UPC · Release
Various Artists
Last verified:
The UPC for “Das Alte Werk - 50 CD Collection” by Various Artists is 0825646438525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Warner Classics. This release contains 965 tracks, each with its own ISRC. Tracks include DEA806701901, DEA806701902, DEA806701903.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Organ Sonata in A major, H 133: I. Allegro | — | ||
| 2 | Organ Sonata in A major, H 133: II. Andante con Tenerezza | — | ||
| 3 | Organ Sonata in A major, H 133: III. Allegretto | — | ||
| 4 | Organ Sonata in B flat major, H 134: I. Allegro | — | ||
| 5 | Organ Sonata in B flat major, H 134: II. Arioso | — | ||
| 6 | Organ Sonata in B flat major, H 134: III. Allegro | — | ||
| 7 | Organ Sonata in F major, H 84: I. Allegro | — | ||
| 8 | Organ Sonata in F major, H 84: II. Largo | — | ||
| 9 | Organ Sonata in F major, H 84: III. Allegretto | — | ||
| 10 | Organ Sonata in A minor, H 85: I. Allegro assai | — | ||
| 11 | Organ Sonata in A minor, H 85: II. Adagio | — | ||
| 12 | Organ Sonata in A minor, H 85: III. Allegro | — | ||
| 13 | Organ Sonata in D major, H 86: I. Allegro di molto | — | ||
| 14 | Organ Sonata in D major, H 86: II. Adagio é mesto | — | ||
| 15 | Organ Sonata in D major, H 86: III. Allegro | — | ||
| 16 | Organ Sonata in G minor, H 87: I. Allegro moderato | — | ||
| 17 | Organ Sonata in G minor, H 87: II. Adagio | — | ||
| 18 | Organ Sonata in G minor, H 87: III. Allegro | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | — | ||
| 2-2 | Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | — | ||
| 2-3 | Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | — | ||
| 2-4 | Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | — | ||
| 2-5 | Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | — | ||
| 2-6 | Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4, 'im Stile francese' | — | ||
| 2-7 | Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4, 'per Augmentationem et Diminutionem' | — | ||
| 2-8 | Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | — | ||
| 2-9 | Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4, 'alla Duodecima' | — | ||
| 2-10 | Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4, 'alla Decima' | — | ||
| 2-11 | Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | — | ||
| 2-12 | Die Kunst der Fuge, BWV 1080: XII. Canon alla Ottava | — | ||
| 2-13 | Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima, 'in Contrapuncto alla Quinta' | — | ||
| 2-14 | Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima, 'Contrapuncto alla Terza' | — | ||
| 2-15 | Die Kunst der Fuge, BWV 1080: XIV. Canon, 'per Augmentationem in contrario motu' | — | ||
| 2-16 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'rectus' | — | ||
| 2-17 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'inversus' | — | ||
| 2-18 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'rectus' | — | ||
| 2-19 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'inversus' | — | ||
| 3-1 | Goldberg Variations, BWV 988: I. Aria | — | ||
| 3-2 | Goldberg Variations, BWV 988: II. Variation 1 | — | ||
| 3-3 | Goldberg Variations, BWV 988: III. Variation 2 | — | ||
| 3-4 | Goldberg Variations, BWV 988: IV. Variation 3. Canone all'Unisono | — | ||
| 3-5 | Goldberg Variations, BWV 988: V. Variation 4 | — | ||
| 3-6 | Goldberg Variations, BWV 988: VI. Variation 5 | — | ||
| 3-7 | Goldberg Variations, BWV 988: VII. Variation 6. Canone alla Seconda | — | ||
| 3-8 | Goldberg Variations, BWV 988: VIII. Variation 7. Al tempo di Giga | — | ||
| 3-9 | Goldberg Variations, BWV 988: IX. Variation 8 | — | ||
| 3-10 | Goldberg Variations, BWV 988: X. Variation 9. Canone alla Terza | — | ||
| 3-11 | Goldberg Variations, BWV 988: XI. Variation 10. Fugetta | — | ||
| 3-12 | Goldberg Variations, BWV 988: XII. Variation 11 | — | ||
| 3-13 | Goldberg Variations, BWV 988: XIII. Variation 12. Canone alla Quarta | — | ||
| 3-14 | Goldberg Variations, BWV 988: XIV. Variation 13 | — | ||
| 3-15 | Goldberg Variations, BWV 988: XV. Variation 14 | — | ||
| 3-16 | Goldberg Variations, BWV 988: XVI. Variation 15. Canone alla Quinta | — | ||
| 3-17 | Goldberg Variations, BWV 988: XVII. Variation 16. Ouverture | — | ||
| 3-18 | Goldberg Variations, BWV 988: XVIII. Variation 17 | — | ||
| 3-19 | Goldberg Variations, BWV 988: XIX Variation 18. Canone alla Sesta | — | ||
| 3-20 | Goldberg Variations, BWV 988: XX. Variation 19 | — | ||
| 3-21 | Goldberg Variations, BWV 988: XXI. Variation 20 | — | ||
| 3-22 | Goldberg Variations, BWV 988: XXII. Variation 21. Canone alla Settima | — | ||
| 3-23 | Goldberg Variations, BWV 988: XXIII. Variation 22. Alla breve | — | ||
| 3-24 | Goldberg Variations, BWV 988: XXIV. Variation 23 | — | ||
| 3-25 | Goldberg Variations, BWV 988: XXV. Variation 24. Canone all'Ottava | — | ||
| 3-26 | Goldberg Variations, BWV 988: XXVI. Variation 25. Adagio | — | ||
| 3-27 | Goldberg Variations, BWV 988: XXVII. Variation 26 | — | ||
| 3-28 | Goldberg Variations, BWV 988: XXVIII. Variation 27. Canone alla Nona | — | ||
| 3-29 | Goldberg Variations, BWV 988: XXIX. Variation 28 | — | ||
| 3-30 | Goldberg Variations, BWV 988: XXX. Variation 29 | — | ||
| 3-31 | Goldberg Variations, BWV 988: XXXI. Variation 30 | — | ||
| 3-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | — | ||
| 4-1 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-309.730.750-7 | |
| 4-2 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-3 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-4 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: I. Allegro | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | T-914.323.771-2 | |
| 4-5 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-6 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-7 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-8 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-10 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-11 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-12 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: II. Largo ovvero Adagio | Gustav Leonhardt, Leonhardt-Consort | T-307.292.957-4 | |
| 4-15 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 5-1 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 | |
| 5-2 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison | Emiko Iiyama, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-4 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-5 | Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-6 | Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te | Emiko Iiyama, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-7 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-8 | Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus | Kurt Equiluz, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-9 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-10 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-11 | Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 5-12 | Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-1 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-2 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-3 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum | Helen Watts, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-4 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-5 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-6 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-7 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 6-8 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-9 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-10 | Messe in H-moll, BWV 232: III. Sanctus. Sanctus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-11 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-12 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus | Kurt Equiluz, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-13 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-14 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-1 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-2 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-3 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-4 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: IV.Menuetto - Trio - Menuetto - Polacca -Trio - Menuetto | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-5 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-6 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: II. Andante | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-7 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: III. Allegro assai | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-8 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-9 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-10 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Giovanni Antonini, Enrico Onofri, Petr Zejfart, Il giardino armonico | — | |
| 8-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Il giardino armonico | — | |
| 8-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Il giardino armonico | — | |
| 8-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Il giardino armonico | — | |
| 8-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Il giardino armonico | — | |
| 8-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Il giardino armonico | — | |
| 8-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | Il giardino armonico | — | |
| 8-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | Il giardino armonico | — | |
| 8-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | Il giardino armonico | — | |
| 9-1 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: I. Coro "Halt im Gedächtnis Jesum Christ" (Choir) | — | ||
| 9-2 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: II. Aria "Mein Jesus ist erstanden" (Tenor) | — | ||
| 9-3 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: III. Recitativo "Mein Jesu, heissest du des Todes Gift" (Contralto) | — | ||
| 9-4 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: IV. Chorale "Erschienen ist der herrlich Tag" (Choir) | — | ||
| 9-5 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: V. Recitativo "Doch scheinet fast, dass mich der Feinde Rest" (Contralto) | — | ||
| 9-6 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VI. Aria & Coro "Friede sei mit euch" (Bass, Choir) | — | ||
| 9-7 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VII. Chorale "Du Friedefürst, Herr Jesu Christ" (Choir) | — | ||
| 9-8 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: I. Aria "Es ist euch gut, dass ich hingehe" (Bass) | — | ||
| 9-9 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: II. Aria "Mich kann kein Zweifel stören" (Tenor) | — | ||
| 9-10 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: III. Recitativo "Dein Geist wird mich also regieren" (Tenor) | — | ||
| 9-11 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: IV. Coro "Wenn aber jener, der Geist der Wahrheit kommen wird" (Choir) | — | ||
| 9-12 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: V. Aria "Was mein Herz von dir begehrt" (Contralto) | — | ||
| 9-13 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: VI. Chorale "Dein Geist, den Gott vom Himmel gibt" (Choir) | — | ||
| 9-14 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: I. Coro "Herr Jesu Christ, wahr'r Mensch und Gott" (Choir) | — | ||
| 9-15 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: II. Recitativo "Wenn Alles sich zur letzten Zeit entsetzet" (Tenor) | — | ||
| 9-16 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: III. Aria "Die Seele ruht in Jesu Händen" (Soprano) | — | ||
| 9-17 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: IV. Recitativo & Aria "Wenn einstens die Posaunen schallen" (Bass) | — | ||
| 9-18 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: V. Chorale "Ach Herr, vergib all' unsre Schuld" (Choir) | — | ||
| 10-1 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-914.323.771-2 | |
| 10-2 | Concerto in D minor for violin & oboe, BWV 1060: Adagio | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-917.755.866-6 | |
| 10-3 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 10-4 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro di molto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-5 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-6 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Presto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-7 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Allegro moderato | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-8 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Tempo di minuetto | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-9 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Un poco allegro | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-10 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Cantabile | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-11 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Vivace | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-12 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 11-1 | Orchestral Suite No. 1 in C major, BWV 1066: Ouverture | — | ||
| 11-2 | Orchestral Suite No. 1 in C major, BWV 1066: Courante | — | ||
| 11-3 | Orchestral Suite No. 1 in C major, BWV 1066: Gavotte I - Gavotte II | — | ||
| 11-4 | Orchestral Suite No. 1 in C major, BWV 1066: Forlane | — | ||
| 11-5 | Orchestral Suite No. 1 in C major, BWV 1066: Menuet I - Menuet II | — | ||
| 11-6 | Orchestral Suite No. 1 in C major, BWV 1066: Bourrée I - Bourrée II | — | ||
| 11-7 | Orchestral Suite No. 1 in C major, BWV 1066: Passepied I - Passepied II | — | ||
| 11-8 | Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture | — | ||
| 11-9 | Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau | — | ||
| 11-10 | Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande | — | ||
| 11-11 | Orchestral Suite No. 2 in B minor, BWV 1067: Bourrée I - Bourrée II | — | ||
| 11-12 | Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise - Double | — | ||
| 11-13 | Orchestral Suite No. 2 in B minor, BWV 1067: Menuet | — | ||
| 11-14 | Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie | — | ||
| 12-1 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana) | — | ||
| 12-2 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana) | — | ||
| 12-3 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion) | — | ||
| 12-4 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion) | — | ||
| 12-5 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion) | — | ||
| 12-6 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan) | — | ||
| 12-7 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan) | — | ||
| 12-8 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales) | — | ||
| 12-9 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales) | — | ||
| 12-10 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana) | — | ||
| 12-11 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan) | — | ||
| 12-12 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion) | — | ||
| 12-13 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales) | — | ||
| 12-14 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIV. Aria "Ihr Felder und Auen" (Pan) | — | ||
| 12-15 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan) | — | ||
| 12-16 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture | — | ||
| 12-17 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass) | — | ||
| 12-18 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass) | — | ||
| 12-19 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano) | — | ||
| 12-20 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass) | — | ||
| 12-21 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass) | — | ||
| 12-22 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano) | — | ||
| 12-23 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano) | — | ||
| 12-24 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass) | — | ||
| 12-25 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano) | — | ||
| 12-26 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass) | — | ||
| 12-27 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass) | — | ||
| 12-28 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano) | — | ||
| 12-29 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano) | — | ||
| 12-30 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass) | — | ||
| 12-31 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass) | — | ||
| 12-32 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano) | — | ||
| 12-33 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano) | — | ||
| 12-34 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass) | — | ||
| 12-35 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass) | — | ||
| 12-36 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass) | — | ||
| 12-37 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und da | — | ||
| 12-38 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass) | — | ||
| 12-39 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass) | — | ||
| 13-1 | Matthäus-Passion BWV 244: 1. I. Chorus (1,2) "Kommt, ihr Töchter, helft mir klagen" / Soprano in ripieno "O Lamm Gottes" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-2 | Matthäus-Passion BWV 244: 1. VI. Aria (Alto 1) "Buß und Reu" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-3 | Matthäus-Passion BWV 244: 1. VIII. Aria (Soprano 2) "Blute nur, du liebes Herz" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-4 | Matthäus-Passion BWV 244: 1. X. Choral "Ich bin's, ich sollte büßen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-5 | Matthäus-Passion BWV 244: 1. XIII. Aria (Soprano 1) "Ich will dir mein Herze schenken" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-6 | Matthäus-Passion BWV 244: 1. XX. Aria (Tenore 1, Chorus 2) "Ich will bei meinem Jesu wachen" / Chorus "So schlafen unsre Sünden ein" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-7 | Matthäus-Passion BWV 244: 1. XXIX. Choral "O Mensch, bewein' dein Sünde groß" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-8 | Matthäus-Passion BWV 244: 2. XXX. Aria (Alto, Chorus 2) "Ach! Nun ist mein Jesus hin!" / Chorus "Wo ist denn" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-9 | Matthäus-Passion BWV 244: 2. XXXV. Aria (Tenore 2) "Geduld!" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-10 | Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott" | Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-11 | Matthäus-Passion BWV 244: 2. XL. Choral "Bin ich gleich von dir gewichen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-12 | Matthäus-Passion BWV 244: 2. XLII. Aria (Basso 2) "Gebt mir meinen Jesus wieder!" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-13 | Matthäus-Passion BWV 244: 2. XLIX. Aria (Soprano 1) "Aus Liebe will mein Heiland sterben" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-14 | Matthäus-Passion BWV 244: 2. LII. Aria (Alto 2) "Können Tränen meiner Wangen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-15 | Matthäus-Passion BWV 244: 2. LIV. Choral "O Haupt voll Blut und Wunden" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-16 | Matthäus-Passion BWV 244, 2. LX. Aria (Alto 1, Chorus 2) "Sehet, Jesus hat die Hand" / Chorus "Wohin?" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-17 | Matthäus-Passion BWV 244, 2. LXII. Choral "Wenn ich einmal soll scheiden" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-301.182.705-3 | |
| 13-18 | Matthäus-Passion BWV 244, 2. LXV. Aria (Basso 1) "Mache dich, mein Herze, rein" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-19 | Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder" | Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 14-1 | Sonata III à 5 | — | ||
| 14-2 | Sonata prima à 8 | — | ||
| 14-3 | Ballatae à 4 Violettae, Nos. 1 - 7 | — | ||
| 14-4 | Battalia in D major | — | ||
| 14-5 | Sonata à 7 | — | ||
| 14-6 | Sonata IV à 5 | — | ||
| 14-7 | Sonata seconda à 8 | — | ||
| 14-8 | Sonata à 6, "Die Pauern Kirchfahrt genandt" | — | ||
| 15-1 | Musical Characteristics, Op. 19: Preludio, alla Haydn | — | ||
| 15-2 | Keyboard Sonata in F minor, Op. 13 No. 6: I. Allegro agitato | — | ||
| 15-3 | Keyboard Sonata in F minor, Op. 13 No. 6: II. Largo e sostenuto | — | ||
| 15-4 | Keyboard Sonata in F minor, Op. 13 No. 6: III. Presto | — | ||
| 15-5 | Capriccio in B flat major, Op. 17 | — | ||
| 15-6 | Keyboard Sonata in G minor, Op. 34 No. 2: I. Largo e sostenuto - Allegro con fuoco | — | ||
| 15-7 | Keyboard Sonata in G minor, Op. 34 No. 2: II. Un poco adagio | — | ||
| 15-8 | Keyboard Sonata in G minor, Op. 34 No. 2: III. Finale. Molto allegro | — | ||
| 15-9 | Musical Charateristics, Op. 19: Preludio, alla Mozart | — | ||
| 15-10 | Keyboard Sonata in F major, Op. 33 No. 2: I. Adagio | — | ||
| 15-11 | Keyboard Sonata in F major, Op. 33 No. 2: II. Allegro con fuoco | — | ||
| 15-12 | Keyboard Sonata in F major, Op. 33 No. 2: III. Presto | — | ||
| 15-13 | Fantasie on "Au Clair de la lune", Op. 48 | — | ||
| 16-1 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": I. Vivace - Grave | — | ||
| 16-2 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": II. Allegro | — | ||
| 16-3 | Concerto Grosso, op. 6 no.8 “Fatto per la notte di Natale”: Adagio – Allegro – Adagio | Il giardino armonico, Giovanni Antonini | — | |
| 16-4 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": IV. Vivace | — | ||
| 16-5 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": V. Allegro | — | ||
| 16-6 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": VI. Pastorale | — | ||
| 16-7 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": I. Allegro | — | ||
| 16-8 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": II. Adagio | — | ||
| 16-9 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": III. Allegro | — | ||
| 16-10 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": I. Grave - Vivace | — | ||
| 16-11 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": II. Largo | — | ||
| 16-12 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": III. Vivace | — | ||
| 16-13 | Sonata in A major, Op. 13 No. 4, RV 59, "Il pastor fido": II. Pastorale | — | ||
| 16-14 | Sinfonia Pastorale in G major for 2 Violins: I. Allegro | — | ||
| 16-15 | Sinfonia Pastorale in G major for 2 Violins: II. Pastorale. Andante - Canzona. Largo - Pastorale | — | ||
| 16-16 | Sinfonia Pastorale in G major for 2 Violins: III. Andante | — | ||
| 16-17 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: I. Pastorale. Adagio | — | ||
| 16-18 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: II. Aria. Presto | — | ||
| 16-19 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: III. Aria. Grave | — | ||
| 16-20 | Concerto Pastorale in F major for 2 Recorders, 2 Violins & Viola: IV. Aria Pastorale. Presto - Adagio | — | ||
| 16-21 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: V. Minuet - Trio - Minuet | — | ||
| 16-22 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VI. Passacaglia | — | ||
| 16-23 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VII. Aria | — | ||
| 16-24 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": I. Largo | — | ||
| 16-25 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": II. Largo | — | ||
| 16-26 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": III. Allegro | — | ||
| 17-1 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: I. Largo | — | ||
| 17-2 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: II. Allegro | — | ||
| 17-3 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: III. Andante | — | ||
| 17-4 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: IV. Allegro assai | — | ||
| 17-5 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: I. Aria. Allegro | — | ||
| 17-6 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: II. Largo | — | ||
| 17-7 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: III. Presto | — | ||
| 17-8 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: I. Largo | — | ||
| 17-9 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: II. Allegro e spiritoso | — | ||
| 17-10 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: III. Grave | — | ||
| 17-11 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: IV. Allegro | — | ||
| 17-12 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: I. Largo andante | — | ||
| 17-13 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: II. Allegro - Adagio | — | ||
| 17-14 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: III. Presto | — | ||
| 17-15 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: I. Allegro | — | ||
| 17-16 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: II. Adagio cantabile | — | ||
| 17-17 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: III. Presto assai - Adagio - Prestissimo - Adagio | — | ||
| 17-18 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: IV. Largo | — | ||
| 17-19 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: V. Primo Passepied - Secondo Passepied | — | ||
| 17-20 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: I. Allegro | — | ||
| 17-21 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: II. Grave | — | ||
| 17-22 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: III. Allegro assai | — | ||
| 17-23 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: IV. Rondeau. Allegro | — | ||
| 17-24 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: I. Allegro | — | ||
| 17-25 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: II. Aria | — | ||
| 17-26 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: III. Ciaconna. Allegro e spiccato | — | ||
| 17-27 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: IV. Rondeau. Allegro | — | ||
| 17-28 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: V. Allegro | — | ||
| 17-29 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: I. Allegro e vivace assai | — | ||
| 17-30 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: II. Aria. Adagio cantabile | — | ||
| 17-31 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: III. Allegro | — | ||
| 17-32 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: I. Allegro | — | ||
| 17-33 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: II. Aria. Cantabile | — | ||
| 17-34 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: III. Allegro e spiritoso | — | ||
| 18-1 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: I. Allegro | — | ||
| 18-2 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: II. Largo | — | ||
| 18-3 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: III. Allegro | — | ||
| 18-4 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: I. Vivace | — | ||
| 18-5 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: II. Largo | — | ||
| 18-6 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: III. Allegro | — | ||
| 18-7 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: IV. [Menuet] | — | ||
| 18-8 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: V. [Gavotte] | — | ||
| 18-9 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: I. Largo e staccato | — | ||
| 18-10 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: II. Allegro | — | ||
| 18-11 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: III. Adagio | — | ||
| 18-12 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: IV. Allegro | — | ||
| 18-13 | Concerto No. 4 in F major, Op. 3, HWV 315: I. Largo - Allegro | — | ||
| 18-14 | Concerto No. 4 in F major, Op. 3, HWV 315: II. Andante | — | ||
| 18-15 | Concerto No. 4 in F major, Op. 3, HWV 315: III. Allegro | — | ||
| 18-16 | Concerto No. 4 in F major, Op. 3, HWV 315: IV. Menuet - Alternat - Allegro | — | ||
| 18-17 | Concerto in F major: I. Largo | — | ||
| 18-18 | Concerto in F major: II. Allegro | — | ||
| 18-19 | Concerto in F major: III. Largo | — | ||
| 18-20 | Concerto in F major: IV. Allegro | — | ||
| 18-21 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: I. [Grave] | — | ||
| 18-22 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: II. Allegro | — | ||
| 18-23 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: III. Adagio | — | ||
| 18-24 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non troppo | — | ||
| 18-25 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: V. Allegro | — | ||
| 18-26 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: I. Vivace | — | ||
| 18-27 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: II. Ad libitum [Adagio, improvised] | — | ||
| 18-28 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: III. Allegro | — | ||
| 19-1 | Ode for St Cecilia's Day, HWV 76: Overture - Recitative "From Harmony, from heavn'ly Harmony" (Tenor) - Accompagnato "When Nature underneath a heap of jarring atoms lay" (Tenor) | — | ||
| 19-2 | Ode for St Cecilia's Day, HWV 76: Chorus "From Harmony, from heav'nly Harmony" (Chorus) | — | ||
| 19-3 | Ode for St Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell" (Soprano) | — | ||
| 19-4 | Ode for St Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" (Tenor, Chorus) | — | ||
| 19-5 | Ode for St Cecilia's Day, HWV 76: La Marche | — | ||
| 19-6 | Ode for St Cecilia's Day, HWV 76: Aria "The soft complaining Flute" (Soprano) | — | ||
| 19-7 | Ode for St Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim" (Tenor) | — | ||
| 19-8 | Ode for St Cecilia's Day, HWV 76: Aria "But oh! what art can teach..." (Soprano) | — | ||
| 19-9 | Ode for St Cecilia's Day, HWV 76: Aria "Orpheus could lead the savage race" (Soprano) | — | ||
| 19-10 | Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano) | — | ||
| 19-11 | Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus) | — | ||
| 20-1 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante | — | ||
| 20-2 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante | — | ||
| 20-3 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano | — | ||
| 20-4 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro | — | ||
| 20-5 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave] | — | ||
| 20-6 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario | — | ||
| 20-7 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum | — | ||
| 20-8 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro | — | ||
| 20-9 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro | — | ||
| 20-10 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum | — | ||
| 20-11 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso | — | ||
| 20-12 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet | — | ||
| 20-13 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio | — | ||
| 20-14 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro | — | ||
| 20-15 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum | — | ||
| 20-16 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro | — | ||
| 20-17 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato | — | ||
| 20-18 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato | — | ||
| 20-19 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet | — | ||
| 20-20 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte | — | ||
| 20-21 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo | — | ||
| 20-22 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum] | — | ||
| 20-23 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario | — | ||
| 21-1 | Water Music: Overture. Grave - Allegro | — | ||
| 21-2 | Water Music: Adagio e staccato | — | ||
| 21-3 | Water Music: [Allegro] - Andante | — | ||
| 21-4 | Water Music: [Menuet I] | — | ||
| 21-5 | Water Music: Air | — | ||
| 21-6 | Water Music: [Menuet II] | — | ||
| 21-7 | Water Music: Bourrée | — | ||
| 21-8 | Water Music: Hornpipe | — | ||
| 21-9 | Water Music: [Andante] | — | ||
| 21-10 | Water Music: [Allegro] | — | ||
| 21-11 | Water Music: [Hornpipe] | — | ||
| 21-12 | Water Music: [Menuet III] | — | ||
| 21-13 | Water Music: Aria [Bourrée] | — | ||
| 21-14 | Water Music: Lentement [Loure] | — | ||
| 21-15 | Water Music: Air [Bourrée] | — | ||
| 21-16 | Water Music: Menuet | — | ||
| 21-17 | Water Music: [Air] | — | ||
| 21-18 | Water Music: Gigue I | — | ||
| 21-19 | Water Music: Gigue II | — | ||
| 21-20 | Water Music: Coro | — | ||
| 21-21 | Organ Concerto in D minor, HWV 304: I. Andante | — | ||
| 21-22 | Organ Concerto in D minor, HWV 304: II. Adagio, Organo ad libitum, e poi una Fuga allegro ad libitum | — | ||
| 21-23 | Organ Concerto in D minor, HWV 304: III. Allegro | — | ||
| 21-24 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": I. Larghetto | — | ||
| 21-25 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": II. Allegro | — | ||
| 21-26 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": III. Organo ad libitum ex A | — | ||
| 21-27 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": IV. Larghetto | — | ||
| 21-28 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": V. Allegro | — | ||
| 22-1 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Kyrie: I. Kyrie | — | ||
| 22-2 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: II. Gloria | — | ||
| 22-3 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: III. Gratias | — | ||
| 22-4 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: IV. Quoniam | — | ||
| 22-5 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: V. Credo | — | ||
| 22-6 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VI. Et incarnatus | — | ||
| 22-7 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VII. Et resurrexit | — | ||
| 22-8 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Sanctus: VIII. Sanctus | — | ||
| 22-9 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Benedictus: IX. Benedictus | — | ||
| 22-10 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: X. Agnus Dei | — | ||
| 22-11 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: XI. Dona nobis pacem | — | ||
| 22-12 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: I. Recitativo accompagnato "Qual dubbio ormai" | — | ||
| 22-13 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: II. Aria "Se ogni giorno, Prence invitto" | — | ||
| 22-14 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: III. Recitativo "Saggia il pensier" | — | ||
| 22-15 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: IV. Coro "Scenda propizio un raggio" | — | ||
| 22-16 | Te Deum in C major Hob. XXIIIc:1: I. Te Deum Laudamus | — | ||
| 22-17 | Te Deum in C major Hob. XXIIIc:1: II. Te ergo quaesumus | — | ||
| 22-18 | Te Deum in C major Hob. XXIIIc:1: III. Aeterna fac cum sanctus tuis | — | ||
| 23-1 | Matins for the Virgin of Guadalupe: Invitatorio y Salmo 94 | — | ||
| 23-2 | Matins for the Virgin of Guadalupe: Hymno. Quem terra pontus sidera | — | ||
| 23-3 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon I | — | ||
| 23-4 | Matins for the Virgin of Guadalupe: Responsorio. Vidi speciosam sicut columbam | — | ||
| 23-5 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae ascendit | — | ||
| 23-6 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon II | — | ||
| 23-7 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae processit | — | ||
| 23-8 | Matins for the Virgin of Guadalupe: Interludio. Albricias mortales | — | ||
| 23-9 | Matins for the Virgin of Guadalupe: Antífona y Salmo 18 | — | ||
| 23-10 | Matins for the Virgin of Guadalupe: Responsorio. Signum magnum apparuit in caelo | — | ||
| 23-11 | Matins for the Virgin of Guadalupe: Versículo, Padrenuestro y Absolución | — | ||
| 23-12 | Matins for the Virgin of Guadalupe: Responsorio. Beatam me dicent omnes | — | ||
| 23-13 | Matins for the Virgin of Guadalupe: Benedicíon y Leccíon III | — | ||
| 23-14 | Matins for the Virgin of Guadalupe: Te Deum: I. Te deum laudamus | — | ||
| 23-15 | Matins for the Virgin of Guadalupe: Te Deum: II. Te aeternum Patrem | — | ||
| 23-16 | Matins for the Virgin of Guadalupe: Te Deum: III. Tibi omnes Angeli | — | ||
| 23-17 | Matins for the Virgin of Guadalupe: Te Deum: IV. Tibi Cherubim et Seraphim | — | ||
| 23-18 | Matins for the Virgin of Guadalupe: Te Deum: V. Sanctus | — | ||
| 23-19 | Matins for the Virgin of Guadalupe: Te Deum: VI. Pleni sunt caeli | — | ||
| 23-20 | Matins for the Virgin of Guadalupe: Te Deum: VII. Te ergo quaesumus | — | ||
| 23-21 | Matins for the Virgin of Guadalupe: Te Deum: VIII. Aeterna fac cum sanctis tuis | — | ||
| 23-22 | Matins for the Virgin of Guadalupe: Te Deum: IX. In te, Domine, speravi | — | ||
| 23-23 | Matins for the Virgin of Guadalupe: Recesional. Angélicas milicias | — | ||
| 24-1 | String Symphony No. 8 in D major: I. Adagio e Grave - Allegro | — | ||
| 24-2 | String Symphony No. 8 in D major: II. Adagio | — | ||
| 24-3 | String Symphony No. 8 in D major: III. Menuetto - Trio. Presto | — | ||
| 24-4 | String Symphony No. 8 in D major: IV. Allegro molto | — | ||
| 24-5 | String Symphony No. 9 in C minor: I. Grave - Allegro | — | ||
| 24-6 | String Symphony No. 9 in C minor: II. Andante | — | ||
| 24-7 | String Symphony No. 9 in C minor: III. Scherzo - Trio. Più Lento ("La Suisse") | — | ||
| 24-8 | String Symphony No. 9 in C minor: IV. Allegro vivace - Presto - Più stretto | — | ||
| 24-9 | String Symphony No. 10 in B minor: Adagio - Allegro - Più presto | — | ||
| 25-1 | Madrigals, Book 7: "Augellin, che la voce" | — | ||
| 25-2 | Madrigals, Book 7: "Tornate, o cari baci" | — | ||
| 25-3 | Madrigals, Book 8: Ninfa che scalza il piede: "Ninfa, che scalza il piede" | — | ||
| 25-4 | Madrigals, Book 8: Ninfa che scalza il piede: "Qui deh meco t'arresta" | — | ||
| 25-5 | Madrigals, Book 8: Ninfa che scalza il piede: "Dell'usate mie corde al suon" | — | ||
| 25-6 | Madrigals, Book 7: "Ecco vicine, o bella tigre" | — | ||
| 25-7 | Madrigals, Book 7: "Eccomi pronta ai baci" | — | ||
| 25-8 | Madrigals, Book 7: "S'el vostro cor, madonna" | — | ||
| 25-9 | Scherzi Musicali: "Zefiro torna" ('ciacona') | — | ||
| 25-10 | Madrigals, Book 8: Lamento della Ninfa: "Non havea Febo ancore" | — | ||
| 25-11 | Madrigals, Book 8: Lamento della Ninfa: "Amor, dicea" (Lamento della Ninfa) | — | ||
| 25-12 | Madrigals, Book 8: Lamento della Ninfa: "Si tra sdegnosi pianti" | — | ||
| 25-13 | Madrigals, Book 8: "Mentre vaga Angioletta" | — | ||
| 25-14 | Madrigals, Book 7: "Vaga su spina ascosa" | — | ||
| 25-15 | Madrigals, Book 7: "Perchè fuggi tra salci" | — | ||
| 25-16 | Madrigals, Book 8: Ogni amante è guerrier: "Ogni amante è guerrier" | — | ||
| 25-17 | Madrigals, Book 8: Ogni amante è guerrier: "Io che nell'otio nacqui" | — | ||
| 25-18 | Madrigals, Book 8: Ogni amante è guerrier: "Ma per quel ampio Egeo" | — | ||
| 25-19 | Madrigals, Book 8: Ogni amante è guerrier: "Riedi ch'al nostr'ardir" | — | ||
| 25-20 | Madrigals, Book 8: Gira il nemico insidioso: "Gira il nemico insidioso" | — | ||
| 25-21 | Madrigals, Book 8: Gira il nemico insidioso: "Nol lasciamo accostar" | — | ||
| 25-22 | Madrigals, Book 8: Gira il nemico insidioso: "Armi false non son" | — | ||
| 25-23 | Madrigals, Book 8: Gira il nemico insidioso: "Vuol degl'occhi" | — | ||
| 25-24 | Madrigals, Book 8: Gira il nemico insidioso: "Non è più tempo" | — | ||
| 25-25 | Madrigals, Book 8: Gira il nemico insidioso: "Cor mio, non val fuggir" | — | ||
| 25-26 | Madrigals, Book 7: "Soave libertate" | — | ||
| 26-1 | L’Orfeo: Toccata – Prologo: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | T-702.928.999-6 | |
| 26-2 | L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-3 | L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-4 | L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-5 | L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-6 | L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-7 | L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-8 | L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-9 | L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-10 | L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-11 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-12 | L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-13 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-14 | L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-15 | L’Orfeo, Atto terzo: Sinfonia (I) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-16 | L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-17 | L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-18 | L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-19 | L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-20 | L’Orfeo, Atto terzo: Sinfonia (II) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-21 | L’Orfeo, Atto terzo: «Possente spirto» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-22 | L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-23 | L’Orfeo, Atto terzo: Sinfonia (IV) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-24 | L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-25 | L’Orfeo, Atto terzo: Sinfonia (V) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-26 | L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-27 | L’Orfeo, Atto quarto: «Benche severo» (Plutone) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-28 | L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-29 | L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-30 | L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-31 | L’Orfeo, Atto quinto: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-32 | L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-33 | L’Orfeo, Atto quinto: Sinfonia | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-34 | L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-35 | L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-36 | L’Orfeo, Atto quinto: Moresca | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27-1 | Vespro della Beata Vergine: Introductio: I. Deus in adiutorium - Domine ad adiuvandum me festina | — | ||
| 27-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 1 | — | ||
| 27-3 | Vespro della Beata Vergine: Psalmi: II. Psalmus 109: Dixit Dominum | — | ||
| 27-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 2 | — | ||
| 27-5 | Vespro della Beata Vergine: Psalmi: III. Concerto: Nigra sum | — | ||
| 27-6 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 1 | — | ||
| 27-7 | Vespro della Beata Vergine: Psalmi: IV. Psalmus 112: Laudate pueri Dominum | — | ||
| 27-8 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 2 | — | ||
| 27-9 | Vespro della Beata Vergine: Psalmi: V. Concerto: Pulchra es | — | ||
| 27-10 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 1 | — | ||
| 27-11 | Vespro della Beata Vergine: Psalmi: VI. Psalmus 121: Laetatus sum | — | ||
| 27-12 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 2 | — | ||
| 27-13 | Vespro della Beata Vergine: Psalmi: VII. Concerto: Duo Seraphim | — | ||
| 27-14 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 1 | — | ||
| 27-15 | Vespro della Beata Vergine: Psalmi: VIII. Psalmus 126: Nisi Dominus | — | ||
| 27-16 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 2 | — | ||
| 28-1 | Vespro della Beata Vergine: Psalmi: IX. Concerto: Audi caelum | — | ||
| 28-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Dumm esset rex 1 | — | ||
| 28-3 | Vespro della Beata Vergine: Psalmi: X. Psalmus 147: Lauda Jerusalem | — | ||
| 28-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Dum esset rex 2 | — | ||
| 28-5 | Vespro della Beata Vergine: Lectiones: Capitulum: Ab initio | — | ||
| 28-6 | Vespro della Beata Vergine: Lectiones: XI. Responsorium: Sonata sopra "Sancta Maria" | — | ||
| 28-7 | Vespro della Beata Vergine: Lectiones: XII. Hymnus: Ave maris stella | — | ||
| 28-8 | Vespro della Beata Vergine: Lectiones: Versiculum: Dignare me | — | ||
| 28-9 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 1 | — | ||
| 28-10 | Vespro della Beata Vergine: Magnificat: XIII. Magnificat | — | ||
| 28-11 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 2 | — | ||
| 28-12 | Vespro della Beata Vergine: Oratio: Dominus vobiscum . Et cum spiritu tuo | — | ||
| 29-1 | Missa K. 257 ("Credo"): Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-2 | Missa K. 257 ("Credo"): Gloria | Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-3 | Missa K. 257 ("Credo"): Credo | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-4 | Missa K. 257 ("Credo"): Sanctus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-5 | Missa K. 257 ("Credo"): Benedictus | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-6 | Missa K. 257 ("Credo"): Agnus Dei - Dona nobis | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-7 | Litaniae de venerabili altaris sacramento, K. 243: Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | T-070.093.418-4 | |
| 29-8 | Litaniae de venerabili altaris sacramento, K. 243: Panis vivus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-9 | Litaniae de venerabili altaris sacramento, K. 243: Verbum caro factum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-10 | Litaniae de venerabili altaris sacramento, K. 243: Hostia sancta | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-11 | Litaniae de venerabili altaris sacramento, K. 243: Tremendum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-12 | Litaniae de venerabili altaris sacramento, K. 243: Dulcissimum convivium | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-13 | Litaniae de venerabili altaris sacramento, K. 243: Viaticum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-14 | Litaniae de venerabili altaris sacramento, K. 243: Pignus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-15 | Litaniae de venerabili altaris sacramento, K. 243: Agnus Dei - Misere | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30-1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 30-2 | Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" | — | ||
| 30-3 | Dido and Aeneas, Z. 626: Act I. "Ah, Belinda" | — | ||
| 30-4 | Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" | — | ||
| 30-5 | Dido and Aeneas, Z. 626: Act I. "Fear no danger" | — | ||
| 30-6 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" | — | ||
| 30-7 | Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony | — | ||
| 30-8 | Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" | — | ||
| 30-9 | Dido and Aeneas, Z. 626: Act I. The Triumphing Dance | — | ||
| 30-10 | Dido and Aeneas, Z. 626: Act II. Prélude | — | ||
| 30-11 | Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" | — | ||
| 30-12 | Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" | — | ||
| 30-13 | Dido and Aeneas, Z. 626: Act II, Scene I. "In our deep vaulted cell" | — | ||
| 30-14 | Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies | — | ||
| 30-15 | Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle | — | ||
| 30-16 | Dido and Aeneas, Z. 626: Act II, Scene II. "Thanks to these lonesome vales" | — | ||
| 30-17 | Dido and Aeneas, Z. 626: Act II, Scene II. Gitter ground a Dance | — | ||
| 30-18 | Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" | — | ||
| 30-19 | Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" | — | ||
| 30-20 | Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince" | — | ||
| 30-21 | Dido and Aeneas, Z. 626: Act III Prélude | — | ||
| 30-22 | Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers" | — | ||
| 30-23 | Dido and Aeneas, Z. 626: Act III, Scene I. "Your counsel all is urg'd in vain" | — | ||
| 30-24 | Dido and Aeneas, Z. 626: Act III, Scene II. "Great minds against themselves conspire" | — | ||
| 30-25 | Dido and Aeneas, Z. 626: Act III, Scene II. "They hand, Belinda" | — | ||
| 30-26 | Dido and Aeneas, Z. 626: Act III, Scene II. "With droopings wings" | — | ||
| 31-1 | Piano Concerto in C major: I. Allegro maestoso | — | ||
| 31-2 | Piano Concerto in C major: II. Larghetto | — | ||
| 31-3 | Piano Concerto in C major: III. Andantino | — | ||
| 31-4 | Piano Concerto in B flat major: I. Allegro moderato | — | ||
| 31-5 | Piano Concerto in B flat major: II. Adagio | — | ||
| 31-6 | Piano Concerto in B flat major: III. Tempo di Menuetto | — | ||
| 31-7 | Piano Concerto in B flat major: I. Adagio non molto - Allegro | — | ||
| 31-8 | Piano Concerto in B flat major: II. Andante non molto | — | ||
| 31-9 | Piano Concerto in B flat major: III. Allegro | — | ||
| 32-1 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Introitus. "Da Jesu an dem Kreuze stund" | — | ||
| 32-2 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 | — | ||
| 32-3 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Und es war um die dritte Stunde | — | ||
| 32-4 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 II. | — | ||
| 32-5 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Conclusio. "Wer Gottes Marter in Ehren hat" | — | ||
| 32-6 | Lukas-Passion, SWV 480: Introitus: Das Leiden unsres Herren Jesu Christi | — | ||
| 32-7 | Lukas-Passion, SWV 480: Es war aber nahe das Fest der süßen Brot | — | ||
| 32-8 | Lukas-Passion, SWV 480: Und er ging hinaus nach seiner Gewohnheit an den Ölberg | — | ||
| 32-9 | Lukas-Passion, SWV 480: Da er aber noch redete | — | ||
| 32-10 | Lukas-Passion, SWV 480: Sie griffen ihn aber und führeten ihn | — | ||
| 32-11 | Lukas-Passion, SWV 480: Die Männer aber, die da Jesum hielten | — | ||
| 32-12 | Lukas-Passion, SWV 480: Und der ganze Haufen stund auf und führeten ihn für Pilatum | — | ||
| 32-13 | Lukas-Passion, SWV 480: Da aber PIlatus Galiläam hörete | — | ||
| 32-14 | Lukas-Passion, SWV 480: Pilatus aber rief die Hohenpriester und die Obristen | — | ||
| 32-15 | Lukas-Passion, SWV 480: Und als sie ihn hinführeten | — | ||
| 32-16 | Lukas-Passion, SWV 480: Und es war um die sechste Stunde | — | ||
| 32-17 | Lukas-Passion, SWV 480: Und alles Volk, das dabei war und zusah | — | ||
| 32-18 | Lukas-Passion, SWV 480: Beschluß: Wer Gottes Marter in Ehren hat | — | ||
| 33-1 | Musique de table, Production III: Ouverture et Suite in B-flat major: I. Ouverture: Lentement - Presto - Lentement | — | ||
| 33-2 | Musique de table, Production III: Ouverture et Suite in B-flat major: II. Bergerie: Un peu vivement | — | ||
| 33-3 | Musique de table, Production III: Ouverture et Suite in B-flat major: III. Allegrésse, vite | — | ||
| 33-4 | Musique de table, Production III: Ouverture et Suite in B-flat major: IV. Postillons | — | ||
| 33-5 | Musique de table, Production III: Ouverture et Suite in B-flat major: V. Flatterie | — | ||
| 33-6 | Musique de table, Production III: Ouverture et Suite in B-flat major: VI. Badinage: Très vite | — | ||
| 33-7 | Musique de table, Production III: Ouverture et Suite in B-flat major: VII. Menuet | — | ||
| 33-8 | Musique de table, Production III: Quatuor in E minor: I. Adagio | — | ||
| 33-9 | Musique de table, Production III: Quatuor in E minor: II. Allegro | — | ||
| 33-10 | Musique de table, Production III: Quatuor in E minor: III. Dolce | — | ||
| 33-11 | Musique de table, Production III: Quatuor in E minor: IV. Allegro | — | ||
| 33-12 | Musique de table, Production III: Concert in E-flat major: I. Maestoso | — | ||
| 33-13 | Musique de table, Production III: Concert in E-flat major: II. Allegro | — | ||
| 33-14 | Musique de table, Production III: Concert in E-flat major: III. Grave | — | ||
| 33-15 | Musique de table, Production III: Concert in E-flat major: IV. Vivace | — | ||
| 33-16 | Musique de table, Production III: Trio in D major: I. Andante | — | ||
| 33-17 | Musique de table, Production III: Trio in D major: II. Andante | — | ||
| 33-18 | Musique de table, Production III: Trio in D major: III. Grave - Largo - Grave | — | ||
| 33-19 | Musique de table, Production III: Trio in D major: IV. Vivace | — | ||
| 33-20 | Musique de table, Production III: Solo in G minor: I. Largo | — | ||
| 33-21 | Musique de table, Production III: Solo in G minor: II. Presto - Tempo giusto | — | ||
| 33-22 | Musique de table, Production III: Solo in G minor: III. Andante | — | ||
| 33-23 | Musique de table, Production III: Solo in G minor: IV. Allegro | — | ||
| 33-24 | Musique de table, Production III: Conclusion in B-flat major: Furioso | — | ||
| 34-1 | Suite for Recorder & Strings in A minor TWV 55, a2: I. Overture | — | ||
| 34-2 | Suite for Recorder & Strings in A minor TWV 55, a2: II. Les plaisirs 1 & 2 | — | ||
| 34-3 | Suite for Recorder & Strings in A minor TWV 55, a2: III. Air à l'Italien | — | ||
| 34-4 | Suite for Recorder & Strings in A minor TWV 55, a2: IV. Menuet 1 alternativement & Menuet 2 | — | ||
| 34-5 | Suite for Recorder & Strings in A minor TWV 55, a2: V. Réjouissance | — | ||
| 34-6 | Suite for Recorder & Strings in A minor TWV 55, a2: VI. Passepied 1 & 2 | — | ||
| 34-7 | Suite for Recorder & Strings in A minor TWV 55, a2: VII. Polonaise | — | ||
| 34-8 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: I. Largo | — | ||
| 34-9 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: II. Allegro | — | ||
| 34-10 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: III. Largo | — | ||
| 34-11 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: IV. Presto | — | ||
| 34-12 | Concerto for Viola & Strings in G major TWV 51, G9: I. Largo | — | ||
| 34-13 | Concerto for Viola & Strings in G major TWV 51, G9: II. Allegro | — | ||
| 34-14 | Concerto for Viola & Strings in G major TWV 51, G9: III. Andante | — | ||
| 34-15 | Concerto for Viola & Strings in G major TWV 51, G9: IV. Presto | — | ||
| 34-16 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: I. Overture | — | ||
| 34-17 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: II. Menuet 1 & 2 | — | ||
| 34-18 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: III. Les Allemands anciens | — | ||
| 34-19 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IV. Les Allemands modernes | — | ||
| 34-20 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: V. Les Suédois anciens | — | ||
| 34-21 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VI. Les Suédois modernes | — | ||
| 34-22 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VII. Les Danois anciens | — | ||
| 34-23 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VIII. Les Danois modernes | — | ||
| 34-24 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IX. Les vieilles femmes | — | ||
| 35-1 | Symphony in D minor, Bryan d1: I. Allegro | — | ||
| 35-2 | Symphony in D minor, Bryan d1: II. Arioso. Ma non lento | — | ||
| 35-3 | Symphony in D minor, Bryan d1: III. Menuetto - Trio | — | ||
| 35-4 | Symphony in D minor, Bryan d1: IV. Presto | — | ||
| 35-5 | Symphony in G minor, Bryan g1: I. Allegro moderato | — | ||
| 35-6 | Symphony in G minor, Bryan g1: II. Andante cantabile | — | ||
| 35-7 | Symphony in G minor, Bryan g1: III. Menuetto - Trio | — | ||
| 35-8 | Symphony in G minor, Bryan g1: IV. Finale. Allegro | — | ||
| 35-9 | Symphony in C major, "Sinfonia comista", Bryan C11: I. Allegro con brio (La speranza) | — | ||
| 35-10 | Symphony in C major, "Sinfonia comista", Bryan C11: II. Andante cantabile (Il sospirare e languire) | — | ||
| 35-11 | Symphony in C major, "Sinfonia comista", Bryan C11: III. Finale. Adagio più andante (La lamentazione) - Allegro (L'allegrezza) | — | ||
| 35-12 | Symphony in A minor, Bryan a2: I. Allegro moderato | — | ||
| 35-13 | Symphony in A minor, Bryan a2: II. Andante cantabile | — | ||
| 35-14 | Symphony in A minor, Bryan a2: III. Menuetto - Trio | — | ||
| 35-15 | Symphony in A minor, Bryan a2: IV. Allegro | — | ||
| 35-16 | Symphony in E minor, Bryan e1: I. Allegro moderato | — | ||
| 35-17 | Symphony in E minor, Bryan e1: II. Andante | — | ||
| 35-18 | Symphony in E minor, Bryan e1: III. Menuetto - Trio | — | ||
| 35-19 | Symphony in E minor, Bryan e1: IV. Finale. Allegro | — | ||
| 36-1 | Salve regina | — | ||
| 36-2 | O sacrum convivium | — | ||
| 36-3 | O Ildephonse | — | ||
| 36-4 | Duo seraphim clamabant | — | ||
| 36-5 | Quam pulchri sunt | — | ||
| 36-6 | Magnificat | — | ||
| 36-7 | Super flumina Babylonis | — | ||
| 36-8 | Domine, non sum dignus | — | ||
| 36-9 | Beati immaculati | — | ||
| 36-10 | Sancta Maria | — | ||
| 36-11 | O sacrum convivium [II] | — | ||
| 36-12 | Senex puerum portabat | — | ||
| 36-13 | Ave Maria | — | ||
| 37-1 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": I. Allegro | — | ||
| 37-2 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": II. Largo | — | ||
| 37-3 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": III. Presto | — | ||
| 37-4 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": I. Largo | — | ||
| 37-5 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": II. Fantasmi | — | ||
| 37-6 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": III. Presto | — | ||
| 37-7 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": IV. Il Sonno - Largo | — | ||
| 37-8 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": V. Allegro | — | ||
| 37-9 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": I. Allegro | — | ||
| 37-10 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": II. Largo | — | ||
| 37-11 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": III. Allegro | — | ||
| 37-12 | Concerto in G major, Op. 10 No. 4, RV 435: I. Allegro | — | ||
| 37-13 | Concerto in G major, Op. 10 No. 4, RV 435: II. Largo | — | ||
| 37-14 | Concerto in G major, Op. 10 No. 4, RV 435: III. Allegro | — | ||
| 37-15 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": I. Allegro ma non molto | — | ||
| 37-16 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": II. Largo e cantabile | — | ||
| 37-17 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": III. Allegro | — | ||
| 37-18 | Concerto in G major, Op. 10 No. 6, RV 101: I. Allegro | — | ||
| 37-19 | Concerto in G major, Op. 10 No. 6, RV 101: II. Largo | — | ||
| 37-20 | Concerto in G major, Op. 10 No. 6, RV 101: III. Allegro | — | ||
| 38-1 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": I. Allegro | — | ||
| 38-2 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | — | ||
| 38-3 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": III. Allegro | — | ||
| 38-4 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molta | — | ||
| 38-5 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": II. Adagio, Presto | — | ||
| 38-6 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": III. Presto | — | ||
| 38-7 | The Four Seasons: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro, Allegro assai | Enrico Onofri, Il giardino armonico, Giovanni Antonini | — | |
| 38-8 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | — | ||
| 38-9 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | — | ||
| 38-10 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | — | ||
| 38-11 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | — | ||
| 38-12 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | — | ||
| 38-13 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: I. Allegro | — | ||
| 38-14 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: II. Largo | — | ||
| 38-15 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: III. Allegro | — | ||
| 38-16 | Violin Concerto in G minor, op. 8 no. 8, RV 332: I. Allegro | — | ||
| 38-17 | Violin Concerto in G minor, op. 8 no. 8, RV 332: II. Largo | — | ||
| 38-18 | Violin Concerto in G minor, op. 8 no. 8, RV 332: III. Allegro | — | ||
| 39-1 | Hipocondrie à 7 concerttanti in A major, ZWV 187 | — | ||
| 39-2 | Sonata No. 2 in G minor, ZWV 181: I. Andante | — | ||
| 39-3 | Sonata No. 2 in G minor, ZWV 181: II. Allegro | — | ||
| 39-4 | Sonata No. 2 in G minor, ZWV 181: III. Andante | — | ||
| 39-5 | Sonata No. 2 in G minor, ZWV 181: IV. Allegro assai | — | ||
| 39-6 | Overture à 7 concerttanti in F major, ZWV 188: I. Grave - Allegro - Grave | — | ||
| 39-7 | Overture à 7 concerttanti in F major, ZWV 188: II. Aria | — | ||
| 39-8 | Overture à 7 concerttanti in F major, ZWV 188: III. Menuet I & II | — | ||
| 39-9 | Overture à 7 concerttanti in F major, ZWV 188: IV. [Siciliano] | — | ||
| 39-10 | Overture à 7 concerttanti in F major, ZWV 188: V. Folie | — | ||
| 40-1 | Old Hall Manuscript: Alma Proles | — | ||
| 40-2 | Old Hall Manuscript: Crux Fidelis | — | ||
| 40-3 | Old Hall Manuscript: Qualis est dilectus | — | ||
| 40-4 | Old Hall Manuscript: O crux gloriosa | — | ||
| 40-5 | Old Hall Manuscript: Gloria | — | ||
| 40-6 | Old Hall Manuscript: Salve porta paradisi | — | ||
| 40-7 | Old Hall Manuscript: Gaude virgo | — | ||
| 40-8 | Old Hall Manuscript: Credo | — | ||
| 40-9 | Old Hall Manuscript: Albanus roseo rutilat | — | ||
| 40-10 | Old Hall Manuscript: Agnus Dei | — | ||
| 40-11 | Madrigals: Those sweet delightful lilies | — | ||
| 40-12 | Madrigals: Some men desire spouses | — | ||
| 40-13 | Madrigals: Retire, my troubled soul | — | ||
| 40-14 | Madrigals: Hark jolly shepherds | — | ||
| 40-15 | Madrigals: Come woeful Orpheus | — | ||
| 40-16 | Madrigals: Come sirrah Jack ho! | — | ||
| 40-17 | Madrigals: O my thoughts surcease | — | ||
| 40-18 | Madrigals: Die now, my heart | — | ||
| 41-1 | Variations on "La Follia", Op. 5 No. 12 in G minor: I. Adagio | — | ||
| 41-2 | Variations on "La Follia", Op. 5 No. 12 in G minor: II. Allegro | — | ||
| 41-3 | Variations on "La Follia", Op. 5 No. 12 in G minor: III. Adagio | — | ||
| 41-4 | Variations on "La Follia", Op. 5 No. 12 in G minor: IV. Vivace | — | ||
| 41-5 | Variations on "La Follia", Op. 5 No. 12 in G minor: V. Allegro | — | ||
| 41-6 | Variations on "La Follia", Op. 5 No. 12 in G minor: VI. Andante | — | ||
| 41-7 | Variations on "La Follia", Op. 5 No. 12 in G minor: VII. Allegro | — | ||
| 41-8 | Variations on "La Follia", Op. 5 No. 12 in G minor: VIII. Adagio | — | ||
| 41-9 | Variations on "La Follia", Op. 5 No. 12 in G minor: IX. Allegro | — | ||
| 41-10 | Sonata in C major: I. Adagio | — | ||
| 41-11 | Sonata in C major: II. Allegro | — | ||
| 41-12 | Sonata in C major: III. Largo | — | ||
| 41-13 | Sonata in C major: IV. Presto | — | ||
| 41-14 | Sonata in G major: I. Largo | — | ||
| 41-15 | Sonata in G major: II. Allegro | — | ||
| 41-16 | Sonata in G major: III. Largo | — | ||
| 41-17 | Sonata in G major: IV. Allegro | — | ||
| 41-18 | Sonata in A minor: I. Adagio | — | ||
| 41-19 | Sonata in A minor: II. Allegro | — | ||
| 41-20 | Sonata in A minor: III. Tempi di minuetto | — | ||
| 41-21 | Sonata in A minor: IV. Allegro | — | ||
| 41-22 | Sonata Op. 13, No. 6 in G minor: I. Vivace | — | ||
| 41-23 | Sonata Op. 13, No. 6 in G minor: II. Alla breve | — | ||
| 41-24 | Sonata Op. 13, No. 6 in G minor: III. Largo | — | ||
| 41-25 | Sonata Op. 13, No. 6 in G minor: IV. Allegro ma non presto | — | ||
| 41-26 | Sonata Op. 2, No. 11 in D minor: I. Adagio | — | ||
| 41-27 | Sonata Op. 2, No. 11 in D minor: II. Allegro | — | ||
| 41-28 | Sonata Op. 2, No. 11 in D minor: III. Largo | — | ||
| 41-29 | Sonata Op. 2, No. 11 in D minor: IV. Allegro | — | ||
| 41-30 | Sonata Op. 5, No. 4 in F major: I. Adagio | — | ||
| 41-31 | Sonata Op. 5, No. 4 in F major: II. Allegro | — | ||
| 41-32 | Sonata Op. 5, No. 4 in F major: III. Vivace | — | ||
| 41-33 | Sonata Op. 5, No. 4 in F major: IV. Adagio | — | ||
| 41-34 | Sonata Op. 5, No. 4 in F major: V. Allegro | — | ||
| 41-35 | Sonata in A minor: I. Largo | — | ||
| 41-36 | Sonata in A minor: II. Allegro | — | ||
| 41-37 | Sonata in A minor: III. Allegro | — | ||
| 41-38 | Sonata in A minor: IV. Allegro | — | ||
| 42-1 | Cello Sonata No. 7 in B flat major G8: I. Allegro | — | ||
| 42-2 | Cello Sonata No. 7 in B flat major G8: II. Largo - Allegro - Adagio | — | ||
| 42-3 | Cello Sonata No. 7 in B flat major G8: III. Larghetto - Allegro - Larghetto - Presto - Primo Tempo - Allegro - Larghetto | — | ||
| 42-4 | Canon for 2 Violoncellos | — | ||
| 42-5 | Ricercata No. 8 | — | ||
| 42-6 | Sonata III for 2 Cellos in A minor: I. Andante | — | ||
| 42-7 | Sonata III for 2 Cellos in A minor: II. Allegro | — | ||
| 42-8 | Sonata No. 3 for 2 Cellos in A minor: III. Minuet. Allegro | — | ||
| 42-9 | Cello Sonata No. 1 in A minor: I. Andante | — | ||
| 42-10 | Cello Sonata No. 1 in A minor: II. Allegro | — | ||
| 42-11 | Cello Sonata No. 1 in A minor: III. Grazioso - Minuet - Grazioso | — | ||
| 42-12 | Cello Sonata No. 1 in B flat major, RV 423: I. Largo | — | ||
| 42-13 | Cello Sonata No. 1 in B flat major, RV 423: II. Allegro | — | ||
| 42-14 | Cello Sonata No. 1 in B flat major, RV 423: III. Largo | — | ||
| 42-15 | Cello Sonata No. 1 in B flat major, RV 423: IV. Allegro | — | ||
| 42-16 | Cello Sonata in D minor, Op. 5 No. 2: I. Andante | — | ||
| 42-17 | Cello Sonata in D minor, Op. 5 No. 2: II. Presto | — | ||
| 42-18 | Cello Sonata in D minor, Op. 5 No. 2: III. Adagio | — | ||
| 42-19 | Cello Sonata in D minor, Op. 5 No. 2: IV. Allegro | — | ||
| 43-1 | Pavan in C major | — | ||
| 43-2 | Suite No. 1 in C minor: I. Fantasia | — | ||
| 43-3 | Suite No. 1 in C minor: II. In Nomine | — | ||
| 43-4 | Suite No. 1 in C minor: III. Air | — | ||
| 43-5 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 43-6 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 43-7 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 43-8 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 43-9 | Sonata No. 7 in D minor: III. Air (Galliard) | — | ||
| 43-10 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 43-11 | Fantasia | — | ||
| 43-12 | Suite: Fantasia | — | ||
| 43-13 | Suite: Almand | — | ||
| 43-14 | Suite: Galliard | — | ||
| 43-15 | Pavan in D BK52a | — | ||
| 43-16 | Galliard in D BK52b | — | ||
| 43-17 | Fantasia No. 2 a 6 in G minor BE17, 12 | — | ||
| 43-18 | Fantasia No. 3 a 3 in C BK27 | — | ||
| 43-19 | Ricercar, "Bonney sweet Robin" | — | ||
| 43-20 | Fantasia | — | ||
| 44-1 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 44-2 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 44-3 | Pavan in A major | — | ||
| 44-4 | Fantasia in D major | — | ||
| 44-5 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 44-6 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 44-7 | Sonata No. 7 in D minor: III. Galliard | — | ||
| 44-8 | Pavan and Galliard a 6 in C major: I. Pavan | — | ||
| 44-9 | Pavan and Galliard a 6 in C major: II. Galliard | — | ||
| 44-10 | Dowland's Lachrymae | — | ||
| 44-11 | Galliard "Can she excuse my wrongs" | — | ||
| 44-12 | A Sad Pavan for these Distracted Times | — | ||
| 44-13 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 44-14 | Nancie | — | ||
| 44-15 | Pavana Chromatica, "Mrs Katherin Tregians Pavan" | — | ||
| 44-16 | Pavane in D major, BK52a | — | ||
| 44-17 | Galliard in D major, BK52b | — | ||
| 44-18 | Fantasia No. 1 in G on Ut re mi fa sol la, "Hexachord Fantasia" | — | ||
| 45-1 | Hey ho, to the greenwood | — | ||
| 45-2 | Luer falconers | — | ||
| 45-3 | Hey trola, trola | — | ||
| 45-4 | We cats when assembled | — | ||
| 45-5 | Round about in a fair ring | — | ||
| 45-6 | Yonder comes | — | ||
| 45-7 | Since time so kind | — | ||
| 45-8 | I cannot come every day | — | ||
| 45-9 | Once, twice, thrice | — | ||
| 45-10 | Tomorrow the fox will come | — | ||
| 45-11 | Canst thou love | — | ||
| 45-12 | Celia learning on a spinnet | — | ||
| 45-13 | Who liveth so merry | — | ||
| 45-14 | Long have we bin perplext | — | ||
| 45-15 | Hey ho, nobody at home | — | ||
| 45-16 | Give us once a drink | — | ||
| 45-17 | Would you know | — | ||
| 45-18 | The glories of our birth | — | ||
| 45-19 | Under this stone | — | ||
| 45-20 | Who's the fool now? | — | ||
| 45-21 | Diaphenia | — | ||
| 45-22 | Thinkst thou kate | — | ||
| 45-23 | Down-a-down | — | ||
| 45-24 | A shepherd in a shade | — | ||
| 45-25 | Fine knacks for ladies | — | ||
| 45-26 | Where sin sore wounding | — | ||
| 45-27 | Never weather-beaten sail | — | ||
| 45-28 | Jack and jone | — | ||
| 46-1 | Capriccio stravagante à 4 | — | ||
| 46-2 | Fechtschule à 4 | — | ||
| 46-3 | Sonata violino solo representativa in A major | — | ||
| 46-4 | Le Tableau de l'operation de la taille | — | ||
| 46-5 | Concerto, Op. 10 No. 2 "La Notte", RV 439: I. Largo | — | ||
| 46-6 | Concerto, Op. 10 No. 2 "La Notte", RV 439: II. Fantasmi. Presto - Largo - Andante | — | ||
| 46-7 | Concerto, Op. 10 No. 2 "La Notte", RV 439: III. Il Sonno. Largo | — | ||
| 46-8 | Concerto, Op. 10 No. 2 "La Notte", RV 439: IV. Allegro | — | ||
| 47-1 | Quintet in D major, Op. 11 No. 6: I. Allegro | — | ||
| 47-2 | Quintet in D major, Op. 11 No. 6: II. Andantino | — | ||
| 47-3 | Quintet in D major, Op. 11 No. 6: III. Allegro assai | — | ||
| 47-4 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: I. Allegro | — | ||
| 47-5 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: II. Andante | — | ||
| 47-6 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: III. Menuetto | — | ||
| 47-7 | Trio in A major, Op. 1 No. 2: I. Allegro assai | — | ||
| 47-8 | Trio in A major, Op. 1 No. 2: II. Andante poco Adagio | — | ||
| 47-9 | Trio in A major, Op. 1 No. 2: III. Menuet | — | ||
| 47-10 | Trio in A major, Op. 1 No. 2: IV. Prestissimo | — | ||
| 47-11 | String Quartet in B flat major, Op. 5 No. 2: I. Poco Allegretto | — | ||
| 47-12 | String Quartet in B flat major, Op. 5 No. 2: II. Poco Andante | — | ||
| 47-13 | String Quartet in B flat major, Op. 5 No. 2: III. Fugato presto | — | ||
| 48-1 | In Nomine IX | — | ||
| 48-2 | The King's Hunt | — | ||
| 48-3 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Pavan | — | ||
| 48-4 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Gaillard | — | ||
| 48-5 | Queen Elizabeth's Chromatic Pavan and Gaillard: Dutch Dance | — | ||
| 48-6 | Queen Elizabeth's Chromatic Pavan and Gaillard: Fantasia XII | — | ||
| 48-7 | Fantastic Pavan and Gaillard: Fantastic Pavan | — | ||
| 48-8 | Fantastic Pavan and Gaillard: Galiarda | — | ||
| 48-9 | Fantastic Pavan and Gaillard: In Nomine IX | — | ||
| 48-10 | Fantastic Pavan and Gaillard: Germain's Alman | — | ||
| 48-11 | Fantastic Pavan and Gaillard: Fantasia X | — | ||
| 48-12 | Fantastic Pavan and Gaillard: Canon in subdiapente | — | ||
| 48-13 | Fantastic Pavan and Gaillard: Doctor Bull's My Selfe | — | ||
| 49-1 | Concerto for Recorder, two Violins and Viola in A minor: I. Largo | — | ||
| 49-2 | Concerto for Recorder, two Violins and Viola in A minor: II. Allegro | — | ||
| 49-3 | Concerto for Recorder, two Violins and Viola in A minor: III. Larghetto | — | ||
| 49-4 | Concerto for Recorder, two Violins and Viola in A minor: IV. Spiritoso | — | ||
| 49-5 | Mandolin Sonata in D minor K 90: I. Grave | — | ||
| 49-6 | Mandolin Sonata in D minor K 90: II. Allegro | — | ||
| 49-7 | Mandolin Sonata in D minor K 90: III. Allegro | — | ||
| 49-8 | Concerto for two Violins and Viola in G minor: I. Affettuoso | — | ||
| 49-9 | Concerto for two Violins and Viola in G minor: II. Presto | — | ||
| 49-10 | Concerto for two Violins and Viola in G minor: III. Largo affettuoso | — | ||
| 49-11 | Concerto for two Violins and Viola in G minor: IV. Allegro | — | ||
| 49-12 | Sonata for Recorder and two Violins in A minor: I. Allegro | — | ||
| 49-13 | Sonata for Recorder and two Violins in A minor: II. Largo | — | ||
| 49-14 | Sonata for Recorder and two Violins in A minor: III. Fuga | — | ||
| 49-15 | Sonata for Recorder and two Violins in A minor: IV. Piano | — | ||
| 49-16 | Sonata for Recorder and two Violins in A minor: V. Allegro | — | ||
| 49-17 | Sonata for Recorder and two Violins in D minor: I. Amoroso | — | ||
| 49-18 | Sonata for Recorder and two Violins in D minor: II. Allegro | — | ||
| 49-19 | Sonata for Recorder and two Violins in D minor: III. Largo | — | ||
| 49-20 | Sonata for Recorder and two Violins in D minor: IV. Allegro | — | ||
| 50-1 | Der Understand ist ihr verwandt | — | ||
| 50-2 | Der Liebe Macht herrscht Tag und Nacht | — | ||
| 50-3 | Der Rheinische Wien tanzt gar zu fein | — | ||
| 50-4 | Wald-Gesang | — | ||
| 50-5 | Lob der Freundschaft | — | ||
| 50-6 | Vorjahrs-Liedchen | — | ||
| 50-7 | Serenade for Strings and Bass Continuo | — | ||
| 50-8 | Meine Seele, willt du ruh'n | — | ||
| 50-9 | Von der Ewigkeit | — | ||
| 50-10 | Ich wall auf Erden hin und her | — | ||
| 50-11 | Erbarm dich mein o Herre Gott | — | ||
| 50-12 | Fly swift, ye hours | — | ||
| 50-13 | The Father Brave | — | ||
| 50-14 | Return, revolting Rebels | — | ||
| 50-15 | Sérénade | — | ||
| 50-16 | Quoy Clorinde, tu pars | — | ||
| 50-17 | Pauvres amants | — | ||
| 50-18 | Ha! quelle folie | — | ||
| 50-19 | Ombre opach | — | ||
| 50-20 | Lagrime dolorose | — | ||
| 50-21 | O che nuovo stupor | — | ||
| 51-1 | Vanitas vanitatum II: Simphonia | — | ||
| 51-2 | Vanitas vanitatum II: "Hinc, mortales" | — | ||
| 51-3 | Ogni nostro piacer | — | ||
| 51-4 | Musiche sacre e morali: "Da tutti gli horologi si cava moralità" | — | ||
| 51-5 | Ergi la mente al sole: Introduttione | — | ||
| 51-6 | Ergi la mente al sole: "Io sono il sole" | — | ||
| 51-7 | Florido concento di madrigale: "Sospirate bellezze" | — | ||
| 51-8 | Arie: "Superbe colli" | — | ||
| 51-9 | O si quis daret concentum | — | ||
| 51-10 | Canzonette spirituali, e morali: Ciaccona di Paradiso, e dell'Inferno. "O che bel star è star in Paradiso" | — | ||
| 51-11 | Canzonette spirituali, e morali: Passacalli della vita. "O, come t'inganni" | — |
Identifier Graph
0825646438525 is a Universal Product Code (UPC) assigned to Das Alte Werk - 50 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 965 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 |
| Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Das Alte Werk - 50 CD Collection” by Various Artists is 0825646438525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Warner Classics. This release contains 965 tracks, each with its own ISRC. Tracks include DEA806701901, DEA806701902, DEA806701903.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Organ Sonata in A major, H 133: I. Allegro | — | ||
| 2 | Organ Sonata in A major, H 133: II. Andante con Tenerezza | — | ||
| 3 | Organ Sonata in A major, H 133: III. Allegretto | — | ||
| 4 | Organ Sonata in B flat major, H 134: I. Allegro | — | ||
| 5 | Organ Sonata in B flat major, H 134: II. Arioso | — | ||
| 6 | Organ Sonata in B flat major, H 134: III. Allegro | — | ||
| 7 | Organ Sonata in F major, H 84: I. Allegro | — | ||
| 8 | Organ Sonata in F major, H 84: II. Largo | — | ||
| 9 | Organ Sonata in F major, H 84: III. Allegretto | — | ||
| 10 | Organ Sonata in A minor, H 85: I. Allegro assai | — | ||
| 11 | Organ Sonata in A minor, H 85: II. Adagio | — | ||
| 12 | Organ Sonata in A minor, H 85: III. Allegro | — | ||
| 13 | Organ Sonata in D major, H 86: I. Allegro di molto | — | ||
| 14 | Organ Sonata in D major, H 86: II. Adagio é mesto | — | ||
| 15 | Organ Sonata in D major, H 86: III. Allegro | — | ||
| 16 | Organ Sonata in G minor, H 87: I. Allegro moderato | — | ||
| 17 | Organ Sonata in G minor, H 87: II. Adagio | — | ||
| 18 | Organ Sonata in G minor, H 87: III. Allegro | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | — | ||
| 2-2 | Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | — | ||
| 2-3 | Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | — | ||
| 2-4 | Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | — | ||
| 2-5 | Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | — | ||
| 2-6 | Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4, 'im Stile francese' | — | ||
| 2-7 | Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4, 'per Augmentationem et Diminutionem' | — | ||
| 2-8 | Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | — | ||
| 2-9 | Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4, 'alla Duodecima' | — | ||
| 2-10 | Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4, 'alla Decima' | — | ||
| 2-11 | Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | — | ||
| 2-12 | Die Kunst der Fuge, BWV 1080: XII. Canon alla Ottava | — | ||
| 2-13 | Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima, 'in Contrapuncto alla Quinta' | — | ||
| 2-14 | Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima, 'Contrapuncto alla Terza' | — | ||
| 2-15 | Die Kunst der Fuge, BWV 1080: XIV. Canon, 'per Augmentationem in contrario motu' | — | ||
| 2-16 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'rectus' | — | ||
| 2-17 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'inversus' | — | ||
| 2-18 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'rectus' | — | ||
| 2-19 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'inversus' | — | ||
| 3-1 | Goldberg Variations, BWV 988: I. Aria | — | ||
| 3-2 | Goldberg Variations, BWV 988: II. Variation 1 | — | ||
| 3-3 | Goldberg Variations, BWV 988: III. Variation 2 | — | ||
| 3-4 | Goldberg Variations, BWV 988: IV. Variation 3. Canone all'Unisono | — | ||
| 3-5 | Goldberg Variations, BWV 988: V. Variation 4 | — | ||
| 3-6 | Goldberg Variations, BWV 988: VI. Variation 5 | — | ||
| 3-7 | Goldberg Variations, BWV 988: VII. Variation 6. Canone alla Seconda | — | ||
| 3-8 | Goldberg Variations, BWV 988: VIII. Variation 7. Al tempo di Giga | — | ||
| 3-9 | Goldberg Variations, BWV 988: IX. Variation 8 | — | ||
| 3-10 | Goldberg Variations, BWV 988: X. Variation 9. Canone alla Terza | — | ||
| 3-11 | Goldberg Variations, BWV 988: XI. Variation 10. Fugetta | — | ||
| 3-12 | Goldberg Variations, BWV 988: XII. Variation 11 | — | ||
| 3-13 | Goldberg Variations, BWV 988: XIII. Variation 12. Canone alla Quarta | — | ||
| 3-14 | Goldberg Variations, BWV 988: XIV. Variation 13 | — | ||
| 3-15 | Goldberg Variations, BWV 988: XV. Variation 14 | — | ||
| 3-16 | Goldberg Variations, BWV 988: XVI. Variation 15. Canone alla Quinta | — | ||
| 3-17 | Goldberg Variations, BWV 988: XVII. Variation 16. Ouverture | — | ||
| 3-18 | Goldberg Variations, BWV 988: XVIII. Variation 17 | — | ||
| 3-19 | Goldberg Variations, BWV 988: XIX Variation 18. Canone alla Sesta | — | ||
| 3-20 | Goldberg Variations, BWV 988: XX. Variation 19 | — | ||
| 3-21 | Goldberg Variations, BWV 988: XXI. Variation 20 | — | ||
| 3-22 | Goldberg Variations, BWV 988: XXII. Variation 21. Canone alla Settima | — | ||
| 3-23 | Goldberg Variations, BWV 988: XXIII. Variation 22. Alla breve | — | ||
| 3-24 | Goldberg Variations, BWV 988: XXIV. Variation 23 | — | ||
| 3-25 | Goldberg Variations, BWV 988: XXV. Variation 24. Canone all'Ottava | — | ||
| 3-26 | Goldberg Variations, BWV 988: XXVI. Variation 25. Adagio | — | ||
| 3-27 | Goldberg Variations, BWV 988: XXVII. Variation 26 | — | ||
| 3-28 | Goldberg Variations, BWV 988: XXVIII. Variation 27. Canone alla Nona | — | ||
| 3-29 | Goldberg Variations, BWV 988: XXIX. Variation 28 | — | ||
| 3-30 | Goldberg Variations, BWV 988: XXX. Variation 29 | — | ||
| 3-31 | Goldberg Variations, BWV 988: XXXI. Variation 30 | — | ||
| 3-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | — | ||
| 4-1 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-309.730.750-7 | |
| 4-2 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-3 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-4 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: I. Allegro | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | T-914.323.771-2 | |
| 4-5 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-6 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-7 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-8 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-10 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-11 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-12 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: II. Largo ovvero Adagio | Gustav Leonhardt, Leonhardt-Consort | T-307.292.957-4 | |
| 4-15 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 5-1 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 | |
| 5-2 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison | Emiko Iiyama, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-4 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-5 | Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-6 | Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te | Emiko Iiyama, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-7 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-8 | Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus | Kurt Equiluz, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-9 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-10 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-11 | Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 5-12 | Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-1 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-2 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-3 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum | Helen Watts, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-4 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-5 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-6 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-7 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 6-8 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-9 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-10 | Messe in H-moll, BWV 232: III. Sanctus. Sanctus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-11 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-12 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus | Kurt Equiluz, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-13 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-14 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-1 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-2 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-3 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-4 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: IV.Menuetto - Trio - Menuetto - Polacca -Trio - Menuetto | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-5 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-6 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: II. Andante | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-7 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: III. Allegro assai | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-8 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-9 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-10 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Giovanni Antonini, Enrico Onofri, Petr Zejfart, Il giardino armonico | — | |
| 8-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Il giardino armonico | — | |
| 8-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Il giardino armonico | — | |
| 8-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Il giardino armonico | — | |
| 8-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Il giardino armonico | — | |
| 8-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Il giardino armonico | — | |
| 8-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | Il giardino armonico | — | |
| 8-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | Il giardino armonico | — | |
| 8-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | Il giardino armonico | — | |
| 9-1 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: I. Coro "Halt im Gedächtnis Jesum Christ" (Choir) | — | ||
| 9-2 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: II. Aria "Mein Jesus ist erstanden" (Tenor) | — | ||
| 9-3 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: III. Recitativo "Mein Jesu, heissest du des Todes Gift" (Contralto) | — | ||
| 9-4 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: IV. Chorale "Erschienen ist der herrlich Tag" (Choir) | — | ||
| 9-5 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: V. Recitativo "Doch scheinet fast, dass mich der Feinde Rest" (Contralto) | — | ||
| 9-6 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VI. Aria & Coro "Friede sei mit euch" (Bass, Choir) | — | ||
| 9-7 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VII. Chorale "Du Friedefürst, Herr Jesu Christ" (Choir) | — | ||
| 9-8 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: I. Aria "Es ist euch gut, dass ich hingehe" (Bass) | — | ||
| 9-9 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: II. Aria "Mich kann kein Zweifel stören" (Tenor) | — | ||
| 9-10 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: III. Recitativo "Dein Geist wird mich also regieren" (Tenor) | — | ||
| 9-11 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: IV. Coro "Wenn aber jener, der Geist der Wahrheit kommen wird" (Choir) | — | ||
| 9-12 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: V. Aria "Was mein Herz von dir begehrt" (Contralto) | — | ||
| 9-13 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: VI. Chorale "Dein Geist, den Gott vom Himmel gibt" (Choir) | — | ||
| 9-14 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: I. Coro "Herr Jesu Christ, wahr'r Mensch und Gott" (Choir) | — | ||
| 9-15 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: II. Recitativo "Wenn Alles sich zur letzten Zeit entsetzet" (Tenor) | — | ||
| 9-16 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: III. Aria "Die Seele ruht in Jesu Händen" (Soprano) | — | ||
| 9-17 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: IV. Recitativo & Aria "Wenn einstens die Posaunen schallen" (Bass) | — | ||
| 9-18 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: V. Chorale "Ach Herr, vergib all' unsre Schuld" (Choir) | — | ||
| 10-1 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-914.323.771-2 | |
| 10-2 | Concerto in D minor for violin & oboe, BWV 1060: Adagio | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-917.755.866-6 | |
| 10-3 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 10-4 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro di molto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-5 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-6 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Presto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-7 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Allegro moderato | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-8 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Tempo di minuetto | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-9 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Un poco allegro | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-10 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Cantabile | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-11 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Vivace | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-12 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 11-1 | Orchestral Suite No. 1 in C major, BWV 1066: Ouverture | — | ||
| 11-2 | Orchestral Suite No. 1 in C major, BWV 1066: Courante | — | ||
| 11-3 | Orchestral Suite No. 1 in C major, BWV 1066: Gavotte I - Gavotte II | — | ||
| 11-4 | Orchestral Suite No. 1 in C major, BWV 1066: Forlane | — | ||
| 11-5 | Orchestral Suite No. 1 in C major, BWV 1066: Menuet I - Menuet II | — | ||
| 11-6 | Orchestral Suite No. 1 in C major, BWV 1066: Bourrée I - Bourrée II | — | ||
| 11-7 | Orchestral Suite No. 1 in C major, BWV 1066: Passepied I - Passepied II | — | ||
| 11-8 | Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture | — | ||
| 11-9 | Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau | — | ||
| 11-10 | Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande | — | ||
| 11-11 | Orchestral Suite No. 2 in B minor, BWV 1067: Bourrée I - Bourrée II | — | ||
| 11-12 | Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise - Double | — | ||
| 11-13 | Orchestral Suite No. 2 in B minor, BWV 1067: Menuet | — | ||
| 11-14 | Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie | — | ||
| 12-1 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana) | — | ||
| 12-2 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana) | — | ||
| 12-3 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion) | — | ||
| 12-4 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion) | — | ||
| 12-5 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion) | — | ||
| 12-6 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan) | — | ||
| 12-7 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan) | — | ||
| 12-8 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales) | — | ||
| 12-9 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales) | — | ||
| 12-10 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana) | — | ||
| 12-11 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan) | — | ||
| 12-12 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion) | — | ||
| 12-13 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales) | — | ||
| 12-14 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIV. Aria "Ihr Felder und Auen" (Pan) | — | ||
| 12-15 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan) | — | ||
| 12-16 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture | — | ||
| 12-17 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass) | — | ||
| 12-18 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass) | — | ||
| 12-19 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano) | — | ||
| 12-20 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass) | — | ||
| 12-21 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass) | — | ||
| 12-22 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano) | — | ||
| 12-23 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano) | — | ||
| 12-24 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass) | — | ||
| 12-25 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano) | — | ||
| 12-26 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass) | — | ||
| 12-27 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass) | — | ||
| 12-28 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano) | — | ||
| 12-29 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano) | — | ||
| 12-30 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass) | — | ||
| 12-31 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass) | — | ||
| 12-32 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano) | — | ||
| 12-33 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano) | — | ||
| 12-34 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass) | — | ||
| 12-35 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass) | — | ||
| 12-36 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass) | — | ||
| 12-37 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und da | — | ||
| 12-38 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass) | — | ||
| 12-39 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass) | — | ||
| 13-1 | Matthäus-Passion BWV 244: 1. I. Chorus (1,2) "Kommt, ihr Töchter, helft mir klagen" / Soprano in ripieno "O Lamm Gottes" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-2 | Matthäus-Passion BWV 244: 1. VI. Aria (Alto 1) "Buß und Reu" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-3 | Matthäus-Passion BWV 244: 1. VIII. Aria (Soprano 2) "Blute nur, du liebes Herz" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-4 | Matthäus-Passion BWV 244: 1. X. Choral "Ich bin's, ich sollte büßen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-5 | Matthäus-Passion BWV 244: 1. XIII. Aria (Soprano 1) "Ich will dir mein Herze schenken" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-6 | Matthäus-Passion BWV 244: 1. XX. Aria (Tenore 1, Chorus 2) "Ich will bei meinem Jesu wachen" / Chorus "So schlafen unsre Sünden ein" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-7 | Matthäus-Passion BWV 244: 1. XXIX. Choral "O Mensch, bewein' dein Sünde groß" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-8 | Matthäus-Passion BWV 244: 2. XXX. Aria (Alto, Chorus 2) "Ach! Nun ist mein Jesus hin!" / Chorus "Wo ist denn" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-9 | Matthäus-Passion BWV 244: 2. XXXV. Aria (Tenore 2) "Geduld!" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-10 | Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott" | Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-11 | Matthäus-Passion BWV 244: 2. XL. Choral "Bin ich gleich von dir gewichen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-12 | Matthäus-Passion BWV 244: 2. XLII. Aria (Basso 2) "Gebt mir meinen Jesus wieder!" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-13 | Matthäus-Passion BWV 244: 2. XLIX. Aria (Soprano 1) "Aus Liebe will mein Heiland sterben" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-14 | Matthäus-Passion BWV 244: 2. LII. Aria (Alto 2) "Können Tränen meiner Wangen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-15 | Matthäus-Passion BWV 244: 2. LIV. Choral "O Haupt voll Blut und Wunden" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-16 | Matthäus-Passion BWV 244, 2. LX. Aria (Alto 1, Chorus 2) "Sehet, Jesus hat die Hand" / Chorus "Wohin?" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-17 | Matthäus-Passion BWV 244, 2. LXII. Choral "Wenn ich einmal soll scheiden" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-301.182.705-3 | |
| 13-18 | Matthäus-Passion BWV 244, 2. LXV. Aria (Basso 1) "Mache dich, mein Herze, rein" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-19 | Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder" | Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 14-1 | Sonata III à 5 | — | ||
| 14-2 | Sonata prima à 8 | — | ||
| 14-3 | Ballatae à 4 Violettae, Nos. 1 - 7 | — | ||
| 14-4 | Battalia in D major | — | ||
| 14-5 | Sonata à 7 | — | ||
| 14-6 | Sonata IV à 5 | — | ||
| 14-7 | Sonata seconda à 8 | — | ||
| 14-8 | Sonata à 6, "Die Pauern Kirchfahrt genandt" | — | ||
| 15-1 | Musical Characteristics, Op. 19: Preludio, alla Haydn | — | ||
| 15-2 | Keyboard Sonata in F minor, Op. 13 No. 6: I. Allegro agitato | — | ||
| 15-3 | Keyboard Sonata in F minor, Op. 13 No. 6: II. Largo e sostenuto | — | ||
| 15-4 | Keyboard Sonata in F minor, Op. 13 No. 6: III. Presto | — | ||
| 15-5 | Capriccio in B flat major, Op. 17 | — | ||
| 15-6 | Keyboard Sonata in G minor, Op. 34 No. 2: I. Largo e sostenuto - Allegro con fuoco | — | ||
| 15-7 | Keyboard Sonata in G minor, Op. 34 No. 2: II. Un poco adagio | — | ||
| 15-8 | Keyboard Sonata in G minor, Op. 34 No. 2: III. Finale. Molto allegro | — | ||
| 15-9 | Musical Charateristics, Op. 19: Preludio, alla Mozart | — | ||
| 15-10 | Keyboard Sonata in F major, Op. 33 No. 2: I. Adagio | — | ||
| 15-11 | Keyboard Sonata in F major, Op. 33 No. 2: II. Allegro con fuoco | — | ||
| 15-12 | Keyboard Sonata in F major, Op. 33 No. 2: III. Presto | — | ||
| 15-13 | Fantasie on "Au Clair de la lune", Op. 48 | — | ||
| 16-1 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": I. Vivace - Grave | — | ||
| 16-2 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": II. Allegro | — | ||
| 16-3 | Concerto Grosso, op. 6 no.8 “Fatto per la notte di Natale”: Adagio – Allegro – Adagio | Il giardino armonico, Giovanni Antonini | — | |
| 16-4 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": IV. Vivace | — | ||
| 16-5 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": V. Allegro | — | ||
| 16-6 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": VI. Pastorale | — | ||
| 16-7 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": I. Allegro | — | ||
| 16-8 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": II. Adagio | — | ||
| 16-9 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": III. Allegro | — | ||
| 16-10 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": I. Grave - Vivace | — | ||
| 16-11 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": II. Largo | — | ||
| 16-12 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": III. Vivace | — | ||
| 16-13 | Sonata in A major, Op. 13 No. 4, RV 59, "Il pastor fido": II. Pastorale | — | ||
| 16-14 | Sinfonia Pastorale in G major for 2 Violins: I. Allegro | — | ||
| 16-15 | Sinfonia Pastorale in G major for 2 Violins: II. Pastorale. Andante - Canzona. Largo - Pastorale | — | ||
| 16-16 | Sinfonia Pastorale in G major for 2 Violins: III. Andante | — | ||
| 16-17 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: I. Pastorale. Adagio | — | ||
| 16-18 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: II. Aria. Presto | — | ||
| 16-19 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: III. Aria. Grave | — | ||
| 16-20 | Concerto Pastorale in F major for 2 Recorders, 2 Violins & Viola: IV. Aria Pastorale. Presto - Adagio | — | ||
| 16-21 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: V. Minuet - Trio - Minuet | — | ||
| 16-22 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VI. Passacaglia | — | ||
| 16-23 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VII. Aria | — | ||
| 16-24 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": I. Largo | — | ||
| 16-25 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": II. Largo | — | ||
| 16-26 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": III. Allegro | — | ||
| 17-1 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: I. Largo | — | ||
| 17-2 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: II. Allegro | — | ||
| 17-3 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: III. Andante | — | ||
| 17-4 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: IV. Allegro assai | — | ||
| 17-5 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: I. Aria. Allegro | — | ||
| 17-6 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: II. Largo | — | ||
| 17-7 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: III. Presto | — | ||
| 17-8 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: I. Largo | — | ||
| 17-9 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: II. Allegro e spiritoso | — | ||
| 17-10 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: III. Grave | — | ||
| 17-11 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: IV. Allegro | — | ||
| 17-12 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: I. Largo andante | — | ||
| 17-13 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: II. Allegro - Adagio | — | ||
| 17-14 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: III. Presto | — | ||
| 17-15 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: I. Allegro | — | ||
| 17-16 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: II. Adagio cantabile | — | ||
| 17-17 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: III. Presto assai - Adagio - Prestissimo - Adagio | — | ||
| 17-18 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: IV. Largo | — | ||
| 17-19 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: V. Primo Passepied - Secondo Passepied | — | ||
| 17-20 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: I. Allegro | — | ||
| 17-21 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: II. Grave | — | ||
| 17-22 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: III. Allegro assai | — | ||
| 17-23 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: IV. Rondeau. Allegro | — | ||
| 17-24 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: I. Allegro | — | ||
| 17-25 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: II. Aria | — | ||
| 17-26 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: III. Ciaconna. Allegro e spiccato | — | ||
| 17-27 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: IV. Rondeau. Allegro | — | ||
| 17-28 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: V. Allegro | — | ||
| 17-29 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: I. Allegro e vivace assai | — | ||
| 17-30 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: II. Aria. Adagio cantabile | — | ||
| 17-31 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: III. Allegro | — | ||
| 17-32 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: I. Allegro | — | ||
| 17-33 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: II. Aria. Cantabile | — | ||
| 17-34 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: III. Allegro e spiritoso | — | ||
| 18-1 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: I. Allegro | — | ||
| 18-2 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: II. Largo | — | ||
| 18-3 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: III. Allegro | — | ||
| 18-4 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: I. Vivace | — | ||
| 18-5 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: II. Largo | — | ||
| 18-6 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: III. Allegro | — | ||
| 18-7 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: IV. [Menuet] | — | ||
| 18-8 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: V. [Gavotte] | — | ||
| 18-9 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: I. Largo e staccato | — | ||
| 18-10 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: II. Allegro | — | ||
| 18-11 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: III. Adagio | — | ||
| 18-12 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: IV. Allegro | — | ||
| 18-13 | Concerto No. 4 in F major, Op. 3, HWV 315: I. Largo - Allegro | — | ||
| 18-14 | Concerto No. 4 in F major, Op. 3, HWV 315: II. Andante | — | ||
| 18-15 | Concerto No. 4 in F major, Op. 3, HWV 315: III. Allegro | — | ||
| 18-16 | Concerto No. 4 in F major, Op. 3, HWV 315: IV. Menuet - Alternat - Allegro | — | ||
| 18-17 | Concerto in F major: I. Largo | — | ||
| 18-18 | Concerto in F major: II. Allegro | — | ||
| 18-19 | Concerto in F major: III. Largo | — | ||
| 18-20 | Concerto in F major: IV. Allegro | — | ||
| 18-21 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: I. [Grave] | — | ||
| 18-22 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: II. Allegro | — | ||
| 18-23 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: III. Adagio | — | ||
| 18-24 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non troppo | — | ||
| 18-25 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: V. Allegro | — | ||
| 18-26 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: I. Vivace | — | ||
| 18-27 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: II. Ad libitum [Adagio, improvised] | — | ||
| 18-28 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: III. Allegro | — | ||
| 19-1 | Ode for St Cecilia's Day, HWV 76: Overture - Recitative "From Harmony, from heavn'ly Harmony" (Tenor) - Accompagnato "When Nature underneath a heap of jarring atoms lay" (Tenor) | — | ||
| 19-2 | Ode for St Cecilia's Day, HWV 76: Chorus "From Harmony, from heav'nly Harmony" (Chorus) | — | ||
| 19-3 | Ode for St Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell" (Soprano) | — | ||
| 19-4 | Ode for St Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" (Tenor, Chorus) | — | ||
| 19-5 | Ode for St Cecilia's Day, HWV 76: La Marche | — | ||
| 19-6 | Ode for St Cecilia's Day, HWV 76: Aria "The soft complaining Flute" (Soprano) | — | ||
| 19-7 | Ode for St Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim" (Tenor) | — | ||
| 19-8 | Ode for St Cecilia's Day, HWV 76: Aria "But oh! what art can teach..." (Soprano) | — | ||
| 19-9 | Ode for St Cecilia's Day, HWV 76: Aria "Orpheus could lead the savage race" (Soprano) | — | ||
| 19-10 | Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano) | — | ||
| 19-11 | Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus) | — | ||
| 20-1 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante | — | ||
| 20-2 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante | — | ||
| 20-3 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano | — | ||
| 20-4 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro | — | ||
| 20-5 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave] | — | ||
| 20-6 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario | — | ||
| 20-7 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum | — | ||
| 20-8 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro | — | ||
| 20-9 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro | — | ||
| 20-10 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum | — | ||
| 20-11 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso | — | ||
| 20-12 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet | — | ||
| 20-13 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio | — | ||
| 20-14 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro | — | ||
| 20-15 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum | — | ||
| 20-16 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro | — | ||
| 20-17 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato | — | ||
| 20-18 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato | — | ||
| 20-19 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet | — | ||
| 20-20 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte | — | ||
| 20-21 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo | — | ||
| 20-22 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum] | — | ||
| 20-23 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario | — | ||
| 21-1 | Water Music: Overture. Grave - Allegro | — | ||
| 21-2 | Water Music: Adagio e staccato | — | ||
| 21-3 | Water Music: [Allegro] - Andante | — | ||
| 21-4 | Water Music: [Menuet I] | — | ||
| 21-5 | Water Music: Air | — | ||
| 21-6 | Water Music: [Menuet II] | — | ||
| 21-7 | Water Music: Bourrée | — | ||
| 21-8 | Water Music: Hornpipe | — | ||
| 21-9 | Water Music: [Andante] | — | ||
| 21-10 | Water Music: [Allegro] | — | ||
| 21-11 | Water Music: [Hornpipe] | — | ||
| 21-12 | Water Music: [Menuet III] | — | ||
| 21-13 | Water Music: Aria [Bourrée] | — | ||
| 21-14 | Water Music: Lentement [Loure] | — | ||
| 21-15 | Water Music: Air [Bourrée] | — | ||
| 21-16 | Water Music: Menuet | — | ||
| 21-17 | Water Music: [Air] | — | ||
| 21-18 | Water Music: Gigue I | — | ||
| 21-19 | Water Music: Gigue II | — | ||
| 21-20 | Water Music: Coro | — | ||
| 21-21 | Organ Concerto in D minor, HWV 304: I. Andante | — | ||
| 21-22 | Organ Concerto in D minor, HWV 304: II. Adagio, Organo ad libitum, e poi una Fuga allegro ad libitum | — | ||
| 21-23 | Organ Concerto in D minor, HWV 304: III. Allegro | — | ||
| 21-24 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": I. Larghetto | — | ||
| 21-25 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": II. Allegro | — | ||
| 21-26 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": III. Organo ad libitum ex A | — | ||
| 21-27 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": IV. Larghetto | — | ||
| 21-28 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": V. Allegro | — | ||
| 22-1 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Kyrie: I. Kyrie | — | ||
| 22-2 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: II. Gloria | — | ||
| 22-3 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: III. Gratias | — | ||
| 22-4 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: IV. Quoniam | — | ||
| 22-5 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: V. Credo | — | ||
| 22-6 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VI. Et incarnatus | — | ||
| 22-7 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VII. Et resurrexit | — | ||
| 22-8 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Sanctus: VIII. Sanctus | — | ||
| 22-9 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Benedictus: IX. Benedictus | — | ||
| 22-10 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: X. Agnus Dei | — | ||
| 22-11 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: XI. Dona nobis pacem | — | ||
| 22-12 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: I. Recitativo accompagnato "Qual dubbio ormai" | — | ||
| 22-13 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: II. Aria "Se ogni giorno, Prence invitto" | — | ||
| 22-14 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: III. Recitativo "Saggia il pensier" | — | ||
| 22-15 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: IV. Coro "Scenda propizio un raggio" | — | ||
| 22-16 | Te Deum in C major Hob. XXIIIc:1: I. Te Deum Laudamus | — | ||
| 22-17 | Te Deum in C major Hob. XXIIIc:1: II. Te ergo quaesumus | — | ||
| 22-18 | Te Deum in C major Hob. XXIIIc:1: III. Aeterna fac cum sanctus tuis | — | ||
| 23-1 | Matins for the Virgin of Guadalupe: Invitatorio y Salmo 94 | — | ||
| 23-2 | Matins for the Virgin of Guadalupe: Hymno. Quem terra pontus sidera | — | ||
| 23-3 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon I | — | ||
| 23-4 | Matins for the Virgin of Guadalupe: Responsorio. Vidi speciosam sicut columbam | — | ||
| 23-5 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae ascendit | — | ||
| 23-6 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon II | — | ||
| 23-7 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae processit | — | ||
| 23-8 | Matins for the Virgin of Guadalupe: Interludio. Albricias mortales | — | ||
| 23-9 | Matins for the Virgin of Guadalupe: Antífona y Salmo 18 | — | ||
| 23-10 | Matins for the Virgin of Guadalupe: Responsorio. Signum magnum apparuit in caelo | — | ||
| 23-11 | Matins for the Virgin of Guadalupe: Versículo, Padrenuestro y Absolución | — | ||
| 23-12 | Matins for the Virgin of Guadalupe: Responsorio. Beatam me dicent omnes | — | ||
| 23-13 | Matins for the Virgin of Guadalupe: Benedicíon y Leccíon III | — | ||
| 23-14 | Matins for the Virgin of Guadalupe: Te Deum: I. Te deum laudamus | — | ||
| 23-15 | Matins for the Virgin of Guadalupe: Te Deum: II. Te aeternum Patrem | — | ||
| 23-16 | Matins for the Virgin of Guadalupe: Te Deum: III. Tibi omnes Angeli | — | ||
| 23-17 | Matins for the Virgin of Guadalupe: Te Deum: IV. Tibi Cherubim et Seraphim | — | ||
| 23-18 | Matins for the Virgin of Guadalupe: Te Deum: V. Sanctus | — | ||
| 23-19 | Matins for the Virgin of Guadalupe: Te Deum: VI. Pleni sunt caeli | — | ||
| 23-20 | Matins for the Virgin of Guadalupe: Te Deum: VII. Te ergo quaesumus | — | ||
| 23-21 | Matins for the Virgin of Guadalupe: Te Deum: VIII. Aeterna fac cum sanctis tuis | — | ||
| 23-22 | Matins for the Virgin of Guadalupe: Te Deum: IX. In te, Domine, speravi | — | ||
| 23-23 | Matins for the Virgin of Guadalupe: Recesional. Angélicas milicias | — | ||
| 24-1 | String Symphony No. 8 in D major: I. Adagio e Grave - Allegro | — | ||
| 24-2 | String Symphony No. 8 in D major: II. Adagio | — | ||
| 24-3 | String Symphony No. 8 in D major: III. Menuetto - Trio. Presto | — | ||
| 24-4 | String Symphony No. 8 in D major: IV. Allegro molto | — | ||
| 24-5 | String Symphony No. 9 in C minor: I. Grave - Allegro | — | ||
| 24-6 | String Symphony No. 9 in C minor: II. Andante | — | ||
| 24-7 | String Symphony No. 9 in C minor: III. Scherzo - Trio. Più Lento ("La Suisse") | — | ||
| 24-8 | String Symphony No. 9 in C minor: IV. Allegro vivace - Presto - Più stretto | — | ||
| 24-9 | String Symphony No. 10 in B minor: Adagio - Allegro - Più presto | — | ||
| 25-1 | Madrigals, Book 7: "Augellin, che la voce" | — | ||
| 25-2 | Madrigals, Book 7: "Tornate, o cari baci" | — | ||
| 25-3 | Madrigals, Book 8: Ninfa che scalza il piede: "Ninfa, che scalza il piede" | — | ||
| 25-4 | Madrigals, Book 8: Ninfa che scalza il piede: "Qui deh meco t'arresta" | — | ||
| 25-5 | Madrigals, Book 8: Ninfa che scalza il piede: "Dell'usate mie corde al suon" | — | ||
| 25-6 | Madrigals, Book 7: "Ecco vicine, o bella tigre" | — | ||
| 25-7 | Madrigals, Book 7: "Eccomi pronta ai baci" | — | ||
| 25-8 | Madrigals, Book 7: "S'el vostro cor, madonna" | — | ||
| 25-9 | Scherzi Musicali: "Zefiro torna" ('ciacona') | — | ||
| 25-10 | Madrigals, Book 8: Lamento della Ninfa: "Non havea Febo ancore" | — | ||
| 25-11 | Madrigals, Book 8: Lamento della Ninfa: "Amor, dicea" (Lamento della Ninfa) | — | ||
| 25-12 | Madrigals, Book 8: Lamento della Ninfa: "Si tra sdegnosi pianti" | — | ||
| 25-13 | Madrigals, Book 8: "Mentre vaga Angioletta" | — | ||
| 25-14 | Madrigals, Book 7: "Vaga su spina ascosa" | — | ||
| 25-15 | Madrigals, Book 7: "Perchè fuggi tra salci" | — | ||
| 25-16 | Madrigals, Book 8: Ogni amante è guerrier: "Ogni amante è guerrier" | — | ||
| 25-17 | Madrigals, Book 8: Ogni amante è guerrier: "Io che nell'otio nacqui" | — | ||
| 25-18 | Madrigals, Book 8: Ogni amante è guerrier: "Ma per quel ampio Egeo" | — | ||
| 25-19 | Madrigals, Book 8: Ogni amante è guerrier: "Riedi ch'al nostr'ardir" | — | ||
| 25-20 | Madrigals, Book 8: Gira il nemico insidioso: "Gira il nemico insidioso" | — | ||
| 25-21 | Madrigals, Book 8: Gira il nemico insidioso: "Nol lasciamo accostar" | — | ||
| 25-22 | Madrigals, Book 8: Gira il nemico insidioso: "Armi false non son" | — | ||
| 25-23 | Madrigals, Book 8: Gira il nemico insidioso: "Vuol degl'occhi" | — | ||
| 25-24 | Madrigals, Book 8: Gira il nemico insidioso: "Non è più tempo" | — | ||
| 25-25 | Madrigals, Book 8: Gira il nemico insidioso: "Cor mio, non val fuggir" | — | ||
| 25-26 | Madrigals, Book 7: "Soave libertate" | — | ||
| 26-1 | L’Orfeo: Toccata – Prologo: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | T-702.928.999-6 | |
| 26-2 | L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-3 | L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-4 | L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-5 | L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-6 | L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-7 | L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-8 | L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-9 | L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-10 | L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-11 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-12 | L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-13 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-14 | L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-15 | L’Orfeo, Atto terzo: Sinfonia (I) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-16 | L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-17 | L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-18 | L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-19 | L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-20 | L’Orfeo, Atto terzo: Sinfonia (II) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-21 | L’Orfeo, Atto terzo: «Possente spirto» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-22 | L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-23 | L’Orfeo, Atto terzo: Sinfonia (IV) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-24 | L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-25 | L’Orfeo, Atto terzo: Sinfonia (V) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-26 | L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-27 | L’Orfeo, Atto quarto: «Benche severo» (Plutone) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-28 | L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-29 | L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-30 | L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-31 | L’Orfeo, Atto quinto: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-32 | L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-33 | L’Orfeo, Atto quinto: Sinfonia | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-34 | L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-35 | L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-36 | L’Orfeo, Atto quinto: Moresca | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27-1 | Vespro della Beata Vergine: Introductio: I. Deus in adiutorium - Domine ad adiuvandum me festina | — | ||
| 27-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 1 | — | ||
| 27-3 | Vespro della Beata Vergine: Psalmi: II. Psalmus 109: Dixit Dominum | — | ||
| 27-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 2 | — | ||
| 27-5 | Vespro della Beata Vergine: Psalmi: III. Concerto: Nigra sum | — | ||
| 27-6 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 1 | — | ||
| 27-7 | Vespro della Beata Vergine: Psalmi: IV. Psalmus 112: Laudate pueri Dominum | — | ||
| 27-8 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 2 | — | ||
| 27-9 | Vespro della Beata Vergine: Psalmi: V. Concerto: Pulchra es | — | ||
| 27-10 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 1 | — | ||
| 27-11 | Vespro della Beata Vergine: Psalmi: VI. Psalmus 121: Laetatus sum | — | ||
| 27-12 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 2 | — | ||
| 27-13 | Vespro della Beata Vergine: Psalmi: VII. Concerto: Duo Seraphim | — | ||
| 27-14 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 1 | — | ||
| 27-15 | Vespro della Beata Vergine: Psalmi: VIII. Psalmus 126: Nisi Dominus | — | ||
| 27-16 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 2 | — | ||
| 28-1 | Vespro della Beata Vergine: Psalmi: IX. Concerto: Audi caelum | — | ||
| 28-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Dumm esset rex 1 | — | ||
| 28-3 | Vespro della Beata Vergine: Psalmi: X. Psalmus 147: Lauda Jerusalem | — | ||
| 28-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Dum esset rex 2 | — | ||
| 28-5 | Vespro della Beata Vergine: Lectiones: Capitulum: Ab initio | — | ||
| 28-6 | Vespro della Beata Vergine: Lectiones: XI. Responsorium: Sonata sopra "Sancta Maria" | — | ||
| 28-7 | Vespro della Beata Vergine: Lectiones: XII. Hymnus: Ave maris stella | — | ||
| 28-8 | Vespro della Beata Vergine: Lectiones: Versiculum: Dignare me | — | ||
| 28-9 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 1 | — | ||
| 28-10 | Vespro della Beata Vergine: Magnificat: XIII. Magnificat | — | ||
| 28-11 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 2 | — | ||
| 28-12 | Vespro della Beata Vergine: Oratio: Dominus vobiscum . Et cum spiritu tuo | — | ||
| 29-1 | Missa K. 257 ("Credo"): Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-2 | Missa K. 257 ("Credo"): Gloria | Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-3 | Missa K. 257 ("Credo"): Credo | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-4 | Missa K. 257 ("Credo"): Sanctus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-5 | Missa K. 257 ("Credo"): Benedictus | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-6 | Missa K. 257 ("Credo"): Agnus Dei - Dona nobis | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-7 | Litaniae de venerabili altaris sacramento, K. 243: Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | T-070.093.418-4 | |
| 29-8 | Litaniae de venerabili altaris sacramento, K. 243: Panis vivus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-9 | Litaniae de venerabili altaris sacramento, K. 243: Verbum caro factum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-10 | Litaniae de venerabili altaris sacramento, K. 243: Hostia sancta | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-11 | Litaniae de venerabili altaris sacramento, K. 243: Tremendum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-12 | Litaniae de venerabili altaris sacramento, K. 243: Dulcissimum convivium | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-13 | Litaniae de venerabili altaris sacramento, K. 243: Viaticum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-14 | Litaniae de venerabili altaris sacramento, K. 243: Pignus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-15 | Litaniae de venerabili altaris sacramento, K. 243: Agnus Dei - Misere | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30-1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 30-2 | Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" | — | ||
| 30-3 | Dido and Aeneas, Z. 626: Act I. "Ah, Belinda" | — | ||
| 30-4 | Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" | — | ||
| 30-5 | Dido and Aeneas, Z. 626: Act I. "Fear no danger" | — | ||
| 30-6 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" | — | ||
| 30-7 | Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony | — | ||
| 30-8 | Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" | — | ||
| 30-9 | Dido and Aeneas, Z. 626: Act I. The Triumphing Dance | — | ||
| 30-10 | Dido and Aeneas, Z. 626: Act II. Prélude | — | ||
| 30-11 | Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" | — | ||
| 30-12 | Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" | — | ||
| 30-13 | Dido and Aeneas, Z. 626: Act II, Scene I. "In our deep vaulted cell" | — | ||
| 30-14 | Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies | — | ||
| 30-15 | Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle | — | ||
| 30-16 | Dido and Aeneas, Z. 626: Act II, Scene II. "Thanks to these lonesome vales" | — | ||
| 30-17 | Dido and Aeneas, Z. 626: Act II, Scene II. Gitter ground a Dance | — | ||
| 30-18 | Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" | — | ||
| 30-19 | Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" | — | ||
| 30-20 | Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince" | — | ||
| 30-21 | Dido and Aeneas, Z. 626: Act III Prélude | — | ||
| 30-22 | Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers" | — | ||
| 30-23 | Dido and Aeneas, Z. 626: Act III, Scene I. "Your counsel all is urg'd in vain" | — | ||
| 30-24 | Dido and Aeneas, Z. 626: Act III, Scene II. "Great minds against themselves conspire" | — | ||
| 30-25 | Dido and Aeneas, Z. 626: Act III, Scene II. "They hand, Belinda" | — | ||
| 30-26 | Dido and Aeneas, Z. 626: Act III, Scene II. "With droopings wings" | — | ||
| 31-1 | Piano Concerto in C major: I. Allegro maestoso | — | ||
| 31-2 | Piano Concerto in C major: II. Larghetto | — | ||
| 31-3 | Piano Concerto in C major: III. Andantino | — | ||
| 31-4 | Piano Concerto in B flat major: I. Allegro moderato | — | ||
| 31-5 | Piano Concerto in B flat major: II. Adagio | — | ||
| 31-6 | Piano Concerto in B flat major: III. Tempo di Menuetto | — | ||
| 31-7 | Piano Concerto in B flat major: I. Adagio non molto - Allegro | — | ||
| 31-8 | Piano Concerto in B flat major: II. Andante non molto | — | ||
| 31-9 | Piano Concerto in B flat major: III. Allegro | — | ||
| 32-1 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Introitus. "Da Jesu an dem Kreuze stund" | — | ||
| 32-2 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 | — | ||
| 32-3 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Und es war um die dritte Stunde | — | ||
| 32-4 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 II. | — | ||
| 32-5 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Conclusio. "Wer Gottes Marter in Ehren hat" | — | ||
| 32-6 | Lukas-Passion, SWV 480: Introitus: Das Leiden unsres Herren Jesu Christi | — | ||
| 32-7 | Lukas-Passion, SWV 480: Es war aber nahe das Fest der süßen Brot | — | ||
| 32-8 | Lukas-Passion, SWV 480: Und er ging hinaus nach seiner Gewohnheit an den Ölberg | — | ||
| 32-9 | Lukas-Passion, SWV 480: Da er aber noch redete | — | ||
| 32-10 | Lukas-Passion, SWV 480: Sie griffen ihn aber und führeten ihn | — | ||
| 32-11 | Lukas-Passion, SWV 480: Die Männer aber, die da Jesum hielten | — | ||
| 32-12 | Lukas-Passion, SWV 480: Und der ganze Haufen stund auf und führeten ihn für Pilatum | — | ||
| 32-13 | Lukas-Passion, SWV 480: Da aber PIlatus Galiläam hörete | — | ||
| 32-14 | Lukas-Passion, SWV 480: Pilatus aber rief die Hohenpriester und die Obristen | — | ||
| 32-15 | Lukas-Passion, SWV 480: Und als sie ihn hinführeten | — | ||
| 32-16 | Lukas-Passion, SWV 480: Und es war um die sechste Stunde | — | ||
| 32-17 | Lukas-Passion, SWV 480: Und alles Volk, das dabei war und zusah | — | ||
| 32-18 | Lukas-Passion, SWV 480: Beschluß: Wer Gottes Marter in Ehren hat | — | ||
| 33-1 | Musique de table, Production III: Ouverture et Suite in B-flat major: I. Ouverture: Lentement - Presto - Lentement | — | ||
| 33-2 | Musique de table, Production III: Ouverture et Suite in B-flat major: II. Bergerie: Un peu vivement | — | ||
| 33-3 | Musique de table, Production III: Ouverture et Suite in B-flat major: III. Allegrésse, vite | — | ||
| 33-4 | Musique de table, Production III: Ouverture et Suite in B-flat major: IV. Postillons | — | ||
| 33-5 | Musique de table, Production III: Ouverture et Suite in B-flat major: V. Flatterie | — | ||
| 33-6 | Musique de table, Production III: Ouverture et Suite in B-flat major: VI. Badinage: Très vite | — | ||
| 33-7 | Musique de table, Production III: Ouverture et Suite in B-flat major: VII. Menuet | — | ||
| 33-8 | Musique de table, Production III: Quatuor in E minor: I. Adagio | — | ||
| 33-9 | Musique de table, Production III: Quatuor in E minor: II. Allegro | — | ||
| 33-10 | Musique de table, Production III: Quatuor in E minor: III. Dolce | — | ||
| 33-11 | Musique de table, Production III: Quatuor in E minor: IV. Allegro | — | ||
| 33-12 | Musique de table, Production III: Concert in E-flat major: I. Maestoso | — | ||
| 33-13 | Musique de table, Production III: Concert in E-flat major: II. Allegro | — | ||
| 33-14 | Musique de table, Production III: Concert in E-flat major: III. Grave | — | ||
| 33-15 | Musique de table, Production III: Concert in E-flat major: IV. Vivace | — | ||
| 33-16 | Musique de table, Production III: Trio in D major: I. Andante | — | ||
| 33-17 | Musique de table, Production III: Trio in D major: II. Andante | — | ||
| 33-18 | Musique de table, Production III: Trio in D major: III. Grave - Largo - Grave | — | ||
| 33-19 | Musique de table, Production III: Trio in D major: IV. Vivace | — | ||
| 33-20 | Musique de table, Production III: Solo in G minor: I. Largo | — | ||
| 33-21 | Musique de table, Production III: Solo in G minor: II. Presto - Tempo giusto | — | ||
| 33-22 | Musique de table, Production III: Solo in G minor: III. Andante | — | ||
| 33-23 | Musique de table, Production III: Solo in G minor: IV. Allegro | — | ||
| 33-24 | Musique de table, Production III: Conclusion in B-flat major: Furioso | — | ||
| 34-1 | Suite for Recorder & Strings in A minor TWV 55, a2: I. Overture | — | ||
| 34-2 | Suite for Recorder & Strings in A minor TWV 55, a2: II. Les plaisirs 1 & 2 | — | ||
| 34-3 | Suite for Recorder & Strings in A minor TWV 55, a2: III. Air à l'Italien | — | ||
| 34-4 | Suite for Recorder & Strings in A minor TWV 55, a2: IV. Menuet 1 alternativement & Menuet 2 | — | ||
| 34-5 | Suite for Recorder & Strings in A minor TWV 55, a2: V. Réjouissance | — | ||
| 34-6 | Suite for Recorder & Strings in A minor TWV 55, a2: VI. Passepied 1 & 2 | — | ||
| 34-7 | Suite for Recorder & Strings in A minor TWV 55, a2: VII. Polonaise | — | ||
| 34-8 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: I. Largo | — | ||
| 34-9 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: II. Allegro | — | ||
| 34-10 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: III. Largo | — | ||
| 34-11 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: IV. Presto | — | ||
| 34-12 | Concerto for Viola & Strings in G major TWV 51, G9: I. Largo | — | ||
| 34-13 | Concerto for Viola & Strings in G major TWV 51, G9: II. Allegro | — | ||
| 34-14 | Concerto for Viola & Strings in G major TWV 51, G9: III. Andante | — | ||
| 34-15 | Concerto for Viola & Strings in G major TWV 51, G9: IV. Presto | — | ||
| 34-16 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: I. Overture | — | ||
| 34-17 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: II. Menuet 1 & 2 | — | ||
| 34-18 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: III. Les Allemands anciens | — | ||
| 34-19 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IV. Les Allemands modernes | — | ||
| 34-20 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: V. Les Suédois anciens | — | ||
| 34-21 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VI. Les Suédois modernes | — | ||
| 34-22 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VII. Les Danois anciens | — | ||
| 34-23 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VIII. Les Danois modernes | — | ||
| 34-24 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IX. Les vieilles femmes | — | ||
| 35-1 | Symphony in D minor, Bryan d1: I. Allegro | — | ||
| 35-2 | Symphony in D minor, Bryan d1: II. Arioso. Ma non lento | — | ||
| 35-3 | Symphony in D minor, Bryan d1: III. Menuetto - Trio | — | ||
| 35-4 | Symphony in D minor, Bryan d1: IV. Presto | — | ||
| 35-5 | Symphony in G minor, Bryan g1: I. Allegro moderato | — | ||
| 35-6 | Symphony in G minor, Bryan g1: II. Andante cantabile | — | ||
| 35-7 | Symphony in G minor, Bryan g1: III. Menuetto - Trio | — | ||
| 35-8 | Symphony in G minor, Bryan g1: IV. Finale. Allegro | — | ||
| 35-9 | Symphony in C major, "Sinfonia comista", Bryan C11: I. Allegro con brio (La speranza) | — | ||
| 35-10 | Symphony in C major, "Sinfonia comista", Bryan C11: II. Andante cantabile (Il sospirare e languire) | — | ||
| 35-11 | Symphony in C major, "Sinfonia comista", Bryan C11: III. Finale. Adagio più andante (La lamentazione) - Allegro (L'allegrezza) | — | ||
| 35-12 | Symphony in A minor, Bryan a2: I. Allegro moderato | — | ||
| 35-13 | Symphony in A minor, Bryan a2: II. Andante cantabile | — | ||
| 35-14 | Symphony in A minor, Bryan a2: III. Menuetto - Trio | — | ||
| 35-15 | Symphony in A minor, Bryan a2: IV. Allegro | — | ||
| 35-16 | Symphony in E minor, Bryan e1: I. Allegro moderato | — | ||
| 35-17 | Symphony in E minor, Bryan e1: II. Andante | — | ||
| 35-18 | Symphony in E minor, Bryan e1: III. Menuetto - Trio | — | ||
| 35-19 | Symphony in E minor, Bryan e1: IV. Finale. Allegro | — | ||
| 36-1 | Salve regina | — | ||
| 36-2 | O sacrum convivium | — | ||
| 36-3 | O Ildephonse | — | ||
| 36-4 | Duo seraphim clamabant | — | ||
| 36-5 | Quam pulchri sunt | — | ||
| 36-6 | Magnificat | — | ||
| 36-7 | Super flumina Babylonis | — | ||
| 36-8 | Domine, non sum dignus | — | ||
| 36-9 | Beati immaculati | — | ||
| 36-10 | Sancta Maria | — | ||
| 36-11 | O sacrum convivium [II] | — | ||
| 36-12 | Senex puerum portabat | — | ||
| 36-13 | Ave Maria | — | ||
| 37-1 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": I. Allegro | — | ||
| 37-2 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": II. Largo | — | ||
| 37-3 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": III. Presto | — | ||
| 37-4 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": I. Largo | — | ||
| 37-5 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": II. Fantasmi | — | ||
| 37-6 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": III. Presto | — | ||
| 37-7 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": IV. Il Sonno - Largo | — | ||
| 37-8 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": V. Allegro | — | ||
| 37-9 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": I. Allegro | — | ||
| 37-10 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": II. Largo | — | ||
| 37-11 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": III. Allegro | — | ||
| 37-12 | Concerto in G major, Op. 10 No. 4, RV 435: I. Allegro | — | ||
| 37-13 | Concerto in G major, Op. 10 No. 4, RV 435: II. Largo | — | ||
| 37-14 | Concerto in G major, Op. 10 No. 4, RV 435: III. Allegro | — | ||
| 37-15 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": I. Allegro ma non molto | — | ||
| 37-16 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": II. Largo e cantabile | — | ||
| 37-17 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": III. Allegro | — | ||
| 37-18 | Concerto in G major, Op. 10 No. 6, RV 101: I. Allegro | — | ||
| 37-19 | Concerto in G major, Op. 10 No. 6, RV 101: II. Largo | — | ||
| 37-20 | Concerto in G major, Op. 10 No. 6, RV 101: III. Allegro | — | ||
| 38-1 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": I. Allegro | — | ||
| 38-2 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | — | ||
| 38-3 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": III. Allegro | — | ||
| 38-4 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molta | — | ||
| 38-5 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": II. Adagio, Presto | — | ||
| 38-6 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": III. Presto | — | ||
| 38-7 | The Four Seasons: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro, Allegro assai | Enrico Onofri, Il giardino armonico, Giovanni Antonini | — | |
| 38-8 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | — | ||
| 38-9 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | — | ||
| 38-10 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | — | ||
| 38-11 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | — | ||
| 38-12 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | — | ||
| 38-13 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: I. Allegro | — | ||
| 38-14 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: II. Largo | — | ||
| 38-15 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: III. Allegro | — | ||
| 38-16 | Violin Concerto in G minor, op. 8 no. 8, RV 332: I. Allegro | — | ||
| 38-17 | Violin Concerto in G minor, op. 8 no. 8, RV 332: II. Largo | — | ||
| 38-18 | Violin Concerto in G minor, op. 8 no. 8, RV 332: III. Allegro | — | ||
| 39-1 | Hipocondrie à 7 concerttanti in A major, ZWV 187 | — | ||
| 39-2 | Sonata No. 2 in G minor, ZWV 181: I. Andante | — | ||
| 39-3 | Sonata No. 2 in G minor, ZWV 181: II. Allegro | — | ||
| 39-4 | Sonata No. 2 in G minor, ZWV 181: III. Andante | — | ||
| 39-5 | Sonata No. 2 in G minor, ZWV 181: IV. Allegro assai | — | ||
| 39-6 | Overture à 7 concerttanti in F major, ZWV 188: I. Grave - Allegro - Grave | — | ||
| 39-7 | Overture à 7 concerttanti in F major, ZWV 188: II. Aria | — | ||
| 39-8 | Overture à 7 concerttanti in F major, ZWV 188: III. Menuet I & II | — | ||
| 39-9 | Overture à 7 concerttanti in F major, ZWV 188: IV. [Siciliano] | — | ||
| 39-10 | Overture à 7 concerttanti in F major, ZWV 188: V. Folie | — | ||
| 40-1 | Old Hall Manuscript: Alma Proles | — | ||
| 40-2 | Old Hall Manuscript: Crux Fidelis | — | ||
| 40-3 | Old Hall Manuscript: Qualis est dilectus | — | ||
| 40-4 | Old Hall Manuscript: O crux gloriosa | — | ||
| 40-5 | Old Hall Manuscript: Gloria | — | ||
| 40-6 | Old Hall Manuscript: Salve porta paradisi | — | ||
| 40-7 | Old Hall Manuscript: Gaude virgo | — | ||
| 40-8 | Old Hall Manuscript: Credo | — | ||
| 40-9 | Old Hall Manuscript: Albanus roseo rutilat | — | ||
| 40-10 | Old Hall Manuscript: Agnus Dei | — | ||
| 40-11 | Madrigals: Those sweet delightful lilies | — | ||
| 40-12 | Madrigals: Some men desire spouses | — | ||
| 40-13 | Madrigals: Retire, my troubled soul | — | ||
| 40-14 | Madrigals: Hark jolly shepherds | — | ||
| 40-15 | Madrigals: Come woeful Orpheus | — | ||
| 40-16 | Madrigals: Come sirrah Jack ho! | — | ||
| 40-17 | Madrigals: O my thoughts surcease | — | ||
| 40-18 | Madrigals: Die now, my heart | — | ||
| 41-1 | Variations on "La Follia", Op. 5 No. 12 in G minor: I. Adagio | — | ||
| 41-2 | Variations on "La Follia", Op. 5 No. 12 in G minor: II. Allegro | — | ||
| 41-3 | Variations on "La Follia", Op. 5 No. 12 in G minor: III. Adagio | — | ||
| 41-4 | Variations on "La Follia", Op. 5 No. 12 in G minor: IV. Vivace | — | ||
| 41-5 | Variations on "La Follia", Op. 5 No. 12 in G minor: V. Allegro | — | ||
| 41-6 | Variations on "La Follia", Op. 5 No. 12 in G minor: VI. Andante | — | ||
| 41-7 | Variations on "La Follia", Op. 5 No. 12 in G minor: VII. Allegro | — | ||
| 41-8 | Variations on "La Follia", Op. 5 No. 12 in G minor: VIII. Adagio | — | ||
| 41-9 | Variations on "La Follia", Op. 5 No. 12 in G minor: IX. Allegro | — | ||
| 41-10 | Sonata in C major: I. Adagio | — | ||
| 41-11 | Sonata in C major: II. Allegro | — | ||
| 41-12 | Sonata in C major: III. Largo | — | ||
| 41-13 | Sonata in C major: IV. Presto | — | ||
| 41-14 | Sonata in G major: I. Largo | — | ||
| 41-15 | Sonata in G major: II. Allegro | — | ||
| 41-16 | Sonata in G major: III. Largo | — | ||
| 41-17 | Sonata in G major: IV. Allegro | — | ||
| 41-18 | Sonata in A minor: I. Adagio | — | ||
| 41-19 | Sonata in A minor: II. Allegro | — | ||
| 41-20 | Sonata in A minor: III. Tempi di minuetto | — | ||
| 41-21 | Sonata in A minor: IV. Allegro | — | ||
| 41-22 | Sonata Op. 13, No. 6 in G minor: I. Vivace | — | ||
| 41-23 | Sonata Op. 13, No. 6 in G minor: II. Alla breve | — | ||
| 41-24 | Sonata Op. 13, No. 6 in G minor: III. Largo | — | ||
| 41-25 | Sonata Op. 13, No. 6 in G minor: IV. Allegro ma non presto | — | ||
| 41-26 | Sonata Op. 2, No. 11 in D minor: I. Adagio | — | ||
| 41-27 | Sonata Op. 2, No. 11 in D minor: II. Allegro | — | ||
| 41-28 | Sonata Op. 2, No. 11 in D minor: III. Largo | — | ||
| 41-29 | Sonata Op. 2, No. 11 in D minor: IV. Allegro | — | ||
| 41-30 | Sonata Op. 5, No. 4 in F major: I. Adagio | — | ||
| 41-31 | Sonata Op. 5, No. 4 in F major: II. Allegro | — | ||
| 41-32 | Sonata Op. 5, No. 4 in F major: III. Vivace | — | ||
| 41-33 | Sonata Op. 5, No. 4 in F major: IV. Adagio | — | ||
| 41-34 | Sonata Op. 5, No. 4 in F major: V. Allegro | — | ||
| 41-35 | Sonata in A minor: I. Largo | — | ||
| 41-36 | Sonata in A minor: II. Allegro | — | ||
| 41-37 | Sonata in A minor: III. Allegro | — | ||
| 41-38 | Sonata in A minor: IV. Allegro | — | ||
| 42-1 | Cello Sonata No. 7 in B flat major G8: I. Allegro | — | ||
| 42-2 | Cello Sonata No. 7 in B flat major G8: II. Largo - Allegro - Adagio | — | ||
| 42-3 | Cello Sonata No. 7 in B flat major G8: III. Larghetto - Allegro - Larghetto - Presto - Primo Tempo - Allegro - Larghetto | — | ||
| 42-4 | Canon for 2 Violoncellos | — | ||
| 42-5 | Ricercata No. 8 | — | ||
| 42-6 | Sonata III for 2 Cellos in A minor: I. Andante | — | ||
| 42-7 | Sonata III for 2 Cellos in A minor: II. Allegro | — | ||
| 42-8 | Sonata No. 3 for 2 Cellos in A minor: III. Minuet. Allegro | — | ||
| 42-9 | Cello Sonata No. 1 in A minor: I. Andante | — | ||
| 42-10 | Cello Sonata No. 1 in A minor: II. Allegro | — | ||
| 42-11 | Cello Sonata No. 1 in A minor: III. Grazioso - Minuet - Grazioso | — | ||
| 42-12 | Cello Sonata No. 1 in B flat major, RV 423: I. Largo | — | ||
| 42-13 | Cello Sonata No. 1 in B flat major, RV 423: II. Allegro | — | ||
| 42-14 | Cello Sonata No. 1 in B flat major, RV 423: III. Largo | — | ||
| 42-15 | Cello Sonata No. 1 in B flat major, RV 423: IV. Allegro | — | ||
| 42-16 | Cello Sonata in D minor, Op. 5 No. 2: I. Andante | — | ||
| 42-17 | Cello Sonata in D minor, Op. 5 No. 2: II. Presto | — | ||
| 42-18 | Cello Sonata in D minor, Op. 5 No. 2: III. Adagio | — | ||
| 42-19 | Cello Sonata in D minor, Op. 5 No. 2: IV. Allegro | — | ||
| 43-1 | Pavan in C major | — | ||
| 43-2 | Suite No. 1 in C minor: I. Fantasia | — | ||
| 43-3 | Suite No. 1 in C minor: II. In Nomine | — | ||
| 43-4 | Suite No. 1 in C minor: III. Air | — | ||
| 43-5 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 43-6 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 43-7 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 43-8 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 43-9 | Sonata No. 7 in D minor: III. Air (Galliard) | — | ||
| 43-10 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 43-11 | Fantasia | — | ||
| 43-12 | Suite: Fantasia | — | ||
| 43-13 | Suite: Almand | — | ||
| 43-14 | Suite: Galliard | — | ||
| 43-15 | Pavan in D BK52a | — | ||
| 43-16 | Galliard in D BK52b | — | ||
| 43-17 | Fantasia No. 2 a 6 in G minor BE17, 12 | — | ||
| 43-18 | Fantasia No. 3 a 3 in C BK27 | — | ||
| 43-19 | Ricercar, "Bonney sweet Robin" | — | ||
| 43-20 | Fantasia | — | ||
| 44-1 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 44-2 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 44-3 | Pavan in A major | — | ||
| 44-4 | Fantasia in D major | — | ||
| 44-5 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 44-6 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 44-7 | Sonata No. 7 in D minor: III. Galliard | — | ||
| 44-8 | Pavan and Galliard a 6 in C major: I. Pavan | — | ||
| 44-9 | Pavan and Galliard a 6 in C major: II. Galliard | — | ||
| 44-10 | Dowland's Lachrymae | — | ||
| 44-11 | Galliard "Can she excuse my wrongs" | — | ||
| 44-12 | A Sad Pavan for these Distracted Times | — | ||
| 44-13 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 44-14 | Nancie | — | ||
| 44-15 | Pavana Chromatica, "Mrs Katherin Tregians Pavan" | — | ||
| 44-16 | Pavane in D major, BK52a | — | ||
| 44-17 | Galliard in D major, BK52b | — | ||
| 44-18 | Fantasia No. 1 in G on Ut re mi fa sol la, "Hexachord Fantasia" | — | ||
| 45-1 | Hey ho, to the greenwood | — | ||
| 45-2 | Luer falconers | — | ||
| 45-3 | Hey trola, trola | — | ||
| 45-4 | We cats when assembled | — | ||
| 45-5 | Round about in a fair ring | — | ||
| 45-6 | Yonder comes | — | ||
| 45-7 | Since time so kind | — | ||
| 45-8 | I cannot come every day | — | ||
| 45-9 | Once, twice, thrice | — | ||
| 45-10 | Tomorrow the fox will come | — | ||
| 45-11 | Canst thou love | — | ||
| 45-12 | Celia learning on a spinnet | — | ||
| 45-13 | Who liveth so merry | — | ||
| 45-14 | Long have we bin perplext | — | ||
| 45-15 | Hey ho, nobody at home | — | ||
| 45-16 | Give us once a drink | — | ||
| 45-17 | Would you know | — | ||
| 45-18 | The glories of our birth | — | ||
| 45-19 | Under this stone | — | ||
| 45-20 | Who's the fool now? | — | ||
| 45-21 | Diaphenia | — | ||
| 45-22 | Thinkst thou kate | — | ||
| 45-23 | Down-a-down | — | ||
| 45-24 | A shepherd in a shade | — | ||
| 45-25 | Fine knacks for ladies | — | ||
| 45-26 | Where sin sore wounding | — | ||
| 45-27 | Never weather-beaten sail | — | ||
| 45-28 | Jack and jone | — | ||
| 46-1 | Capriccio stravagante à 4 | — | ||
| 46-2 | Fechtschule à 4 | — | ||
| 46-3 | Sonata violino solo representativa in A major | — | ||
| 46-4 | Le Tableau de l'operation de la taille | — | ||
| 46-5 | Concerto, Op. 10 No. 2 "La Notte", RV 439: I. Largo | — | ||
| 46-6 | Concerto, Op. 10 No. 2 "La Notte", RV 439: II. Fantasmi. Presto - Largo - Andante | — | ||
| 46-7 | Concerto, Op. 10 No. 2 "La Notte", RV 439: III. Il Sonno. Largo | — | ||
| 46-8 | Concerto, Op. 10 No. 2 "La Notte", RV 439: IV. Allegro | — | ||
| 47-1 | Quintet in D major, Op. 11 No. 6: I. Allegro | — | ||
| 47-2 | Quintet in D major, Op. 11 No. 6: II. Andantino | — | ||
| 47-3 | Quintet in D major, Op. 11 No. 6: III. Allegro assai | — | ||
| 47-4 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: I. Allegro | — | ||
| 47-5 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: II. Andante | — | ||
| 47-6 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: III. Menuetto | — | ||
| 47-7 | Trio in A major, Op. 1 No. 2: I. Allegro assai | — | ||
| 47-8 | Trio in A major, Op. 1 No. 2: II. Andante poco Adagio | — | ||
| 47-9 | Trio in A major, Op. 1 No. 2: III. Menuet | — | ||
| 47-10 | Trio in A major, Op. 1 No. 2: IV. Prestissimo | — | ||
| 47-11 | String Quartet in B flat major, Op. 5 No. 2: I. Poco Allegretto | — | ||
| 47-12 | String Quartet in B flat major, Op. 5 No. 2: II. Poco Andante | — | ||
| 47-13 | String Quartet in B flat major, Op. 5 No. 2: III. Fugato presto | — | ||
| 48-1 | In Nomine IX | — | ||
| 48-2 | The King's Hunt | — | ||
| 48-3 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Pavan | — | ||
| 48-4 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Gaillard | — | ||
| 48-5 | Queen Elizabeth's Chromatic Pavan and Gaillard: Dutch Dance | — | ||
| 48-6 | Queen Elizabeth's Chromatic Pavan and Gaillard: Fantasia XII | — | ||
| 48-7 | Fantastic Pavan and Gaillard: Fantastic Pavan | — | ||
| 48-8 | Fantastic Pavan and Gaillard: Galiarda | — | ||
| 48-9 | Fantastic Pavan and Gaillard: In Nomine IX | — | ||
| 48-10 | Fantastic Pavan and Gaillard: Germain's Alman | — | ||
| 48-11 | Fantastic Pavan and Gaillard: Fantasia X | — | ||
| 48-12 | Fantastic Pavan and Gaillard: Canon in subdiapente | — | ||
| 48-13 | Fantastic Pavan and Gaillard: Doctor Bull's My Selfe | — | ||
| 49-1 | Concerto for Recorder, two Violins and Viola in A minor: I. Largo | — | ||
| 49-2 | Concerto for Recorder, two Violins and Viola in A minor: II. Allegro | — | ||
| 49-3 | Concerto for Recorder, two Violins and Viola in A minor: III. Larghetto | — | ||
| 49-4 | Concerto for Recorder, two Violins and Viola in A minor: IV. Spiritoso | — | ||
| 49-5 | Mandolin Sonata in D minor K 90: I. Grave | — | ||
| 49-6 | Mandolin Sonata in D minor K 90: II. Allegro | — | ||
| 49-7 | Mandolin Sonata in D minor K 90: III. Allegro | — | ||
| 49-8 | Concerto for two Violins and Viola in G minor: I. Affettuoso | — | ||
| 49-9 | Concerto for two Violins and Viola in G minor: II. Presto | — | ||
| 49-10 | Concerto for two Violins and Viola in G minor: III. Largo affettuoso | — | ||
| 49-11 | Concerto for two Violins and Viola in G minor: IV. Allegro | — | ||
| 49-12 | Sonata for Recorder and two Violins in A minor: I. Allegro | — | ||
| 49-13 | Sonata for Recorder and two Violins in A minor: II. Largo | — | ||
| 49-14 | Sonata for Recorder and two Violins in A minor: III. Fuga | — | ||
| 49-15 | Sonata for Recorder and two Violins in A minor: IV. Piano | — | ||
| 49-16 | Sonata for Recorder and two Violins in A minor: V. Allegro | — | ||
| 49-17 | Sonata for Recorder and two Violins in D minor: I. Amoroso | — | ||
| 49-18 | Sonata for Recorder and two Violins in D minor: II. Allegro | — | ||
| 49-19 | Sonata for Recorder and two Violins in D minor: III. Largo | — | ||
| 49-20 | Sonata for Recorder and two Violins in D minor: IV. Allegro | — | ||
| 50-1 | Der Understand ist ihr verwandt | — | ||
| 50-2 | Der Liebe Macht herrscht Tag und Nacht | — | ||
| 50-3 | Der Rheinische Wien tanzt gar zu fein | — | ||
| 50-4 | Wald-Gesang | — | ||
| 50-5 | Lob der Freundschaft | — | ||
| 50-6 | Vorjahrs-Liedchen | — | ||
| 50-7 | Serenade for Strings and Bass Continuo | — | ||
| 50-8 | Meine Seele, willt du ruh'n | — | ||
| 50-9 | Von der Ewigkeit | — | ||
| 50-10 | Ich wall auf Erden hin und her | — | ||
| 50-11 | Erbarm dich mein o Herre Gott | — | ||
| 50-12 | Fly swift, ye hours | — | ||
| 50-13 | The Father Brave | — | ||
| 50-14 | Return, revolting Rebels | — | ||
| 50-15 | Sérénade | — | ||
| 50-16 | Quoy Clorinde, tu pars | — | ||
| 50-17 | Pauvres amants | — | ||
| 50-18 | Ha! quelle folie | — | ||
| 50-19 | Ombre opach | — | ||
| 50-20 | Lagrime dolorose | — | ||
| 50-21 | O che nuovo stupor | — | ||
| 51-1 | Vanitas vanitatum II: Simphonia | — | ||
| 51-2 | Vanitas vanitatum II: "Hinc, mortales" | — | ||
| 51-3 | Ogni nostro piacer | — | ||
| 51-4 | Musiche sacre e morali: "Da tutti gli horologi si cava moralità" | — | ||
| 51-5 | Ergi la mente al sole: Introduttione | — | ||
| 51-6 | Ergi la mente al sole: "Io sono il sole" | — | ||
| 51-7 | Florido concento di madrigale: "Sospirate bellezze" | — | ||
| 51-8 | Arie: "Superbe colli" | — | ||
| 51-9 | O si quis daret concentum | — | ||
| 51-10 | Canzonette spirituali, e morali: Ciaccona di Paradiso, e dell'Inferno. "O che bel star è star in Paradiso" | — | ||
| 51-11 | Canzonette spirituali, e morali: Passacalli della vita. "O, come t'inganni" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 |
| Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — |
