Symphony no. 8 in E-flat major

UPC · Release

Symphony no. 8 in E-flat major

Mahler, City of Birmingham Symphony Orchestra, Simon Rattle

0724355794529
25 tracksReleased 2005-03-07

Last verified:

0724355794529 is the Universal Product Code (UPC barcode) for the release Symphony no. 8 in E-flat major by Mahler, City of Birmingham Symphony Orchestra, Simon Rattle, released 2005-03-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include GBAYC0402123, GBAYC0402124, GBAYC0402125.

Format

072GS1 prefix
4355Company prefix
79452Product
9Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCSymphony no. 8 in E-flat major
ISRC25 recordings
ISWC1 work

Track List (25)

Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig)
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig)
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino
Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino
City of Birmingham Symphony Orchestra, Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato)
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus)
David Wilson-Johnson, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
John Relyea, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Birgit Remmert, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix)
Christine Brewer, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium)
City of Birmingham Symphony Orchestra Chorus, Soile Isokoski, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben)
City of Birmingham Symphony Orchestra Chorus, Soile Isokoski, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
Juliane Banse, City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor)
City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle

Identifier Graph

UPCSymphony no. 8 …ISRCSymphony no. 8 …ISRCSymphony no. 8 …ISRCSymphony no. 8 …ISRCSymphony no. 8 …ISRCSymphony no. 8 …

People also ask

What is UPC 0724355794529?
UPC 0724355794529 is the Universal Product Code (barcode) for "Symphony no. 8 in E-flat major" by Mahler, City of Birmingham Symphony Orchestra, Simon Rattle.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0724355794529?
UPC 0724355794529 contains 25 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 0724355794529?

0724355794529 is a Universal Product Code (UPC) assigned to Symphony no. 8 in E-flat major by Mahler, City of Birmingham Symphony Orchestra, Simon Rattle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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