UPC · Release
Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon
Boston Symphony Orchestra
028947977186
27 tracksReleased 2017-01-01Deutsche Grammophon
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028947977186 is the Universal Product Code (UPC barcode) for the release “Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon” by Boston Symphony Orchestra, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include DEF058631024, DEF058631025, DEF058631026.
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Credit Chain
UPCBoston Symphony Orchestra: Complete Recordings on Deutsche Grammophon
ISRC27 recordings
ISWC49 works
IPI4 songwriters
Track List (27)
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Additional database matches (305)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Three Places in New England: II. Putnam’s Camp, Redding, Connecticut | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Three Places in New England: III. The Housatonic at Stockbridge | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé | Boston Symphony Orchestra, Claudio Abbado | — |
| Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement | Boston Symphony Orchestra, Claudio Abbado | — |
| Nocturnes, L 91: 3. Sirènes. Modérément animé | New England Conservatory Chorus, Boston Symphony Orchestra, Claudio Abbado | — |
| Daphnis et Chloé , M. 57b, Fragments symphoniques (2ᵉ série) : 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé | Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, Claudio Abbado | — |
| Pavane pour une Infante Défunte | Boston Symphony Orchestra, Claudio Abbado | T0030137677 |
| The Planets, op. 32: 2. Venus, the Bringer of Peace | Boston Symphony Orchestra, William Steinberg | — |
| The Planets, op. 32: 4. Jupiter, the Bringer of Jollity | Boston Symphony Orchestra, William Steinberg | T1012579096 |
| The Planets, op. 32: 1. Mars, the Bringer of War | Boston Symphony Orchestra, William Steinberg | T9236637255 |
| The Planets, op. 32: 7. Neptune, the Mystic | Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, William Steinberg | — |
| The Planets, op. 32: 3. Mercury, the Winged Messenger | Boston Symphony Orchestra, William Steinberg | — |
| The Planets, op. 32: 5. Saturn, the Bringer of Old Age | Boston Symphony Orchestra, William Steinberg | — |
| The Planets, op. 32: 6. Uranus, the Magician | Boston Symphony Orchestra, William Steinberg | — |
| Má vlast: I. Vyšehrad | Boston Symphony Orchestra, Rafael Kubelík | T9028529433 |
| Má vlast: II. Vltava, JB 1:112/2 | Boston Symphony Orchestra, Rafael Kubelík | T8015579268 |
| Má vlast: III. Šárka | Boston Symphony Orchestra, Rafael Kubelík | T3132158642 |
| Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 | Boston Symphony Orchestra, Rafael Kubelík | T8015579268 |
| Má vlast: V. Tábor | Boston Symphony Orchestra, Rafael Kubelík | T9028529433 |
| Má vlast: VI. Blaník | Boston Symphony Orchestra, Rafael Kubelík | T8015579268 |
| Le Poème de L'extase, op. 54 | Boston Symphony Orchestra, Claudio Abbado | — |
| Images pour orchestre: I. Gigues | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Images pour orchestre: III. Rondes de printemps | Boston Symphony Orchestra, Michael Tilson Thomas | — |
| Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — |
| Also sprach Zarathustra: 3. Von der großen Sehnsucht | Boston Symphony Orchestra, William Steinberg | — |
| Also sprach Zarathustra: 1. Einleitung | Boston Symphony Orchestra, William Steinberg | T0071634713 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Boston Symphony Orchestra, Rafael Kubelík | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Boston Symphony Orchestra, Rafael Kubelík | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Boston Symphony Orchestra, Rafael Kubelík | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Boston Symphony Orchestra, Rafael Kubelík | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Boston Symphony Orchestra, Rafael Kubelík | T9148763693 |
| Symphonie Nr. 8 h-moll, D 759 "Unvollendete": 2. Andante con moto | Boston Symphony Orchestra, Eugen Jochum | — |
| Symphonie fantastique, op. 14 : I. Rêveries, passions | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphonie fantastique, op. 14 : II. Un bal | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphonie fantastique, op. 14 : III. Scène aux champs | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat | Boston Symphony Orchestra, Seiji Ozawa | — |
| La Damnation de Faust: Invocation à la Nature | Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa | — |
| Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003006377-4 |
| Rapsodie espagnole: IV. Feria. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-305199487-3 |
| Rapsodie espagnole: I. Prélude à la nuit. Très modéré | Boston Symphony Orchestra, Seiji Ozawa | T0030151279 |
| Rapsodie espagnole: II. Malagueña. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | — |
| Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las | Boston Symphony Orchestra, Seiji Ozawa | T-003015127-9 |
| La Valse | Boston Symphony Orchestra, Seiji Ozawa | T-305194234-4 |
| Alborada del gracioso | Boston Symphony Orchestra, Seiji Ozawa | T-304229137-8 |
| Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003013767-7 |
| Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes | Boston Symphony Orchestra, Seiji Ozawa | — |
| Ma mère l'oye: Vii. Apothéose: Le jardin féerique | Boston Symphony Orchestra, Seiji Ozawa | — |
| Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 2 in G major, op. 126: I. Largo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T0050057287 |
| Cello Concerto no. 2 in G major, op. 126: II. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 2 in G major, op. 126: III. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | T-902717414-7 |
| Valses nobles et sentimentales: I. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: II. Assez lent | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: III. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: IV. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: V. Presque lent | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: VI. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses nobles et sentimentales: VII. Moins vif | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Valses Nobles et Sentimentales: VIII. Epilogue: Lent | Boston Symphony Orchestra, Seiji Ozawa | T-003017935-1 |
| Eine Faust-Symphonie: I. Faust | Boston Symphony Orchestra, Leonard Bernstein | — |
| Eine Faust-Symphonie: II. Gretchen | Boston Symphony Orchestra, Leonard Bernstein | — |
| Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis" | Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel | — |
| Symphony no. 4: IV. Very slowly – Largo maestoso | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony no. 4: I. Prelude: Maestoso | Boston Symphony Orchestra, Seiji Ozawa | T0701603135 |
| Symphony no. 4: II. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphony no. 4: III. Fugue: Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Central Park in the Dark | Boston Symphony Orchestra, Seiji Ozawa | — |
| El sombrero de tres picos: V. Danza del los vecinos (Seguidillas) | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: I. Introducción | Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: II. Atardecer | Boston Symphony Orchestra, Seiji Ozawa | T-041489062-2 |
| El sombrero de tres picos: III. Danza de la molinera (Fandango) | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: IV. Las uvas | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: VI. Danza del molinero (Farruca) | Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: VII. Danza del corregidor | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| El sombrero de tres picos: VIII. Danza final (Jota) | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| Quatrain | Boston Symphony Orchestra, Seiji Ozawa, TASHI | — |
| Pini di Roma: I. I pini di Villa Borghese | Boston Symphony Orchestra, Seiji Ozawa | — |
| Pini di Roma: II. Pini presso una catacomba | Boston Symphony Orchestra, Seiji Ozawa | — |
| Pini di Roma: III. I pini del Gianicolo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Pini di Roma: IV. I pini della Via Appia | Boston Symphony Orchestra, Seiji Ozawa | T3330471499 |
| Feste romane: I. Circenses | Boston Symphony Orchestra, Seiji Ozawa | — |
| Feste romane: II. Il giubileo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Feste romane: III. L'ottobrata | Boston Symphony Orchestra, Seiji Ozawa | — |
| Feste romane: IV. La befana | Boston Symphony Orchestra, Seiji Ozawa | — |
| Fontane di Roma: I. La fontana di Valle Giulia all'alba | Boston Symphony Orchestra, Seiji Ozawa | T9022947064 |
| Fontane di Roma: II. La fontana del Tritone al mattino | Boston Symphony Orchestra, Seiji Ozawa | T9022947064 |
| Fontane di Roma: III. La fontana di Trevi al meriggio | Boston Symphony Orchestra, Seiji Ozawa | T9022947064 |
| Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Boston Symphony Orchestra, Seiji Ozawa | T9022947064 |
| Scheherazade, op. 35: I. Das Meer und Sindbads Schiff. Largo e maestoso – Lento – Allegro non troppo | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | — |
| Scheherazade, op. 35: II. Die Geschichte vom Prinzen Kalender. Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | — |
| Scheherazade, op. 35: III. Der junge Prinz und die junge Prinzessin. Andantino quasi allegretto | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | — |
| Scheherazade, op. 35: IV. Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt. Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Lento, Tempo I | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | — |
| Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | T-900.953.062-5 |
| Symphonie Nr. 1 D-dur: Blumine. Andante allegretto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-070160313-5 |
| Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda) | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto in D major: I. Toccata | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto in D major: II. Aria I | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto in D major: III. Aria II | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto in D major: IV. Capriccio | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — |
| A Flock Descends Into the Pentagonal Garden | Boston Symphony Orchestra, Seiji Ozawa, TASHI | T-901136700-3 |
| Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite I: Anonymus: Villanella | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite II: Anonymus: Campanae parisienses | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617) | Boston Symphony Orchestra, Seiji Ozawa | T3127431878 |
| Antiche danze ed arie, suite III: Anonymus: Siciliana | Boston Symphony Orchestra, Seiji Ozawa | — |
| Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | T0414890622 |
| Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante | Boston Symphony Orchestra, Seiji Ozawa | T0104377196 |
| Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 14: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 15: Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T9001603174 |
| Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace | Boston Symphony Orchestra, Seiji Ozawa | — |
| Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio | Boston Symphony Orchestra, Seiji Ozawa | T-004021527-7 |
| Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto | Boston Symphony Orchestra, Seiji Ozawa | T-004021527-7 |
| Pelléas et Mélisande, op. 80: III. Chanson de Mélisande | Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | T-003018951-5 |
| Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato | Boston Symphony Orchestra, Seiji Ozawa | T-004021527-7 |
| Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio | Boston Symphony Orchestra, Seiji Ozawa | — |
| Après un rêve, op. 7 no. 1 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | — |
| Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909340218-7 |
| Élégie, op. 24 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | T-802189927-5 |
| Dolly Suite, I. Berceuse: Allegretto moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Dolly Suite, II. Mi-a-ou: Allegro vivo-Più lento-Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Dolly Suite, III. Le jardin de Dolly: Andantino | Boston Symphony Orchestra, Seiji Ozawa | — |
| Dolly Suite, IV. Kitty-Valse: Tempo di Valse | Boston Symphony Orchestra, Seiji Ozawa | — |
| Dolly Suite, V. Tendresse: Andante | Boston Symphony Orchestra, Seiji Ozawa | — |
| Dolly Suite, VI. Le Pas Espagnol: Allegro | Boston Symphony Orchestra, Seiji Ozawa | — |
| Romeo & Juliet, op. 64: Act I. No. 1 Introduction. Andante assai | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 2 Romeo (reflective). Andante | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 3 The street awakens. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 4 Morning dance. Allegro | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 5 The quarrel. Allegro brusco | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 6 The fight. Presto | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 7 The Prince’s decree. Andante | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I. Scene I. No. 8 Interlude. Andante pomposo (L’istesso tempo) | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 9 Preparations for the ball (Juliet and the Nurse). Andante assai – Scherzando | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 10 Juliet the young girl. Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the guests (Minuet). Assai moderato | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 12 Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 14 Juliet’s variation. Moderato (quasi Allegretto) | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 15 Mercutio. Allegro giocoso | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 16 Madrigal (Romeo and Juliet). Andante tenero | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 17 Tybalt recognizes Romeo. Allegro | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 18 Gavotte (Departure of the guests). Allegro | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 22 Folk dance. Allegro giocoso | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 23 Romeo and Mercutio. Andante teneroso | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 24 Dance of the five couples. Vivo | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 25 Dance with mandolins. Vivace | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 19 Balcony scene. Larghetto | Boston Symphony Orchestra, Seiji Ozawa | T0035067436 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 20 Romeo’s variation. Allegretto amoroso | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 21 Romeo and Juliet’s love dance. Andante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Totentanz (Danse macabre) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Gaîté parisienne: Cancan. Allegro | Boston Symphony Orchestra, Seiji Ozawa | T-905011414-2 |
| Gloria: I. Gloria | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: II. Laudamus te | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: III. Domine Deus | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-003010019-6 |
| Gloria: IV. Domine Fili unigenite | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: V. Domine Deus, Agnus Dei | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Gloria: VI. Qui sedes ad dexteram Patris | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T0030100196 |
| Stabat Mater: I. Stabat Mater dolorosa | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: II. Cujus animam gementem | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: III. O quam tristis | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: IV. Quae maerebat | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: V. Quis est homo | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: VI. Vidit suum | Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: VII. Eja mater | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: VIII. Fac, Ut Ardeat | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: IX. Sancta Mater | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: X. Fac ut portem | Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: XI. Inflammatus et accensus | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| Stabat Mater: XII. Quando corpus | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | T0030165355 |
| The Sleeping Beauty Suite, op. 66a: V. Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-312426938-7 |
| The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio" | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Sleeping Beauty, Op. 66: Suite. IV. Panorama | Boston Symphony Orchestra, Seiji Ozawa | — |
| 4 Sea Interludes: I. Dawn. Lento e tranquillo | Boston Symphony Orchestra, Leonard Bernstein | — |
| 4 Sea Interludes: II. Sunday Morning. Allegro spiritoso | Boston Symphony Orchestra, Leonard Bernstein | — |
| 4 Sea Interludes: III. Moonlight. Andante comodo e rubato | Boston Symphony Orchestra, Leonard Bernstein | — |
| 4 Sea Interludes: IV. Storm. Presto con fuoco | Boston Symphony Orchestra, Leonard Bernstein | — |
| The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | T3121993639 |
| The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | T-304.210.691-8 |
| The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910950463-4 |
| The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 6. Departure of the guests | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 7. The battle | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act II, no. 10. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes) | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda) | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T-070126537-3 |
| Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T0030078728 |
| Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | T0030078728 |
| Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| Concert champêtre, FP 49 : III. Finale, Presto très gai | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | T9121657587 |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: I. Vivace – Moderato – Vivace | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: II. Andante | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: III. Allegro vivace | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Violin and Orchestra: Moderato | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| Concerto for Violin and Orchestra: Slowly (in peaceful contemplation) | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| Three Pieces from Schindler's List: Theme. Lente | Gil Shaham, Boston Symphony Orchestra, John Williams | T7001211016 |
| Three Pieces from Schindler's List: Jewish Town (Kraków Ghetto - Winter '41). Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T9044758114 |
| Three Pieces from Schindler's List: Remembrances. Andante | Gil Shaham, Boston Symphony Orchestra, John Williams | T9044758114 |
| TreeSong: Dreamly. "Doctor Hu and the Metasequoia" | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves" | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| TreeSong: Tempo primo. "The Tree Sings" | Gil Shaham, Boston Symphony Orchestra, John Williams | — |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso – Alla marcia – Moderato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio Sostenuto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | T-071926821-9 |
| Lady Macbeth of the Mtsensk District, op. 29: Passacaglia | Boston Symphony Orchestra, Andris Nelsons | T3168398032 |
| Symphony no. 10 in E minor, op. 93: 1. Moderato | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 10 in E minor, op. 93: 2. Allegro | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 10 in E minor, op. 93: 3. Allegretto | Boston Symphony Orchestra, Andris Nelsons | T-902717414-7 |
| Symphony no. 10 in E minor, op. 93: 4. Andante – Allegro | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 9 in E-flat major, op. 70: 1. Allegro | Boston Symphony Orchestra, Andris Nelsons | T-070160313-5 |
| Symphony no. 9 in E-flat major, op. 70: 2. Moderato | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 9 in E-flat major, op. 70: 3. Presto – | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 9 in E-flat major, op. 70: 4. Largo – | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 9 in E-flat major, op. 70: 5. Allegretto | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 5 in D minor, op. 47: 1. Moderato – Allegro non troppo – Poco sostenuto – Largamente – Più mosso – Moderato | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 5 in D minor, op. 47: 2. Allegretto – Largamente – Poco più mosso | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 5 in D minor, op. 47: 3. Largo | Boston Symphony Orchestra, Andris Nelsons | T-005005728-7 |
| Symphony no. 5 in D minor, op. 47: 4. Allegro non troppo - Allegro - Più mosso | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 1. Introduction and Night Patrol. Allegro non troppo – Moderato. Poco allegretto | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 2. Funeral March. Adagio | Boston Symphony Orchestra, Andris Nelsons | T-321421851-2 |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 3. Flourish and Dance Music. Allegro – Allegretto | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 4. The Hunt. Allegro | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 9. Ophelia's Song. Allegro – Meno mosso – Presto | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 10. Cradle Song. Andantino | Boston Symphony Orchestra, Andris Nelsons | — |
| Suite From the Incidental Music to “Hamlet”, op. 32a: 11. Requiem. Adagio | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 8 in C minor, op. 65: 1. Adagio – Poco più mosso – Adagio – Allegro non troppo – Adagio – Poco più mosso – Adagio | Boston Symphony Orchestra, Andris Nelsons | T-070160313-5 |
| Symphony no. 8 in C minor, op. 65: 2. Allegretto – L’istesso tempo | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 8 in C minor, op. 65: 3. Allegro non troppo – | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 8 in C minor, op. 65: 4. Largo – | Boston Symphony Orchestra, Andris Nelsons | T-005005728-7 |
| Symphony no. 8 in C minor, op. 65: 5. Allegretto – Allegro – Più mosso – Adagio – Allegretto – Andante | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 6 in B minor, op. 54: 1. Largo | Boston Symphony Orchestra, Andris Nelsons | T-005005728-7 |
| Symphony no. 6 in B minor, op. 54: 2. Allegro | Boston Symphony Orchestra, Andris Nelsons | — |
| Symphony no. 6 in B minor, op. 54: 3. Presto | Boston Symphony Orchestra, Andris Nelsons | — |
Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
Boston Symphony Orchestra, Michael Tilson Thomas
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Three Places in New England: II. Putnam’s Camp, Redding, Connecticut
Boston Symphony Orchestra, Michael Tilson Thomas
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Three Places in New England: III. The Housatonic at Stockbridge
Boston Symphony Orchestra, Michael Tilson Thomas
—
Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé
Boston Symphony Orchestra, Claudio Abbado
—
Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
Boston Symphony Orchestra, Claudio Abbado
—
Nocturnes, L 91: 3. Sirènes. Modérément animé
New England Conservatory Chorus, Boston Symphony Orchestra, Claudio Abbado
—
Daphnis et Chloé , M. 57b, Fragments symphoniques (2ᵉ série) : 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé
Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, Claudio Abbado
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Boston Symphony Orchestra, Claudio Abbado
The Planets, op. 32: 2. Venus, the Bringer of Peace
Boston Symphony Orchestra, William Steinberg
—
Boston Symphony Orchestra, William Steinberg
Boston Symphony Orchestra, William Steinberg
The Planets, op. 32: 7. Neptune, the Mystic
Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, William Steinberg
—
The Planets, op. 32: 3. Mercury, the Winged Messenger
Boston Symphony Orchestra, William Steinberg
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The Planets, op. 32: 5. Saturn, the Bringer of Old Age
Boston Symphony Orchestra, William Steinberg
—
The Planets, op. 32: 6. Uranus, the Magician
Boston Symphony Orchestra, William Steinberg
—
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Le Poème de L'extase, op. 54
Boston Symphony Orchestra, Claudio Abbado
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Images pour orchestre: I. Gigues
Boston Symphony Orchestra, Michael Tilson Thomas
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Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête
Boston Symphony Orchestra, Michael Tilson Thomas
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Images pour orchestre: III. Rondes de printemps
Boston Symphony Orchestra, Michael Tilson Thomas
—
Prélude à l'après-midi d'un faune
Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas
—
Also sprach Zarathustra: 3. Von der großen Sehnsucht
Boston Symphony Orchestra, William Steinberg
—
Boston Symphony Orchestra, William Steinberg
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Boston Symphony Orchestra, Rafael Kubelík
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Boston Symphony Orchestra, Rafael Kubelík
—
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Boston Symphony Orchestra, Rafael Kubelík
—
Symphony no. 5 in C minor, op. 67: III. Allegro
Boston Symphony Orchestra, Rafael Kubelík
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Boston Symphony Orchestra, Rafael Kubelík
Symphonie Nr. 8 h-moll, D 759 "Unvollendete": 2. Andante con moto
Boston Symphony Orchestra, Eugen Jochum
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Symphonie fantastique, op. 14 : I. Rêveries, passions
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : II. Un bal
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : III. Scène aux champs
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : IV. Marche au supplice
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat
Boston Symphony Orchestra, Seiji Ozawa
—
La Damnation de Faust: Invocation à la Nature
Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Rapsodie espagnole: II. Malagueña. Assez vif
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa
Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes
Boston Symphony Orchestra, Seiji Ozawa
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Ma mère l'oye: Vii. Apothéose: Le jardin féerique
Boston Symphony Orchestra, Seiji Ozawa
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Chant du ménéstrel, op. 71
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
—
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
—
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Eine Faust-Symphonie: I. Faust
Boston Symphony Orchestra, Leonard Bernstein
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Eine Faust-Symphonie: II. Gretchen
Boston Symphony Orchestra, Leonard Bernstein
—
Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel
—
Symphony no. 4: IV. Very slowly – Largo maestoso
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 4: II. Allegretto
Boston Symphony Orchestra, Seiji Ozawa
—
Symphony no. 4: III. Fugue: Andante moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Central Park in the Dark
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Quatrain
Boston Symphony Orchestra, Seiji Ozawa, TASHI
—
Pini di Roma: I. I pini di Villa Borghese
Boston Symphony Orchestra, Seiji Ozawa
—
Pini di Roma: II. Pini presso una catacomba
Boston Symphony Orchestra, Seiji Ozawa
—
Pini di Roma: III. I pini del Gianicolo
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Feste romane: I. Circenses
Boston Symphony Orchestra, Seiji Ozawa
—
Feste romane: II. Il giubileo
Boston Symphony Orchestra, Seiji Ozawa
—
Feste romane: III. L'ottobrata
Boston Symphony Orchestra, Seiji Ozawa
—
Feste romane: IV. La befana
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Scheherazade, op. 35: I. Das Meer und Sindbads Schiff. Largo e maestoso – Lento – Allegro non troppo
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
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Scheherazade, op. 35: II. Die Geschichte vom Prinzen Kalender. Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
—
Scheherazade, op. 35: III. Der junge Prinz und die junge Prinzessin. Andantino quasi allegretto
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
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Scheherazade, op. 35: IV. Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt. Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Lento, Tempo I
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
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Boston Symphony Orchestra, Seiji Ozawa
Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Boston Symphony Orchestra, Seiji Ozawa
—
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda)
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
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Violin Concerto in D major: I. Toccata
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: II. Aria I
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: III. Aria II
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: IV. Capriccio
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
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Boston Symphony Orchestra, Seiji Ozawa, TASHI
Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599)
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598)
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite I: Anonymus: Villanella
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581)
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617)
Boston Symphony Orchestra, Seiji Ozawa
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Antiche danze ed arie, suite II: Anonymus: Campanae parisienses
Boston Symphony Orchestra, Seiji Ozawa
—
Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650)
Boston Symphony Orchestra, Seiji Ozawa
—
Antiche danze ed arie, suite III: Anonymus: Italiana
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite III: Anonymus: Siciliana
Boston Symphony Orchestra, Seiji Ozawa
—
Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692)
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 14: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 15: Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero)
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
—
Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Boston Symphony Orchestra, Seiji Ozawa
—
Après un rêve, op. 7 no. 1
Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa
—
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, I. Berceuse: Allegretto moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Dolly Suite, II. Mi-a-ou: Allegro vivo-Più lento-Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Dolly Suite, III. Le jardin de Dolly: Andantino
Boston Symphony Orchestra, Seiji Ozawa
—
Dolly Suite, IV. Kitty-Valse: Tempo di Valse
Boston Symphony Orchestra, Seiji Ozawa
—
Dolly Suite, V. Tendresse: Andante
Boston Symphony Orchestra, Seiji Ozawa
—
Dolly Suite, VI. Le Pas Espagnol: Allegro
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
—
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
—
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
—
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando)
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
—
Totentanz (Danse macabre)
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
—
Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Boston Symphony Orchestra, Seiji Ozawa
The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy
Boston Symphony Orchestra, Seiji Ozawa
—
The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio"
Boston Symphony Orchestra, Seiji Ozawa
—
The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat
Boston Symphony Orchestra, Seiji Ozawa
—
The Sleeping Beauty, Op. 66: Suite. IV. Panorama
Boston Symphony Orchestra, Seiji Ozawa
—
4 Sea Interludes: I. Dawn. Lento e tranquillo
Boston Symphony Orchestra, Leonard Bernstein
—
4 Sea Interludes: II. Sunday Morning. Allegro spiritoso
Boston Symphony Orchestra, Leonard Bernstein
—
4 Sea Interludes: III. Moonlight. Andante comodo e rubato
Boston Symphony Orchestra, Leonard Bernstein
—
4 Sea Interludes: IV. Storm. Presto con fuoco
Boston Symphony Orchestra, Leonard Bernstein
—
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 6. Departure of the guests
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 7. The battle
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes
James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act II, no. 10. Introduction
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes)
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda)
Boston Symphony Orchestra, Seiji Ozawa
—
The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis
James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: I. Allegro non troppo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: II. Andante tranquillo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: III. Allegro molto
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: I. Vivace – Moderato – Vivace
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: II. Andante
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: III. Allegro vivace
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Violin and Orchestra: Moderato
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Violin and Orchestra: Slowly (in peaceful contemplation)
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Gil Shaham, Boston Symphony Orchestra, John Williams
Gil Shaham, Boston Symphony Orchestra, John Williams
Gil Shaham, Boston Symphony Orchestra, John Williams
TreeSong: Dreamly. "Doctor Hu and the Metasequoia"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
TreeSong: Tempo primo. "The Tree Sings"
Gil Shaham, Boston Symphony Orchestra, John Williams
—
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso – Alla marcia – Moderato
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio Sostenuto
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 10 in E minor, op. 93: 1. Moderato
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 10 in E minor, op. 93: 2. Allegro
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 10 in E minor, op. 93: 4. Andante – Allegro
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 9 in E-flat major, op. 70: 2. Moderato
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 9 in E-flat major, op. 70: 3. Presto –
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 9 in E-flat major, op. 70: 4. Largo –
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 9 in E-flat major, op. 70: 5. Allegretto
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 5 in D minor, op. 47: 1. Moderato – Allegro non troppo – Poco sostenuto – Largamente – Più mosso – Moderato
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 5 in D minor, op. 47: 2. Allegretto – Largamente – Poco più mosso
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 5 in D minor, op. 47: 4. Allegro non troppo - Allegro - Più mosso
Boston Symphony Orchestra, Andris Nelsons
—
Suite From the Incidental Music to “Hamlet”, op. 32a: 1. Introduction and Night Patrol. Allegro non troppo – Moderato. Poco allegretto
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Suite From the Incidental Music to “Hamlet”, op. 32a: 3. Flourish and Dance Music. Allegro – Allegretto
Boston Symphony Orchestra, Andris Nelsons
—
Suite From the Incidental Music to “Hamlet”, op. 32a: 4. The Hunt. Allegro
Boston Symphony Orchestra, Andris Nelsons
—
Suite From the Incidental Music to “Hamlet”, op. 32a: 9. Ophelia's Song. Allegro – Meno mosso – Presto
Boston Symphony Orchestra, Andris Nelsons
—
Suite From the Incidental Music to “Hamlet”, op. 32a: 10. Cradle Song. Andantino
Boston Symphony Orchestra, Andris Nelsons
—
Suite From the Incidental Music to “Hamlet”, op. 32a: 11. Requiem. Adagio
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 8 in C minor, op. 65: 2. Allegretto – L’istesso tempo
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 8 in C minor, op. 65: 3. Allegro non troppo –
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 8 in C minor, op. 65: 5. Allegretto – Allegro – Più mosso – Adagio – Allegretto – Andante
Boston Symphony Orchestra, Andris Nelsons
—
Boston Symphony Orchestra, Andris Nelsons
Symphony no. 6 in B minor, op. 54: 2. Allegro
Boston Symphony Orchestra, Andris Nelsons
—
Symphony no. 6 in B minor, op. 54: 3. Presto
Boston Symphony Orchestra, Andris Nelsons
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-071.926.821-9T-071926821-9T-304.210.691-8T-304210691-8T-900.953.062-5T-900953062-5T-901.136.700-3T-901136700-3T-911510772-7T-926360287-5
+39 more
T0030063774T0030100196T0030137677T0030151279T0030165355T0030179351T0030189515T0035067436T0040215277T0050057287T0071634713T0104377196T0414890622T0701265373T0701603135T1012579096T3042291378T3051942344T3051994873T3121993639T3124269387T3127431878T3132158642T3214218512T3330471499T7001211016T8015579268T8021899275T9001603174T9022947064T9027174147T9028529433T9044758114T9050114142T9093402187T9109504634T9121657587T9148763693T9236637255
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000041118567000000005513652000000000551695760000000055483354000000005553689000000000558929830000000063027447000000007357021600000000798308160000000079858755
+40 more
000000008088028X00000000812558300000000081438100000000008161204100000000818667380000000097573155000000010093629600000001066311430000000108674980000000010880225X00000001088546310000000109178196000000010930048900000001094168010000000109773403000000011021306700000001102319940000000110292324000000011032697700000001107914140000000110791457000000011082322800000001109043430000000114409366000000011443908X0000000114446642000000011449953300000001145533920000000114620794000000011469112X0000000114714651000000011547378100000001194526460000000119549114000000012023113800000001209597190000000121181160000000012276532800000001228245430000000123479198
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What is UPC 028947977186?
028947977186 is a Universal Product Code (UPC) assigned to Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon by Boston Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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