 | Messiah, HWV 56, part I: 6. Chorus: “And He shall purify the sons of Levi” | — | ||
| 18-6 | Messiah, HWV 56, part I: 8. “O thou that tellest good tidings to Zion” | — | ||
| 18-7 | Messiah, HWV 56: XIII. Pifa (Pastoral Symphony) | The English Concert, Trevor Pinnock | — | |
| 18-8 | Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion” | Arleen Augér, The English Concert, Trevor Pinnock | — | |
| 18-9 | Messiah, HWV 56, part II: 22. Chorus: “Surely He hath borne our griefs” | — | ||
| 18-10 | Messiah, HWV 56, part II: 23. Chorus: “And with His stripes we are healed” | — | ||
| 18-11 | Messiah, HWV 56, part II: 24. Chorus: “All we like sheep have gone astray” | — | ||
| 18-12 | Messiah, HWV 56, part II: 27. Accompagnato: “Thy rebuke hath broken His heart” | — | ||
| 18-13 | Messiah, HWV 56, part II: 28. Arioso: “Behold and see” | — | ||
| 18-14 | Messiah, HWV 56, part II: 33. Chorus: “Let all the angels of God” | — | ||
| 18-15 | Messiah, HWV 56, part II: 35. Chorus: “The Lord gave the word” | — | ||
| 18-16 | Messiah, HWV 56, part II: 38. Air: “Why do the nations so furiously rage together?” | — | ||
| 18-17 | Messiah, HWV 56, part II: 41. Air: “Thou shalt break them” | — | ||
| 18-18 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 18-19 | Messiah, HWV 56, part III: 43. Air: “I know that my Redeemer liveth” | — | ||
| 18-20 | Messiah, HWV 56, part III: 50. Air: “If God be for us” | — | ||
| 18-21 | Messiah, HWV 56, part III: 51. Chorus: “Worthy is the Lamb. Amen” | — | ||
| 19-1 | Sonata in C major, K 502 | — | ||
| 19-2 | Sonata in C major, K 460 | — | ||
| 19-3 | Sonata in C major, K 461 | — | ||
| 19-4 | Sonata in D minor, K 516 | — | ||
| 19-5 | Sonata in D minor, K 517 | — | ||
| 19-6 | Sonata in D major, K 478 | — | ||
| 19-7 | Sonata in D major, K 479 | — | ||
| 19-8 | Sonata in F major, K 518 | — | ||
| 19-9 | Sonata in F minor, K 519 | — | ||
| 19-10 | Sonata in G minor, K 546 | — | ||
| 19-11 | Sonata in G major, K 547 | — | ||
| 19-12 | Sonata in B‐flat major, K 529 | — | ||
| 19-13 | Sonata in B‐flat major, K 544 | — | ||
| 19-14 | Sonata in B‐flat major, K 545 | — | ||
| 20-1 | Sinfonia in G major, Wq 182 no. 1: I. Allegro di molto | — | ||
| 20-2 | Sinfonia in G major, Wq 182 no. 1: II. Poco adagio | — | ||
| 20-3 | Sinfonia in G major, Wq 182 no. 1: III. Presto | — | ||
| 20-4 | Sinfonia in B‐flat major, Wq 182 no. 2: I. Allegro di molto | — | ||
| 20-5 | Sinfonia in B‐flat major, Wq 182 no. 2: II. Poco adagio | — | ||
| 20-6 | Sinfonia in B‐flat major, Wq 182 no. 2: III. Presto | — | ||
| 20-7 | Sinfonia in C major, Wq 182 no. 3: I. Allegro assai | — | ||
| 20-8 | Sinfonia in C major, Wq 182 no. 3: II. Adagio | — | ||
| 20-9 | Sinfonia in C major, Wq 182 no. 3: III. Allegretto | — | ||
| 20-10 | Sinfonia in A major, Wq 182 no. 4: I. Allegro ma non troppo | — | ||
| 20-11 | Sinfonia in A major, Wq 182 no. 4: II. Largo ma inocentemente | — | ||
| 20-12 | Sinfonia in A major, Wq 182 no. 4: III. Allegro assai | — | ||
| 20-13 | Sinfonia in B minor Wq 182 no. 5: I. Allegretto | — | ||
| 20-14 | Sinfonia in B minor Wq 182 no. 5: II. Larghetto | — | ||
| 20-15 | Sinfonia in B minor Wq 182 no. 5: III. Presto | — | ||
| 20-16 | Sinfonia in E major Wq 182 no. 6: I. Allegro di molto | — | ||
| 20-17 | Sinfonia in E major Wq 182 no. 6: II. Poco andante | — | ||
| 20-18 | Sinfonia in E major Wq 182 no. 6: III. Allegro spiritoso | — | ||
| 20-19 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: I. Allegro | — | ||
| 20-20 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: II. andantino | — | ||
| 20-21 | Quintet in D for Flute, Oboe, Violin, Viola & Continuo, op. 11 no. 6: III. Allegro assai | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Ton Koopman | — |
