UPC · Album

Handel: The Great Oratorios

George Frideric Handel

028948301423
832 tracksReleased 2016-01-01Decca

Last verified:

028948301423 is the Universal Product Code (UPC barcode) for the release Handel: The Great Oratorios by George Frideric Handel, released 2016-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 832 tracks, each with its own ISRC. Tracks include DEF058830002, DEF058830008, DEF058830009.

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28948Manufacturer
30142Product
3Check digit
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Manufacturer:
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Credit Chain

UPCHandel: The Great Oratorios
ISRC150 recordings
ISWC7 works
IPI2 songwriters

Track List (150)

Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted”
Howard Crook, The English Concert, Trevor Pinnock
Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born”
The English Concert Choir, The English Concert, Trevor Pinnock
Messiah, HWV 56: XIII. Pifa (Pastoral Symphony)
The English Concert, Trevor Pinnock
Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion”
Arleen Augér, The English Concert, Trevor Pinnock
Messiah, HWV 56: XLIV. Chorus “Hallelujah”
The English Concert Choir, The English Concert, Trevor Pinnock
Solomon, HWV 67: Act I. Overture
Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Your harps and cymbals" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Praise ye the Lord" (Levite)
Peter Harvey, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "With pious heart" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Imperial Solomon" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Sacred raptures" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Throughout the land" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "Bless'd be the Lord" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene I. "What though I trace" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "And see my Queen" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Bless'd the day" (Queen)
Inger Dam-Jensen, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Thou fair inhabitant of Nile" (Solomon, Queen)
Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Welcome as the dawn of day" (Solomon, Queen)
Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Vain are the transient beauties" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Indulge thy faith" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "My blooming fair" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Haste to the cedar grove" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "When thou art absent" (Queen)
Inger Dam-Jensen, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "With thee th'unshelter'd moor l'd tread" (Queen)
Inger Dam-Jensen, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "Search round the world" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act I, Scene II. "May no rash intruder" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene I. "From the censer" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene I. "Prais'd be the Lord" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene I. "When the sun o'er yonder hills" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene I. "Great prince" (Levite)
Peter Harvey, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene I. "Thrice bless'd that wise discerning king" (Levite)
Peter Harvey, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene II. "My sovereign liege" (Solomon, 1st Harlot)
Andreas Scholl, Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Words are weak" (1st Harlot, 2nd Harlot, Solomon)
Alison Hagley, Susan Bickley, Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "What says the other" (Solomon, 2nd Harlot)
Andreas Scholl, Susan Bickley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Thy sentence, great king" (2nd Harlot)
Susan Bickley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Withold, withold the executing hand!" (1st Harlot)
Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Can I see my infant gor'd" (1st Harlot)
Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Israel, attend" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Thrice bless'd be the king" (1st Harlot, Solomon)
Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "From the east unto the west" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "From morn to eve" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "See the tall palm" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "No more shall armed bands" (1st Harlot)
Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Beneath the vine" (1st Harlot)
Alison Hagley, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act II, Scene III. "Swell, swell the full chorus" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. Sinfony: The Arrival of the Queen of Sheba
Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "From Arabia's spicy shores" (Queen of Sheba, Solomon)
Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Ev'ry sight these eyes behold (Queen of Sheba)
Susan Gritton, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Sweep, sweep the string" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Music, spread thy voice around" (Solomon, Chorus)
Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus)
Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Then at once from rage remove" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Draw the tear from hopeless love" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Next the tortur'd soul release" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Thus rolling surges rise" (Solomon, Chorus)
Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Thy harmony's divine" (Queen of Sheba)
Susan Gritton, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Pious king" (Levite)
Peter Harvey, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Thrice happy king" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Golden columns" (Zadok)
Paul Agnew, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Praise the Lord" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Gold now is common" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "How green our fertile pastures look!" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "May peace in Salem ever dwell" (Queen of Sheba)
Susan Gritton, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Will the sun forget to streak" (Queen of Sheba)
Susan Gritton, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Adieu, fair queen" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon)
Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh
Solomon, HWV 67: Act III. "The name of the wicked" (Chorus)
Gabrieli Consort, Gabrieli Players, Paul McCreesh
Athalia: Sinfonia
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Blooming virgins, spotless train
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: The rising world Jehovah crown'd
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Tyrants would in impious throngs
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: When he is in his wrath reveal'd
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Your sacred songs awhile forbear
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: What scenes of horror round me rise!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: The gods, who chosen blessings shed
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Cheer her, O Baal
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Gentle airs, melodious strains!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Softest sounds no more can ease me
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: The traitor if you there descry
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Faithful cares in vain extended
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Gloomy tyrants, we disdain
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: The mighty pow'r
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Ah, canst thou but prove me!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Will God, whose mercies ever flow
Georg Friedrich Händel
Athalia: My vengeance awakes me
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: My spirits fail, I faint, I die!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Cease thy anguish, smile once more
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: The clouded scene begins to clear
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: What sacred horrors shake my breast!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Unfold, great seer, what heav'n imparts
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Let harmony breathe soft around
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: With firm united hearts
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Soothing tyrant, falsely smiling!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Around let acclamations ring
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Oppression, no longer I dread thee
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Hark! His thunders round me roll
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: To darkness eternal
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Now, Josabeth, thy fears are o'er!
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Athalia: Give glory to his awful name
Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood
Jephtha: Overture / Menuet
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "It must be so: or these vile Ammonites"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "Pour forth no more unheeded pray'rs"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 1. "No more to Ammon's god and king"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "But Jephtha comes"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "Virtue my soul shall still embrace"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 2. "'Twill be a painful separation, Jephtha" / "In gentle murmurs will I mourn"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "Happy this embassy, my charming Iphis" / "Dull delay, in piercing anguish"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!"
Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 4. "What mean these doubtful fancies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 4. "O God, behold our sore distress"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 5. "Some dire event hangs o'er our heads" / "Scenes of horror, scenes of woe"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Glad tidings of great joy to thee, dear Iphis"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Cherub and Seraphim, unbodied forms"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "Up the dreadful steep ascending"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 2. "Heav'n smiles once more on his repentant people" / "His mighty arm, with sudden blow"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "In glory high, in might serene"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Welcome as the cheerful light"
Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Horror! confusion!" / "Open thy marble jaws, O tomb"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Why is my brother thus afflicted"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "First perish thou, and perish all the world!"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "If such thy cruel purpose" / "On me let blind mistaken zeal"
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "O spare your daughter"
Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Such news flies swift"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Happy they! this vital breath"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Deeper, and deeper still"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "How dark, O Lord, are Thy decrees!"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Hide thou thy hated beams, O sun"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Ye sacred priests" / "Farewell, ye limpid springs and floods"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Doubtful fear and rev'rent awe"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. Symphony
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Rise, Jephtha, and ye rev'rend priests"
Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Happy, Iphis shalt thou live"
Ruth Holton, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "For ever blessed be Thy holy name"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Theme sublime of endless praise"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "Let me congratulate this happy turn" / "Laud her, all ye virgin train"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "O let me fold thee in a mother's arms" / "Sweet as sight to the blind"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine"
Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "Ye house of Gilead, with one voice"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
[applause]
English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "Say, my dear mother"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "The smiling dawn of happy days"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 7. "Such, Jephtha, was the haughty king's reply"
Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 7. "When his loud voice in thunder spoke"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Israel in Egypt: No. 14 Introitus (Chorus) - Moses and the children on Israel
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
HANDEL: ZADOK THE PRIEST (CORONATION ANTHEM NO.1, HWV 258)
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner

People also ask

What is UPC 028948301423?
UPC 028948301423 is the Universal Product Code (barcode) for "Handel: The Great Oratorios" by George Frideric Handel, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028948301423?
UPC 028948301423 contains 832 tracks, each with its own ISRC.
SourcesMusicBrainzNotesDiscogs3 sources

Verified on

What is UPC 028948301423?

028948301423 is a Universal Product Code (UPC) assigned to Handel: The Great Oratorios by George Frideric Handel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 832 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm