UPC · Release
Das Alte Werk - 50 CD Collection
Various Artists
0825646438525
965 tracksReleased 2013-01-01Warner Classics
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0825646438525 is the Universal Product Code (UPC barcode) for the release “Das Alte Werk - 50 CD Collection” by Various Artists, released 2013-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 965 tracks, each with its own ISRC. Tracks include DEA806701901, DEA806701902, DEA806701903.
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5646Company prefix
43852Product
5Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
UPCDas Alte Werk - 50 CD Collection
ISRC144 recordings
ISWC13 works
IPI5 songwriters
Track List (965)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Organ Sonata in A major, H 133: I. Allegro | — | ||
| 2 | Organ Sonata in A major, H 133: II. Andante con Tenerezza | — | ||
| 3 | Organ Sonata in A major, H 133: III. Allegretto | — | ||
| 4 | Organ Sonata in B flat major, H 134: I. Allegro | — | ||
| 5 | Organ Sonata in B flat major, H 134: II. Arioso | — | ||
| 6 | Organ Sonata in B flat major, H 134: III. Allegro | — | ||
| 7 | Organ Sonata in F major, H 84: I. Allegro | — | ||
| 8 | Organ Sonata in F major, H 84: II. Largo | — | ||
| 9 | Organ Sonata in F major, H 84: III. Allegretto | — | ||
| 10 | Organ Sonata in A minor, H 85: I. Allegro assai | — | ||
| 11 | Organ Sonata in A minor, H 85: II. Adagio | — | ||
| 12 | Organ Sonata in A minor, H 85: III. Allegro | — | ||
| 13 | Organ Sonata in D major, H 86: I. Allegro di molto | — | ||
| 14 | Organ Sonata in D major, H 86: II. Adagio é mesto | — | ||
| 15 | Organ Sonata in D major, H 86: III. Allegro | — | ||
| 16 | Organ Sonata in G minor, H 87: I. Allegro moderato | — | ||
| 17 | Organ Sonata in G minor, H 87: II. Adagio | — | ||
| 18 | Organ Sonata in G minor, H 87: III. Allegro | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | — | ||
| 2-2 | Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | — | ||
| 2-3 | Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | — | ||
| 2-4 | Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | — | ||
| 2-5 | Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | — | ||
| 2-6 | Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4, 'im Stile francese' | — | ||
| 2-7 | Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4, 'per Augmentationem et Diminutionem' | — | ||
| 2-8 | Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | — | ||
| 2-9 | Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4, 'alla Duodecima' | — | ||
| 2-10 | Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4, 'alla Decima' | — | ||
| 2-11 | Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | — | ||
| 2-12 | Die Kunst der Fuge, BWV 1080: XII. Canon alla Ottava | — | ||
| 2-13 | Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima, 'in Contrapuncto alla Quinta' | — | ||
| 2-14 | Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima, 'Contrapuncto alla Terza' | — | ||
| 2-15 | Die Kunst der Fuge, BWV 1080: XIV. Canon, 'per Augmentationem in contrario motu' | — | ||
| 2-16 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'rectus' | — | ||
| 2-17 | Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'inversus' | — | ||
| 2-18 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'rectus' | — | ||
| 2-19 | Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'inversus' | — | ||
| 3-1 | Goldberg Variations, BWV 988: I. Aria | — | ||
| 3-2 | Goldberg Variations, BWV 988: II. Variation 1 | — | ||
| 3-3 | Goldberg Variations, BWV 988: III. Variation 2 | — | ||
| 3-4 | Goldberg Variations, BWV 988: IV. Variation 3. Canone all'Unisono | — | ||
| 3-5 | Goldberg Variations, BWV 988: V. Variation 4 | — | ||
| 3-6 | Goldberg Variations, BWV 988: VI. Variation 5 | — | ||
| 3-7 | Goldberg Variations, BWV 988: VII. Variation 6. Canone alla Seconda | — | ||
| 3-8 | Goldberg Variations, BWV 988: VIII. Variation 7. Al tempo di Giga | — | ||
| 3-9 | Goldberg Variations, BWV 988: IX. Variation 8 | — | ||
| 3-10 | Goldberg Variations, BWV 988: X. Variation 9. Canone alla Terza | — | ||
| 3-11 | Goldberg Variations, BWV 988: XI. Variation 10. Fugetta | — | ||
| 3-12 | Goldberg Variations, BWV 988: XII. Variation 11 | — | ||
| 3-13 | Goldberg Variations, BWV 988: XIII. Variation 12. Canone alla Quarta | — | ||
| 3-14 | Goldberg Variations, BWV 988: XIV. Variation 13 | — | ||
| 3-15 | Goldberg Variations, BWV 988: XV. Variation 14 | — | ||
| 3-16 | Goldberg Variations, BWV 988: XVI. Variation 15. Canone alla Quinta | — | ||
| 3-17 | Goldberg Variations, BWV 988: XVII. Variation 16. Ouverture | — | ||
| 3-18 | Goldberg Variations, BWV 988: XVIII. Variation 17 | — | ||
| 3-19 | Goldberg Variations, BWV 988: XIX Variation 18. Canone alla Sesta | — | ||
| 3-20 | Goldberg Variations, BWV 988: XX. Variation 19 | — | ||
| 3-21 | Goldberg Variations, BWV 988: XXI. Variation 20 | — | ||
| 3-22 | Goldberg Variations, BWV 988: XXII. Variation 21. Canone alla Settima | — | ||
| 3-23 | Goldberg Variations, BWV 988: XXIII. Variation 22. Alla breve | — | ||
| 3-24 | Goldberg Variations, BWV 988: XXIV. Variation 23 | — | ||
| 3-25 | Goldberg Variations, BWV 988: XXV. Variation 24. Canone all'Ottava | — | ||
| 3-26 | Goldberg Variations, BWV 988: XXVI. Variation 25. Adagio | — | ||
| 3-27 | Goldberg Variations, BWV 988: XXVII. Variation 26 | — | ||
| 3-28 | Goldberg Variations, BWV 988: XXVIII. Variation 27. Canone alla Nona | — | ||
| 3-29 | Goldberg Variations, BWV 988: XXIX. Variation 28 | — | ||
| 3-30 | Goldberg Variations, BWV 988: XXX. Variation 29 | — | ||
| 3-31 | Goldberg Variations, BWV 988: XXXI. Variation 30 | — | ||
| 3-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | — | ||
| 4-1 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-309.730.750-7 | |
| 4-2 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-3 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-4 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: I. Allegro | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | T-914.323.771-2 | |
| 4-5 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-6 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 4-7 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-8 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-10 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-11 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-12 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 4-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: II. Largo ovvero Adagio | Gustav Leonhardt, Leonhardt-Consort | T-307.292.957-4 | |
| 4-15 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 5-1 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 | |
| 5-2 | Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison | Emiko Iiyama, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-4 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-5 | Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-6 | Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te | Emiko Iiyama, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-7 | Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-8 | Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus | Kurt Equiluz, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-9 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-10 | Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5-11 | Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 5-12 | Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-1 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-2 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-3 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum | Helen Watts, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-4 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-5 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-6 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-7 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum | Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 6-8 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-9 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-10 | Messe in H-moll, BWV 232: III. Sanctus. Sanctus | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-11 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-12 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus | Kurt Equiluz, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-13 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei | Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6-14 | Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-1 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-2 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-3 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-4 | Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: IV.Menuetto - Trio - Menuetto - Polacca -Trio - Menuetto | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-5 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-6 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: II. Andante | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-7 | Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: III. Allegro assai | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-8 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-9 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: II. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7-10 | Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: III. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Giovanni Antonini, Enrico Onofri, Petr Zejfart, Il giardino armonico | — | |
| 8-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Il giardino armonico | — | |
| 8-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Il giardino armonico | — | |
| 8-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Il giardino armonico | — | |
| 8-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Il giardino armonico | — | |
| 8-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Il giardino armonico | — | |
| 8-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | Il giardino armonico | — | |
| 8-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | Il giardino armonico | — | |
| 8-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | Il giardino armonico | — | |
| 9-1 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: I. Coro "Halt im Gedächtnis Jesum Christ" (Choir) | — | ||
| 9-2 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: II. Aria "Mein Jesus ist erstanden" (Tenor) | — | ||
| 9-3 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: III. Recitativo "Mein Jesu, heissest du des Todes Gift" (Contralto) | — | ||
| 9-4 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: IV. Chorale "Erschienen ist der herrlich Tag" (Choir) | — | ||
| 9-5 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: V. Recitativo "Doch scheinet fast, dass mich der Feinde Rest" (Contralto) | — | ||
| 9-6 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VI. Aria & Coro "Friede sei mit euch" (Bass, Choir) | — | ||
| 9-7 | Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VII. Chorale "Du Friedefürst, Herr Jesu Christ" (Choir) | — | ||
| 9-8 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: I. Aria "Es ist euch gut, dass ich hingehe" (Bass) | — | ||
| 9-9 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: II. Aria "Mich kann kein Zweifel stören" (Tenor) | — | ||
| 9-10 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: III. Recitativo "Dein Geist wird mich also regieren" (Tenor) | — | ||
| 9-11 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: IV. Coro "Wenn aber jener, der Geist der Wahrheit kommen wird" (Choir) | — | ||
| 9-12 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: V. Aria "Was mein Herz von dir begehrt" (Contralto) | — | ||
| 9-13 | Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: VI. Chorale "Dein Geist, den Gott vom Himmel gibt" (Choir) | — | ||
| 9-14 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: I. Coro "Herr Jesu Christ, wahr'r Mensch und Gott" (Choir) | — | ||
| 9-15 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: II. Recitativo "Wenn Alles sich zur letzten Zeit entsetzet" (Tenor) | — | ||
| 9-16 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: III. Aria "Die Seele ruht in Jesu Händen" (Soprano) | — | ||
| 9-17 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: IV. Recitativo & Aria "Wenn einstens die Posaunen schallen" (Bass) | — | ||
| 9-18 | Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: V. Chorale "Ach Herr, vergib all' unsre Schuld" (Choir) | — | ||
| 10-1 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-914.323.771-2 | |
| 10-2 | Concerto in D minor for violin & oboe, BWV 1060: Adagio | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | T-917.755.866-6 | |
| 10-3 | Concerto in D minor for violin & oboe, BWV 1060: Allegro | Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 10-4 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro di molto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-5 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-6 | Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Presto | Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-7 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Allegro moderato | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-8 | Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Tempo di minuetto | Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-9 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Un poco allegro | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-10 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Cantabile | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-11 | Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Vivace | Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt | — | |
| 10-12 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 10-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 11-1 | Orchestral Suite No. 1 in C major, BWV 1066: Ouverture | — | ||
| 11-2 | Orchestral Suite No. 1 in C major, BWV 1066: Courante | — | ||
| 11-3 | Orchestral Suite No. 1 in C major, BWV 1066: Gavotte I - Gavotte II | — | ||
| 11-4 | Orchestral Suite No. 1 in C major, BWV 1066: Forlane | — | ||
| 11-5 | Orchestral Suite No. 1 in C major, BWV 1066: Menuet I - Menuet II | — | ||
| 11-6 | Orchestral Suite No. 1 in C major, BWV 1066: Bourrée I - Bourrée II | — | ||
| 11-7 | Orchestral Suite No. 1 in C major, BWV 1066: Passepied I - Passepied II | — | ||
| 11-8 | Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture | — | ||
| 11-9 | Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau | — | ||
| 11-10 | Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande | — | ||
| 11-11 | Orchestral Suite No. 2 in B minor, BWV 1067: Bourrée I - Bourrée II | — | ||
| 11-12 | Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise - Double | — | ||
| 11-13 | Orchestral Suite No. 2 in B minor, BWV 1067: Menuet | — | ||
| 11-14 | Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie | — | ||
| 12-1 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana) | — | ||
| 12-2 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana) | — | ||
| 12-3 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion) | — | ||
| 12-4 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion) | — | ||
| 12-5 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion) | — | ||
| 12-6 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan) | — | ||
| 12-7 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan) | — | ||
| 12-8 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales) | — | ||
| 12-9 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales) | — | ||
| 12-10 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana) | — | ||
| 12-11 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan) | — | ||
| 12-12 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion) | — | ||
| 12-13 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales) | — | ||
| 12-14 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIV. Aria "Ihr Felder und Auen" (Pan) | — | ||
| 12-15 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan) | — | ||
| 12-16 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture | — | ||
| 12-17 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass) | — | ||
| 12-18 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass) | — | ||
| 12-19 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano) | — | ||
| 12-20 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass) | — | ||
| 12-21 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass) | — | ||
| 12-22 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano) | — | ||
| 12-23 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano) | — | ||
| 12-24 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass) | — | ||
| 12-25 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano) | — | ||
| 12-26 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass) | — | ||
| 12-27 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass) | — | ||
| 12-28 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano) | — | ||
| 12-29 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano) | — | ||
| 12-30 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass) | — | ||
| 12-31 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass) | — | ||
| 12-32 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano) | — | ||
| 12-33 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano) | — | ||
| 12-34 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass) | — | ||
| 12-35 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass) | — | ||
| 12-36 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass) | — | ||
| 12-37 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und da | — | ||
| 12-38 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass) | — | ||
| 12-39 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass) | — | ||
| 13-1 | Matthäus-Passion BWV 244: 1. I. Chorus (1,2) "Kommt, ihr Töchter, helft mir klagen" / Soprano in ripieno "O Lamm Gottes" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-2 | Matthäus-Passion BWV 244: 1. VI. Aria (Alto 1) "Buß und Reu" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-3 | Matthäus-Passion BWV 244: 1. VIII. Aria (Soprano 2) "Blute nur, du liebes Herz" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-4 | Matthäus-Passion BWV 244: 1. X. Choral "Ich bin's, ich sollte büßen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-5 | Matthäus-Passion BWV 244: 1. XIII. Aria (Soprano 1) "Ich will dir mein Herze schenken" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-6 | Matthäus-Passion BWV 244: 1. XX. Aria (Tenore 1, Chorus 2) "Ich will bei meinem Jesu wachen" / Chorus "So schlafen unsre Sünden ein" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-7 | Matthäus-Passion BWV 244: 1. XXIX. Choral "O Mensch, bewein' dein Sünde groß" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-8 | Matthäus-Passion BWV 244: 2. XXX. Aria (Alto, Chorus 2) "Ach! Nun ist mein Jesus hin!" / Chorus "Wo ist denn" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-9 | Matthäus-Passion BWV 244: 2. XXXV. Aria (Tenore 2) "Geduld!" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-10 | Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott" | Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-11 | Matthäus-Passion BWV 244: 2. XL. Choral "Bin ich gleich von dir gewichen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-12 | Matthäus-Passion BWV 244: 2. XLII. Aria (Basso 2) "Gebt mir meinen Jesus wieder!" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-13 | Matthäus-Passion BWV 244: 2. XLIX. Aria (Soprano 1) "Aus Liebe will mein Heiland sterben" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-14 | Matthäus-Passion BWV 244: 2. LII. Aria (Alto 2) "Können Tränen meiner Wangen" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-15 | Matthäus-Passion BWV 244: 2. LIV. Choral "O Haupt voll Blut und Wunden" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-16 | Matthäus-Passion BWV 244, 2. LX. Aria (Alto 1, Chorus 2) "Sehet, Jesus hat die Hand" / Chorus "Wohin?" | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13-17 | Matthäus-Passion BWV 244, 2. LXII. Choral "Wenn ich einmal soll scheiden" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-301.182.705-3 | |
| 13-18 | Matthäus-Passion BWV 244, 2. LXV. Aria (Basso 1) "Mache dich, mein Herze, rein" | Concentus Musicus Wien, Nikolaus Harnoncourt | T-802.372.990-1 | |
| 13-19 | Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder" | Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 14-1 | Sonata III à 5 | — | ||
| 14-2 | Sonata prima à 8 | — | ||
| 14-3 | Ballatae à 4 Violettae, Nos. 1 - 7 | — | ||
| 14-4 | Battalia in D major | — | ||
| 14-5 | Sonata à 7 | — | ||
| 14-6 | Sonata IV à 5 | — | ||
| 14-7 | Sonata seconda à 8 | — | ||
| 14-8 | Sonata à 6, "Die Pauern Kirchfahrt genandt" | — | ||
| 15-1 | Musical Characteristics, Op. 19: Preludio, alla Haydn | — | ||
| 15-2 | Keyboard Sonata in F minor, Op. 13 No. 6: I. Allegro agitato | — | ||
| 15-3 | Keyboard Sonata in F minor, Op. 13 No. 6: II. Largo e sostenuto | — | ||
| 15-4 | Keyboard Sonata in F minor, Op. 13 No. 6: III. Presto | — | ||
| 15-5 | Capriccio in B flat major, Op. 17 | — | ||
| 15-6 | Keyboard Sonata in G minor, Op. 34 No. 2: I. Largo e sostenuto - Allegro con fuoco | — | ||
| 15-7 | Keyboard Sonata in G minor, Op. 34 No. 2: II. Un poco adagio | — | ||
| 15-8 | Keyboard Sonata in G minor, Op. 34 No. 2: III. Finale. Molto allegro | — | ||
| 15-9 | Musical Charateristics, Op. 19: Preludio, alla Mozart | — | ||
| 15-10 | Keyboard Sonata in F major, Op. 33 No. 2: I. Adagio | — | ||
| 15-11 | Keyboard Sonata in F major, Op. 33 No. 2: II. Allegro con fuoco | — | ||
| 15-12 | Keyboard Sonata in F major, Op. 33 No. 2: III. Presto | — | ||
| 15-13 | Fantasie on "Au Clair de la lune", Op. 48 | — | ||
| 16-1 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": I. Vivace - Grave | — | ||
| 16-2 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": II. Allegro | — | ||
| 16-3 | Concerto Grosso, op. 6 no.8 “Fatto per la notte di Natale”: Adagio – Allegro – Adagio | Il giardino armonico, Giovanni Antonini | — | |
| 16-4 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": IV. Vivace | — | ||
| 16-5 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": V. Allegro | — | ||
| 16-6 | Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": VI. Pastorale | — | ||
| 16-7 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": I. Allegro | — | ||
| 16-8 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": II. Adagio | — | ||
| 16-9 | Concerto in E major, RV 270, "Il riposo" / "... per il Natale": III. Allegro | — | ||
| 16-10 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": I. Grave - Vivace | — | ||
| 16-11 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": II. Largo | — | ||
| 16-12 | Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": III. Vivace | — | ||
| 16-13 | Sonata in A major, Op. 13 No. 4, RV 59, "Il pastor fido": II. Pastorale | — | ||
| 16-14 | Sinfonia Pastorale in G major for 2 Violins: I. Allegro | — | ||
| 16-15 | Sinfonia Pastorale in G major for 2 Violins: II. Pastorale. Andante - Canzona. Largo - Pastorale | — | ||
| 16-16 | Sinfonia Pastorale in G major for 2 Violins: III. Andante | — | ||
| 16-17 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: I. Pastorale. Adagio | — | ||
| 16-18 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: II. Aria. Presto | — | ||
| 16-19 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: III. Aria. Grave | — | ||
| 16-20 | Concerto Pastorale in F major for 2 Recorders, 2 Violins & Viola: IV. Aria Pastorale. Presto - Adagio | — | ||
| 16-21 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: V. Minuet - Trio - Minuet | — | ||
| 16-22 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VI. Passacaglia | — | ||
| 16-23 | Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VII. Aria | — | ||
| 16-24 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": I. Largo | — | ||
| 16-25 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": II. Largo | — | ||
| 16-26 | Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": III. Allegro | — | ||
| 17-1 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: I. Largo | — | ||
| 17-2 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: II. Allegro | — | ||
| 17-3 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: III. Andante | — | ||
| 17-4 | Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: IV. Allegro assai | — | ||
| 17-5 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: I. Aria. Allegro | — | ||
| 17-6 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: II. Largo | — | ||
| 17-7 | Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: III. Presto | — | ||
| 17-8 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: I. Largo | — | ||
| 17-9 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: II. Allegro e spiritoso | — | ||
| 17-10 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: III. Grave | — | ||
| 17-11 | Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: IV. Allegro | — | ||
| 17-12 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: I. Largo andante | — | ||
| 17-13 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: II. Allegro - Adagio | — | ||
| 17-14 | Concerti a quattro da chiesa, Op. 2, No. 7 in C major: III. Presto | — | ||
| 17-15 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: I. Allegro | — | ||
| 17-16 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: II. Adagio cantabile | — | ||
| 17-17 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: III. Presto assai - Adagio - Prestissimo - Adagio | — | ||
| 17-18 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: IV. Largo | — | ||
| 17-19 | Concerti a più Istrumenti, Op. 5, No. 3 in E minor: V. Primo Passepied - Secondo Passepied | — | ||
| 17-20 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: I. Allegro | — | ||
| 17-21 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: II. Grave | — | ||
| 17-22 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: III. Allegro assai | — | ||
| 17-23 | Concerti a più Istrumenti, Op. 5, No. 5 in C major: IV. Rondeau. Allegro | — | ||
| 17-24 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: I. Allegro | — | ||
| 17-25 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: II. Aria | — | ||
| 17-26 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: III. Ciaconna. Allegro e spiccato | — | ||
| 17-27 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: IV. Rondeau. Allegro | — | ||
| 17-28 | Concerti a più Istrumenti, Op. 5, No. 6 in D major: V. Allegro | — | ||
| 17-29 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: I. Allegro e vivace assai | — | ||
| 17-30 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: II. Aria. Adagio cantabile | — | ||
| 17-31 | Concerti a più Istrumenti, Op. 6, No. 5 in G major: III. Allegro | — | ||
| 17-32 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: I. Allegro | — | ||
| 17-33 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: II. Aria. Cantabile | — | ||
| 17-34 | Concerti a più Istrumenti, Op. 6, No. 11 in E major: III. Allegro e spiritoso | — | ||
| 18-1 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: I. Allegro | — | ||
| 18-2 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: II. Largo | — | ||
| 18-3 | Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: III. Allegro | — | ||
| 18-4 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: I. Vivace | — | ||
| 18-5 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: II. Largo | — | ||
| 18-6 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: III. Allegro | — | ||
| 18-7 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: IV. [Menuet] | — | ||
| 18-8 | Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: V. [Gavotte] | — | ||
| 18-9 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: I. Largo e staccato | — | ||
| 18-10 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: II. Allegro | — | ||
| 18-11 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: III. Adagio | — | ||
| 18-12 | Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: IV. Allegro | — | ||
| 18-13 | Concerto No. 4 in F major, Op. 3, HWV 315: I. Largo - Allegro | — | ||
| 18-14 | Concerto No. 4 in F major, Op. 3, HWV 315: II. Andante | — | ||
| 18-15 | Concerto No. 4 in F major, Op. 3, HWV 315: III. Allegro | — | ||
| 18-16 | Concerto No. 4 in F major, Op. 3, HWV 315: IV. Menuet - Alternat - Allegro | — | ||
| 18-17 | Concerto in F major: I. Largo | — | ||
| 18-18 | Concerto in F major: II. Allegro | — | ||
| 18-19 | Concerto in F major: III. Largo | — | ||
| 18-20 | Concerto in F major: IV. Allegro | — | ||
| 18-21 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: I. [Grave] | — | ||
| 18-22 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: II. Allegro | — | ||
| 18-23 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: III. Adagio | — | ||
| 18-24 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non troppo | — | ||
| 18-25 | Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: V. Allegro | — | ||
| 18-26 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: I. Vivace | — | ||
| 18-27 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: II. Ad libitum [Adagio, improvised] | — | ||
| 18-28 | Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: III. Allegro | — | ||
| 19-1 | Ode for St Cecilia's Day, HWV 76: Overture - Recitative "From Harmony, from heavn'ly Harmony" (Tenor) - Accompagnato "When Nature underneath a heap of jarring atoms lay" (Tenor) | — | ||
| 19-2 | Ode for St Cecilia's Day, HWV 76: Chorus "From Harmony, from heav'nly Harmony" (Chorus) | — | ||
| 19-3 | Ode for St Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell" (Soprano) | — | ||
| 19-4 | Ode for St Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" (Tenor, Chorus) | — | ||
| 19-5 | Ode for St Cecilia's Day, HWV 76: La Marche | — | ||
| 19-6 | Ode for St Cecilia's Day, HWV 76: Aria "The soft complaining Flute" (Soprano) | — | ||
| 19-7 | Ode for St Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim" (Tenor) | — | ||
| 19-8 | Ode for St Cecilia's Day, HWV 76: Aria "But oh! what art can teach..." (Soprano) | — | ||
| 19-9 | Ode for St Cecilia's Day, HWV 76: Aria "Orpheus could lead the savage race" (Soprano) | — | ||
| 19-10 | Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano) | — | ||
| 19-11 | Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus) | — | ||
| 20-1 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante | — | ||
| 20-2 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante | — | ||
| 20-3 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano | — | ||
| 20-4 | Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro | — | ||
| 20-5 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave] | — | ||
| 20-6 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario | — | ||
| 20-7 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum | — | ||
| 20-8 | Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro | — | ||
| 20-9 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro | — | ||
| 20-10 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum | — | ||
| 20-11 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso | — | ||
| 20-12 | Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet | — | ||
| 20-13 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio | — | ||
| 20-14 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro | — | ||
| 20-15 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum | — | ||
| 20-16 | Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro | — | ||
| 20-17 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato | — | ||
| 20-18 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato | — | ||
| 20-19 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet | — | ||
| 20-20 | Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte | — | ||
| 20-21 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo | — | ||
| 20-22 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum] | — | ||
| 20-23 | Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario | — | ||
| 21-1 | Water Music: Overture. Grave - Allegro | — | ||
| 21-2 | Water Music: Adagio e staccato | — | ||
| 21-3 | Water Music: [Allegro] - Andante | — | ||
| 21-4 | Water Music: [Menuet I] | — | ||
| 21-5 | Water Music: Air | — | ||
| 21-6 | Water Music: [Menuet II] | — | ||
| 21-7 | Water Music: Bourrée | — | ||
| 21-8 | Water Music: Hornpipe | — | ||
| 21-9 | Water Music: [Andante] | — | ||
| 21-10 | Water Music: [Allegro] | — | ||
| 21-11 | Water Music: [Hornpipe] | — | ||
| 21-12 | Water Music: [Menuet III] | — | ||
| 21-13 | Water Music: Aria [Bourrée] | — | ||
| 21-14 | Water Music: Lentement [Loure] | — | ||
| 21-15 | Water Music: Air [Bourrée] | — | ||
| 21-16 | Water Music: Menuet | — | ||
| 21-17 | Water Music: [Air] | — | ||
| 21-18 | Water Music: Gigue I | — | ||
| 21-19 | Water Music: Gigue II | — | ||
| 21-20 | Water Music: Coro | — | ||
| 21-21 | Organ Concerto in D minor, HWV 304: I. Andante | — | ||
| 21-22 | Organ Concerto in D minor, HWV 304: II. Adagio, Organo ad libitum, e poi una Fuga allegro ad libitum | — | ||
| 21-23 | Organ Concerto in D minor, HWV 304: III. Allegro | — | ||
| 21-24 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": I. Larghetto | — | ||
| 21-25 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": II. Allegro | — | ||
| 21-26 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": III. Organo ad libitum ex A | — | ||
| 21-27 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": IV. Larghetto | — | ||
| 21-28 | Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": V. Allegro | — | ||
| 22-1 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Kyrie: I. Kyrie | — | ||
| 22-2 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: II. Gloria | — | ||
| 22-3 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: III. Gratias | — | ||
| 22-4 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: IV. Quoniam | — | ||
| 22-5 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: V. Credo | — | ||
| 22-6 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VI. Et incarnatus | — | ||
| 22-7 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VII. Et resurrexit | — | ||
| 22-8 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Sanctus: VIII. Sanctus | — | ||
| 22-9 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Benedictus: IX. Benedictus | — | ||
| 22-10 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: X. Agnus Dei | — | ||
| 22-11 | Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: XI. Dona nobis pacem | — | ||
| 22-12 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: I. Recitativo accompagnato "Qual dubbio ormai" | — | ||
| 22-13 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: II. Aria "Se ogni giorno, Prence invitto" | — | ||
| 22-14 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: III. Recitativo "Saggia il pensier" | — | ||
| 22-15 | Cantata "Qual dubbio ormai" Hob. XXIVa:4: IV. Coro "Scenda propizio un raggio" | — | ||
| 22-16 | Te Deum in C major Hob. XXIIIc:1: I. Te Deum Laudamus | — | ||
| 22-17 | Te Deum in C major Hob. XXIIIc:1: II. Te ergo quaesumus | — | ||
| 22-18 | Te Deum in C major Hob. XXIIIc:1: III. Aeterna fac cum sanctus tuis | — | ||
| 23-1 | Matins for the Virgin of Guadalupe: Invitatorio y Salmo 94 | — | ||
| 23-2 | Matins for the Virgin of Guadalupe: Hymno. Quem terra pontus sidera | — | ||
| 23-3 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon I | — | ||
| 23-4 | Matins for the Virgin of Guadalupe: Responsorio. Vidi speciosam sicut columbam | — | ||
| 23-5 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae ascendit | — | ||
| 23-6 | Matins for the Virgin of Guadalupe: Bendicíon y Leccíon II | — | ||
| 23-7 | Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae processit | — | ||
| 23-8 | Matins for the Virgin of Guadalupe: Interludio. Albricias mortales | — | ||
| 23-9 | Matins for the Virgin of Guadalupe: Antífona y Salmo 18 | — | ||
| 23-10 | Matins for the Virgin of Guadalupe: Responsorio. Signum magnum apparuit in caelo | — | ||
| 23-11 | Matins for the Virgin of Guadalupe: Versículo, Padrenuestro y Absolución | — | ||
| 23-12 | Matins for the Virgin of Guadalupe: Responsorio. Beatam me dicent omnes | — | ||
| 23-13 | Matins for the Virgin of Guadalupe: Benedicíon y Leccíon III | — | ||
| 23-14 | Matins for the Virgin of Guadalupe: Te Deum: I. Te deum laudamus | — | ||
| 23-15 | Matins for the Virgin of Guadalupe: Te Deum: II. Te aeternum Patrem | — | ||
| 23-16 | Matins for the Virgin of Guadalupe: Te Deum: III. Tibi omnes Angeli | — | ||
| 23-17 | Matins for the Virgin of Guadalupe: Te Deum: IV. Tibi Cherubim et Seraphim | — | ||
| 23-18 | Matins for the Virgin of Guadalupe: Te Deum: V. Sanctus | — | ||
| 23-19 | Matins for the Virgin of Guadalupe: Te Deum: VI. Pleni sunt caeli | — | ||
| 23-20 | Matins for the Virgin of Guadalupe: Te Deum: VII. Te ergo quaesumus | — | ||
| 23-21 | Matins for the Virgin of Guadalupe: Te Deum: VIII. Aeterna fac cum sanctis tuis | — | ||
| 23-22 | Matins for the Virgin of Guadalupe: Te Deum: IX. In te, Domine, speravi | — | ||
| 23-23 | Matins for the Virgin of Guadalupe: Recesional. Angélicas milicias | — | ||
| 24-1 | String Symphony No. 8 in D major: I. Adagio e Grave - Allegro | — | ||
| 24-2 | String Symphony No. 8 in D major: II. Adagio | — | ||
| 24-3 | String Symphony No. 8 in D major: III. Menuetto - Trio. Presto | — | ||
| 24-4 | String Symphony No. 8 in D major: IV. Allegro molto | — | ||
| 24-5 | String Symphony No. 9 in C minor: I. Grave - Allegro | — | ||
| 24-6 | String Symphony No. 9 in C minor: II. Andante | — | ||
| 24-7 | String Symphony No. 9 in C minor: III. Scherzo - Trio. Più Lento ("La Suisse") | — | ||
| 24-8 | String Symphony No. 9 in C minor: IV. Allegro vivace - Presto - Più stretto | — | ||
| 24-9 | String Symphony No. 10 in B minor: Adagio - Allegro - Più presto | — | ||
| 25-1 | Madrigals, Book 7: "Augellin, che la voce" | — | ||
| 25-2 | Madrigals, Book 7: "Tornate, o cari baci" | — | ||
| 25-3 | Madrigals, Book 8: Ninfa che scalza il piede: "Ninfa, che scalza il piede" | — | ||
| 25-4 | Madrigals, Book 8: Ninfa che scalza il piede: "Qui deh meco t'arresta" | — | ||
| 25-5 | Madrigals, Book 8: Ninfa che scalza il piede: "Dell'usate mie corde al suon" | — | ||
| 25-6 | Madrigals, Book 7: "Ecco vicine, o bella tigre" | — | ||
| 25-7 | Madrigals, Book 7: "Eccomi pronta ai baci" | — | ||
| 25-8 | Madrigals, Book 7: "S'el vostro cor, madonna" | — | ||
| 25-9 | Scherzi Musicali: "Zefiro torna" ('ciacona') | — | ||
| 25-10 | Madrigals, Book 8: Lamento della Ninfa: "Non havea Febo ancore" | — | ||
| 25-11 | Madrigals, Book 8: Lamento della Ninfa: "Amor, dicea" (Lamento della Ninfa) | — | ||
| 25-12 | Madrigals, Book 8: Lamento della Ninfa: "Si tra sdegnosi pianti" | — | ||
| 25-13 | Madrigals, Book 8: "Mentre vaga Angioletta" | — | ||
| 25-14 | Madrigals, Book 7: "Vaga su spina ascosa" | — | ||
| 25-15 | Madrigals, Book 7: "Perchè fuggi tra salci" | — | ||
| 25-16 | Madrigals, Book 8: Ogni amante è guerrier: "Ogni amante è guerrier" | — | ||
| 25-17 | Madrigals, Book 8: Ogni amante è guerrier: "Io che nell'otio nacqui" | — | ||
| 25-18 | Madrigals, Book 8: Ogni amante è guerrier: "Ma per quel ampio Egeo" | — | ||
| 25-19 | Madrigals, Book 8: Ogni amante è guerrier: "Riedi ch'al nostr'ardir" | — | ||
| 25-20 | Madrigals, Book 8: Gira il nemico insidioso: "Gira il nemico insidioso" | — | ||
| 25-21 | Madrigals, Book 8: Gira il nemico insidioso: "Nol lasciamo accostar" | — | ||
| 25-22 | Madrigals, Book 8: Gira il nemico insidioso: "Armi false non son" | — | ||
| 25-23 | Madrigals, Book 8: Gira il nemico insidioso: "Vuol degl'occhi" | — | ||
| 25-24 | Madrigals, Book 8: Gira il nemico insidioso: "Non è più tempo" | — | ||
| 25-25 | Madrigals, Book 8: Gira il nemico insidioso: "Cor mio, non val fuggir" | — | ||
| 25-26 | Madrigals, Book 7: "Soave libertate" | — | ||
| 26-1 | L’Orfeo: Toccata – Prologo: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | T-702.928.999-6 | |
| 26-2 | L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-3 | L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-4 | L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-5 | L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-6 | L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-7 | L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-8 | L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-9 | L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-10 | L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-11 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-12 | L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-13 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-14 | L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-15 | L’Orfeo, Atto terzo: Sinfonia (I) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-16 | L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-17 | L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-18 | L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-19 | L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-20 | L’Orfeo, Atto terzo: Sinfonia (II) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-21 | L’Orfeo, Atto terzo: «Possente spirto» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-22 | L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-23 | L’Orfeo, Atto terzo: Sinfonia (IV) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-24 | L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-25 | L’Orfeo, Atto terzo: Sinfonia (V) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-26 | L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-27 | L’Orfeo, Atto quarto: «Benche severo» (Plutone) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-28 | L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-29 | L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-30 | L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-31 | L’Orfeo, Atto quinto: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-32 | L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-33 | L’Orfeo, Atto quinto: Sinfonia | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-34 | L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-35 | L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26-36 | L’Orfeo, Atto quinto: Moresca | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27-1 | Vespro della Beata Vergine: Introductio: I. Deus in adiutorium - Domine ad adiuvandum me festina | — | ||
| 27-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 1 | — | ||
| 27-3 | Vespro della Beata Vergine: Psalmi: II. Psalmus 109: Dixit Dominum | — | ||
| 27-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Per te 2 | — | ||
| 27-5 | Vespro della Beata Vergine: Psalmi: III. Concerto: Nigra sum | — | ||
| 27-6 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 1 | — | ||
| 27-7 | Vespro della Beata Vergine: Psalmi: IV. Psalmus 112: Laudate pueri Dominum | — | ||
| 27-8 | Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 2 | — | ||
| 27-9 | Vespro della Beata Vergine: Psalmi: V. Concerto: Pulchra es | — | ||
| 27-10 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 1 | — | ||
| 27-11 | Vespro della Beata Vergine: Psalmi: VI. Psalmus 121: Laetatus sum | — | ||
| 27-12 | Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 2 | — | ||
| 27-13 | Vespro della Beata Vergine: Psalmi: VII. Concerto: Duo Seraphim | — | ||
| 27-14 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 1 | — | ||
| 27-15 | Vespro della Beata Vergine: Psalmi: VIII. Psalmus 126: Nisi Dominus | — | ||
| 27-16 | Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 2 | — | ||
| 28-1 | Vespro della Beata Vergine: Psalmi: IX. Concerto: Audi caelum | — | ||
| 28-2 | Vespro della Beata Vergine: Psalmi: Antiphona: Dumm esset rex 1 | — | ||
| 28-3 | Vespro della Beata Vergine: Psalmi: X. Psalmus 147: Lauda Jerusalem | — | ||
| 28-4 | Vespro della Beata Vergine: Psalmi: Antiphona: Dum esset rex 2 | — | ||
| 28-5 | Vespro della Beata Vergine: Lectiones: Capitulum: Ab initio | — | ||
| 28-6 | Vespro della Beata Vergine: Lectiones: XI. Responsorium: Sonata sopra "Sancta Maria" | — | ||
| 28-7 | Vespro della Beata Vergine: Lectiones: XII. Hymnus: Ave maris stella | — | ||
| 28-8 | Vespro della Beata Vergine: Lectiones: Versiculum: Dignare me | — | ||
| 28-9 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 1 | — | ||
| 28-10 | Vespro della Beata Vergine: Magnificat: XIII. Magnificat | — | ||
| 28-11 | Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 2 | — | ||
| 28-12 | Vespro della Beata Vergine: Oratio: Dominus vobiscum . Et cum spiritu tuo | — | ||
| 29-1 | Missa K. 257 ("Credo"): Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-2 | Missa K. 257 ("Credo"): Gloria | Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-3 | Missa K. 257 ("Credo"): Credo | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-4 | Missa K. 257 ("Credo"): Sanctus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-5 | Missa K. 257 ("Credo"): Benedictus | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-6 | Missa K. 257 ("Credo"): Agnus Dei - Dona nobis | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-7 | Litaniae de venerabili altaris sacramento, K. 243: Kyrie | Concentus Musicus Wien, Nikolaus Harnoncourt | T-070.093.418-4 | |
| 29-8 | Litaniae de venerabili altaris sacramento, K. 243: Panis vivus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-9 | Litaniae de venerabili altaris sacramento, K. 243: Verbum caro factum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-10 | Litaniae de venerabili altaris sacramento, K. 243: Hostia sancta | Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-11 | Litaniae de venerabili altaris sacramento, K. 243: Tremendum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-12 | Litaniae de venerabili altaris sacramento, K. 243: Dulcissimum convivium | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-13 | Litaniae de venerabili altaris sacramento, K. 243: Viaticum | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-14 | Litaniae de venerabili altaris sacramento, K. 243: Pignus | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29-15 | Litaniae de venerabili altaris sacramento, K. 243: Agnus Dei - Misere | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30-1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 30-2 | Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" | — | ||
| 30-3 | Dido and Aeneas, Z. 626: Act I. "Ah, Belinda" | — | ||
| 30-4 | Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" | — | ||
| 30-5 | Dido and Aeneas, Z. 626: Act I. "Fear no danger" | — | ||
| 30-6 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" | — | ||
| 30-7 | Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony | — | ||
| 30-8 | Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" | — | ||
| 30-9 | Dido and Aeneas, Z. 626: Act I. The Triumphing Dance | — | ||
| 30-10 | Dido and Aeneas, Z. 626: Act II. Prélude | — | ||
| 30-11 | Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" | — | ||
| 30-12 | Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" | — | ||
| 30-13 | Dido and Aeneas, Z. 626: Act II, Scene I. "In our deep vaulted cell" | — | ||
| 30-14 | Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies | — | ||
| 30-15 | Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle | — | ||
| 30-16 | Dido and Aeneas, Z. 626: Act II, Scene II. "Thanks to these lonesome vales" | — | ||
| 30-17 | Dido and Aeneas, Z. 626: Act II, Scene II. Gitter ground a Dance | — | ||
| 30-18 | Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" | — | ||
| 30-19 | Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" | — | ||
| 30-20 | Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince" | — | ||
| 30-21 | Dido and Aeneas, Z. 626: Act III Prélude | — | ||
| 30-22 | Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers" | — | ||
| 30-23 | Dido and Aeneas, Z. 626: Act III, Scene I. "Your counsel all is urg'd in vain" | — | ||
| 30-24 | Dido and Aeneas, Z. 626: Act III, Scene II. "Great minds against themselves conspire" | — | ||
| 30-25 | Dido and Aeneas, Z. 626: Act III, Scene II. "They hand, Belinda" | — | ||
| 30-26 | Dido and Aeneas, Z. 626: Act III, Scene II. "With droopings wings" | — | ||
| 31-1 | Piano Concerto in C major: I. Allegro maestoso | — | ||
| 31-2 | Piano Concerto in C major: II. Larghetto | — | ||
| 31-3 | Piano Concerto in C major: III. Andantino | — | ||
| 31-4 | Piano Concerto in B flat major: I. Allegro moderato | — | ||
| 31-5 | Piano Concerto in B flat major: II. Adagio | — | ||
| 31-6 | Piano Concerto in B flat major: III. Tempo di Menuetto | — | ||
| 31-7 | Piano Concerto in B flat major: I. Adagio non molto - Allegro | — | ||
| 31-8 | Piano Concerto in B flat major: II. Andante non molto | — | ||
| 31-9 | Piano Concerto in B flat major: III. Allegro | — | ||
| 32-1 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Introitus. "Da Jesu an dem Kreuze stund" | — | ||
| 32-2 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 | — | ||
| 32-3 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Und es war um die dritte Stunde | — | ||
| 32-4 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 II. | — | ||
| 32-5 | Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Conclusio. "Wer Gottes Marter in Ehren hat" | — | ||
| 32-6 | Lukas-Passion, SWV 480: Introitus: Das Leiden unsres Herren Jesu Christi | — | ||
| 32-7 | Lukas-Passion, SWV 480: Es war aber nahe das Fest der süßen Brot | — | ||
| 32-8 | Lukas-Passion, SWV 480: Und er ging hinaus nach seiner Gewohnheit an den Ölberg | — | ||
| 32-9 | Lukas-Passion, SWV 480: Da er aber noch redete | — | ||
| 32-10 | Lukas-Passion, SWV 480: Sie griffen ihn aber und führeten ihn | — | ||
| 32-11 | Lukas-Passion, SWV 480: Die Männer aber, die da Jesum hielten | — | ||
| 32-12 | Lukas-Passion, SWV 480: Und der ganze Haufen stund auf und führeten ihn für Pilatum | — | ||
| 32-13 | Lukas-Passion, SWV 480: Da aber PIlatus Galiläam hörete | — | ||
| 32-14 | Lukas-Passion, SWV 480: Pilatus aber rief die Hohenpriester und die Obristen | — | ||
| 32-15 | Lukas-Passion, SWV 480: Und als sie ihn hinführeten | — | ||
| 32-16 | Lukas-Passion, SWV 480: Und es war um die sechste Stunde | — | ||
| 32-17 | Lukas-Passion, SWV 480: Und alles Volk, das dabei war und zusah | — | ||
| 32-18 | Lukas-Passion, SWV 480: Beschluß: Wer Gottes Marter in Ehren hat | — | ||
| 33-1 | Musique de table, Production III: Ouverture et Suite in B-flat major: I. Ouverture: Lentement - Presto - Lentement | — | ||
| 33-2 | Musique de table, Production III: Ouverture et Suite in B-flat major: II. Bergerie: Un peu vivement | — | ||
| 33-3 | Musique de table, Production III: Ouverture et Suite in B-flat major: III. Allegrésse, vite | — | ||
| 33-4 | Musique de table, Production III: Ouverture et Suite in B-flat major: IV. Postillons | — | ||
| 33-5 | Musique de table, Production III: Ouverture et Suite in B-flat major: V. Flatterie | — | ||
| 33-6 | Musique de table, Production III: Ouverture et Suite in B-flat major: VI. Badinage: Très vite | — | ||
| 33-7 | Musique de table, Production III: Ouverture et Suite in B-flat major: VII. Menuet | — | ||
| 33-8 | Musique de table, Production III: Quatuor in E minor: I. Adagio | — | ||
| 33-9 | Musique de table, Production III: Quatuor in E minor: II. Allegro | — | ||
| 33-10 | Musique de table, Production III: Quatuor in E minor: III. Dolce | — | ||
| 33-11 | Musique de table, Production III: Quatuor in E minor: IV. Allegro | — | ||
| 33-12 | Musique de table, Production III: Concert in E-flat major: I. Maestoso | — | ||
| 33-13 | Musique de table, Production III: Concert in E-flat major: II. Allegro | — | ||
| 33-14 | Musique de table, Production III: Concert in E-flat major: III. Grave | — | ||
| 33-15 | Musique de table, Production III: Concert in E-flat major: IV. Vivace | — | ||
| 33-16 | Musique de table, Production III: Trio in D major: I. Andante | — | ||
| 33-17 | Musique de table, Production III: Trio in D major: II. Andante | — | ||
| 33-18 | Musique de table, Production III: Trio in D major: III. Grave - Largo - Grave | — | ||
| 33-19 | Musique de table, Production III: Trio in D major: IV. Vivace | — | ||
| 33-20 | Musique de table, Production III: Solo in G minor: I. Largo | — | ||
| 33-21 | Musique de table, Production III: Solo in G minor: II. Presto - Tempo giusto | — | ||
| 33-22 | Musique de table, Production III: Solo in G minor: III. Andante | — | ||
| 33-23 | Musique de table, Production III: Solo in G minor: IV. Allegro | — | ||
| 33-24 | Musique de table, Production III: Conclusion in B-flat major: Furioso | — | ||
| 34-1 | Suite for Recorder & Strings in A minor TWV 55, a2: I. Overture | — | ||
| 34-2 | Suite for Recorder & Strings in A minor TWV 55, a2: II. Les plaisirs 1 & 2 | — | ||
| 34-3 | Suite for Recorder & Strings in A minor TWV 55, a2: III. Air à l'Italien | — | ||
| 34-4 | Suite for Recorder & Strings in A minor TWV 55, a2: IV. Menuet 1 alternativement & Menuet 2 | — | ||
| 34-5 | Suite for Recorder & Strings in A minor TWV 55, a2: V. Réjouissance | — | ||
| 34-6 | Suite for Recorder & Strings in A minor TWV 55, a2: VI. Passepied 1 & 2 | — | ||
| 34-7 | Suite for Recorder & Strings in A minor TWV 55, a2: VII. Polonaise | — | ||
| 34-8 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: I. Largo | — | ||
| 34-9 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: II. Allegro | — | ||
| 34-10 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: III. Largo | — | ||
| 34-11 | Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: IV. Presto | — | ||
| 34-12 | Concerto for Viola & Strings in G major TWV 51, G9: I. Largo | — | ||
| 34-13 | Concerto for Viola & Strings in G major TWV 51, G9: II. Allegro | — | ||
| 34-14 | Concerto for Viola & Strings in G major TWV 51, G9: III. Andante | — | ||
| 34-15 | Concerto for Viola & Strings in G major TWV 51, G9: IV. Presto | — | ||
| 34-16 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: I. Overture | — | ||
| 34-17 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: II. Menuet 1 & 2 | — | ||
| 34-18 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: III. Les Allemands anciens | — | ||
| 34-19 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IV. Les Allemands modernes | — | ||
| 34-20 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: V. Les Suédois anciens | — | ||
| 34-21 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VI. Les Suédois modernes | — | ||
| 34-22 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VII. Les Danois anciens | — | ||
| 34-23 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VIII. Les Danois modernes | — | ||
| 34-24 | Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IX. Les vieilles femmes | — | ||
| 35-1 | Symphony in D minor, Bryan d1: I. Allegro | — | ||
| 35-2 | Symphony in D minor, Bryan d1: II. Arioso. Ma non lento | — | ||
| 35-3 | Symphony in D minor, Bryan d1: III. Menuetto - Trio | — | ||
| 35-4 | Symphony in D minor, Bryan d1: IV. Presto | — | ||
| 35-5 | Symphony in G minor, Bryan g1: I. Allegro moderato | — | ||
| 35-6 | Symphony in G minor, Bryan g1: II. Andante cantabile | — | ||
| 35-7 | Symphony in G minor, Bryan g1: III. Menuetto - Trio | — | ||
| 35-8 | Symphony in G minor, Bryan g1: IV. Finale. Allegro | — | ||
| 35-9 | Symphony in C major, "Sinfonia comista", Bryan C11: I. Allegro con brio (La speranza) | — | ||
| 35-10 | Symphony in C major, "Sinfonia comista", Bryan C11: II. Andante cantabile (Il sospirare e languire) | — | ||
| 35-11 | Symphony in C major, "Sinfonia comista", Bryan C11: III. Finale. Adagio più andante (La lamentazione) - Allegro (L'allegrezza) | — | ||
| 35-12 | Symphony in A minor, Bryan a2: I. Allegro moderato | — | ||
| 35-13 | Symphony in A minor, Bryan a2: II. Andante cantabile | — | ||
| 35-14 | Symphony in A minor, Bryan a2: III. Menuetto - Trio | — | ||
| 35-15 | Symphony in A minor, Bryan a2: IV. Allegro | — | ||
| 35-16 | Symphony in E minor, Bryan e1: I. Allegro moderato | — | ||
| 35-17 | Symphony in E minor, Bryan e1: II. Andante | — | ||
| 35-18 | Symphony in E minor, Bryan e1: III. Menuetto - Trio | — | ||
| 35-19 | Symphony in E minor, Bryan e1: IV. Finale. Allegro | — | ||
| 36-1 | Salve regina | — | ||
| 36-2 | O sacrum convivium | — | ||
| 36-3 | O Ildephonse | — | ||
| 36-4 | Duo seraphim clamabant | — | ||
| 36-5 | Quam pulchri sunt | — | ||
| 36-6 | Magnificat | — | ||
| 36-7 | Super flumina Babylonis | — | ||
| 36-8 | Domine, non sum dignus | — | ||
| 36-9 | Beati immaculati | — | ||
| 36-10 | Sancta Maria | — | ||
| 36-11 | O sacrum convivium [II] | — | ||
| 36-12 | Senex puerum portabat | — | ||
| 36-13 | Ave Maria | — | ||
| 37-1 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": I. Allegro | — | ||
| 37-2 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": II. Largo | — | ||
| 37-3 | Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": III. Presto | — | ||
| 37-4 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": I. Largo | — | ||
| 37-5 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": II. Fantasmi | — | ||
| 37-6 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": III. Presto | — | ||
| 37-7 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": IV. Il Sonno - Largo | — | ||
| 37-8 | Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": V. Allegro | — | ||
| 37-9 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": I. Allegro | — | ||
| 37-10 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": II. Largo | — | ||
| 37-11 | Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": III. Allegro | — | ||
| 37-12 | Concerto in G major, Op. 10 No. 4, RV 435: I. Allegro | — | ||
| 37-13 | Concerto in G major, Op. 10 No. 4, RV 435: II. Largo | — | ||
| 37-14 | Concerto in G major, Op. 10 No. 4, RV 435: III. Allegro | — | ||
| 37-15 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": I. Allegro ma non molto | — | ||
| 37-16 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": II. Largo e cantabile | — | ||
| 37-17 | Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": III. Allegro | — | ||
| 37-18 | Concerto in G major, Op. 10 No. 6, RV 101: I. Allegro | — | ||
| 37-19 | Concerto in G major, Op. 10 No. 6, RV 101: II. Largo | — | ||
| 37-20 | Concerto in G major, Op. 10 No. 6, RV 101: III. Allegro | — | ||
| 38-1 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": I. Allegro | — | ||
| 38-2 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | — | ||
| 38-3 | Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": III. Allegro | — | ||
| 38-4 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molta | — | ||
| 38-5 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": II. Adagio, Presto | — | ||
| 38-6 | Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": III. Presto | — | ||
| 38-7 | The Four Seasons: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro, Allegro assai | Enrico Onofri, Il giardino armonico, Giovanni Antonini | — | |
| 38-8 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | — | ||
| 38-9 | Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | — | ||
| 38-10 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | — | ||
| 38-11 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | — | ||
| 38-12 | Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | — | ||
| 38-13 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: I. Allegro | — | ||
| 38-14 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: II. Largo | — | ||
| 38-15 | Oboe Concerto in D minor, op. 8 no. 9, RV 454: III. Allegro | — | ||
| 38-16 | Violin Concerto in G minor, op. 8 no. 8, RV 332: I. Allegro | — | ||
| 38-17 | Violin Concerto in G minor, op. 8 no. 8, RV 332: II. Largo | — | ||
| 38-18 | Violin Concerto in G minor, op. 8 no. 8, RV 332: III. Allegro | — | ||
| 39-1 | Hipocondrie à 7 concerttanti in A major, ZWV 187 | — | ||
| 39-2 | Sonata No. 2 in G minor, ZWV 181: I. Andante | — | ||
| 39-3 | Sonata No. 2 in G minor, ZWV 181: II. Allegro | — | ||
| 39-4 | Sonata No. 2 in G minor, ZWV 181: III. Andante | — | ||
| 39-5 | Sonata No. 2 in G minor, ZWV 181: IV. Allegro assai | — | ||
| 39-6 | Overture à 7 concerttanti in F major, ZWV 188: I. Grave - Allegro - Grave | — | ||
| 39-7 | Overture à 7 concerttanti in F major, ZWV 188: II. Aria | — | ||
| 39-8 | Overture à 7 concerttanti in F major, ZWV 188: III. Menuet I & II | — | ||
| 39-9 | Overture à 7 concerttanti in F major, ZWV 188: IV. [Siciliano] | — | ||
| 39-10 | Overture à 7 concerttanti in F major, ZWV 188: V. Folie | — | ||
| 40-1 | Old Hall Manuscript: Alma Proles | — | ||
| 40-2 | Old Hall Manuscript: Crux Fidelis | — | ||
| 40-3 | Old Hall Manuscript: Qualis est dilectus | — | ||
| 40-4 | Old Hall Manuscript: O crux gloriosa | — | ||
| 40-5 | Old Hall Manuscript: Gloria | — | ||
| 40-6 | Old Hall Manuscript: Salve porta paradisi | — | ||
| 40-7 | Old Hall Manuscript: Gaude virgo | — | ||
| 40-8 | Old Hall Manuscript: Credo | — | ||
| 40-9 | Old Hall Manuscript: Albanus roseo rutilat | — | ||
| 40-10 | Old Hall Manuscript: Agnus Dei | — | ||
| 40-11 | Madrigals: Those sweet delightful lilies | — | ||
| 40-12 | Madrigals: Some men desire spouses | — | ||
| 40-13 | Madrigals: Retire, my troubled soul | — | ||
| 40-14 | Madrigals: Hark jolly shepherds | — | ||
| 40-15 | Madrigals: Come woeful Orpheus | — | ||
| 40-16 | Madrigals: Come sirrah Jack ho! | — | ||
| 40-17 | Madrigals: O my thoughts surcease | — | ||
| 40-18 | Madrigals: Die now, my heart | — | ||
| 41-1 | Variations on "La Follia", Op. 5 No. 12 in G minor: I. Adagio | — | ||
| 41-2 | Variations on "La Follia", Op. 5 No. 12 in G minor: II. Allegro | — | ||
| 41-3 | Variations on "La Follia", Op. 5 No. 12 in G minor: III. Adagio | — | ||
| 41-4 | Variations on "La Follia", Op. 5 No. 12 in G minor: IV. Vivace | — | ||
| 41-5 | Variations on "La Follia", Op. 5 No. 12 in G minor: V. Allegro | — | ||
| 41-6 | Variations on "La Follia", Op. 5 No. 12 in G minor: VI. Andante | — | ||
| 41-7 | Variations on "La Follia", Op. 5 No. 12 in G minor: VII. Allegro | — | ||
| 41-8 | Variations on "La Follia", Op. 5 No. 12 in G minor: VIII. Adagio | — | ||
| 41-9 | Variations on "La Follia", Op. 5 No. 12 in G minor: IX. Allegro | — | ||
| 41-10 | Sonata in C major: I. Adagio | — | ||
| 41-11 | Sonata in C major: II. Allegro | — | ||
| 41-12 | Sonata in C major: III. Largo | — | ||
| 41-13 | Sonata in C major: IV. Presto | — | ||
| 41-14 | Sonata in G major: I. Largo | — | ||
| 41-15 | Sonata in G major: II. Allegro | — | ||
| 41-16 | Sonata in G major: III. Largo | — | ||
| 41-17 | Sonata in G major: IV. Allegro | — | ||
| 41-18 | Sonata in A minor: I. Adagio | — | ||
| 41-19 | Sonata in A minor: II. Allegro | — | ||
| 41-20 | Sonata in A minor: III. Tempi di minuetto | — | ||
| 41-21 | Sonata in A minor: IV. Allegro | — | ||
| 41-22 | Sonata Op. 13, No. 6 in G minor: I. Vivace | — | ||
| 41-23 | Sonata Op. 13, No. 6 in G minor: II. Alla breve | — | ||
| 41-24 | Sonata Op. 13, No. 6 in G minor: III. Largo | — | ||
| 41-25 | Sonata Op. 13, No. 6 in G minor: IV. Allegro ma non presto | — | ||
| 41-26 | Sonata Op. 2, No. 11 in D minor: I. Adagio | — | ||
| 41-27 | Sonata Op. 2, No. 11 in D minor: II. Allegro | — | ||
| 41-28 | Sonata Op. 2, No. 11 in D minor: III. Largo | — | ||
| 41-29 | Sonata Op. 2, No. 11 in D minor: IV. Allegro | — | ||
| 41-30 | Sonata Op. 5, No. 4 in F major: I. Adagio | — | ||
| 41-31 | Sonata Op. 5, No. 4 in F major: II. Allegro | — | ||
| 41-32 | Sonata Op. 5, No. 4 in F major: III. Vivace | — | ||
| 41-33 | Sonata Op. 5, No. 4 in F major: IV. Adagio | — | ||
| 41-34 | Sonata Op. 5, No. 4 in F major: V. Allegro | — | ||
| 41-35 | Sonata in A minor: I. Largo | — | ||
| 41-36 | Sonata in A minor: II. Allegro | — | ||
| 41-37 | Sonata in A minor: III. Allegro | — | ||
| 41-38 | Sonata in A minor: IV. Allegro | — | ||
| 42-1 | Cello Sonata No. 7 in B flat major G8: I. Allegro | — | ||
| 42-2 | Cello Sonata No. 7 in B flat major G8: II. Largo - Allegro - Adagio | — | ||
| 42-3 | Cello Sonata No. 7 in B flat major G8: III. Larghetto - Allegro - Larghetto - Presto - Primo Tempo - Allegro - Larghetto | — | ||
| 42-4 | Canon for 2 Violoncellos | — | ||
| 42-5 | Ricercata No. 8 | — | ||
| 42-6 | Sonata III for 2 Cellos in A minor: I. Andante | — | ||
| 42-7 | Sonata III for 2 Cellos in A minor: II. Allegro | — | ||
| 42-8 | Sonata No. 3 for 2 Cellos in A minor: III. Minuet. Allegro | — | ||
| 42-9 | Cello Sonata No. 1 in A minor: I. Andante | — | ||
| 42-10 | Cello Sonata No. 1 in A minor: II. Allegro | — | ||
| 42-11 | Cello Sonata No. 1 in A minor: III. Grazioso - Minuet - Grazioso | — | ||
| 42-12 | Cello Sonata No. 1 in B flat major, RV 423: I. Largo | — | ||
| 42-13 | Cello Sonata No. 1 in B flat major, RV 423: II. Allegro | — | ||
| 42-14 | Cello Sonata No. 1 in B flat major, RV 423: III. Largo | — | ||
| 42-15 | Cello Sonata No. 1 in B flat major, RV 423: IV. Allegro | — | ||
| 42-16 | Cello Sonata in D minor, Op. 5 No. 2: I. Andante | — | ||
| 42-17 | Cello Sonata in D minor, Op. 5 No. 2: II. Presto | — | ||
| 42-18 | Cello Sonata in D minor, Op. 5 No. 2: III. Adagio | — | ||
| 42-19 | Cello Sonata in D minor, Op. 5 No. 2: IV. Allegro | — | ||
| 43-1 | Pavan in C major | — | ||
| 43-2 | Suite No. 1 in C minor: I. Fantasia | — | ||
| 43-3 | Suite No. 1 in C minor: II. In Nomine | — | ||
| 43-4 | Suite No. 1 in C minor: III. Air | — | ||
| 43-5 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 43-6 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 43-7 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 43-8 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 43-9 | Sonata No. 7 in D minor: III. Air (Galliard) | — | ||
| 43-10 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 43-11 | Fantasia | — | ||
| 43-12 | Suite: Fantasia | — | ||
| 43-13 | Suite: Almand | — | ||
| 43-14 | Suite: Galliard | — | ||
| 43-15 | Pavan in D BK52a | — | ||
| 43-16 | Galliard in D BK52b | — | ||
| 43-17 | Fantasia No. 2 a 6 in G minor BE17, 12 | — | ||
| 43-18 | Fantasia No. 3 a 3 in C BK27 | — | ||
| 43-19 | Ricercar, "Bonney sweet Robin" | — | ||
| 43-20 | Fantasia | — | ||
| 44-1 | Suite No. 2 a 5 in F major: I. Fantasia | — | ||
| 44-2 | Suite No. 2 a 5 in F major: II. Aire | — | ||
| 44-3 | Pavan in A major | — | ||
| 44-4 | Fantasia in D major | — | ||
| 44-5 | Sonata No. 7 in D minor: I. Fantasia | — | ||
| 44-6 | Sonata No. 7 in D minor: II. Air (Almand) | — | ||
| 44-7 | Sonata No. 7 in D minor: III. Galliard | — | ||
| 44-8 | Pavan and Galliard a 6 in C major: I. Pavan | — | ||
| 44-9 | Pavan and Galliard a 6 in C major: II. Galliard | — | ||
| 44-10 | Dowland's Lachrymae | — | ||
| 44-11 | Galliard "Can she excuse my wrongs" | — | ||
| 44-12 | A Sad Pavan for these Distracted Times | — | ||
| 44-13 | Suite No. 3 a 6 in B flat major: II. In nomine | — | ||
| 44-14 | Nancie | — | ||
| 44-15 | Pavana Chromatica, "Mrs Katherin Tregians Pavan" | — | ||
| 44-16 | Pavane in D major, BK52a | — | ||
| 44-17 | Galliard in D major, BK52b | — | ||
| 44-18 | Fantasia No. 1 in G on Ut re mi fa sol la, "Hexachord Fantasia" | — | ||
| 45-1 | Hey ho, to the greenwood | — | ||
| 45-2 | Luer falconers | — | ||
| 45-3 | Hey trola, trola | — | ||
| 45-4 | We cats when assembled | — | ||
| 45-5 | Round about in a fair ring | — | ||
| 45-6 | Yonder comes | — | ||
| 45-7 | Since time so kind | — | ||
| 45-8 | I cannot come every day | — | ||
| 45-9 | Once, twice, thrice | — | ||
| 45-10 | Tomorrow the fox will come | — | ||
| 45-11 | Canst thou love | — | ||
| 45-12 | Celia learning on a spinnet | — | ||
| 45-13 | Who liveth so merry | — | ||
| 45-14 | Long have we bin perplext | — | ||
| 45-15 | Hey ho, nobody at home | — | ||
| 45-16 | Give us once a drink | — | ||
| 45-17 | Would you know | — | ||
| 45-18 | The glories of our birth | — | ||
| 45-19 | Under this stone | — | ||
| 45-20 | Who's the fool now? | — | ||
| 45-21 | Diaphenia | — | ||
| 45-22 | Thinkst thou kate | — | ||
| 45-23 | Down-a-down | — | ||
| 45-24 | A shepherd in a shade | — | ||
| 45-25 | Fine knacks for ladies | — | ||
| 45-26 | Where sin sore wounding | — | ||
| 45-27 | Never weather-beaten sail | — | ||
| 45-28 | Jack and jone | — | ||
| 46-1 | Capriccio stravagante à 4 | — | ||
| 46-2 | Fechtschule à 4 | — | ||
| 46-3 | Sonata violino solo representativa in A major | — | ||
| 46-4 | Le Tableau de l'operation de la taille | — | ||
| 46-5 | Concerto, Op. 10 No. 2 "La Notte", RV 439: I. Largo | — | ||
| 46-6 | Concerto, Op. 10 No. 2 "La Notte", RV 439: II. Fantasmi. Presto - Largo - Andante | — | ||
| 46-7 | Concerto, Op. 10 No. 2 "La Notte", RV 439: III. Il Sonno. Largo | — | ||
| 46-8 | Concerto, Op. 10 No. 2 "La Notte", RV 439: IV. Allegro | — | ||
| 47-1 | Quintet in D major, Op. 11 No. 6: I. Allegro | — | ||
| 47-2 | Quintet in D major, Op. 11 No. 6: II. Andantino | — | ||
| 47-3 | Quintet in D major, Op. 11 No. 6: III. Allegro assai | — | ||
| 47-4 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: I. Allegro | — | ||
| 47-5 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: II. Andante | — | ||
| 47-6 | Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: III. Menuetto | — | ||
| 47-7 | Trio in A major, Op. 1 No. 2: I. Allegro assai | — | ||
| 47-8 | Trio in A major, Op. 1 No. 2: II. Andante poco Adagio | — | ||
| 47-9 | Trio in A major, Op. 1 No. 2: III. Menuet | — | ||
| 47-10 | Trio in A major, Op. 1 No. 2: IV. Prestissimo | — | ||
| 47-11 | String Quartet in B flat major, Op. 5 No. 2: I. Poco Allegretto | — | ||
| 47-12 | String Quartet in B flat major, Op. 5 No. 2: II. Poco Andante | — | ||
| 47-13 | String Quartet in B flat major, Op. 5 No. 2: III. Fugato presto | — | ||
| 48-1 | In Nomine IX | — | ||
| 48-2 | The King's Hunt | — | ||
| 48-3 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Pavan | — | ||
| 48-4 | Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Gaillard | — | ||
| 48-5 | Queen Elizabeth's Chromatic Pavan and Gaillard: Dutch Dance | — | ||
| 48-6 | Queen Elizabeth's Chromatic Pavan and Gaillard: Fantasia XII | — | ||
| 48-7 | Fantastic Pavan and Gaillard: Fantastic Pavan | — | ||
| 48-8 | Fantastic Pavan and Gaillard: Galiarda | — | ||
| 48-9 | Fantastic Pavan and Gaillard: In Nomine IX | — | ||
| 48-10 | Fantastic Pavan and Gaillard: Germain's Alman | — | ||
| 48-11 | Fantastic Pavan and Gaillard: Fantasia X | — | ||
| 48-12 | Fantastic Pavan and Gaillard: Canon in subdiapente | — | ||
| 48-13 | Fantastic Pavan and Gaillard: Doctor Bull's My Selfe | — | ||
| 49-1 | Concerto for Recorder, two Violins and Viola in A minor: I. Largo | — | ||
| 49-2 | Concerto for Recorder, two Violins and Viola in A minor: II. Allegro | — | ||
| 49-3 | Concerto for Recorder, two Violins and Viola in A minor: III. Larghetto | — | ||
| 49-4 | Concerto for Recorder, two Violins and Viola in A minor: IV. Spiritoso | — | ||
| 49-5 | Mandolin Sonata in D minor K 90: I. Grave | — | ||
| 49-6 | Mandolin Sonata in D minor K 90: II. Allegro | — | ||
| 49-7 | Mandolin Sonata in D minor K 90: III. Allegro | — | ||
| 49-8 | Concerto for two Violins and Viola in G minor: I. Affettuoso | — | ||
| 49-9 | Concerto for two Violins and Viola in G minor: II. Presto | — | ||
| 49-10 | Concerto for two Violins and Viola in G minor: III. Largo affettuoso | — | ||
| 49-11 | Concerto for two Violins and Viola in G minor: IV. Allegro | — | ||
| 49-12 | Sonata for Recorder and two Violins in A minor: I. Allegro | — | ||
| 49-13 | Sonata for Recorder and two Violins in A minor: II. Largo | — | ||
| 49-14 | Sonata for Recorder and two Violins in A minor: III. Fuga | — | ||
| 49-15 | Sonata for Recorder and two Violins in A minor: IV. Piano | — | ||
| 49-16 | Sonata for Recorder and two Violins in A minor: V. Allegro | — | ||
| 49-17 | Sonata for Recorder and two Violins in D minor: I. Amoroso | — | ||
| 49-18 | Sonata for Recorder and two Violins in D minor: II. Allegro | — | ||
| 49-19 | Sonata for Recorder and two Violins in D minor: III. Largo | — | ||
| 49-20 | Sonata for Recorder and two Violins in D minor: IV. Allegro | — | ||
| 50-1 | Der Understand ist ihr verwandt | — | ||
| 50-2 | Der Liebe Macht herrscht Tag und Nacht | — | ||
| 50-3 | Der Rheinische Wien tanzt gar zu fein | — | ||
| 50-4 | Wald-Gesang | — | ||
| 50-5 | Lob der Freundschaft | — | ||
| 50-6 | Vorjahrs-Liedchen | — | ||
| 50-7 | Serenade for Strings and Bass Continuo | — | ||
| 50-8 | Meine Seele, willt du ruh'n | — | ||
| 50-9 | Von der Ewigkeit | — | ||
| 50-10 | Ich wall auf Erden hin und her | — | ||
| 50-11 | Erbarm dich mein o Herre Gott | — | ||
| 50-12 | Fly swift, ye hours | — | ||
| 50-13 | The Father Brave | — | ||
| 50-14 | Return, revolting Rebels | — | ||
| 50-15 | Sérénade | — | ||
| 50-16 | Quoy Clorinde, tu pars | — | ||
| 50-17 | Pauvres amants | — | ||
| 50-18 | Ha! quelle folie | — | ||
| 50-19 | Ombre opach | — | ||
| 50-20 | Lagrime dolorose | — | ||
| 50-21 | O che nuovo stupor | — | ||
| 51-1 | Vanitas vanitatum II: Simphonia | — | ||
| 51-2 | Vanitas vanitatum II: "Hinc, mortales" | — | ||
| 51-3 | Ogni nostro piacer | — | ||
| 51-4 | Musiche sacre e morali: "Da tutti gli horologi si cava moralità" | — | ||
| 51-5 | Ergi la mente al sole: Introduttione | — | ||
| 51-6 | Ergi la mente al sole: "Io sono il sole" | — | ||
| 51-7 | Florido concento di madrigale: "Sospirate bellezze" | — | ||
| 51-8 | Arie: "Superbe colli" | — | ||
| 51-9 | O si quis daret concentum | — | ||
| 51-10 | Canzonette spirituali, e morali: Ciaccona di Paradiso, e dell'Inferno. "O che bel star è star in Paradiso" | — | ||
| 51-11 | Canzonette spirituali, e morali: Passacalli della vita. "O, come t'inganni" | — |
Organ Sonata in A major, H 133: I. Allegro
—
Organ Sonata in A major, H 133: II. Andante con Tenerezza
—
Organ Sonata in A major, H 133: III. Allegretto
—
Organ Sonata in B flat major, H 134: I. Allegro
—
Organ Sonata in B flat major, H 134: II. Arioso
—
Organ Sonata in B flat major, H 134: III. Allegro
—
Organ Sonata in F major, H 84: I. Allegro
—
Organ Sonata in F major, H 84: II. Largo
—
Organ Sonata in F major, H 84: III. Allegretto
—
Organ Sonata in A minor, H 85: I. Allegro assai
—
Organ Sonata in A minor, H 85: II. Adagio
—
Organ Sonata in A minor, H 85: III. Allegro
—
Organ Sonata in D major, H 86: I. Allegro di molto
—
Organ Sonata in D major, H 86: II. Adagio é mesto
—
Organ Sonata in D major, H 86: III. Allegro
—
Organ Sonata in G minor, H 87: I. Allegro moderato
—
Organ Sonata in G minor, H 87: II. Adagio
—
Organ Sonata in G minor, H 87: III. Allegro
—
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
—
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
—
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
—
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4
—
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5
—
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4, 'im Stile francese'
—
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4, 'per Augmentationem et Diminutionem'
—
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3
—
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4, 'alla Duodecima'
—
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4, 'alla Decima'
—
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4
—
Die Kunst der Fuge, BWV 1080: XII. Canon alla Ottava
—
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima, 'in Contrapuncto alla Quinta'
—
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima, 'Contrapuncto alla Terza'
—
Die Kunst der Fuge, BWV 1080: XIV. Canon, 'per Augmentationem in contrario motu'
—
Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'rectus'
—
Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'inversus'
—
Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'rectus'
—
Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'inversus'
—
Goldberg Variations, BWV 988: I. Aria
—
Goldberg Variations, BWV 988: II. Variation 1
—
Goldberg Variations, BWV 988: III. Variation 2
—
Goldberg Variations, BWV 988: IV. Variation 3. Canone all'Unisono
—
Goldberg Variations, BWV 988: V. Variation 4
—
Goldberg Variations, BWV 988: VI. Variation 5
—
Goldberg Variations, BWV 988: VII. Variation 6. Canone alla Seconda
—
Goldberg Variations, BWV 988: VIII. Variation 7. Al tempo di Giga
—
Goldberg Variations, BWV 988: IX. Variation 8
—
Goldberg Variations, BWV 988: X. Variation 9. Canone alla Terza
—
Goldberg Variations, BWV 988: XI. Variation 10. Fugetta
—
Goldberg Variations, BWV 988: XII. Variation 11
—
Goldberg Variations, BWV 988: XIII. Variation 12. Canone alla Quarta
—
Goldberg Variations, BWV 988: XIV. Variation 13
—
Goldberg Variations, BWV 988: XV. Variation 14
—
Goldberg Variations, BWV 988: XVI. Variation 15. Canone alla Quinta
—
Goldberg Variations, BWV 988: XVII. Variation 16. Ouverture
—
Goldberg Variations, BWV 988: XVIII. Variation 17
—
Goldberg Variations, BWV 988: XIX Variation 18. Canone alla Sesta
—
Goldberg Variations, BWV 988: XX. Variation 19
—
Goldberg Variations, BWV 988: XXI. Variation 20
—
Goldberg Variations, BWV 988: XXII. Variation 21. Canone alla Settima
—
Goldberg Variations, BWV 988: XXIII. Variation 22. Alla breve
—
Goldberg Variations, BWV 988: XXIV. Variation 23
—
Goldberg Variations, BWV 988: XXV. Variation 24. Canone all'Ottava
—
Goldberg Variations, BWV 988: XXVI. Variation 25. Adagio
—
Goldberg Variations, BWV 988: XXVII. Variation 26
—
Goldberg Variations, BWV 988: XXVIII. Variation 27. Canone alla Nona
—
Goldberg Variations, BWV 988: XXIX. Variation 28
—
Goldberg Variations, BWV 988: XXX. Variation 29
—
Goldberg Variations, BWV 988: XXXI. Variation 30
—
Goldberg Variations, BWV 988: XXXII. Aria da capo
—
Gustav Leonhardt, Leonhardt-Consort
Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo
Gustav Leonhardt, Leonhardt-Consort
—
Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto
Gustav Leonhardt, Leonhardt-Consort
—
Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort
Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante
Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort
—
Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai
Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort
—
Gustav Leonhardt, Leonhardt-Consort
Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante
Gustav Leonhardt, Leonhardt-Consort
—
Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro
Gustav Leonhardt, Leonhardt-Consort
—
Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio
Gustav Leonhardt, Leonhardt-Consort
—
Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto
Gustav Leonhardt, Leonhardt-Consort
—
Gustav Leonhardt, Leonhardt-Consort
Gustav Leonhardt, Leonhardt-Consort
Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro
Gustav Leonhardt, Leonhardt-Consort
—
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison
Emiko Iiyama, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
Emiko Iiyama, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus
Kurt Equiluz, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus
Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien
—
Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum
Helen Watts, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
Max van Egmond, Nikolaus Harnoncourt, Concentus Musicus Wien
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: III. Sanctus. Sanctus
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus
Kurt Equiluz, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: II. Adagio
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: III. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: IV.Menuetto - Trio - Menuetto - Polacca -Trio - Menuetto
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: I. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: II. Andante
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: III. Allegro assai
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: I. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: II. Adagio
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: III. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
Giovanni Antonini, Enrico Onofri, Petr Zejfart, Il giardino armonico
—
Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
Il giardino armonico
—
Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
Il giardino armonico
—
Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
Il giardino armonico
—
Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
Il giardino armonico
—
Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
Il giardino armonico
—
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro
Il giardino armonico
—
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
Il giardino armonico
—
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
Il giardino armonico
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: I. Coro "Halt im Gedächtnis Jesum Christ" (Choir)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: II. Aria "Mein Jesus ist erstanden" (Tenor)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: III. Recitativo "Mein Jesu, heissest du des Todes Gift" (Contralto)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: IV. Chorale "Erschienen ist der herrlich Tag" (Choir)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: V. Recitativo "Doch scheinet fast, dass mich der Feinde Rest" (Contralto)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VI. Aria & Coro "Friede sei mit euch" (Bass, Choir)
—
Cantata No. 67 "Halt im Gedächtnis Jesum Christ", BWV 67: VII. Chorale "Du Friedefürst, Herr Jesu Christ" (Choir)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: I. Aria "Es ist euch gut, dass ich hingehe" (Bass)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: II. Aria "Mich kann kein Zweifel stören" (Tenor)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: III. Recitativo "Dein Geist wird mich also regieren" (Tenor)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: IV. Coro "Wenn aber jener, der Geist der Wahrheit kommen wird" (Choir)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: V. Aria "Was mein Herz von dir begehrt" (Contralto)
—
Cantata No. 108 "Es ist euch gut, dass ich hingehe", BWV 108: VI. Chorale "Dein Geist, den Gott vom Himmel gibt" (Choir)
—
Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: I. Coro "Herr Jesu Christ, wahr'r Mensch und Gott" (Choir)
—
Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: II. Recitativo "Wenn Alles sich zur letzten Zeit entsetzet" (Tenor)
—
Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: III. Aria "Die Seele ruht in Jesu Händen" (Soprano)
—
Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: IV. Recitativo & Aria "Wenn einstens die Posaunen schallen" (Bass)
—
Cantata No. 127 "Herr Jesu Christ, wahr'r Mensch und Gott", BWV 127: V. Chorale "Ach Herr, vergib all' unsre Schuld" (Choir)
—
Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt
Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt
Concerto in D minor for violin & oboe, BWV 1060: Allegro
Alice Harnoncourt, Jürg Schaeftlein, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro di molto
Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt
—
Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Allegro
Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt
—
Double Concerto in E-flat major for Harpsichord, Fortepiano, 2 Flutes, 2 Horns and Strings, W. 47: Presto
Anneke Uittenbosch, Jean Antonietti, Leonhardt-Consort, Gustav Leonhardt
—
Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Allegro moderato
Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt
—
Sinfonia Concertante in F major for Oboe, Violoncello, 2 Oboes, 2 Horns, Strings and Basso Continuo, T. VIII/6: Tempo di minuetto
Jürg Schaeftlein, Anner Bylsma, Leonhardt-Consort, Gustav Leonhardt
—
Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Un poco allegro
Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt
—
Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Cantabile
Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt
—
Double Concerto in E-flat major for 2 Harpsichords, 2 Trumpets, 2 Horns, Timpani and Bass, F. 46: Vivace
Alan Curtis, Anneke Uittenbosch, Leonhardt-Consort, Gustav Leonhardt
—
Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro
Gustav Leonhardt, Eduard Müller, Leonhardt-Consort
—
Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano
Gustav Leonhardt, Eduard Müller, Leonhardt-Consort
—
Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai
Gustav Leonhardt, Eduard Müller, Leonhardt-Consort
—
Orchestral Suite No. 1 in C major, BWV 1066: Ouverture
—
Orchestral Suite No. 1 in C major, BWV 1066: Courante
—
Orchestral Suite No. 1 in C major, BWV 1066: Gavotte I - Gavotte II
—
Orchestral Suite No. 1 in C major, BWV 1066: Forlane
—
Orchestral Suite No. 1 in C major, BWV 1066: Menuet I - Menuet II
—
Orchestral Suite No. 1 in C major, BWV 1066: Bourrée I - Bourrée II
—
Orchestral Suite No. 1 in C major, BWV 1066: Passepied I - Passepied II
—
Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture
—
Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau
—
Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande
—
Orchestral Suite No. 2 in B minor, BWV 1067: Bourrée I - Bourrée II
—
Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise - Double
—
Orchestral Suite No. 2 in B minor, BWV 1067: Menuet
—
Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIV. Aria "Ihr Felder und Auen" (Pan)
—
Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und da
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass)
—
Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass)
—
Matthäus-Passion BWV 244: 1. I. Chorus (1,2) "Kommt, ihr Töchter, helft mir klagen" / Soprano in ripieno "O Lamm Gottes"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. VI. Aria (Alto 1) "Buß und Reu"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. VIII. Aria (Soprano 2) "Blute nur, du liebes Herz"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. X. Choral "Ich bin's, ich sollte büßen"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. XIII. Aria (Soprano 1) "Ich will dir mein Herze schenken"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. XX. Aria (Tenore 1, Chorus 2) "Ich will bei meinem Jesu wachen" / Chorus "So schlafen unsre Sünden ein"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 1. XXIX. Choral "O Mensch, bewein' dein Sünde groß"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. XXX. Aria (Alto, Chorus 2) "Ach! Nun ist mein Jesus hin!" / Chorus "Wo ist denn"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. XXXV. Aria (Tenore 2) "Geduld!"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott"
Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. XL. Choral "Bin ich gleich von dir gewichen"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion BWV 244: 2. XLIX. Aria (Soprano 1) "Aus Liebe will mein Heiland sterben"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. LII. Aria (Alto 2) "Können Tränen meiner Wangen"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244: 2. LIV. Choral "O Haupt voll Blut und Wunden"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Matthäus-Passion BWV 244, 2. LX. Aria (Alto 1, Chorus 2) "Sehet, Jesus hat die Hand" / Chorus "Wohin?"
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Concentus Musicus Wien, Nikolaus Harnoncourt
Concentus Musicus Wien, Nikolaus Harnoncourt
Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder"
Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Sonata III à 5
—
Sonata prima à 8
—
Ballatae à 4 Violettae, Nos. 1 - 7
—
Battalia in D major
—
Sonata à 7
—
Sonata IV à 5
—
Sonata seconda à 8
—
Sonata à 6, "Die Pauern Kirchfahrt genandt"
—
Musical Characteristics, Op. 19: Preludio, alla Haydn
—
Keyboard Sonata in F minor, Op. 13 No. 6: I. Allegro agitato
—
Keyboard Sonata in F minor, Op. 13 No. 6: II. Largo e sostenuto
—
Keyboard Sonata in F minor, Op. 13 No. 6: III. Presto
—
Capriccio in B flat major, Op. 17
—
Keyboard Sonata in G minor, Op. 34 No. 2: I. Largo e sostenuto - Allegro con fuoco
—
Keyboard Sonata in G minor, Op. 34 No. 2: II. Un poco adagio
—
Keyboard Sonata in G minor, Op. 34 No. 2: III. Finale. Molto allegro
—
Musical Charateristics, Op. 19: Preludio, alla Mozart
—
Keyboard Sonata in F major, Op. 33 No. 2: I. Adagio
—
Keyboard Sonata in F major, Op. 33 No. 2: II. Allegro con fuoco
—
Keyboard Sonata in F major, Op. 33 No. 2: III. Presto
—
Fantasie on "Au Clair de la lune", Op. 48
—
Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": I. Vivace - Grave
—
Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": II. Allegro
—
Concerto Grosso, op. 6 no.8 “Fatto per la notte di Natale”: Adagio – Allegro – Adagio
Il giardino armonico, Giovanni Antonini
—
Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": IV. Vivace
—
Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": V. Allegro
—
Concerto grosso in G minor, Op. 6 No. 8, "Fatto per la notte di Natale": VI. Pastorale
—
Concerto in E major, RV 270, "Il riposo" / "... per il Natale": I. Allegro
—
Concerto in E major, RV 270, "Il riposo" / "... per il Natale": II. Adagio
—
Concerto in E major, RV 270, "Il riposo" / "... per il Natale": III. Allegro
—
Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": I. Grave - Vivace
—
Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": II. Largo
—
Concerto à quattro in G minor, Op. 8 No. 6, "... per il Santissimo Natale": III. Vivace
—
Sonata in A major, Op. 13 No. 4, RV 59, "Il pastor fido": II. Pastorale
—
Sinfonia Pastorale in G major for 2 Violins: I. Allegro
—
Sinfonia Pastorale in G major for 2 Violins: II. Pastorale. Andante - Canzona. Largo - Pastorale
—
Sinfonia Pastorale in G major for 2 Violins: III. Andante
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: I. Pastorale. Adagio
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: II. Aria. Presto
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: III. Aria. Grave
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins & Viola: IV. Aria Pastorale. Presto - Adagio
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: V. Minuet - Trio - Minuet
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VI. Passacaglia
—
Concerto Pastorale in F major for 2 Recorders, 2 Violins and Viola: VII. Aria
—
Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": I. Largo
—
Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": II. Largo
—
Concerto grosso in C major, Op. 3 No. 12, "con una Pastorale per il Santissimo Natale": III. Allegro
—
Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: I. Largo
—
Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: II. Allegro
—
Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: III. Andante
—
Concerti a quattro da chiesa, Op. 2, No. 1 in D minor: IV. Allegro assai
—
Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: I. Aria. Allegro
—
Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: II. Largo
—
Concerti a quattro da chiesa, Op. 2, No. 4 in A minor: III. Presto
—
Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: I. Largo
—
Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: II. Allegro e spiritoso
—
Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: III. Grave
—
Concerti a quattro da chiesa, Op. 2, No. 5 in G minor: IV. Allegro
—
Concerti a quattro da chiesa, Op. 2, No. 7 in C major: I. Largo andante
—
Concerti a quattro da chiesa, Op. 2, No. 7 in C major: II. Allegro - Adagio
—
Concerti a quattro da chiesa, Op. 2, No. 7 in C major: III. Presto
—
Concerti a più Istrumenti, Op. 5, No. 3 in E minor: I. Allegro
—
Concerti a più Istrumenti, Op. 5, No. 3 in E minor: II. Adagio cantabile
—
Concerti a più Istrumenti, Op. 5, No. 3 in E minor: III. Presto assai - Adagio - Prestissimo - Adagio
—
Concerti a più Istrumenti, Op. 5, No. 3 in E minor: IV. Largo
—
Concerti a più Istrumenti, Op. 5, No. 3 in E minor: V. Primo Passepied - Secondo Passepied
—
Concerti a più Istrumenti, Op. 5, No. 5 in C major: I. Allegro
—
Concerti a più Istrumenti, Op. 5, No. 5 in C major: II. Grave
—
Concerti a più Istrumenti, Op. 5, No. 5 in C major: III. Allegro assai
—
Concerti a più Istrumenti, Op. 5, No. 5 in C major: IV. Rondeau. Allegro
—
Concerti a più Istrumenti, Op. 5, No. 6 in D major: I. Allegro
—
Concerti a più Istrumenti, Op. 5, No. 6 in D major: II. Aria
—
Concerti a più Istrumenti, Op. 5, No. 6 in D major: III. Ciaconna. Allegro e spiccato
—
Concerti a più Istrumenti, Op. 5, No. 6 in D major: IV. Rondeau. Allegro
—
Concerti a più Istrumenti, Op. 5, No. 6 in D major: V. Allegro
—
Concerti a più Istrumenti, Op. 6, No. 5 in G major: I. Allegro e vivace assai
—
Concerti a più Istrumenti, Op. 6, No. 5 in G major: II. Aria. Adagio cantabile
—
Concerti a più Istrumenti, Op. 6, No. 5 in G major: III. Allegro
—
Concerti a più Istrumenti, Op. 6, No. 11 in E major: I. Allegro
—
Concerti a più Istrumenti, Op. 6, No. 11 in E major: II. Aria. Cantabile
—
Concerti a più Istrumenti, Op. 6, No. 11 in E major: III. Allegro e spiritoso
—
Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: I. Allegro
—
Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: II. Largo
—
Concerto No. 1 in B flat major, Op. 3 No. 1, HWV 312: III. Allegro
—
Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: I. Vivace
—
Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: II. Largo
—
Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: III. Allegro
—
Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: IV. [Menuet]
—
Concerto No. 2 in B flat major, Op. 3 No. 2, HWV 313: V. [Gavotte]
—
Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: I. Largo e staccato
—
Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: II. Allegro
—
Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: III. Adagio
—
Concerto No. 3 in G major, Op. 3 No. 3, HWV 314: IV. Allegro
—
Concerto No. 4 in F major, Op. 3, HWV 315: I. Largo - Allegro
—
Concerto No. 4 in F major, Op. 3, HWV 315: II. Andante
—
Concerto No. 4 in F major, Op. 3, HWV 315: III. Allegro
—
Concerto No. 4 in F major, Op. 3, HWV 315: IV. Menuet - Alternat - Allegro
—
Concerto in F major: I. Largo
—
Concerto in F major: II. Allegro
—
Concerto in F major: III. Largo
—
Concerto in F major: IV. Allegro
—
Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: I. [Grave]
—
Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: II. Allegro
—
Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: III. Adagio
—
Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: IV. Allegro ma non troppo
—
Concerto No. 5 in D minor, Op. 3 No. 5, HWV 316: V. Allegro
—
Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: I. Vivace
—
Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: II. Ad libitum [Adagio, improvised]
—
Concerto No. 6 in D major / D minor, Op. 3 No. 6, HWV 317: III. Allegro
—
Ode for St Cecilia's Day, HWV 76: Overture - Recitative "From Harmony, from heavn'ly Harmony" (Tenor) - Accompagnato "When Nature underneath a heap of jarring atoms lay" (Tenor)
—
Ode for St Cecilia's Day, HWV 76: Chorus "From Harmony, from heav'nly Harmony" (Chorus)
—
Ode for St Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell" (Soprano)
—
Ode for St Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" (Tenor, Chorus)
—
Ode for St Cecilia's Day, HWV 76: La Marche
—
Ode for St Cecilia's Day, HWV 76: Aria "The soft complaining Flute" (Soprano)
—
Ode for St Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim" (Tenor)
—
Ode for St Cecilia's Day, HWV 76: Aria "But oh! what art can teach..." (Soprano)
—
Ode for St Cecilia's Day, HWV 76: Aria "Orpheus could lead the savage race" (Soprano)
—
Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano)
—
Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus)
—
Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante
—
Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante
—
Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano
—
Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro
—
Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave]
—
Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario
—
Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum
—
Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro
—
Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro
—
Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum
—
Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso
—
Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet
—
Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio
—
Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro
—
Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum
—
Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro
—
Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato
—
Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato
—
Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet
—
Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte
—
Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo
—
Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum]
—
Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario
—
Water Music: Overture. Grave - Allegro
—
Water Music: Adagio e staccato
—
Water Music: [Allegro] - Andante
—
Water Music: [Menuet I]
—
Water Music: Air
—
Water Music: [Menuet II]
—
Water Music: Bourrée
—
Water Music: Hornpipe
—
Water Music: [Andante]
—
Water Music: [Allegro]
—
Water Music: [Hornpipe]
—
Water Music: [Menuet III]
—
Water Music: Aria [Bourrée]
—
Water Music: Lentement [Loure]
—
Water Music: Air [Bourrée]
—
Water Music: Menuet
—
Water Music: [Air]
—
Water Music: Gigue I
—
Water Music: Gigue II
—
Water Music: Coro
—
Organ Concerto in D minor, HWV 304: I. Andante
—
Organ Concerto in D minor, HWV 304: II. Adagio, Organo ad libitum, e poi una Fuga allegro ad libitum
—
Organ Concerto in D minor, HWV 304: III. Allegro
—
Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": I. Larghetto
—
Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": II. Allegro
—
Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": III. Organo ad libitum ex A
—
Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": IV. Larghetto
—
Organ Concerto in F major, HWV 295 "The Cuckoo amd the Nightingale": V. Allegro
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Kyrie: I. Kyrie
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: II. Gloria
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: III. Gratias
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Gloria: IV. Quoniam
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: V. Credo
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VI. Et incarnatus
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Credo: VII. Et resurrexit
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Sanctus: VIII. Sanctus
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Benedictus: IX. Benedictus
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: X. Agnus Dei
—
Mass No. 14 in B flat major, Hob. XXII:14, "Harmoniemesse": Agnus Dei: XI. Dona nobis pacem
—
Cantata "Qual dubbio ormai" Hob. XXIVa:4: I. Recitativo accompagnato "Qual dubbio ormai"
—
Cantata "Qual dubbio ormai" Hob. XXIVa:4: II. Aria "Se ogni giorno, Prence invitto"
—
Cantata "Qual dubbio ormai" Hob. XXIVa:4: III. Recitativo "Saggia il pensier"
—
Cantata "Qual dubbio ormai" Hob. XXIVa:4: IV. Coro "Scenda propizio un raggio"
—
Te Deum in C major Hob. XXIIIc:1: I. Te Deum Laudamus
—
Te Deum in C major Hob. XXIIIc:1: II. Te ergo quaesumus
—
Te Deum in C major Hob. XXIIIc:1: III. Aeterna fac cum sanctus tuis
—
Matins for the Virgin of Guadalupe: Invitatorio y Salmo 94
—
Matins for the Virgin of Guadalupe: Hymno. Quem terra pontus sidera
—
Matins for the Virgin of Guadalupe: Bendicíon y Leccíon I
—
Matins for the Virgin of Guadalupe: Responsorio. Vidi speciosam sicut columbam
—
Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae ascendit
—
Matins for the Virgin of Guadalupe: Bendicíon y Leccíon II
—
Matins for the Virgin of Guadalupe: Responsorio. Quae est ista, quae processit
—
Matins for the Virgin of Guadalupe: Interludio. Albricias mortales
—
Matins for the Virgin of Guadalupe: Antífona y Salmo 18
—
Matins for the Virgin of Guadalupe: Responsorio. Signum magnum apparuit in caelo
—
Matins for the Virgin of Guadalupe: Versículo, Padrenuestro y Absolución
—
Matins for the Virgin of Guadalupe: Responsorio. Beatam me dicent omnes
—
Matins for the Virgin of Guadalupe: Benedicíon y Leccíon III
—
Matins for the Virgin of Guadalupe: Te Deum: I. Te deum laudamus
—
Matins for the Virgin of Guadalupe: Te Deum: II. Te aeternum Patrem
—
Matins for the Virgin of Guadalupe: Te Deum: III. Tibi omnes Angeli
—
Matins for the Virgin of Guadalupe: Te Deum: IV. Tibi Cherubim et Seraphim
—
Matins for the Virgin of Guadalupe: Te Deum: V. Sanctus
—
Matins for the Virgin of Guadalupe: Te Deum: VI. Pleni sunt caeli
—
Matins for the Virgin of Guadalupe: Te Deum: VII. Te ergo quaesumus
—
Matins for the Virgin of Guadalupe: Te Deum: VIII. Aeterna fac cum sanctis tuis
—
Matins for the Virgin of Guadalupe: Te Deum: IX. In te, Domine, speravi
—
Matins for the Virgin of Guadalupe: Recesional. Angélicas milicias
—
String Symphony No. 8 in D major: I. Adagio e Grave - Allegro
—
String Symphony No. 8 in D major: II. Adagio
—
String Symphony No. 8 in D major: III. Menuetto - Trio. Presto
—
String Symphony No. 8 in D major: IV. Allegro molto
—
String Symphony No. 9 in C minor: I. Grave - Allegro
—
String Symphony No. 9 in C minor: II. Andante
—
String Symphony No. 9 in C minor: III. Scherzo - Trio. Più Lento ("La Suisse")
—
String Symphony No. 9 in C minor: IV. Allegro vivace - Presto - Più stretto
—
String Symphony No. 10 in B minor: Adagio - Allegro - Più presto
—
Madrigals, Book 7: "Augellin, che la voce"
—
Madrigals, Book 7: "Tornate, o cari baci"
—
Madrigals, Book 8: Ninfa che scalza il piede: "Ninfa, che scalza il piede"
—
Madrigals, Book 8: Ninfa che scalza il piede: "Qui deh meco t'arresta"
—
Madrigals, Book 8: Ninfa che scalza il piede: "Dell'usate mie corde al suon"
—
Madrigals, Book 7: "Ecco vicine, o bella tigre"
—
Madrigals, Book 7: "Eccomi pronta ai baci"
—
Madrigals, Book 7: "S'el vostro cor, madonna"
—
Scherzi Musicali: "Zefiro torna" ('ciacona')
—
Madrigals, Book 8: Lamento della Ninfa: "Non havea Febo ancore"
—
Madrigals, Book 8: Lamento della Ninfa: "Amor, dicea" (Lamento della Ninfa)
—
Madrigals, Book 8: Lamento della Ninfa: "Si tra sdegnosi pianti"
—
Madrigals, Book 8: "Mentre vaga Angioletta"
—
Madrigals, Book 7: "Vaga su spina ascosa"
—
Madrigals, Book 7: "Perchè fuggi tra salci"
—
Madrigals, Book 8: Ogni amante è guerrier: "Ogni amante è guerrier"
—
Madrigals, Book 8: Ogni amante è guerrier: "Io che nell'otio nacqui"
—
Madrigals, Book 8: Ogni amante è guerrier: "Ma per quel ampio Egeo"
—
Madrigals, Book 8: Ogni amante è guerrier: "Riedi ch'al nostr'ardir"
—
Madrigals, Book 8: Gira il nemico insidioso: "Gira il nemico insidioso"
—
Madrigals, Book 8: Gira il nemico insidioso: "Nol lasciamo accostar"
—
Madrigals, Book 8: Gira il nemico insidioso: "Armi false non son"
—
Madrigals, Book 8: Gira il nemico insidioso: "Vuol degl'occhi"
—
Madrigals, Book 8: Gira il nemico insidioso: "Non è più tempo"
—
Madrigals, Book 8: Gira il nemico insidioso: "Cor mio, non val fuggir"
—
Madrigals, Book 7: "Soave libertate"
—
L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: Sinfonia (I)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: Sinfonia (II)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Possente spirto» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: Sinfonia (IV)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto terzo: Sinfonia (V)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quarto: «Benche severo» (Plutone)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: Ritornello
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: Sinfonia
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori)
Concentus Musicus Wien, Nikolaus Harnoncourt
—
L’Orfeo, Atto quinto: Moresca
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Vespro della Beata Vergine: Introductio: I. Deus in adiutorium - Domine ad adiuvandum me festina
—
Vespro della Beata Vergine: Psalmi: Antiphona: Per te 1
—
Vespro della Beata Vergine: Psalmi: II. Psalmus 109: Dixit Dominum
—
Vespro della Beata Vergine: Psalmi: Antiphona: Per te 2
—
Vespro della Beata Vergine: Psalmi: III. Concerto: Nigra sum
—
Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 1
—
Vespro della Beata Vergine: Psalmi: IV. Psalmus 112: Laudate pueri Dominum
—
Vespro della Beata Vergine: Psalmi: Antiphona: Tu gloria 2
—
Vespro della Beata Vergine: Psalmi: V. Concerto: Pulchra es
—
Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 1
—
Vespro della Beata Vergine: Psalmi: VI. Psalmus 121: Laetatus sum
—
Vespro della Beata Vergine: Psalmi: Antiphona: Dilectus meus 2
—
Vespro della Beata Vergine: Psalmi: VII. Concerto: Duo Seraphim
—
Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 1
—
Vespro della Beata Vergine: Psalmi: VIII. Psalmus 126: Nisi Dominus
—
Vespro della Beata Vergine: Psalmi: Antiphona: Virgo potens 2
—
Vespro della Beata Vergine: Psalmi: IX. Concerto: Audi caelum
—
Vespro della Beata Vergine: Psalmi: Antiphona: Dumm esset rex 1
—
Vespro della Beata Vergine: Psalmi: X. Psalmus 147: Lauda Jerusalem
—
Vespro della Beata Vergine: Psalmi: Antiphona: Dum esset rex 2
—
Vespro della Beata Vergine: Lectiones: Capitulum: Ab initio
—
Vespro della Beata Vergine: Lectiones: XI. Responsorium: Sonata sopra "Sancta Maria"
—
Vespro della Beata Vergine: Lectiones: XII. Hymnus: Ave maris stella
—
Vespro della Beata Vergine: Lectiones: Versiculum: Dignare me
—
Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 1
—
Vespro della Beata Vergine: Magnificat: XIII. Magnificat
—
Vespro della Beata Vergine: Magnificat: Antiphona: Beata es Maria 2
—
Vespro della Beata Vergine: Oratio: Dominus vobiscum . Et cum spiritu tuo
—
Missa K. 257 ("Credo"): Kyrie
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Missa K. 257 ("Credo"): Gloria
Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Missa K. 257 ("Credo"): Credo
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Missa K. 257 ("Credo"): Sanctus
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Missa K. 257 ("Credo"): Benedictus
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Missa K. 257 ("Credo"): Agnus Dei - Dona nobis
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Concentus Musicus Wien, Nikolaus Harnoncourt
Litaniae de venerabili altaris sacramento, K. 243: Panis vivus
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Verbum caro factum
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Hostia sancta
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Tremendum
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Dulcissimum convivium
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Viaticum
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Pignus
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Litaniae de venerabili altaris sacramento, K. 243: Agnus Dei - Misere
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Dido and Aeneas, Z. 626: Overture
—
Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow"
—
Dido and Aeneas, Z. 626: Act I. "Ah, Belinda"
—
Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing"
—
Dido and Aeneas, Z. 626: Act I. "Fear no danger"
—
Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears"
—
Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony
—
Dido and Aeneas, Z. 626: Act I. "To the hills and the vales"
—
Dido and Aeneas, Z. 626: Act I. The Triumphing Dance
—
Dido and Aeneas, Z. 626: Act II. Prélude
—
Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage"
—
Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform"
—
Dido and Aeneas, Z. 626: Act II, Scene I. "In our deep vaulted cell"
—
Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies
—
Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
—
Dido and Aeneas, Z. 626: Act II, Scene II. "Thanks to these lonesome vales"
—
Dido and Aeneas, Z. 626: Act II, Scene II. Gitter ground a Dance
—
Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits"
—
Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear"
—
Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince"
—
Dido and Aeneas, Z. 626: Act III Prélude
—
Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers"
—
Dido and Aeneas, Z. 626: Act III, Scene I. "Your counsel all is urg'd in vain"
—
Dido and Aeneas, Z. 626: Act III, Scene II. "Great minds against themselves conspire"
—
Dido and Aeneas, Z. 626: Act III, Scene II. "They hand, Belinda"
—
Dido and Aeneas, Z. 626: Act III, Scene II. "With droopings wings"
—
Piano Concerto in C major: I. Allegro maestoso
—
Piano Concerto in C major: II. Larghetto
—
Piano Concerto in C major: III. Andantino
—
Piano Concerto in B flat major: I. Allegro moderato
—
Piano Concerto in B flat major: II. Adagio
—
Piano Concerto in B flat major: III. Tempo di Menuetto
—
Piano Concerto in B flat major: I. Adagio non molto - Allegro
—
Piano Concerto in B flat major: II. Andante non molto
—
Piano Concerto in B flat major: III. Allegro
—
Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Introitus. "Da Jesu an dem Kreuze stund"
—
Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5
—
Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Und es war um die dritte Stunde
—
Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Sinfonia a 5 II.
—
Die Sieben Worte Jesu Christi am Kreuz, SWV 478: Conclusio. "Wer Gottes Marter in Ehren hat"
—
Lukas-Passion, SWV 480: Introitus: Das Leiden unsres Herren Jesu Christi
—
Lukas-Passion, SWV 480: Es war aber nahe das Fest der süßen Brot
—
Lukas-Passion, SWV 480: Und er ging hinaus nach seiner Gewohnheit an den Ölberg
—
Lukas-Passion, SWV 480: Da er aber noch redete
—
Lukas-Passion, SWV 480: Sie griffen ihn aber und führeten ihn
—
Lukas-Passion, SWV 480: Die Männer aber, die da Jesum hielten
—
Lukas-Passion, SWV 480: Und der ganze Haufen stund auf und führeten ihn für Pilatum
—
Lukas-Passion, SWV 480: Da aber PIlatus Galiläam hörete
—
Lukas-Passion, SWV 480: Pilatus aber rief die Hohenpriester und die Obristen
—
Lukas-Passion, SWV 480: Und als sie ihn hinführeten
—
Lukas-Passion, SWV 480: Und es war um die sechste Stunde
—
Lukas-Passion, SWV 480: Und alles Volk, das dabei war und zusah
—
Lukas-Passion, SWV 480: Beschluß: Wer Gottes Marter in Ehren hat
—
Musique de table, Production III: Ouverture et Suite in B-flat major: I. Ouverture: Lentement - Presto - Lentement
—
Musique de table, Production III: Ouverture et Suite in B-flat major: II. Bergerie: Un peu vivement
—
Musique de table, Production III: Ouverture et Suite in B-flat major: III. Allegrésse, vite
—
Musique de table, Production III: Ouverture et Suite in B-flat major: IV. Postillons
—
Musique de table, Production III: Ouverture et Suite in B-flat major: V. Flatterie
—
Musique de table, Production III: Ouverture et Suite in B-flat major: VI. Badinage: Très vite
—
Musique de table, Production III: Ouverture et Suite in B-flat major: VII. Menuet
—
Musique de table, Production III: Quatuor in E minor: I. Adagio
—
Musique de table, Production III: Quatuor in E minor: II. Allegro
—
Musique de table, Production III: Quatuor in E minor: III. Dolce
—
Musique de table, Production III: Quatuor in E minor: IV. Allegro
—
Musique de table, Production III: Concert in E-flat major: I. Maestoso
—
Musique de table, Production III: Concert in E-flat major: II. Allegro
—
Musique de table, Production III: Concert in E-flat major: III. Grave
—
Musique de table, Production III: Concert in E-flat major: IV. Vivace
—
Musique de table, Production III: Trio in D major: I. Andante
—
Musique de table, Production III: Trio in D major: II. Andante
—
Musique de table, Production III: Trio in D major: III. Grave - Largo - Grave
—
Musique de table, Production III: Trio in D major: IV. Vivace
—
Musique de table, Production III: Solo in G minor: I. Largo
—
Musique de table, Production III: Solo in G minor: II. Presto - Tempo giusto
—
Musique de table, Production III: Solo in G minor: III. Andante
—
Musique de table, Production III: Solo in G minor: IV. Allegro
—
Musique de table, Production III: Conclusion in B-flat major: Furioso
—
Suite for Recorder & Strings in A minor TWV 55, a2: I. Overture
—
Suite for Recorder & Strings in A minor TWV 55, a2: II. Les plaisirs 1 & 2
—
Suite for Recorder & Strings in A minor TWV 55, a2: III. Air à l'Italien
—
Suite for Recorder & Strings in A minor TWV 55, a2: IV. Menuet 1 alternativement & Menuet 2
—
Suite for Recorder & Strings in A minor TWV 55, a2: V. Réjouissance
—
Suite for Recorder & Strings in A minor TWV 55, a2: VI. Passepied 1 & 2
—
Suite for Recorder & Strings in A minor TWV 55, a2: VII. Polonaise
—
Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: I. Largo
—
Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: II. Allegro
—
Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: III. Largo
—
Concerto for Recorder, Flute & Strings in E minor TWV 52, e1: IV. Presto
—
Concerto for Viola & Strings in G major TWV 51, G9: I. Largo
—
Concerto for Viola & Strings in G major TWV 51, G9: II. Allegro
—
Concerto for Viola & Strings in G major TWV 51, G9: III. Andante
—
Concerto for Viola & Strings in G major TWV 51, G9: IV. Presto
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: I. Overture
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: II. Menuet 1 & 2
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: III. Les Allemands anciens
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IV. Les Allemands modernes
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: V. Les Suédois anciens
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VI. Les Suédois modernes
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VII. Les Danois anciens
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: VIII. Les Danois modernes
—
Overture des Nations anciens et moderne for Strings in G major TWV 55, G4: IX. Les vieilles femmes
—
Symphony in D minor, Bryan d1: I. Allegro
—
Symphony in D minor, Bryan d1: II. Arioso. Ma non lento
—
Symphony in D minor, Bryan d1: III. Menuetto - Trio
—
Symphony in D minor, Bryan d1: IV. Presto
—
Symphony in G minor, Bryan g1: I. Allegro moderato
—
Symphony in G minor, Bryan g1: II. Andante cantabile
—
Symphony in G minor, Bryan g1: III. Menuetto - Trio
—
Symphony in G minor, Bryan g1: IV. Finale. Allegro
—
Symphony in C major, "Sinfonia comista", Bryan C11: I. Allegro con brio (La speranza)
—
Symphony in C major, "Sinfonia comista", Bryan C11: II. Andante cantabile (Il sospirare e languire)
—
Symphony in C major, "Sinfonia comista", Bryan C11: III. Finale. Adagio più andante (La lamentazione) - Allegro (L'allegrezza)
—
Symphony in A minor, Bryan a2: I. Allegro moderato
—
Symphony in A minor, Bryan a2: II. Andante cantabile
—
Symphony in A minor, Bryan a2: III. Menuetto - Trio
—
Symphony in A minor, Bryan a2: IV. Allegro
—
Symphony in E minor, Bryan e1: I. Allegro moderato
—
Symphony in E minor, Bryan e1: II. Andante
—
Symphony in E minor, Bryan e1: III. Menuetto - Trio
—
Symphony in E minor, Bryan e1: IV. Finale. Allegro
—
Salve regina
—
O sacrum convivium
—
O Ildephonse
—
Duo seraphim clamabant
—
Quam pulchri sunt
—
Magnificat
—
Super flumina Babylonis
—
Domine, non sum dignus
—
Beati immaculati
—
Sancta Maria
—
O sacrum convivium [II]
—
Senex puerum portabat
—
Ave Maria
—
Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": I. Allegro
—
Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": II. Largo
—
Concerto in F major, Op. 10 No. 1, RV 98, "La tempesta di mare": III. Presto
—
Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": I. Largo
—
Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": II. Fantasmi
—
Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": III. Presto
—
Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": IV. Il Sonno - Largo
—
Concerto in G minor, Op. 10 No. 2, RV 104, "La notte": V. Allegro
—
Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": I. Allegro
—
Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": II. Largo
—
Concerto in D major, Op. 10 No. 3, RV 90, "Il gardellino": III. Allegro
—
Concerto in G major, Op. 10 No. 4, RV 435: I. Allegro
—
Concerto in G major, Op. 10 No. 4, RV 435: II. Largo
—
Concerto in G major, Op. 10 No. 4, RV 435: III. Allegro
—
Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": I. Allegro ma non molto
—
Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": II. Largo e cantabile
—
Concerto in F major, Op. 10 No. 5, RV 442, "Tutti gli istrumenti sordini": III. Allegro
—
Concerto in G major, Op. 10 No. 6, RV 101: I. Allegro
—
Concerto in G major, Op. 10 No. 6, RV 101: II. Largo
—
Concerto in G major, Op. 10 No. 6, RV 101: III. Allegro
—
Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": I. Allegro
—
Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo
—
Le quattro stagioni: Violin Concerto in E major, op. 8 no. 1, RV 269 "La Primavera": III. Allegro
—
Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molta
—
Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": II. Adagio, Presto
—
Le quattro stagioni: Violin Concerto in G major, op. 8 no. 2, RV 315 "L'estate": III. Presto
—
The Four Seasons: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro, Allegro assai
Enrico Onofri, Il giardino armonico, Giovanni Antonini
—
Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto
—
Le quattro stagioni: Violin Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro
—
Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto
—
Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo
—
Le quattro stagioni: Violin Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro
—
Oboe Concerto in D minor, op. 8 no. 9, RV 454: I. Allegro
—
Oboe Concerto in D minor, op. 8 no. 9, RV 454: II. Largo
—
Oboe Concerto in D minor, op. 8 no. 9, RV 454: III. Allegro
—
Violin Concerto in G minor, op. 8 no. 8, RV 332: I. Allegro
—
Violin Concerto in G minor, op. 8 no. 8, RV 332: II. Largo
—
Violin Concerto in G minor, op. 8 no. 8, RV 332: III. Allegro
—
Hipocondrie à 7 concerttanti in A major, ZWV 187
—
Sonata No. 2 in G minor, ZWV 181: I. Andante
—
Sonata No. 2 in G minor, ZWV 181: II. Allegro
—
Sonata No. 2 in G minor, ZWV 181: III. Andante
—
Sonata No. 2 in G minor, ZWV 181: IV. Allegro assai
—
Overture à 7 concerttanti in F major, ZWV 188: I. Grave - Allegro - Grave
—
Overture à 7 concerttanti in F major, ZWV 188: II. Aria
—
Overture à 7 concerttanti in F major, ZWV 188: III. Menuet I & II
—
Overture à 7 concerttanti in F major, ZWV 188: IV. [Siciliano]
—
Overture à 7 concerttanti in F major, ZWV 188: V. Folie
—
Old Hall Manuscript: Alma Proles
—
Old Hall Manuscript: Crux Fidelis
—
Old Hall Manuscript: Qualis est dilectus
—
Old Hall Manuscript: O crux gloriosa
—
Old Hall Manuscript: Gloria
—
Old Hall Manuscript: Salve porta paradisi
—
Old Hall Manuscript: Gaude virgo
—
Old Hall Manuscript: Credo
—
Old Hall Manuscript: Albanus roseo rutilat
—
Old Hall Manuscript: Agnus Dei
—
Madrigals: Those sweet delightful lilies
—
Madrigals: Some men desire spouses
—
Madrigals: Retire, my troubled soul
—
Madrigals: Hark jolly shepherds
—
Madrigals: Come woeful Orpheus
—
Madrigals: Come sirrah Jack ho!
—
Madrigals: O my thoughts surcease
—
Madrigals: Die now, my heart
—
Variations on "La Follia", Op. 5 No. 12 in G minor: I. Adagio
—
Variations on "La Follia", Op. 5 No. 12 in G minor: II. Allegro
—
Variations on "La Follia", Op. 5 No. 12 in G minor: III. Adagio
—
Variations on "La Follia", Op. 5 No. 12 in G minor: IV. Vivace
—
Variations on "La Follia", Op. 5 No. 12 in G minor: V. Allegro
—
Variations on "La Follia", Op. 5 No. 12 in G minor: VI. Andante
—
Variations on "La Follia", Op. 5 No. 12 in G minor: VII. Allegro
—
Variations on "La Follia", Op. 5 No. 12 in G minor: VIII. Adagio
—
Variations on "La Follia", Op. 5 No. 12 in G minor: IX. Allegro
—
Sonata in C major: I. Adagio
—
Sonata in C major: II. Allegro
—
Sonata in C major: III. Largo
—
Sonata in C major: IV. Presto
—
Sonata in G major: I. Largo
—
Sonata in G major: II. Allegro
—
Sonata in G major: III. Largo
—
Sonata in G major: IV. Allegro
—
Sonata in A minor: I. Adagio
—
Sonata in A minor: II. Allegro
—
Sonata in A minor: III. Tempi di minuetto
—
Sonata in A minor: IV. Allegro
—
Sonata Op. 13, No. 6 in G minor: I. Vivace
—
Sonata Op. 13, No. 6 in G minor: II. Alla breve
—
Sonata Op. 13, No. 6 in G minor: III. Largo
—
Sonata Op. 13, No. 6 in G minor: IV. Allegro ma non presto
—
Sonata Op. 2, No. 11 in D minor: I. Adagio
—
Sonata Op. 2, No. 11 in D minor: II. Allegro
—
Sonata Op. 2, No. 11 in D minor: III. Largo
—
Sonata Op. 2, No. 11 in D minor: IV. Allegro
—
Sonata Op. 5, No. 4 in F major: I. Adagio
—
Sonata Op. 5, No. 4 in F major: II. Allegro
—
Sonata Op. 5, No. 4 in F major: III. Vivace
—
Sonata Op. 5, No. 4 in F major: IV. Adagio
—
Sonata Op. 5, No. 4 in F major: V. Allegro
—
Sonata in A minor: I. Largo
—
Sonata in A minor: II. Allegro
—
Sonata in A minor: III. Allegro
—
Sonata in A minor: IV. Allegro
—
Cello Sonata No. 7 in B flat major G8: I. Allegro
—
Cello Sonata No. 7 in B flat major G8: II. Largo - Allegro - Adagio
—
Cello Sonata No. 7 in B flat major G8: III. Larghetto - Allegro - Larghetto - Presto - Primo Tempo - Allegro - Larghetto
—
Canon for 2 Violoncellos
—
Ricercata No. 8
—
Sonata III for 2 Cellos in A minor: I. Andante
—
Sonata III for 2 Cellos in A minor: II. Allegro
—
Sonata No. 3 for 2 Cellos in A minor: III. Minuet. Allegro
—
Cello Sonata No. 1 in A minor: I. Andante
—
Cello Sonata No. 1 in A minor: II. Allegro
—
Cello Sonata No. 1 in A minor: III. Grazioso - Minuet - Grazioso
—
Cello Sonata No. 1 in B flat major, RV 423: I. Largo
—
Cello Sonata No. 1 in B flat major, RV 423: II. Allegro
—
Cello Sonata No. 1 in B flat major, RV 423: III. Largo
—
Cello Sonata No. 1 in B flat major, RV 423: IV. Allegro
—
Cello Sonata in D minor, Op. 5 No. 2: I. Andante
—
Cello Sonata in D minor, Op. 5 No. 2: II. Presto
—
Cello Sonata in D minor, Op. 5 No. 2: III. Adagio
—
Cello Sonata in D minor, Op. 5 No. 2: IV. Allegro
—
Pavan in C major
—
Suite No. 1 in C minor: I. Fantasia
—
Suite No. 1 in C minor: II. In Nomine
—
Suite No. 1 in C minor: III. Air
—
Suite No. 2 a 5 in F major: I. Fantasia
—
Suite No. 2 a 5 in F major: II. Aire
—
Sonata No. 7 in D minor: I. Fantasia
—
Sonata No. 7 in D minor: II. Air (Almand)
—
Sonata No. 7 in D minor: III. Air (Galliard)
—
Suite No. 3 a 6 in B flat major: II. In nomine
—
Fantasia
—
Suite: Fantasia
—
Suite: Almand
—
Suite: Galliard
—
Pavan in D BK52a
—
Galliard in D BK52b
—
Fantasia No. 2 a 6 in G minor BE17, 12
—
Fantasia No. 3 a 3 in C BK27
—
Ricercar, "Bonney sweet Robin"
—
Fantasia
—
Suite No. 2 a 5 in F major: I. Fantasia
—
Suite No. 2 a 5 in F major: II. Aire
—
Pavan in A major
—
Fantasia in D major
—
Sonata No. 7 in D minor: I. Fantasia
—
Sonata No. 7 in D minor: II. Air (Almand)
—
Sonata No. 7 in D minor: III. Galliard
—
Pavan and Galliard a 6 in C major: I. Pavan
—
Pavan and Galliard a 6 in C major: II. Galliard
—
Dowland's Lachrymae
—
Galliard "Can she excuse my wrongs"
—
A Sad Pavan for these Distracted Times
—
Suite No. 3 a 6 in B flat major: II. In nomine
—
Nancie
—
Pavana Chromatica, "Mrs Katherin Tregians Pavan"
—
Pavane in D major, BK52a
—
Galliard in D major, BK52b
—
Fantasia No. 1 in G on Ut re mi fa sol la, "Hexachord Fantasia"
—
Hey ho, to the greenwood
—
Luer falconers
—
Hey trola, trola
—
We cats when assembled
—
Round about in a fair ring
—
Yonder comes
—
Since time so kind
—
I cannot come every day
—
Once, twice, thrice
—
Tomorrow the fox will come
—
Canst thou love
—
Celia learning on a spinnet
—
Who liveth so merry
—
Long have we bin perplext
—
Hey ho, nobody at home
—
Give us once a drink
—
Would you know
—
The glories of our birth
—
Under this stone
—
Who's the fool now?
—
Diaphenia
—
Thinkst thou kate
—
Down-a-down
—
A shepherd in a shade
—
Fine knacks for ladies
—
Where sin sore wounding
—
Never weather-beaten sail
—
Jack and jone
—
Capriccio stravagante à 4
—
Fechtschule à 4
—
Sonata violino solo representativa in A major
—
Le Tableau de l'operation de la taille
—
Concerto, Op. 10 No. 2 "La Notte", RV 439: I. Largo
—
Concerto, Op. 10 No. 2 "La Notte", RV 439: II. Fantasmi. Presto - Largo - Andante
—
Concerto, Op. 10 No. 2 "La Notte", RV 439: III. Il Sonno. Largo
—
Concerto, Op. 10 No. 2 "La Notte", RV 439: IV. Allegro
—
Quintet in D major, Op. 11 No. 6: I. Allegro
—
Quintet in D major, Op. 11 No. 6: II. Andantino
—
Quintet in D major, Op. 11 No. 6: III. Allegro assai
—
Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: I. Allegro
—
Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: II. Andante
—
Quintet for Harpsichord, Flute, Violin, Viola and Cello in B flat major: III. Menuetto
—
Trio in A major, Op. 1 No. 2: I. Allegro assai
—
Trio in A major, Op. 1 No. 2: II. Andante poco Adagio
—
Trio in A major, Op. 1 No. 2: III. Menuet
—
Trio in A major, Op. 1 No. 2: IV. Prestissimo
—
String Quartet in B flat major, Op. 5 No. 2: I. Poco Allegretto
—
String Quartet in B flat major, Op. 5 No. 2: II. Poco Andante
—
String Quartet in B flat major, Op. 5 No. 2: III. Fugato presto
—
In Nomine IX
—
The King's Hunt
—
Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Pavan
—
Queen Elizabeth's Chromatic Pavan and Gaillard: Chromatic Gaillard
—
Queen Elizabeth's Chromatic Pavan and Gaillard: Dutch Dance
—
Queen Elizabeth's Chromatic Pavan and Gaillard: Fantasia XII
—
Fantastic Pavan and Gaillard: Fantastic Pavan
—
Fantastic Pavan and Gaillard: Galiarda
—
Fantastic Pavan and Gaillard: In Nomine IX
—
Fantastic Pavan and Gaillard: Germain's Alman
—
Fantastic Pavan and Gaillard: Fantasia X
—
Fantastic Pavan and Gaillard: Canon in subdiapente
—
Fantastic Pavan and Gaillard: Doctor Bull's My Selfe
—
Concerto for Recorder, two Violins and Viola in A minor: I. Largo
—
Concerto for Recorder, two Violins and Viola in A minor: II. Allegro
—
Concerto for Recorder, two Violins and Viola in A minor: III. Larghetto
—
Concerto for Recorder, two Violins and Viola in A minor: IV. Spiritoso
—
Mandolin Sonata in D minor K 90: I. Grave
—
Mandolin Sonata in D minor K 90: II. Allegro
—
Mandolin Sonata in D minor K 90: III. Allegro
—
Concerto for two Violins and Viola in G minor: I. Affettuoso
—
Concerto for two Violins and Viola in G minor: II. Presto
—
Concerto for two Violins and Viola in G minor: III. Largo affettuoso
—
Concerto for two Violins and Viola in G minor: IV. Allegro
—
Sonata for Recorder and two Violins in A minor: I. Allegro
—
Sonata for Recorder and two Violins in A minor: II. Largo
—
Sonata for Recorder and two Violins in A minor: III. Fuga
—
Sonata for Recorder and two Violins in A minor: IV. Piano
—
Sonata for Recorder and two Violins in A minor: V. Allegro
—
Sonata for Recorder and two Violins in D minor: I. Amoroso
—
Sonata for Recorder and two Violins in D minor: II. Allegro
—
Sonata for Recorder and two Violins in D minor: III. Largo
—
Sonata for Recorder and two Violins in D minor: IV. Allegro
—
Der Understand ist ihr verwandt
—
Der Liebe Macht herrscht Tag und Nacht
—
Der Rheinische Wien tanzt gar zu fein
—
Wald-Gesang
—
Lob der Freundschaft
—
Vorjahrs-Liedchen
—
Serenade for Strings and Bass Continuo
—
Meine Seele, willt du ruh'n
—
Von der Ewigkeit
—
Ich wall auf Erden hin und her
—
Erbarm dich mein o Herre Gott
—
Fly swift, ye hours
—
The Father Brave
—
Return, revolting Rebels
—
Sérénade
—
Quoy Clorinde, tu pars
—
Pauvres amants
—
Ha! quelle folie
—
Ombre opach
—
Lagrime dolorose
—
O che nuovo stupor
—
Vanitas vanitatum II: Simphonia
—
Vanitas vanitatum II: "Hinc, mortales"
—
Ogni nostro piacer
—
Musiche sacre e morali: "Da tutti gli horologi si cava moralità"
—
Ergi la mente al sole: Introduttione
—
Ergi la mente al sole: "Io sono il sole"
—
Florido concento di madrigale: "Sospirate bellezze"
—
Arie: "Superbe colli"
—
O si quis daret concentum
—
Canzonette spirituali, e morali: Ciaccona di Paradiso, e dell'Inferno. "O che bel star è star in Paradiso"
—
Canzonette spirituali, e morali: Passacalli della vita. "O, come t'inganni"
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison | Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt | T-310.777.003-2 |
| Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo | Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | — |
Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055249285000000005547100300000000555103240000000059500502000000006308522500000000631082040000000063109354000000007776603X00000000783951620000000078395664
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00000000799418310000000080022023000000008077757300000000822401980000000083731757000000008386946500000000894090560000000106717684000000010867499900000001087087810000000108716781000000010877012000000001087856210000000108823501000000010896422400000001089938420000000109045350000000010907823200000001092850390000000109367704
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